User:Sbontrager/Performance Relationship Type: Difference between revisions
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Sbontrager (talk | contribs) (New page: {{Template:Relationship |type = Performance |typeURL = Performance |class = Performance |linkedFrom1 = Recording |linkText1 = is a performance of |linkedTo1 = Work |attributeDescri...) |
Sbontrager (talk | contribs) (proposing demo) |
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|attributeDescription6 = This indicates that the lyrics are not relevant for this performance of the work, such that the lyricist would not be credited. Examples include instrumental arrangements, or “beats” from hip-hop songs which may be reused with different lyrics. |
|attributeDescription6 = This indicates that the lyrics are not relevant for this performance of the work, such that the lyricist would not be credited. Examples include instrumental arrangements, or “beats” from hip-hop songs which may be reused with different lyrics. |
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|attributeName6 = demo |
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|attributeDescription6 = This indicates that recording was made for the purpose of song development, as a proposal for production or in preparation for a released version. Demos are frequently, but not always, recorded on home-recording equipment. |
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|summary = This shows that a recording is a performance of a work. |
|summary = This shows that a recording is a performance of a work. |
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Revision as of 15:54, 23 December 2011
- A Day in the Life is a performance of A Day in the Life
- A Day in the Life has performance A Day in the Life
- Attack of the Teddybears is a live performance of Attack of the Teddybears
- Attack of the Teddybears has live performance Attack of the Teddybears
- All Apologies is a live performance of All Apologies (1994-02-22)
- All Apologies has live performance All Apologies (1994-02-22)
- The Planets: Mars, the Bringer of War (excerpt) is a partial performance of The Planets Suite for Orchestra, Op. 32: I. Mars, the Bringer of War
- Attack of the Teddybears is an instrumental performance of Attack of the Teddybears
- Attack of the Teddybears has instrumental performance Attack of the Teddybears
Guidelines
- Use the live attribute when the performance had an audience at the time it occurred, i.e. it was not prerecorded.
- The partial attribute should only be used where no work exists that represents what was performed. For example, The Planets: Mars, the Bringer of War should not be considered as a partial performance of The Planets, Op. 32, Suite, but simply a performance of The Planets Suite for Orchestra, Op. 32: I. Mars, the Bringer of War. Guidelines on where works should be split can be found at Parts Relationship Type.
- For live recordings the end date is usually the same as the start date. For most live albums from a single concert starting close to midnight and ending early in the morning is OK to just use the start date of the event on all concert recordings.
- Use the instrumental attribute when the recording is an instrumental version of a work that is not instrumental in itself.
- Because the lyrics are important to karaoke versions of a song (the intention is that someone would sing them over the karaoke track), karaoke versions should not be marked with the “instrumental” attribute. Note that in addition to this performance relation, you should link a karaoke track to its original version with the Karaoke Version Relationship Type.
