Difference between revisions of "History:CSGv2/Work/Title/Movement identification Proposal"

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m (CallerNo6 moved page Proposal:CSGv2/Work/Title/Movement identification to History:CSGv2/Work/Title/Movement identification Proposal: https://chatlogs.metabrainz.org/brainzbot/metabrainz/msg/3675767/)
 
(56 intermediate revisions by one other user not shown)
Line 18: Line 18:
 
|tocAlternate = [[Proposal:CSGv2/Work/Title|Classical Work]]
 
|tocAlternate = [[Proposal:CSGv2/Work/Title|Classical Work]]
 
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{{hanging cell
{{!}} color1 = 99AA99
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{{!}} color1 = 9A9
 
{{!}} cell1  = [[#Movement_identification|Movement]]
 
{{!}} cell1  = [[#Movement_identification|Movement]]
 
}}{{hanging cell
 
}}{{hanging cell
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{{!}} color6 = CC00CC
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{{!}} color7 = 00CC00
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{{!}} color7 = 0C0
{{!}} color8 = FF9999
+
{{!}} color8 = F99
{{!}} color9 = 0099CC{{!}} cell1  = Position
+
{{!}} color9 = 09C
{{!}} cell2  = Container
+
{{!}} cell1  = [[#Position|Position]]
{{!}} cell3  = Dramatic Position
+
{{!}} cell2  = [[#Container|Container]]
{{!}} cell4  = Form
+
{{!}} cell3  = [[#Dramatic_Position|Dramatic Position]]
{{!}} cell5  = Tempo
+
{{!}} cell4  = [[#Form|Form]]
{{!}} cell6  = Vocalization
+
{{!}} cell5  = [[#Tempo|Tempo]]
{{!}} cell7  = Title
+
{{!}} cell6  = [[#Vocalization|Vocalization]]
{{!}} cell8  = Libretto
+
{{!}} cell7  = [[#Title|Title]]
{{!}} cell9  = Role
+
{{!}} cell8  = [[#Libretto|Libretto]]
 +
{{!}} cell9  = [[#Role|Role]]
 
}}
 
}}
 
}}
 
}}
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====Position====
 
====Position====
 
{| style="margin-bottom: 1em; border-width: thin; font-weight: 700; font-size: 80%"
 
{| style="margin-bottom: 1em; border-width: thin; font-weight: 700; font-size: 80%"
! colspan="2" style="border: 1pt solid #000; font-size: 80%; padding: 3px 12px; background-color: #BBBBBB;" | [[#Movement_identification|Movement]]​
+
! colspan="2" style="border: 1pt solid #000; font-size: 80%; padding: 3px 12px; background-color: #BBB;" | [[#Movement_identification|Movement]]​
 
{{hanging cell
 
{{hanging cell
| color1 = 3300CC
+
| color1 = 30C
| color2 = BBBBBB
+
| color2 = BBB
| color3 = BBBBBB
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| color3 = BBB
| color4 = BBBBBB
+
| color4 = BBB
| color5 = BBBBBB
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| color5 = BBB
| color6 = BBBBBB
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| color6 = BBB
| color7 = BBBBBB
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| color7 = BBB
| color8 = BBBBBB
+
| color8 = BBB
| color9 = BBBBBB
+
| color9 = BBB
| cell1  = Position
+
| cell1  = [[#Position|Position]]
| cell2  = Container
+
| cell2  = [[#Container|Container]]
| cell3  = Dramatic Position
+
| cell3  = [[#Dramatic_Position|Dramatic Position]]
| cell4  = Form
+
| cell4  = [[#Form|Form]]
| cell5  = Tempo
+
| cell5  = [[#Tempo|Tempo]]
| cell6  = Vocalization
+
| cell6  = [[#Vocalization|Vocalization]]
| cell7  = Title
+
| cell7  = [[#Title|Title]]
| cell8  = Libretto
+
| cell8  = [[#Libretto|Libretto]]
| cell9  = Role
+
| cell9  = [[#Role|Role]]
 
}}
 
}}
 +
|}
 +
 +
This defines the movement number of a multi-movement work.
 +
 +
:{|
 +
|-
 +
| style="border: none;" |
 +
=====Framework=====
 +
:* For single-movement works, this movement element is left unused.
 +
:* The movement number is '''always''' indicated using uppercase Roman numerals, with lowercase Latin letters used to indicate sub-movement numbers.
 +
:* New work entries should be created for sub-movement parts which are indicated within the movement.  New work entries should '''not''' be created when a section of a movement is separated only because of the demands of fitting a work onto a physical recording medium.
 +
 +
=====Examples=====
 +
:* Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: '''I.''' Allegro
 +
:* Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: '''II.''' Andante
 +
:* Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: '''III.''' Minuetto
 +
:* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: '''IIIa.''' “Te Deum laudamus”
 +
:* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: '''IIIb.''' “Te ergo quaesumus”
 +
:* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: '''IIIc.''' “Aeterna fac”
 +
:* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: '''IIId.''' “In te Domino speravi”
 
|}
 
|}
  
  
 
----
 
----
 +
 
====Container====
 
====Container====
 
{| style="margin-bottom: 1em; border-width: thin; font-weight: 700; font-size: 80%"
 
{| style="margin-bottom: 1em; border-width: thin; font-weight: 700; font-size: 80%"
! colspan="2" style="border: 1pt solid #000; font-size: 80%; padding: 3px 12px; background-color: #BBBBBB;" | [[#Movement_identification|Movement]]​
+
! colspan="2" style="border: 1pt solid #000; font-size: 80%; padding: 3px 12px; background-color: #BBB;" | [[#Movement_identification|Movement]]​
 
{{hanging cell
 
{{hanging cell
| color1 = BBBBBB
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| color1 = BBB
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| color2 = C06
| color3 = BBBBBB
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| color3 = BBB
| color4 = BBBBBB
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| color4 = BBB
| color5 = BBBBBB
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| color5 = BBB
| color6 = BBBBBB
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| color6 = BBB
| color7 = BBBBBB
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| color7 = BBB
| color8 = BBBBBB
+
| color8 = BBB
| color9 = BBBBBB
+
| color9 = BBB
| cell1  = Position
+
| cell1  = [[#Position|Position]]
| cell2  = Container
+
| cell2  = [[#Container|Container]]
| cell3  = Dramatic Position
+
| cell3  = [[#Dramatic_Position|Dramatic Position]]
| cell4  = Form
+
| cell4  = [[#Form|Form]]
| cell5  = Tempo
+
| cell5  = [[#Tempo|Tempo]]
| cell6  = Vocalization
+
| cell6  = [[#Vocalization|Vocalization]]
| cell7  = Title
+
| cell7  = [[#Title|Title]]
| cell8  = Libretto
+
| cell8  = [[#Libretto|Libretto]]
| cell9  = Role
+
| cell9  = [[#Role|Role]]
 
}}
 
}}
 +
|}
 +
 +
This stores the title of the work-within-a-work that identifies the overall movement to which sub-movements belong.  This used most frequently within ecclesiastical works.
 +
 +
:{|
 +
|-
 +
| style="border: none;" |
 +
=====Framework=====
 +
:* Provide the title of the container, followed by a full colon (:).
 +
:* The container title should never be translated from the original  (e.g. always "Benedictus", never "Song of Thanksgiving", regardless of what language CSG is used).
 +
 +
=====Examples=====
 +
:* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: Ia. '''Kyrie:''' Adagio. “Kyrie eleison”
 +
:* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: Ib. '''Kyrie:''' Allegro. “Kyrie eleison. Christe eleison”
 +
:* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: IIa. '''Gloria:''' Allegro moderato. “Gloria in excelsis Deo”
 +
:* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: IIb. '''Gloria:''' Andante grazioso. “Laudamus te”
 +
:* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: IIIa. '''Credo:''' Allegro molto. “Patrem omnipotentem”
 +
:* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: IIIb. '''Credo:''' Allegro. “Et incarnatus est”
 +
:* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: IIIc. '''Credo:''' Adagio. “Crucifixus”
 
|}
 
|}
  
  
 
