Label

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What is a Record Label?

Record labels in MusicBrainz refer mainly to:

  • Imprints:
    • An imprint is (strictly, and nothing more than) a brand (and trademark) associated with the marketing of sound recordings (an imprint is not a company). An imprint may be marketed as a project, unit or division of the company that manages it. Imprints are the information you certainly want to add in the database and is the information available on sleeves in the form of a label logo (a.k.a. imprint). Imprints are labels, as one usually understand it. Specifically, you should favor using names as they are represented on the imprint, rather than using a company name (usually found in "copyright"/"produced" mentions).

And to a lesser extent, to:

  • Record companies:
    • A record company manages imprints, and coordinates the production / manufacturing / promotion / relations with artist / PR / distribution of sound recordings. Record companies may directly handle one or more of these aspects, or may sign contractual agreements with other companies to do the job. You may, in some specific cases, want to use a company name rather than an imprint: usually, such a move is required when labels went through complex merge/split operations and you need AdvancedRelationships to structure the imprints list.
  • Music groups:
    • A music group is a financial holding, whose purpose is solely to control and manage other companies directly involved in the production of sound recordings. Like for Record companies, the use of Music groups is reserved for specific cases that you will likely not encounter unless you're doing some research intensive background work on structuring the label list

MusicBrainz mostly keep track of imprints, and to some extent, companies involved into either production or distribution and music groups. Typically, imprints are available on the media sleeves.

At that time, we don't think we should keep track of companies involved in the other aspects of the music industry (PR...), get into too much financial details, or try to represent exactly the socio-economic organization of labels. There are three reasons for that:

  • such informations are usually not available from sleeves
  • they are probably irrelevant to MusicBrainz goal (being a music database)
  • such a project may prove very complicated

Editing Overview

These fields are stored directly in each label's record:

  • LabelID: the MusicBrainz UUID of the label (not editable)
  • LabelName: the name of the label
  • LabelSortName: the sortname of the label
  • LabelAlias: aliases
  • LabelCode: the code of the label (a.k.a. "LC")
  • LabelBeginDate: this is the creation date of the label entity (or the date at which the imprint name was first used)
  • LabelEndDate: this is the date at which the company went bankrupt, was dismantled, or the name was used for the last time
  • LabelComment: field to distinguish between identically named labels, or labels with identical LabelCode
  • LabelAnnotation: general information about the label that may be of interest and doesn't fit in any other fields
  • LabelCountry: the country in which the company was founded
  • LabelType: the "type" of the label, describing its production

Many other kinds of information can be represented using AdvancedRelationships. You can read AdvancedRelationshipTypes for informations on all kind of relationships, or more specifically check LabelRelationshipClass for label centric informations.

Just like with artists, you can subscribe to a label. See LabelSubscription for more information.

You may additionally consult the LabelFAQ and HowLabelsWork.

More about labels

The design of the label system has been made bearing in mind one main requirement: having a release sleeve as only information source must be enough to perform all basic editing.

That being said, the label macrocosm is a very rich and complex world. Editors who want to go beyond basic editing and want to learn/document more can take a look at the LabelResource page or dig further into the LabelRelationshipClass.

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