History:CSG Standard/Beethoven

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Quick Notes

  • I feel pretty confident about the works with green headers.
  • If the "AdvancedRelationships + Notes" section says someone else gets a "composed" AR then it will also outline which AR to give to LvB.
  • The dates in the "CompositionDate" column are for LvB "composed" ARs only. Other artists' composition credits will be outlined in the "AdvancedRelationships + Notes" column.
  • The releases part of the Deutsche Grammophon "Complete Beethoven Edition" have been tagged.

Opus

Op. TrackTitle CompositionDate AdvancedRelationships + Notes
Op. 1 No. 1 - Piano Trio No. 1
1/1 Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: I. Allegro 1792-92
1/1 Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: II. Adagio cantabile 1792-93
1/1 Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: III. Scherzo 1792-93
1/1 Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: IV. Finale. Presto 1792-93
Op. 1 No. 2 - Piano Trio No. 2
1/2 Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: I. Adagio - Allegro vivace 1794
1/2 Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: II. Largo con espressione 1794
1/2 Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: III. Scherzo. Allegro 1794
1/2 Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: IV. Finale. Presto 1794
Op. 1 No. 3 - Piano Trio No. 3
1/3 Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: I. Allegro con brio 1794
1/3 Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: II. Adagio cantabile con variazioni 1794
1/3 Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: III. Menuetto. Quasi allegro 1794
1/3 Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: IV. Finale. Prestissimo 1794
Op. 2 No. 1 - Sonata for Piano No. 1
2/1 Sonata for Piano No. 1 in F minor, Op. 2 No. 1: I. Allegro 1795
2/1 Sonata for Piano No. 1 in F minor, Op. 2 No. 1: II. Adagio 1795
2/1 Sonata for Piano No. 1 in F minor, Op. 2 No. 1: III. Menuetto. Allegretto 1795
2/1 Sonata for Piano No. 1 in F minor, Op. 2 No. 1: IV. Prestissimo 1795
Op. 2 No. 2 - Sonata for Piano No. 2
2/2 Sonata for Piano No. 2 in A major, Op. 2 No. 2: I. Allegro vivace 1795
2/2 Sonata for Piano No. 2 in A major, Op. 2 No. 2: II. Largo appassionato 1795
2/2 Sonata for Piano No. 2 in A major, Op. 2 No. 2: III. Scherzo. Allegretto 1795
2/2 Sonata for Piano No. 2 in A major, Op. 2 No. 2: IV. Rondo. Grazioso 1795
Op. 2 No. 3 - Sonata for Piano No. 3
2/3 Sonata for Piano No. 3 in C major, Op. 2 No. 3: I. Allegro con brio 1795
2/3 Sonata for Piano No. 3 in C major, Op. 2 No. 3: II. Adagio 1795
2/3 Sonata for Piano No. 3 in C major, Op. 2 No. 3: III. Scherzo. Allegro 1795
2/3 Sonata for Piano No. 3 in C major, Op. 2 No. 3: IV. Allegro assai 1795
Op. 3 - String Trio
3 Trio for Violin, Viola, and Cello in E-flat major, Op. 3: I. Allegro con brio
3 Trio for Violin, Viola, and Cello in E-flat major, Op. 3: II. Andante
3 Trio for Violin, Viola, and Cello in E-flat major, Op. 3: III. Menuetto. Allegretto
3 Trio for Violin, Viola, and Cello in E-flat major, Op. 3: IV. Adagio
3 Trio for Violin, Viola, and Cello in E-flat major, Op. 3: V. Menuetto. Moderato
3 Trio for Violin, Viola, and Cello in E-flat major, Op. 3: VI. Finale. Allegro
Op. 4 - String Quintet
4 Quintet for 2 Violins, 2 Violas, and Cello in E-flat major, Op. 4: I. Allegro con brio
4 Quintet for 2 Violins, 2 Violas, and Cello in E-flat major, Op. 4: II. Andante
4 Quintet for 2 Violins, 2 Violas, and Cello in E-flat major, Op. 4: III. Menuetto. Più allegretto
4 Quintet for 2 Violins, 2 Violas, and Cello in E-flat major, Op. 4: IV. Presto
Op. 5 No. 1 - Sonata for Piano and Cello No. 1
5/1 Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: I. Adagio sostenuto - Allegro - Adagio - Presto - Tempo primo
5/1 Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: II. Allegro vivace
Op. 5 No. 2 - Sonata for Piano and Cello No. 2
5/2 Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: I. Adagio sostenuto e espressivo - Allegro molto più tosto presto
5/2 Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: II. Rondo. Allegro
Op. 6 - Sonata for 2 Pianos
6 Sonata for 2 Pianos in D major, Op. 6: I. Allegro molto 1796-97
6 Sonata for 2 Pianos in D major, Op. 6: II. Rondo. Moderato 1796-97
Op. 7 - Sonata for Piano No. 4
7 Sonata for Piano No. 4 in E-flat major, Op. 7: I. Allegro molto e con brio
7 Sonata for Piano No. 4 in E-flat major, Op. 7: II. Largo, con gran espressione
7 Sonata for Piano No. 4 in E-flat major, Op. 7: III. Allegro
7 Sonata for Piano No. 4 in E-flat major, Op. 7: IV. Rondo. Poco allegretto e grazioso
Op. 8 - Serenade for String Trio
8 Serenade for Violin, Viola, and Cello in D major, Op. 8: I. Marcia. Allegro - Adagio 1796-97
8 Serenade for Violin, Viola, and Cello in D major, Op. 8: II. Menuetto. Allegretto 1796-97
8 Serenade for Violin, Viola, and Cello in D major, Op. 8: III. Adagio - Scherzo. Allegro molto - Adagio - Allegro molto - Adagio 1796-97
8 Serenade for Violin, Viola, and Cello in D major, Op. 8: IV. Allegretto alla polacca 1796-97
8 Serenade for Violin, Viola, and Cello in D major, Op. 8: V. Tema con Variazioni. Andante quasi allegretto - Var. I-IV - Marcia. Allegro 1796-97
Op. 9 No. 1 - String Trio
9/1 Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: I. Adagio - Allegro con brio 1797-98
9/1 Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: II. Adagio, ma non tanto, e cantabile 1797-98
9/1 Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: III. Scherzo. Allegro 1797-98
9/1 Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: IV. Presto 1797-98
Op. 9 No. 2 - String Trio
9/2 Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: I. Allegretto 1797-98
9/2 Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: II. Andante quasi allegretto 1797-98
9/2 Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: III. Menuetto. Allegro 1797-98
9/2 Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: IV. Rondò. Allegro 1797-98
Op. 9 No. 3 - String Trio
9/3 Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: I. Allegro con spirito 1797-98
9/3 Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: II. Adagio con espressione 1797-98
9/3 Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: III. Scherzo. Allegro molto e vivace 1797-98
9/3 Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: IV. Finale. Presto 1797-98
Op. 10 No. 1 - Sonata for Piano No. 5
10/1 Sonata for Piano No. 5 in C minor, Op. 10 No. 1: I. Allegro molto e con brio
10/1 Sonata for Piano No. 5 in C minor, Op. 10 No. 1: II. Adagio molto
10/1 Sonata for Piano No. 5 in C minor, Op. 10 No. 1: III. Prestissimo
Op. 10 No. 2 - Sonata for Piano No. 6
10/2 Sonata for Piano No. 6 in F major, Op. 10 No. 2: I. Allegro
10/2 Sonata for Piano No. 6 in F major, Op. 10 No. 2: II. Allegretto
10/2 Sonata for Piano No. 6 in F major, Op. 10 No. 2: III. Presto
Op. 10 No. 3 - Sonata for Piano No. 7
10/3 Sonata for Piano No. 7 in D major, Op. 10 No. 3: I. Presto
10/3 Sonata for Piano No. 7 in D major, Op. 10 No. 3: II. Largo e mesto
10/3 Sonata for Piano No. 7 in D major, Op. 10 No. 3: III. Menuetto. Allegro
10/3 Sonata for Piano No. 7 in D major, Op. 10 No. 3: IV. Rondo. Allegro
Op. 11 - Piano Trio No. 4
11 Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11: I. Allegro con brio
11 Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11: II. Adagio
11 Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11: III. Allegretto con variazioni
Op. 12 No. 1 - Sonata for Piano and Violin No. 1
12/1 Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: I. Allegro con brio
12/1 Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: II. Tema con Variazioni. Andante con moto
12/1 Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: III. Rondo. Allegro
Op. 12 No. 2 - Sonata for Piano and Violin No. 2
12/2 Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: I. Allegro vivace
12/2 Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: II. Andante più tosto allegretto
12/2 Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: III. Allegro piacevole
Op. 12 No. 3 - Sonata for Piano and Violin No. 3
12/3 Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: I. Allegro con spirito
12/3 Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: II. Adagio con molto espressione
12/3 Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: III. Rondo. Allegro molto
Op. 13 - Sonata for Piano No. 8
13 Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio
13 Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile
13 Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro
Op. 14 No. 1 - Sonata for Piano No. 9
14/1 Sonata for Piano No. 9 in E major, Op. 14 No. 1: I. Allegro
14/1 Sonata for Piano No. 9 in E major, Op. 14 No. 1: II. Allegretto
14/1 Sonata for Piano No. 9 in E major, Op. 14 No. 1: III. Rondo. Allegro comodo
Op. 14 No. 2 - Sonata for Piano No. 10
14/2 Sonata for Piano No. 10 in G major, Op. 14 No. 2: I. Allegro
14/2 Sonata for Piano No. 10 in G major, Op. 14 No. 2: II. Andante
14/2 Sonata for Piano No. 10 in G major, Op. 14 No. 2: III. Scherzo. Allegro assai
Op. 14a - Quartet for 2 Violins, Viola, and Cello in F major (arrangement from Op. 14 No. 1)
Op. 15 - Concerto for Piano and Orchestra No. 1
15 Concerto for Piano and Orchestra No. 1 in C major, Op. 15: I. Allegro con brio (cadenza: Ludwig van Beethoven) 1795 LvB: add. composed (revised), 1800; LvB: add. composed (cadenza), 1809;
15 Concerto for Piano and Orchestra No. 1 in C major, Op. 15: II. Largo 1795 LvB: add. composed (revised), 1800;
15 Concerto for Piano and Orchestra No. 1 in C major, Op. 15: III. Rondo. Allegro 1795 LvB: add. composed (revised), 1800;
Op. 16 - Quintet for Piano, Oboe, Clarinet, Horn, and Basson
16 Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: I. Grave - Allegro ma non troppo
16 Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: II. Andante cantabile
16 Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo
Op. 16a - Quartet for Piano, Violin, Viola, and Cello in E-flat major (arrangement from Op. 16)
16a Quartet for Piano, Violin, Viola, and Cello in E-flat major, Op. 16a: I. Grave - Allegro ma non troppo
16a Quartet for Piano, Violin, Viola, and Cello in E-flat major, Op. 16a: II. Andante cantabile
16a Quartet for Piano, Violin, Viola, and Cello in E-flat major, Op. 16a: III. Rondo. Allegro ma non troppo
Op. 17 - Sonata for Piano and French Horn
17 Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato
17 Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante
17 Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato
Op. 18 No. 1 - String Quartet No. 1
18/1 Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: I. Allegro con brio 1800
18/1 Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: II. Adagio affettuoso ed appassionato 1800
18/1 Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: III. Scherzo. Allegro molto 1800
18/1 Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: IV. Allegro 1800
Op. 18 No. 2 - String Quartet No. 2
18/2 Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: I. Allegro 1799-1800
18/2 Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: II. Adagio cantabile - Allegro - Tempo I 1799-1800
18/2 Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: III. Scherzo. Allegro 1799-1800
18/2 Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: IV. Allegro molto, quasi presto 1799-1800
Op. 18 No. 3 - String Quartet No. 3
18/3 Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: I. Allegro 1799-1800
18/3 Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: II. Andante con moto 1799-1800
18/3 Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: III. Allegro 1799-1800
18/3 Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: IV. Presto 1799-1800
Op. 18 No. 4 - String Quartet No. 4
18/4 Quartet for 2 Violins, Viola, and Cello No. 4 in C minor, Op. 18 No. 4: I. Allegro ma non tanto 1799-1800
18/4 Quartet for 2 Violins, Viola, and Cello No. 4 in C minor, Op. 18 No. 4: II. Andante scherzoso quasi allegretto 1799-1800
18/4 Quartet for 2 Violins, Viola, and Cello No. 4 in C minor, Op. 18 No. 4: III. Menuetto. Allegretto 1799-1800
18/4 Quartet for 2 Violins, Viola, and Cello No. 4 in C minor, Op. 18 No. 4: IV. Allegro - Prestissimo 1799-1800
Op. 18 No. 5 - String Quartet No. 5
18/5 Quartet for 2 Violins, Viola, and Cello No. 5 in A major, Op. 18 No. 5: I. Allegro 1799-1800
18/5 Quartet for 2 Violins, Viola, and Cello No. 5 in A major, Op. 18 No. 5: II. Menuetto 1799-1800
18/5 Quartet for 2 Violins, Viola, and Cello No. 5 in A major, Op. 18 No. 5: III. Andante cantabile 1799-1800
18/5 Quartet for 2 Violins, Viola, and Cello No. 5 in A major, Op. 18 No. 5: IV. Allegro 1799-1800
Op. 18 No. 6 - String Quartet No. 6
18/6 Quartet for 2 Violins, Viola, and Cello No. 6 in B-flat major, Op. 18 No. 6: I. Allegro con brio 1800
18/6 Quartet for 2 Violins, Viola, and Cello No. 6 in B-flat major, Op. 18 No. 6: II. Adagio ma non troppo 1800
18/6 Quartet for 2 Violins, Viola, and Cello No. 6 in B-flat major, Op. 18 No. 6: III. Scherzo. Allegro 1800
18/6 Quartet for 2 Violins, Viola, and Cello No. 6 in B-flat major, Op. 18 No. 6: IV. Adagio "La malinconia" - Allegretto quasi allegro 1800
Op. 19 - Concert for Piano and Orchestra No. 2
19 Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: I. Allegro con brio (cadenza: Ludwig van Beethoven) 1788-1801 LvB: add. composed (cadenza), 1809;
19 Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: II. Adagio 1788-1801
19 Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro 1788-1801
Op. 20 - Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello, and Bass
20 Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: I. Adagio - Allegro con brio
20 Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: II. Adagio cantabile
20 Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: III. Tempo di menuetto
20 Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: IV. Tema con Variazioni