----
 
----
 +
 
====Dramatic Position====
 
====Dramatic Position====
 
{| style="margin-bottom: 1em; border-width: thin; font-weight: 700; font-size: 80%"
 
{| style="margin-bottom: 1em; border-width: thin; font-weight: 700; font-size: 80%"
! colspan="2" style="border: 1pt solid #000; font-size: 80%; padding: 3px 12px; background-color: #BBBBBB;" | [[#Movement_identification|Movement]]​
+
! colspan="2" style="border: 1pt solid #000; font-size: 80%; padding: 3px 12px; background-color: #BBB;" | [[#Movement_identification|Movement]]​
 
{{hanging cell
 
{{hanging cell
| color1 = BBBBBB
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| color1 = BBB
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| color2 = BBB
| color3 = FF9933
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| color3 = F93
| color4 = BBBBBB
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| color4 = BBB
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| color5 = BBB
| color6 = BBBBBB
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| color6 = BBB
| color7 = BBBBBB
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| color7 = BBB
| color8 = BBBBBB
+
| color8 = BBB
| color9 = BBBBBB
+
| color9 = BBB
| cell1  = Position
+
| cell1  = [[#Position|Position]]
| cell2  = Container
+
| cell2  = [[#Container|Container]]
| cell3  = Dramatic Position
+
| cell3  = [[#Dramatic_Position|Dramatic Position]]
| cell4  = Form
+
| cell4  = [[#Form|Form]]
| cell5  = Tempo
+
| cell5  = [[#Tempo|Tempo]]
| cell6  = Vocalization
+
| cell6  = [[#Vocalization|Vocalization]]
| cell7  = Title
+
| cell7  = [[#Title|Title]]
| cell8  = Libretto
+
| cell8  = [[#Libretto|Libretto]]
| cell9  = Role
+
| cell9  = [[#Role|Role]]
}}{{hanging cell
 
| cell1  = Act
 
| cell2  = Scene
 
| cell3  = Song Number
 
 
}}
 
}}
 +
|}
 +
 +
This stores the act, scene, and/or song number within the overall work.  This normally is used for operas, though other rarer forms may also have need for these fields.
 +
 +
:{|
 +
|-
 +
| style="border: none;" |
 +
=====Elements=====
 +
:This section may contain up to four elements:
 +
::* Appendix indication
 +
::* Act
 +
::* Scene
 +
::* Song number
 +
 +
: Appendix works should retain that indication, with "Appendix. " preceeding "Act".
 +
::* "Appendix" should be translated as appropriate for the catalogue, ''not'' the language of the CSG work title (e.g. "Anhang").
 +
 +
: These elements should always be ordered and indicated:
 +
:: '''[ Appendix ]. [ Act # ], [ Scene # ]. [ No. # ]'''
 +
 +
: In situations where there is an Act, but there is not a Scene, the period ought to be used, omitting the comma:
 +
:: '''[ Appendix ]. [ Act # ]. [ No. # ]'''
 +
 +
: In situations where this section is the final section of a movement title, and that title would otherwise end in a trailing period, omit the trailing period.
 +
 +
=====Language=====
 +
: "Act" and "Scene" should be translated consistent with the language being used for the CSG work title.
 +
 +
=====Ordering=====
 +
: The act, scene, and song number should be those ''as assigned within the original work''.
 +
: New work entries should '''not''' be created simply to accommodate a release which renumbers the acts, scenes, and/or songs, nor to accommodate a release which changes the ordering of movements of a work.
 +
=====Numbering=====
 +
:{|
 +
| style="border: none;" |
 +
======Acts and Scenes======
 +
: Numbered acts and scenes should be indicated using Roman numerals.<ref>A reference list of Roman numerals may be found on the [[Resources#Roman_numerals_from_0_to_125|CSG resource page]].</ref>
 +
:* Unnumbered acts or scenes, such as "Scene Ultima", should retain their title, and not be changed to instead bear a number.
 +
:* When multiple acts or scenes are spanned within the same (sub)movement, they ought to be indicated using an en-dash (–).
 +
 +
======Numbered songs======
 +
: These should always be indicated using Arabic numerals.
 +
: Numbered songs should have the number preceeded by the appropriate aBreviation for "number".  Reference [[Proposal:CSGv2/Work/Title/Work_and_opus_identification#aBreviating_number|ABreviating 'number']] for information on how the word "number" should be indicated.<ref>This is an official exception to [[ABreviation Style]].</ref>
 +
|}
 +
 +
=====Examples=====
 +
:* Ascanio in Alba, K. 111: '''Act I, Scene IV'''
 +
:* Così fan tutte ossia La scuola degli amanti, K. *584: '''Appendix. Act. I, Scene XI. No. 15'''
 +
:* Die Entführung aus dem Serail, K. 384: '''Appendix'''
 +
:* Il sogno di Scipione, K. 126: '''Act I. No. 1'''
 +
:* L'oca del Cairo, K. 422: '''Scene III. No. 1'''
 +
:* La finta semplice, K. 46a / KV 51: '''Act I, Scene I. No. 1'''
 +
:* Lucio Silla, K. 135: '''Act III, Scene Ultima'''
 
|}
 
|}
  
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====Form====
 
====Form====
 
{| style="margin-bottom: 1em; border-width: thin; font-weight: 700; font-size: 80%"
 
{| style="margin-bottom: 1em; border-width: thin; font-weight: 700; font-size: 80%"
! colspan="2" style="border: 1pt solid #000; font-size: 80%; padding: 3px 12px; background-color: #BBBBBB;" | [[#Movement_identification|Movement]]​
+
! colspan="2" style="border: 1pt solid #000; font-size: 80%; padding: 3px 12px; background-color: #BBB;" | [[#Movement_identification|Movement]]​
 
{{hanging cell
 
{{hanging cell
| color1 = BBBBBB
+
| color1 = BBB
| color2 = BBBBBB
+
| color2 = BBB
| color3 = BBBBBB
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| color3 = BBB
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| color4 = FF0
| color5 = BBBBBB
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| color5 = BBB
| color6 = BBBBBB
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| color6 = BBB
| color7 = BBBBBB
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| color7 = BBB
| color8 = BBBBBB
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| color8 = BBB
| color9 = BBBBBB
+
| color9 = BBB
| cell1  = Position
+
| cell1  = [[#Position|Position]]
| cell2  = Container
+
| cell2  = [[#Container|Container]]
| cell3  = Dramatic Position
+
| cell3  = [[#Dramatic_Position|Dramatic Position]]
| cell4  = Form
+
| cell4  = [[#Form|Form]]
| cell5  = Tempo
+
| cell5  = [[#Tempo|Tempo]]
| cell6  = Vocalization
+
| cell6  = [[#Vocalization|Vocalization]]
| cell7  = Title
+
| cell7  = [[#Title|Title]]
| cell8  = Libretto
+
| cell8  = [[#Libretto|Libretto]]
| cell9  = Role
+
| cell9  = [[#Role|Role]]
 
}}
 
}}
 +
|}
 +
 +
(Description)
 +
 +
:{|
 +
|-
 +
| style="border: none;" |
 +
=====(Section)=====
 +
#
 +
#
 +
 +
=====(Section)=====
 +
#
 +
#
 +
 +
=====(Section)=====
 +
#
 +
#
 +
 +
=====Examples=====
 +
:*
 +
:*
 +
:*
 
|}
 
|}
  
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====Tempo====
 
====Tempo====
 
{| style="margin-bottom: 1em; border-width: thin; font-weight: 700; font-size: 80%"
 
{| style="margin-bottom: 1em; border-width: thin; font-weight: 700; font-size: 80%"
! colspan="2" style="border: 1pt solid #000; font-size: 80%; padding: 3px 12px; background-color: #BBBBBB;" | [[#Movement_identification|Movement]]​
+
! colspan="2" style="border: 1pt solid #000; font-size: 80%; padding: 3px 12px; background-color: #BBB;" | [[#Movement_identification|Movement]]​
 
