History:CSG Standard/Mozart

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This page contains a listing for (almost) every work by Wolfgang Amadeus Mozart using K6/(K3/K2)/KV [1] notation in correct CSG/Opera Style.

Can I edit this page?

Many people have sent me a PM asking if they can or should fix errors here. Yes!:) If you see notice a typo, please feel free to fix it. Please contact me, however, if you think you've found a factual error or omission in the lower table here (the 100% verified one).

My thanks to all who have helped to fix errors and improve the quality of this data.

BrianFreud

Catalogs of Wolfgang Amadeus Mozart's works

Unlisted Works

This listing has attempted to be as entirely complete as is possible. However, some few works are so obscure that there is simply not enough information to list them. If you find a release containing any of these works, please contact BrianFreud so that we can add a listing for that work to this list.

  • K6 135a / KV Anh 109
  • Anything in K6 Anhang B
  • K6 453b
  • K6 470a
  • K6 509b
  • K6 509c
  • K6 626 (completion by Geoffrey McNeely)

The following works will only be added if a release can be found which requires the addition of the work to this list:

  • Köchel (6th edition): K. 626b/*
  • Köchel (6th edition): K. 626aII/*
  • Anhang works from any edition of Köchel
  • Any F., Fr, Sk, or Skb works
  • Any NMA numbered works which do not have a Köchel number
  • Completions, including
    • 417a, reconstructed 'complete' version by Alois Schmitt

You may also want to look here to see if perhaps you can find some help identifying obscure works or versions of works.

If you do need a work added to this list, please PM BrianFreud and include any identifying information that you can regarding the track and the release.

Mozart completionists/reconstructors/orchestrators/etc.

  • Luigi Bianchi
  • John Humphries
  • Herman Jeurissen
  • Ernst Lewicki
  • Geoffrey McNeely
  • Hermann Schroeder
  • Richard Schumacher

A note on tempos

Liners often shorten tempo information. However, "Allegro" is not the same exact thing as "Allegro assai", nor are "Adagio" and "Adagio cantabile" interchangeable. "Andantino" should not be used as just a way to make "Andantino sostenuto e cantabile" shorter. Mozart made full use of meter indications, not just tempo-words, using nearly one hundred different tempos in his career. He didn't use only the basic tempo-words (Andante, Adagio, Allegro, etc).

Note, too, that some of his tempo-word+meter pairings were intended as intentional musical humor [4] - abbreviating these tempos loses that humorous touch.

That said, those exact tempos meter indications currently are the weak part of this listing - namely, many of them are currently missing from this listing; many works do currently list just the tempo-word, and not the tempo-word + meter pair. If you have information to allow you to expand a generic "Andante" out to the "Andante mà un poco sostenuto" it ought to be, please do correct it. The Neue Mozart-Ausgabe archives can also be of significant assistance. (Just make sure to select "KV" and not "zu KV" from the drop down menu.)

Also note that "Allegretto mà non troppo" and "Allegretto non troppo" were both tempo indications used by Wolfgang Amadeus Mozart, and each can be correct.

Quick Links to Famous Works

Symphonies
1 2 3 4
5 6 7 7a
8 9 10 11
12 13 14 15
16 17 18 19
20 21 22 23
24 25 26 27
28 29 30 31
32 33 34 35
36 37 38 39
40 41 42 43
44 45 46 47
48 49 50 51
52 53 54 55
Note about Symphony Nos. 43-55


Concertos
Horn
"0" 1 2
3 4
Violin
1 2 3
4 5
Piano
1 2 3
4 5 6
7 8 9
10 11 12
13 14 15
16 17 18
19 20 21
22 23 24
25 26 27


Sonatas
Church
1 2 3 4 5 6
7 8 9 10 11 12
13 14 15 16 17
Piano
1 2 3 4 5 6
7 8 9 10 11 12
13 14 15 16 17 18
Violin [Note]
1 2 3 4 5 6
7 8 9 10 11 12
13 14 15 16 17 18
19 20 21 22 23 24
25 26 27 28 29 30
31 32 33 34 35 36
37 38 39 40 41 42
43 44 45


Masses
1 2 3
4 5 6
7 8 9
10 11 12
13 14 15
16 17 Requiem


Serenades
1 2 3
4 5 6
7 8 9
10 11 12
13


Quartets for Strings
1 2 3
4 5 6
7 8 9
10 11 12
13 14 15
16 17 18
19 20 21
22 23


Operas, Oratorios, Singspiels
Apollo et Hyacinthus La clemenza di Tito
Ascanio in Alba La finta giardiniera
Bastien und Bastienne La finta semplice
Così fan tutte Le nozze di Figaro
Der Schauspieldirektor Il sogno di Scipione
Die Entführung aus dem Serail L'oca del Cairo
Die Zauberflöte Lucio Silla
Idomeneo, rè di Creta Mitridate, rè di Ponto
Il rè pastore Thamos, König in Ägypten
La Betulia liberata Zaïde
Der Stein der Weisen
Die Schuldigkeit des ersten Gebots
Il dissoluto punito, ossia il Don Giovanni
Lo sposo deluso, ossia La rivalità di tre donne per un solo amante

Der Stein der Weisen

Der Stein der Weisen is a collaboratively composed opera. Rather than confuse this listing, that work is listed separately.

Old Table

Please keep in mind that the capitalization within K6 catalog numbers does make a difference. K. 22 is not the same as K. 22a, K. 22A, K. 22Aa or K. 22aA. 

Regarding Guess Case in classical mode: It will make a mess of your track titles. Do not use it - the cases and punctuation in this listing are already correct.

Note: This list is currently being verified for tempos and omissions against the NMA scores. As each work is verified to be 100% correctly listed, a movement column is being added, and the work is being moved to the lower table. If you don't see the work you need in the upper table, please remember to also check the lower table.

Link down to the new table.