20 Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace
20 Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: VI. Andante con moto - Presto
Op. 21 - Symphony No. 1
21 Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio 1799-1800
21 Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto 1799-1800
21 Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace 1799-1800
21 Symphony No. 1 in C major, Op. 21: IV. Adagio - Allegro molto e vivace 1799-1800
Op. 22 - Sonata for Piano No. 11
22 Sonata for Piano No. 11 in B-flat major, Op. 22: I. Allegro con brio
22 Sonata for Piano No. 11 in B-flat major, Op. 22: II. Adagio con molto espressione
22 Sonata for Piano No. 11 in B-flat major, Op. 22: III. Menuetto
22 Sonata for Piano No. 11 in B-flat major, Op. 22: IV. Rondo. Allegretto
Op. 23 - Sonata for Piano and Violin No. 4
23 Sonata for Violin and Piano No. 4 in A minor, Op. 23: I. Presto
23 Sonata for Violin and Piano No. 4 in A minor, Op. 23: II. Andante scherzoso, più allegretto
23 Sonata for Violin and Piano No. 4 in A minor, Op. 23: III. Allegro molto
Op. 24 - Sonata for Piano and Violin No. 5
24 Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": I. Allegro
24 Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": II. Adagio molto espressivo
24 Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": III. Scherzo. Allegro molto
24 Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": IV. Rondo. Allegro ma non troppo
Op. 25 - Serenade for Flute, Violin, and Viola
25 Serenade for Flute, Violin, and Viola in D major, Op. 25: I. Entrada. Allegro
25 Serenade for Flute, Violin, and Viola in D major, Op. 25: II. Tempo ordinario d'un minuetto
25 Serenade for Flute, Violin, and Viola in D major, Op. 25: III. Allegro molto
25 Serenade for Flute, Violin, and Viola in D major, Op. 25: IV. Andante con variazioni
25 Serenade for Flute, Violin, and Viola in D major, Op. 25: V. Allegro scherzando e vivace
25 Serenade for Flute, Violin, and Viola in D major, Op. 25: VI. Adagio - Allegro vivace e disinvolto
Op. 26 - Sonata for Piano No. 12
26 Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": I. Andante con Variazioni
26 Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": II. Scherzo. Allegro molto
26 Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": III. Marcia funebre sulla morte d'un Eroe
26 Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": IV. Allegro
Op. 27 No. 1 - Sonata for Piano No. 13
27/1 Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: I. Andante
27/1 Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: II. Allegro molto e vivace
27/1 Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: III. Adagio con espressione
27/1 Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: IV. Allegro vivace
Op. 27 No. 2 - Sonata for Piano No. 14
27/2 Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
27/2 Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto
27/2 Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato
Op. 28 - Sonata for Piano No. 15
28 Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": I. Allegro
28 Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": II. Andante
28 Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": III. Scherzo. Allegro vivace
28 Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": IV. Rondo. Allegro ma non troppo
Op. 29 - Quintet for Strings
29 Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: I. Allegro moderato
29 Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: II. Adagio molto espressivo
29 Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: III. Scherzo. Allegro
29 Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: IV. Presto
Op. 30 No. 1 - Sonata for Piano and Violin No. 6
30/1 Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: I. Allegro 1801-02
30/1 Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: II. Adagio molto espressivo 1801-02
30/1 Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: III. Allegretto con variazioni 1801-02
Op. 30 No. 2 - Sonata for Piano and Violin No. 7
30/2 Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: I. Allegro con brio 1801-02
30/2 Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: II. Adagio cantabile 1801-02
30/2 Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: III. Scherzo. Allegro 1801-02
30/2 Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: IV. Finale. Allegro - Presto
Op. 30 No. 3 - Sonata for Piano and Violin No. 8
30/3 Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: I. Allegro assai 1801-02
30/3 Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: II. Tempo di menuetto, ma molto moderato e grazioso 1801-02
30/3 Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: III. Allegro vivace 1801-02
Op. 31 No. 1 - Sonata for Piano No. 16
31/1 Sonata for Piano No. 16 in G major, Op. 31 No. 1: I. Allegro vivace
31/1 Sonata for Piano No. 16 in G major, Op. 31 No. 1: II. Adagio grazioso
31/1 Sonata for Piano No. 16 in G major, Op. 31 No. 1: III. Rondo. Allegretto
Op. 31 No. 2 - Sonata for Piano No. 17
31/2 Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": I. Largo - Allegro
31/2 Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": II. Adagio
31/2 Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": III. Allegretto
Op. 31 No. 3 - Sonata for Piano No. 18
31/3 Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: I. Allegro
31/3 Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: II. Scherzo. Allegretto vivace
31/3 Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: III. Minuetto. Moderato e grazioso
31/3 Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: IV. Presto con fuoco
Op. 32 - Song "An die Hoffnung"
32 Song for Voice and Piano in E-flat major, Op. 32 "An die Hoffnung": Poco adagio
Op. 33 - 7 Bagatelles for Piano
33 Bagatelle for Piano, Op. 33 No. 1 in E-flat major: Andante grazioso quasi allegretto
33 Bagatelle for Piano, Op. 33 No. 2 in C major: Scherzo. Allegro
33 Bagatelle for Piano, Op. 33 No. 3 in F major: Allegretto
33 Bagatelle for Piano, Op. 33 No. 4 in A major: Andante
33 Bagatelle for Piano, Op. 33 No. 5 in C major: Allegro ma non troppo
33 Bagatelle for Piano, Op. 33 No. 6 in D major: Allegretto quasi andante
33 Bagatelle for Piano, Op. 33 No. 7 in A-flat major: Presto
Op. 34 - 6 Variations for Piano
34 6 Variations for Piano in F major on an Original Theme, Op. 34: Thema. Adagio. Cantabile
34 6 Variations for Piano in F major on an Original Theme, Op. 34: Var. I
34 6 Variations for Piano in F major on an Original Theme, Op. 34: Var II. Allegro ma non troppo
34 6 Variations for Piano in F major on an Original Theme, Op. 34: Var III. Allegretto
34 6 Variations for Piano in F major on an Original Theme, Op. 34: Var. IV. Tempo di menuetto
34 6 Variations for Piano in F major on an Original Theme, Op. 34: Var. V. Marcia. Allegretto
34 6 Variations for Piano in F major on an Original Theme, Op. 34: Var. VI. Allegretto - Adagio molto
Op. 35 - 15 Variations with Fugue for Piano
35 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Introduzione col basso del tema. Allegretto vivace
35 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Tema
35 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. I
35 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. II
35 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. III
35 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. IV
35 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. V
35 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. VI
35 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. VII. Canone all'ottava
35 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. VIII
35 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. IX
35 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. X
35 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XI
35 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XII
35 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XIII
35 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XIV
35 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XV. Largo
35 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Coda
35 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Finale. Alla fuga. Allegro con brio - Andante con moto
Op. 36 - Symphony No. 2
36 Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio 1801-02
36 Symphony No. 2 in D major, Op. 36: II. Larghetto 1801-02
36 Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro 1801-02
36 Symphony No. 2 in D major, Op. 36: IV. Allegro molto 1801-02
Op. 36 - Symphony No. 2 (arranged for Piano Trio)
36 Trio for Piano, Violin, and Cello in D major, Op. 36 (arrangement from "Symphony No. 2": Ludwig van Beethoven): I. Adagio - Allegro con brio 1801-02] LvB: arranged, 1805
36 Trio for Piano, Violin, and Cello in D major, Op. 36 (arrangement from "Symphony No. 2": Ludwig van Beethoven): II. Larghetto quasi andante 1801-02 LvB: arranged, 1805
36 Trio for Piano, Violin, and Cello in D major, Op. 36 (arrangement from "Symphony No. 2": Ludwig van Beethoven): III. Scherzo 1801-02 LvB: arranged, 1805
36 Trio for Piano, Violin, and Cello in D major, Op. 36 (arrangement from "Symphony No. 2": Ludwig van Beethoven): IV. Allegro molto 1801-02 LvB: arranged, 1805
Op. 37 - Concerto for Piano and Orchestra No. 3
37 Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: I. Allegro con brio (cadenza: Ludwig van Beethoven) 1800-03 LvB: add. composed (cadenza), 1809;
37 Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: II. Largo 1800-03
37 Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: III. Rondo. Allegro 1800-03
Op. 38 - Trio for Piano, [Clarinet or Violin], and Cello
38 Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): I. Adagio - Allegro con brio 1802-03
38 Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): II. Adagio cantabile 1802-03
38 Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): III. Tempo di menuetto 1802-03
38 Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): IV. Andante con variazioni 1802-03
38 Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): V. Scherzo. Allegro molto e vivace 1802-03
38 Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): VI. Andante con moto alla marcia - Presto 1802-03
Op. 39 - Preludes for Piano or Organ
39/1 2 Preludes for [Piano or Organ], Op. 39 No. 1 in C major 1789
39/2 2 Preludes for [Piano or Organ], Op. 39 No. 2 in C minor 1789
Op. 40 - Romance for Violin and Orchestra No. 1
40 Romance for Violin and Orchestra No. 1 in G major, Op. 40: Andante 1800-02
Op. 41 - Serenade for Piano and Flute
41 Serenade for [Flute or Violin] and Piano in D major, Op. 41
Op. 42 - Nocturne for Piano and Viola
42 Nocturne for Viola and Piano in D major, Op. 42
Op. 43 - Die Geschöpfe des Prometheus
43 The Creatures of Prometheus, Op. 43: Introduction. Allegro non troppo
43 The Creatures of Prometheus, Op. 43: I. Poco adagio
43 The Creatures of Prometheus, Op. 43: II. Adagio - Allegro con brio
43 The Creatures of Prometheus, Op. 43: III. Allegro vivace
43 The Creatures of Prometheus, Op. 43: IV. Maestoso - Andante
43 The Creatures of Prometheus, Op. 43: V. Adagio - Andante quasi allegro
43 The Creatures of Prometheus, Op. 43: VI. Un poco adagio - Allegro
43 The Creatures of Prometheus, Op. 43: VII. Grave
43 The Creatures of Prometheus, Op. 43: VIII. Marcia. Allegro con brio
43 The Creatures of Prometheus, Op. 43: IX. Adagio
43 The Creatures of Prometheus, Op. 43: X. Pastoral. Allegro
43 The Creatures of Prometheus, Op. 43: XI. Chorus. Andante (Gioja)
43 The Creatures of Prometheus, Op. 43: XII. Solo. Maestoso - Adagio (Gioja)
43 The Creatures of Prometheus, Op. 43: XIII. Allegro
43 The Creatures of Prometheus, Op. 43: XIV. Solo. Andante - Adagio (Signora Cassentini)
43 The Creatures of Prometheus, Op. 43: XV. Coro e Solo. Andantino - Adagio (Vigano)
43 The Creatures of Prometheus, Op. 43: XVI. Finale. Allegretto
Op. 43a - Overture for Orchestra
43a Overture for Orchestra in C major, Op. 43a: I. Adagio
43a Overture for Orchestra in C major, Op. 43a: II. Allegro molto con brio
Op. 44 - 14 Variations for 3 Pianos
44 14 Variations for Piano, Violin, and Cello in E-flat major, Op. 44: Thema. Andante - Var. I-IV - Andante
Op. 45 - 3 Marches for 2 Pianos
45 3 Marches for 2 Pianos, Op. 45 No. 1 in C major: Allegro ma non troppo 1803
45 3 Marches for 2 Pianos, Op. 45 No. 2 in E-flat major: Vivace 1803
45 3 Marches for 2 Pianos, Op. 45 No. 3 in D major: Vivace 1803
Op. 46 - Song "Adelaide"
46 Cantata for Voice and Piano in B-flat major, Op. 46: Larghetto "Adelaide: Einsam wandelt dein Freund im Fruhlings Garten"
Op. 47 - Sonata for Piano and Violin No. 9
47 Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto 1802-03
47 Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": II. Andante con variazioni 1802-03
47 Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": III. Finale. Presto 1802-03
Op. 48 - 6 Songs
48/1 Song for Voice and Piano, Op. 48 No. 1 in E major: Feierlich und mit Andacht "Bitten: Gott deine Gute reicht so"
48/2 Song for Voice and Piano, Op. 48 No. 2 in E-flat major: Lebhaft, doch nicht zu sehr "Die Liebe des Nachsten: So jemand spricht"
48/3 Song for Voice and Piano, Op. 48 No. 3 in F-sharp minor: Mussig und eher langsam als geschwind "Vom Tode: Meine Lebenszeit verstreicht"
48/4 Song for Voice and Piano, Op. 48 No. 4 in C major: Majestatisch und erhaben "Die Ehre Gottes in der Natur:Die Himmel ruhmen des Ewigen"
48/5 Song for Voice and Piano, Op. 48 No. 5 in C major: Mit Kraft and Feuer "Gottes Macht und Vorsehung: Gott ist mein Lied!"
48/6 Song for Voice and Piano, Op. 48 No. 6 in A minor: Poco adagio "Busslied: An dir allein, an dir hab' ich gesundigt"
Op. 49 No. 1 - Piano Sonata No. 19
49/1 Sonata for Piano No. 19 in G minor, Op. 49 No. 1: I. Andante
49/1 Sonata for Piano No. 19 in G minor, Op. 49 No. 1: II. Rondo. Allegro
Op. 49 No. 2 - Piano Sonata No. 20
49/2 Sonata for Piano No. 20 in G major, Op. 49 No. 2: I. Allegro ma non troppo