{{hanging cell
 
{{hanging cell
| color1 = BBBBBB
+
| color1 = BBB
| color2 = BBBBBB
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| color2 = BBB
| color3 = BBBBBB
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| color3 = BBB
| color4 = BBBBBB
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| color4 = BBB
| color5 = 229900
+
| color5 = 290
| color6 = BBBBBB
+
| color6 = BBB
| color7 = BBBBBB
+
| color7 = BBB
| color8 = BBBBBB
+
| color8 = BBB
| color9 = BBBBBB
+
| color9 = BBB
| cell1  = Position
+
| cell1  = [[#Position|Position]]
| cell2  = Container
+
| cell2  = [[#Container|Container]]
| cell3  = Dramatic Position
+
| cell3  = [[#Dramatic_Position|Dramatic Position]]
| cell4  = Form
+
| cell4  = [[#Form|Form]]
| cell5  = Tempo
+
| cell5  = [[#Tempo|Tempo]]
| cell6  = Vocalization
+
| cell6  = [[#Vocalization|Vocalization]]
| cell7  = Title
+
| cell7  = [[#Title|Title]]
| cell8  = Libretto
+
| cell8  = [[#Libretto|Libretto]]
| cell9  = Role
+
| cell9  = [[#Role|Role]]
 
}}
 
}}
 +
|}
 +
 +
(Description)
 +
 +
:{|
 +
|-
 +
| style="border: none;" |
 +
=====(Section)=====
 +
#
 +
#
 +
 +
=====(Section)=====
 +
#
 +
#
 +
 +
=====(Section)=====
 +
#
 +
#
 +
 +
=====Examples=====
 +
:*
 +
:*
 +
:*
 
|}
 
|}
  
Line 192: Line 328:
 
====Vocalization====
 
====Vocalization====
 
{| style="margin-bottom: 1em; border-width: thin; font-weight: 700; font-size: 80%"
 
{| style="margin-bottom: 1em; border-width: thin; font-weight: 700; font-size: 80%"
! colspan="2" style="border: 1pt solid #000; font-size: 80%; padding: 3px 12px; background-color: #BBBBBB;" | [[#Movement_identification|Movement]]​
+
! colspan="2" style="border: 1pt solid #000; font-size: 80%; padding: 3px 12px; background-color: #BBB;" | [[#Movement_identification|Movement]]​
 
{{hanging cell
 
{{hanging cell
| color1 = BBBBBB
+
| color1 = BBB
| color2 = BBBBBB
+
| color2 = BBB
| color3 = BBBBBB
+
| color3 = BBB
| color4 = BBBBBB
+
| color4 = BBB
| color5 = BBBBBB
+
| color5 = BBB
| color6 = CC00CC
+
| color6 = C0C
| color7 = BBBBBB
+
| color7 = BBB
| color8 = BBBBBB
+
| color8 = BBB
| color9 = BBBBBB
+
| color9 = BBB
| cell1  = Position
+
| cell1  = [[#Position|Position]]
| cell2  = Container
+
| cell2  = [[#Container|Container]]
| cell3  = Dramatic Position
+
| cell3  = [[#Dramatic_Position|Dramatic Position]]
| cell4  = Form
+
| cell4  = [[#Form|Form]]
| cell5  = Tempo
+
| cell5  = [[#Tempo|Tempo]]
| cell6  = Vocalization
+
| cell6  = [[#Vocalization|Vocalization]]
| cell7  = Title
+
| cell7  = [[#Title|Title]]
| cell8  = Libretto
+
| cell8  = [[#Libretto|Libretto]]
| cell9  = Role
+
| cell9  = [[#Role|Role]]
 
}}
 
}}
 +
|}
 +
 +
This identifies which voice parts sing within a vocal movement.
 +
 +
:{|
 +
|-
 +
| style="border: none;" |
 +
=====Framework=====
 +
# Each voice part should be proper-cased.
 +
# Where more than one of a voice part is indicated, Arabic numerals should be used.
 +
# Voice parts should be ordered starting with the highest pitch and moving to the lowest.  A reference ordering is available [[Proposal:CSGv2/Resources#Vocal_Classifications|on the reference page]].
 +
# The listing of voice parts should be surrounded by parentheses, separated from the remainder of the movement title by a single space.
 +
 +
=====Examples=====
 +
:* Notturno for 3 Voices and 3 Basset Horns in F major, K. 436: Andante. '''(2 Sopranos, Bass)'''
 +
:* Kyrie for 4 Voices & Organ (in Figured Bass) in D minor, K. 90: (no tempo indication). '''(Soprano, Alto, Tenor, Bass)'''
 
|}
 
|}
  
  
 
----
 
----
 +
 
====Title====
 
====Title====
 
{| style="margin-bottom: 1em; border-width: thin; font-weight: 700; font-size: 80%"
 
{| style="margin-bottom: 1em; border-width: thin; font-weight: 700; font-size: 80%"
! colspan="2" style="border: 1pt solid #000; font-size: 80%; padding: 3px 12px; background-color: #BBBBBB;" | [[#Movement_identification|Movement]]​
+
! colspan="2" style="border: 1pt solid #000; font-size: 80%; padding: 3px 12px; background-color: #BBB;" | [[#Movement_identification|Movement]]​
 
{{hanging cell
 
{{hanging cell
| color1 = BBBBBB
+
| color1 = BBB
| color2 = BBBBBB
+
| color2 = BBB
| color3 = BBBBBB
+
| color3 = BBB
| color4 = BBBBBB
+
| color4 = BBB
| color5 = BBBBBB
+
| color5 = BBB
| color6 = BBBBBB
+
| color6 = BBB
| color7 = 00CC00
+
| color7 = 0C0
| color8 = BBBBBB
+
| color8 = BBB
| color9 = BBBBBB
+
| color9 = BBB
| cell1  = Position
+
| cell1  = [[#Position|Position]]
| cell2  = Container
+
| cell2  = [[#Container|Container]]
| cell3  = Dramatic Position
+
| cell3  = [[#Dramatic_Position|Dramatic Position]]
| cell4  = Form
+
| cell4  = [[#Form|Form]]
| cell5  = Tempo
+
| cell5  = [[#Tempo|Tempo]]
| cell6  = Vocalization
+
| cell6  = [[#Vocalization|Vocalization]]
| cell7  = Title
+
| cell7  = [[#Title|Title]]
| cell8  = Libretto
+
| cell8  = [[#Libretto|Libretto]]
| cell9  = Role
+
| cell9  = [[#Role|Role]]
 
}}
 
}}
 
|}
 
|}
  
 +
This is the title of a ''movement''.  This may be either a common title, or a title specifically assigned by the composer.
 +
 +
If a movement has a title, then the Libretto section of the movement framework should be omitted.
  
----
+
:{|
====Libretto====
+
|-
{| style="margin-bottom: 1em; border-width: thin; font-weight: 700; font-size: 80%"
+
| style="border: none;" |
! colspan="2" style="border: 1pt solid #000; font-size: 80%; padding: 3px 12px; background-color: #BBBBBB;" | [[#Movement_identification|Movement]]
+
To clarify on ''the'' movement common title:
{{hanging cell
+
* This is ''not'' the work's title.  Even in a single-movement song, the title of that song is the work title, not the movement title.  The correct position for the work title is described in the [[Work_and_opus_identification#Named_works|work and opus Framework]].
| color1 = BBBBBB
+
* This is ''not'' the title of only a single ''form'' within a movement with multiple forms.  The correct position for such a title is described in the [[#Form|Form]] section of the movement framework.
| color2 = BBBBBB
+
* This is ''not'' the title of only a single ''tempo'' within a movement with multiple tempos.  The correct position for such a title is described in the [[#Tempo|Tempo]] section of the movement framework.
| color3 = BBBBBB
+
* Be sure not to confuse the [[#Container|Container]] title with the movement title.  The same text is occasionally both titles.
| color4 = BBBBBB
+
 
| color5 = BBBBBB
+
=====Framework=====
| color6 = BBBBBB
+
The title should be surrounded by double quotes of a type appropriate to ''the language of the title'', '''not''' the language being used for the CSG title. This should then be offset from the rest of the movement title by a single space.
| color7 = BBBBBB
+
:* For Latin text, use U+201C and U+201D (“ and ”).  For other languages, [[Wikipedia:Non-English_usage_of_quotation_mark|Wikipedia]] may be of assistance in determining the correct quotation marks to use.
| color8 = FF9999
+
 