K6 K1 Title
10 10 Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: I. Allegro
10 10 Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: II. Andante
10 10 Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: III. Minuetto
11 11 Sonata for Violin (or Flute) & Piano No. 6 in G major, K. 11: I. Andante
11 11 Sonata for Violin (or Flute) & Piano No. 6 in G major, K. 11: II. Minuetto. Allegro
12 12 Sonata for Violin (or Flute) & Piano No. 7 in A major, K. 12: I. Andante
12 12 Sonata for Violin (or Flute) & Piano No. 7 in A major, K. 12: II. Allegro
13 13 Sonata for Violin (or Flute) & Piano No. 8 in F major, K. 13: I. Allegro
13 13 Sonata for Violin (or Flute) & Piano No. 8 in F major, K. 13: II. Andante
13 13 Sonata for Violin (or Flute) & Piano No. 8 in F major, K. 13: III. Minuetto
14 14 Sonata for Violin (or Flute) & Piano No. 9 in C major, K. 14: I. Allegro
14 14 Sonata for Violin (or Flute) & Piano No. 9 in C major, K. 14: II. Allegro
14 14 Sonata for Violin (or Flute) & Piano No. 9 in C major, K. 14: III. Minuetto
15 15 Sonata for Violin (or Flute) & Piano No. 10 in B-flat major, K. 15: I. Andante maestoso
15 15 Sonata for Violin (or Flute) & Piano No. 10 in B-flat major, K. 15: II. Allegro grazioso
16a Anh 220 Symphony for Orchestra in A minor, K. 16a/Anh 220 "Odense": I. Allegro moderato
16a Anh 220 Symphony for Orchestra in A minor, K. 16a/Anh 220 "Odense": II. Andantino
16a Anh 220 Symphony for Orchestra in A minor, K. 16a/Anh 220 "Odense": III. Rondo. Allegro moderato
19d deest Sontata for Piano with 4 Hands in C major, K. 19d/deest: I. Allegro
19d deest Sontata for Piano with 4 Hands in C major, K. 19d/deest: II. Minuetto
19d deest Sontata for Piano with 4 Hands in C major, K. 19d/deest: III. Rondeau. Allegretto
24 24 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, K. 24
25 25 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, K. 25
33 33 Kyrie for Chorus & Orchestra in F major, K. 33
35 35 Die Schuldigkeit des ersten Gebots in C major, K. 35: I. Parte I. Sinfonia
35 35 Die Schuldigkeit des ersten Gebots in C major, K. 35: II. Parte I. Recitativo "Die Löblich' und gerechte bitte" (Gerechtigkeit, Christgeist, Barmherzigkeit)
35 35 Die Schuldigkeit des ersten Gebots in C major, K. 35: III. Parte I. No. 1 Aria "Mit Jammer muss ich schauen" (Christgeist)
35 35 Die Schuldigkeit des ersten Gebots in C major, K. 35: IV. Parte I. Recitativo "So vieler Seelen Fall" (Barmherzigkeit, Gerechtigkeit)
35 35 Die Schuldigkeit des ersten Gebots in C major, K. 35: V. Parte I. No. 2 Aria "Ein ergrimmter Löwe brüllet" (Barmherzigkeit)
35 35 Die Schuldigkeit des ersten Gebots in C major, K. 35: VI. Parte I. Recitativo "Was glaubst du" (Bermherzigkeit, Gerechtigkeit, Christgeist)
35 35 Die Schuldigkeit des ersten Gebots in C major, K. 35: VII. Parte I. No. 3 Aria "Erwache, fauler Knecht" (Gerechtigkeit)
35 35 Die Schuldigkeit des ersten Gebots in C major, K. 35: VIII. Parte I. Recitativo "Er reget sich" (Christgeist, Barmherzigkeit, Gerechtigkeit)
35 35 Die Schuldigkeit des ersten Gebots in C major, K. 35: IX. Parte I. Recitativo "Wie, wer erwecket mich" (Christ, Weltgeist)
35 35 Die Schuldigkeit des ersten Gebots in C major, K. 35: X. Parte I. No. 4 Aria "Hat der Schöpfer von Leben" (Weltgeist)
35 35 Die Schuldigkeit des ersten Gebots in C major, K. 35: XI. Parte I. Recitativo "Daß Träume Träume sind" (Christ)
35 35 Die Schuldigkeit des ersten Gebots in C major, K. 35: XII. Parte I. No. 5 Aria "Jener Donnerworte Kraft" (Christ)
35 35 Die Schuldigkeit des ersten Gebots in C major, K. 35: XIII. Parte I. Recitativo "Ist dieses, o so zweifle nimmermehr" (Weltgeist, Christ, Christgeist)
35 35 Die Schuldigkeit des ersten Gebots in C major, K. 35: XIV. Parte I. No. 6 Aria "Schildre einen Philosophen" (Weltgeist)
35 35 Die Schuldigkeit des ersten Gebots in C major, K. 35: XV. Parte I. Recitativo "Wen hör' ich nun hier in der Nähe" (Weltgeist, Christ, Christgeist)
35 35 Die Schuldigkeit des ersten Gebots in C major, K. 35: XVI. Parte I. No. 7 Aria "Manches Übel will zuweilen" (Christgeist)
35 35 Die Schuldigkeit des ersten Gebots in C major, K. 35: XVII. Parte I. Recitativo "Er halt mich einem Kranken gleich" (Christ, Christgeist, Weltgeist)
35 35 Die Schuldigkeit des ersten Gebots in C major, K. 35: XVIII. Parte I. Recitativo "Hast du nunmehr erfahren" (Barmherzigkeit, Christgeist, Gerechtigkeit)
35 35 Die Schuldigkeit des ersten Gebots in C major, K. 35: XIX. Parte I. No. 8 Terzetto "Laßt mir euer Gnade Schein" (Christgeist, Barmherzigkeit, Gerechtigkeit)
35a 42 Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": I. Recitativo "Wo bin ich bittrer Schmerz" (Die Seele) / II. Aria "Felsen, spaltet euren Rachen" (Die Seele)
35a 42 Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": III. Recitativo "Geliebte Seel`" (Der Engel) / IV. Aria "Betracht dies Herz" (Der Engel)
35a 42 Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": V. Recitativo "O Himmel, was ein traurig Licht (Die Seele, Basso)" (Die Seele)
35a 42 Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VI. Duetto "Jesu, was hab ich getan?" (Der Engel, Die Seele)
35a 42 Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VII. Recitativo "O lobenswerter Sinn!" (Der Engel) / VIII. Coro "Jesu, wahrer Gottessohn" (Coro)
37 37 Concerto for Piano No. 1 in F major, K. 37: I. Allegro
37 37 Concerto for Piano No. 1 in F major, K. 37: II. Andante
37 37 Concerto for Piano No. 1 in F major, K. 37: III. Allegro
39 39 Concerto for Piano No. 2 in B-flat major, K. 39: I. Allegro spirituoso
39 39 Concerto for Piano No. 2 in B-flat major, K. 39: II. Andante staccato
39 39 Concerto for Piano No. 2 in B-flat major, K. 39: III. Allegro molto
40 40 Concerto for Piano No. 3 in D major, K. 40: I. Allegro maestoso
40 40 Concerto for Piano No. 3 in D major, K. 40: II. Andante
40 40 Concerto for Piano No. 3 in D major, K. 40: III. Presto
41 41 Concerto for Piano No. 4 in G major, K. 41: I. Allegro
41 41 Concerto for Piano No. 4 in G major, K. 41: II. Andante
41 41 Concerto for Piano No. 4 in G major, K. 41: III. Allegro molto
46b 50 Bastien und Bastienne, K. 46b/50: Intrada
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene I. No. 1 Aria "Mein liebster Freund hat mich verlassen," (Bastienne)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene I. Dialog "Du fliehest von mir Bastien?" (Bastienne)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene I. No. 2 Aria "Ich geh jetzt auf die Weide" (Bastienne)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 3 Pastorale "Colas' Auftritt" (Orchester)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 4 Aria "Befraget mich ein zartes Kind" (Colas)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene II. Dialog "Guten Morgen, Herr Colas!" (Bastienne)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 5 Aria "Wenn mein Bastien einst im Scherze" (Bastienne)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene II. Dialog "O, die Edelfrau vom Schlosse weiss ihn noch besser zu verpflichten" (Colas)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 6 Aria "Würd ich auch wie manche Buhlerinnen" (Bastienne)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene II. Dialog "Giebdich, zufrieden! Ich bin Bürge für deinen Wetterhahn" (Colas, Bastienne)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 7 Duetto "Auf den Rat, den ich gegeben" (Colas, Bastienne)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene III. Dialog "Dieses Liebhaberpaar ist wahrlich ein rechtes Wunderwerk" (Colas)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene IV. No. 8 Aria "Großen Dank dir abzustatten" (Bastien)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene IV. Dialog "Es freut mich, dass du endlich zu dir selber kommst" (Colas)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene IV. No. 9 Aria "Geh! Du sagst mir eine Fabel" (Bastien)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene IV. Dialog "Das kann sein; aber genug, dass deine Geliebte einen andern Ambeter hat" (Colas, Bastien)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene IV. No. 10 Aria "Diggi, daggi, schurry, murry" (Colas)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene IV. Dialog "Ist die Hexerei zu Ende?" (Bastien, Colas)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene V. No. 11 Aria "Meiner Liebsten schöne Wangen" (Bastien)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "Da ist sie…Soll ich ihre Blicke fliehen?" (Bastienne, Bastien)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 12 Aria "Er war mir sonst treu und ergeben" (Bastien)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "O sich sehe schon, was dich verdriesst" (Bastienne, Bastien)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 13 Aria "Geh hin! Dein Trotz soll mich nicht schrecken" (Bastienne, Bastien)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "Sieh' da! bist du noch hier?" (Bastienne, Bastien)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 14 Aria "Dein Trotz vermehrt sich durch mein Leiden?" (Bastienne, Bastien)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "Und sollte ich wohl ein solcher Narr sein" (Bastienne, Bastien)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 15 Duetto "Geh! Herz von Flandern!" (Bastienne, Bastien)
46b 50 Bastien und Bastienne, K. 46b/50: Act I, Scene VII. No. 16 Terzetto "Kinder! Kinder! Seht, nach Sturm und Regen" (Bastienne, Bastien, Colas)
46c 52 Note: The author of the libretto is unknown. This is a piano transcription of Aria No. 11 from Bastien und Bastienne. There is no doubt that Wolfgang Amadeus Mozart composed the source music, but it is debated as to whether Wolfgang Amadeus Mozart, or Leopold Mozart created the later piano transcription. Most, however, tend towards the piano arranger being Leopold.
46c 52 Song for Voice and Piano in A major, K. 46c/52 "Daphne, deine Rosenwangen"
46d deest Sonate in C for Violin and Bass (or Piano) in C major, K. 046d/deest
61b deest 7 Minuets with Trio for Violin, Cello, & Bass in A major, K. 61b/K2 65a: III.
61b deest 7 Minuets with Trio for Violin, Cello, & Bass in C major, K. 61b/K2 65a: V.
61b deest 7 Minuets with Trio for Violin, Cello, & Bass in D major, K. 61b/K2 65a: II.
61b deest 7 Minuets with Trio for Violin, Cello, & Bass in D major, K. 61b/K2 65a: VII.
61b deest 7 Minuets with Trio for Violin, Cello, & Bass in F major, K. 61b/K2 65a: IV.
61b deest 7 Minuets with Trio for Violin, Cello, & Bass in G major, K. 61b/K2 65a: I.
61b deest 7 Minuets with Trio for Violin, Cello, & Bass in G major, K. 61b/K2 65a: VI.
12 Movement K1 version
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 1, KV 103: I.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 2, KV 103: II.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 3, KV 103: III.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 4, KV 103: IV.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 5, KV 103: V.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 6, KV 103: VI.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 7, KV 103: VII.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 8, KV 103: VII.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 9, KV 103: IX.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 10, KV 103: X.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 11, KV 103: XI.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 12, KV 103: XII.
19 Movement K6 version
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 1 in C major, K. 61d/103: I.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 2 in G major, K. 61d/103: II.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 3 in D major, K. 61d/103: III.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 4 in F major, K. 61d/103: IV.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 5 in C major, K. 61d/103: V.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 6 in G major, K. 61d/103: VI.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 7 in D major, K. 61d/103: VII.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 8 in F major, K. 61d/103: VII.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 9 in D major, K. 61d/103: IX.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 10 in G major, K. 61d/103: X.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 11 in F major, K. 61d/103: XI.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 12 in C major, K. 61d/103: XII.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 13 in C major, K. 61d/103: XIII.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 14 in E-flat major, K. 61d/103: XIV.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 15 in B-flat major, K. 61d/103: XV.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 16 in G major, K. 61d/103: XVI.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 17 in E major, K. 61d/103: XVII.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 18 in A major, K. 61d/103: XVIII.
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 19 in C major, K. 61d/103: IXX.
20 Movement NMA version
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 1] in C major, K. 61d/103
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 2] in G major, K. 61d/103
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 3] in D major, K. 61d/103
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 4] in F major, K. 61d/103
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 5] in C major, K. 61d/103
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 6] No. 13 in G major, K. 61d/103
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 7] in D major, K. 61d/103
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 8] in F major, K. 61d/103
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 9] in D major, K. 61d/103
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 10] in G major, K. 61d/103
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 11] in F major, K. 61d/103
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 12] in C major, K. 61d/103
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 13] No. 1 in C major, K. 61d/103
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 14] No. 15 in E-flat major, K. 61d/103
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 15] No. 14 in B-flat major, K. 61d/103
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 16] No. 19 in G major, K. 61d/103
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 17] No. 16 in E major, K. 61d/103
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 18] No. 9 in A major, K. 61d/103
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 19] No. 17 in A major, K. 61d/103
61d 103 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 20] in C major, K. 61d/103
61e 104 6 Minuets for Orchestra in C major, K. 61e/104: I.
61e 104 6 Minuets for Orchestra in F major, K. 61e/104: II.
61e 104 6 Minuets for Orchestra in C major, K. 61e/104: III.
61e 104 6 Minuets for Orchestra in A major, K. 61e/104: IV.
61e 104 6 Minuets for Orchestra in G major, K. 61e/104: V.
61e 104 6 Minuets for Orchestra in G major, K. 61e/104: VI.
61f 105 6 Minuets for Orchestra in D major, K. 61f/105: I.
61f 105 6 Minuets for Orchestra in D major, K. 61f/105: II.
61f 105 6 Minuets for Orchestra in D major, K. 61f/105: III.
61f 105 6 Minuets for Orchestra in G major, K. 61f/105: IV.
61f 105 6 Minuets for Orchestra in G major, K. 61f/105: V.
61f 105 6 Minuets for Orchestra in G major, K. 61f/105: VI.
61g/I deest Minuet for Orchestra in A major, K. 61g/I/KV deest
61h deest 6 Minuets for Orchestra in C major, K. 61h/deest: I.
61h deest 6 Minuets for Orchestra in A major, K. 61h/deest: II.
61h deest 6 Minuets for Orchestra in D major, K. 61h/deest: III.
61h deest 6 Minuets for Orchestra in B-flat major, K. 61h/deest: IV.
61h deest 6 Minuets for Orchestra in G major, K. 61h/deest: V.
61h deest 6 Minuets for Orchestra in C major, K. 61h/deest: VI.
64 64 Minuet for 2 Violins, 2 Horns and Bass in D major, K. 64 (doubtful)
66a 117 Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": I. "Benedictus sit Deus"
66a 117 Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": II. "Aria"
66a 117 Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": III. "Jubilate"
66b 141 Te Deum for Chorus & Orchestra in C major, K. 66b/141: I. "Te Deum laudamus"
66b 141 Te Deum for Chorus & Orchestra in C major, K. 66b/141: II. "Te ergo quaesumus"
66b 141 Te Deum for Chorus & Orchestra in C major, K. 66b/141: III. "Aeterna fac"
66b 141 Te Deum for Chorus & Orchestra in C major, K. 66b/141: IV. "In te Domino speravi"
73a 143 Recitative and Aria for Soprano & Orchestra in G major, K. 73a/143: "Ergo interest. Quaere superna"
73D deest Aria for Soprano in E-flat major, K. 73D/deest Fr 1766a (fragment): "Per quel paterno amplesso"
73f 80 Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": I. Adagio
73f 80 Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": II. Allegro
73f 80 Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": III. Minuetto
73f 80 Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": IV. Rondo
73g 123 Contredanse for Orchestra in B-flat major, K. 73g/123
73s 85 Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": I. "Miserere"
73s 85 Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": II. "Et secundum"
73s 85 Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": III. "Quoniam"
73s 85 Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": IV. "Ecce"
73s 85 Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": V. "Asperges"
73s 85 Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": VI. "Averte"
73s 85 Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": VII. "Ne projicias"
73s 85 Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": VIII. "Docebo"
73t 122 Minuet for Orchestra in E-flat major, K. 73t/122
73v 86 Antiphon for Chorus in D minor, K. 73v/86: "Quaerite primum regnum Dei"
73x deest Canonical Study, K. 73x/K2 Anh 109d
74a 74a Mitridate, rè di Ponto, K. 74a/87: Ouverture: Allegro, andante grazio, presto
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act I, Scene I-II. Recitativi "Vieni, Signor… Se a me s'unisce Arbate" (Arbate, Sifare, Aspasia)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria "Al destin, che la minaccia" (Aspasia)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. Recitativo accompagnato "Qual tumulto nell'alma" (Sifare)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. No. 2 Aria "Soffre il mio cor con pace" (Sifare)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI. No. 3 Aria "L'odio nel cor frenate" (Arbate)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI. Recitativo "Principe, che facemmo!" (Farnace, Sifare, Aspasia)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VII. No. 4 Aria "Nel sen mi palpita" (Aspasia)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VIII. Recitativo "Un tale addio, germano" (Farnace, Sifare)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VIII. No. 5 Aria "Nel gran cimento" (Sifare)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. Recitativo "Eccovi in un momento sconvolti" (Farnace, Marzio)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. No. 6 Aria "Venga pur, minacci" (Farnace)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X. No. 7 Marcia. Maestoso
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X. No. 8 Cavata "Se di lauri il crine adorno" (Mitridate)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X-XI. Recitativi "Tu mi rivedi, Arbate… Su la temuta destra" (Mitridate, Isemene, Arbate, Sifare, Farnace)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XI. No. 9 Aria "In faccia all'oggetto" (Ismene)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XII-XIII. Recitativi "Teme Ismene a ragion… Respira alfin, respira" (Mitridate, Arbate)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XIII. No. 10 Aria "Quel ribelle e quell'ingrato" (Mitridate)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. Recitativo "Questo è l'amor, Franace" (Farnace)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. No. 11 Aria "Va, l'error mio palesa" (Farnace)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act II, Scene II-III. Recitativi "Perfido, ascolta… eccomi a' cenni tuoi… Respiro, oh Dei!" (Ismene, Mitridate, Aspasia)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IV. No. 12 Aria "Tu, che fedel mi sei" (Mitridate)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act II, Scene V-VII. Recitativi "Che dirò? Che ascoltai?… Alla tua fede il padre… Oh giorno di dolore!… Non più, Regina, oh Dio!" (Sifare, Aspasia, Arbate)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. No. 13 Aria "Lungi da te, mio bene" (Sifare)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. Recitativo accompagnato "Non più, Regina, oh Dio!" (Aspasia)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VIII. No. 14 Aria "Nel grave tormento" (Aspasia)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IX-XII. Recitativi "Qui, dove la vendetta… Sedete, oh Prenci, e m'ascoltate… Signor, so io… Inclita Ismene" (Mitridate, Ismene, Arbate, Sifare, Farnace, Marzio)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XII. No. 15 Aria "So quanto a te dispiace" (Ismene)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIII. Recitativo "Ah, giacché son tradito" (Farnace)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIII. No. 16 Aria "Son reo; l'error confesso" (Farnace)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. Recitativo "E crederai, Signor" (Sifare, Mitridate, Aspasia)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. No. 17 Aria "Già di pietà mi spoglio" (Mitridate)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. Recitativi "Sifare, per pietà stringi l'acciaro" (Aspasia, Sifare)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. No. 18 Duetto "Se viver non degg'io" (Sifare, Aspasia)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. Recitativo "Pera omai chi m'oltraggia" (Mitridate, Aspasia, Ismene)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. No. 19 Aria "Tu sai per chi m'accese" (Ismene)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act III, Scene II-III. Recitativi "Re crudel, Re spietato… Mio re, t'affretta" (Aspasia, Mitridate, Arbate)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act III, Scene III. No. 20 Aria "Vado incontro al fato estremo" (Mitridate)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IV. Recitativo "Lagrime internpestive" (Aspasia)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IV. No. 21 Recitativo accompagnato e Cavatina "Ah ben ne fui presaga!… Pallid'ombre, che scorgete" (Aspasia)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act III, Scene V-VI. Recitativi "Che fai, Regina?… Che mi val questa vita" (Sifare, Aspasia)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VI. No. 22 Aria "Se il rigor d'ingrata sorte" (Sifare)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VII-VIII. Recitativi "Sorte crudel, stelle inimiche… Tecco i patti, oh Farnace" (Farnace, Marzio)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VIII. No. 23 Aria "Se di regnar sei vago" (Marzio)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IX. Recitativo accompagnate "Vadasi… Oh ciel" (Farnace)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IX. No. 24 Aria "Gia darli occhi il velo e tolto" (Franace)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act III, Scene X-XII. Recitativi "Figlio, amico, non più… Ah vieni, oh dolce, dell'amor mio… Reo non si chiami, oh Sire" (Mitridate, Sifare, Aspasia, Ismene)
74a 87 Mitridate, rè di Ponto, K. 74a/87: Act III, Scene XII. No. 25 Coro "Non si ceda al Campidoglio" (Aspasia, Sifare, Farnace)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": I. Parte prima: Overtura
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": II. Parte prima: Recitativo "Popoli di Betulia" (Ozia)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": III. Parte prima: No. 1 Aria "D’ogni colpa la colpa maggiore" (Ozia)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": IV. Parte prima: Recitativo "E in che sperar?" (Cabri, Amital)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": V. Parte prima: No. 2 Aria "Ma qual virtù non cede" (Cabri)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": VI. Parte prima: Recitativo "Già le memorie antiche" (Ozia, Cabri, Amital)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": VII. Parte prima: No. 3 Aria "Non hai cor" (Amital)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": VIII. Parte prima: Recitativo "E qual pace sperate" (Ozia, Amital, Coro)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": IX. Parte prima: No. 4 Aria con il Coro "Pietà, se irato sei" (Ozia, Coro)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": X. Parte prima: Recitativo "Chi è costei che qual sorgente aurora" (Cabri, Amital, Ozia, Giuditta)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XI. Parte prima: No. 5 Aria "Del pari infeconda" (Giuditta)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XII. Parte prima: Recitativo "Oh saggia, oh santa" (Ozia, Cabri, Giuditta)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XIII. Parte prima: No. 6 Aria con il Coro "Pietà, se irato sei" (Ozia, Coro)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XIV. Parte prima: Recitativo "Signor, Carmi a te viene" (Cabri, Amital, Carmi, Ozia, Achior)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XV. Parte prima: No. 7 Aria "Terribile d’aspetto" (Achior)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XVI. Parte prima: Recitativo "Ti consola, Achior" (Ozia, Cabri, Achior, Giuditta)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XVII. Parte prima: No. 8 Aria "Parto inerme, e non pavento" (Giuditta)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XVIII. Parte prima: No. 9 Coro "Oh prodigio! Oh stupor!" (Coro)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XIX. Parte seconda: Recitativo "Troppo mal corrisponde" (Achior, Ozia)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XX. Parte seconda: No. 10 Aria "Se Dio veder tu vuoi" (Ozia)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XXI. Parte seconda: Recitativo "Confuso io son" (Achior, Ozia, Amital)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XXII. Parte seconda: No. 11 Aria "Quel nocchier che in gran procella" (Amital)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XXIII. Parte seconda: Recitativo "Lungamente non dura" (Ozia, Amital, Coro, Cabri, Giuditta, Achior)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XXIV. Parte seconda: No. 12 Aria "Prigionier che fa ritorno" (Giuditta)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XXV. Parte seconda: Recitativo "Giuditta, Ozia, popoli, amici" (Achior)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XXVI. Parte seconda: No. 13 Aria "Te solo adoro" (Achior)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XXVII. Parte seconda: Recitativo "Di tua vittoria" (Ozia, Amital)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XXVIII. Parte seconda: No. 14 Aria "Con troppa rea viltà" (Amital)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XXIX. Parte seconda: Recitativo "Quanta cura hai di noi" (Cabri, Carmi, Ozia, Amital)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XXX. Parte seconda: No. 15 Aria "Quei moti che senti" (Carmi)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XXXI. Parte seconda: Recitativo "Seguansi, oh Carmi" (Ozia, Amital, Cabri, Achior, Giuditta)
74c 118 Oratorio in F major, K. 74c/118 "La Betulia liberata": XXXII. Parte seconda: No. 16 Aria con il Coro "Lodi al gran Dio" (Giuditta, Coro)
74d 108 Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: I. Allegro
74d 108 Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: II. Tempo moderato
74d 108 Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: III. Adagio un poco andanta
74d 108 Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: IV. Allegro
74f 72 Offertorium for Chorus & Orchestra in G major, K. 74f/72 "Inter natos mulierum"
90 90 Kyrie for 4 Voices & Organ (in Figured Bass) in D minor, K. 90: (no tempo indication). (Soprano, Alto, Tenor, Bass)
90a 116 Composed by Wolfgang Amadeus Mozart, but arranged by Leopold Mozart.
107/1 107/1 Concerto for Piano No. 1 in D major, K. 107/1, after J.C. Bach: Keyboard Sonata, Opus 5. No. 2 in D major: I. Allegro
107/1 107/1 Concerto for Piano No. 1 in D major, K. 107/1, after J.C. Bach: Keyboard Sonata, Opus 5. No. 2 in D major: II. Andante
107/1 107/1 Concerto for Piano No. 1 in D major, K. 107/1, after J.C. Bach: Keyboard Sonata, Opus 5. No. 2 in D major: III. Tempo di menuetto
107/2 107/2 Concerto for Piano No. 1 in G major, K. 107/2, after J.C. Bach: Keyboard Sonata, Opus 5. No. 3 in G major: I. Allegro
107/2 107/2 Concerto for Piano No. 1 in G major, K. 107/2, after J.C. Bach: Keyboard Sonata, Opus 5. No. 3 in G major: II. Allegretto
107/3 107/3 Concerto for Piano No. 1 in E-flat major, K. 107/3, after J.C. Bach: Keyboard Sonata, Opus 5. No. 4 in E-flat major: I. Allegro
107/3 107/3 Concerto for Piano No. 1 in E-flat major, K. 107/3, after J.C. Bach: Keyboard Sonata, Opus 5. No. 4 in E-flat major: II. Allegretto
111 111 Ascanio in Alba, K. 111: Ouverture
111 111 Ascanio in Alba, K. 111: Act I, Scene I. No. 1 Ballet. Andante grazioso
111 111 Ascanio in Alba, K. 111: Act I, Scene I. No. 2 Coro "Di te più amabile" (Coro di geni e grazie)
111 111 Ascanio in Alba, K. 111: Act I, Scene I. Recitativo "Genie, grazie, ed amori" (Venere)
111 111 Ascanio in Alba, K. 111: Act I, Scene I. No. 3 Aria "L'ombra de' rami tuoi" (Venere)
111 111 Ascanio in Alba, K. 111: Act I, Scene I. Recitativo "Ma la Ninfa gentil" (Ascanio & Venere)
111 111 Ascanio in Alba, K. 111: Act I, Scene I. No. 4 Coro "Di te più amabile, nè Dea maggiore" (Coro di geni e grazie)
111 111 Ascanio in Alba, K. 111: Act I, Scene II. Recitativo "Perché tacer degg'io?" (Ascanio)
111 111 Ascanio in Alba, K. 111: Act I, Scene II. No. 5 Aria "Cara, lontano ancora" (Ascanio)
111 111 Ascanio in Alba, K. 111: Act I, Scene III. No. 6 Coro "Venga, de' sommi eroi" (Coro di Pastore)
111 111 Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Ma qual canto risona?" (Ascanio & Fauno)
111 111 Ascanio in Alba, K. 111: Act I, Scene III. No. 7 Coro "Venga, de' sommi eroi" (Coro di pastori)
111 111 Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Ma tu, chi sei" (Fauno & Ascanio)
111 111 Ascanio in Alba, K. 111: Act I, Scene III. No. 8 Aria "Se il labbro più non dice" (Fauno)
111 111 Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Quanto soavi al core" (Ascanio & Fauno)
