User:ApeKattQuest, MonkeyPython/Spike-fiddles and other Riddles: Difference between revisions

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<td> Dramyen (Damyan, Dranyen, Dramyin, Tungana)<br>
<br>
The dramyen is a folk rabab found in most of the Himalayan region. The number of strings varies from place to place, but 4, 5, 6, or 7 seems to be common. The names also vary from region to region, where local versions may be called Damyan, Dramyen, Dranyen, Dramyin (curiously enough sometimes spelled as <u>sgrna-snyan</u>), or Tungana. Sizes too may vary, the Nepali Tungana tends to be smaller than the Tibetian Dramyen. Manuscripts from the Moghul period indicate that at one time, this form of rabab was very common in northern India, however today it is confined to the Himalayan regions.</td>
<td>http://web.archive.org/web/20200317134335if_/https://digitalstamp.suppa.jp/musical_instruments_s/sgra_snyan.gif</td>
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Revision as of 13:44, 17 March 2020

How many r*b*b's do we have?:

long-necked rabab (spikefiddle rebab)
lute like ____ where the rebec evolved from (herein the lutes)
double chested rabab (pearshaped lute rubab)

So:

  • Spikefiddle, to wit the ghijak wd en mb and the Indonesian Rebab belong...
  • Long necked barbed lute (pearshaped lutes!) kamanche, ravaj, read vina
  • Short necked fiddle boat-shaped /double chested lutes, herein the sarinda and sarangi families.


Classification aspect

spikefiddle - long neck, tiny soundbox

  • Indonesian rebab
  • đàn gáo
  • đàn hồ
  • đàn nhị
  • salo/saw lo
  • saw sam sai
  • saw u
  • saw duang
  • tro khmer
  • tro sau
  • tro che
  • tro sau thom
  • tro u
  • tro (research)
  • jawza
  • konya
  • sanxian
  • erxian
  • huqin (family)
    • sihu
    • yehu
    • dihu
    • zhonghu
    • banhu
    • huluhu
    • jinghu
    • erhu
      • gaohu
  • kamancheh
  • igil/ikili
  • sanshin
  • shamisen
  • kokyu
  • yaylı tambur
  • ghijak
  • ravanahatha
  • haegeum
  • (afrikan)
    • goje
    • njarka
    • n'ko
    • imzad


bowl (lyra, divergent) larger lute-like soundbox shorter neck

  • Byzantine lyra/lira
  • Gadulka
  • gudok
  • gusle
  • sintir
  • guimbri
  • cretan lyra
  • calabrian lira
  • dalmatian lijerica
  • kemenche
  • pontic lyra(k of the black sea)
  • politiki lyra (classical k)
  • rebec
  • rabel
  • dutar
  • çifteli
  • cobza
  • kobza/bandurka
  • komuz
  • qanbūs/gambus
  • gabusi
  • tambouras -> eg lutes, baglamas etc.
  • pandur etc
  • tambur etc
  • tanpura etc
  • indian lute, sitar
  • cittern, gitten, etc guitar
  • etc


double (lute, divergent) two bodied or hollowed out, concave shape, thick short neck

  • kobyz
  • rubab/rabab (kabuli rebab)
  • sarod
  • sarangi
    • nepalian sarangi (is this really a separate instrument?)
  • sarinda
  • esraj
  • dilruba
  • ghaychak
  • kyl kyyak
  • lyra viol
  • viol da gambas
  • viol da braccios
  • etc


harplike/veena

  • taus/mayuri veena/b
  • yazh
  • saung/saung-gauk

lyre like

  • crwth
  • rotta

Notes

Rababah - ancient - arabic fiddle -
rebab - medieval - persia
seni rebab - medieval -
kabuli rebab - medieval - arab
rebec - medieval - europe

rebab - modern - indonesia

some interesting https://hu.wikipedia.org/wiki/Reb%C3%A1b_(egy%C3%A9rtelm%C5%B1s%C3%ADt%C5%91_lap)


Table Aspect

Cell 1 Cell 2
sarangi wd en mb

hindustani classical music, rajasthani folk sarangi,
sarangi type:
kashmir (saran)
south afghanistan (sarang)

jammu (saranga)
sarangi_india_2.jpg
sarinda wd en jira, is related to and may derive from central asian shamans-fiddle qobuz (kobys?)

widespread:
afghanistan, pakistan and north india (sarinda)

pakistani baluchistan (saroz)
iranian baluchistan (sorud (soruz)) derived from qobuz but more like indian types in use and construction, used for ritual
pakistani sind (surando) sindi and baluchi models have deeper upper bouts than sarinda

rajasthan (surinda) three main strings
Assam (sareja)

bengal (variant long necked svaraj)(belongs to sitar maybe?)