49/2 Sonata for Piano No. 20 in G major, Op. 49 No. 2: II. Tempo di menuetto
Op. 50 - Romance for Violin and Orchestra No. 2
50 Romance for Violin and Orchestra No. 2 in F major, Op. 50: Adagio cantabile 1798
Op. 51 - Rondos for Piano
51 Rondo for Piano in C major, Op. 51 No. 1: Moderato e grazioso
51 Rondo for Piano in G major, Op. 51 No. 2: Andante cantabile e grazioso
Op. 52 - 8 Songs
52/1 Song for Voice and Piano, Op. 52 No. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise thut"
52/2 Song for Voice and Piano, Op. 52 No. 2 in G major: Andante con moto "Feuerfarb': Ich weiss eine Farbe"
52/3 Song for Voice and Piano, Op. 52 No. 3 in F major: Adagio "Das Liedchen von der Ruhe: Im Arm der Liebe ruht sich's wohl"
52/4 Song for Voice and Piano, Op. 52 No. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet"
52/5 Song for Voice and Piano, Op. 52 No. 5 in G major: Adagio con espessione "Molly's Abschied: Lebe wohl, du Mann der Lust"
52/6 Song for Voice and Piano, Op. 52 No. 6 in F major: Allegretto "Die Liebe: Ohne Liebe lebe wer da kann"
52/7 Song for Voice and Piano, Op. 52 No. 7 in A minor: Allegretto "Marmotte: Ich komme schon durch manches Land"
52/8 Song for Voice and Piano, Op. 52 No. 8 in G major: Andante "Das Blumchen Wunderhold: Es steht ein Blumchen irgend wo in"
Op. 53 - Sonata for Piano No. 21
53 Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": I. Allegro con brio 1803-04
53 Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": II. Introduzione. Adagio molto 1803-04
53 Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": III. Rondo. Allegretto moderato - Prestissimo 1803-04
Op. 54 - Sonata for Piano No. 22
54 Sonata for Piano No. 22 in F major, Op. 54: I. Tempo di menuetto
54 Sonata for Piano No. 22 in F major, Op. 54: II. Allegretto
Op. 55 - Symphony No. 3
55 Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio 1803-04
55 Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai 1803-04
55 Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace 1803-04
55 Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto 1803-04
Op. 56 - Concerto for Piano, Violin, Cello, and Orchestra
56 Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": I. Allegro
56 Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo
56 Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": III. Rondo alla Polacca
Op. 57 - Sonata for Piano No. 23
57 Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai
57 Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto
57 Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo
Op. 58 - Concerto for Piano and Orchestra No. 4
58 Concerto for Piano and Orchestra No. 4 in G major, Op. 58: I. Allegro moderato (cadenza: Ludwig van Beethoven) 1804-07 LvB: add. composed (cadenza), ;
58 Concerto for Piano and Orchestra No. 4 in G major, Op. 58: II. Andante con moto 1804-07
58 Concerto for Piano and Orchestra No. 4 in G major, Op. 58: III. Rondo. Vivace (cadenza: Ludwig van Beethoven) 1804-07 LvB: add. composed (cadenza), ;
Op. 59 No. 1 - String Quartet No. 7
59/1 Quartet for 2 Violins, Viola, and Cello No. 7 in F major, Op. 59 No. 1: I. Allegro
59/1 Quartet for 2 Violins, Viola, and Cello No. 7 in F major, Op. 59 No. 1: II. Allegretto scherzando e sempre vivace
59/1 Quartet for 2 Violins, Viola, and Cello No. 7 in F major, Op. 59 No. 1: III. Adagio molto
59/1 Quartet for 2 Violins, Viola, and Cello No. 7 in F major, Op. 59 No. 1: IV. Allegro
Op. 59 No. 2 - String Quartet No. 8
59/2 Quartet for 2 Violins, Viola, and Cello No. 8 in E minor, Op. 59 No. 2: I. Allegro
59/2 Quartet for 2 Violins, Viola, and Cello No. 8 in E minor, Op. 59 No. 2: II. Molto adagio - Si tratta questo pezzo con molto di sentimento
59/2 Quartet for 2 Violins, Viola, and Cello No. 8 in E minor, Op. 59 No. 2: III. Allegretto - Maggiore
59/2 Quartet for 2 Violins, Viola, and Cello No. 8 in E minor, Op. 59 No. 2: IV. Presto
Op. 59 No. 3 - String Quartet No. 9
59/3 Quartet for 2 Violins, Viola, and Cello No. 9 in C major, Op. 59 No. 3: I. Andante con moto - Allegro vivace
59/3 Quartet for 2 Violins, Viola, and Cello No. 9 in C major, Op. 59 No. 3: II. Andante con moto quasi allegretto
59/3 Quartet for 2 Violins, Viola, and Cello No. 9 in C major, Op. 59 No. 3: III. Minuetto. Grazioso
59/3 Quartet for 2 Violins, Viola, and Cello No. 9 in C major, Op. 59 No. 3: IV. Allegro molto
Op. 60 - Symphony No. 4
60 Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace 1806
60 Symphony No. 4 in B-flat major, Op. 60: II. Adagio 1806
60 Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace 1806
60 Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo 1806
Op. 61 - Concerto for Violin and Orchestra
61 Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo (cadenza: Fritz Kreisler) 1806 Kreisler: add. composed (cadenza), ;
61 Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto 1806 -
61 Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro (cadenza: Fritz Kreisler) 1806 Kreisler: add. composed (cadenza), ;
Op. 61a - Concerto for Piano and Orchestra (arrangement from Op. 61)
61a Concerto for Piano and Orchestra in D major, Op. 61a: I. Allegro ma non troppo 1806 LvB: arranged piano, 1807;
61a Concerto for Piano and Orchestra in D major, Op. 61a: II. Larghetto 1806 LvB: arranged piano, 1807;
61a Concerto for Piano and Orchestra in D major, Op. 61a: III. Rondo. Allegro (cadenza: Ludwig van Beethoven) 1806 LvB: add. composed (cadenza), ; LvB: arranged piano, 1807;
Op. 62 - Coriolan Overture
62 Coriolan, Op. 62: Overture. Allegro con brio
Op. 63 - Piano Trio (arrangement from Op. 4)
Op. 64 - Sonata for Piano and Cello (arrangement from Op. 3)
Op. 65 - Scene and Aria "Ah! Perfido"
Op. 66 - 12 Variations for Piano and Cello in F major on Mozart's "The Magic Flute: Ein Mädchen oder Weibchen"
66 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66: Thema. Allegretto
66 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 1: Variation I
66 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 2: Variation II
66 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 3: Variation III
66 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 4: Variation IV
66 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 5: Variation V
66 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 6: Variation VI
66 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 7: Variation VII
66 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 8: Variation VIII
66 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 9: Variation IX
66 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 10: Variation X. Adagio
66 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 11: Variation XI. Poco adagio quasi andante
66 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 12: Variation XII. Allegro
Op. 67 - Symphony No. 5
67 Symphony No. 5 in C minor, Op. 67: I. Allegro con brio 1804-08
67 Symphony No. 5 in C minor, Op. 67: II. Andante con moto 1804-08
67 Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro 1804-08
67 Symphony No. 5 in C minor, Op. 67: IV. Allegro 1804-08
Op. 68 - Symphony No. 6
68 Symphony No. 6 in F major, Op. 68 "Pastorale": I. Awakening of cheerful feelings upon arrival in the country. Allegro ma non troppo 1808
68 Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene at the brook. Andante molto mosso 1808
68 Symphony No. 6 in F major, Op. 68 "Pastorale": III. Happy gathering of country folk. Allegro 1808
68 Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Thunderstorm. Allegro 1808
68 Symphony No. 6 in F major, Op. 68 "Pastorale": V. Shepherds' song: Cheerful and thankful feelings after the storm. Allegretto
Op. 69 - Sonata for Piano and Cello No. 3
69 Sonata for Cello and Piano No. 3 in A major, Op. 69: I. Allegro ma no tanto
69 Sonata for Cello and Piano No. 3 in A major, Op. 69: II. Scherzo. Allegro molto
69 Sonata for Cello and Piano No. 3 in A major, Op. 69: III. Adagio cantabile
69 Sonata for Cello and Piano No. 3 in A major, Op. 69: IV. Allegro vivace
Op. 70 No. 1 - Piano Trio No. 5
70/1 Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghost": I. Allegro vivace e con brio 1808
70/1 Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghost": II. Largo assai e espressivo 1808
70/1 Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghost": III. Presto 1808
Op. 70 No. 2 - Piano Trio No. 6
70/2 Trio for Piano, Violin, and Cello No. 6 in E-flat major, Op. 70 No. 2: I. Poco sostenuto - Allegro ma non troppo 1808
70/2 Trio for Piano, Violin, and Cello No. 6 in E-flat major, Op. 70 No. 2: II. Allegretto 1808
70/2 Trio for Piano, Violin, and Cello No. 6 in E-flat major, Op. 70 No. 2: III. Allegretto ma non troppo 1808
70/2 Trio for Piano, Violin, and Cello No. 6 in E-flat major, Op. 70 No. 2: IV. Finale. Allegro 1808
Op. 71 - Sextet for 2 Clarinets Horns, and Bassoons
71 Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: I. Adagio - Allegro
71 Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: II. Adagio
71 Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: III. Menuetto. Quasi allegretto
71 Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: IV. Rondò. Allegro
Op. 72 - Opera "Fidelio" in 2 Acts/308 bars (1814 version of "Leonore")
72 Fidelio, Op. 72: Overture 1814
72 Fidelio, Op. 72: Act I, Scene I, No. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) 1805 LvB, revised, 1814
72 Fidelio, Op. 72: Act I, Scene I, No. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline) 1805 LvB, revised, (possibly 1806, but has same bar count as 1805) 1814
72 Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) 1805 LvB, revised, (possibly 1806, but has same bar count as 1805) 1814
72 Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco) 1805 LvB, revised, 1814
72 Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) 1805 LvB, revised, 1806 & 1814
72 Fidelio, Op. 72: Act I, Scene II, No. 6. March 1806 LvB, revised, 1806 & 1814
72 Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) 1805 LvB, revised, 1814
72 Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) 1805 LvB, revised, (possibly 1806, but has same bar count as 1805) 1814
72 Fidelio, Op. 72: Act I, Scene II, No. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore) 1805 LvB, revised, 1806 & 1814
72 Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust" 1805 LvB, revised, 1806 (& possibly 1814, but has same bar count)
72 Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco) 1805 (all three versions have 15 bars, so I assume they are the same)
72 Fidelio, Op. 72: Act I, Scene II, No. 10c. Duet "Noch heute! Noch heute!" (Leonore, Rocco) 1805 LvB, revised, 1806 & 1814
72 Fidelio, Op. 72: Act I, Scene II, No. 10d. Duet "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore) 1805 LvB, revised, 1806 & 1814
72 Fidelio, Op. 72: Act I, Scene II, No. 10e. Quintet "Ach, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) 1805 LvB, revised, (possibly 1806, but has same bar count as 1805) 1814
72 Fidelio, Op. 72: Act I, Scene II, No. 10f. Recitative "Habt ihr wohl in Acht genommen" (Rocco, Pizarro) 1814
72 Fidelio, Op. 72: Act I, Scene II, No. 10g. "Leb wohl, du warmes Sonnenlicht" (Soloists & Chorus) 1814
72 Fidelio, Op. 72: Act II, Scene I, No. 11a. Introduction and Recitative "Gott! Welch Dunkel hier!" (Florestan) 1805 LvB, revised, 1806 & 1814
72 Fidelio, Op. 72: Act II, Scene I, No. 11b. Aria "In des Lebens Frühlingstagen" (Florestan) 1805 LvB, revised, 1806 & 1814
72 Fidelio, Op. 72: Act II, Scene I, No. 12a. Melodrama (Leonore, Rocco) 1805 LvB, revised, 1806 & 1814
72 Fidelio, Op. 72: Act II, Scene I, No. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) 1805 LvB, revised, 1806 & 1814
72 Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) 1805 LvB, revised, 1806 & 1814
72 Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) 1805 LvB, revised, 1806 & 1814
72 Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan) 1805 LvB, revised, 1806 & 1814
72 Fidelio, Op. 72: Act II, Scene I, No. 16a. "Heil sei dem Tag" (Chorus & Soloists) 1814
72 Fidelio, Op. 72: Act II, Scene I, No. 16a. "Des besten Konigs Wink und Wille Don Fernando, Chorus)
72 Fidelio, Op. 72: Act II, Scene I, No. 16a. "Wohlan! So helfet, helft den Armen! (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco)
72 Fidelio, Op. 72: Act II, Scene I, No. 16a. "Du schlossest auf des Edlen Grab (Don Fernando)
72 Fidelio, Op. 72: Act II, Scene I, No. 16b. "Bestrafet sei der Bösewicht" (Chorus & Fernando) 1805 LvB, revised, (possibly 1806, but has same bar count as 1805) 1814
72 Fidelio, Op. 72: Act II, Scene I, No. 16c. "O Gott! O welch ein Augenblick!" (Soloists & Chorus) 1805 LvB, revised, 1806 & 1814
72 Fidelio, Op. 72: Act II, Scene I, No. 16d. Recitative "Hinweg mit diesem Bösewicht" (Fernando) 1814
72 Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco) 1805 LvB, revised, 1806 & 1814
Op. 73 - Concerto for Piano and Orchestra No. 5
73 Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro 1809
73 Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso 1809
73 Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro 1809
Op. 74 - String Quartet No. 10
74 Quartet for 2 Violins, Viola, and Cello No. 10 in E-flat major, Op. 74 "Harp": I. Poco adagio - Allegro
74 Quartet for 2 Violins, Viola, and Cello No. 10 in E-flat major, Op. 74 "Harp": II. Adagio ma non troppo
74 Quartet for 2 Violins, Viola, and Cello No. 10 in E-flat major, Op. 74 "Harp": III. Presto
74 Quartet for 2 Violins, Viola, and Cello No. 10 in E-flat major, Op. 74 "Harp": IV. Allegretto con variazioni
Op. 75 - 6 Songs
75/1 Gesange for Voice and Piano, Op. 75 No. 1 in A major: Ziemlich langsam "Mignon: Kennst du das Land"
75/2 Gesange for Voice and Piano, Op. 75 No. 2 in C major: Lebhaft, doch nicht zu sehr "Neue Liebe, neues Leben: Herz, mein Herz, was soll das geben?"
75/3 Gesange for Voice and Piano, Op. 75 No. 3 in G minor: Poco Allegretto "Aus Goethe's Faust: Es war einmal ein Konig"
75/4 Gesange for Voice and Piano, Op. 75 No. 4 in A major: Etwas lebhaft "Gretels Warnung: Mit Liebes lick und Spiel und Sang"
