Proposal:Concertmaster Relationship Type Proposal

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Status: This page describes an active advanced relationship proposal and is not official.


Proposal number: RFC-265a
Champion: BrianFreud
Current status: RFC
Initial Discussion



NOTE: I've added the various potential attributes, but they're copied/pasted from other ARs that use the same attributes. Please ignore that the description/link text currently is not updated for this AR.  :) (Based on User:symphonick/sandbox/Concertmaster)

"guest" I've struck from the position AR, and left only on the non-position AR.

BrianSchweitzer 06:31, 26 December 2010 (UTC)



Contents

Official Documentation: Advanced Relationships
  Relationship Classes > Performance Relationship Class > Concertmaster Relationship Type







This relationship type belongs to the Performance Relationship Class.

Description

This indicates that an artist is, or was, the concertmaster for a release or track.​ The concertmaster or concertmistress is normally the leader of the first violin section of an orchestra.


The titles typically used to describe this position are:

Concertmaster
First Chair
Leader

Link Phrases

  • Artist was concertmaster/concertmistress for Track
  • Track had concertmaster(s)/concertmistress(es) Artist

    Attributes

    “start date”

    There is no guideline yet for how the begin date fields might be used.

    “end date”

    There is no guideline yet for how the end date fields might be used.

    “assistant”

    This title indicates a less experienced, or first-time conductor, who works under the direction of a more experienced conductor.

    Link Phrases:

    “associate”

    This title indicates a less experienced conductor who works under the direction of the principal conductor.

    Link Phrases:

    “principal”

    This indicates that the group had multiple conductors who were led by this conductor. This may be indicated by either the title of "principal conductor" or "first conductor".

    Link Phrases:

    “numbered position”

    This indicates that the group had multiple conductors who were led by this conductor. This may be indicated by either the title of "principal conductor" or "first conductor".

    Link Phrases:

    “co”

    This indicates that the person collaborated in their engineering duties, with another engineer or with the performing artist, either of whom should then also be given a co-audio engineer credit.

    “acting”

    {{{attributeDescription6}}}

    “guest (needed? maybe this one only on the release/track version, not the artist-artist version)”

    This indicates that the conductor held a 'guest conductor' or 'visiting conductor' position. It does not indicate merely that a conductor was given a "guest conductor" credit on a particular release, release group, recording, or track.

    Link Phrases:

    “emeritus (exists?)”

    {{{attributeDescription8}}}

    “alternating (really needed?)”

    {{{attributeDescription9}}}

    Guidelines

    • A concertmaster or concertmistress must be a person artist.
    • A concertmaster or concertmistress is always also a member of the group, unless the guest attribute is used.

    Examples

  • Personal tools