| color9 = BBBBBB
+
=====Examples=====
| cell1 = Position
+
:{|
| cell2  = Container
+
|-
| cell3  = Dramatic Position
+
| style="border: none;" |
| cell4  = Form
+
''Movement with title:''
| cell5  = Tempo
+
:* Requiem in D minor, K. 626 (Süßmayr completion): II. Kyrie: '''“Kyrie eleison”'''
| cell6  = Vocalization
+
''Movement with both a title and libretto. Libretto is omitted as the movement has a title:''
| cell7  = Title
+
:* Our Hunting Fathers, Op. 8: IV. '''“Dance of Death (Hawking for the Partridge)”'''
| cell8 = Libretto
+
''Single-movement work with a libretto and title, libretto omitted due to movement title:''
| cell9 = Role
+
:* Carol for Female Choir and Piano, EHWV 137 „Christkindleins Wiegenlied“: (Sopranos, Altos) '''„O Jesulein zart“'''
}}
+
:: <small>''Note: the above example shows an incomplete CSG listing; the key of the work is unknown and unlisted.''</small>
 +
:* Kantate, BWV 5 „Wo soll ich fliehen hin“: II. Recitativo '''„Der Sünden Wust hat mich nicht nur befleckt“'''
 +
''Movement with a title. The Work and Opus framework is overridden as there is a composer-assigned work title:''
 +
:* Pictures at an Exhibition: IIa. Andante. '''“The Old Castle”'''
 +
|}
 
|}
 
|}
  
  
 
----
 
----
====Role====
+
 
 +
====Libretto====
 
{| style="margin-bottom: 1em; border-width: thin; font-weight: 700; font-size: 80%"
 
{| style="margin-bottom: 1em; border-width: thin; font-weight: 700; font-size: 80%"
! colspan="2" style="border: 1pt solid #000; font-size: 80%; padding: 3px 12px; background-color: #BBBBBB;" | [[#Movement_identification|Movement]]​
+
! colspan="2" style="border: 1pt solid #000; font-size: 80%; padding: 3px 12px; background-color: #BBB;" | [[#Movement_identification|Movement]]​
 
{{hanging cell
 
{{hanging cell
| color1 = BBBBBB
+
| color1 = BBB
| color2 = BBBBBB
+
| color2 = BBB
| color3 = BBBBBB
+
| color3 = BBB
| color4 = BBBBBB
+
| color4 = BBB
| color5 = BBBBBB
+
| color5 = BBB
| color6 = BBBBBB
+
| color6 = BBB
| color7 = BBBBBB
+
| color7 = BBB
| color8 = BBBBBB
+
| color8 = F99
| color9 = 0099CC
+
| color9 = BBB
| cell1  = Position
+
| cell1  = [[#Position|Position]]
| cell2  = Container
+
| cell2  = [[#Container|Container]]
| cell3  = Dramatic Position
+
| cell3  = [[#Dramatic_Position|Dramatic Position]]
| cell4  = Form
+
| cell4  = [[#Form|Form]]
| cell5  = Tempo
+
| cell5  = [[#Tempo|Tempo]]
| cell6  = Vocalization
+
| cell6  = [[#Vocalization|Vocalization]]
| cell7  = Title
+
| cell7  = [[#Title|Title]]
| cell8  = Libretto
+
| cell8  = [[#Libretto|Libretto]]
| cell9  = Role
+
| cell9  = [[#Role|Role]]
 
}}
 
}}
 
|}
 
|}
  
 +
(Description)
  
----
+
If a movement has a title, then the Libretto section of the movement framework should be omitted.
  
 +
:{|
 +
|-
 +
| style="border: none;" |
 +
=====Framework=====
 +
# The libretto should be surrounded by double quotes of a type appropriate to ''the language of the libretto's text'', '''not''' the language being used for the CSG title.  This should then be offset from the rest of the movement title by a single space.
 +
#* For Latin text, use U+201C and U+201D (“ and ”).
 +
#* For other languages, [[Wikipedia:Non-English_usage_of_quotation_mark|Wikipedia]] may be of assistance in determining the correct quotation marks to use.
 +
# The libretto text should '''not''' be the entire text of the movement, but only some useful segment from the beginning of the libretto, typically the first phrase or phrases.
 +
# The libretto should be properly accented and correctly punctuated, as appropriate to the language of the libretto.
  
 +
=====Examples=====
 +
:{|
 +
|-
 +
| style="border: none;" |
 +
''Movement with a libretto only:''
 +
:* Mitridate, rè di Ponto, K. 74a / KV 87: Act I, Scene X. No. 8 Cavata. '''„Se di lauri il crine adorno“'''
 +
:* Canon for 3 Voices in 1 in F major, K. 507: Canon. '''„Heiterkeit und leichtes Blut“'''
 +
''Movement with a libretto only, where the work also has a title:''
 +
:* Song for Solo Voice and Basso continuo in F major, K. 47e / K3 43b / KV 53 „An die Freude“: Mäßig. '''„Freude, Königin der Weisen“'''
 +
:* Song for Solo Voice and Piano in D major, K. 125h / KV 148 „Auf die feierliche Johannisloge“: Longsam. '''„O heiliges Band der Freundschaft treuer Brüder“'''
 +
|}
 +
|}
  
  
{{Status|Unedited below this point}}
+
----
  
 +
====Role====
 +
{| style="margin-bottom: 1em; border-width: thin; font-weight: 700; font-size: 80%"
 +
! colspan="2" style="border: 1pt solid #000; font-size: 80%; padding: 3px 12px; background-color: #BBB;" | [[#Movement_identification|Movement]]​
 +
{{hanging cell
 +
| color1 = BBB
 +
| color2 = BBB
 +
| color3 = BBB
 +
| color4 = BBB
 +
| color5 = BBB
 +
| color6 = BBB
 +
| color7 = BBB
 +
| color8 = BBB
 +
| color9 = 09C
 +
| cell1  = [[#Position|Position]]
 +
| cell2  = [[#Container|Container]]
 +
| cell3  = [[#Dramatic_Position|Dramatic Position]]
 +
| cell4  = [[#Form|Form]]
 +
| cell5  = [[#Tempo|Tempo]]
 +
| cell6  = [[#Vocalization|Vocalization]]
 +
| cell7  = [[#Title|Title]]
 +
| cell8  = [[#Libretto|Libretto]]
 +
| cell9  = [[#Role|Role]]
 +
}}
 +
|}
  
 +
This identifies which role(s) perform within a vocal work.
  
 +
:{|
 +
|-
 +
| style="border: none;" |
 +
=====Capitalization=====
 +
: Each role ought to be properly capitalized:
 +
:# Names should be capitalized.
 +
:# Other roles — ‘choir’, ‘servants’, etc. — should be lowercased.
  
 +
=====Ordering=====
 +
:# Named roles should be listed before other roles.
 +
:# Roles in each group — named and unnamed — should be listed alphabetically.
 +
:# Roles with multiple names should be listed by the first letter of the role name, not the last name.
 +
: Example: Alice Smith, Fred, Tom Brown, chorus, servants
  
 +
=====Framework=====
 +
:# The listing of roles should be surrounded by parenthesis ("(" and ")").
 +
:# The parenthesis should be preceeded by a single space.
 +
=====Examples=====
 +
:* Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene Ultima No. 31 Finale. Allegro molto «Fortunato l'uom che prende» '''(Despina, Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, chor)'''
 +
:* Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro '''«Giovinette, che fate all'amore» (Zerlina, coro)'''
 +
:* Le nozze di Figaro, K. 492: Act II, Scene II. Recitativo. «Bravo! che bella voce!» '''(Cherubino, La Contessa, Susanna)'''
 +
|}
  
 +
==Special Cases==
 +
===Insert Arias and other dual-catalogued works===
 +
{| style="margin-bottom: 1em; border-width: thin; font-weight: 700; font-size: 80%"
 +
! colspan="2" style="border: 1pt solid #000; font-size: 80%; padding: 3px 12px; background-color: #BBB;" | [[#Movement_identification|Movement]]​
 +
{{hanging cell
 +
| color1 = BBB
 +
| color2 = BBB
 +
| color3 = BBB
 +
| color4 = BBB
 +
| color5 = BBB
 +
| color6 = BBB
 +
| color7 = BBB
 +
| color8 = BBB
 +
| color9 = BBB
 +
| color10 = red
 +
| cell1  = [[#Position|Position]]
 +
| cell2  = [[#Container|Container]]
 +
| cell3  = [[#Dramatic_Position|Dramatic Position]]
 +
| cell4  = [[#Form|Form]]
 +
| cell5  = [[#Tempo|Tempo]]
 +
| cell6  = [[#Vocalization|Vocalization]]
 +
| cell7  = [[#Title|Title]]
 +
| cell8  = [[#Libretto|Libretto]]
 +
| cell9  = [[#Role|Role]]
 +
| cell10 = Work Indication
 +
}}
 +
|}
  
  
====Movement Position====
+
In some rare cases, most frequently with insert arias to operas, movements will also appear separately within the same catalogIn such a case, the catalogued work should be entered twice, once as a standalone work, once as a movement of a larger work.
 