75/5 Gesange for Voice and Piano, Op. 75 No. 5 in G major: Larghetto "An den fernen Geliebten: Einst wohnten susse Ruh"
75/6 Gesange for Voice and Piano, Op. 75 No. 6 in A major: Froh und heiter, etwas lebhaft "Der Zufriedene: Zwar schuf das Gluck hienieden"
Op. 76 - 6 Variations for Piano
76 6 Variations for Piano in D major on an Original Theme, Op. 76
Op. 77 - Fantasia for Piano
77 Fantasia for Piano in [G minor or B-flat major], Op. 77: Allegro - Poco adagio
Op. 78 - Sonata for Piano No. 24
78 Sonata for Piano No. 24 in F-sharp major, Op. 78 "A Thérèse": I. Adagio cantabile - Allegro ma non troppo
78 Sonata for Piano No. 24 in F-sharp major, Op. 78 "A Thérèse": II. Allegro assai
Op. 79 - Sonata for Piano No. 25
79 Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": I. Presto alla tedesca
79 Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": II. Andante espressivo
79 Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": III. Vivace
Op. 80 - Fantasia for Piano, Chorus, and Orchestra
80 Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy": I. Adagio
80 Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy": II. Finale. Allegro - Meno allegro - Allegro molto - Adagio ma non troppo - Marcia assai vivace - Allegro - Allegretto, ma non troppo quasi andante con moto "Schmeichelnd hold un liblich klingen" - Presto
Op. 81a - Sonata for Piano No. 26
81a Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux"
81a Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence"
81a Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour"
Op. 81b - Sextet for 2 Horns, 2 Violins, Viola, and Cello
81b Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: I. Allegro con brio
81b Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: II. Adagio
81b Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: III. Rondo. Allegro
Op. 82 - 4 Arias and Duet for Voice and Piano
82/1 Aria for Soprano and Piano, Op. 82 No. 1 in A major: Allegro moderato "Hoffnung: Dimmi ben mio - Nimmer den lieben dem Herzen"
82/2 Aria for Soprano and Piano, Op. 82 No. 2 in D major: Adagio ma non troppo "Liebsklage: T'indendo, si, mio cor - Den stummen Felsen nur"
82/3 Aria for Soprano and Piano, Op. 82 No. 3 in E-flat major: Allegro "Stille Frage: Che fa il mio bene? - Darf nimmer ich dir nahen?"
82/4 Aria for Soprano and Piano, Op. 82 No. 4 in B-flat major: Andante con espressione "Liebes-Ungeduld: Che fa il mio bene? - So muss ich ihm entsagen"
82/5 Duet for Soprano and Tenor, Op. 82 No. 5 in E major: Andante vivace "Lebens-Genuss: Odi l'aura che dolce sospira - Schnell verbluhen"
Op. 83 - 3 Songs
83/1 Gesänge for Voice and Piano, Op. 83 No. 1 in E major: Andante espressivo "Wonne der Wehmuth: Trocknet nicht"
83/2 Gesänge for Voice and Piano, Op. 83 No. 2 in B minor: Allegretto "Sehnsucht: Was zieht mir das Herz so?"
83/3 Gesänge for Voice and Piano, Op. 83 No. 3 in F major: Leichtlich und mit Grazie vorzutragen "Mit einem gemalten Band: Kleine Blumen, kleine Blätter"
Op. 84 - Egmont Overture
84 Egmont, Op. 84: Overture. Sostenuto, ma non troppo
Op. 85 - Oratorio "Christ on the Mount of Olives (Christus am Ölberge)"
85 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ia. Introduction. Grave - Adagio 1803 LvB: add. composed (revision), 1804
85 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus) 1803 LvB: add. composed (revision), 1804
85 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus) 1803 LvB: add. composed (revision), 1804
85 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph) 1803 LvB: add. composed (revision), 1804
85 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph) 1803 LvB: add. composed (revision), 1804
85 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir) 1803 LvB: add. composed (revision), 1804
85 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph) 1803 LvB: add. composed (revision), 1804
85 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph) 1803 LvB: add. composed (revision), 1804
85 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus) 1803 LvB: add. composed (revision), 1804
85 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen" 1803 LvB: add. composed (revision), 1804
85 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus) 1803 LvB: add. composed (revision), 1804
85 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte" 1803 LvB: add. composed (revision), 1804
85 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vc. Choir of Disciples "Was soll der Lärm bedeuten?" 1803 LvB: add. composed (revision), 1804
85 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus) 1803 LvB: add. composed (revision), 1804
85 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph) 1803 LvB: add. composed (revision), 1804
85 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" 1803 LvB: add. composed (revision), 1804
85 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VId. Choir of Disciples "Ach! wir werden seinetwegen auch gehasst, verfolget sein" 1803 LvB: add. composed (revision), 1804
85 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIe. "Meine Qual ist bald verschwunden" (Jesus) 1803 LvB: add. composed (revision), 1804
85 Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre" 1803 LvB: add. composed (revision), 1804
Op. 86 - Mass in C major
86 Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: I. Kyrie. Andante con moto assai vivace quasi allegretto ma non troppo 1807
86 Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: II. Gloria. Allegro con brio 1807
86 Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: III. Credo. Allegro con brio 1807
86 Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro 1807
86 Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: V. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie 1807
Op. 87 - Trio for 2 Oboes and English Horn
87 Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: I. Allegro 1795
87 Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: II. Adagio cantabile 1795
87 Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: III. Menuetto. Allegro molto. Scherzo 1795
87 Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: IV. Finale. Presto 1795
Op. 88 - Song
88 Song for Voice and Piano and A major, Op. 88: Andante quasi allegretto "Das Gluck der Freundschaft: Der lebt ein Leben wonniglich"
Op. 89 - Polonaise for Piano
89 Polonaise for Piano in C major: Alla polacca, vivace
Op. 90 - Sonata for Piano No. 27
90 Sonata for Piano No. 27 in E minor, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
90 Sonata for Piano No. 27 in E minor, Op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen
Op. 91 - Battle Symphony "Wellingtons Sieg, oder die Schlacht bei Vittoria"
Op. 92 - Symphony No. 7
92 Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace 1811-12
92 Symphony No. 7 in A major, Op. 92: II. Allegretto 1811-12
92 Symphony No. 7 in A major, Op. 92: III. Presto 1811-12
92 Symphony No. 7 in A major, Op. 92: IV. Allegro con brio 1811-12
Op. 93 - Symphony No. 8
93 Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio 1812
93 Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando 1812
93 Symphony No. 8 in F major, Op. 93: III. Tempo di menuetto 1812
93 Symphony No. 8 in F major, Op. 93: IV. Allegro vivace 1812
Op. 94 - Song "An die Hoffnung"
Op. 95 - String Quartet No. 11
95 Quartet for 2 Violins, Viola, and Cello No. 11 in F minor, Op. 95: I. Allegro con brio
95 Quartet for 2 Violins, Viola, and Cello No. 11 in F minor, Op. 95: II. Allegretto ma non troppo
95 Quartet for 2 Violins, Viola, and Cello No. 11 in F minor, Op. 95: III. Allegro assai vivace ma serioso
95 Quartet for 2 Violins, Viola, and Cello No. 11 in F minor, Op. 95: IV. Larghetto espressivo - Allegretto agitato - Allegro
Op. 96 - Sonata for Piano and Violin No. 10
96 Sonata for Violin and Piano No. 10 in G major, Op. 96: I. Allegro moderato
96 Sonata for Violin and Piano No. 10 in G major, Op. 96: II. Adagio espressivo
96 Sonata for Violin and Piano No. 10 in G major, Op. 96: III. Scherzo. Allegro
96 Sonata for Violin and Piano No. 10 in G major, Op. 96: IV. Poco allegretto
Op. 97 - Piano Trio
97 Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": I. Allegro moderato 1810-11
97 Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": II. Scherzo. Allegro 1810-11
97 Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": III. Andante cantabile ma però con moto 1810-11
97 Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": IV. Allegro moderato 1810-11
Op. 98 - 6 Song Cycles
98 An die ferne Geliebte, Op. 98
Op. 99 - Song "Der Mann von Wort"
99 Song for Voice and Piano in G major, Op. 99 "Der Mann von Wort: sagtest, Freund, an diesen Ort komm ich zurück"
Op. 100 - Song "Merkenstein"
100 Song for Voice and Piano in F major, Op. 100 "Merkenstein: Merkenstein! Wo ich wandle denk ich dein": Massig, jdeoch nicht schleppend
Op. 101 - Sonata for Piano No. 28
101 Sonata for Piano No. 28 in A major, Op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo
101 Sonata for Piano No. 28 in A major, Op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia
101 Sonata for Piano No. 28 in A major, Op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affeto
101 Sonata for Piano No. 28 in A major, Op. 101: IV. Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro
Op. 102 No. 1 - Sonata for Piano and Cello No. 4
102/1 Sonata for Piano and Cello No. 4 in C major, Op. 102 No. 1: I. Andante - Allegro vivace
102/1 Sonata for Piano and Cello No. 4 in C major, Op. 102 No. 1: II. Adagio - Tempo d'Andante - Allegro vivace
Op. 102 No. 2 - Sonata for Piano and Cello No. 5
102/2 Sonata for Piano and Cello No. 5 in D major, Op. 102 No. 2: I. Allegro con brio
102/2 Sonata for Piano and Cello No. 5 in D major, Op. 102 No. 2: II. Adagio con molto sentimento d'affetto - attacca:
102/2 Sonata for Piano and Cello No. 5 in D major, Op. 102 No. 2: III. Allegro - Allegro fugato
Op. 103 - Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons (see Op. 4)
103 Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: I. Allegro
103 Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: II. Andante
103 Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: III. Menuetto
103 Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: IV. Finale. Presto
Op. 104 - String Quintet (see Op. 1 No. 3)
104 Quintet for 2 Violins, 2 Violas, and Cello in C minor, Op. 104: I. Allegro con brio
104 Quintet for 2 Violins, 2 Violas, and Cello in C minor, Op. 104: II. Andante cantabile con variazioni
104 Quintet for 2 Violins, 2 Violas, and Cello in C minor, Op. 104: III. Menuetto. Quasi allegro
104 Quintet for 2 Violins, 2 Violas, and Cello in C minor, Op. 104: IV. Prestissimo
Op. 105 - 6 Variations for Piano and Flute or Violin
105/1 Air écossais for [Flute or Violin] and Piano, Op. 105 No. 1 in G major "The Cottage Maid": Tema. Andantino quasi allegretto - Var. I-II - Var. III. Allegro - Tempo I
105/2 Air écossais for [Flute or Violin] and Piano, Op. 105 No. 2 in C minor "Von edlem Geschlecht war Shinkin": Tema. Allegretto scherzoso - Var. I-II - Var. III. Allegretto - Allegro
105/3 Air autrichien for [Flute or Violin] and Piano, Op. 105 No. 3 in C major "A Schüsserl und a Reindl": Tema. Andantino - Var. I-IV - Var. V. Adagio sostenuto, ma non troppo - Var. VI. Andante con moto
105/4 Air écossais for [Flute or Violin] and Piano, Op. 105 No. 4 in E-flat major "The Last Rose of Summer": Tema. Andante espressivo assai - Var. I-III
105/5 Air écossais for [Flute or Violin] and Piano, Op. 105 No. 5 in E-flat major "Chiling O'Guiry": Tema. Allegretto spiritoso - Var. I-II - Var. III. Allegro assai
105/6 Air écossais for [Flute or Violin] and Piano, Op. 105 No. 6 in D major "Paddy Whack": Tema. Allegretto più tosto vivace - Var. I-IV
Op. 106 - Sonata for Piano No. 29
106 Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": I. Allegro
106 Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": II. Scherzo. Assai vivace
106 Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": III. Adagio sostenuto. Appassionato e molto con sentimento
106 Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": IV. Largo - Allegro risoluto
Op. 107 - 10 Variations for Piano and Flute or Violin
107/1 Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 1 in E-flat major "l bin a Tiroler Bua": Tema. Moderato - Var. I-III - Var. IV. Allegro
107/2 Air écossais for [Flute or Violin] and Piano, Op. 107 No. 2 in F major "Bonnie Laddie, Highland Laddie": Tema. Allegretto, quasi vivace - Var. I-III - Var. IV. Andante mosso, alla Siciliano - Allegro
107/3 Volkslied aus Kleinrussland for [Flute or Violin] and Piano, Op. 107 No. 3 in G major: Tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I
107/4 Air écossais for [Flute or Violin] and Piano, Op. 107 No. 4 in F major "St. Patrick's Day": Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I
107/5 Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 5 in F major "A Madel, ja a Madel": Tema. Moderato - Var. I-II - Var. III. Maestoso - Allegro
107/6 Air écossais for [Flute or Violin] and Piano, Op. 107 No. 6 in E-flat major "Peggy's Daughter": Tema. Andante comodo - Var. I-III - Var. IV. Vivace
107/7 Air russe for [Flute or Violin] and Piano, Op. 107 No. 7 in A minor "Schöne Minka": Tema. Andante - Var. I-IV - Var. V. Andante moderato - Var. VI. Allegro - Adagio - Andante commodo - Poco vivace
107/8 Air écossais for [Flute or Violin] and Piano, Op. 107 No. 8 in D major "O Mary at they window be": Tema. Andantino quasi allegretto - Var. I-III - Var. IV. Un poco più mosso - Allegro assai
107/9 Air écossais for [Flute or Violin] and Piano, Op. 107 No. 9 in E-flat major "Oh, Thou art the Lad of my Heart": Tema. Allegretto più tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace
107/10 Air écossais for [Flute or Violin] and Piano, Op. 107 No. 10 in G minor "The Highland Watch": Tema. Spirituoso e marziale - Var. I-II - Var. III. Più moto - Var. IV. Adagio espressivo - Var. V. Allegro