111 111 Ascanio in Alba, K. 111: Act I, Scene III. No. 9 Coro "Hai di Diana il core" (Coro di pastori e Pastorelle)
111 111 Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Oh generosa Diva" (Aceste)
111 111 Ascanio in Alba, K. 111: Act I, Scene IV. No. 10 Coro "Venga, de' sommi eroi" (Coro di pastori)
111 111 Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Di propria man la Dea" (Aceste)
111 111 Ascanio in Alba, K. 111: Act I, Scene IV. No. 11 Coro "Venga, de' sommi eroi" (Coro di pastori)
111 111 Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Oh mia gloria" (Aceste)
111 111 Ascanio in Alba, K. 111: Act I, Scene IV. No. 12 Aria "Per la gioia in questo seno" (Aceste)
111 111 Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Misera! che farò?" (Silvia, Aceste)
111 111 Ascanio in Alba, K. 111: Act I, Scene IV. No. 13 Cavatina "Sì, sì, ma d'un altro amore" (Silvia)
111 111 Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Ah no, Silvia t'inganni" (Aceste, Silvia)
111 111 Ascanio in Alba, K. 111: Act I, Scene IV. No. 14 Aria "Come è felice stato" (Silvia)
111 111 Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Silvia, mira, che il sole" (Aceste)
111 111 Ascanio in Alba, K. 111: Act I, Scene IV. No. 15 Coro "Venga, de' sommi Eroi" (Coro di pastori)
111 111 Ascanio in Alba, K. 111: Act I, Scene V. Recitativo "Cielo! che vidi mai?" (Ascanio & Venere)
111 111 Ascanio in Alba, K. 111: Act I, Scene V. No. 16 Aria "Ah di sì nobil alma" (Ascanio)
111 111 Ascanio in Alba, K. 111: Act I, Scene V. Recitativo "Un'altra prova" (Venere & Ascanio)
111 111 Ascanio in Alba, K. 111: Act I, Scene V. No. 17 Aria "Al chiaror di que' bei rai" (Venere)
111 111 Ascanio in Alba, K. 111: Act I, Scene V. No. 18 Coro "Di te più amabile, nè Dea maggiore" (Coro di geni e grazie)
111 111 Ascanio in Alba, K. 111: Act II, Scene I. Recitativo "Star lontana non so" (Silvia)
111 111 Ascanio in Alba, K. 111: Act II, Scene I. No. 19 Aria "Spiega il desio, le piume" (Silvia)
111 111 Ascanio in Alba, K. 111: Act II, Scene I. No. 20 Coro "Già l'ore sen volano" (Coro di pastorelle)
111 111 Ascanio in Alba, K. 111: Act II, Scene II. Recitativo "Cerco di loco in loco" (Ascanio)
111 111 Ascanio in Alba, K. 111: Act II, Scene II. Recitativo accompagnato "Oh ciel! che miro?" (Silvia, Ascanio)
111 111 Ascanio in Alba, K. 111: Act II, Scene III. Recitativo "Silvia, ove sei?" (Silvia, Ascanio, Fauno)
111 111 Ascanio in Alba, K. 111: Act II, Scene III. No. 21 Aria "Dal tuo gentil sembiante" (Fauno)
111 111 Ascanio in Alba, K. 111: Act II, Scene IV. Recitativo "Ahime! Che veggio mai?" (Ascanio & Silvia)
111 111 Ascanio in Alba, K. 111: Act II, Scene IV. No. 22 Aria "Al mio ben mi veggio avanti" (Ascanio)
111 111 Ascanio in Alba, K. 111: Act II, Scene IV. Recitativo "Ferma, aspetta, ove vai?" (Silvia)
111 111 Ascanio in Alba, K. 111: Act II, Scene IV. No. 23 Aria "Infelici affetti miei" (Silvia)
111 111 Ascanio in Alba, K. 111: Act II, Scene IV. Recitativo e Coro "Ascanio, Silvia, coro di pastorelle" (Silvia, Coro)
111 111 Ascanio in Alba, K. 111: Act II, Scene V. Recitativo "Ahi la crudel come scoccato dardo" (Ascanio)
111 111 Ascanio in Alba, K. 111: Act II, Scene V. No. 25 Aria "Torna mio bene, ascolta" (Ascanio)
111 111 Ascanio in Alba, K. 111: Act II, Scene VI. No. 26 Coro "Venga, venga, de' sommi eroi" (Coro di pastori)
111 111 Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Che strana meraviglia" (Aceste)
111 111 Ascanio in Alba, K. 111: Act II, Scene VI. No. 27 Aria "Sento, che il cor mi dice" (Aceste)
111 111 Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Sì, padre" (Silvia)
111 111 Ascanio in Alba, K. 111: Act II, Scene VI. No. 28 Coro "Scendi celeste Venere" (Coro di pastori e Ninfe o Pastorelle)
111 111 Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Ma s'allotani almen" (Silvia, Aceste, Ascanio)
111 111 Ascanio in Alba, K. 111: Act II, Scene VI. No. 29 Coro "No, non possiamo vivere" (Coro di pastori e Pastorelle)
111 111 Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Ecco, ingombran l'altare" (Aceste)
111 111 Ascanio in Alba, K. 111: Act II, Scene VI. No. 30 Coro "Scendi celeste Venere" (Coro)
111 111 Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Invoca, oh figlia" (Aceste, Silvia, Ascanio, Venere)
111 111 Ascanio in Alba, K. 111: Act II, Scene VI. No. 31 Terzetto "Ah caro sposo, oh dio!" (Silvia, Ascanio, Aceste)
111 111 Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Eccovi al fin" (Venere)
111 111 Ascanio in Alba, K. 111: Act II, Scene VI. No. 32 Terzetto "Che bel piacer io sento" (Silvia, Ascanio, Aceste)
111 111 Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Ah chi nodi più forti" (Silvia, Ascanio, Aceste, Venere)
111 111 Ascanio in Alba, K. 111: Act II, Scene VI. No. 33 Coro "Alma Dea, tutto il mondo governa" (Coro ultimo di geni, grazie, pastori e ninfe)
113 113 Divertimento No. 1 for 2 Clarinets, 2 Horns & Strings in E-flat major, K. 113: I. Allegro
113 113 Divertimento No. 1 for 2 Clarinets, 2 Horns & Strings in E-flat major, K. 113: II. Andante
113 113 Divertimento No. 1 for 2 Clarinets, 2 Horns & Strings in E-flat major, K. 113: III. Minuetto
113 113 Divertimento No. 1 for 2 Clarinets, 2 Horns & Strings in E-flat major, K. 113: IV. Allegro
123a 381 Sontata for Piano with 4 Hands in D major, K. 123a/381: I. Allegro
123a 381 Sontata for Piano with 4 Hands in D major, K. 123a/381: II. Andante
123a 381 Sontata for Piano with 4 Hands in D major, K. 123a/381: III. Allegro molto
125a 136 Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony No. 1": I. Allegro
125a 136 Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony No. 1": II. Andante
125a 136 Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony No. 1": III. Presto
125b 137 Divertimento for String Quartet in B-flat major, K. 125b/137 "Salzburg Symphony No. 2": I. Andante
125b 137 Divertimento for String Quartet in B-flat major, K. 125b/137 "Salzburg Symphony No. 2": II. Allegro di molto
125b 137 Divertimento for String Quartet in B-flat major, K. 125b/137 "Salzburg Symphony No. 2": III. Allegro assai
125c 138 Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": I. Allegro
125c 138 Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": II. Andante
125c 138 Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": III. Presto
125d 149 Composed by Leopold Mozart, not Wolfgang Amadeus Mozart.
125d 149 Song for Voice & Piano, K. 125d/149 "Die grossmütige Gelassenheit"
125e 150 Composed by Leopold Mozart, not Wolfgang Amadeus Mozart.
125e 150 Song for Voice & Piano, K. 125e/150 "Geheime Liebe"
125f 151 Composed by Leopold Mozart, not Wolfgang Amadeus Mozart.
125f 151 Song for Voice & Piano, K. 125f/151 "Die Zufriedenheit": "Ich trachte nicht"
126 126 Il sogno di Scipione, K. 126: Overtura
126 126 Il sogno di Scipione, K. 126: Act I Recitativo "Vieni e segui i mici passi" (Fortuna, Constanza, Scipione)
126 126 Il sogno di Scipione, K. 126: Act I No. 1 Aria "Risolver non osa" (Scipione)
126 126 Il sogno di Scipione, K. 126: Act I Recitativo "Giusta è la tua richiesta" (Constanza, Fortuna)
126 126 Il sogno di Scipione, K. 126: Act I No. 2 Aria "Lieve sono al par del vento" (Fortuna)
126 126 Il sogno di Scipione, K. 126: Act I Recitativo "Dunque ove son?" (Scipione, Constanza, Fortuna)
126 126 Il sogno di Scipione, K. 126: Act I No. 3 Aria "Ciglio che al sol si gira" (Constanza)
126 126 Il sogno di Scipione, K. 126: Act I Recitativo "E quali abitatori" (Scipione, Fortuna, Constanza)
126 126 Il sogno di Scipione, K. 126: Act I No. 4 Coro "Germe di cento eroi" (Coro)
126 126 Il sogno di Scipione, K. 126: Act I Recitativo "Numi, è vero o m'inganno?" (Scipione, Publio)
126 126 Il sogno di Scipione, K. 126: Act I No. 5 Aria "Se vuoi che te raccolgano" (Publio)
126 126 Il sogno di Scipione, K. 126: Act I Recitativo "Se qui vivon gli eroi" (Scipione, Fortuna, Constanza, Publio, Emilio)
126 126 Il sogno di Scipione, K. 126: Act I No. 6 Aria "Voi colaggiù ridete" (Emilio)
126 126 Il sogno di Scipione, K. 126: Act I Recitativo "Publio, padre, ah lasciate" (Scipione, Fortuna, Constanza, Publio, Emilio)
126 126 Il sogno di Scipione, K. 126: Act I No. 7 Aria "Quercia annosa su l'erte pendici" (Publio)
126 126 Il sogno di Scipione, K. 126: Act I Recitativo "Giacche al voler de' Fati" (Scipione, Constanza, Fortuna, Publio, Emilio)
126 126 Il sogno di Scipione, K. 126: Act I No. 8 Aria "A chi serena io miro" (Fortuna)
126 126 Il sogno di Scipione, K. 126: Act I Recitativo "E a sì enorme possanza" (Scipione, Costanza)
126 126 Il sogno di Scipione, K. 126: Act I No. 9 Aria "Biancheggia in mar lo scoglio" (Constanza)
126 126 Il sogno di Scipione, K. 126: Act I Recitativo "Non più, bella Costanza" (Scipione, Fortuna)
126 126 Il sogno di Scipione, K. 126: Act I No. 10 Aria "Di che sei l'arbitra del mondo intero" (Scipione)
126 126 Il sogno di Scipione, K. 126: Act I Recitativo accompagnato "E v'è mortal" (Fortuna, Scipione)
126 126 Il sogno di Scipione, K. 126: Act I Recitativo "Non è Scipio" (La Licenza)
126 126 Il sogno di Scipione, K. 126: Act I No. 11a+b Aria "Ah, perché cercar degg'io" (La Licenza)
126 126 Il sogno di Scipione, K. 126: Act I No. 12 Coro "Cento volte con lieto sembiante" (Coro)
127 127 Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127: Regina coeli: I. Allegro maestoso
127 127 Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127: Regina coeli: II. Andante
127 127 Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127: Regina coeli: III. Allegro
130a 164 6 Minuets for Orchestra No. 1 in D major, K. 130a/1/164/1: Minuetto & Trio
130a 164 6 Minuets for Orchestra No. 2 in D major, K. 130a/2/164/2: Minuetto & Trio
130a 164 6 Minuets for Orchestra No. 3 in D major, K. 130a/3/164/3: Minuetto & Trio
130a 164 6 Minuets for Orchestra No. 4 in G major, K. 130a/4/164/4: Minuetto & Trio
130a 164 6 Minuets for Orchestra No. 5 in G major, K. 130a/5/164/5: Minuetto & Trio
130a 164 6 Minuets for Orchestra No. 6 in G major, K. 130a/6/164/6: Minuetto & Trio
131 131 Divertimento No. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: I. Allegro
131 131 Divertimento No. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: II. Adagio
131 131 Divertimento No. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: III. Minuetto & Trio I & Trio II & Trio III & Coda
131 131 Divertimento No. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: IV. Allegretto
131 131 Divertimento No. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: V. Minuetto & Trio I & Trio II & Coda
131 131 Divertimento No. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: VI. Adagio - allegro moto - allegro assai
134a 155 Quartet for Strings No. 2 in D major, K. 134a/155 "Quartetti Milanesi": I. Allegro
134a 155 Quartet for Strings No. 2 in D major, K. 134a/155 "Quartetti Milanesi": II. Andante
134a 155 Quartet for Strings No. 2 in D major, K. 134a/155 "Quartetti Milanesi": III. Allegro molto
134b 156 If you're not sure which second movement you need, most likely it's the revised version. The revised runs, typically, around 6:30 to 7:00. The original runs around 2:45 to 3:15.
134b 156 Quartet for Strings No. 3 in G major, K. 134b/156 "Quartetti Milanesi": I. Presto
134b 156 Quartet for Strings No. 3 in G major, K. 134b/156 "Quartetti Milanesi": II. Adagio (revised version)
134b 156 Quartet for Strings No. 3 in G major, K. 134b/156 "Quartetti Milanesi": II. Adagio (original version)
134b 156 Quartet for Strings No. 3 in G major, K. 134b/156 "Quartetti Milanesi": III. Tempo di minuetto
135 135 Lucio Silla, K. 135: Ouverture. Allegro molto
135 135 Lucio Silla, K. 135: Ouverture. Andante
135 135 Lucio Silla, K. 135: Ouverture. Allegro molto
135 135 Lucio Silla, K. 135: Act I, Scene I. Recitativo "Ah ciel l'amico cinna" (Cecilio, Cinna)
135 135 Lucio Silla, K. 135: Act I, Scene I. No. 1 Aria "Vieni ov'amor t'invita" (Cinna)
135 135 Lucio Silla, K. 135: Act I, Scene II. Recitativo accompagnato "Dunque sperar poss'io" (Cecilio)
135 135 Lucio Silla, K. 135: Act I, Scene II. No. 2 Aria "Il tenero momento" (Cecilio)
135 135 Lucio Silla, K. 135: Act I, Scene III. Recitativo "A te dell'amor mio" (Silla, Celia, Aufidio)
135 135 Lucio Silla, K. 135: Act I, Scene III. No. 3 Aria "Se lusinghiera speme" (Celia)
135 135 Lucio Silla, K. 135: Act I, Scene IV. Recitativo "Signor, duolmi vederti" (Silla, Aufidio)
135 135 Lucio Silla, K. 135: Act I, Scene V. Recitativo "Sempre dovrò vederti" (Silla, Giunia)
135 135 Lucio Silla, K. 135: Act I, Scene V. No. 4 Aria "Dalla sponda tenebrosa" (Giunia)
135 135 Lucio Silla, K. 135: Act I, Scene VI. Recitativo accompagnato "E tollerare lo posso" (Silla)
135 135 Lucio Silla, K. 135: Act I, Scene VI. No. 5 Aria "Il desio de vendetta" (Silla)
135 135 Lucio Silla, K. 135: Act I, Scene VII. Recitativo accompagnato "Morte, morte fatal" (Cecilio)
135 135 Lucio Silla, K. 135: Act I, Scene VIII. No. 6 Coro è Arioso "Fuor di queste urne dolenti" (Coro)
135 135 Lucio Silla, K. 135: Act I, Scene VIII. Recitativo accompagnato "Se l'empio Silla, oh padre" (Giunia)
135 135 Lucio Silla, K. 135: Act I, Scene IX. Recitativo "Eccomi, oh cara" (Giunia, Cecilio)
135 135 Lucio Silla, K. 135: Act I, Scene IX. No. 7 Duetto "D'Elisio in sen m'attendi" (Giunia, Cecilio)
135 135 Lucio Silla, K. 135: Act II, Scene I. Recitativo "Tel' predissi, oh Signor, che la superba" (Silla, Aufidio)
135 135 Lucio Silla, K. 135: Act II, Scene II. Recitativo "Ah non mai non credea" (Celia, Silla)
135 135 Lucio Silla, K. 135: Act II, Scene III. Recitativo accompagnato "Al fiero suon… Ah corri, vola" (Cecilio, Cinna)
135 135 Lucio Silla, K. 135: Act II, Scene III. No. 9 Aria "Quest'improvviso tremito" (Cecilio)
135 135 Lucio Silla, K. 135: Act II, Scene IV. Recitativo "Ah sì, s'affretti il colpo" (Cinna, Celia)
135 135 Lucio Silla, K. 135: Act II, Scene V. Recitativo accompagnato "Vanne. T'affretta" (Cinna, Giunia)
135 135 Lucio Silla, K. 135: Act II, Scene V. No. 11 Aria "Ah se il crudel periglio" (Giunia)
135 135 Lucio Silla, K. 135: Act II, Scene VI. Recitativo accompagnato "Ah sì, scuotasi omai" (Cinna)
135 135 Lucio Silla, K. 135: Act II, Scene VI. No. 12 Aria "Nel fortunato istante" (Cinna)
135 135 Lucio Silla, K. 135: Act II, Scene VII. Recitativo "Signor, ai cenni tuoi… Silla? L'odiato aspetto" (Aufidio, Silla)
135 135 Lucio Silla, K. 135: Act II, Scene VIII. Recitativo accompagnato "Silla? L'odiato aspetto" (Giunia, Silla)
135 135 Lucio Silla, K. 135: Act II, Scene VIII. No. 13 Aria "D'ogni pietà mi spoglio" (Silla)
135 135 Lucio Silla, K. 135: Act II, Scene IX. Recitativo "Che intesi, eterni Dei?" (Giunia, Cecilio)
135 135 Lucio Silla, K. 135: Act II, Scene IX. Recitativo accompagnato "Chi sa, che non sia questa" (Cecilio, Giunia)
135 135 Lucio Silla, K. 135: Act II, Scene IX. No. 14 Aria "Ah se a morir mi chiama" (Cecilio)
135 135 Lucio Silla, K. 135: Act II, Scene X. Recitativo "Perché mi balzi in seno" (Giunia, Celia)
135 135 Lucio Silla, K. 135: Act II, Scene X. No. 15 Aria "Quando sugl'arsi campi" (Celia)
135 135 Lucio Silla, K. 135: Act II, Scene XI. Recitativo accompagnato "In un istante oh come" (Giunia)
135 135 Lucio Silla, K. 135: Act II, Scene XI. No. 16 Aria "Parto,m'affretto" (Giunia)
135 135 Lucio Silla, K. 135: Act II, Scene XII. No. 17 Coro "Se gloria il crin ti cinse" (Coro)
135 135 Lucio Silla, K. 135: Act II, Scene XII. Recitativo "Padri Coscritti, Io che pugnai per Roma" (Silla, Giunia, Aufidio)
135 135 Lucio Silla, K. 135: Act II, Scene XIII. Recitativo "Sposa ah no,non temer" (Cecilio, Cinna)
135 135 Lucio Silla, K. 135: Act II, Scene XIV. No. 18 Terzetto "Quell'orgoglioso sdegno" (Cecilio, Giunia, Cinna)
135 135 Lucio Silla, K. 135: Act III, Scene I. Recitativo "Ah si tu solo, amico" (Cecilia, Celia, Cinna)
135 135 Lucio Silla, K. 135: Act III, Scene I. No. 19 Aria "Strider sento la procella" (Celia)
135 135 Lucio Silla, K. 135: Act III, Scene II. Recitativo "Forse tu credi, amico" (Cecilio, Cinna)
135 135 Lucio Silla, K. 135: Act III, Scene II. No. 20 Aria "De' più superbi il core" (Cinna)
135 135 Lucio Silla, K. 135: Act III, Scene III. Recitativo "Ah no, che il fato estremo" (Giunia, Cecilio)
135 135 Lucio Silla, K. 135: Act III, Scene IV. Recitativo "Tosto seguir tu dei" (Aufidio, Giunia, Cecilio)
135 135 Lucio Silla, K. 135: Act III, Scene IV. No. 21 Aria "Pupille amate" (Cecilio)
135 135 Lucio Silla, K. 135: Act III, Scene V. Recitativo accompagnato "Sposo, mia vita" (Giunia)
135 135 Lucio Silla, K. 135: Act III, Scene V. No. 22 Aria "Fra i pensier più funesti di morte" (Giunia)
135 135 Lucio Silla, K. 135: Act III, Scene VI-VII. Recitativo "Celia, Cinna, non più… Anima vil, da Giunia" (Cinna, Silla, Celia, Giunia)
135 135 Lucio Silla, K. 135: Act III, Scene Ultima. Recitativo "Lo sposo mio" (Giunia, Cinna, Cecilio, Silla)
135 135 Lucio Silla, K. 135: Act III, Scene Ultima. No. 23 Finale "Il gran Silla a Roma in seno" (Coro)
135a Anh 109 Unrecorded work(?): Sketches for a Ballet K. 135a/Anh 109 "Le gelosie del Serraglio" A recording of this work is needed to create a correct listing here.
157 157 Quartet for Strings No. 4 in C major, K. 157 "Quartetti Milanesi": I. (No tempo indication)
157 157 Quartet for Strings No. 4 in C major, K. 157 "Quartetti Milanesi": II. Andante
157 157 Quartet for Strings No. 4 in C major, K. 157 "Quartetti Milanesi": III. Presto
158 158 Quartet for Strings No. 5 in F major, K. 158 "Quartetti Milanesi": I. Allegro
158 158 Quartet for Strings No. 5 in F major, K. 158 "Quartetti Milanesi": II. Andante un poco allegretto
158 158 Quartet for Strings No. 5 in F major, K. 158 "Quartetti Milanesi": III. Tempo di minuetto
158a 165 Note: There are three different versions of this work, depending on which text is being used. If yours has "Fulget amica dies" as the first line of movement 2, it is the Milano version. If it has "Tandem ad venit hora" it is one of the 2 Salzburg versions. If yours is a Salzburg version, look at line 4 of the libretto for movement 1. If that line is "Summa Trinitas revelatur", yours is the Salzburg 1 version. If that line is "Caro factus, factus homo ubique adoratur", yours is the Salzburg 2 version.
158a 165 Milano version:
158a 165 Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): I. "Exsultate, jubilate"
158a 165 Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): II. Recitativo: "Fulget amica dies"
158a 165 Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): III. "Tu virginum corona"
158a 165 Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): IV. "Alleluja"
158a 165 Salzburg 1 version:
158a 165 Motet for Soprano & Orchestra in F major, K. 158a/165 (Salzburg 1 version): I. "Exsultate, jubilate"
158a 165 Motet for Soprano & Orchestra in F major, K. 158a/165 (Salzburg 1 version): II. Recitativo: "Tandem ad venit hora"
158a 165 Motet for Soprano & Orchestra in F major, K. 158a/165 (Salzburg 1 version): III. "Tu virginum corona"
158a 165 Motet for Soprano & Orchestra in F major, K. 158a/165 (Salzburg 1 version): IV. "Alleluja"
158a 165 Salzburg 2 version:
158a 165 Motet for Soprano & Orchestra in F major, K. 158a/165 (Salzburg 2 version): I. "Exsultate, jubilate"
158a 165 Motet for Soprano & Orchestra in F major, K. 158a/165 (Salzburg 2 version): II. Recitativo: "Tandem ad venit hora"
158a 165 Motet for Soprano & Orchestra in F major, K. 158a/165 (Salzburg 2 version): III. "Tu virginum corona"
158a 165 Motet for Soprano & Orchestra in F major, K. 158a/165 (Salzburg 2 version): IV. "Alleluja"
159 159 Quartet for Strings No. 6 in B-flat major, K. 159 "Quartetti Milanesi": I. Andante
159 159 Quartet for Strings No. 6 in B-flat major, K. 159 "Quartetti Milanesi": II. Allegro
159 159 Quartet for Strings No. 6 in B-flat major, K. 159 "Quartetti Milanesi": III. Rondo. Allegro grazioso
159a 160 Quartet for Strings No. 7 in E-flat major, K. 159a/160 "Quartetti Milanesi": I. Allegro
159a 160 Quartet for Strings No. 7 in E-flat major, K. 159a/160 "Quartetti Milanesi": II. Un poco adagio
159a 160 Quartet for Strings No. 7 in E-flat major, K. 159a/160 "Quartetti Milanesi": III. Presto
159b 186 Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: I. Allegro assai
159b 186 Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: II. Minuetto
159b 186 Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: III. Andante
159b 186 Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: IV. Adagio
159b 186 Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: V. Allegro
159d 166 Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: I. Allegro
159d 166 Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: II. Minuet
159d 166 Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: III. Andante grazioso
159d 166 Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: IV. Adagio
159d 166 Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: V. Allegro
166d 115 Spurious work: composed by Leopold Mozart.
166e 223 Osanna in C major, K. 166e/223 (fragment)
166f Anh 18 Kyrie for 4 Voices, 2 Violins, Viola, Bass, 2 Oboes, 2 Horns, 2 Trumpets & Timpani in C major, K. 166f/Anh 18 Fr 1772a (49 measure fragment): Adagio - allegro
166g Anh 19 Kyrie for Orchestra in D major, K. 166g/Anh 19 Fr 1772b (12 measure fragment)
166h Anh 23 Psalm in C major, K. 166h/Anh 23 Fr 1774a (fragment): "In te Domine speravi"
167 167 Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": I. "Kyrie"
167 167 Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": II. "Gloria"
167 167 Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": III. "Credo in unuum Deum"
167 167 Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IV. "Et incarnatus est"
167 167 Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": V. "Et in Spiritum Sanctum"
167 167 Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VI. "Et unam Sanctam Catholicam"
167 167 Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VII. "Et vitam venturi saeculi"
167 167 Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VIII. "Sanctus"
167 167 Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IX. "Benedictus"
167 167 Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": X. "Agnus Dei"
167a 185 Serenade No. 3 for Orchestra in D major, K. 167a/185 "Antretter": I. Allegro assai
167a 185 Serenade No. 3 for Orchestra in D major, K. 167a/185 "Antretter": II. Andante
167a 185 Serenade No. 3 for Orchestra in D major, K. 167a/185 "Antretter": III. Allegro
167a 185 Serenade No. 3 for Orchestra in D major, K. 167a/185 "Antretter": IV. Minuetto
167a 185 Serenade No. 3 for Orchestra in D major, K. 167a/185 "Antretter": V. Andante grazioso
167a 185 Serenade No. 3 for Orchestra in D major, K. 167a/185 "Antretter": VI. Minuetto
167a 185 Serenade No. 3 for Orchestra in D major, K. 167a/185 "Antretter": VII. Adagio - assai
167A 205 Divertimento No. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: I. Largo
167A 205 Divertimento No. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: II. Minuetto
167A 205 Divertimento No. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: III. Minuetto
167A 205 Divertimento No. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: IV. Adagio
167A 205 Divertimento No. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: V. Finale presto
168 168 Quartet for Strings No. 8 in F major, K. 168 "Quartetti Vienna": I. Allegro
168 168 Quartet for Strings No. 8 in F major, K. 168 "Quartetti Vienna": II. Andante
168 168 Quartet for Strings No. 8 in F major, K. 168 "Quartetti Vienna": III. Minuetto
168 168 Quartet for Strings No. 8 in F major, K. 168 "Quartetti Vienna": IV. Allegro
168a deest Minuet for String Quartet in F major, K. 168a/deest (28 measure fragment)
169 169 Quartet for Strings No. 9 in A major, K. 169 "Quartetti Vienna": I. Allegro molto
169 169 Quartet for Strings No. 9 in A major, K. 169 "Quartetti Vienna": II. Andante
169 169 Quartet for Strings No. 9 in A major, K. 169 "Quartetti Vienna": III. Minuetto
169 169 Quartet for Strings No. 9 in A major, K. 169 "Quartetti Vienna": IV. Rondeaux. Allegro
170 170 Quartet for Strings No. 10 in C major, K. 170 "Quartetti Vienna": I. Tema con variazioni. Andante
170 170 Quartet for Strings No. 10 in C major, K. 170 "Quartetti Vienna": II. Minuetto
170 170 Quartet for Strings No. 10 in C major, K. 170 "Quartetti Vienna": III. Un poco adagio
170 170 Quartet for Strings No. 10 in C major, K. 170 "Quartetti Vienna": IV. Rondeaux. Allegro
171 171 Quartet for Strings No. 11 in E-flat major, K. 171 "Quartetti Vienna": I. Adagio - allegro assai
171 171 Quartet for Strings No. 11 in E-flat major, K. 171 "Quartetti Vienna": II. Minuetto
171 171 Quartet for Strings No. 11 in E-flat major, K. 171 "Quartetti Vienna": III. Andante
171 171 Quartet for Strings No. 11 in E-flat major, K. 171 "Quartetti Vienna": IV. Allegro assai
172 172 Quartet for Strings No. 12 in B-flat major, K. 172 "Quartetti Vienna": I. Allegro spiritoso
172 172 Quartet for Strings No. 12 in B-flat major, K. 172 "Quartetti Vienna": II. Adagio
172 172 Quartet for Strings No. 12 in B-flat major, K. 172 "Quartetti Vienna": III. Minuetto
172 172 Quartet for Strings No. 12 in B-flat major, K. 172 "Quartetti Vienna": IV. Allegro assai
173 173 Quartet for Strings No. 13 in D minor, K. 173 "Quartetti Vienna": I. Allegro ma molto moderato
173 173 Quartet for Strings No. 13 in D minor, K. 173 "Quartetti Vienna": II. Andantino grazioso
173 173 Quartet for Strings No. 13 in D minor, K. 173 "Quartetti Vienna": III. Minuetto
173 173 Quartet for Strings No. 13 in D minor, K. 173 "Quartetti Vienna": IV. Allegro
173c 180 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, K. 173c/180
176 176 16 Minuets for Orchestra in C major, K. 176: I.
176 176 16 Minuets for Orchestra in G major, K. 176: II.
176 176 16 Minuets for Orchestra in E-flat major, K. 176: III.
176 176 16 Minuets for Orchestra in B-flat major, K. 176: IV.
176 176 16 Minuets for Orchestra in F major, K. 176: V.
176 176 16 Minuets for Orchestra in D major, K. 176: VI.
176 176 16 Minuets for Orchestra in A major, K. 176: VII.
176 176 16 Minuets for Orchestra in C major, K. 176: VIII.
176 176 16 Minuets for Orchestra in G major, K. 176: IX.
176 176 16 Minuets for Orchestra in B-flat major, K. 176: X.
176 176 16 Minuets for Orchestra in F major, K. 176: XI.
176 176 16 Minuets for Orchestra in D major, K. 176: XII.
176 176 16 Minuets for Orchestra in G major, K. 176: XIII.
176 176 16 Minuets for Orchestra in C major, K. 176: XIV.
176 176 16 Minuets for Orchestra in F major, K. 176: XV.
176 176 16 Minuets for Orchestra in D major, K. 176: XVI.
186b 202 Symphony No. 30 for Orchestra in D major, K. 186b/202: I. Allegro molto
186b 202 Symphony No. 30 for Orchestra in D major, K. 186b/202: II. Andantino con moto
186b 202 Symphony No. 30 for Orchestra in D major, K. 186b/202: III. Minuetto & Trio
186b 202 Symphony No. 30 for Orchestra in D major, K. 186b/202: IV. Presto
186c 358 Sontata for Piano with 4 Hands in B-flat major, K. 186c/358: I. Allegro
186c 358 Sontata for Piano with 4 Hands in B-flat major, K. 186c/358: II. Adagio
186c 358 Sontata for Piano with 4 Hands in B-flat major, K. 186c/358: III. Molto presto
186e 191 Concerto for Bassoon in B-flat major, K. 186e/191: I. Allegro
186e 191 Concerto for Bassoon in B-flat major, K. 186e/191: II. Andante ma adagio
186e 191 Concerto for Bassoon in B-flat major, K. 186e/191: III. Rondeau. Tempo di menuetto
186E 190 Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: I. Allegro spiritoso
186E 190 Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: II. Andantino grazioso
186E 190 Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: III. Tempo di menuetto
186f 192 Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie"
186f 192 Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria"
186f 192 Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo"
186f 192 Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus"
186f 192 Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus"
186f 192 Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei"
186h 194 Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": I. "Kyrie"
186h 194 Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": II. "Gloria"
186h 194 Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": III. "Credo"
186h 194 Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": IV. "Sanctus"
186h 194 Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": V. "Benedictus"
186h 194 Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": VI. "Agnus Dei"
186i 91 Composed by Georg Reutter (the younger), not Wolfgang Amadeus Mozart. Wolfgang Amadeus Mozart simply made a copy of the work.
189a 179 12 Variations on J. C. Fischer: Minuet for Piano in C major, K. 189a/179
189d 279 Sonata for Piano No. 1 in C major, K. 189d/279: I. Allegro
189d 279 Sonata for Piano No. 1 in C major, K. 189d/279: II. Andante
189d 279 Sonata for Piano No. 1 in C major, K. 189d/279: III. Allegro
189e 280 Sonata for Piano No. 2 in F major, K. 189e/280: I. Allegro assai
189e 280 Sonata for Piano No. 2 in F major, K. 189e/280: II. Adagio
189e 280 Sonata for Piano No. 2 in F major, K. 189e/280: III. Presto
189f 281 Sonata for Piano No. 3 in B-flat major, K. 189f/281: I. Allegro
189f 281 Sonata for Piano No. 3 in B-flat major, K. 189f/281: II. Andante amoroso
189f 281 Sonata for Piano No. 3 in B-flat major, K. 189f/281: III. Rondeau. Allegro
189g 282 Sonata for Piano No. 4 in E-flat major, K. 189g/282: I. Adagio
189g 282 Sonata for Piano No. 4 in E-flat major, K. 189g/282: II. Minuetto I
189g 282 Sonata for Piano No. 4 in E-flat major, K. 189g/282: III. Minuetto II
189g 282 Sonata for Piano No. 4 in E-flat major, K. 189g/282: IV. Allegro
189h 283 Sonata for Piano No. 5 in G major, K. 189h/283: I. Allegro
189h 283 Sonata for Piano No. 5 in G major, K. 189h/283: II. Andante
189h 283 Sonata for Piano No. 5 in G major, K. 189h/283: III. Presto
196 196 La finta giardiniera, K. 196: Ouvertura. Allegro molto
196 196 La finta giardiniera, K. 196: Ouvertura. Andane grazioso
196 196 La finta giardiniera, K. 196: Act I, Scene I. No. 1 Introduzione, Quintetto "Che lieto giorno" (Sandrina, Seretta, Ramiro, Il Podestà, Nardo)
196 196 La finta giardiniera, K. 196: Act I, Scene I. Recitativo "Viva, viva il buon gusto" (Il Podestà, Ramiro, Serpetta, Nardo, Sandrina)
196 196 La finta giardiniera, K. 196: Act I No. 2 Aria "Se l'augellin sen fugge" (Ramiro)
196 196 La finta giardiniera, K. 196: Act I, Scene II. Recitativo "Presto Nardo" (Il Podestà, Serpetta, Nardo, Sandrina)
196 196 La finta giardiniera, K. 196: Act I No. 3 Aria "Dentro il mio petto io sento" (Il Podestà)
196 196 La finta giardiniera, K. 196: Act I, Scene III. Recitativo "Vo' subito partire" (Sandrina, Nardo, Ramiro)