 
This sub-framework defines the particular movement of a multi-movement work.<br/> For single-movement works, this area is left unused (though there can be one exception: see [[User:BrianFreud/sandbox#CSGapplication|item number 3]]). 
 
 
 
The Work Position is '''always''' to be indicated using uppercase Roman numerals, '''never''' Arabic numeralsWhere a movement is split across several sub-movements ''within the work'', not due to physical demands such as multi-tracking, the lowercase Latin alphabet is used, appending one letter for each sub-movment, beginning with the letter "a".  Examples:
 
* Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: '''I.'''
 
* Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: '''II.'''
 
* Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: '''III.'''
 
* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": '''IIIa.'''
 
* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": '''IIIb.'''
 
* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": '''IIIc.'''
 
* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": '''IIId.'''
 
  
A reference list of Roman numbers is [[User:BrianFreud/sandbox#romannumerals|available below]].  
+
In other cases, when an overall work had multiple composers, only part of the overall work may be catalogued within a specific composer's catalogue.  In such a case, the work will only appear once within the catalogue, and should be entered only once, but the catalogue number for that work will apply to only certain movement(s), and not to the overall work.
  
----
+
In either case, when entering the movement, after the Role Identification, append the movement-specific catalog number, surrounded by square brackets ([,]).
  
<span id="CSGmContainer"></span>
+
======Examples======  
====Movement Container====
+
* ''Insert aria contained both within the appendix to the opera and separately cataloged:''
 +
:* Il dissoluto punito, ossia il Don Giovanni for Soprano in G major, K. 540a/deest: No. 10a. Appendix. Aria «Dalla sua pace» (Tenor)
 +
:* Il dissoluto punito, ossia il Don Giovanni, K. 527: Anhang. Act I, Scene XIV. No. 10a Aria. «Dalla sua pace» (Don Ottavio) '''[K. 540a]'''
 +
* ''Collaboratively composed opera, only the single movement bears the catalog number:''
 +
:* Der Stein der Weisen: Act II. Duett. „Nun, liebes Weibchen“ (Lubanara, Lubano) '''[K. 592a / KV 625]'''
  
The container sub-framework is used most frequently within ecclesiastical works.  This area stores the title of the work-within-a-work that identifies the overall movement to which sub-movements belong.  Provide the title of the container, followed by a full colon (:).  Examples:
 
* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Ia. '''Kyrie:'''
 
* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Ib. '''Kyrie:'''
 
* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIa. '''Gloria:'''
 
* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIb. '''Gloria:'''
 
* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIIa. '''Credo:'''
 
* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIIb. '''Credo:'''
 
* Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIIc. '''Credo:'''
 
  
 
----
 
----
  
<span id="CSGmDramaticalPosition"></span>
 
====Dramatic Position====
 
  
This sub-framework normally is used for operas, though other rarer forms may also have need for these fields.  The Dramatic Position section stores the Act, Scene, and/or song number within the overall work.  These should always be the Act, Scene, and song number '''as assigned within the original work'''.  If you have a release which reorders scenes, uses insert arias, or makes other changes to the normal order, '''do not''' rename the fields within this section; '''the original running order indications should be preserved.'''  This also means that, when appendix works are inserted within the work, the Appendix indication should remain.
 
  
Act and Scene are always to be indicated using uppercased Roman numerals.  The sole exception is for "Scene Ultima".<br/> "Act" and "Scene" '''should''' be translated into the correct word for the CSG language style being used.
+
{{Status|Unedited below this point}}
  
Song numbers should always be indicated using Arabic numerals.  The numbers used should always be indicated using Arabic numerals and not spelled out.<br/> "No." is always to be used, untranslated, and never "Nr.", "#", "Number", "N°", etc.
 
  
When multiple Acts or Scenes are spanned within the same (sub)movement, they ought to be indicated using an ASCII hyphen separated by one ASCII space on either side ( - ).
 
  
Structure:
 
<ul><li style="list-style-type:none">'''[ Appendix ]. [ Act # ], [ Scene # ]. No. #'''
 
</ul>
 
 
In situations where there is an Act, but there is not a Scene, the period ought to be used, omitting the comma:
 
<ul><li style="list-style-type:none">'''[ Appendix ]. [ Act # ]. No. #'''
 
</ul>
 
 
Examples:
 
* Ascanio in Alba, K. 111: '''Act I, Scene IV'''
 
* Così fan tutte ossia La scuola degli amanti, K. *584: '''Appendix. Act. I, Scene XI No. 15'''
 
* Die Entführung aus dem Serail, K. 384: '''Appendix.'''
 
* Il sogno di Scipione, K. 126: '''Act I. No. 1'''
 
* L'oca del Cairo, K. 422: '''Scene III. No. 1'''
 
* La finta semplice, K. 46a / KV 51: '''Act I, Scene I. No. 1'''
 
* Lucio Silla, K. 135: '''Act III, Scene Ultima'''
 
 
A reference list of Roman numbers is [[User:BrianFreud/sandbox#romannumerals|available below]].
 
 
----
 
 
<span id="CSGmFormandTempo"></span>
 
 
====Form and Tempo====
 
====Form and Tempo====
 
{| border="1"
 
|-
 
| [[User:BrianFreud/sandbox#CSGmovement|Movement Identification]]
 
|-
 
|  ||  ||  ||  ||  ||  ||  ||  ||  ||  || ▌ ||  ||
 
|-
 
| Form and Tempo
 
|-
 
|  ||  ||  ||  ||  ||  ||  ||  ||  ||  || ▌ ||  ||
 
|-
 
| Form || Tempo || Form Title
 
|-
 
|  ||  ||  ||  ||  ||  ||  ||  ||  ||  || ▌ ||  ||
 
|-
 
|  || Tempo || Tempo Title || 
 
|}
 
  
 
This sub-framework stores the form and tempo of a movement.  
 
This sub-framework stores the form and tempo of a movement.  
Line 450: Line 646:
 
----
 
----
  
  <span id="CSGmVocalization"></span>  
+
  <span id="CSGmVocalization"></span>
====Vocalization====
 
 
 
{| border="1"
 
|-
 
| [[User:BrianFreud/sandbox#CSGmovement|Movement Identification]]
 
|-
 
|  ||  ||  ||  ||  ||  ||  ||  ||  ||  ||  || ▌ ||  ||
 
|-
 
| Vocalization
 
|}
 
 
 
This sub-framework identifies which voice parts sing within a vocal work.
 
 
 
Each voice part should be proper cased.  Where more than one of a voice part is indicated, Arabic numerals are to be used.
 
 
 
Voice parts should be ordered starting with the highest pitch and moving to the lowest.  A [[User:BrianFreud/sandbox#CSGvoiceparts|reference list]] is available below.
 