Op. 108 - 25 Air écossaiss
108/1 Air écossais for Voice and Choir with Piano, Violin, and Cello in A minor, Op. 108 No. 1 "Musik, Liebe und Wein: Es schalle die Musik, Nacht and Tag!": Allegretto vivace più tosto
108/2 Air écossais for Voice with Piano, Violin, and Cello in A minor, Op. 108 No. 2 "Der Abend: Die Sonne sinkt ins Ettrick Thal": Andante
108/3 Air écossais for Voice with Piano, Violin, and Cello in F major, Op. 108 No. 3 "O kostliche Zeit: O kostliche Zeit": Andante con moto
108/4 Air écossais for Voice with Piano, Violin, and Cello in D major, Op. 108 No. 4 "Das Islamadchen: O Islamagdlein, die du kuhn": Allegro
108/5 Air écossais for Voice with Piano, Violin, and Cello in G minor, Op. 108 No. 5 "Der schonste Bub: Der schonste Bub war Henny": Andantino un poco Allegretto
108/6 Air écossais for Voice with Piano, Violin, and Cello in D major, Op. 108 No. 6 "Trub ist mein Auge: Trub, trub ist mein Auge wie": Andante amoroso
108/7 Air écossais for Voice with Piano, Violin, and Cello in F major, Op. 108 No. 7 "Frische Bursche, Hochlands Bursche: Wem den Silbermond ihr dankt": Allegretto quasi vivace
108/8 Air écossais for Voice with Piano, Violin, and Cello in D minor, Op. 108 No. 8 "Die holde Maid von Inverness: Die holde Maid von Inverness kennt": Affettuoso assai
108/9 Air écossais for 2 Voices with Piano, Violin and Cello in E-flat major, Op. 108 No. 9 "Schau her, mein Lieb: Schau her, mein Lieb, der Walder Grun": Grazioso
108/10
108/11
108/12
108/13
108/14
108/15
108/16
108/17
108/18
108/19
108/20
108/21
108/22
108/23
108/24
108/25
Op. 109 - Sonata for Piano No. 30
109 Sonata for Piano No. 30 in E major, Op. 109: I. Vivace, ma non troppo
109 Sonata for Piano No. 30 in E major, Op. 109: II. Prestissimo
109 Sonata for Piano No. 30 in E major, Op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo
Op. 110 - Sonata for Piano No. 31
110 Sonata for Piano No. 31 in A-flat major, Op. 110: I. Moderato cantabile molto espressivo
110 Sonata for Piano No. 31 in A-flat major, Op. 110: II. Allegro molto
110 Sonata for Piano No. 31 in A-flat major, Op. 110: III. Adagio, ma non troppo - Fuga. Allegro ma non troppo
Op. 111 - Sonata for Piano No. 32
111 Sonata for Piano No. 32 in C minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato
111 Sonata for Piano No. 32 in C minor, Op. 111: II. Arietta. Adagio molto semplice e cantabile
Op. 112 - Cantata "Meeresstille Fahrt und glückliche"
112 Cantata for Mixed Chorus and Orchestra, Op. 112 "Meeresstille und glückliche Fahrt": I. Meeresstille. Sostenuto "Tiefe Stille herrscht im Wasser" Sostenuto
112 Cantata for Mixed Chorus and Orchestra, Op. 112 "Meeresstille und glückliche Fahrt": II. Glückliche Fahrt. Allegro vivace "Die Nebel zerreißen"
Op. 113 - Overture "Die Ruinen von Athen"
Op. 114 - March for Orchestra and Chorus
Op. 115 - Overture "Zur Namensfeier"
Op. 116 - Trio for Solo Voices and Orchestra
Op. 117 - Overture "König Stephan"
Op. 117 - Music for a Drama for Orchestra, Chorus, and Solo Voices "König Stephan oder Ungarns erster Wohhtäter"
Op. 118 - Choral Part-song for Solo Voices and Instruments
Op. 119 - 11 Bagatelles for Piano
119 Bagatelle for Piano, Op. 119 No. 1 in B-flat major: Allegretto
119 Bagatelle for Piano, Op. 119 No. 2 in C major: Andante con moto
119 Bagatelle for Piano, Op. 119 No. 3 in D major: À l'Allemande
119 Bagatelle for Piano, Op. 119 No. 4 in A major: Andante cantabile
119 Bagatelle for Piano, Op. 119 No. 5 in C minor: Risoluto
119 Bagatelle for Piano, Op. 119 No. 6 in G major: Andante - Allegretto
119 Bagatelle for Piano, Op. 119 No. 7 in C major: Allegro ma non troppo
119 Bagatelle for Piano, Op. 119 No. 8 in C major: Moderato
119 Bagatelle for Piano, Op. 119 No. 9 in A minor: Vivace moderato
119 Bagatelle for Piano, Op. 119 No. 10 in A major: Allegramente
119 Bagatelle for Piano, Op. 119 No. 11 in B-flat major: Andante, ma non troppo
Op. 120 - 33 Variations for Piano
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Tema. Vivace
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. I. Alla marcia maestoso
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. II. Poco allegro
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. III. L'istesso tempo
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IV. Un poco più vivace
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. V. Allegro vivace
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VI. Allegro ma non troppo e serioso
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VII. Un poco più allegro
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VIII. Poco vivace
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IX. Allegro pesante e risoluto
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. X. Presto
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XI. Allegretto
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XII. Un poco più moto
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIII. Vivace
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIV. Grave e maestoso
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XV. Presto scherzando
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVI. Allegro
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVII
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVIII. Poco moderato
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIX. Presto
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XX. Andante
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXI. Allegro con brio
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXII. Allegro molto
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIII. Allegro assai
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIV. Fughetta. Andante
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXV. Allegro
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVI
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVII. Vivace
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVIII. Allegro
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIX. Adagio ma non troppo
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXX. Andante, sempre cantabile
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXI. Largo, molto espressivo
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXII. Fuga. Allegro - Poco adagio
120 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXIII. Tempo di Menuetto moderato
Op. 121a - 10 Variations for Piano Trio
121a 10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller's Lied "Ich bin der Schneider Kakadu", Op. 121a: Introduzione. Adagio assai - Tema. Allegretto - Var. I-X - Allegretto
Op. 121 - Choral Part-song for Orchestra, Chorus, and Solo Voices
Op. 122 - Song "Bundelied"
Op. 123 - Mass in D major "Missa Solemnis"
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie. Kyrie eleison 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie. Christe eleison 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie. Kyrie eleison 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIa. Gloria. Gloria in excelsis Deo 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIb. Gloria. Gratias agimus 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIc. Gloria. Qui tollis peccata mundi 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IId. Gloria. Quoniam tu solus Sanctus 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIe. Gloria. In gloria Dei Patris 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIf. Gloria. Amen, in gloria dei Patris 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIa. Credo. Credo in unum Deum 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIb. Credo. Et incarnatus est 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIId. Credo. Et vitam venturi sauculi 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIe. Credo. Amen, et vitam venturi sauculi. Amen 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVb. Sanctus. Pleni sunt coeli et terra - Osanna in excelsis 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVc. Sanctus. Praeludium 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini 1819-23 Violinist: performed violin, ;
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi 1819-23
123 Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem 1819-23
Op. 124 - Overture "Die Weihe des Hauses"
Op. 125 - Symphony No. 9
125 Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso 1822-24
125 Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto 1822-24
125 Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo 1822-24
125 Symphony No. 9 in D minor, Op. 125 "Choral": IV. Recitative. (Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro assai - Presto "O Freunde") - Allegro assai "Freude, schöner Götterfunken" - Alla marcia - Allegro assai vivace "Froh, wie seine Sonnen" - Andante maestoso "Seid umschlungen, Millionen!" - Adagio ma non troppo, ma divoto "Ihr, stürzt nieder" - Allegro energico, sempre ben marcato ("Freude, schöner Götterfunken" - "Seid umschlungen, Millionen!") - Allegro ma non tanto "Freude, Tochter aus Elysium!" - Prestissimo "Seid umschlungen, Millionen!" 1822-24
Op. 126 - 6 Bagatelles for Piano
126 Bagatelle for Piano, Op. 126 No. 1 in G major: Andante con moto cantabile e compiacevole
126 Bagatelle for Piano, Op. 126 No. 2 in G minor: Allegro
126 Bagatelle for Piano, Op. 126 No. 3 in E-flat major: Andante cantabile e grazioso
126 Bagatelle for Piano, Op. 126 No. 4 in B minor: Presto
126 Bagatelle for Piano, Op. 126 No. 5 in G major: Quasi allegretto
126 Bagatelle for Piano, Op. 126 No. 6 in E-flat major: Presto - Andante amabile e con moto - Tempo
Op. 127 - String Quartet No. 12
127 Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: I. Maestoso - Allegro
127 Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: II. Adagio, ma non troppo e molto cantabile - Andante con moto - Adagio molto espressivo - Tempo I
127 Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: III. Scherzando. Vivace
127 Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: IV. Allegro - Allegro comodo
Op. 128 - Arietta "Der Kuß"
128 "Der Kuß"
Op. 129 - Rondo a Capriccio for Piano
129 Rondo a Capriccio for Piano in G major, Op. 129 "The Rage Over the Lost Penny": Allegro vivace 1795
Op. 130 - String Quartet No. 13
130 Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: I. Adagio ma non troppo - Allegro 1825
130 Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: II. Presto 1825
130 Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: III. Andante con moto, ma non troppo 1825
130 Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: IV. Alla danza tedesca. Allegro assai 1825
130 Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: V. Cavatina. Adagio molto espressivo 1825 Original finale to follow this is Op. 133
Op. 130 - String Quartet No. 13 (with alternate finale)
130 Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: VI. Finale. Allegro (alternate) 1826
Op. 131 - String Quartet No. 14
131 Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo 1825-26
131 Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: II. Allegro molto vivace 1825-26
131 Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: III. Allegro moderato 1825-26
131 Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: IV. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto 1825-26
131 Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: V. Presto - Molto poco adagio 1825-26
131 Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante 1825-26
131 Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: VII. Allegro 1825-26
Op. 132 - String Quartet No. 15
132 Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: I. Assai sostenuto - Allegro 1824-25
132 Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: II. Allegro ma non tanto 1824-25
132 Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: III. A Convalescent's Holy Song of Thanksgiving to the Deity, in the Lydian Mode. Molto adagio - Andante - Molto adagio - Andante - Molto adagio. Mit innigster Empfindung 1824-25
132 Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: IV. Alla Marcia, vivace assai - Più allegro 1824-25
132 Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: V. Allegro appassionato - Presto 1824-25
Op. 133 - Fugue for String Quartet
133 Große Fugue for 2 Violins, Viola, and Cello in B-flat major, Op. 133: Overtura. Allegro - Fuga. Meno mosso e moderato - Allegro molto e con brio - Meno mosso e moderato - Allegro molto e con brio - Allegro 1825
Op. 134 - Fugue for 2 Pianos
134 Große Fugue for 2 Pianos in B-flat major, Op. 134 (transription from "Große Fugue, Op. 133": Ludwig van Beethoven): Overtura. Allegro - Meno mosso e moderato - Allegro - Fuga. Allegro - Meno mosso e moderato - Allegro molto e con brio 1826 LvB: add. composed (transription), 1826
Op. 135 - String Quartet No. 16
135 Quartet for 2 Violins, Viola, and Cello No. 16 in F major, Op. 135: I. Allegretto 1826
135 Quartet for 2 Violins, Viola, and Cello No. 16 in F major, Op. 135: II. Vivace 1826
135 Quartet for 2 Violins, Viola, and Cello No. 16 in F major, Op. 135: III. Lento assai, e cantante tranquillo 1826
135 Quartet for 2 Violins, Viola, and Cello No. 16 in F major, Op. 135: IV. The Difficult Decision. Grave, ma non troppo tanto "Must It Be?" - Allegro "It Must Be!" - Grave, ma non troppo tratto - Allegro 1826
Op. 136 - Cantata "The Glorious Moment (Der glorreiche Augenblick)"
136 Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa stet!"
136 Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!"
136 Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna)
136 Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin)
136 Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin)
136 Cantata for 4 Solo Voices, Chous, and Orchestra, Op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen"
Op. 137 - Fugue for String Quintet
137 Fugue for 2 Violins, 2 Violas, and Cello in D major, Op. 137: Allegretto 28 November 1817
Op. 138 - Overture "Leonore I"
138 Overture "Leonore", Op. 138