196 196 La finta giardiniera, K. 196: Act I, Scene IV. No. 4 Aria "Noi donne poverine" (Sandrina)
196 196 La finta giardiniera, K. 196: Act I, Scene V. Recitativo "Sarei felice appieno" (Ramiro)
196 196 La finta giardiniera, K. 196: Act I, Scene VI. Recitativo "Questa tardanza" (Arminda, Il Podestà, Serpetta)
196 196 La finta giardiniera, K. 196: Act I, Scene VII. No. 6 Aria "Che beltà, che leggiadria" (Il Contino)
196 196 La finta giardiniera, K. 196: Act I, Scene VII. Recitativo "Sposa, Arminda, mio sole" (Il Contino, Arminda, Il Podestà, Serpetta)
196 196 La finta giardiniera, K. 196: Act I, Scene VII. No. 7 Aria "Si promette facilmente" (Arminda)
196 196 La finta giardiniera, K. 196: Act I, Scene VIII. Recitativo "Che dite, Signor Conte" (Il Podestà, Il Contino, Serpetta)
196 196 La finta giardiniera, K. 196: Act I, Scene VIII. No. 8 Aria "Da Scirocco a Tramontana" (Il Contino)
196 196 La finta giardiniera, K. 196: Act I, Scene VIII. Recitativo "Evviva, evviva i consoli Romani" (Il Podestà)
196 196 La finta giardiniera, K. 196: Act I, Scene IX. Reactivo "In questa casa non si può più stare" (Serpetta)
196 196 La finta giardiniera, K. 196: Act I, Scene IX. No. 9a+b Cavatina "Un marito, oh Dio, vorrei" (Serpetta, Nardo)
196 196 La finta giardiniera, K. 196: Act I, Scene IX. Recitativo "Bravo, signor buffone" (Serpetta, Nardo)
196 196 La finta giardiniera, K. 196: Act I, Scene IX. No. 10 Aria "Appena mi vedon" (Serpetta)
196 196 La finta giardiniera, K. 196: Act I, Scene X. No. 11 Cavatina "Geme la tortorella" (Sandrina)
196 196 La finta giardiniera, K. 196: Act I, Scene X. Recitativo "Questa sara la bella giardiniera" (Arminda, Sandrina, Il Contino)
196 196 La finta giardiniera, K. 196: Act I, Scene XII. No. 12 Finale I "Numi! Che incanto è questo" (Sandrina, Arminda, Ramiro, Il Contino, Il Podestà, Nardo)
196 196 La finta giardiniera, K. 196: Act II, Scene I. Recitativo "Non fuggirmi spietata" (Ramiro, Arminda)
196 196 La finta giardiniera, K. 196: Act II, Scene II. No. 13 Aria "Vorrei punirti indegno" (Arminda)
196 196 La finta giardiniera, K. 196: Act II, Scene III. Recitativo "Ah costei non e donna" (Il Contino, Serpetta, Nardo)
196 196 La finta giardiniera, K. 196: Act II, Scene IV. No. 14 Aria "Con un vezzo all'italiana" (Nardo)
196 196 La finta giardiniera, K. 196: Act II, Scene IV. Recitativo "Trovar l'amante" (Sandrina, Il Contino)
196 196 La finta giardiniera, K. 196: Act II, Scene V. No. 15 Aria "Care pupille belle" (Il Contino)
196 196 La finta giardiniera, K. 196: Act II, Scene V. Recitativo "Va Conte disgraziato" (Il Podestà, Sandrina)
196 196 La finta giardiniera, K. 196: Act II, Scene VI. No. 16 Aria "Una voce sento al core" (Sandrina)
196 196 La finta giardiniera, K. 196: Act II, Scene VII. Recitativo "Ah che son stato un sciocco!" (Il Podestà, Arminda, Ramiro)
196 196 La finta giardiniera, K. 196: Act II, Scene VII. No. 17 Aria "Una damina, una nipote" (Il Podestà)
196 196 La finta giardiniera, K. 196: Act II, Scene VIII. Recitativo "Sappi Arminda, ben mio" (Ramiro, Arminda)
196 196 La finta giardiniera, K. 196: Act II, Scene IX. No. 18 Aria "Dolce d'amor compagna" (Ramiro)
196 196 La finta giardiniera, K. 196: Act II, Scene XI. Recitativo "Credimi nipotina" (Il Podestà, Arminda, Serpetta, Il Contino, Sandrina)
196 196 La finta giardiniera, K. 196: Act II, Scene XII. No. 19a+b Recitativo ed aria "Ah non partir… M'ascolta" (Il Contino)
196 196 La finta giardiniera, K. 196: Act II, Scene XIII. Recitativo "Oh poveretto me!" (Nardo, Ramiro, Il Podestà, Serpetta)
196 196 La finta giardiniera, K. 196: Act II, Scene XIV. No. 20 Aria "Chi vuol godere il mondo" (Serpetta)
196 196 La finta giardiniera, K. 196: Act II, Scene XV. No. 21 Aria "Crudeli, oh Dio! Fermate" (Sandrina)
196 196 La finta giardiniera, K. 196: Act II, Scene XV. No. 22 Cavatina "Ah dal pianto, dal singhiozzo" (Sandrina)
196 196 La finta giardiniera, K. 196: Act II, Scene XVI. No. 23 Finale II "Fra quest'ombre" (Sandrina, Serpetta, Arminda, Ramiro, Il Contino, Il Podestà, Nardo)
196 196 La finta giardiniera, K. 196: Act III, Scene I. Recitativo "Sentimi, Nardo mio" (Serpetta, Nardo)
196 196 La finta giardiniera, K. 196: Act I, Scene V. No. 5 Aria "A forza di martelli" (Nardo)
196 196 La finta giardiniera, K. 196: Act III, Scene II. Recitativo "Olà, olà" (Il Contino, Nardo, Sandrina)
196 196 La finta giardiniera, K. 196: Act III, Scene II-III. No. 24a+b Aria e duetto "Mirate che contrasto… Oh l'ho pensata bene" (Nardo, Sandrina, Il Contino)
196 196 La finta giardiniera, K. 196: Act III, Scene III. Recitativo "L'ho fatto a modo mio" (Il Podestà, Serpetta)
196 196 La finta giardiniera, K. 196: Act III, Scene IV. No. 25 Aria "Mio padrone, io dir volevo" (Il Podestà)
196 196 La finta giardiniera, K. 196: Act III, Scene V. Recitativo "Ramiro, orsù, alle corte" (Arminda, Ramiro)
196 196 La finta giardiniera, K. 196: Act III, Scene VI. No. 26 Aria "Va' pure ad altri in braccio" (Ramiro)
196 196 La finta giardiniera, K. 196: Act III, Scene VII. No. 27a+b Recitativo e duetto "Dove mai son!" (Sandrina, Il Contino)
196 196 La finta giardiniera, K. 196: Act III, Scene VIII. Recitativo "Ma nipote, mia cara" (Il Podestà, Nardo, Arminda, Ramiro, Serpetta, Sandrina, Il Contino)
196 196 La finta giardiniera, K. 196: Act III, Scene VIII. No. 28 Finale, Coro "Viva pur la Giardiniera" (Sandrina, Serpetta, Arminda, Ramiro, Il Contino, Il Podestà, Nardo)
196a Anh 16 Kyrie for 4 Voices, Strings, 2 Trumpets & Timpani in G major, K. 196a/Anh 16 (Maximilian Stadler continuation): Adagio - andante (14 measure fragment, 20 measure continuation)
196b 220 Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie"
196b 220 Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria"
196b 220 Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo"
196b 220 Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus"
196b 220 Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus"
196b 220 Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei"
196c 292 Sonata for 2 Bassoons (or Bassoon & Cello) in B-flat major, K. 196c/292 (doubtful): I. Allegro
196c 292 Sonata for 2 Bassoons (or Bassoon & Cello) in B-flat major, K. 196c/292 (doubtful): II. Andante
196c 292 Sonata for 2 Bassoons (or Bassoon & Cello) in B-flat major, K. 196c/292 (doubtful): III. Rondo. Allegro
196d Anh 230 Composed by Franz Danzi, not Wolfgang Amadeus Mozart.
205a 222 Offertorium de tempore for Chorus & Orchestra in D minor, K. 205a/222: "Misericordias Domini"
205b 284 Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": I. Allegro
205b 284 Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": II. Rondeau en polonaise. Andante
205b 284 Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": III. Tema. Andante & Variations I - X & Variation XI. Adagio cantabile & Variation XII. Allegro
208 208 Il rè pastore, K. 208: No. 1 Overtura. Allegro molto
208 208 Il rè pastore, K. 208: Act I, Scene I. Scena "Intendo amico mio" (Aminta)
208 208 Il rè pastore, K. 208: Act I, Scene I. Recitativo "Bella Elisa? idol mio?" (Aminta, Elisa)
208 208 Il rè pastore, K. 208: Act I, Scene I. No. 2 Aria "Alla selva, al prato, al fonte" (Elisa)
208 208 Il rè pastore, K. 208: Act I, Scene II. Recitativo "Perdono amici Dei" (Aminta, Agenore, Alessandro)
208 208 Il rè pastore, K. 208: Act I, Scene II. No. 3 Aria "Aer tranquillo e dì sereni" (Aminta)
208 208 Il rè pastore, K. 208: Act I, Scene III. Recitativo "Or che dici Alessandro?" (Agenore, Alessandro)
208 208 Il rè pastore, K. 208: Act I, Scene III. No. 4 Aria "Si spande al sole in faccia" (Alessandro)
208 208 Il rè pastore, K. 208: Act I, Scene IV. Recitativo "Agenore? T'arresta" (Tamiri, Agenore)
208 208 Il rè pastore, K. 208: Act I, Scene IV. No. 5 Aria "Per me rispondete" (Agenore)
208 208 Il rè pastore, K. 208: Act I, Scene V. Recitativo "No: voi non siete, oh Dei" (Tamiri)
208 208 Il rè pastore, K. 208: Act I, Scene V. No. 6 Aria "Di tante sue procelle" (Tamiri)
208 208 Il rè pastore, K. 208: Act I, Scene VI. Recitativo "Oh lieto giorno!" (Elisa, Aminta) / Act I, Scene VII. Recitativo "Dal più fedel vassallo" (Agenore, Elisa, Aminta)
208 208 Il rè pastore, K. 208: Act I, Scene VIII. Recitativo "Elisa! Aminta! È sogno?" (Aminta, Elisa)
208 208 Il rè pastore, K. 208: Act I, Scene VIII. No. 7 Duetto "Vanne a regnar ben mio" (Elisa, Aminta)
208 208 Il rè pastore, K. 208: Act II, Scene I. Recitativo "Questa del campo greco e la tenda maggior" (Elisa, Agenore)
208 208 Il rè pastore, K. 208: Act II, Scene I. No. 8 Aria "Barbaro, oh Dio! mi vedi" (Elisa)
208 208 Il rè pastore, K. 208: Act II, Scene II. Recitativo "Nel gran cor d'Alessandro" (Agenore, Aminta) / Recitativo "Per qual ragione resta il re di Sidone" (Alessandro, Aminta) / Act II, Scene IV. Recitativo "Or per la mia Tamiri e tempo di parlar" (Agenore, Alessandro)
208 208 Il rè pastore, K. 208: Act II, Scene IV. No. 9 Aria "Se vincendo vi rendo felici" (Alessandro)
208 208 Il rè pastore, K. 208: Act II, Scene V. Recitativo "Oimè! declina il sol" (Aminta) / Act II, Scene VI. Recitativo "E irresoluto ancora" (Agenore, Aminta)
208 208 Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta)
208 208 Il rè pastore, K. 208: Act II, Scene VII. No. 10 Recitativo "Uscite, alfine uscite" (Agenore, Elisa) / Recitativo "Povera ninfa!" (Agenore, Tamiri)
208 208 Il rè pastore, K. 208: Act II, Scene IX. Aria "Se tu di me fai dono" (Tamiri)
208 208 Il rè pastore, K. 208: Act II, Scene X. Recitativo "Misero cor!" (Agenore)
208 208 Il rè pastore, K. 208: Act II, Scene X. No. 12 Aria "Sol può dir, come si trova" (Agenore)
208 208 Il rè pastore, K. 208: Act II, Scene XI-XIII. No. 13 Aria "Voi che fausti ognor donate" (Alessandro)
208 208 Il rè pastore, K. 208: Act II, Scene XIII. Recitativo "Ola! che più si tarda?" (Alessandro, Tamiri, Agenore, Elisa, Aminta)
208 208 Il rè pastore, K. 208: Act II, Scene XIII. No. 14 Coro "Viva l'invitto duce" (Elisa, Tamiri, Aminta, Agenore, Alessandro)
213 213 Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: I. Allegro spiritoso
213 213 Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: II. Andante
213 213 Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: III. Minuetto
213 213 Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: IV. Contredanse en rondeau
240 240 Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: I. Allegro
240 240 Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: II. Andante grazioso
240 240 Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: III. Minuetto
240 240 Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: IV. Allegro
240a 252 Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: I. Andante
240a 252 Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: II. Minuetto & Trio
240a 252 Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: III. Polonaise. Andante
240a 252 Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: IV. Presto assai
240b 188 Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: I. Andante
240b 188 Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: II. Allegro
240b 188 Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: III. Minuetto
240b 188 Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: IV. Andante
240b 188 Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: V. Minuetto
240b 188 Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: VI. Gavotte
246 246 Concerto for Piano No. 8 in C major, K. 246 "Lutzow": I. Allegro aperto
246 246 Concerto for Piano No. 8 in C major, K. 246 "Lutzow": II. Andante
246 246 Concerto for Piano No. 8 in C major, K. 246 "Lutzow": III. Rondeau. Tempo di menuetto
246a 262 Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie"
246a 262 Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria"
246a 262 Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo"
246a 262 Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus"
246a 262 Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus"
246a 262 Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei"
246c 288 Divertimento for Orchestra in F major, K. 246c/288 (77 measure fragment): Allegro
246c 288 Divertimento for Orchestra in F major, K. 246c/288 (Erik Smith completion): Allegro
247 247 Divertimento No. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": I. Allegro
247 247 Divertimento No. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": II. Andante grazioso
247 247 Divertimento No. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": III. Minuetto
247 247 Divertimento No. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": IV. Adagio
247 247 Divertimento No. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": V. Minuetto
247 247 Divertimento No. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": VI. Andante - allegro assai
248a 260 Offertorium, Venerabili sacramento for Chorus & Orchestra in D major, K. 248a/260: "Venite populi"
250a 101 Serenade No. 2 for Orchestra in F major, K. 250a/101: I. Contredanse
250a 101 Serenade No. 2 for Orchestra in G major, K. 250a/101: II. Contredanse
250a 101 Serenade No. 2 for Orchestra in D major, K. 250a/101: III. Contredanse
250a 101 Serenade No. 2 for Orchestra in F major, K. 250a/101: IV. Contredanse
251 251 Divertimento No. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": I. Allegro molto
251 251 Divertimento No. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": II. Minuetto
251 251 Divertimento No. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": III. Andantino
251 251 Divertimento No. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": IV. Minuetto
251 251 Divertimento No. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": V. Rondeau
251 251 Divertimento No. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": VI. Marcia alla francese
253 253 Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: I. Tema. Andante con variazioni
253 253 Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: II. Minuetto
253 253 Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: III. Allegro assai
254 254 Trio for Piano No. 1 in B-flat major, K. 254: I. Allegro assai
254 254 Trio for Piano No. 1 in B-flat major, K. 254: II. Adagio
254 254 Trio for Piano No. 1 in B-flat major, K. 254: III. Rondeau. Tempo di minuetto
257 257 Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": I. "Kyrie"
257 257 Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": II. "Gloria"
257 257 Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": III. "Credo in unum Deum"
257 257 Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": IV. "Et incarnatus est"
257 257 Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": V. "Sanctus"
257 257 Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": VI. "Benedictus"
257 257 Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": VII. "Agnus Dei"
258 258 Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": I. "Kyrie"
258 258 Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": II. "Gloria"
258 258 Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": III. "Credo"
258 258 Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": IV. "Sanctus"
258 258 Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": V. "Benedictus"
258 258 Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": VI. "Agnus Dei"
258a Anh 13 Kyrie for 4 Voices, 2 Violins, 2 Clarini, Timpani, Bass & Organ in C major, K. 258a/Anh 13 (9 measure fragment)
259 259 Mass No. 12 for Soloists, Chorus & Orchestra in C major, K. 259 "Missa brevis", "Orgelsolomesse": I. "Kyrie"
259 259 Mass No. 12 for Soloists, Chorus & Orchestra in C major, K. 259 "Missa brevis", "Orgelsolomesse": II. "Gloria"
259 259 Mass No. 12 for Soloists, Chorus & Orchestra in C major, K. 259 "Missa brevis", "Orgelsolomesse": III. "Credo"
259 259 Mass No. 12 for Soloists, Chorus & Orchestra in C major, K. 259 "Missa brevis", "Orgelsolomesse": IV. "Sanctus"
259 259 Mass No. 12 for Soloists, Chorus & Orchestra in C major, K. 259 "Missa brevis", "Orgelsolomesse": V. "Benedictus"
259 259 Mass No. 12 for Soloists, Chorus & Orchestra in C major, K. 259 "Missa brevis", "Orgelsolomesse": VI. "Agnus Dei"
270 270 Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: I. Allegro molto
270 270 Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: II. Andantino
270 270 Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto
270 270 Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: IV. Presto
271 271 Concerto for Piano No. 9 in E-flat major, K. 271 "Jenamy": I. Allegro
271 271 Concerto for Piano No. 9 in E-flat major, K. 271 "Jenamy": II. Andantino
271 271 Concerto for Piano No. 9 in E-flat major, K. 271 "Jenamy": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo
271c 267 4 Contredanses for Orchestra in G major, K. 271c/267: I.
271c 267 4 Contredanses for Orchestra in E-flat major, K. 271c/267: II.
271c 267 4 Contredanses for Orchestra in A major, K. 271c/267: III.
271c 267 4 Contredanses for Orchestra in D major, K. 271c/267: IV.
271f 266 Note that II and III for the movements of 271f is correct. Movement I is a lost work.
271f 266 Trio for 2 Violins & Cello in B-flat major, K. 271f/266: II. Adagio
271f 266 Trio for 2 Violins & Cello in B-flat major, K. 271f/266: III. Minuetto
271f 266 Trio for 2 Violins & Cello in B-flat major, K. 271f/266: II. Adagio / III. Minuetto
271g 289 Divertimento No. 16 for 2 Oboes, 2 Bassoons & 2 Horns in E-flat major, K. 271g/289 (doubtful): I. Adagio - allegro
271g 289 Divertimento No. 16 for 2 Oboes, 2 Bassoons & 2 Horns in E-flat major, K. 271g/289 (doubtful): II. Minuetto
271g 289 Divertimento No. 16 for 2 Oboes, 2 Bassoons & 2 Horns in E-flat major, K. 271g/289 (doubtful): III. Adagio
271g 289 Divertimento No. 16 for 2 Oboes, 2 Bassoons & 2 Horns in E-flat major, K. 271g/289 (doubtful): IV. Finale. Presto
271H 287 Divertimento No. 15 for 2 Horns, 2 Violins, Viola & Double Bass in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": I. Allegro
271H 287 Divertimento No. 15 for 2 Horns, 2 Violins, Viola & Double Bass in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": II. Tema con variazioni. Andante grazioso con variazioni
271H 287 Divertimento No. 15 for 2 Horns, 2 Violins, Viola & Double Bass in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": III. Minuetto & Trio
271H 287 Divertimento No. 15 for 2 Horns, 2 Violins, Viola & Double Bass in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": IV. Adagio
271H 287 Divertimento No. 15 for 2 Horns, 2 Violins, Viola & Double Bass in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": V. Minuetto & Trio
271H 287 Divertimento No. 15 for 2 Horns, 2 Violins, Viola & Double Bass in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": VI. Andante - allegro molto
272a 277 Offertorium de beata Maria virgine for Chorus & Orchestra in F major, K. 272a/277: "Alma Dei creatoris"
272b 275 Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie"
272b 275 Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria"
272b 275 Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo"
272b 275 Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus"
272b 275 Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus"
272b 275 Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei"
273 273 Graduale ad festum de beata Maria virgine for Chorus & Orchestra in F major, K. 273: "Sancta Maria, mater Dei"
284b 309 Sonata for Piano No. 7 in C major, K. 284b/309: I. Allegro con spirito
284b 309 Sonata for Piano No. 7 in C major, K. 284b/309: II. Andante un poco adagio
284b 309 Sonata for Piano No. 7 in C major, K. 284b/309: III. Rondeau. Allegretto grazioso
284c 311 Sonata for Piano No. 9 in D major, K. 284c/311: I. Allegro con spirito
284c 311 Sonata for Piano No. 9 in D major, K. 284c/311: II. Andante con espressione
284c 311 Sonata for Piano No. 9 in D major, K. 284c/311: III. Rondeau. Allegro
285c 313 Concerto for Flute No. 1 in G major, K. 285c/313: I. Allegro maestoso
285c 313 Concerto for Flute No. 1 in G major, K. 285c/313: II. Adagio non troppo
285c 313 Concerto for Flute No. 1 in G major, K. 285c/313: III. Tempo di menuetto
285d 314 Concerto for Flute No. 2 in D major, K. 285d/314: I. Allegro aperto
285d 314 Concerto for Flute No. 2 in D major, K. 285d/314: II. Adagio ma non troppo
285d 314 Concerto for Flute No. 2 in D major, K. 285d/314: III. Rondo. Tempo di menuetto
285e 315 Concerto for Flute & Orchestra in C major, K. 285e/315: Andante
285d 314 Concerto for Flute (on Oboe) No. 2 in D major, K. 285d/314: I. Allegro aperto
285d 314 Concerto for Flute (on Oboe) No. 2 in D major, K. 285d/314: II. Adagio ma non troppo
285d 314 Concerto for Flute (on Oboe) No. 2 in D major, K. 285d/314: III. Rondo. Allegretto
291b deest Composed by Leopold Mozart, not Wolfgang Amadeus Mozart.
293e deest Note: For this work, Johann Christian Bach ought to be AR'd as composer, Wolfgang Amadeus Mozart as additional composer. Wolfgang Amadeus Mozart ought to be set as the track composer.
293e deest Ornamentation Cadenza for Johann Christian Bach: Adriano in Siria, T 211: Aria "Cara, la dolce fiamma", K. 293e/deest
296a 322 Kyrie for Chorus & Orchestra in E-flat major, K. 296a/322 (22 measure fragment)
296a 322 Kyrie for Chorus & Orchestra in E-flat major, K. 296a/322 (Maximilian Stadler completion)
296b Anh 12 Kyrie for 4 Voices & Orchestra in E-flat major, K. 296b/KV Anh 12 (fragment)
296c deest Sanctus for 4 Voices in E-flat major, K. 296c/K3 296b(discussion)/KV deest (18 measure textless sketch)
297B Anh 9 Sinfonie concertante for Winds in E-flat major, K. 297B/Anh 9 (fragment) (Joseph Bopp reconstruction)
297B Anh 9 Sinfonie concertante for Winds in E-flat major, K. 297B/Anh 9 (Robert Levin reconstruction): I. Allegro
297B Anh 9 Sinfonie concertante for Winds in E-flat major, K. 297B/Anh 9 (Robert Levin reconstruction): II. Adagio
297B Anh 9 Sinfonie concertante for Winds in E-flat major, K. 297B/Anh 9 (Robert Levin reconstruction): III. Andantino con variazioni
297B Anh 9 Sinfonie concertante for Winds in E-flat major, K. 297B/Anh 9 (fragment) (Robert Levin reconstruction)
297c 299 Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: I. Allegro
297c 299 Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino
297c 299 Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: III. Rondeau. Allegretto grazioso, ma non troppo presto, però non troppo adagio. Così-così-con molto garbo ed espressione
299a 354 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: "Je suis Lindor" for Piano in E-flat major, K. 299a/354
299b Anh 10 Ballet Music in C major, K. 299b/Anh 10 "Les petits riens": I. Ouverture
299b Anh 10 Ballet Music in C major, K. 299b/Anh 10 "Les petits riens": II. Andantino
299b Anh 10 Ballet Music in C major, K. 299b/Anh 10 "Les petits riens": III. Allegro
299b Anh 10 Ballet Music in C major, K. 299b/Anh 10 "Les petits riens": IV. Larghetto
299b Anh 10 Ballet Music in C major, K. 299b/Anh 10 "Les petits riens": V. Gavotte
299b Anh 10 Ballet Music in C major, K. 299b/Anh 10 "Les petits riens": VI. Gavotte
299b Anh 10 Ballet Music in C major, K. 299b/Anh 10 "Les petits riens": VII. Pantomime
299b Anh 10 Ballet Music in C major, K. 299b/Anh 10 "Les petits riens": VIII. Gavotte
299c deest Sketches of a Ballet Intermezzo, K. 299c/deest (fragment)
299c deest Sketches of a Ballet Intermezzo, K. 299c/deest (Erik Smith completion)
299d Anh 103 Sketch for Orchestra in A major, K. 299d/Anh 103 (fragment) "La Chaße"
299d Anh 103 La chasse for Orchestra in A major, K. 299d/Anh 103 (Erik Smith completion)
300 300 Gavotte for Orchestra in B major, K. 300
300d 310 Sonata for Piano No. 8 in A minor, K. 300d/310: I. Allegro maestoso
300d 310 Sonata for Piano No. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione
300d 310 Sonata for Piano No. 8 in A minor, K. 300d/310: III. Presto
300e 265 12 Variations on French Traditional: "Ah, vous dirai-je, Maman" for Piano in C major, K. 300e/265
300f 353 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353
300h 330 Sonata for Piano No. 10 in C major, K. 300h/330: I. Allegro moderato
300h 330 Sonata for Piano No. 10 in C major, K. 300h/330: II. Andante cantabile
300h 330 Sonata for Piano No. 10 in C major, K. 300h/330: III. Allegretto
300i 331 Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso
300i 331 Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto
300i 331 Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto
300k 332 Sonata for Piano No. 12 in F major, K. 300k/332: I. Allegro
300k 332 Sonata for Piano No. 12 in F major, K. 300k/332: II. Adagio
300k 332 Sonata for Piano No. 12 in F major, K. 300k/332: III. Allegro assai
315c 333 Sonata for Piano No. 13 in B-flat major, K. 315c/333: I. Allegro
315c 333 Sonata for Piano No. 13 in B-flat major, K. 315c/333: II. Andante cantabile
315c 333 Sonata for Piano No. 13 in B-flat major, K. 315c/333: III. Allegretto grazioso
315d 264 9 Variations on Nicolas Dezède: Comedie melée d'Ariettes Julie: "Lison dormait" for Piano in C major, K. 315d/264
315f Anh 56 Concerto for Piano & Violin, K. 315f/Anh 56 (fragment)
315f Anh 56 Concerto for Piano & Violin, K. 315f/Anh 56 (Philip Wilby reconstruction): I. Allegro
315f Anh 56 Concerto for Piano & Violin, K. 315f/Anh 56 (Philip Wilby reconstruction): II. Andantino cantabile
315f Anh 56 Concerto for Piano & Violin, K. 315f/Anh 56 (Philip Wilby reconstruction): III. Allegretto - allegro
316a 365 Concerto for 2 Pianos & Orchestra No. 10 in E-flat major, K. 316a/365: I. Allegro
316a 365 Concerto for 2 Pianos & Orchestra No. 10 in E-flat major, K. 316a/365: II. Andante
316a 365 Concerto for 2 Pianos & Orchestra No. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro
317 317 Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": I. "Kyrie"
317 317 Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": II. "Gloria"
317 317 Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": III. "Credo"
317 317 Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": IV. "Sanctus"
317 317 Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus"
317 317 Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": VI. "Agnus Dei"
317b 146 Aria for Soprano & Orchestra in B-flat major, K. 317b/146: "Kommet her, ihr frechen Sünder"
320b 334 Divertimento No. 17 for 2 Horns & Strings in D major, K. 320b/334: I. Allegro
320b 334 Divertimento No. 17 for 2 Horns & Strings in D major, K. 320b/334: II. Andante
320b 334 Divertimento No. 17 for 2 Horns & Strings in D major, K. 320b/334: III. Minuetto
320b 334 Divertimento No. 17 for 2 Horns & Strings in D major, K. 320b/334: IV. Adagio
320b 334 Divertimento No. 17 for 2 Horns & Strings in D major, K. 320b/334: V. Minuetto
320b 334 Divertimento No. 17 for 2 Horns & Strings in D major, K. 320b/334: VI. Rondo allegro
320B deest Divertimento Movement for Orchestra in D major, K. 320B/deest (fragment)
320d 364 Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso
320d 364 Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: II. Andante
320d 364 Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: III. Presto
320e Anh 104 Sinfonia Concertante for Violin, Viola, & Cello in A major, K. 320e/Anh 104 (fragment)
320e Anh 104 Sinfonia Concertante for Violin, Viola, & Cello in A major, K. 320e/Anh 104 (Richard Schumacher & Luigi Bianchi completion)
320e Anh 104 Sinfonia Concertante for Violin, Viola, & Cello in A major, K. 320e/Anh 104 (Robert Levin completion)
320e Anh 104 Sinfonia Concertante for Violin, Viola, & Cello in A major, K. 320e/Anh 104 (Philip Wilby reconstruction)
321b 276 Antiphon for Soloists, Chorus & Orchestra in C major, K. 321b/276: Regina coeli
323 Anh 15 Kyrie for Chorus & Orchestra in C major, K. 323/Anh 15 (37 measure fragment)
323 Anh 15 Kyrie for Chorus & Orchestra in C major, K. 323/Anh 15 (Maximilian Stadler completion)
323a Anh 20 Gloria in C major, K. 323a/Anh 20 (26 measure fragment)
336a 345 Thamos, König in Ägypten, K. 336a/345: I. Act I. Chorus "Schon weichet dir, Sonne"
336a 345 Thamos, König in Ägypten, K. 336a/345: II. Act I. Interlude
336a 345 Thamos, König in Ägypten, K. 336a/345: III. Andante: Act II. Interlude
336a 345 Thamos, König in Ägypten, K. 336a/345: IV. Allegro: Act III. Interlude
336a 345 Thamos, König in Ägypten, K. 336a/345: V. Allegro vivace assai: Act IV. Interlude
336a 345 Thamos, König in Ägypten, K. 336a/345: VI. Allegro moderato: Act V. Chorus with Soloists "Gottheit, über alle mächtig!"
336a 345 Thamos, König in Ägypten, K. 336a/345: VII. Allegro moderato: Act V. Chorus, Solo "Ihr Kinder des Staubes, erzittert und betet" (Sethos)
336b 344 Zaïde, K. 336b/344 (fragment): Act I. No. 1 Coro "Brüder, laßt uns lustig sein" (Coro)
336b 344 Zaïde, K. 336b/344 (fragment): Act I. No. 2 Melologo "Unerforschliche Fügung" (Gomatz)
336b 344 Zaïde, K. 336b/344 (fragment): Act I. No. 3 Aria "Ruhe sanft, mein holdes Leben" (Zaïde)
336b 344 Zaïde, K. 336b/344 (fragment): Act I. No. 4 Aria "Rase, Schicksal, wüte immer" (Gomatz)
336b 344 Zaïde, K. 336b/344 (fragment): Act I. No. 5 Duetto "Meine Seele hüpft vor Freuden" (Zaïde, Gomatz)
336b 344 Zaïde, K. 336b/344 (fragment): Act I. No. 6 Aria "Herr und Freund, wie dank' ich Dir" (Gomatz)
336b 344 Zaïde, K. 336b/344 (fragment): Act I. No. 7 Aria "Nur mutig, mein Herze, versuche dein Glück" (Allazim)
336b 344 Zaïde, K. 336b/344 (fragment): Act I. No. 8 Terzetto "O selige Wonne" (Zaïde, Gomatz, Allazim)
336b 344 Zaïde, K. 336b/344 (fragment): Act II. No. 9 Melologo "Zaïde entflohen" (Soliman) / Aria "Der stolze Löw' läßt sich zwar zähmen" (Soliman)
336b 344 Zaïde, K. 336b/344 (fragment): Act II. No. 10 Aria "Wer hungrig bei der Tafel sitzt" (Osmin)
336b 344 Zaïde, K. 336b/344 (fragment): Act II. No. 11 Aria "Ich bin so bös' als gut" (Soliman)
336b 344 Zaïde, K. 336b/344 (fragment): Act II. No. 12 Aria "Trostlos schluchzet Philomele" (Zaïde)
336b 344 Zaïde, K. 336b/344 (fragment): Act II. No. 13 Aria "Tiger! Wetze nur die Klauen" (Zaïde)
336b 344 Zaïde, K. 336b/344 (fragment): Act II. No. 14 Aria "Ihr Mächtigen seht ungerührt" (Allazim)
336b 344 Zaïde, K. 336b/344 (fragment): Act II. No. 15 Quartetto "Freundin, stille deine Tränen" (Zaïde, Gomatz, Soliman, Allazim)
336b 344 Zaïde, K. 336b/344 (fragment): Act II. Marsch
337 337 Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: I. "Kyrie"
337 337 Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: II. "Gloria"
337 337 Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: III. "Credo"
337 337 Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: IV. "Sanctus"
337 337 Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: V. "Benedictus"
337 337 Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: VI. "Agnus Dei"