 
 
Structure:
 
<ul><li style="list-style-type:none">'''([ voicepart1 ], [ voicepart1 ]... )'''
 
</ul>
 
 
 
Examples:
 
* Notturno for 3 Voices and 3 Basset Horns in F major, K. 436: Andante. '''(2 Sopranos, Bass)'''
 
* Kyrie for 4 Voices & Organ (in Figured Bass) in D minor, K. 90: (no tempo indication). '''(Soprano, Alto, Tenor, Bass)'''
 
 
 
----
 
 
 
<span id="CSGmCommonIdentification"></span>
 
====Common Identification====
 
 
 
{| border="1"
 
|-
 
| [[User:BrianFreud/sandbox#CSGmovement|Movement Identification]]
 
|-
 
|  ||  ||  ||  ||  ||  ||  ||  ||  || ▌ ||  ||
 
|-
 
| Common Identification
 
|-
 
|  ||  ||  ||  ||  ||  ||  ||  ||  || ▌ ||  ||
 
|-
 
| Libretto || Common Title
 
|}
 
 
 
This sub-framework is used for one of two purposes.  It either stores the libretto or it stores the common title ''of the movement''. 
 
 
 
To clarify on ''the'' movement common title: 
 
* It is not the work's common title.  Even in a single-movement song, the title of that song is the work title, not the movement title.  The correct position for the work title is described in the [[User:BrianFreud/sandbox#CSGspecialWO2|Work and Opus Framework]].
 
* It is not the title of only a single form within a multi-form movement.  The correct position for such a title is described in the [[User:BrianFreud/sandbox#CSGmFormandTempo|Form and Tempo sub-framework]].
 
* It is not the title of only a single tempo within a multi-form and/or multi-tempo movement.  The correct position for such a title is described in the [[User:BrianFreud/sandbox#CSGmFormandTempo|Form and Tempo sub-framework]].
 
* Be sure not to confuse the [[User:BrianFreud/sandbox#CSGmContainer|Container]] title with the movement title.  The same text is occasionally both titles.
 
 
 
The libretto title and the movement title are mutually exclusive.  Where a work does have a movement title, the libretto title should be omitted.
 
 
 
Structure:
 
<ul><li style="list-style-type:none">'''"[ libretto/movement common title ]"'''
 
</ul>
 
 
 
Examples:
 
<ul><li style="list-style-type:none">Movement with a libretto only:
 
* Mitridate, rè di Ponto, K. 74a / KV 87: Act I, Scene X. No. 8 Cavata. '''"Se di lauri il crine adorno"'''
 
* Canon for 3 Voices in 1 in F major, K. 507: Canon. '''"Heiterkeit und leichtes Blut"'''
 
Movement with a libretto only, where the work also has a title:
 
* Song for Solo Voice and Basso continuo in F major, K. 47e / K3 43b / KV 53 "An die Freude": Mäßig. '''"Freude, Königin der Weisen"'''
 
* Song for Solo Voice and Piano in D major, K. 125h / KV 148 "Auf die feierliche Johannisloge": Longsam. '''"O heiliges Band der Freundschaft treuer Brüder"'''
 
Single-movement work with a libretto and title, libretto omitted due to movement title:
 
* Carol for Female Choir and Piano, EHWV 137 "Christkindleins Wiegenlied": (Sopranos, Altos) '''"O Jesulein zart"'''
 
<ul><li style="list-style-type:none">''Note: the above example shows an incomplete CSG listing; the key of the work is unknown and unlisted.''
 
</ul>
 
* Kantate, BWV 5 "Wo soll ich fliehen hin": II. Recitativo '''"Der Sünden Wust hat mich nicht nur befleckt"'''
 
Movement with title, container title, and work title:
 
* Requiem in D minor, K. 626 (Süßmayr completion): II. Kyrie: '''"Kyrie eleison"'''
 
Movement with a title only, Work and Opus framework overridden as there is a composer-assigned work title:
 
* Pictures at an Exhibition: IIa. Andante. '''"The Old Castle"'''
 
Movement with a title and libretto, non-opera Opera special style in effect due to composer-assigned work title, libretto omitted due to movement title:
 
* Our Hunting Fathers, Op. 8: IV. '''"Dance of Death (Hawking for the Partridge)"'''
 
 
 
</ul>
 
 
 
----
 
 
 
<span id="CSGmRoleIdentification"></span>
 
====Role Identification====
 
 
 
{| border="1"
 
|-
 
| [[User:BrianFreud/sandbox#CSGmovement|Movement Identification]]
 
|-
 
|  ||  ||  ||  ||  ||  ||  ||  ||  || ▌ ||  ||
 
|-
 
| Role Identification
 
|}
 
 
 
This sub-framework identifies which roles perform within a vocal work.  Each role name ought to be properly capitalized as a name; non-proper named roles such as Chor, Coro, Choir, Servants, etc ought to be proper cased.  Named characters ought to be completely listed before groups (such as "Coro") are listed.  Where multiple roles appear, the roles ought to be ordered alphabetically by the first letter of the role name, not the last name: Alice Smith, Fred, Tom Brown, Chorus
 
 
 
Structure:
 
<ul><li style="list-style-type:none">'''([ role1, role2, role3... ])'''
 
</ul>
 
 
 
Examples:
 
* Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene Ultima No. 31 Finale. Allegro molto "Fortunato l'uom che prende" '''(Despina, Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, Chor)'''
 
* Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro '''"Giovinette, che fate all'amore" (Zerlina, Coro)'''
 
* Le nozze di Figaro, K. 492: Act II, Scene II. Recitativo. "Bravo! che bella voce!" '''(Cherubino, La Contessa, Susanna)'''
 
 
 
----
 
 
 
<span id="CSGspecialWO6"></span>
 
=====What about Insert Arias and other dual-catalogued works?=====
 
 
 
{| border="1"
 
|-
 
| [[User:BrianFreud/sandbox#CSGmovement|Movement Identification]]
 
|-
 
|  ||  ||  ||  ||  ||  ||  ||  ||  ||  ||  ||  || ▌ ||  ||
 
|-
 
| [[User:BrianFreud/sandbox#CSGmPosition|Work Position]] || [[User:BrianFreud/sandbox#CSGmContainer|Movement Container]] || [[User:BrianFreud/sandbox#CSGmDramaticalPosition|Dramatic Position]] || [[User:BrianFreud/sandbox#CSGmFormandTempo|Form and Tempo]] || [[User:BrianFreud/sandbox#CSGmVocalization|Vocalization]] || [[User:BrianFreud/sandbox#CSGmCommonIdentification|Common Identification]] || [[User:BrianFreud/sandbox#CSGmRoleIdentification|Role Identification]] || Dual catalogued works
 
|}
 
 
 
In some rare cases, most frequently with insert arias to operas, you will find works which appear within the same catalog twice.  These present a sticky problem; if they are listed as the individual catalog listing, they will make the release appear to have an unrelated work inserted within it.  In such a case, after the [[User:BrianFreud/sandbox#CSGmRoleIdentification|Role Identification]] sub-framework, append an additional sub-framework for the secondary movement catalog number.
 
 
 
Structure:
 
<ul><li style="list-style-type:none">'''[[ movement catalog number ]]'''
 
</ul>
 
 
 
Examples:
 
<ul><li style="list-style-type:none">Collaboratively composed opera, only the single movement bears the catalog number:
 
* Der Stein der Weisen: Act II. Duett. "Nun, liebes Weibchen" (Lubanara, Lubano) '''[K. 592a / KV 625]'''
 
Insert aria contained both within the appendix to the opera and separately cataloged:
 
* Il dissoluto punito, ossia il Don Giovanni, K. 527: Anhang. Act I, Scene XIV. No. 10a Aria. "Dalla sua pace" (Don Ottavio) '''[K. 540a]'''
 
 
 
</ul>
 
 
 
----
 

Latest revision as of 14:51, 28 August 2016


Status: This page describes an active style guideline proposal and is not official.



Proposal number: RFC-82
Champion: BrianFreud
Current status: Awaiting NGS implementation for final revision and passage.

