Difference between revisions of "History:CSGv2/Work/Title/Ornamentation identification Proposal"
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| − | + | |rfc=http://lists.musicbrainz.org/pipermail/musicbrainz-style/2009-February/007606.html | |
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| − | | | + | |status=Awaiting NGS implementation for final revision and passage. |
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| − | <h1>The Ornamentation Framework</h1> | + | [[Proposal:CSGv2|The Classical Style Guidelines:]] |
| + | : [[Proposal:CSGv2/Work|CSG for Works]]: [[Proposal:CSGv2/Work/Title|Title]] | ||
| + | :: <h1>The Ornamentation Framework</h1> | ||
{{Proposal:CSGv2Navigation | {{Proposal:CSGv2Navigation | ||
|tocAlternate = [[Proposal:CSGv2/Work/Title|Classical Work]] | |tocAlternate = [[Proposal:CSGv2/Work/Title|Classical Work]] | ||
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{{!}} cell1 = [[#Work_and_opus_identification|Work and Opus]] | {{!}} cell1 = [[#Work_and_opus_identification|Work and Opus]] | ||
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| − | + | These are works specifically intended to be inserted into other works. Therefore, listing them by simply using a / to separate the works would unintentionally present the appearance that there are two separate and distinct works present, not a single work which contains the second work. | |
Therefore, when Ornamentation, or its sub-types, Cadences, Cadenzas, and Eingänge <ref>Eingänge, also "Eingang" is a term used primarily by Wolfgang Amadeus Mozart and Ludwig van Beethoven to describe a shorter fermata embellishment versus a normal Cadenza. While cadenzas traditionally contain modulation and are placed over a tonic six-four chord, Eingänge avoid modulation and are indicated by a fermata over a dominant seventh chord. While cadenzas typically fall within a Form, eingänge typically are used to lead from one Form into a new Form. Eingänge will specifically be named as such a form by the composer. The term "Lead-in" may also be used to describe an Eingänge.</ref> appear, the following form is to used: | Therefore, when Ornamentation, or its sub-types, Cadences, Cadenzas, and Eingänge <ref>Eingänge, also "Eingang" is a term used primarily by Wolfgang Amadeus Mozart and Ludwig van Beethoven to describe a shorter fermata embellishment versus a normal Cadenza. While cadenzas traditionally contain modulation and are placed over a tonic six-four chord, Eingänge avoid modulation and are indicated by a fermata over a dominant seventh chord. While cadenzas typically fall within a Form, eingänge typically are used to lead from one Form into a new Form. Eingänge will specifically be named as such a form by the composer. The term "Lead-in" may also be used to describe an Eingänge.</ref> appear, the following form is to used: | ||
Revision as of 18:53, 30 December 2010
| Status: This page describes an active style guideline proposal and is not official. |
|
Trac ticket # 4426 |
The Classical Style Guidelines:
- CSG for Works: Title
The Ornamentation Framework
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These are works specifically intended to be inserted into other works. Therefore, listing them by simply using a / to separate the works would unintentionally present the appearance that there are two separate and distinct works present, not a single work which contains the second work.
Therefore, when Ornamentation, or its sub-types, Cadences, Cadenzas, and Eingänge [1] appear, the following form is to used:
- ([ Type ]: [ Composer ], [ Catalog or Opus Number ] [ Work Number within the Opus or Catalog Number ], [ Version ])
Examples:
- (Cadenza: Wolfgang Amadeus Mozart, K. 626aI/31 / KV 624/9, Version A)
- (Cadence: Ludwig van Beethoven, WoO 58 No. 2)
- (Eingänge: Wolfgang Amadeus Mozart, K. 626aI/55)
- (Ornamentation Cadenza: Wolfgang Amadeus Mozart, K. 293e / KV deest)
- (Trumpet and Drum Ornamentation: Wolfgang Amadeus Mozart, K. 370a / KV deest)
Note that, as ornamentation is by definition interchangeable, only the ornamentation framework will be listed within works lists.
- ↑ Eingänge, also "Eingang" is a term used primarily by Wolfgang Amadeus Mozart and Ludwig van Beethoven to describe a shorter fermata embellishment versus a normal Cadenza. While cadenzas traditionally contain modulation and are placed over a tonic six-four chord, Eingänge avoid modulation and are indicated by a fermata over a dominant seventh chord. While cadenzas typically fall within a Form, eingänge typically are used to lead from one Form into a new Form. Eingänge will specifically be named as such a form by the composer. The term "Lead-in" may also be used to describe an Eingänge.