*337 337 Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. *337 (137 measure fragment) (original version): III. Rondo. Chaconne "Credo"
*337 337 Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. *337 (Murl J. Sickbert, Jr. completion) (original version): III. Rondo. Chaconne "Credo"
365a Anh 11a Aria, K 365a/Anh 11a (30 measure fragment) "Die neugeborne Ros' entzückt": Aria "Warum, o Liebe, triebst du jenen..."
366 366 Special Note: Idomeneo, rè di Creta has many optional or alternative movements, as well as a over a dozen possible drop-in movements from the Anhang works. Especially as this opera is performed much less frequently than some other Mozart operas, the selection of which movements (or versions of movements) will be performed, in which order - and then which will end up on a recorded release - varies greatly. Most of the possible movements have been listed here. If you encounter libretto text, a Numbered+letter movement (especially where the libretto doesn't match one listed here for that Number+letter), or any Anhang or fragmentary works which are not listed here, please contact BrianFreud for assistance in identifying your movement and so it may be correctly listed on your release and added to this list.
366 366 Please also note that as Wolfgang Amadeus Mozart also composed the ballet music for this opera, you may also find that music included within your release. It is K. 367.
366 366 Idomeneo, rè di Creta, K. 366: Ouverture
366 366 Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia)
366 366 Idomeneo, rè di Creta, K. 366: Act I, Scene I. No. 1 Aria "Padre, germani, addio!" (Ilia) / "Ecco Idamante, ahimé!" (Ilia)
366 366 Idomeneo, rè di Creta, K. 366: Act I, Scene II. Recitativo "Radunate i Troiani, ite" (Ilia, Idamante)
366 366 Idomeneo, rè di Creta, K. 366: Act I, Scene II. No. 2 Aria "Non ho colpa" (Idamante)
366 366 Idomeneo, rè di Creta, K. 366: Act I, Scene II. Recitativo "Ecco il misero" (Ilia, Idamante)
366 366 Idomeneo, rè di Creta, K. 366: Act I, Scene III. No. 3 Coro "Godiam la pace" (Coro)
366 366 Idomeneo, rè di Creta, K. 366: Act I, Scene III. Recitativo "Arbace viene" (Idamante, Arbace, Ilia)
366 366 Idomeneo, rè di Creta, K. 366: Act I, Scene VI. Recitativo "Estinto è Idomeneo?" (Elettra)
366 366 Idomeneo, rè di Creta, K. 366: Act I, Scene VI. No. 4 Aria "Tutte nel cor vi sento" (Elettra)
366 366 Note that some releases split the following Recitativo in the middle, creating two separate tracks. Do not be alarmed if you only need the first of these two lines.
366 366 Idomeneo, rè di Creta, K. 366: Act I, Scene VI. Recitativo "Prence, signor, tutta la Grecia oltraggi" (Elettra,Idomeneo, Arbace)
366 366 Idomeneo, rè di Creta, K. 366: Act I, Scene VI. Recitativo (continued) "Estinto è Idomeneo?" (Elettra,Idomeneo, Arbace)
366 366 Idomeneo, rè di Creta, K. 366: Act I, Scene VII. No. 5 Coro "Pietà! Numi, pietà!" (Coro)
366 366 Idomeneo, rè di Creta, K. 366: Act I, Scene VIII. Pantomima e Recitativo "Ecco ci salvi alfin" (Idomeneo)
366 366 Idomeneo, rè di Creta, K. 366: Act I, Scene VIII. Aria "Vedrommi intorno l'ombra dolente" (Idomeneo)
366 366 Idomeneo, rè di Creta, K. 366: Act I, Scene VIII. No. 6 Recitativo "Cieli! che veggo!" (Idomeneo, Idamante)
366 366 Idomeneo, rè di Creta, K. 366: Act I, Scene IX. Recitativo "Ah qual gelido orror" (Idamante)
366 366 Idomeneo, rè di Creta, K. 366: Act I, Scene X. No. 7 Aria "Il padre adorato" (Idamante)
366 366 Idomeneo, rè di Creta, K. 366: Act I, Scene XI. No. 8 Marcia
366 366 Idomeneo, rè di Creta, K. 366: Act I, Scene XI. No. 9 Coro "Nettuno s'onori!" (Coro)
366 366 Note: The next movement is correctly titled - it is a titled ballet movement occurring within the opera.
366 366 Idomeneo, rè di Creta, K. 366 "Ballo delle donne Cretesi": Act I, Scene XI. Gavotte
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene I. Recitativo "Siam soli, odimi Arbace" (Idomeneo, Arbace)
366 366 Note: There are four different 10a's - some recordings include more than one. Please check if the one you need uses "Aria" (the first (separated non-allegro aria) 10a listed below), "Allegro" or "Aria. Allegro" (the second (Allegro version) 10a listed below), has the libretto "Tutto m'è noto" (the third (separated recitativo) 10a listed below), or Aria with both "Tutto m'è noto" and "Se il tuo duol" (the fourth (combined recitativo and aria) 10a listed below).
366 366 Please also double check - to make it even more confusing, 10a also may be completely omitted, and replaced by a slightly modified K. 490 as No. 10b. If your version includes libretto which begins with "Non più tutto", use the 10b listed below.
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene I. No. 10a Aria "Se il tuo duol, se il mio desio" (Arbace)
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene I. No. 10a Recitativo "Tutto m'è noto" (Arbace, Idomeneo)
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene I. No. 10a Aria. Allegro "Se il tuo duol, se il mio desio" (Arbace)
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene I. No. 10a Recitativo e Aria. "Tutto m'è noto… Se il tuo duol, se il mio desio" (Arbace)
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene I. No. 10b Recitative and Aria (K. 490): "Non più. Tutto ascoltai… Non temer, amato bene"
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene II. Recitativo "Se mai pomposo" (Ilia, Idomeneo)
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia)
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene III. Recitativo "Qual mi conturba i sensi" (Idomeneo)
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene III. No. 12 Aria "Fuor del mar ho un mar in seno" (Idomeneo)
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene IV. Recitativo "Frettolosa e giuliva" (Idomeneo, Elettra)
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene IV. Recitativo "Chi mai del mio provò piacer più dolce?" (Elettra)
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene V. Recitativo "Parto, e l'unico oggetto" (Elettra)
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene V. No. 13 Aria "Idol mio, se ritroso" (Elettra)
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene V. Marcia / No. 14 Recitavio "Odo da lunge" (Elettra)
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene V. Recitativo "Sidonie sponde!" (Elettra)
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene VI. No. 15 Coro "Placido è il mar" (Elettra)
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene VII. Recitativo "Vattene, prence" (Idomeneo, Idamante)
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene VII. No. 16 Terzetto "Pria di partir, oh Dio!" (Idamante, Elettra, Idomeneo)
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene VII. No. 17 Coro "Qual nuovo terrore!" (Coro)
366 366 Idomeneo, rè di Creta, K. 366: Act II, Scene VII. Recitativo "Eccoti in me, barbaro Nume!" (Idomeneo)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 18 Coro "Corriamo, fuggiamo" (Coro)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene I. Recitativo "Solitudini amiche" (Ilia)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Ei stesso vien" (Ilia)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Principessa, a' tuoi sguardi" (Idamante, Ilia)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene II. No. 20a Duetto "S'io non moro a questi accenti" (Idamante, Ilia)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene II. Duetto "Spiegarti non poss'io" (Ilia, Idamante)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene III. Recitativo "Cieli! che vedo?" (Idomeneo, Ilia, Idamante, Elettra)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene III. No. 21 Quartetto "Andrò ramingo e solo" (Idamante, Ilia, Idomeneo, Elettra)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene IV. Recitativo "Sire, alla reggia tua immensa turba" (Arbace, Ilia,Idomeneo, Elettra)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene V. Recitativo "Sventurata Sidon!" (Arbace)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene V. No. 22 Aria "Se colà ne' fati è scritto" (Arbace)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene VI. No. 23 Recitativo "Volgi intorno lo sguardo" (Gran Sacerdote, Idomeneo)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene VI. No. 24 Coro "O voto tremendo" (Coro, Gran Sacerdote)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene VII. No. 25 Marcia
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene VII. No. 26 Duetto "Accogli, oh rè del mar" (Idomeneo, Sacerdote)
366 366 Please pay particular attention to which of the next 5 lines you need - you may need only line 1, line 2, line 3, line 4, line 5, lines 3/2, lines 3/4, lines 4/5, or lines 3/4/5.
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene VII. Coro "Stupenda vittoria!" (Coro) / Scene VII. Recitativo "Qual risuona qui intorno" (Idomeneo, Arbace) / Scene VIII. Recitativo "Sire, il prence" (Idomeneo, Arbace)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene VII. Recitativo "Qual risuona qui intorno" (Idomeneo, Arbace) / Scene VIII. Recitativo "Sire, il prence" (Idomeneo, Arbace)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene VII. Coro "Stupenda vittoria!" (Coro)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene VII. Recitativo "Qual risuona qui intorno" (Idomeneo, Arbace)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene VIII. Recitativo "Sire, il prence" (Idomeneo, Arbace)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene IX. Recitativo "Padre, mio caro padre!" (Idamante, Idomeneo)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene IX. Allegro risoluto - Andante - Allegro - Largo - Presto "Deh vibra un colpo" (Idomeneo, Ilia, Gran Sacerdote, Elletra)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene IX. No. 27a Aria "No, la morte io non pavento" (Idamante)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene X. Recitativo "Ma, che più tardi?" (Idamante, Idomeneo, Ilia, Gran Sacerdote)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 28 La Voce "Ha vinto Amore" (La Voce)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene X. Recitativo "O ciel pietoso!" (Idomeneo, Idamante, Ilia, Arbace, Elettra)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene X. Dialogue "Ferma, oh sire, che fai?" (Ilia,Idomeneo, Idomante, Ilia, Gran Sacerdote)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 28a La Voce "Idomeneo cessi esserre" (La Voce)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 28b La Voce "A Idomeneo perdona" (La Voce)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 28d La Voce "Ha vinto Amore" (La Voce)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29a Aria "D'Oreste, d'Aiace" (Elettra)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 30 Recitativo "Popoli, a voi l'ultima legge" (Idomeneo)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo)
366 366 Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 31 Coro "Scenda Amor, scenda Imeneo" (Coro)
367 367 Ballet Music for Idomeneo, rè di Creta, K. 367: I. Chaconne: Allegro in D major / Larghetto in B-flat major / Allegro in D major
367 367 Note: K. 367 I. is sometimes tracked as three separate tracks. If you need this, please use the following three lines instead of the above one.
367 367 Ballet Music for Idomeneo, rè di Creta, K. 367: Ia. Chaconne: Allegro in D major
367 367 Ballet Music for Idomeneo, rè di Creta, K. 367: Ib. Chaconne: Larghetto in B-flat major
367 367 Ballet Music for Idomeneo, rè di Creta, K. 367: Ic. Chaconne: Allegro in D major
367 367 Ballet Music for Idomeneo, rè di Creta in D major, K. 367: II. Pas seul: Largo / Allegretto / Più allegro
367 367 Note: K. 367 II. is sometimes tracked as three separate tracks. If you need this, please use the following three lines instead of the above one.
367 367 Ballet Music for Idomeneo, rè di Creta in D major, K. 367: IIa. Pas seul: Largo
367 367 Ballet Music for Idomeneo, rè di Creta in D major, K. 367: IIb. Pas seul: Allegretto
367 367 Ballet Music for Idomeneo, rè di Creta in D major, K. 367: IIc. Pas seul: Più allegro
367 367 Ballet Music for Idomeneo, rè di Creta in B-flat major, K. 367: III. Passepied
367 367 Ballet Music for Idomeneo, rè di Creta in G major, K. 367: IV. Gavotte
367 367 Ballet Music for Idomeneo, rè di Creta in C major, K. 367: V. Passacaille
368a 341 Kyrie for Chorus & Orchestra in D minor, K. 368a/341
370a 361 Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partitta": I. Largo - allegro molto
370a 361 Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partitta": II. Minuetto
370a 361 Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partitta": III. Adagio
370a 361 Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partitta": IV. Minuetto. Allegretto
370a 361 Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partitta": V. Romanze. Adagio
370a 361 Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partitta": VI. Tema con variazioni
370a 361 Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partitta": VII. Rondo
370b Anh 97+Anh 98 Concerto Movement for Horn in E-flat major, K. 370b/K2 Anh 98b/KV Anh 97+Anh 98 (Herman Jeurissen completion): Allegro
370b Anh 97+Anh 98 Concerto Movement for Horn in E-flat major, K. 370b/K2 Anh 98b/KV Anh 97+Anh 98 (John Humphries completion): Allegro
370b Anh 97+Anh 98 Concerto Movement for Horn in E-flat major, K. 370b/K2 Anh 98b/KV Anh 97+Anh 98 (Robert Levin completion): Allegro
372 372 Sonata for Violin & Piano No. 31 in B-flat major, K. 372 (65 measure fragment): Allegro
372 372 Sonata for Violin & Piano No. 31 in B-flat major, K. 372 (Maximilian Stadler completion): Allegro
372a 400 Note: Almost all recordings of K. 372a are the Stadler completion, not the fragment version.
372a 400 Allegro for Piano in B-flat major, K. 372a/400 (Maximilian Stadler completion)
372a 400 Allegro for Piano in B-flat major, K. 372a/400 (91 measure fragment)
373a 379 Sonata for Violin & Piano No. 35 in G major, K. 373a/379: I. Adagio - allegro
373a 379 Sonata for Violin & Piano No. 35 in G major, K. 373a/379: II. Tema. Andantino
373a 379 Sonata for Violin & Piano No. 35 in G major, K. 373a/379: III. Variation I
373a 379 Sonata for Violin & Piano No. 35 in G major, K. 373a/379: IV. Variation II
373a 379 Sonata for Violin & Piano No. 35 in G major, K. 373a/379: V. Variation III
373a 379 Sonata for Violin & Piano No. 35 in G major, K. 373a/379: VI. Variation IV
373a 379 Sonata for Violin & Piano No. 35 in G major, K. 373a/379: VII. Variation V. Adagio
373a 379 Sonata for Violin & Piano No. 35 in G major, K. 373a/379: VIII. Tema. Allegretto
374a 359 12 Variations for Violin & Piano No. 44 in G major, K. 374a/359 "La bergère Célimene"
374b 360 6 Variations for Violin & Piano No. 45 in G major, K. 374b/360 "Hélas, j'ai perdu mon amant"
374c 352 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352
374d 376 Sonata for Violin & Piano No. 32 in F major, K. 374d/376: I. Allegro
374d 376 Sonata for Violin & Piano No. 32 in F major, K. 374d/376: II. Andante
374d 376 Sonata for Violin & Piano No. 32 in F major, K. 374d/376: III. Rondo. Allegretto
374e 377 Sonata for Violin & Piano No. 33 in F major, K. 374e/377: I. Allegro
374e 377 Sonata for Violin & Piano No. 33 in F major, K. 374e/377: II. Tema. Andante
374e 377 Sonata for Violin & Piano No. 33 in F major, K. 374e/377: III. Variation I
374e 377 Sonata for Violin & Piano No. 33 in F major, K. 374e/377: IV. Variation II
374e 377 Sonata for Violin & Piano No. 33 in F major, K. 374e/377: V. Variation III
374e 377 Sonata for Violin & Piano No. 33 in F major, K. 374e/377: VI. Variation IV
374e 377 Sonata for Violin & Piano No. 33 in F major, K. 374e/377: VII. Variation V
374e 377 Sonata for Violin & Piano No. 33 in F major, K. 374e/377: VIII. Variation VI. Siciliana
374e 377 Sonata for Violin & Piano No. 33 in F major, K. 374e/377: IX. Minuetto
374f 380 Sonata for Violin & Piano No. 36 in E-flat major, K. 374f/380: I. Allegro
374f 380 Sonata for Violin & Piano No. 36 in E-flat major, K. 374f/380: II. Andante
374f 380 Sonata for Violin & Piano No. 36 in E-flat major, K. 374f/380: III. Rondo. Allegro
374g Anh 46 Andantino for Piano and Cello in B-flat major, K. 374g/Anh 46 (fragment)
374g Anh 46 Andantino for Piano and Cello in B-flat major, K. 374g/Anh 46 (Ernst Lewicki completion)
374g Anh 46 Andantino for Piano and Cello in B-flat major, K. 374g/Anh 46 (Hermann Schroeder completion)
375 375 Serenade No. 11 for Winds in E-flat major, K. 375: I. Allegro maestoso
375 375 Serenade No. 11 for Winds in E-flat major, K. 375: II. Minuetto
375 375 Serenade No. 11 for Winds in E-flat major, K. 375: III. Adagio
375 375 Serenade No. 11 for Winds in E-flat major, K. 375: IV. Minuetto & Trio
375 375 Serenade No. 11 for Winds in E-flat major, K. 375: V. Allegro
383c Anh 38 Fantasie for Keyboard in C major, K. 383c/Anh 38 (fragment)
383i deest Sketch to a Symphony Movement or to an Overture in C major, K. 383i/deest (47 measure fragment)
384 384 Die Entführung aus dem Serail, K. 384: Ouvertüre
384 384 Die Entführung aus dem Serail, K. 384: Act I, Scene I. No. 1 Aria "Hier soll ich Dich denn sehen" (Belmonte)
384 384 Die Entführung aus dem Serail, K. 384: Act I, Scene I. Dialog "Aber wie soll ich in den Palast kommen?" (Belmonte)
384 384 Die Entführung aus dem Serail, K. 384: Act I, Scene II. No. 2 Lied und Duetto "Wer ein Liebchen hat gefunden" (Osmin, Belmonte)
384 384 Die Entführung aus dem Serail, K. 384: Act I, Scene III. Dialog "Könnt'ich mir noch so einen Schurken" (Osmin, Pedrillo)
384 384 Die Entführung aus dem Serail, K. 384: Act I, Scene III. No. 3 Aria "Solche hergelauf'ne Laffen" (Osmin)
384 384 Die Entführung aus dem Serail, K. 384: Act I, Scene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte)
384 384 Die Entführung aus dem Serail, K. 384: Act I, Scene V. No. 4 Recitativo ed Aria "Konstanze! Dich wiederzusehen!" (Belmonte)
384 384 Die Entführung aus dem Serail, K. 384: Act I, Scene V. Dialog "Geschwind, geschwind auf die Seite und versteckt!" (Pedrillo, Belmonte)
384 384 Die Entführung aus dem Serail, K. 384: Act I, Scene VI. No. 5b Chor "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen)
384 384 Die Entführung aus dem Serail, K. 384: Act I, Scene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze)
384 384 Die Entführung aus dem Serail, K. 384: Act I, Scene VII. No. 6 Aria "Ach ich liebte" (Konstanze)
384 384 Die Entführung aus dem Serail, K. 384: Act I, Scene VIII. Dialog "Ihr Schmerz, ihre Tränen" (Selim, Pedrillo, Belmonte)
384 384 Die Entführung aus dem Serail, K. 384: Act I, Scene X. No. 7 Trio "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo)
384 384 Die Entführung aus dem Serail, K. 384: Act II, Scene I. Dialog "O des Zankens, Befehlens und Murrens wird auch kein Ende!" (Blonde, Osmin)
384 384 Die Entführung aus dem Serail, K. 384: Act II, Scene I. No. 8 Aria "Durch Zärtlichkeit und Schmeicheln" (Blonde)
384 384 Die Entführung aus dem Serail, K. 384: Act II, Scene I. Dialog "Zärtlichkeit? Schmeicheln? Es ist mir wie pure Zärtlichkeit!" (Osmin, Blonde)
384 384 Die Entführung aus dem Serail, K. 384: Act II, Scene I. No. 9 Duetto "Ich gehe, doch rate ich dir" (Osmin, Blonde)
384 384 Die Entführung aus dem Serail, K. 384: Act II, Scene II. Recitativo "Welcher Wechsel herrscht in meiner Seele" (Konstanze)
384 384 Die Entführung aus dem Serail, K. 384: Act II, Scene II. No. 10 Aria "Traurigkeit ward mir zum Lose" (Konstanze)
384 384 Die Entführung aus dem Serail, K. 384: Act II, Scene III. Dialog "Nun, Konstanze, denkst du meinem Begehren nach?" (Selim, Konstanze)
384 384 Die Entführung aus dem Serail, K. 384: Act II, Scene III. No. 11 Aria "Martern aller Arten" (Konstanze)
384 384 Die Entführung aus dem Serail, K. 384: Act II, Scene IV. Dialog "Ist das ein Traum?" (Selim)
384 384 Die Entführung aus dem Serail, K. 384: Act II, Scene VI. Dialog "Bst, bst! Blondchen! Ist der Weg rein?" (Pedrillo, Blonde)
384 384 Die Entführung aus dem Serail, K. 384: Act II, Scene VI. No. 12 Aria "Welche Wonne, welche Lust" (Blonde)
384 384 Die Entführung aus dem Serail, K. 384: Act II, Scene VII. Dialog "Ah, daß es schon vorbei wäre!" (Pedrillo)
384 384 Die Entführung aus dem Serail, K. 384: Act II, Scene VII. No. 13 Aria "Frisch zum Kampfe!" (Pedrillo)
384 384 Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. Dialog "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo)
384 384 Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. No. 14 Duetto "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin)
384 384 Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. Dialog "Wein - Wein - ist ein schönes Getränk" (Pedrillo, Osmin)
384 384 Die Entführung aus dem Serail, K. 384: Act II, Scene IX. No. 15 Aria "Wenn der Freude Tränen fließen" (Belmonte)
384 384 Die Entführung aus dem Serail, K. 384: Act II, Scene IX. No. 16 Quartetto "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde)
384 384 Die Entführung aus dem Serail, K. 384: Act III, Scene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte)
384 384 Die Entführung aus dem Serail, K. 384: Act III, Scene IV. Dialog "Alles liegt auf dem Ohr" (Pedrillo, Belmonte)
384 384 Die Entführung aus dem Serail, K. 384: Act III, Scene IV. No. 18 Romance "In Mohrenland gefangen war" (Pedrillo)
384 384 Die Entführung aus dem Serail, K. 384: Act III, Scene IV. Dialog "Sie macht auf, Herr!" (Pedrillo, Belmonte, Konstanze, Blonde)
384 384 Die Entführung aus dem Serail, K. 384: Act III, Scene V. No. 19 Aria "O, wie will ich triumphieren" (Osmin)
384 384 Die Entführung aus dem Serail, K. 384: Act III, Scene V. Dialog "Was gibt's, Osmin, was gibt's?" (Selim, Osmin, Konstanze, Belmonte)
384 384 Die Entführung aus dem Serail, K. 384: Act III, Scene VII. Recitativo "Welch ein Geschick!" (Belmonte, Konstanze)
384 384 Die Entführung aus dem Serail, K. 384: Act III, Scene VII. No. 20 Duetto "Meinetwegen sollst du sterben!"
384 384 Die Entführung aus dem Serail, K. 384: Act III, Scene IX. Dialog "Nun,Sklave! Elender Sklave!" (Selim, Belmonte, Konstanze, Pedrillo, Osmin)
384 384 Die Entführung aus dem Serail, K. 384: Act III, Scene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" (Belmonte, Konstanze, Pedrillo, Blonde, Osmin)
384 384 Die Entführung aus dem Serail, K. 384: Appendix. Aria "Wenn der Freude Tränen fließen" (Belmonte) (long version)
*384 *384 Arrangement for Piano of Die Entführung aus dem Serail, K. *384: Ouvertüre
384a 388 Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": I. Allegro
384a 388 Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": II. Andante
384a 388 Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": III. Minuetto & Trio
384a 388 Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": IV. Allegro
384A 389 Duet for 2 Tenors in E-flat major, K. 384A/389 (fragment): "Welch ängstliches Beben"
384A 389 Duet for 2 Tenors in E-flat major, K. 384A/389 (Erik Smith completion): "Welch ängstliches Beben"
384b deest March for 8 Winds in B-flat major, K. 384b/deest (fragment): Andante
384b deest March for 8 Winds in B-flat major, K. 384b/deest (Eberhard Buschmann reconstruction): Andante
384B deest Andante for 8 Winds in E-flat major, K. 384B/deest (fragment)
384B deest Andante for 8 Winds in E-flat major, K. 384B/deest (Eberhard Buschmann reconstruction)
384c Anh 96 Allegro for 8 Winds in B-flat major, K. 384c/Anh 96 (fragment)
384c Anh 96 Allegro for 8 Winds in B-flat major, K. 384c/Anh 96 (Eberhard Buschmann reconstruction)
384c Anh 96 Allegro for 8 Winds in B-flat major, K. 384c/Anh 96 (Larry Combs reconstruction)
385c 403 Sonata for Violin & Piano No. 38 in C major, K. 385c/403 (fragment): I. Allegro moderato
385c 403 Sonata for Violin & Piano No. 38 in C major, K. 385c/403 (fragment): II. Andante - allegretto
385c 403 Sonata for Violin & Piano No. 38 in C major, K. 385c/403 (Maximilian Stadler completion): I. Allegro moderato
385c 403 Sonata for Violin & Piano No. 38 in C major, K. 385c/403 (Maximilian Stadler completion): II. Andante - allegretto
385d 404 Sonata for Violin & Piano No. 39 in C major, K. 385d/404 (fragment): I. Andante
385d 404 Sonata for Violin & Piano No. 39 in C major, K. 385d/404 Fr 1785b (fragment): II. Allegretto
385d 404 Sonata for Violin & Piano No. 39 in C major, K. 385d/404 (Julius André completion): I. Andante
385d 404 Sonata for Violin & Piano No. 39 in C major, K. 385d/404 (Julius André completion): II. Allegretto
385e 402 Sonata for Violin & Piano No. 37 in A major, K. 385e/402 (fragment): I. Andante
385e 402 Sonata for Violin & Piano No. 37 in A major, K. 385e/402 (fragment): II. Fugo
385e 402 Sonata for Violin & Piano No. 37 in A major, K. 385e/402 (Maximilian Stadler completion): I. Andante
385e 402 Sonata for Violin & Piano No. 37 in A major, K. 385e/402 (Maximilian Stadler completion): II. Fugo
385E Anh 48 Sonata Movement for Piano and Violin in A major, K. 385E/Anh 48 (fragment): Allegro
385n deest Fugue (for String Quartet for 4 Voices, unspecified) in A major, K. 385n/deest (fragment, lower 2 parts only)
386 386 Rondo for Piano & Orchestra in A major, K. 386 (fragment)
386 386 Rondo for Piano & Orchestra in A major, K. 386 (Erik Smith completion)
386 386 Rondo for Piano & Orchestra in A major, K. 386 (Badura-Skoda & Charles Mackerras reconstruction)
386 386 Rondo for Piano & Orchestra in A major, K. 386 (Cipriani Potter reconstruction)
386b 514 Concerto for Horn No. 1 in D major, K. 386b/514 (John Humphries reconstruction): I. Allegro
386b 412 Concerto for Horn No. 1 in D major, K. 386b/412 (John Humphries reconstruction): II. Rondo. Allegro
386c 407 Quintet for Horn, Violin, 2 Violas, & Cello in E-flat major, K. 386c/407: I. Allegro
386c 407 Quintet for Horn, Violin, 2 Violas, & Cello in E-flat major, K. 386c/407: II. Andante
386c 407 Quintet for Horn, Violin, 2 Violas, & Cello in E-flat major, K. 386c/407: III. Allegro
387 387 Quartet for Strings No. 14 in G major, K. 387 "Haydn Quartetti", "Spring": I. Allegro vivace assai
387 387 Quartet for Strings No. 14 in G major, K. 387 "Haydn Quartetti", "Spring": II. Minuetto & Trio
387 387 Quartet for Strings No. 14 in G major, K. 387 "Haydn Quartetti", "Spring": III. Andante cantabile
387 387 Quartet for Strings No. 14 in G major, K. 387 "Haydn Quartetti", "Spring": IV. Allegro molto
404a deest Note: All of 404a ought to be AR'd with Mozart as sole composer. W. A. Mozart ought to be set as track composer.
404a deest Prelude & Fugue for Violin, Viola, & Bass No. 1 in D minor, K. 404a/deest: I. Adagio (After J. S. Bach: Prelude & Fugue No. 8 in D-sharp major, BWV 853 "The Well-Tempered Clavier, Book I")
404a deest Prelude & Fugue for Violin, Viola, & Bass No. 1 in D minor, K. 404a/deest: II. Fuga (After J. S. Bach: Prelude & Fugue No. 8 in D-sharp major, BWV 853 "The Well-Tempered Clavier, Book I")
404a deest Prelude & Fugue for Violin, Viola, & Bass No. 1 in D minor, K. 404a/deest: I. Adagio / II. Fuga (After J. S. Bach: Prelude & Fugue No. 8 in D-sharp major, BWV 853 "The Well-Tempered Clavier, Book I")
404a deest Prelude & Fugue for Violin, Viola, & Bass No. 2 in G minor, K. 404a/deest: I. Adagio (After J. S. Bach: Prelude & Fugue No. 13 in F-sharp major, BWV 882 "The Well-Tempered Clavier, Book II")
404a deest Prelude & Fugue for Violin, Viola, & Bass No. 2 in G minor, K. 404a/deest: II. Fuga (After J. S. Bach: Prelude & Fugue No. 13 in F-sharp major, BWV 882 "The Well-Tempered Clavier, Book II")
404a deest Prelude & Fugue for Violin, Viola, & Bass No. 2 in G minor, K. 404a/deest: I. Adagio / II. Fuga (After J. S. Bach: Prelude & Fugue No. 13 in F-sharp major, BWV 882 "The Well-Tempered Clavier, Book II")
404a deest Prelude & Fugue for Violin, Viola, & Bass No. 3 in F major, K. 404a/deest: I. Adagio (After J. S. Bach: Prelude & Fugue No. 14 in F-sharp major, BWV 883 "The Well-Tempered Clavier, Book II")
404a deest Prelude & Fugue for Violin, Viola, & Bass No. 3 in F major, K. 404a/deest: II. Fuga (After J. S. Bach: Prelude & Fugue No. 14 in F-sharp major, BWV 883 "The Well-Tempered Clavier, Book II")
404a deest Prelude & Fugue for Violin, Viola, & Bass No. 3 in F major, K. 404a/deest: I. Adagio / II. Fuga (After J. S. Bach: Prelude & Fugue No. 14 in F-sharp major, BWV 883 "The Well-Tempered Clavier, Book II")
404a deest Prelude & Fugue for Violin, Viola, & Bass No. 4 in F major, K. 404a/deest: I. Adagio (After J. S. Bach: Sonata in D minor, BWV 527: II. Adagio e dolce)
404a deest Prelude & Fugue for Violin, Viola, & Bass No. 4 in F major, K. 404a/deest: II. Fuga (After J. S. Bach: Sonata in D minor, BWV 527: II. Adagio e dolce)
404a deest Prelude & Fugue for Violin, Viola, & Bass No. 4 in F major, K. 404a/deest: I. Adagio / II. Fuga (After J. S. Bach: Sonata in D minor, BWV 527: II. Adagio e dolce)
404a deest Prelude & Fugue for Violin, Viola, & Bass No. 5 in E-flat major, K. 404a/deest: I. Largo (After J. S. Bach: Sonata for Organ No. 2 in C minor, BWV 526: II. Largo)
404a deest Prelude & Fugue for Violin, Viola, & Bass No. 5 in E-flat major, K. 404a/deest: II. Fuga (After J. S. Bach: Sonata for Organ No. 2 in C minor, BWV 526: II. Largo)
404a deest Prelude & Fugue for Violin, Viola, & Bass No. 5 in E-flat major, K. 404a/deest: I. Largo / II. Fuga (After J. S. Bach: Sonata for Organ No. 2 in C minor, BWV 526: II. Largo)
404a deest Prelude & Fugue for Violin, Viola, & Bass No. 6 in F minor, K. 404a/deest: I. Adagio (After W. F. Bach: Fugue No. 8, FK 31)
404a deest Prelude & Fugue for Violin, Viola, & Bass No. 6 in F minor, K. 404a/deest: II. Fuga (After W. F. Bach: Fugue No. 8, FK 31)
404a deest Prelude & Fugue for Violin, Viola, & Bass No. 6 in F minor, K. 404a/deest: I. Adagio / II. Fuga (After W. F. Bach: Fugue No. 8, FK 31)
404b 443 Trio Movement in G major, K. 404b/443 (37 measure fragment): Fugue
404b 443 Trio Movement in G major, K. 404b/443 (Maximilian Stadler completion): Fugue
405 405 Note: All of 404a ought to be AR'd with J. S. Bach as composer, W. A. Mozart as additional composer. W. A. Mozart ought to be set as track composer.
405 405 Fugue for String Quartet No. 1 in C minor, K. 405: (Transcription: J. S. Bach: Fugue No. 2 in C minor, BWV 871, "The Well-Tempered Clavier, Book II")
405 405 Fugue for String Quartet No. 2 in E-flat major, K. 405: (Transcription: J. S. Bach: Fugue No. 7 in E-flat major, BWV 876, "The Well-Tempered Clavier, Book II")
405 405 Fugue for String Quartet No. 3 in E minor, K. 405: (Transcription: J. S. Bach: Fugue No. 9 in E minor, BWV 878, "The Well-Tempered Clavier, Book II")
405 405 Fugue for String Quartet No. 4 in D minor, K. 405: (Transcription: J. S. Bach: Fugue No. 8 in D-sharp minor, BWV 877, "The Well-Tempered Clavier, Book II")