RFC

Trac ticket # 4426

The Classical Style Guidelines:

CSG for Works: Title

The Movement Framework


Classical Work

{{hanging cell

color1 = 9A9 cell1 = Movement

}}{{hanging cell

color1 = 30C color2 = C06 color3 = F93 color4 = FF0 color5 = 290 color6 = C0C color7 = 0C0 color8 = F99 color9 = 09C cell1 = Position cell2 = Container cell3 = Dramatic Position cell4 = Form cell5 = Tempo cell6 = Vocalization cell7 = Title cell8 = Libretto cell9 = Role

}}

Official Documentation > Style Guidelines > The Classical Style Guidelines
Artist
Title: Work and Opus | Movement | Ornamentation | Special Cases


Whereas the Work and Opus Framework identifies a work, the Movement Framework identifies the particular movement within a work. This applies even if the work consists only of a single movement.



Basic Framework

Unlike the Work and Opus framework, most movements will not require all aspects of the Movement framework. However, the framework is designed such that any aspects required by a given movement are organized in a standard and unified format.

Position

Movement
Position Container Dramatic Position Form Tempo Vocalization Title Libretto Role

This defines the movement number of a multi-movement work.

Framework
  • For single-movement works, this movement element is left unused.
  • The movement number is always indicated using uppercase Roman numerals, with lowercase Latin letters used to indicate sub-movement numbers.
  • New work entries should be created for sub-movement parts which are indicated within the movement. New work entries should not be created when a section of a movement is separated only because of the demands of fitting a work onto a physical recording medium.
Examples
  • Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: I. Allegro
  • Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: II. Andante
  • Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: III. Minuetto
  • Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: IIIa. “Te Deum laudamus”
  • Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: IIIb. “Te ergo quaesumus”
  • Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: IIIc. “Aeterna fac”
  • Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: IIId. “In te Domino speravi”



Container

Movement
Position Container Dramatic Position Form Tempo Vocalization Title Libretto Role

This stores the title of the work-within-a-work that identifies the overall movement to which sub-movements belong. This used most frequently within ecclesiastical works.

Framework
  • Provide the title of the container, followed by a full colon (:).
  • The container title should never be translated from the original (e.g. always "Benedictus", never "Song of Thanksgiving", regardless of what language CSG is used).
Examples
  • Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: Ia. Kyrie: Adagio. “Kyrie eleison”
  • Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: Ib. Kyrie: Allegro. “Kyrie eleison. Christe eleison”
  • Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: IIa. Gloria: Allegro moderato. “Gloria in excelsis Deo”
  • Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: IIb. Gloria: Andante grazioso. “Laudamus te”
  • Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: IIIa. Credo: Allegro molto. “Patrem omnipotentem”
  • Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: IIIb. Credo: Allegro. “Et incarnatus est”
  • Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 “Dominicusmesse”: IIIc. Credo: Adagio. “Crucifixus”



Dramatic Position

Movement
Position Container Dramatic Position Form Tempo Vocalization Title Libretto Role

This stores the act, scene, and/or song number within the overall work. This normally is used for operas, though other rarer forms may also have need for these fields.

Elements
This section may contain up to four elements:
  • Appendix indication
  • Act
  • Scene
  • Song number
Appendix works should retain that indication, with "Appendix. " preceeding "Act".
  • "Appendix" should be translated as appropriate for the catalogue, not the language of the CSG work title (e.g. "Anhang").
These elements should always be ordered and indicated:
[ Appendix ]. [ Act # ], [ Scene # ]. [ No. # ]
In situations where there is an Act, but there is not a Scene, the period ought to be used, omitting the comma:
[ Appendix ]. [ Act # ]. [ No. # ]
In situations where this section is the final section of a movement title, and that title would otherwise end in a trailing period, omit the trailing period.
Language
"Act" and "Scene" should be translated consistent with the language being used for the CSG work title.
Ordering
The act, scene, and song number should be those as assigned within the original work.
New work entries should not be created simply to accommodate a release which renumbers the acts, scenes, and/or songs, nor to accommodate a release which changes the ordering of movements of a work.
Numbering
Acts and Scenes
Numbered acts and scenes should be indicated using Roman numerals.[1]
  • Unnumbered acts or scenes, such as "Scene Ultima", should retain their title, and not be changed to instead bear a number.
  • When multiple acts or scenes are spanned within the same (sub)movement, they ought to be indicated using an en-dash (–).
Numbered songs
These should always be indicated using Arabic numerals.
Numbered songs should have the number preceeded by the appropriate aBreviation for "number". Reference ABreviating 'number' for information on how the word "number" should be indicated.[2]
Examples
  • Ascanio in Alba, K. 111: Act I, Scene IV
  • Così fan tutte ossia La scuola degli amanti, K. *584: Appendix. Act. I, Scene XI. No. 15
  • Die Entführung aus dem Serail, K. 384: Appendix
  • Il sogno di Scipione, K. 126: Act I. No. 1
  • L'oca del Cairo, K. 422: Scene III. No. 1
  • La finta semplice, K. 46a / KV 51: Act I, Scene I. No. 1
  • Lucio Silla, K. 135: Act III, Scene Ultima



Form

Movement
Position Container Dramatic Position Form Tempo Vocalization Title Libretto Role

(Description)

(Section)
(Section)
(Section)
Examples



Tempo

Movement
Position Container Dramatic Position Form Tempo Vocalization Title Libretto Role

(Description)

(Section)
(Section)
(Section)
Examples



Vocalization

Movement
Position Container Dramatic Position Form Tempo Vocalization Title Libretto Role

This identifies which voice parts sing within a vocal movement.

Framework
  1. Each voice part should be proper-cased.
  2. Where more than one of a voice part is indicated, Arabic numerals should be used.
  3. Voice parts should be ordered starting with the highest pitch and moving to the lowest. A reference ordering is available on the reference page.
  4. The listing of voice parts should be surrounded by parentheses, separated from the remainder of the movement title by a single space.
Examples
  • Notturno for 3 Voices and 3 Basset Horns in F major, K. 436: Andante. (2 Sopranos, Bass)
  • Kyrie for 4 Voices & Organ (in Figured Bass) in D minor, K. 90: (no tempo indication). (Soprano, Alto, Tenor, Bass)



Title

Movement
Position Container Dramatic Position Form Tempo Vocalization Title Libretto Role

This is the title of a movement. This may be either a common title, or a title specifically assigned by the composer.

If a movement has a title, then the Libretto section of the movement framework should be omitted.

To clarify on the movement common title:

  • This is not the work's title. Even in a single-movement song, the title of that song is the work title, not the movement title. The correct position for the work title is described in the work and opus Framework.
  • This is not the title of only a single form within a movement with multiple forms. The correct position for such a title is described in the Form section of the movement framework.
  • This is not the title of only a single tempo within a movement with multiple tempos. The correct position for such a title is described in the Tempo section of the movement framework.
  • Be sure not to confuse the Container title with the movement title. The same text is occasionally both titles.
Framework

The title should be surrounded by double quotes of a type appropriate to the language of the title, not the language being used for the CSG title. This should then be offset from the rest of the movement title by a single space.

  • For Latin text, use U+201C and U+201D (“ and ”). For other languages, Wikipedia may be of assistance in determining the correct quotation marks to use.
Examples

Movement with title:

  • Requiem in D minor, K. 626 (Süßmayr completion): II. Kyrie: “Kyrie eleison”

Movement with both a title and libretto. Libretto is omitted as the movement has a title:

  • Our Hunting Fathers, Op. 8: IV. “Dance of Death (Hawking for the Partridge)”

Single-movement work with a libretto and title, libretto omitted due to movement title:

  • Carol for Female Choir and Piano, EHWV 137 „Christkindleins Wiegenlied“: (Sopranos, Altos) „O Jesulein zart“
Note: the above example shows an incomplete CSG listing; the key of the work is unknown and unlisted.
  • Kantate, BWV 5 „Wo soll ich fliehen hin“: II. Recitativo „Der Sünden Wust hat mich nicht nur befleckt“

Movement with a title. The Work and Opus framework is overridden as there is a composer-assigned work title:

  • Pictures at an Exhibition: IIa. Andante. “The Old Castle”



Libretto

Movement
Position Container Dramatic Position Form Tempo Vocalization Title Libretto Role

(Description)

If a movement has a title, then the Libretto section of the movement framework should be omitted.