manipur north-east india (sananta)

east & north india (banam)
nepal (sarangi)
sarinda.gif
nepali sarangi wd en MB!(?)
type of lute, evolved from the <strikeout>rabab</strikeout> includes this and the
sarangi_nepal.gif
ghaychak wd en mb jira cell 2
in its family evolved from the kobyz wd en jira. (kobyz, ghaychak, sarangi)
kobyz.gif
dhodro banam aka Santal lute
east & north india (dhodro banam)
cell 2
Kyl kyyak wd ky en mb! Cell 2
rabab Cell 2
Chikara wd en jira chikara.jpg
sarod sarod_i.gif
Sursingar wd en mb hybrid plucked north indian classical lute invented c1800 by jaffar khan (seniya family)

resonator, front and bridge from sitar, upperpart of neck/pegboard like the rabab, tuned and played like rabab, plectrum like sitar.

(clearly this is a sitar/rabab hybrid)
sursringar_i.jpg
sitar wd en mb

hindustani sitar seems to have more in common with large uzbek dutar wd en mb than persian setar wd en mb
sitar and souther tambura wd en MB! (how relates to drone tanbura? wd en mb) to be evolved from the dutar?
also Sarasvati vina from this?
sitar has frets, tambura not
terms "fretted and unfretted tambura" used to distinguish between sitar and fretless drone taMbura

sursotta (transportable drone tambura)

other sitar types: (distribution and related features suggest a common development)
carnatic sitar
kashmiri setar
afghan tanbur
gujarati sittarae(poss)

modern:
most common: Hindustani concert sitar aka tarafdar sitar (singel gourd and duble gourd)

has sympathetic strings, this is mostly commonly just called sitar and is the standard made

sada sitar (plain or practice sitar)
kachva sitar muhammad khan developed the surbahar from this, name probably a ref to the part of the gourd its used from.
small sitar (kinnari veena)

carnatic sitar
sitar.gif
kachva sitar aka kacchapi vina Cell 2
surbahar wd en mb
effectively a bass sitar. invented c1820 by ghulam muhammad
Cell 2
tanpura aka tambura aka tanpur (etc) tanpura_ia.gif
hansa veena
?(novelty)
hansa_veena.png
pulluvan veena wd ge mb! pulluvan-veena.gif
Cell 1 Cell 2
Cell 1 Cell 2
Dramyen (Damyan, Dranyen, Dramyin, Tungana)


The dramyen is a folk rabab found in most of the Himalayan region. The number of strings varies from place to place, but 4, 5, 6, or 7 seems to be common. The names also vary from region to region, where local versions may be called Damyan, Dramyen, Dranyen, Dramyin (curiously enough sometimes spelled as sgrna-snyan), or Tungana. Sizes too may vary, the Nepali Tungana tends to be smaller than the Tibetian Dramyen. Manuscripts from the Moghul period indicate that at one time, this form of rabab was very common in northern India, however today it is confined to the Himalayan regions.
sgra_snyan.gif
Cell 1 Cell 2
dotara dotara_i.gif
svaraj fretless long necked plucked lute from bangladesj, it is a bangl version of the bengali/northindian dotara, it ought to be spelled saraj (see esraj) Cell 2
esraj

a kind of cross between sitar and sarangi, it is a modern variant of dilruba[1]
Ishwari Raj

esraj_2.jpg
Mandar Bahar nmm wd? mb!
bass esraj
Cell 2
dilruba

Dilruba is a compacter, mobiler instrument, is based on the heavier Taus[2]
Guru Gobind Singh

dilruba.gif
taus taus.gif
mayuri-vina
mayuri_veena.gif
yazh yazh.gif
saung gauk saunggauk.gif
Cell 1 Cell 2
ektara (actually gopichant) gopichant.gif
gopichant3.gif
ektar (actually tumbi) tumbi.gif
dutar dutar_2.jpg
setar setar_i.gif
bin-sitar Cell 2
kamaica Cell 2
ravanhattha ravanhatta_2.jpg
khuur (mongolian fiddles) morin_khuur.gif
Cell 1 Cell 2




.....





sara
surs
suba
sita
saro
sari
banam(rebs)


rabab-> sarod


https://timesofindia.indiatimes.com/From-Tri-tantri-Veena-to-Sitar/articleshow/21391436.cms and images on https://en.wikipedia.org/wiki/Tritantri_vina and https://en.wikipedia.org/wiki/Setar (compare image on https://en.wikipedia.org/wiki/Sitar ) makes it clear that it is the setar that is evolved from the tritantri veena - the sitar https://beta.musicbrainz.org/instrument/9290b2c1-97c3-4355-a26f-c6dba89cf8ff/ an unrelated (but possible distant cousin) was *named* after the Persian setar.