Without Opus

WoO TrackTitle CompositionDate AdvancedRelationships + Notes
WoO 1 - Ritterballett
WoO 1 Music for a Ballet on Horseback, WoO 1: I. March 1790-1
WoO 1 Music for a Ballet on Horseback, WoO 1: II. German Song. Allegro moderato 1790-1
WoO 1 Music for a Ballet on Horseback, WoO 1: IIIa. Hunting Song. Allegretto 1790-1
WoO 1 Music for a Ballet on Horseback, WoO 1: IIIb. German Song (da capo) 1790-1
WoO 1 Music for a Ballet on Horseback, WoO 1: IVa. Romance. Andantino 1790-1
WoO 1 Music for a Ballet on Horseback, WoO 1: IVb. German Song (da capo) 1790-1
WoO 1 Music for a Ballet on Horseback, WoO 1: Va. War Song. Allegro assai con brio 1790-1
WoO 1 Music for a Ballet on Horseback, WoO 1: Vb. German Song (da capo) 1790-1
WoO 1 Music for a Ballet on Horseback, WoO 1: VIa. Drinking Song. Allegro con brio "Mihi est propositum" 1790-1
WoO 1 Music for a Ballet on Horseback, WoO 1: VIb. German Song (da capo) 1790-1
WoO 1 Music for a Ballet on Horseback, WoO 1: VII. German Dance. Waltz 1790-1
WoO 1 Music for a Ballet on Horseback, WoO 1: VIII. Coda. Allegro vivace 1790-1
WoO 2 - March and Entr'acte for Tarpeja
WoO 3 - Gratulations-Menuett
WoO 3 Congratulatory Minuet for Orchestra in E-flat major, WoO 3. Tempo di menuetto quasi allegretto 1822
WoO 4 - Concerto for Piano and Orchestra in E-flat major
WoO 4 Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): I. Allegro moderato 1784 Hess: add. composed (reconstruction), ;
WoO 4 Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): II. Larghetto 1784 Hess: add. composed (reconstruction), ;
WoO 4 Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): III. Rondo. Allegretto (cadenza: Willy Hess) 1784 Hess: add. composed (reconstruction), ; Hess: add. composed (cadenza), ;
WoO 5 - Violin Concerto in C major (fragment)
WoO 5 Concerto for Violin and Orchestra in C major: Allegro con brio (fragment completion: Wilfried Fischer) (candenza: Takaya Urakawa) 1790-92 Fischer: add. composed (completion), ; Urakawa: add. composed (cadenza), ;
WoO 6 - Rondo in B flat major for piano and orchestra
WoO 6 Rondo for Piano and Orchestra in B-flat major, WoO 6. Allegro (cadenza: Carl Czerny) 1793 Czerny: add. composed (cadenza), ;
WoO 7 - Twelve Minuets
WoO 7 12 Minuets for Orchestra, WoO 7 No. 1 in D major 1795
WoO 7 12 Minuets for Orchestra, WoO 7 No. 2 in B-flat major 1795
WoO 7 12 Minuets for Orchestra, WoO 7 No. 3 in G major 1795
WoO 7 12 Minuets for Orchestra, WoO 7 No. 4 in E-flat major 1795
WoO 7 12 Minuets for Orchestra, WoO 7 No. 5 in C major 1795
WoO 7 12 Minuets for Orchestra, WoO 7 No. 6 in A major 1795
WoO 7 12 Minuets for Orchestra, WoO 7 No. 7 in D major 1795
WoO 7 12 Minuets for Orchestra, WoO 7 No. 8 in B-flat major 1795
WoO 7 12 Minuets for Orchestra, WoO 7 No. 9 in G major 1795
WoO 7 12 Minuets for Orchestra, WoO 7 No. 10 in E-flat major 1795
WoO 7 12 Minuets for Orchestra, WoO 7 No. 11 in C major 1795
WoO 7 12 Minuets for Orchestra, WoO 7 No. 12 in F major 1795
WoO 8 - Twelve German Dances
WoO 8 12 German Dances for Orchestra, WoO 8 No. 1 in C major 1795
WoO 8 12 German Dances for Orchestra, WoO 8 No. 2 in A major 1795
WoO 8 12 German Dances for Orchestra, WoO 8 No. 3 in F major 1795
WoO 8 12 German Dances for Orchestra, WoO 8 No. 4 in B-flat major 1795
WoO 8 12 German Dances for Orchestra, WoO 8 No. 5 in E-flat major 1795
WoO 8 12 German Dances for Orchestra, WoO 8 No. 6 in G major 1795
WoO 8 12 German Dances for Orchestra, WoO 8 No. 7 in C major 1795
WoO 8 12 German Dances for Orchestra, WoO 8 No. 8 in A major 1795
WoO 8 12 German Dances for Orchestra, WoO 8 No. 9 in F major 1795
WoO 8 12 German Dances for Orchestra, WoO 8 No. 10 in D major 1795
WoO 8 12 German Dances for Orchestra, WoO 8 No. 11 in G major 1795
WoO 8 12 German Dances for Orchestra, WoO 8 No. 12 in C major - Coda 1795
WoO 9 - Six Minuets
WoO 9 6 Minuets for 2 Violins and Bass, WoO 9 No. 1 in E-flat major
WoO 9 6 Minuets for 2 Violins and Bass, WoO 9 No. 2 in G major
WoO 9 6 Minuets for 2 Violins and Bass, WoO 9 No. 3 in C major
WoO 9 6 Minuets for 2 Violins and Bass, WoO 9 No. 4 in F major
WoO 9 6 Minuets for 2 Violins and Bass, WoO 9 No. 5 in D major
WoO 9 6 Minuets for 2 Violins and Bass, WoO 9 No. 6 in G major
WoO 10 - Six Minuets
WoO 10 6 Minuets for Piano, WoO 10 No. 1 in C major 1795
WoO 10 6 Minuets for Piano, WoO 10 No. 2 in G major 1795
WoO 10 6 Minuets for Piano, WoO 10 No. 3 in E-flat major 1795
WoO 10 6 Minuets for Piano, WoO 10 No. 4 in B-flat major 1795
WoO 10 6 Minuets for Piano, WoO 10 No. 5 in D major 1795
WoO 10 6 Minuets for Piano, WoO 10 No. 6 in C major 1795
WoO 11 - Twelve Laendler
WoO 11 7 Ländler for Piano in D major, WoO 11 1799
WoO 12 - Twelve Minuets
WoO 13 - Twelve German Dances
WoO 13 12 German Dances for Piano, WoO 13 No. 1 in D major 1792-1797
WoO 13 12 German Dances for Piano, WoO 13 No. 2 in B-flat major 1792-1797
WoO 13 12 German Dances for Piano, WoO 13 No. 3 in G major 1792-1797
WoO 13 12 German Dances for Piano, WoO 13 No. 4 in D major 1792-1797
WoO 13 12 German Dances for Piano, WoO 13 No. 5 in F major 1792-1797
WoO 13 12 German Dances for Piano, WoO 13 No. 6 in B-flat major 1792-1797
WoO 13 12 German Dances for Piano, WoO 13 No. 7 in D major 1792-1797
WoO 13 12 German Dances for Piano, WoO 13 No. 8 in G major 1792-1797
WoO 13 12 German Dances for Piano, WoO 13 No. 9 in E-flat major 1792-1797
WoO 13 12 German Dances for Piano, WoO 13 No. 10 in C major 1792-1797
WoO 13 12 German Dances for Piano, WoO 13 No. 11 in A major 1792-1797
WoO 13 12 German Dances for Piano, WoO 13 No. 12 in D major 1792-1797
WoO 14 - Twelve Contredanses
WoO 14 12 Contredances for Orchestra, WoO 14 No. 1 in C major
WoO 14 12 Contredances for Orchestra, WoO 14 No. 2 in A major 1801
WoO 14 12 Contredances for Orchestra, WoO 14 No. 3 in D major
WoO 14 12 Contredances for Orchestra, WoO 14 No. 4 in E-flat major
WoO 14 12 Contredances for Orchestra, WoO 14 No. 5 in E-flat major
WoO 14 12 Contredances for Orchestra, WoO 14 No. 6 in C major
WoO 14 12 Contredances for Orchestra, WoO 14 No. 7 in E-flat major
WoO 14 12 Contredances for Orchestra, WoO 14 No. 8 in C major
WoO 14 12 Contredances for Orchestra, WoO 14 No. 9 in A major 1801
WoO 14 12 Contredances for Orchestra, WoO 14 No. 10 in C major 1801
WoO 14 12 Contredances for Orchestra, WoO 14 No. 11 in G major
WoO 14 12 Contredances for Orchestra, WoO 14 No. 12 in E-flat major
WoO 15 - Six Laendler
WoO 15 Six Ländler for 2 Violins and Bass, WoO 15 No. 1 in D major
WoO 15 Six Ländler for 2 Violins and Bass, WoO 15 No. 2 in D major
WoO 15 Six Ländler for 2 Violins and Bass, WoO 15 No. 3 in D major
WoO 15 Six Ländler for 2 Violins and Bass, WoO 15 No. 4 in D minor
WoO 15 Six Ländler for 2 Violins and Bass, WoO 15 No. 5 in D minor
WoO 15 Six Ländler for 2 Violins and Bass, WoO 15 No. 6 in D minor
WoO 16 - Twelve Ecossaises
WoO 17 - Eleven Moedling Dances
WoO 18 - March for Military Band
WoO 18 March for Military Music in F major, WoO 18 "Yorck March" 1809
WoO 19 - March for Military Band
WoO 19 March for Military Music in F major, WoO 19 June 1810
WoO 20 - March for Military Band
WoO 20 March and Trio for Military Music in C major, WoO 20 "The Tattoo" 1809-10 LvB: add. composed (added Trio), 1822
WoO 21 - Polonaise for Military Band
WoO 21 Polonaise for Military Music in D major, WoO 21 1810
WoO 22 - Ecossaise for Military Band
WoO 22 Ecossaise for Military Music in D major, WoO 22 1809-10
WoO 23 - Ecossaise for Military Band
WoO 24 - March for Military Band
WoO 24 March for Military Music in D major, WoO 24 June 1816
WoO 25 - Rondo for Wind in E-flat major
WoO 25 Rondo for 2 Oboes, 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat major, WoO 25. Andante 1793
WoO 26 - Duo for two flutes
WoO 26 Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio
WoO 26 Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto
WoO 27 - Three Duos for clarinet and bassoon (no 1 in C major)
WoO 28 - Variations for two oboes and cor anglais on 'La ci darem'
WoO 28 Variations for 2 Oboes and English Horn in C major on "Là ci darem la mano" from Mozart's opera "Don Giovanni", WoO 28 1795
WoO 29 - March for Wind in B-flat major
WoO 29 March for 2 Clarinets, 2 Horns, and 2 Bassoons in B-flat major, WoO 29 1797-98
WoO 30 - 3 Equali for 4 Trombones
WoO 30 3 Equali for 4 Trombones, WoO 30: I. Andante Nov. 1812
WoO 30 3 Equali for 4 Trombones, WoO 30: II. Poco Adagio Nov. 1812
WoO 30 3 Equali for 4 Trombones, WoO 30: III. Poco sostenuto Nov. 1812
WoO 31 - Fugue for organ
WoO 31 Fugue for Organ in D major, WoO 31 1783
WoO 32 - Duo for viola and cello
WoO 32 Duo for Viola and Cello in E-flat major, WoO 32 "Duet with two obbligato eyeglasses": I. Allegro
WoO 32 Duo for Viola and Cello in E-flat major, WoO 32 "Duet with two obbligato eyeglasses": II. Allegretto
WoO 33 - 5 Pieces for Mechanical Clock
WoO 33 5 Pieces for Mechanical Clock, WoO 33 No. 1 in F major. Adagio assai 1799
WoO 33 5 Pieces for Mechanical Clock, WoO 33 No. 2 in G major. Scherzo. Allegro 1799-1800
WoO 33 5 Pieces for Mechanical Clock, WoO 33 No. 3 in G major. Allegro 1799
WoO 33 5 Pieces for Mechanical Clock, WoO 33 No. 4 in C major. Allegro non più molto 1794
WoO 33 5 Pieces for Mechanical Clock, WoO 33 No. 5 in C major. Menuett. Allegretto 1794
WoO 34 - Duet for two violins
WoO 34 Duet for 2 Violins in A major, WoO 34
WoO 35 - Canon for two violins
WoO 35 Canon (probably for 2 Violins) in A major, WoO 35
WoO 36 - Three Quartets for Piano and Strings
WoO 36/1 Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: I. Adagio assai 1785
WoO 36/1 Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: II. Allegro con spirito 1785
WoO 36/1 Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: III. Tema. Cantabile - Variazioni I-VI - Tema. Allegretto 1785
WoO 36/2 Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: I. Allegro moderato 1785
WoO 36/2 Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: II. Andante con moto 1785
WoO 36/2 Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: III. Rondo. Allegro 1785
WoO 36/3 Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: I. Allegro vivace 1785
WoO 36/3 Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: II. Adagio con espressione 1785
WoO 36/3 Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: III. Rondo. Allegro 1785
WoO 37 - Trio for piano, flute and bassoon
WoO 37 Trio for Piano, Flute, and Bassoon in G major, WoO 37: I. Allegro
WoO 37 Trio for Piano, Flute, and Bassoon in G major, WoO 37: II. Adagio
WoO 37 Trio for Piano, Flute, and Bassoon in G major, WoO 37: III. Tema andante con Variazioni
WoO 38 - Piano Trio
WoO 38 Trio for Piano, Violin, and Cello in E-flat major, WoO 38: I. Allegro moderato 1791
WoO 38 Trio for Piano, Violin, and Cello in E-flat major, WoO 38: II. Scherzo. Allegro ma non troppo 1791
WoO 38 Trio for Piano, Violin, and Cello in E-flat major, WoO 38: III. Rondo. Allegretto 1791
WoO 39 - Allegretto for Piano Trio
WoO 39 Allegretto for Piano, Violin, and Cello in B-flat major, WoO 39 1812
WoO 40 - Variations for piano and violin on 'Se vuol ballare'
WoO 41 - Rondo in G major for piano and violin
WoO 42 - Six German Dances
WoO 43 - Two Pieces for Mandolin and Piano
WoO 43a Sonatina for Mandolin and Piano in C minor, WoO 43a. Adagio
WoO 43b Adagio for Mandolin and Piano in E-flat major, WoO 43b. Adagio (ma non troppo)
