History talk:CSG Standard/Mozart: Difference between revisions
JimDeLaHunt (talk | contribs) m (→Corrections: update lyrics in K. 527 Act I, Scene XVI (putting them in the correct place this time)) |
JimDeLaHunt (talk | contribs) (→Corrections: K. 527 Act II Scene XII) |
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* Act II, Scene VIII. "Mille torbidi pensieri..." (Leporello, Zerlina, Masetto, Donna Anna, Don Ottavio, Donna Elvira) |
* Act II, Scene VIII. "Mille torbidi pensieri..." (Leporello, Zerlina, Masetto, Donna Anna, Don Ottavio, Donna Elvira) |
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[[User:JimDeLaHunt|JimDeLaHunt]] 07:04, 3 October 2011 (UTC) |
[[User:JimDeLaHunt|JimDeLaHunt]] 07:04, 3 October 2011 (UTC) |
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| K. 527 (Don Joe) || my recording (1982 Maazel and Paris Opera) had the following two entries for the latter part of Act II, Scene XII: |
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* Act II, Scene XII. No. 23 Recitativo accompagnato "Crudele! - Ah no, mio bene!" / Aria "Non mi dir" (Donna Anna) |
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* Act II, Scene XII. "Forse un giorno..." (Donna Anna) |
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These came after "Calmatevi, idol mio" and before "Ah, si segua il suo passo". [[User:JimDeLaHunt|JimDeLaHunt]] 07:37, 3 October 2011 (UTC) |
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Revision as of 07:37, 3 October 2011
6 Minuets for Orchestra in D major, K. 61f/105
- According to Not by Mozart in K1 at the very helpful MozartForum, this work was really by Michael Haydn. -- Crazee canuck 17:18, 10 July 2009 (UTC)
- Thanks, I must have missed that one - and I agree, a great reference site :) -- Brianfreud
Spurious wiki page
Started at CSG Standard/Mozart/Spurious, assuming it's OK.
Corrections
The page is too large to edit, at the moment. So, I guess a section here for corrections is in order, until we get Works and can merge the corrections back in.
- Another option is to shrink the page until it is editable, then apply corrections to the page. A way to shrink the page is to break it into sub-pages: Mozart/Symphonies, Mozart/Operas/Don_Giovanni, etc. JimDeLaHunt 06:25, 3 October 2011 (UTC)
271H | Divertimento No. 15 for 2 Horns, 2 Violins, Viola & Double Bass in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": II. Tema con variazioni. Andante grazioso con variazioni |
K. 320d/364 | Should this be in "E-flat major" rather than "E major"? Sinfonia Concertante
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K. 527 (Don Joe) | Act I, Scene XIV. Recitativo "Come mai cerder deggio" (Don Giovanni) should say "creder" instead of "cerder" and "Don Ottavio" instead of "Don Giovanni" JimDeLaHunt 06:25, 3 October 2011 (UTC) |
K. 527 (Don Joe) | Where you have five entries,
my recording (1982 Maazel and Paris Opera) had the following five entries with different boundaries and different sets of characters:
Also, "Scenes XVIII-XIV" should probably say "XIX" instead of "XIV". "18-14" doesn't make much sense as a range. JimDeLaHunt 06:52, 3 October 2011 (UTC) |
K. 527 (Don Joe) | Your list is missing Act II, Scene VIII. My recording (1982 Maazel and Paris Opera) had the following two entries
JimDeLaHunt 07:04, 3 October 2011 (UTC) |
K. 527 (Don Joe) | my recording (1982 Maazel and Paris Opera) had the following two entries for the latter part of Act II, Scene XII:
These came after "Calmatevi, idol mio" and before "Ah, si segua il suo passo". JimDeLaHunt 07:37, 3 October 2011 (UTC) |
Mentioned to me as erronious; needs to be checked: The Introduction K. 626a/44 and Cadenza K. 626a/45 are for the third movement, not the second one. BrianSchweitzer 22:52, 31 January 2011 (UTC)
Long long names
Don't you think most of the names are really long? -- [user:sinasab |sinasab]
Work names follow CSG; CSG defines titles which do tend to be rather long. There's nothing negative about that, however. 99.243.33.163 04:32, 30 August 2010 (UTC)