Framework
  1. The libretto should be surrounded by double quotes of a type appropriate to the language of the libretto's text, not the language being used for the CSG title. This should then be offset from the rest of the movement title by a single space.
    • For Latin text, use U+201C and U+201D (“ and ”).
    • For other languages, Wikipedia may be of assistance in determining the correct quotation marks to use.
  2. The libretto text should not be the entire text of the movement, but only some useful segment from the beginning of the libretto, typically the first phrase or phrases.
  3. The libretto should be properly accented and correctly punctuated, as appropriate to the language of the libretto.
Examples

Movement with a libretto only:

  • Mitridate, rè di Ponto, K. 74a / KV 87: Act I, Scene X. No. 8 Cavata. „Se di lauri il crine adorno“
  • Canon for 3 Voices in 1 in F major, K. 507: Canon. „Heiterkeit und leichtes Blut“

Movement with a libretto only, where the work also has a title:

  • Song for Solo Voice and Basso continuo in F major, K. 47e / K3 43b / KV 53 „An die Freude“: Mäßig. „Freude, Königin der Weisen“
  • Song for Solo Voice and Piano in D major, K. 125h / KV 148 „Auf die feierliche Johannisloge“: Longsam. „O heiliges Band der Freundschaft treuer Brüder“



Role

Movement
Position Container Dramatic Position Form Tempo Vocalization Title Libretto Role

This identifies which role(s) perform within a vocal work.

Capitalization
Each role ought to be properly capitalized:
  1. Names should be capitalized.
  2. Other roles — ‘choir’, ‘servants’, etc. — should be lowercased.
Ordering
  1. Named roles should be listed before other roles.
  2. Roles in each group — named and unnamed — should be listed alphabetically.
  3. Roles with multiple names should be listed by the first letter of the role name, not the last name.
Example: Alice Smith, Fred, Tom Brown, chorus, servants
Framework
  1. The listing of roles should be surrounded by parenthesis ("(" and ")").
  2. The parenthesis should be preceeded by a single space.
Examples
  • Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene Ultima No. 31 Finale. Allegro molto «Fortunato l'uom che prende» (Despina, Don Alfonso, Dorabella, Fiordiligi, Ferrando, Guglielmo, chor)
  • Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro «Giovinette, che fate all'amore» (Zerlina, coro)
  • Le nozze di Figaro, K. 492: Act II, Scene II. Recitativo. «Bravo! che bella voce!» (Cherubino, La Contessa, Susanna)

Special Cases

Insert Arias and other dual-catalogued works

Movement
Position Container Dramatic Position Form Tempo Vocalization Title Libretto Role Work Indication


In some rare cases, most frequently with insert arias to operas, movements will also appear separately within the same catalog. In such a case, the catalogued work should be entered twice, once as a standalone work, once as a movement of a larger work.

In other cases, when an overall work had multiple composers, only part of the overall work may be catalogued within a specific composer's catalogue. In such a case, the work will only appear once within the catalogue, and should be entered only once, but the catalogue number for that work will apply to only certain movement(s), and not to the overall work.

In either case, when entering the movement, after the Role Identification, append the movement-specific catalog number, surrounded by square brackets ([,]).

Examples
  • Insert aria contained both within the appendix to the opera and separately cataloged:
  • Il dissoluto punito, ossia il Don Giovanni for Soprano in G major, K. 540a/deest: No. 10a. Appendix. Aria «Dalla sua pace» (Tenor)
  • Il dissoluto punito, ossia il Don Giovanni, K. 527: Anhang. Act I, Scene XIV. No. 10a Aria. «Dalla sua pace» (Don Ottavio) [K. 540a]
  • Collaboratively composed opera, only the single movement bears the catalog number:
  • Der Stein der Weisen: Act II. Duett. „Nun, liebes Weibchen“ (Lubanara, Lubano) [K. 592a / KV 625]




Status: Unedited below this point


Form and Tempo

This sub-framework stores the form and tempo of a movement.

The Form ought to always have the first word capitalized, with any remaining words capitalized according to the CapitalizationStandard for the language of the form.

Though traditionally Italian tempos have been used, tempos can be any many languages, including French, German, and English. Tempos ought to always have the first word capitalized with any remaining words in a single tempo indication should be capitalized according to the CapitalizationStandard for the language of the tempo. If there is no composer specified tempo for a work, use "(no tempo indication)" without the quotation marks to indicate this absence.

The most basic structure of this sub-framework is:

  • [ Form ]. [ Tempo ]

Examples:

  • Concerto for Piano No. 13 in C major, K. 387b / KV 415: II. Andante
  • Concerto for Piano No. 13 in C major, K. 387b / KV 415: III. Rondeau. Allegro
  • Concerto for Bassoon in B-flat major, K. 186e / KV 191: III. Rondeau. Tempo di menuetto

However, many movements change tempo in the middle of the movement, sometimes multiple times. To indicate a tempo change, add the additional tempo(s) after the initial tempo, and connect them using an ASCII hyphen separated by one ASCII space on either side ( - ). Additional tempos ought to be lowercased.

Structure:

  • [ Form ]. [ Tempo ] - [ tempo ]

Examples:

  • Fugue for Piano in C major, K. 383a / 394: II. Fugue. Andante maestoso - adagio
  • Recitative for Tenor and Orchestra in C major, K. 33i / KV 36: Allegro maestoso - andante - maestoso - allegro - andante - maestoso - andante

In rare cases, you may also have a form which has a common title. This should be capitalized according to the CapitalizationStandard for the language of the title, and contained within standard quotation marks. Note, this position is only for forms with titles, not movement titles.

Structure:

  • [ Form ]. [ Tempo ] - [ tempo ] "[ Form Title ]"

You may then also have multiple forms within a movement. Add each additional form after the tempo of the prior form and connect them using an ampersand separated by one ASCII space on either side ( & ). The first letter of each additional form should be capitalized, with any additional words within the form capitalized according to the CapitalizationStandard for the language of the form.

Structure:

  • [ Form ]. [ Tempo ] - [ tempo ] "[ Form Title ]" & [ Form ]. [ Tempo ] - [ tempo ] "[ Form Title ]"

Examples:

  • 3 German Dances for Orchestra in C major, K. 605 No. 3: German Dance & Trio "Die Schlittenfahrt" & Coda
  • Sonata for Piano No. 6 in D major, K. 205b / KV 284 "Dürnitz": III. Tema. Andante & Variations I - X & Variation XI. Adagio cantabile & Variation XII. Allegro

In the extreme case that you also have tempos within forms which themselves also have titles, the tempo title should be capitalized according to the CapitalizationStandard for the language of the title, and contained within standard quotation marks. It is to be positioned immediately following that specific tempo, and, if that tempo is followed by another tempo, positioned prior to the connecting hyphen.

Structure:

  • [ Form ]. [ Tempo ] "[ Tempo Title ]" - [ tempo ] "[ Tempo Title ]" "[ Form Title ]" & [ Form ]. [ Tempo ] "[ Tempo Title ]" - [ tempo ] "[ Tempo Title ]" "[ Form Title ]"

Example:

  • Symphony No. 9 in D minor, Op. 125 "Choral": IV. Recitative. Presto - allegro ma non troppo - vivace - adagio cantabile - allegro assai - presto "O Freunde" - allegro assai "Freude, schöner Götterfunken" - alla marcia - allegro assai vivace "Froh, wie seine Sonnen" - andante maestoso "Seid umschlungen, Millionen!" - adagio ma non troppo, ma divoto "Ihr, stürzt nieder" - allegro energico, sempre ben marcato "Freude, schöner Götterfunken" - "Seid umschlungen, Millionen!" - allegro ma non tanto "Freude, Tochter aus Elysium!" - prestissimo "Seid umschlungen, Millionen!"

Note that "Recitative and Aria" and "Minuet and Trio" each indicate two sub-movements, not a single form. They ought not to be combined within a single Movement Identification.

Special note on tempos: Please do not 'shorten' them. "Allegro" and "Allegro moderato" are not exactly the same thing.


  1. A reference list of Roman numerals may be found on the CSG resource page.
  2. This is an official exception to ABreviation Style.