WoO 44 - Two pieces for mandolin and piano
WoO 44a Sonatina for Mandolin and Klavier in C major, WoO 44a. Allegro
WoO 44b Variations in D major for Mandolin and Piano, WoO 44b. Andante
WoO 45 - 12 Variations for piano and cello in G major on a Theme From Handel's Oratorio "Judas Maccabaeus"'
WoO 45 12 Variations in G major on a Theme From Handel's Oratorio "Judas Maccabaeus", WoO 45: Thema. Allegretto
WoO 45 12 Variations in G major on a Theme From Handel's Oratorio "Judas Maccabaeus", WoO 45: Variation I
WoO 45 12 Variations in G major on a Theme From Handel's Oratorio "Judas Maccabaeus", WoO 45: Variation II
WoO 45 12 Variations in G major on a Theme From Handel's Oratorio "Judas Maccabaeus", WoO 45: Variation III
WoO 45 12 Variations in G major on a Theme From Handel's Oratorio "Judas Maccabaeus", WoO 45: Variation IV
WoO 45 12 Variations in G major on a Theme From Handel's Oratorio "Judas Maccabaeus", WoO 45: Variation V
WoO 45 12 Variations in G major on a Theme From Handel's Oratorio "Judas Maccabaeus", WoO 45: Variation VI
WoO 45 12 Variations in G major on a Theme From Handel's Oratorio "Judas Maccabaeus", WoO 45: Variation VII
WoO 45 12 Variations in G major on a Theme From Handel's Oratorio "Judas Maccabaeus", WoO 45: Variation VIII
WoO 45 12 Variations in G major on a Theme From Handel's Oratorio "Judas Maccabaeus", WoO 45: Variation IX
WoO 45 12 Variations in G major on a Theme From Handel's Oratorio "Judas Maccabaeus", WoO 45: Variation X. Allegro
WoO 45 12 Variations in G major on a Theme From Handel's Oratorio "Judas Maccabaeus", WoO 45: Variation XI. Adagio
WoO 45 12 Variations in G major on a Theme From Handel's Oratorio "Judas Maccabaeus", WoO 45: Variation XII. Allegro
WoO 46 - Variations for piano and cello on 'Bei Maennern'
WoO 46 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante 1801
WoO 46 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 1: Variation I 1801
WoO 46 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 2: Variation II 1801
WoO 46 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 3: Variation III 1801
WoO 46 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 4: Variation IV 1801
WoO 46 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 5: Variation V. Si prenda il tempo un poco più vivace 1801
WoO 46 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 6: Variation VI. Adagio 1801
WoO 46 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 7: Variation VII. Allegro ma non troppo 1801
WoO 47 - Three Piano Sonatas
WoO 47/1 Sonata for Piano, WoO 47 No. 1 in E-flat major: I. Allegro cantabile
WoO 47/1 Sonata for Piano, WoO 47 No. 1 in E-flat major: II. Andante
WoO 47/1 Sonata for Piano, WoO 47 No. 1 in E-flat major: III. Rondo vivace
WoO 47/2 Sonata for Piano, WoO 47 No. 2 in F minor: I. Larghetto maestoso - Allegro assai
WoO 47/2 Sonata for Piano, WoO 47 No. 2 in F minor: II. Andante
WoO 47/2 Sonata for Piano, WoO 47 No. 2 in F minor: III. Presto
WoO 47/3 Sonata for Piano, WoO 47 No. 3 in D major: I. Allegro
WoO 47/3 Sonata for Piano, WoO 47 No. 3 in D major: II. Menuetto. Sostenuto - Var. I-VI
WoO 47/3 Sonata for Piano, WoO 47 No. 3 in D major: III. Scherzando. Allegro ma non troppo
WoO 48 - Rondo for piano
WoO 48 Rondo in C major, WoO 48. Allegretto
WoO 49 - Rondo for piano
WoO 49 Rondo in A major, WoO 49. Allegretto
WoO 50 - Piano sonatina in F major
WoO 50 Sonata for Piano in F major, WoO 50: I. []
WoO 50 Sonata for Piano in F major, WoO 50: II. Allegretto
WoO 51 - Piano sonata in C major
WoO 51 Sonata for Piano in C major, WoO 51: I. Allegro
WoO 51 Sonata for Piano in C major, WoO 51: II. Adagio
WoO 52 - Bagatelle for piano in C minor
WoO 52 Bagatelle for Piano in C minor, WoO 52: Presto
WoO 53 - Allegretto for piano in C minor
WoO 53 Allegretto for Piano in C minor, WoO 53
WoO 54 - Lustig-Traurig for piano
WoO 54 "Lustig-Traurig" for Piano in C major, WoO 54
WoO 55 - Prelude in F minor for piano
WoO 55 Prelude for Piano in F minor, WoO 55
WoO 56 - Bagatelle for piano in C major
WoO 56 Bagatelle for Piano in C major, WoO 56. Allegretto
WoO 57 - Andante favori for piano
WoO 57 Andante for Piano in F major, WoO 57 "Andante favori". Andante grazioso con moto 1803
WoO 58 - Two cadenzas for Mozart's piano concerto K 466
WoO 58 Concerto for Piano No. 20 in D minor, K. 466: I. Allegro (cadence: Beethoven, WoO 58 No. 1)
WoO 58 Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai (cadence: Beethoven, WoO 58 No. 2)
WoO 59 - Fuer Elise for piano
WoO 59 Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto
WoO 60 - Piano piece
WoO 60 Piece for Piano in B-flat major, WoO 60
WoO 61 - Piano piece
WoO 61 Allegretto for Piano in B minor, WoO 61
WoO 61a - Allegretto for Piano
WoO 61a Allegretto for Piano in G minor, WoO 61a
WoO 62 - Unfinished string quintet in C major
WoO 63 - Variations for piano
WoO 63 9 Variations for Piano on a March by Ernst Christoph Dressler in C minor, WoO 63
WoO 64 - Variations for piano
WoO 64 6 Variations for Piano on a Swiss Song in F major, WoO 64
WoO 65 - Variations for piano
WoO 65 24 Variations for Piano on Vincenzo Righini's Arietta "Venni amore" in D major, WoO 65
WoO 66 - Variations for piano
WoO 66 13 Variations for Piano in A major on the Arietta "Es war einmal ein alter Mann" from Dittersdorf's Singspiel "Das rote Käppchen", WoO 66
WoO 67 - Variations for piano duet
WoO 67 8 Variations for Piano in C major on a theme by Count Waldstetin, WoO 67: Thema. Andante con moto - Var. I-VII - Var. VIII. Un poco Adagio - Capriccio - Allegro - Adagio - Allegro - Adagio - Allegretto - Allegro - Presto 1792
WoO 68 - Variations for piano
WoO 68 12 Variations for Piano in C major on the "Menuett à la Viganò" from Jakob Haibel, tirè du ballet "Le nozze disturbate", WoO 68
WoO 69 - Variations for piano
WoO 69 9 Variations for Piano in A major on the Aria "Quant'è più bello" from Giovanni Paisello's opera "La molinara", WoO 69
WoO 70 - Variations for piano
WoO 70 6 Variations for Piano in G major on the Duet "Nel cor più non mi sento" from Giovanni Paisiello's opera "La molinara", WoO 70
WoO 71 - Variations for piano
WoO 71 12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen", WoO 71
WoO 72 - Variations for piano
WoO 72 8 Variations for Piano in C major on the Romance "Une fièvre brulante" from Grétry's opera "Richard Cœur de Lion", WoO 72
WoO 73 - Variations for piano
WoO 73 10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff", WoO 73
WoO 74 - Song 'Ich denke dein' with variations for piano duet
WoO 74 6 Variations for Piano in D major on the song "Ich denke dein", WoO 74: Leid. Andantino cantabile 1799 LvB: add. composed (revision), 1803
WoO 75 - Variations for piano
WoO 75 7 Variations for Piano in F major on the Quartet "Kind, willst du ruhig schlafen?" from Peter Winter's opera "Das unterbrochene Opferfest", WoO 75
WoO 76 - Variations for piano
WoO 76 8 Variations for Piano in F major on the Trio "Tändeln und Scherzen" from Franz X. Süssmayr's opera "Soliman II", WoO 76
WoO 77 - Variations for piano
WoO 77 6 Easy Variations for Piano in G major on an Original Theme, WoO 77
WoO 78 - Variations for piano
WoO 78 7 Variations for Piano in C major on "God Save the King", WoO 78
WoO 79 - Variations for piano
WoO 79 5 Variations for Piano in D major on "Rule Britannia" from Thomas Arne's masque "Alfred", WoO 79
WoO 80 - 32 Variations for piano in C minor
WoO 80 32 Variations for Piano in C minor on an Original Theme, WoO 80
WoO 81 - Allemande for piano in A major
WoO 81 Allemande for Piano in A major, WoO 81
WoO 82 - Minuet for piano in E flat major
WoO 82 Minuet for Piano in E-flat major, WoO 82. Moderato
WoO 83 - Six Ecossaises for piano
WoO 83 6 Ecossaises in E-flat major, WoO 83
WoO 84 - Waltz for piano
WoO 84 Waltz for Piano in E-flat major, WoO 84
WoO 85 - Waltz for piano
WoO 85 Waltz for Piano in D major, WoO 85
WoO 86 - Ecossaise for piano in E flat major
WoO 86 Ecossaise for Piano in E-flat major, WoO 86
WoO 87 - Cantata on the death of Joseph II
WoO 87 Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: I. Choir and Soli "Tot! Tot, stöhnt es durch die öde Nacht" 1790
WoO 87 Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IIa. Recitative (bass) "Ein Ungeheuer, sein Name Fanatismus" 1790
WoO 87 Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IIb. Aria (bass) "Da kam Joseph" 1790
WoO 87 Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: III. Aria (Soprano) with Choir "Da stiegen die Menschen an's Licht" 1790
WoO 87 Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IVa. Recitative (soprano) "Er Schläft, von den Sorgen seiner Welten entladen" 1790
WoO 87 Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IVb. Aria (soprano) "Hier schlummert seinen stillen Frieden der grosse Dulder" 1790
WoO 87 Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: V. Choir and Soli "Tot! Tot, stöhnt es durch die öde Nacht" 1790
WoO 88 - Cantata on the accession of Leopold II
WoO 88 Cantata on the Accesssion of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: Ia. Recitative (soprano, choir) "Er schlummert" - "Lasst sanft den grossen Fürsten ruhen!" 1790
WoO 88 Cantata on the Accesssion of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: 1b. Arie (soprano) "Fliesse, Wonnezähre, fliesse!" 1790
WoO 88 Cantata on the Accesssion of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: II. Recitative (bass) "Ihr staunt, Völker der Erde!" 1790
WoO 88 Cantata on the Accesssion of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IIIa. Recitative (tenor) "Wie bebt mein Herz vor Wonne!" 1790
WoO 88 Cantata on the Accesssion of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IIIb. Trio (tenor, bass, soprano) "Ihr, die Joseph ihren vater nannten" 1790
WoO 88 Cantata on the Accesssion of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IV. Choir "Heil! Stürzet nieder, Millionen'" 1790
WoO 89 - Aria 'Pruefung des Kuessens'
WoO 90 - Aria 'Mit Maedeln sich vertragen'
WoO 91 - Two arias for 'Die schoene Schusterin'
WoO 92 - Aria 'Primo Amore'
WoO 92a - Aria 'No, non turbati'
WoO 93 - Duet 'Nei giorni tuoi felice'
WoO 94 - 'Germania', finale for 'Die gute Nachricht'
WoO 95 - 'Chor auf die verbuendeten Fuersten'
WoO 96 - Incidental music for 'Leonore Prohaska'
WoO 97 - 'Es ist vollbracht' finale for 'Die Ehrenpforten'
WoO 98 - 'Wo sich die Pulse', chorus for 'Die Weihe des Hauses'
WoO 99 - Italian Partsongs
WoO 100 - 'Lob auf den Dicken'
WoO 101 - 'Graf, Graf, liebster Graf'
WoO 102 - 'Abschiedsgesang'
WoO 103 - Cantata 'Un lieto Brindisi'
WoO 104 - 'Gesang der Moenche'
WoO 105 - 'Hochzeitslied'
WoO 106 - Birthday Cantata for Prince Lobkowitz
WoO 107-130 - Twenty-four songs
123 "Ich liebe dich so wie du mich" (Zärtliche Liebe), WoO 123
129 Der Wachtelschlag, WoO 129 "Ach, mir schallt's dorten"
WoO 131 - Unfinshed song 'Erlkoenig'
WoO 132 - Song
WoO 133 - Song
133 "In questa tomba oscura", WoO 133
WoO 134 - Song 'Sehnsucht' in four settings
WoO 135-151 - Seventeen Songs
136 Andenken, WoO 136 "Ich denke dein"
WoO 152-158 - 143 Folksong Settings
WoO 159-198 - Forty-three Canons
WoO 199 - Ich bin der Herr von zu
WoO 200 - 'O Hoffnung'
WoO 201 - 'Ich bin bereit'
WoO 202 - 'Das Schoene zu dem Guten'
WoO 203 - 'Das Schoene zu dem Guten'
WoO 204 - 'Holz, Holz'
WoO 205 - Musical quips from Beethoven's letters