405 405 Fugue for String Quartet No. 5 in D major, K. 405: (Transcription: J. S. Bach: Fugue No. 5 in D major, BWV 874, "The Well-Tempered Clavier, Book II")
405a Anh 77 Fugue for String Quartet in C major, K. 405a / K3 385m / KV Anh 77 Fr 1789a (fragment)
412 386b Horn Concerto in D major: I. Allegro
514 386b Horn Concerto in D major: II. Rondo (Allegro)
416d 446 Please be careful entering K. 416d/446. The only complete version is a reconstruction, and will need a large amount of attention to details to enter. If you are entering that version, please contact every CSG editor you know. If you have any other recording, of the unreconstructed version, please contact BrianFreud to add this fragmentary opera to this listing.
416d 446 Music to a Pantomime in D major, K. 416d/446 (Franz Beyer completion).
416e 398 6 Variations on Giovanni Paisiello: I. filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398
416f 293 Concerto Movement for Oboe in F major, K. 416f/293 (fragment): Allegro
416f 293 Concerto Movement for Oboe in F major, K. 416f/293 (Robert Levin completion): Allegro
417a 427 Note: In 1905, a reconstructed 'complete' version of KV 427 was created by Alois Schmitt. At least two recordings exist of this version. That version also mixes in parts of KV 337, KV Anh 2, KV 323, KV 262, and KV 427, and not all the source material has turned out to even have been composed by Wolfgang Amadeus Mozart. If you need to enter the completed version, please contact BrianFreud and every CSG editor you know for assistance.
417a 427 Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie"
417a 427 Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis"
417a 427 Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te"
417a 427 Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi"
417a 427 Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus"
417a 427 Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis"
417a 427 Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus"
417a 427 Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe"
417a 427 Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu"
417a 427 Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum"
417a 427 Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est"
417a 427 Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus"
417a 427 Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVb. Sanctus: "Hosanna"
417a 427 Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus
417b 421 Quartet for Strings No. 15 in D minor, K. 417b/421 "Haydn Quartetti": I. Allegro moderato
417b 421 Quartet for Strings No. 15 in D minor, K. 417b/421 "Haydn Quartetti": II. Andante
417b 421 Quartet for Strings No. 15 in D minor, K. 417b/421 "Haydn Quartetti": III. Minuetto. Allegretto & Trio
417b 421 Quartet for Strings No. 15 in D minor, K. 417b/421 "Haydn Quartetti": IV. Allegretto ma non troppo
417c Anh 76 Fugue Movement for String Quartet in D minor, K. 417c / KV Anh 76 Fr 1785c (fragment)
417d deest Movement for String Quartet in E minor, K. 417d/deest (54 measure fragment)
421b 428 Quartet for Strings No. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": I. Allegro non troppo
421b 428 Quartet for Strings No. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": II. Andante con moto
421b 428 Quartet for Strings No. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": III. Minuetto & Trio. Allegro
421b 428 Quartet for Strings No. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": IV. Allegro vivace
422a Anh 14 Kyrie for 4 Voices, 2 Violins, Viola, 2 Oboes, 1 Bassoons, Bass & Organ in D major, K. 422a/Anh 14 (11 measure fragment)
423 423 Duo for Violin & Viola No. 1 in G major, K. 423: I. Allegro
423 423 Duo for Violin & Viola No. 1 in G major, K. 423: II. Adagio
423 423 Duo for Violin & Viola No. 1 in G major, K. 423: III. Rondeau. Allegro
424 424 Duo for Violin & Viola No. 2 in B-flat major, K. 424: I. Adagio - allegro
424 424 Duo for Violin & Viola No. 2 in B-flat major, K. 424: II. Andante cantabile
424 424 Duo for Violin & Viola No. 2 in B-flat major, K. 424: III. Tema con variazioni. Andante grazioso
424a 430 Lo sposo deluso, ossia La rivalità di tre donne per un solo amante , K. 424a/430 (fragment): Ouvertura. Allegro - andante
424a 430 Lo sposo deluso, ossia La rivalità di tre donne per un solo amante , K. 424a/430 (fragment): No. 1 Quartetto. Primo tempo "Ah ah ah ah, oh che ridere!"
424a 430 Lo sposo deluso, ossia La rivalità di tre donne per un solo amante , K. 424a/430 (fragment): No. 2 Aria No. 1. Andantino "Nacqui all'aura trionfale."
424a 430 Lo sposo deluso, ossia La rivalità di tre donne per un solo amante , K. 424a/430 (fragment): No. 3 Aria No. 2. Più allegro "Dove mai trovar quel ciglio?"
424a 430 Lo sposo deluso, ossia La rivalità di tre donne per un solo amante , K. 424a/430 (fragment): No. 4 Terzetto. Andantino "Che accidenti! che tragedia!"
*424a 430 Lo sposo deluso, ossia La rivalità di tre donne per un solo amante , K. *424a/430 (fragment): No. 1 Quartetto "Ah ah ah ah, oh che ridere!"
*424a 430 Lo sposo deluso, ossia La rivalità di tre donne per un solo amante , K. *424a/430 (fragment): No. 2 Aria "Nacqui all'aura trionfale."
*424a 430 Lo sposo deluso, ossia La rivalità di tre donne per un solo amante , K. *424a/430 (fragment): No. 4 Terzetto "Che accidenti! che tragedia!"
425a 444 Note: Wolfgang Amadeus Mozart's "Symphony No. 37" is really Michael Haydn's "Symphony No. 25" with an additional introductory movement. (Though Mozart did make a few reductive changes to Haydn's symphony.) Movement N ought to be attributed to Mozart as composer, but movements I-III ought to be attributed to Michael Haydn. (N, by the way, is the roman number for 0 (added circa 725 AD)).
425a 444 Symphony No. 37 in G major, K. 425a/444: N. Andante maestoso
425a 444 Symphony No. 25 in G major, MH 334: I. Allegro con spirito
425a 444 Symphony No. 25 in G major, MH 334: II. Andante sostenuto
425a 444 Symphony No. 25 in G major, MH 334: III. Allegro molto
439b/1 Anh 229/1 Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: I. Allegro
439b/1 Anh 229/1 Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: II. Minuetto. Allegretto & Trio
439b/1 Anh 229/1 Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: III. Adagio
439b/1 Anh 229/1 Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: IV. Minuetto & Trio
439b/1 Anh 229/1 Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: V. Rondo. Allegro
439b/2 Anh 229/2 Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: I. Allegro
439b/2 Anh 229/2 Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: II. Minuetto
439b/2 Anh 229/2 Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: III. Larghetto
439b/2 Anh 229/2 Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: IV. Minuetto & Trio
439b/2 Anh 229/2 Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: V. Rondo
439b/3 Anh 229/3 Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: I. Allegro
439b/3 Anh 229/3 Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: II. Minuetto & Trio
439b/3 Anh 229/3 Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: III. Adagio
439b/3 Anh 229/3 Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: IV. Minuetto & Trio
439b/3 Anh 229/3 Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: V. Rhondo. Allegro assai
439b/4 Anh 229/4 Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: I. Allegro
439b/4 Anh 229/4 Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: II. Larghetto
439b/4 Anh 229/4 Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: III. Minuetto & Trio
439b/4 Anh 229/4 Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: IV. Adagio
439b/4 Anh 229/4 Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: V. Allegretto
439b/5 Anh 229/5 Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: I. Adagio
439b/5 Anh 229/5 Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: II. Minuetto & Trio
439b/5 Anh 229/5 Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: III. Adagio
439b/5 Anh 229/5 Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: IV. Romance. Andante
439b/5 Anh 229/5 Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: V. Polonaise
441a deest Humorous Song for Bass in A major, K. 441a/deest (fragment): "Ja! Grüss dich Gott, mein liebes Schatzel"
442 442 Note that these are fragments to three unrelated movements. Even in the Stadler completion, though they are intended to be played as three movements, this is not enforced. Thus the lack of movement numberings here is correct.
442 442 Piano Trio No. 1 in D minor, K. 442 (55 measure fragment): Allegro
442 442 Piano Trio No. 2 in D minor, K. 442 (151 measure fragment): Tempo di minuetto
442 442 Piano Trio No. 3 in D minor, K. 442 (133 measure fragment): Allegro
442 442 Piano Trio No. 1 in D minor, K. 442 Fr 1785e (Maximilian Stadler completion): Allegro
442 442 Piano Trio No. 2 in D minor, K. 442 (Maximilian Stadler completion): Adagio
442 442 Piano Trio No. 3 in D minor, K. 442 (Maximilian Stadler completion): Allegro
449 449 Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": I. Allegro vivace
449 449 Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": II. Andantino
449 449 Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": III. Allegro ma non troppo
450 450 Concerto for Piano No. 15 in B-flat major, K. 450: I. Allegro
450 450 Concerto for Piano No. 15 in B-flat major, K. 450 (Robert Levin reconstruction): I. Allegro
450 450 Concerto for Piano No. 15 in B-flat major, K. 450: II. Andante
450 450 Concerto for Piano No. 15 in B-flat major, K. 450: III. Allegro assai
451 451 Concerto for Piano No. 16 in D major, K. 451: I. Allegro assai
451 451 Concerto for Piano No. 16 in D major, K. 451: II. Andante
451 451 Concerto for Piano No. 16 in D major, K. 451: III. Rondo. Allegro di molto
452a Anh 54 Quintet for Piano and Winds in B-flat major, K. 452a/Anh 54: Larghetto
452b Anh 55 Movement of Chamber Music for Piano, 2 Violins, 2 Horns & Bass in D major, K. 452b / K3 387c / KV Anh 55 Fr 1784e (fragment) Fr 1784e
452c Anh 65 Middle Movement to a Concerto for Piano in C major, K. 452c/Anh 65 (10 measure fragment)
453 453 Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": I. Allegro
453 453 Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": II. Andante
453 453 Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto
453b deest Practice Notebook for Barbara Ployer - NOTE: More information is needed before a proper listing for this work can be added.
*453b deest Fugue for 2 Violins, Viola & Cello, K. *453b/KV deest (fragment)
454 454 Sonata for Violin & Piano No. 40 in B-flat major, K. 454: I. Largo - allegro
454 454 Sonata for Violin & Piano No. 40 in B-flat major, K. 454: II. Andante
454 454 Sonata for Violin & Piano No. 40 in B-flat major, K. 454: III. Allegretto
454a 460 8 Variations on G. Sarti: Come un'agnello: "Fra i due litiganti" for Piano in A major, K. 454a/460
455 455 10 Variations on Christoph Will: Unser dummer Pöbel meint: "La Rencontre imprévue" for Piano in G major, K. 455
456 456 Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": I. Allegro vivace
456 456 Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": II. Andante un poco sostenuto
456 456 Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": III. Allegro vivace
457 457 Sonata for Piano No. 14 in C minor, K. 457: I. Allegro molto
457 457 Sonata for Piano No. 14 in C minor, K. 457: II. Adagio
457 457 Sonata for Piano No. 14 in C minor, K. 457: III. Allegro assai
458 458 Quartet for Strings No. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": I. Allegro vivace assai
458 458 Quartet for Strings No. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": II. Minuetto. Moderato & Trio
458 458 Quartet for Strings No. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": III. Adagio
458 458 Quartet for Strings No. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": IV. Allegro assai
458a Anh 75 Minuet for String Quartet in B-flat major, K. 458a / KV Anh 75 Fr 1790c (9 measure fragment)
458b Anh 71 Movement for String Quartet in B-flat major, K. 458b/Anh 71 (fragment)
459 459 Concerto for Piano No. 19 in F major, K. 459: I. Allegro
459 459 Concerto for Piano No. 19 in F major, K. 459: II. Allegretto
459 459 Concerto for Piano No. 19 in F major, K. 459: III. Allegro assai
459a Anh 59 Concerto Movement for Orchestra and Solo Piano in C major, K. 459a/Anh 59 (37 measure fragment): Ritornello. Solo. Ritornello
464 464 Quartet for Strings No. 18 in A major, K. 464 "Haydn Quartetti": I. Allegro
464 464 Quartet for Strings No. 18 in A major, K. 464 "Haydn Quartetti": II. Minuetto & Trio
464 464 Quartet for Strings No. 18 in A major, K. 464 "Haydn Quartetti": III. Andante
464 464 Quartet for Strings No. 18 in A major, K. 464 "Haydn Quartetti": IV. Allegro ma non troppo
464a Anh 72 Movement for String Quartet in A major, K. 464a/Anh 72 (170 measure fragment): Rondo
464a Anh 72 Movement for String Quartet in A major, K. 464a/Anh 72 (Erik Smith completion): Rondo
464a Anh 72 Movement for String Quartet in A major, K. 464a/Anh 72 (Franz Beyer completion): Rondo
465 465 Quartet for Strings No. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": I. Adagio - allegro
465 465 Quartet for Strings No. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": II. Andante cantabile
465 465 Quartet for Strings No. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": IV. Allegro molto
465 465 Quartet for Strings No. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": III. Minuetto. Allegretto
466 466 Concerto for Piano No. 20 in D minor, K. 466: I. Allegro
466 466 Concerto for Piano No. 20 in D minor, K. 466: II. Romanze
466 466 Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai
467 467 Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": I. Allegro
467 467 Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": II. Andante
467 467 Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai
468a 429 Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in E-flat major, K. 468a/429 (fragment): I. Choir "Dir, Seele des Weltalls"
468a 429 Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in E-flat major, K. 468a/429 (fragment): II. Aria "Dir danken wir die Freude"
468a 429 Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in E-flat major, K. 468a/429 (fragment) "Dir, Seel des Weltalls, o Sonne": III. Choir "Dir, Sonne des Weltalls "
468a 429 Note: In the Rainer Bischof completion of K. 468a, Maximilian Stadler also needs to be credited for instrumentation.
468a 429 Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in E-flat major, K. 468a/429 (Rainer Bischof completion): I. Choir "Dir, Seele des Weltalls"
468a 429 Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in E-flat major, K. 468a/429 (Rainer Bischof completion): II. Aria (Tenor) "Dir danken wir die Freude"
468a 429 Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in E-flat major, K. 468a/429 (Rainer Bischof completion): "Dir, Seel des Weltalls, o Sonne": III. Choir "Dir, Sonne des Weltalls "
468a 429 If you need the next version of 468a, Wolfgang Amadeus Mozart as composer, Maximilian Stadler as arranger.
468a 429 Cantata for Piano in E-flat major, K. 468a/429 (fragment): I. Choir "Dir, Seele des Weltalls"
468a 429 Cantata for Piano in E-flat major, K. 468a/429 (fragment): II. Aria "Dir danken wir die Freude"
469 469 Oratorio in C minor, K. 469 "Davidde penitente": I. Andante moderato: Soloist and Choir "Alzai le flebili voci al Signor"
469 469 Oratorio in C major, K. 469 "Daviddepenitente": II. Allegro vivace: Choir "Cantiam le glorie"
469 469 Oratorio in F major, K. 469 "Daviddepenitente": III. Allegro aperto: Aria "Lungi le cure"
469 469 Oratorio in A minor, K. 469 "Daviddepenitente": IV. Adagio: Choir "Sii pur sempre"
469 469 Oratorio in D minor, K. 469 "Daviddepenitente": V. Allegro moderato: Duetto "Sorgi, oh Signore"
469 469 Oratorio in B-flat major, K. 469 "Daviddepenitente": VI. Andante, allegro: Aria "A te, fra tanti affanni"
469 469 Oratorio in G minor, K. 469 "Daviddepenitente": VII. Largo: Double Choir "Se vuoi, puniscimi"
469 469 Oratorio in C minor, K. 469 "Daviddepenitente": VIII. Andante, allegro: Aria "Tra l'oscure ombre"
469 469 Oratorio in E minor, K. 469 "Daviddepenitente": IX. Allegro: Trio "Tutte le mie speranze"
469 469 Oratorio in C major, K. 469 "Daviddepenitente": X. Adagio: Choir "Chi in Dio sol spera"
470a deest Trumpet and Drum ornamentation for Giovanni Battista Viotti: Concerto for Violin & Orchestra No. 16 in E major, K. 470a/deest - NOTE: More information is needed before a proper listing for this work can be added.
471 471 Cantata for Tenor, Men's Chorus & Orchestra in E-flat major, K. 471: "Die Maurerfreude": Aria "Sehen, wie dem starren Forscherauge"
471 471 Cantata for Tenor, Men's Chorus & Orchestra in E-flat major, K. 471: "Die Maurerfreude": Recitativo "Sehen, wie die Weisheit und die Tugend"
471 471 Cantata for Tenor, Men's Chorus & Orchestra in E-flat major, K. 471: "Die Maurerfreude": Aria and Coro "Drum singet und jauchzet, ihr Brüder!"
475 475 Fantasia for Piano in C minor, K. 475
481 481 Sonata for Violin & Piano No. 41 in E-flat major, K. 481: I. Allegro molto
481 481 Sonata for Violin & Piano No. 41 in E-flat major, K. 481: II. Adagio
481 481 Sonata for Violin & Piano No. 41 in E-flat major, K. 481: III. Tema - allegretto
481 481 Sonata for Violin & Piano No. 41 in E-flat major, K. 481: IV. Variation I
481 481 Sonata for Violin & Piano No. 41 in E-flat major, K. 481: V. Variation II
481 481 Sonata for Violin & Piano No. 41 in E-flat major, K. 481: VI. Variation III
481 481 Sonata for Violin & Piano No. 41 in E-flat major, K. 481: VII. Variation IV
481 481 Sonata for Violin & Piano No. 41 in E-flat major, K. 481: VIII. Variation V
481 481 Sonata for Violin & Piano No. 41 in E-flat major, K. 481: IX. Variation VI. Allegro
482 482 Concerto for Piano No. 22 in E-flat major, K. 482: I. Allegro
482 482 Concerto for Piano No. 22 in E-flat major, K. 482: II. Andante
482 482 Concerto for Piano No. 22 in E-flat major, K. 482: III. Allegro
484a 411 Adagio for 2 Clarinets & 3 Bassett Horns in B-flat major, K. 484a/411: Adagio
484b Anh 95 Allegro assai for 2 Clarinets and 3 Basset Horns in B-flat major, K. 484b / K3 440b / KV Anh 95 Fr 1786f (fragment)
484c Anh 93 Adagio for Clarinet and 3 Basset Horns in F major, K. 484c / K3 440c / KV Anh 93 Fr 1787g (fragment)
484d 410 Adagio for 2 Basset Horns & Bassoon in F major, K. 484d/410
484e deest Allegro for Basset Horn in F major, K. 484e / KV deest (fragment)
486 486 Der Schauspieldirektor, K. 486: Ouverture
486 486 Der Schauspieldirektor, K. 486: Act I, Scene I. Scene "Lustig, Herr Direkteur, wir haben Permission" (Buff, Frank)
486 486 Der Schauspieldirektor, K. 486: Act I, Scene II. Scene "Ihr Diener lieber Frank" (Eiler, Frank, Buff)
486 486 Der Schauspieldirektor, K. 486: Act I, Scene III. Scene "Wie, Herr Frank?" (Madame Pfeil, Eiler, Buff, Frank)
486 486 Der Schauspieldirektor, K. 486: Act I, Scene IV. Scene "Madame Krone!" (Madame Krone, Buff)
486 486 Der Schauspieldirektor, K. 486: Act I, Scene V. Scene "Mich freut es recht sehr Sie kennen zu lernen" (Frank, Herz, Madame Krone)
486 486 Der Schauspieldirektor, K. 486: Act I, Scene VI-VII. Scene "Ah! Madame Vogelsang!" (Buff, Madame Vogelsang)
486 486 Der Schauspieldirektor, K. 486: Act I, Scene VII. Arietta "Da schlägt des Abschieds Stunde" (Madame Herz, Frank, Herz, Buff)
486 486 Der Schauspieldirektor, K. 486: Act I, Scene VII-VIII. Scene "Göttlich! unvergleichlich!" (Frank, Herz, Madamoiselle Silberklang)
486 486 Der Schauspieldirektor, K. 486: Act I, Scene VIII. Rondo "Bester Jüngling! mit Entzücken" (Madamoiselle Silberklang, Frank, Buff)
486 486 Der Schauspieldirektor, K. 486: Act I, Scene VIII-IX. Scene "Bravo! Bravo!" (Frank, Madamoiselle Silberklang, Buff, Madame Vogelsang)
486 486 Der Schauspieldirektor, K. 486: Act I, Scene IX. Terzett "Ich bin die erste Sängerin" (Madamoiselle Silberklang, Madame Herz, Monsieur Vogelsang)
486 486 Der Schauspieldirektor, K. 486: Act I, Scene IX-X. Scene "Es lebe die Einigkeit!" (Buff, Madame Pfeil, Eiler, Frank, Madamoiselle Silberklang)
486 486 Der Schauspieldirektor, K. 486: Act I, Scene X. Finale, Vaudeville "Jeder Künstler strebt nach Ehre" (Buff, Eiler, Frank, Madame Krone, Madame Pfeil, Madamoiselle Silberklang, Madame Vogelsang, Madame Herz, Monsieur Vogelsang)
488 488 Concerto for Piano No. 23 in A major, K. 488: I. Allegro
488 488 Concerto for Piano No. 23 in A major, K. 488: II. Andante
488 488 Concerto for Piano No. 23 in A major, K. 488: III. Allegro
488a Anh 58 Concerto Movement for Piano in D major, K. 488a/Anh 58 Fr 1785g (fragment)
488b Anh 63 Concerto Movement for Piano in A major, K. 488b/Anh 63 Fr 1785h (fragment)
488c Anh 64 Concerto Movement for Piano in A major, K. 488c/Anh 64 Fr 1785i (fragment)
488d deest Concerto for Piano in A major, K. 488d/deest Fr 1785j (fragment): Rondo
489 489 Duet for Soprano and Tenor in A major, K. 489: "Spiegarti no poss'io"
490 490 Recitative and Aria for Tenor & Orchestra in B-flat major, K. 490: "Non più tutto ascoltai… Non temer, amato bene"
491 491 Concerto for Piano No. 24 in C minor, K. 491: I. Allegro
491 491 Concerto for Piano No. 24 in C minor, K. 491: II. Larghetto
491 491 Concerto for Piano No. 24 in C minor, K. 491: III. Allegretto
491a Anh 62 Concerto Movement for Piano & Strings in E-flat major, K. 491a/Anh 62 (fragment)
493a Anh 53 Quartet Movement for Piano & Strings in E-flat major, K. 493a/Anh 53 (fragment)
494+533 494+533 Sonata for Piano No. 15 in F major, K. 494+533: I. Allegro
494+533 494+533 Sonata for Piano No. 15 in F major, K. 494+533: II. Andante
494+533 494+533 Sonata for Piano No. 15 in F major, K. 494+533: III. Rondeau
494a deest Concerto for Horn in E major, K. 494a/K2 Anh 98a (Herman Jeurissen completion): Allegro
494a deest Concerto for Horn in E major, K. 494a/K2 Anh 98a (John Humphries & Roy Goodman reconstruction): Allegro
495a Anh 52 Trio Movement for Piano & Strings in G major, K. 495a/Anh 52 (fragment)
496 496 Trio for Piano No. 2 in G major, K. 496: I. Allegro
496 496 Trio for Piano No. 2 in G major, K. 496: II. Andante
496 496 Trio for Piano No. 2 in G major, K. 496: III. Thema. Allegretto. Variation I. Variation II. Variation III. Variation IV. Variation V. Adagio. Variation VI. Allegretto
496a 487 Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": I. Allegro
496a 487 Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": II. Minuetto
496a 487 Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": III. Andante
496a 487 Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": IV. Polonaise
496a 487 Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": V. Larghetto
496a 487 Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": VI. Minuetto
496a 487 Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": VII. Adagio
496a 487 Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": VIII. Allegro
496a 487 Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": IX. Minuetto
496a 487 Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": X. Andante
496a 487 Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": XI. Minuetto
496a 487 Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": XII. Allegro
497 497 Sontata for Piano with 4 Hands in F major, K. 497: I. Adagio. Allegro di molto
497 497 Sontata for Piano with 4 Hands in F major, K. 497: II. Andante
497 497 Sontata for Piano with 4 Hands in F major, K. 497: III. Allegro
497a 357/1 Sonata for Keyboard with 4 Hands in G major, K. 497a/KV 357/1 (fragment): Allegro
497a 357/1 Sonata for Keyboard with 4 Hands in G major, K. 497a/KV 357/1 (Julius André completion): Allegro
498 498 Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": I. Andante
498 498 Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": II. Minuetto & Trio
498 498 Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": III. Rondo. Allegretto
499 499 Quartet for Strings No. 20 in D major, K. 499 "Hoffmeister": I. Allegretto
499 499 Quartet for Strings No. 20 in D major, K. 499 "Hoffmeister": II. Minuetto
499 499 Quartet for Strings No. 20 in D major, K. 499 "Hoffmeister": III. Adagio
499 499 Quartet for Strings No. 20 in D major, K. 499 "Hoffmeister": IV. Allegro
500 500 12 Variations on an Unknown Allegro for Piano in B-flat major, K. 500
500a 357/2 Variations and Coda for Keyboard with 4 Hands in G major, K. 500a/KV 357/2 (fragment)
500a 357/2 Variations and Coda for Keyboard with 4 Hands in G major, K. 500a/KV 357/2 (Julius André completion)
501 501 Andante and Variations for Piano with 4 Hands in G major, K. 501
501a Anh 51 Trio Movement for Piano & Strings in B-flat major, K. 501a/Anh 51 (fragment)
502 502 Trio for Piano No. 3 in B-flat major, K. 502: I. Allegro
502 502 Trio for Piano No. 3 in B-flat major, K. 502: II. Larghetto
502 502 Trio for Piano No. 3 in B-flat major, K. 502: III. Allegretto
502a Anh 60 Concerto Movement for Piano in C major, K. 502a/Anh 60 Fr 1784j (fragment)
503 503 Concerto for Piano No. 25 in C major, K. 503: I. Allegro maestoso
503 503 Concerto for Piano No. 25 in C major, K. 503: II. Andante
503 503 Concerto for Piano No. 25 in C major, K. 503: III. Allegretto
504a Anh 105 Symphony Movement in G major, K. 504a/Anh 105 (fragment)
506a deest Composed by Thomas Attwood, not Mozart. More complicated than this, listing needs followup.
509b deest "Der Salzburger Lump in Wien" - Sketches of the first four scenes of this work exist as a fragment, but as libretto; this was likely intended to be a spoken comedy. Any listing for this work would require details as to such a hypothetical recording.
509c deest "Die Liebesprobe" - A fragmentary Singspiel consisting of an overture and 15 numbers, and a libretto outline. Some numbers are known to be by Mozart, some are thought not to be. The numbers by Mozart are already in Köchel (the Overture is K. 588a, No.1 is K. 106, No. 5 is K. 106/2, No. 7 is K. 600/3, No. 12 is K. 603/1, No. 13 is K. 600/6, No. 14 is K. 462/1, and No. 15 is K. 214). Any notes for how a recording of this work is put together would be needed to create any proper listing here.
514 386b see 412 above
516c Anh 91 Quintet for Clarinet in B-flat, K. 516c/Anh 91 Fr 1789d (fragment): Allegro
516c Anh 91 Quintet for Clarinet in B-flat, K. 516c/Anh 91 (Robert Levin completion): Allegro
516c Anh 91 Quintet for Clarinet in B-flat, K. 516c/Anh 91 (Duncan Druce completion): Allegro
516d deest Rondo for Clarinet and Strings in E-flat major, K. 516d/deest (fragment)
516f deest Musical Dice Game in C major, K. 516f/deest "Musikalisches Wurfelspiel"
521 521 Sontata for Piano with 4 Hands in C major, K. 521: I. Allegro
521 521 Sontata for Piano with 4 Hands in C major, K. 521: II. Andante
521 521 Sontata for Piano with 4 Hands in C major, K. 521: III. Allegretto
522 522 Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": I. Allegro
522 522 Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": II. Minuetto. Maestoso & Trio
522 522 Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": III. Adagio cantabile
522 522 Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": IV. Presto
522a Anh 108 Rondo for Two Horns & Strings in F major, K. 522a/Anh 108 (fragment)
525 525 Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro
525 525 Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante
525 525 Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto & Trio
525 525 Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
525a Anh 69 Larghetto for Strings in C major, K. 525a/Anh 69 (fragment)
526 526 Sonata for Violin & Piano No. 42 in A major, K. 526: I. Allegro molto
526 526 Sonata for Violin & Piano No. 42 in A major, K. 526: II. Andante
526 526 Sonata for Violin & Piano No. 42 in A major, K. 526: III. Presto
526a Anh 50 Sonata Movement for Keyboard and Violin in A major, K. 526a/Anh 50 (fragment)
533 533 SEE 494+533
537 537 Concerto for Piano No. 26 in D major, K. 537 "Coronation": I. Allegro
537 537 Concerto for Piano No. 26 in D major, K. 537 "Coronation": II. Larghetto
537 537 Concerto for Piano No. 26 in D major, K. 537 "Coronation": III. Allegretto
537a Anh 57 Concerto Movement for Piano in D major, K. 537a/Anh 57 (fragment)
537b Anh 61 Concerto Movement for Piano in D minor, K. 537b/Anh 61 (fragment)
537d deest Modified Accompaniment for Opera for Trumpet, Flute & Oboe after C.P.E. Bach: "Auferstehung und Himmelfahrt Jesu" in D major, K. 537d/deest: Allegretto - andante - da-capo. No. 11. Aria "Ich folge dir, verklärter Held"
540a deest Il dissoluto punito, ossia il Don Giovanni for Soprano in G major, K. 540a/deest: No. 10a. Appendix. Aria "Dalla sua pace" (Tenor)
540b deest Il dissoluto punito, ossia il Don Giovanni for Soprano in C major, K. 540b/deest: No. 21a. Appendix. Duetto "Per queste tue manine" (Soprano, Bass)
540c deest Il dissoluto punito, ossia il Don Giovanni for Soprano in E-flat major, K. 540c/deest: No. 21b. Appendix. Recitativo accompagnato ed Aria "In quali eccessi, oh numi" (Soprano)
540c deest Il dissoluto punito, ossia il Don Giovanni for Soprano in E-flat major, K. 540c/deest: No. 21b. Appendix. Recitativo accompagnato ed Aria "Mi tradì quell'alma ingrata" (Soprano)
542 542 Trio for Piano No. 4 in E major, K. 542: I. Allegro
542 542 Trio for Piano No. 4 in E major, K. 542: II. Andante grazioso
542 542 Trio for Piano No. 4 in E major, K. 542: III. Allegro
545 545 Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": I. Allegro
545 545 Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": II. Andante
545 545 Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": III. Rondo. Allegro
546a Anh 47 Sonata Movement for Keyboard & Violin in G major, K. 546a/Anh 47 Fr 1789f (fragment)
547 547 Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": I. Andantino cantabile
547 547 Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": II. Allegro
547 547 Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": IIIa. Tema. Andante
547 547 Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": IIIb. Variation I
547 547 Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": IIIc. Variation II
547 547 Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": IIId. Variation III
547 547 Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": IIe. Variation IV
547 547 Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": IIIf. Variation V
547 547 Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": IIIg. Variation VI
547 547 Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": III. Tema. Andante. Variation I. Variation II. Variation III. Variation IV. Variation V. Variation VI.
547a Anh 135 Sonata for Piano in F major, K. 547a/Anh 135: I. Allegro
547a Anh 135 Sonata for Piano in F major, K. 547a/Anh 135: II. Allegretto
547b 54 6 Variations on an Original Theme for Piano in F major, K. 547b/54
548 548 Trio for Piano No. 5 in C major, K. 548: I. Allegro
548 548 Trio for Piano No. 5 in C major, K. 548: II. Andante cantabile
548 548 Trio for Piano No. 5 in C major, K. 548: III. Allegro
562b deest Composed by Michael Haydn, not Wolfgang Amadeus Mozart.
562e Anh 66 Trio for Strings in G major, K. 562e⁄Anh 66 Fr 1789g (fragment): Allegro
563 563 Divertimento for Violin, Viola & Cello in E-flat major, K. 563: I. Allegro
563 563 Divertimento for Violin, Viola & Cello in E-flat major, K. 563: II. Adagio
563 563 Divertimento for Violin, Viola & Cello in E-flat major, K. 563: III. Minuetto
563 563 Divertimento for Violin, Viola & Cello in E-flat major, K. 563: IV. Andante
563 563 Divertimento for Violin, Viola & Cello in E-flat major, K. 563: V. Minuetto
563 563 Divertimento for Violin, Viola & Cello in E-flat major, K. 563: VI. Allegro
564 564 Trio for Piano No. 6 in G major, K. 564: I. Allegro
564 564 Trio for Piano No. 6 in G major, K. 564: II. Andante con variazioni
564 564 Trio for Piano No. 6 in G major, K. 564: III. Allegretto
566 566 This is an arrangement of a work by Handel's "Acis und Galathea".
569a Anh 31 Sonata Movement for Piano in B-flat major, K. 569a/Anh 31 (fragment)
570 570 Sonata for Piano No. 17 in B-flat major, K. 570: I. Allegro
570 570 Sonata for Piano No. 17 in B-flat major, K. 570: II. Adagio
570 570 Sonata for Piano No. 17 in B-flat major, K. 570: III. Allegretto
571A Anh 106 Minuet in A major, K. 571A/Anh 106 (fragment)
572 572 This is an arrangement of a work by Handel's "Messiah" in G major.
573 573 9 Variations on Jean-Pierre Duport: Minuet for Piano in D major, K. 573 "Duport Variationen"
575 575 Quartet for Strings No. 21 in D major, K. 575 "Quartetti Prussian": I. Allegretto
575 575 Quartet for Strings No. 21 in D major, K. 575 "Quartetti Prussian": II. Andante
575 575 Quartet for Strings No. 21 in D major, K. 575 "Quartetti Prussian": III. Minuetto. Allegretto & Trio
575 575 Quartet for Strings No. 21 in D major, K. 575 "Quartetti Prussian": IV. Allegretto
576 576 Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": I. Allegro
576 576 Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio
576 576 Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": III. Allegretto
577 577 Aria for Soprano & Orchestra in F major, K. 577: "Al desio di chi t'adora"
579 579 Aria for Soprano in G major, K. 579: "Un moto di gioia mi sento"
580a Anh 94 Adagio for English Horn, 2 Horns & Bassoon in C major, K. 580a/Anh 94 (fragment): Adagio
580a Anh 94 Adagio for English Horn, 2 Horns & Bassoon in C major, K. 580a/Anh 94 (Robert Levin & Franz Beyer reconstruction): Adagio
580a Anh 94 Adagio for English Horn, 2 Horns & Bassoon in C major, K. 580a/Anh 94 (Johannes Pröger completion): Adagio
580b Anh 90 Quintet Movement for Clarinet, Basset Horn, Violin, Viola & Cello in F major, K. 580b⁄Anh 90 (fragment): Allegro
580b Anh 90 Quintet Movement for Clarinet, Basset Horn, Violin, Viola & Cello in F major, K. 580b⁄Anh 90 (Franz Beyer completion): Allegro
580b Anh 90 Quintet Movement for Clarinet, Basset Horn, Violin, Viola & Cello in F major, K. 580b⁄Anh 90 (Duncan Druce completion): Allegro
580b Anh 90 Quintet Movement for Clarinet, Basset Horn, Violin, Viola & Cello in F major, K. 580b⁄Anh 90 (Gerhard Mass completion): Allegro
580b Anh 90 Quintet Movement for Clarinet, Basset Horn, Violin, Viola & Cello in F major, K. 580b⁄Anh 90 (Erik Smith completion): Allegro
581 581 Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro
581 581 Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto
581 581 Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": III. Minuetto
581 581 Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": IV. Allegretto con variazioni
581a Anh 88 Concerto for Clarinet & Strings in A major, K. 581a/Anh 88 (Buschmann completion)
581a Anh 88 Concerto for Clarinet & Strings in A major, K. 581a/Anh 88 (fragment)
581a Anh 88 Concerto for Clarinet & Strings in A major, K. 581a/Anh 88 (Otto Bach completion)
587a Anh 74 Quartet Movement for Strings in G minor, K. 587a/Anh 74 (fragment) "Der Sieg vom Helen Koburg"
588a 106 For K. 588a/106, set composer to [unknown] - it is not by Wolfgang Amadeus Mozart, but composer is unknown.
588a 106 Overture and 3 Contredances, K. 588a/106
588b 236 Andantino for Piano in E-flat major, K. 588b/236
589 589 Quartet for Strings No. 22 in B-flat major, K. 589 "Quartetti Prussian": I. Allegro
589 589 Quartet for Strings No. 22 in B-flat major, K. 589 "Quartetti Prussian": II. Larghetto
589 589 Quartet for Strings No. 22 in B-flat major, K. 589 "Quartetti Prussian": III. Minuetto. Moderato & Trio
589 589 Quartet for Strings No. 22 in B-flat major, K. 589 "Quartetti Prussian": IV. Allegro assai
589a Anh 68 Quartet Movement for Strings in B-flat major, K. 589a/Anh 68 (fragment): Minuet
589a Anh 68 Quartet Movement for Strings in B-flat major, K. 589a/Anh 68 (Erik Smith completion): Minuet
589b Anh 73 Quartet Movement for Strings in F major, K. 589b/Anh 73 (fragment)
590 590 Quartet for Strings No. 23 in F major, K. 590 "Quartetti Prussian": I. Allegro moderato
590 590 Quartet for Strings No. 23 in F major, K. 590 "Quartetti Prussian": II. Andante
590 590 Quartet for Strings No. 23 in F major, K. 590 "Quartetti Prussian": III. Minuetto & Trio. Allegretto
590 590 Quartet for Strings No. 23 in F major, K. 590 "Quartetti Prussian": IV. Allegro
590a Anh 29 Sonata Movement for Piano in F major, K. 590a / KV Anh 29 Fr 1787r (fragment)
590b Anh 30 Sonata Movement for Piano in F major, K. 590b / KV Anh 30 Fr 1787s (fragment): Presto
590c Anh 37 Rondo for Piano in F major, K. 590c/Anh 37 (fragment)
590d 312 Allegro for Piano in G minor, K. 590d / K3 189i / KV 312 Fr 1790e (fragment)
590d 312 Allegro for Piano in G minor, K. 590d/312 (Paul Badura-Skoda completion)
591 591 This is an arrangement of a work by Handel's "Alexander's Feast".
592 592 This is an arrangement of a work by Handel's "Ode to Saint Caecelia".
592a 625 Comical Duet for Soprano & Bass in D major, K. 592a/625: "Nun, liebes Weibchen"
595 595 Concerto for Piano No. 27 in B-flat major, K. 595: I. Allegro
595 595 Concerto for Piano No. 27 in B-flat major, K. 595: II. Larghetto
595 595 Concerto for Piano No. 27 in B-flat major, K. 595: III. Rondo. Allegro
611 611 German Dance with Organ-Grinder Trio in C major, K. 611 "Die Leierer": German Dance. (No tempo indication)
613 613 8 Variations on Der dumme Gärtn: "Ein Weib ist das herrlichste Ding" for Piano in F major, K. 613
615a deest Andante to a Waltz for Small Mechanical Organ in F major, K. 615a/deest (fragment)
616 616 Andante for Piano in F major, K. 616
618 618 Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus"
619 619 Cantata for Tenor & Piano in C major, K. 619: "Die ihr des unermeßlichen Weltalls"
620 620 Die Zauberflöte, K. 620: Ouverture
620 620 Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino)
620 620 Die Zauberflöte, K. 620: Act I, Scene I. Monologue "Wo bin ich?" (Tamino)
620 620 Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno)
620 620 Die Zauberflöte, K. 620: Act I, Scene III. No. 2 Aria "He da!... Was da?" (Tamino, Papageno)
620 620 Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino)
620 620 Die Zauberflöte, K. 620: Act I, Scene V. Dialogue "Rüste dich mit Mut und Standhaftigkeit" (Tamino)
620 620 Die Zauberflöte, K. 620: Act I, Scene VI. No. 4 Recitative and Aria "O zitt're nicht, mein lieber Sohn!" (Die Königin der Nacht)
620 620 Die Zauberflöte, K. 620: Act I, Scene VII. Monologue "Ist's denn auch Wirklichkeit, was ich sah?" (Tamino)
620 620 Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino)
620 620 Die Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Pamina, Tamino)
620 620 Die Zauberflöte, K. 620: Act I, Scene XIII - XIV. Monologue "Mutter! Mutter! / Wie? / Noch schlagt dies Herz?" (Pamina)
620 620 Die Zauberflöte, K. 620: Act I, Scene XIV. No. 7 Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)
620 620 Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino)
620 620 Die Zauberflöte, K. 620: Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" (Tamino)
620 620 Die Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino)
620 620 Die Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno)
620 620 Die Zauberflöte, K. 620: Act I, Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno)
620 620 Die Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch der Priester
620 620 Die Zauberflöte, K. 620: Act II, Scene I. Dialogue "Ihr, in dem Weisheitstempel eingeweihten Diener" (Sarastro)
620 620 Die Zauberflöte, K. 620: Act II, Scene I. Dialogue "Sarastro dankt euch" (Sarastro)
620 620 Die Zauberflöte, K. 620: Act II, Scene I. No. 10 Aria and Chorus "O Isis und Osiris!" (Sarastro)
620 620 Die Zauberflöte, K. 620: Act II, Scene II. Dialogue "Eine schreckliche Nacht!" (Tamino, Papageno)
620 620 Die Zauberflöte, K. 620: Act II, Scene IV. No. 11 Duet "Bewahret euch vor Weibertücken" (Papageno, Tamino)
620 620 Die Zauberflöte, K. 620: Act II, Scene IV. Dialogue "He, Lichter Her!" (Papageno, Tamino)
620 620 Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino)
620 620 Die Zauberflöte, K. 620: Act II, Scene VI. Dialogue "Jüngling! Dein standhaft männliches Betragen" (Papageno, Tamino)
620 620 Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos)
620 620 Die Zauberflöte, K. 620: Act II, Scene VIII. Dialogue "Zurück! O weh!" (Die Königin der Nacht)
620 620 Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
620 620 Die Zauberflöte, K. 620: Act II, Scene IX - XII. Monologue "Morden soll ich?" (Pamina, Sarastro)
620 620 Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro)
620 620 Die Zauberflöte, K. 620: Act II, Scene XIII - XV. Dialogue "Hier seid ihr euch beide allein überlassen" (Papageno, Tamino)
620 620 Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Knaben)
620 620 Die Zauberflöte, K. 620: Act II, Scene XVII - XVIII. Dialogue "Tamino, wollen wir nicht speisen?" (Papageno, Pamina)
620 620 Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina)
620 620 Die Zauberflöte, K. 620: Act II, Scene XIX. Monologue "Nicht wahr, Tamino" (Papagena)
620 620 Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester)
620 620 Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina)
620 620 Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino)
620 620 Die Zauberflöte, K. 620: Act II, Scene XXII - XXIII. Dialogue "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno)
620 620 Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno)
620 620 Die Zauberflöte, K. 620: Act II, Scene XXIV. Dialogue "Da bin ich schon, mein Engel!" (Papageno)
620 620 Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina)
620 620 Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina)
620 620 Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Wir wandelten durch Feuersgluten" (Pamina, Tamino)
620 620 Die Zauberflöte, K. 620: Act II, Scene XXIX. "Papagena! Papagena!" (Papageno)
620 620 Die Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Chor, Monostatos, Königin, Damen)
620 620 Die Zauberflöte, K. 620: Act II, Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro)
*620 deest Die Zauberflöte, K. *620 (Anh, spurious): Act II, Scene XI. "Pamina, wo bist du?" (Tamino, Papageno)
620b Anh 78 Contrapuntal Study in B minor, K. 620b/Anh 78
621 621 La clemenza di Tito, K. 621: Ouverture
621 621 La clemenza di Tito, K. 621: Act I, Scene I. Recitativo "Ma ché? sempre l’istesso" (Vitellia, Sesto)
621 621 La clemenza di Tito, K. 621: Act I, Scene II. No. 1 Duetto "Come ti piace imponi" (Sesto, Vitellia)
621 621 La clemenza di Tito, K. 621: Act I, Scene II. Recitativo "Amico, il passo affretta" (Annio, Vitellia, Sesto)
621 621 La clemenza di Tito, K. 621: Act I, Scene II. No. 2 Aria "Deh se piacer mi vuoi" (Vitellia)
621 621 La clemenza di Tito, K. 621: Act I, Scene III. Recitativo "Amico, ecco il momento" (Annio, Sesto)
621 621 La clemenza di Tito, K. 621: Act I, Scene III. No. 3 Duettino "Deh prendi un dolce amplesso" (Annio, Sesto)
621 621 La clemenza di Tito, K. 621: Act I, Scene IV. No. 4 Marcia
621 621 La clemenza di Tito, K. 621: Act I, Scene IV. No. 5 Coro "Serbate, oh Dei custodi" (Coro)
621 621 La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Te della patria il Padre" (Publio, Annio, Tito)
621 621 La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Adesso, oh Sesto" (Publio, Annio, Tito)
621 621 La clemenza di Tito, K. 621: Act I, Scene IV. No. 6 Aria "Deh più sublime soglio" (Tito)
621 621 La clemenza di Tito, K. 621: Act I, Scene V. Recitativo "Non ci pentiam" (Annio, Servilia)
621 621 La clemenza di Tito, K. 621: Act I, Scene V. No. 7 Duetto "Ah perdona il primo affetto" (Annio, Servilia)
621 621 La clemenza di Tito, K. 621: Act I, Scene VI. Recitativo "Che mi rechi in quel foglio?" (Tito, Publio)
621 621 La clemenza di Tito, K. 621: Act I, Scene VII. No. 8 Aria "Ah, se fosse intorno al trono" (Tito)
621 621 La clemenza di Tito, K. 621: Act I, Scene VIII. Recitativo "Felice me!" (Servilia, Vitellia)
621 621 La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio" (Sesto)
621 621 La clemenza di Tito, K. 621: Act I, Scene X. Recitativo "Vedrai, Tito, vedrai, che alfin sì vile" (Vitellia, Publio, Annio)
621 621 La clemenza di Tito, K. 621: Act I, Scene X. No. 10 Terzetto "Vengo… aspettate… Sesto!…" (Vitellia, Publio, Annio)
621 621 La clemenza di Tito, K. 621: Act I, Scene XI. No. 11 Recitativo accompagnato "Oh Dei, che smania è questa" (Sesto)
621 621 La clemenza di Tito, K. 621: Act I, Scene XI. No. 12 Quintetto con coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Publio, Vitellia, Coro)
621 621 La clemenza di Tito, K. 621: Act I, Scene XII-XIV. Finale
621 621 La clemenza di Tito, K. 621: Act II, Scene I. Recitativo "Sesto, come tu credi" (Annio, Sesto)
621 621 La clemenza di Tito, K. 621: Act II, Scene I. No. 13 Aria "Torna di Tito a lato" (Annio)
621 621 La clemenza di Tito, K. 621: Act II, Scene II. Recitativo "Partir deggio, o restar?" (Sesto, Vitellia)
621 621 La clemenza di Tito, K. 621: Act II, Scene III. Recitativo "Sesto! Che chiedi?" (Publio, Sesto, Vitellia)
621 621 La clemenza di Tito, K. 621: Act II, Scene IV. No. 14 Terzetto "Se al volto mai ti senti" (Sesto, Vitellia, Publio)
621 621 La clemenza di Tito, K. 621: Act II, Scene V. No. 15 Coro "Ah grazie si rendano" (Tito, Publio)
621 621 La clemenza di Tito, K. 621: Act II, Scene V. Recitativo "Già de' pubblici giuochi" (Publio, Tito)
621 621 La clemenza di Tito, K. 621: Act II, Scene V. No. 16 Aria "Tardi s'avvede" (Publio)
621 621 La clemenza di Tito, K. 621: Act II, Scene VI. Recitativo "No, così scellerato" (Tito, Annio)
621 621 La clemenza di Tito, K. 621: Act II, Scene VII. No. 17 Aria "Tu fosti tradito" (Annio)
621 621 La clemenza di Tito, K. 621: Act II, Scene VIII. Recitativo accompagnato "Che orror! che tradimento!" (Tito)
621 621 La clemenza di Tito, K. 621: Act II, Scene IX. Recitativo "Ma, Publio, ancora Sesto non viene?" (Publio, Tito)
621 621 La clemenza di Tito, K. 621: Act II, Scene X. No. 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio)
621 621 La clemenza di Tito, K. 621: Act II, Scene X. Recitativo "Eppur mi fa pietà" (Tito, Sesto)
621 621 La clemenza di Tito, K. 621: Act II, Scene X. No. 19 Rondo "Deh per questo istante solo" (Sesto)
621 621 La clemenza di Tito, K. 621: Act II, Scene XI. Recitativo "Ove s’intese mai più contumace" (Tito)
621 621 La clemenza di Tito, K. 621: Act II, Scene XII. No. 20 Aria "Se all’impero, amici Dei" (Tito)
621 621 La clemenza di Tito, K. 621: Act II, Scene XIII. Recitativo "Publio, ascolta!" (Vitellia, Publio)
621 621 La clemenza di Tito, K. 621: Act II, Scene XIV. No. 21 Aria "S’altro che lacrime" (Servilia)
621 621 La clemenza di Tito, K. 621: Act II, Scene XV. No. 22 Recitativo accompagnato "Ecco il punto, oh Vitellia" (Vitellia)
621 621 La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" (Vitellia)
621 621 La clemenza di Tito, K. 621: Act II, Scene XVI. No. 24 Coro "Che del ciel, che degli Dei" (Coro)
621 621 La clemenza di Tito, K. 621: Act II, Scene XVII. Recitativo "Sesto, de' tuoi delitti" (Tito, Vitellia, Sesto, Servilia, Annio, Publio)
621 621 La clemenza di Tito, K. 621: Act II, Scene XVII. No. 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito)
621 621 La clemenza di Tito, K. 621: Act II, Scene XVII. No. 26 Sestetto con coro "Tu, è ver, m’assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro)
621b deest Concerto Movement for Basset Horn in G major, K. 621b/deest (fragment)
622 622 Concerto for Clarinet in A major, K. 622: I. Allegro
622 622 Concerto for Clarinet in A major, K. 622: II. Adagio
622 622 Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro
623 623 Freemason Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in C major, K. 623 "Laut Verkünde unsre Freude": I. Coro - Recitativo "Laut Verkünde unsre Freude"
623 623 Freemason Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in C major, K. 623 "Laut Verkünde unsre Freude": II. Aria "Dieser Gottheit Allmacht ruhet"
623 623 Freemason Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in C major, K. 623 "Laut Verkünde unsre Freude": III. Recitativo "Wohlan, ihr Brüder"
623 623 Freemason Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in C major, K. 623 "Laut Verkünde unsre Freude": IV. Duetto "Lange sollen diese Mauern"
623 623 Freemason Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in C major, K. 623 "Laut Verkünde unsre Freude": V. Allegro "Laut verkünde unsre Freude"
623a deest "Laßt uns mit geschlungen Händen". Composed by Paul Wranitsky (unconfirmed), not Wolfgang Amadeus Mozart.
623a deest Masonic Song for Voice, Male Chorus & Piano in F major, K. 623a/deest (doubtful): "Lasst uns mit geschlungnen Händen"
626aI/1 624/1 Cadenza Version A, K. 626aI/1/KV 624/1: Concerto No. 5 in D major for Piano, K. 175: I. Allegro
626aI/2 deest Cadenza Version B, K. 626aI/2: Concerto No. 5 in D major for Piano, K. 175: I. Allegro
626aI/3 624/2 Cadenza Version A, K. 626aI/3/KV 624/2: Concerto No. 5 in D major for Piano, K. 175: II. Andante ma un poco adagio
626aI/4 deest Cadenza Version B, K. 626aI/4: Concerto No. 5 in D major for Piano, K. 175: II. Andante ma un poco adagio
626aI/5 deest Cadenza, K. 626aI/5: Concerto No. 6 in B-flat major for Piano, K. 238: I. Allegro aperto
626aI/6 deest Cadenza, K. 626aI/6: Concerto No. 6 in B-flat major for Piano, K. 238: II. Andante un poco adagio
626aI/7 deest Cadenza, K. 626aI/7: Concerto No. 6 in B-flat major for Piano, K. 238: III. Rondeau. Allegro
626aI/8 deest Cadenza Version A, K. 626aI/8: Concerto No. 6 in B-flat major for Piano, K. 238: III. Rondeau. Allegro
626aI/9 deest Cadenza Version B, K. 626aI/9: Concerto No. 6 in B-flat major for Piano, K. 238: III. Rondeau. Allegro
626aI/10 deest Cadenza Version C, K. 626aI/10: Concerto No. 6 in B-flat major for Piano, K. 238: III. Rondeau. Allegro
626aI/11 deest Cadenza Version A, K. 626aI/11: Concerto No. 8 in C major for Piano, K. 246 "Lutzow": II. Andante
626aI/12 deest Cadenza Version B, K. 626aI/12: Concerto No. 8 in C major for Piano, K. 246 "Lutzow": II. Andante
626aI/13 deest Cadenza Version C, K. 626aI/13: Concerto No. 8 in C major for Piano, K. 246 "Lutzow": II. Andante
626aI/14 deest Cadenza Version D, K. 626aI/14: Concerto No. 8 in C major for Piano, K. 246 "Lutzow": II. Andante
626aI/15 624/3 Cadenza Version A, K. 626aI/15/KV 624/3: Concerto No. 9 in E-flat major for Piano, K. 271 "Jeunehomme": I. Allegro
626aI/16 deest Cadenza Version B, K. 626aI/16: Concerto No. 9 in E-flat major for Piano, K. 271 "Jeunehomme": I. Allegro
626aI/17 624/4 Cadenza Version A, K. 626aI/17/KV 624/4: Concerto No. 9 in E-flat major for Piano, K. 271 "Jeunehomme": II. Andantino
626aI/18 deest Cadenza Version B, K. 626aI/18: Concerto No. 9 in E-flat major for Piano, K. 271 "Jeunehomme": II. Andantino
626aI/19 624/5 Introduction 1 Version A, K. 626aI/19/KV 624/5: Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto
626aI/20 624/5 Introduction 2 Version A, K. 626aI/20/KV 624/5: Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto
626aI/21 deest Introduction 1 Version B, K. 626aI/21: Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto
626aI/22 deest Introduction 2 Version B, K. 626aI/22: Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto
626aI/23 deest Cadenza, K. 626aI/23: Concerto No. 10 in E-flat major for 2 Pianos & Orchestra, K. 316a/365: I. Allegro
626aI/24 deest Cadenza, K. 626aI/24: Concerto No. 10 in E-flat major for 2 Pianos & Orchestra, K. 316a/365: III. Rondo. Allegro
626aI/25 624/6 Cadenza Version A, K. 626aI/25/KV 624/6: Rondo for Piano & Orchestra in D major, K. 382
626aI/26 deest Cadenza Version B, K. 626aI/26: Rondo for Piano & Orchestra in D major, K. 382
626aI/27 624/7 Cadenza Version A, K. 626aI/27/KV 624/7: Concerto No. 12 in A major for Piano, K. 385p/414: I. Allegro
626aI/28 624/8 Cadenza Version B, K. 626aI/28/KV 624/8: Concerto No. 12 in A major for Piano, K. 385p/414: I. Allegro
626aI/29 624/11 Introduction Version A, K. 626aI/29/KV 624/11: Concerto No. 12 in A major for Piano, K. 385p/414: II. Andante
626aI/30 deest Introduction Version B, K. 626aI/30: Concerto No. 12 in A major for Piano, K. 385p/414: II. Andante
626aI/31 624/9 Cadenza Version A, K. 626aI/31/KV 624/9: Concerto No. 12 in A major for Piano, K. 385p/414: II. Andante
626aI/32 deest Cadenza Version B, K. 626aI/32: Concerto No. 12 in A major for Piano, K. 385p/414: II. Andante
626aI/33 624/10 Cadenza Version B, K. 626aI/33/KV 624/10 (sketch): Concerto No. 12 in A major for Piano, K. 385p/414: II. Andante
626aI/34 624/12 Cadenza Version A, K. 626aI/34/KV 624/12: Concerto No. 12 in A major for Piano, K. 385p/414: III. Rondo. Allegretto
626aI/35 624/13 Cadenza Version B, K. 626aI/35/KV 624/13: Concerto No. 12 in A major for Piano, K. 385p/414: III. Rondo. Allegretto
626aI/36 624/14 Introduction, K. 626aI/36/KV 624/14: Concerto No. 12 in A major for Piano, K. 385p/414: III. Rondo. Allegretto
626aI/37 deest Cadenza, K. 626aI/37: Concerto No. 11 in F major for Piano, K. 387a/413: I. Allegro
626aI/38 deest Cadenza, K. 626aI/38: Concerto No. 11 in F major for Piano, K. 387a/413: II. Larghetto
626aI/39 624/15 Cadenza, K. 626aI/39/KV 624/15: Concerto No. 13 in C major for Piano, K. 387b/415: I. Allegro
626aI/40 624/16 Cadenza, K. 626aI/40/KV 624/16: Concerto No. 13 in C major for Piano, K. 387b/415: II. Andante
626aI/41 624/17 Cadenza, K. 626aI/41/KV 624/17: Concerto No. 13 in C major for Piano, K. 387b/415: III. Allegro
626aI/42 624/18 Cadenza, K. 626aI/42/KV 624/18: Concerto No. 14 in E-flat major for Piano, K. 449 "First Ployer": I. Allegro vivace
626aI/43 624/19 Cadenza, K. 626aI/43/KV 624/19: Concerto No. 15 in B-flat major for Piano, K. 450: I. Allegro
626aI/44 624/21 Introduction, K. 626aI/44/KV 624/21: Concerto No. 15 in B-flat major for Piano, K. 450: II. Adagio
626aI/45 624/20 Cadenza, K. 626aI/45/KV 624/20: Concerto No. 15 in B-flat major for Piano, K. 450: II. Adagio
626aI/46 624/32 Cadenza, K. 626aI/46/KV 624/32: Concerto No. 16 in D major for Piano, K. 451: I. Allegro assai
626aI/47 624/33 Cadenza, K. 626aI/47/KV 624/33: Concerto No. 16 in D major for Piano, K. 451: III. Rondo. Allegro di molto
626aI/48 624/22 Cadenza Version A, K. 626aI/48/KV 624/22: Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": I. Allegro
626aI/49 624/23 Cadenza Version B, K. 626aI/49/KV 624/23: Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": I. Allegro
626aI/50 624/24 Cadenza Version B, K. 626aI/50/KV 624/24: Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": II. Andante
626aI/51 624/25 Cadenza Version A, K. 626aI/51/KV 624/25: Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": II. Andante
626aI/52 deest Cadenza Version A, K. 626aI/52: Concerto No. 18 in B-flat major for Piano, K. 456 "Paradis": I. Allegro vivace
626aI/53 624/26 Cadenza Version B, K. 626aI/53/KV 624/26: Concerto No. 18 in B-flat major for Piano, K. 456 "Paradis": I. Allegro vivace
626aI/54 624/27 Cadenza Version C, K. 626aI/54/KV 624/27: Concerto No. 18 in B-flat major for Piano, K. 456 "Paradis": I. Allegro vivace
626aI/55 deest Introduction, K. 626aI/55: Concerto No. 18 in B-flat major for Piano, K. 456 "Paradis": III. Allegro vivace
626aI/56 deest Cadenza Version B, K. 626aI/56: Concerto No. 18 in B-flat major for Piano, K. 456 "Paradis": III. Allegro vivace
626aI/57 624/28 Cadenza Version A, K. 626aI/57/KV 624/28: Concerto No. 18 in B-flat major for Piano, K. 456 "Paradis": III. Allegro vivace
626aI/58 624/29 Cadenza, K. 626aI/58/KV 624/29: Concerto No. 19 in F major for Piano, K. 459: I. Allegro
626aI/59 deest Introduction, K. 626aI/59: Concerto No. 19 in F major for Piano, K. 459: III. Allegro assai
626aI/60 624/30 Cadenza, K. 626aI/60/KV 624/30: Concerto No. 19 in F major for Piano, K. 459: III. Allegro assai
626aI/61 624/31 Cadenza, K. 626aI/61/KV 624/31: Concerto No. 23 in A major for Piano, K. 488: I. Allegro
626aI/62 624/34 Cadenza, K. 626aI/62/KV 624/34: Concerto No. 27 in B-flat major for Piano, K. 595: I. Allegro
626aI/63 624/35 Introduction, K. 626aI/63/KV 624/35: Concerto No. 27 in B-flat major for Piano, K. 595: III. Rondo. Allegro
626aI/64 624/36 Cadenza, K. 626aI/64/KV 624/36: Concerto No. 27 in B-flat major for Piano, K. 595: III. Rondo. Allegro
626b/28 187 Composed by Christoph Willibald Gluck, not Wolfgang Amadeus Mozart.
626b/28 187 Exercises for Piano, K. 626b/28/K3 159c/KV deest
Anh 240a 177 Composed by Leopold Mozart, not Wolfgang Amadeus Mozart.
Anh 25.05 Anh 137 Minuet for Piano in B-flat major, K. Anh 25.05/K3 498a/Anh 137 (spurious) [6 Variations on a Theme from an Unidentified Clarinet Quintet]
Anh A3 A21 K3 93c, composed by E. Eberlin, not Wolfgang Amadeus Mozart.
Anh A4 326 Composed by E. Eberlin, not Wolfgang Amadeus Mozart.
Anh A10 327 Composed by Q. Gasparini, not Wolfgang Amadeus Mozart.
Anh A52 291 Composed by M. Haydn, not Wolfgang Amadeus Mozart.
Anh A65 deest Adagio for Piano in F major, K. Anh A65/K3 Anh A206a/KV deest
Anh. C 3.04 142 Contredanse for 4 Voices and Orchestra in D major, K. Anh. C 3.04/K3 Anh. 186d/142 (doubtful) "Tantum ergo"
Anh. C 3.05 197 Contredanse for 4 Voices and Orchestra in D major, K. Anh. C 3.05/K3 Anh. 186e/197 (doubtful) "Tantum ergo"
Anh C 3.08 198 Offertorium for 2 Voices & Orchestra in F major, K. Anh C 3.08/K3 158b/198: "Sub tuum praesidium"
Anh C 3.09 177 Composed by Leopold Mozart, not Wolfgang Amadeus Mozart.
Anh C 3.09 342 Composed by Leopold Mozart, not Wolfgang Amadeus Mozart.
Anh C 7.05 deest K3 584a. Composed by Giovanni Paisiello, not Wolfgang Amadeus Mozart.
Anh C 8.32 350 Composed by B. Flies, not Wolfgang Amadeus Mozart.
Anh C 11.03 Anh 216 Symphony for Orchestra in B-flat major, K. Anh C 11.03/K3 74g/Anh 216: I. Allegro
Anh C 11.03 Anh 216 Symphony for Orchestra in B-flat major, K. Anh C 11.03/K3 74g/Anh 216: II. Andante
Anh C 11.03 Anh 216 Symphony for Orchestra in B-flat major, K. Anh C 11.03/K3 74g/Anh 216: III. Minuet & trio
Anh C 11.03 Anh 216 Symphony for Orchestra in B-flat major, K. Anh C 11.03/K3 74g/Anh 216: IV. Allegro molto
Anh C 17.01 Anh 226 Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/K3 196e/Anh 226 (spurious): I. Allegro moderato
Anh C 17.01 Anh 226 Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/K3 196e/Anh 226 (spurious): II. Minuetto
Anh C 17.01 Anh 226 Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/K3 196e/Anh 226 (spurious): III. Romance
Anh C 17.01 Anh 226 Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/K3 196e/Anh 226 (spurious): IV. Minuetto
Anh C 17.01 Anh 226 Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/K3 196e/Anh 226 (spurious): V. Rondo
Anh C 17.02 Anh 226 Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/K3 196f/Anh 227 (spurious): I. Allegro
Anh C 17.02 Anh 226 Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/K3 196f/Anh 227 (spurious): II. Minuetto
Anh C 17.02 Anh 226 Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/K3 196f/Anh 227 (spurious): III. Adagio
Anh C 17.02 Anh 226 Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/K3 196f/Anh 227 (spurious): IV. Minuetto
Anh C 17.02 Anh 226 Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/K3 196f/Anh 227 (spurious): V. Finale
Anh C 17.12 187 Composed by Christoph Willibald Gluck, not Wolfgang Amadeus Mozart.
deest 61 Composed by Friedrich Raupach, not Wolfgang Amadeus Mozart
deest deest Canonical Study in B-flat major, K. deest: "Dona nobis pacem"
deest deest Canonical Study, K. deest: "Sinkt die Nacht"
deest deest Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): I. Serenade: Rondo. Larghetto. Le nozze di Figaro “Al descio, di che t’adora"
deest deest Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): II. Serenade: Le nozze di Figaro: "Voi che sapete"
deest deest Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): III. Serenade: Le nozze di Figaro: "Non più andrai"
deest deest Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): IV. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Là ci darem la mano"
deest deest Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): V. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Vedrai, carino"
deest deest March for 9 Winds & 2 Drums for "Die Entführung aus dem Serail" K. deest "Marsch der Janitscharen"
deest deest Sonata for Piano in D major, K. deest, after J.C. Bach: Opus 5. No. 2, CW A2 (T. 338/3): I. Allegro di molto
deest deest Sonata for Piano in D major, K. deest, after J.C. Bach: Opus 5. No. 2, CW A2 (T. 338/3): II. Andante di molto
deest deest Sonata for Piano in D major, K. deest, after J.C. Bach: Opus 5. No. 2, CW A2 (T. 338/3): III. Minuetto
deest deest Sonata for Piano in G major, K. deest, after J.C. Bach: Opus 5. No. 3, CW A3 (T. 338/6): I. Allegro
deest deest Sonata for Piano in G major, K deest., after J.C. Bach: Opus 5. No. 3, CW A3 (T. 338/6): II. Allegretto
deest deest Sonata for Piano in E-flat major, K. deest, after J.C. Bach: Opus 5. No. 4, CW A4 (T. 339/1): I. Allegro
deest deest Sonata for Piano in E-flat major, K. deest, after J.C. Bach: Opus 5. No. 4, CW A4 (T. 339/1): II. Rondeau. Allegretto
Fr 1764e deest Movement for Orchestra in G-sharp minor, K. deest (noted: K. 186+159b) (fragment) Fr 1764e
Fr 1765b deest Instrumental Movement in C major, K. deest (fragment) Fr 1765b
Fr 1782r deest Movement for String Quartet in E major, K. deest (fragment) Fr 1782r
Fr 1782s deest Fugue for 2 Violins, Viola & Cello in C minor, K. deest (fragment) Fr 1782s
NMA IX/25/ii/Anh1 deest Sonata Movement in C major, K. deest NMA IX/25/ii/Anh1