Hess

Hess TrackTitle CompositionDate AdvancedRelationships + Notes
Hess 12 - Oboe Concerto in F (fragment only)
Hess 13 - Romance in E minor for 3 soloists and orchestra
Hess 13 Romance cantabile for Piano, Flute, and Bassoon accompanied by 2 Oboes and String Orchestra, Hess 13 (fragment completion: Willy Hess) 1786 Hess: add. composed, ;
Hess 15 - Piano Concerto No. 6 (unfinished)
Hess 19 - Wind quintet in E flat major
Hess 28 - Movement in A flat major for string trio
Hess 29 - Prelude and Fugue for String Quartet
Hess 29 Prelude and Fugue for 2 Violins and Cello in E minor, Hess 29: I. Prelude
Hess 29 Prelude and Fugue for 2 Violins and Cello in E minor, Hess 29: I. Fugue
Hess 30 - Prelude and Fugue for String Quartet
Hess 30 Prelude and Fugue for 2 Violins, Viola, and Cello in F major, Hess 30: Prelude 1794-95
Hess 30 Prelude and Fugue for 2 Violins, Viola, and Cello in F major, Hess 30: Fugue 1794-95
Hess 31 - Prelude and Fugue for String Quartet
Hess 31 Prelude and Fugue for 2 Violins, Viola, and Cello in C major, Hess 31: Prelude 1794-95
Hess 31 Prelude and Fugue for 2 Violins, Viola, and Cello in C major, Hess 31: Fugue 1794-95
Hess 32 - Quartet for string quartet
Hess 32 Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): I. Allegro con brio 1799
Hess 32 Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): II. Adagio molto 1799
Hess 32 Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): III. Scherzo. Allegro 1799
Hess 32 Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): IV. Allegretto 1799
Hess 33 - Minuet for string quartet
Hess 33 Minuet for 2 Violins, Viola, and Cello in A-flat major, Hess 33 1790-92
Hess 34 - Quartet for Strings (arrangement from "Sonata for Piano, Op. 14 No. 1")
Hess 34 Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (arrangement from "Sonata for Piano, Op. 14 No. 1"): I. Allegro moderato 1801 LvB: arranged {instruments}, 1801-02;
Hess 34 Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (arrangement from "Sonata for Piano, Op. 14 No. 1"): II. Allegretto 1801 LvB: arranged {instruments}, 1801-02;
Hess 34 Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (arrangement from "Sonata for Piano, Op. 14 No. 1"): III. Allegro 1801 LvB: arranged {instruments}, 1801-02;
Hess 36 - Handel Fugue arranged for String Quartet
Hess 36 Fugue for 2 Violins, Viola, and Cello, Hess 36 (arrangement from Handel's "Solomon, HWV 67: Overture") Handel: composed, 1748; LvB: arranged {instruments}, 1798;
Hess 38 - Bach Fugue arranged for String Quartet
Hess 39 - String Quintet in F major (lost)
Hess 40 - Movement in D minor for String Quintet
Hess 46 - Violin Sonata in A major
Hess 48 - Allegretto in E flat major for piano trio
Hess 48 Allegretto for Piano, Violin, and Cello in E-flat major, Hess 48 1790-92
Hess 64 - Fugue for keyboard
Hess 64 Fugue for Piano in C major, Hess 64
Hess 65 - Concerto excerpt (arrangement from Op. 37)
Hess 69 - Bagatelle in C minor for piano
Hess 69 Allegretto for Piano in C minor, Hess 69
Hess 87 - March for piano (arrangement from WoO 29)
Hess 88 - Minuet for piano (arrangement from Hess 33)
Hess 89 - Ritterballett (piano arrangement from WoO 1)
Hess 90 - The Creatures of Prometheus (piano arrangement from Opus 43)
Hess 91 - Opferlied (piano arrangement from Opus 121b)
Hess 92 - Bundeslied (piano arrangement from Opus 122)
Hess 93 - `Freudvoll', piano accompaniment for Opus 84
Hess 97 - Wellington's Victory (piano arrangement from Opus 91)
Hess 99 - March for piano (arrangement from WoO 18)
Hess 107 - Grenadier's March
Hess 107 Grenadier March for Mechanical Clock in F major, Hess 107 1798
Hess 108 - Wellington's Victory (panharmonicon arrangement from Opus 91)
Hess 109 - Opera "Leonore" in 3 Acts (1805 version)
Hess 109 Leonore, Hess 109: Overture "Leonore II" 1805
Hess 109 Leonore, Hess 109: Act I, No. 1. Aria "O wär' ich schon mit dir vereint" (Marzelline) 1805
Hess 109 Leonore, Hess 109: Act I, No. 2. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) 1805
Hess 109 Leonore, Hess 109: Act I, No. 3. Trio "Ein Mann ist bald genommen" (Rocco, Marzelline, Jaquino) 1805
Hess 109 Leonore, Hess 109: Act I, No. 4. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jacquino) 1805
Hess 109 Leonore, Hess 109: Act I, No. 5. Aria "Hat man nicht auch Gold beineben" (Rocco) 1805
Hess 109 Leonore, Hess 109: Act I, No. 6. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) 1805
Hess 109 Leonore, Hess 109: Act II, No. 7. Introduction in D major 1805
Hess 109 Leonore, Hess 109: Act II, No. 8. Aria "Ha! Welch ein Augenblick!" (Pizarro, choir) 1805
Hess 109 Leonore, Hess 109: Act II, No. 9. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) 1805
Hess 109 Leonore, Hess 109: Act II, No. 10. Duet "Um in der Ehe froh zu leben" (Marzelline, Leonore) 1805
Hess 109 Leonore, Hess 109: Act II, No. 11. Recitation "Ach, brich noch nicht, du mattes Herz!" (Leonore) - Aria "Komm, Hoffnung, lass den letzen Stern" (Leonore) 1805
Hess 109 Leonore, Hess 109: Act II, No. 12. Finale. Prisoner's Chorus "O welche Lust, in frier Luft" - Recitation "Entfernt euch jetzt! Nun, könnt ihr eilen?" (Rocco) - Duet "Nun sprecht, wie ging's?" (Leonore, Rocco) - Duet "Noch heute, noch heute?" (Leonore, Rocco) - Duet "Wir müssen gleich zu werke schreiten" (Rocco, Leonore) - Quartet "Ach Vater, eilt!" (Marzelline, Rocco, Leonore, Pizarro) - Aria "Auf euch nur will ich bauen" (Pizarro, choir) 1805
Hess 109 Leonore, Hess 109: Act III, No. 13. Introduction and Recitation "Gott! Welch Dunkel hier!" (Florestan) - Aria "On des Lebens Frühlingstagen" (Florestan) 1805
Hess 109 Leonore, Hess 109: Act III, Melodrama "Wie kalt ist es in diesem unteirdischen Gewölbe!" (Leonore, Rocco) - Duet "Nur hurtig fort" (Rocco, Leonore) 1805
Hess 109 Leonore, Hess 109: Act III, No. 15. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) 1805
Hess 109 Leonore, Hess 109: Act III, No. 16. Quartet "Er sterbe! Doch er soll erst wissen" (Pizarro, Florestan, Leonore, Rocco) 1805
Hess 109 Leonore, Hess 109: Act III, No. 17. Recitation "Ich kann mich noch nicht fassen" (Florestan, Leonore) - Duet "O namenlose Freude!" (Leonore, Florestan) 1805
Hess 109 Leonore, Hess 109: Act III, No. 18. Finale. "Zur Rache! Zur Rache!" (choir, Leonore, Florestan, Rocco, Fernando, Jaquino, Marzelline) - "Bestrafet sei der Bösewicht" (choir, Fernando) - "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Jaquino, Fernando, Rocco, choir) - Recitation "Wie lange habt ihr sie getragen" (Ferndando, Florestan, Rocco) - "Doch höre erst, du Bösewicht" (Fernando, choir, Leonore, Florestan) - Recitation "Der König wird dein Richter sein!" (Fernando, choir) - "Wer ein holdes Weib errungen" (Marzelline, Jaquino, Rocco, Fernando, choir, Florestan, Leonore) 1805
Hess 109 Leonore, Hess 109: Appendix, No. 7a. March (alternative version) in B-flat major
Hess 110 - Opera "Leonore" in 2 Acts (1806 version)
Hess 110 Leonore, Hess 110: Act I, Scene I, No. 1. Aria "O wär' ich schon mit dir vereint" (Marzelline)
Hess 110 Leonore, Hess 110: Act I, Scene I, No. 2. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline)
Hess 110 Leonore, Hess 110: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jacquino)
Hess 110 Leonore, Hess 110: Act I, Scene I, No. 4. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline)
Hess 110 Leonore, Hess 110: Act I, Scene II, No. 5. March
Hess 110 Leonore, Hess 110: Act I, Scene II, No. 6. Aria with Choir "Ha! Welch ein Augenblick!" (Pizarro, choir)
Hess 110 Leonore, Hess 110: Act I, Scene II, No. 7. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco)
Hess 110 Leonore, Hess 110: Act I, Scene II, No. 8. Recitation and Aria "Ach, brich noch nicht, du mattes Herz!" - "Komm, Hoffnung, lass den letzen Stern" (Leonore)
Hess 110 Leonore, Hess 110: Act I, Scene II, No. 9. Duet "Um in der Ehe froh zu leben" (Marzelline, Leonore)
Hess 110 Leonore, Hess 110: Act I, Scene II, No. 10. Trio "Ein Mann ist bald genommen" (Rocco, Marzelline, Jaquino)
Hess 110 Leonore, Hess 110: Act I, Scene II, No. 11. Finale. Prisoner's Chorus "O welche Lust" - Recitation "Nun sprecht, wie ging's?" (Leonore, Rocco) - Duet "Noch heute, noch huete?" (Leonore, Rocco) - Duet "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore) - Quartet "Ach Vater, eilt!" (Marzelline, Rocco, Leonore, Pizarro) - Aria "Auf euch nur will ich bauen" (Pizarro with Choir)
Hess 115 - Vestas Feuer (unfinished Opera)
Hess 118 - Music for the Consecration of the House (from Opus 113)
Hess 133 - Folksong
Hess 134 - Folksong
Hess 137 - Song `Ich wiege dich' (lost)
Hess 139 - Song `Minnesold' (lost)
Hess 143 - Song `An die Freude' (lost)
Hess 152-207 - Folksong settings
Hess 208-232 - Italian partsongs
Hess 233-246 - Counterpoint exercises
Hess 274-277 - 4 Canons for Piano
Hess 274 4 Canons for Piano, Hess 274 No. 1 in G major 1803
Hess 275 4 Canons for Piano, Hess 275 No. 2 in A-flat major 1803
Hess 276
Hess 277
Hess 297 - Adagio for three horns
Hess 300-301 - Two Canons

AnH

AnH TrackTitle CompositionDate AdvancedRelationships + Notes
AnH 3 - Piano Trio in D major
AnH 4 - Flute Sonata in B flat major
AnH 5 - Two Piano Sonatinas
AnH 6 - Rondo in B flat major for piano

Please Help Verify This Information

  • Op. 12 No. 3: II. has a peculiar tempo indication. I would like someone else to take a glance and see if it looks okay. -AaronCooper (nuke this once verified, thanks)
  • I can't verify if it's correct, but the tempo itself is somewhat common to my eyes. (Adagio with much expression). -- BrianSchweitzer 17:01, 04 February 2008 (UTC)
    • Surely a common typo, has 226 results on Google against the proper italian "Adagio con molta espressione" -- ClutchEr2
  • Op. 15: III. Should this be Rondo. Allegro or Rondo. Allegro scherzando?
  • Op. 30 No. 2: I. I'm not sure if this tempo indication is correct either. A source said "Allegro con bri" so I assumed that was a mistake and entered "Allegro con brio"
  • Op. 43a: II. Should this be "Allegro molto con brio" or "Allegro molto e con brio"?
  • Theoretically you could have the latter, but the former would be much more common to my experience. -- BrianSchweitzer 17:01, 04 February 2008 (UTC)
  • Op. 50: is it for Piano and Orchestra or Piano and Violin?
  • Op. 58: II. Should this be Andante con moto or Andante, con moto?
  • Again based on nothing but experience (no reference to any particular details for the specific work), but the former would seem much more "normal". -- BrianSchweitzer 17:01, 04 February 2008 (UTC)
  • Op. 61 (and Op. 61a): III. Should this be Rondo or Rondo. Allegro?
  • Op. 69: wikipedia:Cello_Sonata_No._3_(Beethoven) seems quite clear that there are only three movements, but we have four here, which is consistent with the liner notes for CBE volume 8. -rafwuk
  • Op. 85: Vc. My liner notes say "Chor der Jünger" - translate.google.com spits out "Chorus of younger" which doesn't make much sense. Should this be something like "Choir of Children"? That's what I've entered for now. -AaronCooper
  • No, this "Jünger" means "Disciples". I've changed the 2 occurences accordingly. --LongRoadToFollow 20:49, 09 January 2009 (UTC)
  • Op. 125 (Symphony No. 9) - I admit I've never known how to enter this properly

Comments

Question on 5/1 and 5/2 (might be others I didn't notice). Isn't having "No. 1" and "No. 2" repeated twice redundant? "Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1", etc. (Or it may just be coincidence that No. 1 and No. 2 here are also Nos. 1 and 2 of that opus, and there's Sonata Nos. 3+ elsewhere?) -- BrianSchweitzer 06:26, 05 February 2008 (UTC)

  • Op. 69 - Sonata No. 3 for Piano and Cello -AaronCooper

I noticed you're using "Sonata for Piano" regardless of what Beethoven wrote in the score (checked w. Könemann, Urtext based on autograph/first edition). Is this deliberate? Or a language issue? Examples from the score: 12. Grande Sonate pour le clavecin ou pianoforte, Op. 26 14. Sonata quasi una fantasia per il clavicembalo o pianoforte, Op 27. No 2 17. Sonate pour le pianoforte, Op. 31 No. 2 -- symphonick 16:00, 25 February 2008 (UTC)

  • I don't know where to access Beethoven's original scores to see what he wrote, but I think that the format "WORK for INSTRUMENTS in KEY" helps keep the titles consistent across Beethoven's 32 piano sonatas and makes them easy (easier?) to decipher. We've been consistently adding things as "Piano Sonata No. X" for as long as I can remember so I didn't think it would be much of a stretch to suggest that we re-order the parts of the title so they are consistent with multiple-instrument works (eg. Sonata for Cello and Piano No. 1). -AaronCooper

I noticed Op. 137 was yellow... My score (Eulenburg) has 5 versions of the title: "Quintet-Fugue" on cover, "Fugue" on first page, "Quintet Fugue" on the page with notes & "Quintett-Fuge" in the top of the score. The title on the first edition (Haslinger) was "Fuge (in D.) fur 2 Violinen, 2 Violen und Violoncell" BTW it's composed on 28th november 1817 -- symphonick 12:16, 27 February 2008 (UTC)

According to the Complete Masterpieces box, WoO 29 should also have 2 Oboes in the instrument list. -- BrianSchweitzer 16:08, 26 March 2008 (UTC)

  • It's "2 clarinets, 2 horns, and 2 bassoons" according to the DG complete box set. -- AaronCooper

I find Instrumentator AR more appropriate for Op. 134. -- Xlotlu 12:59, 28 May 2008 (UTC)

In Fidelio, Op. 72, is the character's name really "Florenstan"? According to all my sources it is "Florestan". --LongRoadToFollow 20:49, 09 January 2009 (UTC)

  • Probably a typo since both versions existed. I recognize "Florestan"... changed it. -- symphonick 11:21, 09 March 2009 (UTC)

Note about the piano sonatas: Beethoven didn't write movement numbers (probably true for most other works too). I'm not sure it's a good idea to add our own ("Waldstein" is looking a bit odd now?). IMHO.

I see you sometimes add tempo changes to titles, and sometimes not. Do you have a general idea about when to add a tempo/section? Do we want to know if an Adagio becomes Allegro? And if he changes back again ("Tempo I")? What about Scherzo - Trio, should we write out the Trio part or just assume that it's there anyway? How about variations, like in Op. 26: "Andante con Variazioni - Var. I-V" -- symphonick 11:21, 09 March 2009 (UTC)

Op. 58: II. This one also should be credited as cadenza. -- ym

Op. 86 (all movements): Comma between Chorus and and Orchestra looks like a typo.

Op. 5 No. 1 - Sonata for Piano and Cello No. 1: Seems this has no movement number given by beethoven and is therfore split and numbered differently throughout the releases. i suggest removing movement numbers and just use the tempo indications as differtiation. I. Adagio sostenuto II. Allegro III. Allegro vivace vs I. Adagio sostenuto - Allegro (somtimes split into into two pieces Ia/Ib - I-i/I-ii) II. Allegro vivace