New Table

Every work in the table below has been checked against the NMA scores and should be 100% correct as it is. Please do not add or edit information in this table. If you think you've spotted an omission or error, please PM BrianFreud. Note: The distinction between Zu and * is currently being corrected in this listing. If you run into one of these, please check with BrianFreud if it is a catalog number higher than: K. 8

K6 / NMA K1 Mvmt Title Composed
Dates: Except where date ranges are specified with the word "to", composition dates indicate the date upon which composition was completed.
Note also that many works are undated. Specific dates typically come from Mozart's own records, while more vague dates typically come from research which has attempted to identify when the work was composed. For completions & reconstructions, the date listed is for the completion or reconstruction, not Mozart's composition date (which can be found just above in the fragment listing).
Completions: With few exceptions, the Köchel catalog numbers indicate the fragment composed by Wolfgang Amadeus Mozart, or very early completions such as Süßmayr's completion of K. 626. However, though these numbers do not technically apply also to non-catalog completions or reconstructions, the Köchel catalog numbers are normally still used to identify the fragmentary work. Thus, in this listing, Köchel catalog numbers are used to also identify completions, not just the Köchel-listed fragments. Where you do see multiple listings here for the same work, please double check if you need the fragment version, or one of the completion/reconstruction versions. (If you don't see the completion version you need, please add it to this listing.)
Cadenzas / Engang / Ornamentation: Cadenzas, engang, and ornamentation for works by other composers are listed according to their Köchel catalog numer, as with other works. Cadenzas, engang, and ornamentation for works by Mozart, however, are listed with the works they apply to, rather than in catalog order, to avoid your having to scroll up and down across this listing.
1a deest Andante for Keyboard in C major, K. 1a / deest "Notenbuch für Nannerl Mozart" No. 53: Andante 1761
1b deest Allegro for Keyboard in C major, K. 1b / deest "Notenbuch für Nannerl Mozart" No. 54: Allegro 1761
1c deest Allegro for Keyboard in F major, K. 1c / deest "Notenbuch für Nannerl Mozart" No. 55: Allegro 1761-12-11
1d deest Minuet for Keyboard in F major, K. 1d / deest "Notenbuch für Nannerl Mozart" No. 56: Minuetto 1761-12-16
1e 1 Minuet for Keyboard in G major, K. 1e / 1 (Minuet) "Notenbuch für Nannerl Mozart" No. 62: Minuet 1764
1f 1 Minuet for Keyboard in C major, K. 1f / 1 (Trio) "Notenbuch für Nannerl Mozart" No. 63: Minuet 1764
2 2 Minuet for Keyboard in F major, K. 2 "Notenbuch für Nannerl Mozart" No. 58: Minuet 1762-01
3 3 Allegro for Keyboard in B-flat major, K. 3 "Notenbuch für Nannerl Mozart" No. 59: Allegro 1762-03-04
4 4 Minuet for Keyboard in F major, K. 4 "Notenbuch für Nannerl Mozart" No. 49: (no tempo indication) 1762-05-11
5 5 Minuet for Keyboard in F major, K. 5 "Notenbuch für Nannerl Mozart" No. 61: Minuet 1762-07-05
5a deest Piece for Keyboard in C major, K. 5a / K2 9a / KV deest "Notenbuch für Nannerl Mozart" No. 20: (no tempo indication) 1764
5b deest Andante for Keyboard in C major, K. 5b / K2 9b / KV deest Fr 1764a (fragment) "Notenbuch für Nannerl Mozart" No. 64: Andante 1764
Sonata for Violin & Harpsichord No. 1 in C major
6 6 1 Sonata for Violin & Harpsichord No. 1 in C major, K. 6: I. Allegro 1764-01
6 6 2 Sonata for Violin & Harpsichord No. 1 in C major, K. 6: II. Andante
6 6 3 Sonata for Violin & Harpsichord No. 1 in C major, K. 6: III. Minuet I & Minuet II & Minuet I
6 6 4 Sonata for Violin & Harpsichord No. 1 in C major, K. 6: IV. Allegro molto
*6/01 *6/01 Allegro for Harpsichord in C major, K. *6/01 "Notenbuch für Nannerl Mozart" No. 46: Allegro 1763-10-14
*6/02 *6/02 Andante for Harpsichord in F major, K. *6/02 "Notenbuch für Nannerl Mozart" No. 25: Andante 1763-10
*6/03 *6/03 Minuet for Harpsichord in C major, K. *6/03 "Notenbuch für Nannerl Mozart" No. 26: Minuet I 1763-10
*6/03 *6/03 Minuet for Harpsichord in C major, K. *6/03 "Notenbuch für Nannerl Mozart" No. 26: Minuet II 1762-07-16
Sonata for Violin & Harpsichord No. 2 in D major
7 7 1 Sonata for Violin & Harpsichord No. 2 in D major, K. 7: I. Allegro molto 1764-01
7 7 2 Sonata for Violin & Harpsichord No. 2 in D major, K. 7: II. Adagio
7 7 3 Sonata for Violin & Harpsichord No. 2 in D major, K. 7: III. III. Minuet I & Minuet II & Minuet I
*7/03 *7/03 Minuet for Harpsichord in D major, K. *7/03 "Notenbuch für Nannerl Mozart" No. 47: Minuet I 1763-11-30
Sonata for Violin & Harpsichord No. 3 in B-flat major
8 8 1 Sonata for Violin & Harpsichord No. 3 in B-flat major, K. 8: I. Allegro 1764-01
8 8 2 Sonata for Violin & Harpsichord No. 3 in B-flat major, K. 8: II. Andante grazioso
8 8 3 Sonata for Violin & Harpsichord No. 3 in B-flat major, K. 8: III. III. Minuet I & Minuet II & Minuet I
*8/01 *8/01 Allegro for Harpsichord in B-flat major, K. *8/01 "Notenbuch für Nannerl Mozart" No. 24: Allegro 1763-11-21
Sonata for Violin & Harpsichord No. 4 in G major
9 9 1 Sonata for Violin & Harpsichord No. 4 in G major, K. 9: I. Allegro spiritoso 1764-01
9 9 2 Sonata for Violin & Harpsichord No. 4 in G major, K. 9: II. Andante
9 9 3 Sonata for Violin & Harpsichord No. 4 in G major, K. 9: III. III. Minuet I & Minuet II & Minuet I
15a deest Allegretto for Keyboard in F major, K. 15a / K2 Anh 109b No. 1 / KV deest "Londoner Skizzenbuch" No. 1: (no tempo indication) 1764
15b deest Contredanse for Keyboard in C major, K. 15b / K2 Anh 109b No. 2 / KV deest "Londoner Skizzenbuch" No. 2: (no tempo indication) 1764
15c deest Minuet for Keyboard in G major, K. 15c / KV deest "Londoner Skizzenbuch" No. 3: (no tempo indication) 1764
15d deest Rondino for Keyboard in D major, K. 15d / KV deest "Londoner Skizzenbuch" No. 4: (no tempo indication) 1764
15e deest Ecossaise for Keyboard in G major, K. 15e / KV deest "Londoner Skizzenbuch" No. 5: (no tempo indication) 1764
15f deest Minuet for Keyboard in C major, K. 15f / KV deest "Londoner Skizzenbuch" No. 6: (no tempo indication) 1764
15g deest Prelude for Organ in G major, K. 15g / KV deest "Londoner Skizzenbuch" No. 7: (no tempo indication) 1764
15h deest Contredanse for Keyboard in F major, K. 15h / KV deest "Londoner Skizzenbuch" No. 8: (no tempo indication) 1764
15i deest Minuet for Keyboard in D major, K. 15i / KV deest "Londoner Skizzenbuch" No. 9: (no tempo indication) 1764
15k deest Minore for Keyboard in D major, K. 15k / KV deest "Londoner Skizzenbuch" No. 10: (no tempo indication) 1764
15l deest Contredanse for Keyboard in D major, K. 15l / KV deest "Londoner Skizzenbuch" No. 11: Maggoire & Minore. (no tempo indication) 1764
15m deest Minuet for Keyboard in F major, K. 15m / K2 Anh 109b No. 4 / KV deest "Londoner Skizzenbuch" No. 12: (no tempo indication) 1764
15n deest Piece for Keyboard in C major, K. 15n / KV deest "Londoner Skizzenbuch" No. 13: (no tempo indication) 1764
15o deest Piece for Keyboard in D major, K. 15o / KV deest "Londoner Skizzenbuch" No. 14: (no tempo indication) 1764
15p deest Sonata for Keyboard in G minor, K. 15p / K2 Anh 109b No. 3 / KV deest "Londoner Skizzenbuch" No. 15: (no tempo indication) 1764
15q deest Divertimento for Keyboard in G minor, K. 15q / KV deest "Londoner Skizzenbuch" No. 16: (no tempo indication) 1764
15r deest Divertimento for Keyboard in G minor, K. 15r / K2 Anh 109b No. 7 / KV deest "Londoner Skizzenbuch" No. 17: (no tempo indication) 1764
15s deest Hornpipe for Keyboard in C major, K. 15s / KV deest "Londoner Skizzenbuch" No. 18: (no tempo indication) 1764
15t deest Sonata for Keyboard in F major, K. 15t / K2 Anh 109b No. 5 / KV deest "Londoner Skizzenbuch" No. 19: (no tempo indication) 1764
15u deest Siciliano for Keyboard in F major, K. 15u / KV deest "Londoner Skizzenbuch" No. 20: (no tempo indication) 1764
15v deest Finale for Keyboard in F major, K. 15v / KV deest "Londoner Skizzenbuch" No. 21: (no tempo indication) 1764
15w deest Piece for Keyboard in B-flat major, K. 15w / KV deest "Londoner Skizzenbuch" No. 22: (no tempo indication) 1764
15x deest Sinfonia for Keyboard in F major, K. 15x / K2 Anh 109b No. 6 / KV deest "Londoner Skizzenbuch" No. 23: (no tempo indication) 1764
15y deest Minuet for Keyboard in G major, K. 15y / KV deest "Londoner Skizzenbuch" No. 24: (no tempo indication) 1764
15z deest Gigue for Keyboard in C minor, K. 15z / KV deest "Londoner Skizzenbuch" No. 25: (no tempo indication) 1764
15aa deest Piece for Keyboard in B-flat major, K. 15aa / KV deest "Londoner Skizzenbuch" No. 26: (no tempo indication) 1764
15bb deest Piece for Keyboard in D major, K. 15bb / KV deest "Londoner Skizzenbuch" No. 27: (no tempo indication) 1764
15cc deest Concertino for Keyboard in E-flat major, K. 15cc / KV deest "Londoner Skizzenbuch" No. 28: (no tempo indication) 1764
15dd deest Piece for Keyboard in A-flat major, K. 15dd / KV deest "Londoner Skizzenbuch" No. 29: (no tempo indication) 1764
15ee deest Minuet for Keyboard in E-flat major, K. 15ee / KV deest "Londoner Skizzenbuch" No. 30: (no tempo indication) 1764
15ff deest Minuet for Keyboard in A-flat major, K. 15ff / K2 Anh 109b No. 8 / KV deest "Londoner Skizzenbuch" No. 31: (no tempo indication) 1764
15gg deest Cottilon for Keyboard in B-flat major, K. 15gg / KV deest "Londoner Skizzenbuch" No. 32: (no tempo indication) 1764
15hh deest Rondo for Keyboard in F major, K. 15hh / KV deest "Londoner Skizzenbuch" No. 33: (no tempo indication) 1764
15ii deest Air for Keyboard in B-flat major, K. 15ii / KV deest "Londoner Skizzenbuch" No. 34: (no tempo indication) 1764
15kk deest Piece for Keyboard in E-flat major, K. 15kk / KV deest "Londoner Skizzenbuch" No. 35: (no tempo indication) 1764
15ll deest Piece for Keyboard in B-flat major, K. 15ll / K2 Anh 109b No. 9 / KV deest "Londoner Skizzenbuch" No. 36: Presto 1764
15mm deest Piece for Keyboard in E-flat major, K. 15mm / KV deest "Londoner Skizzenbuch" No. 37: (no tempo indication) 1764
15nn deest Sonata Movement for Keyboard in F major, K. 15nn / KV deest Fr 1764b "Londoner Skizzenbuch" No. 38: (no tempo indication) 1764
15oo deest German Dance for Keyboard in F major, K. 15oo / KV deest "Londoner Skizzenbuch" No. 39: (no tempo indication) 1764
15pp deest Minuet for Keyboard in B-flat major, K. 15pp / KV deest "Londoner Skizzenbuch" No. 40: (no tempo indication) 1764
15qq deest Minuet for Keyboard in E-flat major, K. 15qq / KV deest "Londoner Skizzenbuch" No. 41: (no tempo indication) 1764
15rr deest Minuet for Keyboard in C major, K. 15rr / KV deest Fr 1764c (fragment) "Londoner Skizzenbuch" No. 42: (no tempo indication) 1764
15rr deest Minuet for Keyboard in C major, K. 15rr / KV deest Fr 1764c (Leonard Danek completion) "Londoner Skizzenbuch" No. 42: (no tempo indication) 1764
15rr deest Minuet for Keyboard in C major, K. 15rr / KV deest Fr 1764c (Hans-Udo Kreuels completion) "Londoner Skizzenbuch" No. 42: (no tempo indication) 1764
15ss deest Fugue for 4 Voices & Keyboard in A major, K. 15ss / KV deest Fr 1764d (fragment) "Londoner Skizzenbuch" No. 43: Fuga 1764
15ss deest Fugue for 4 Voices & Keyboard in A major, K. 15ss / KV deest Fr 1764d (Hans-Udo Kreuels completion) "Londoner Skizzenbuch" No. 43: Fuga 1764
Symphony No. 1 in E-flat major
16 16 1 Symphony No. 1 for Orchestra in E-flat major, K. 16: I. Allegro molto 1764 or 1765
16 16 2 Symphony No. 1 for Orchestra in E-flat major, K. 16: II. Andante
16 16 3 Symphony No. 1 for Orchestra in E-flat major, K. 16: III. Presto
Zu 16 Appendix
Zu 16 16 Symphony No. 1 for Orchestra in E-flat major, K. Zu 16: (deleted measures) 1764 or 1765
Symphony No. 4 in D major
19 19 1 Symphony No. 4 for Orchestra in D major, K. 19: I. Allegro 1765
19 19 2 Symphony No. 4 for Orchestra in D major, K. 19: II. Andante
19 19 3 Symphony No. 4 for Orchestra in D major, K. 19: III. Presto
Unnumbered Symphony in F major
19a Note: The NMA index for this work erroniously inverts the tempos for movements 1 and 2.
Tempos are correct as listed here, per the actual score.
19a Anh 223 1 Symphony for Orchestra in F major, K. 19a / Anh 223: I. Allegro assai 1765
19a Anh 223 2 Symphony for Orchestra in F major, K. 19a / Anh 223: II. Andante
19a Anh 223 3 Symphony for Orchestra in F major, K. 19a / Anh 223: III. Presto
19b Anh 222 Lost Lost Work: Symphony in C major 1765
Va, dal furor portata
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
19c 21 Aria for Tenor and Orchestra in C major, K. 19c / KV 21: Allegro "Va, dal furor portata" 1765
Zu 19c Zu 21 Aria for Tenor and Orchestra in C major, K. Zu 19c / Zu KV 21 (revised version): Allegro "Va, dal furor portata" 1765
God is our refuge
Librettist: (Psalm 46, 1)
20 20 Motet for Chorus in G minor, K. 20: (no tempo indication). (Soprano, Alto, Tenor, Bass) "God is our refuge" 1765-07
21a Anh 206 Lost Lost Work: Variations for Piano 1764 or 1765
Symphony No. 5 in B-flat major
22 22 1 Symphony No. 5 for Orchestra in B-flat major, K. 22: I. Allegro 1765-12
22 22 2 Symphony No. 5 for Orchestra in B-flat major, K. 22: II. Andante
22 22 3 Symphony No. 5 for Orchestra in B-flat major, K. 22: III. Allegro molto
Conservati fedele
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
23 23 Aria for Soprano and Orchestra in A major, K. 23: Andante grazioso - allegretto "Conservati fedele" 1765-10
Zu 23 Zu 23 Aria for Soprano and Orchestra in A major, K. Zu 23 (revised version): Andante - allegretto "Conservati fedele" 1765
Zu 23 Zu 23 Reduction for Soprano and Piano of Aria for Soprano and Orchestra in A major, K. 23: Andante grazioso - allegretto "Conservati fedele", K. Zu 23 1766-01
Sonata for Violin & Harpsichord No. 11 in E-flat major
26 26 1 Sonata for Violin & Harpsichord No. 11 in E-flat major, K. 26: I. Allegro molto 1766-02
26 26 2 Sonata for Violin & Harpsichord No. 11 in E-flat major, K. 26: II. Adagio poco andante
26 26 3 Sonata for Violin & Harpsichord No. 11 in E-flat major, K. 26: III. Rondeaux. Allegro
Sonata for Violin & Harpsichord No. 12 in G major
27 27 1 Sonata for Violin & Harpsichord No. 12 in G major, K. 27: I. Andante poco adagio 1766-02
27 27 2 Sonata for Violin & Harpsichord No. 12 in G major, K. 27: II. Allegro
Sonata for Violin & Harpsichord No. 13 in C major
28 28 1 Sonata for Violin & Harpsichord No. 13 in C major, K. 28: I. Allegro maestroso 1766-02
28 28 2 Sonata for Violin & Harpsichord No. 13 in C major, K. 28: II. Allegro grazioso
Sonata for Violin & Harpsichord No. 14 in D major
29 29 1 Sonata for Violin & Harpsichord No. 14 in D major, K. 29: I. Allegro molto 1766-02
29 29 2 Sonata for Violin & Harpsichord No. 14 in D major, K. 29: II. Minuetto
Sonata for Violin & Harpsichord No. 15 in F major
30 30 1 Sonata for Violin & Harpsichord No. 15 in F major, K. 30: I. Adagio 1766-02
30 30 2 Sonata for Violin & Harpsichord No. 15 in F major, K. 30: II. Rondo. Tempo di minuetto - poco adagio -- tempo primo
Sonata for Violin & Harpsichord No. 16 in B-flat major
31 31 1 Sonata for Violin & Harpsichord No. 16 in B-flat major, K. 31: I. Allegro 1766-02
31 31 2 Sonata for Violin & Harpsichord No. 16 in B-flat major, K. 31: II. Tempo di minuetto - moderato & Variations I - VI
Galimathias musicum for Harpsichord & Orchestra in D major "Quodlibet"
32 32 1 Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": I. Allegro molto 1766-03
32 32 2 Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": II. Andante
32 32 3 Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": III. Allegro
32 32 4 Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": IV. Pastorella
32 32 5 Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": V. Allegro
32 32 6 Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": VI. Allegretto
32 32 7 Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": VII. Allegro
32 32 8 Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": VIII. Molto adagio
32 32 9 Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": IX. Allegro
32 32 10 Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": X. Largo
32 32 11 Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XI. Allegro
32 32 12 Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XII. Andante
32 32 13 Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XIII. Allegro
32 32 14 Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XIV. Minuet
32 32 15 Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XV. Adagio
32 32 16 Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XVI. Presto
32 32 17 Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XVII. Fuga
Zu 32-14 Zu 32-14 Minuet for Harpsichord in F major, K. Zu 32 No. 14 NMA IX/27/1 I. No. 19 "Notenbuch für Nannerl Mozart" No. 19: Minuet  ?
32a deest Lost Lost Work: Sketchbook "Capricci"
33a deest Lost Lost Work: Solos for Flute
33b deest Lost Lost Work: Solos for Cello
33B deest Piece for Piano in F major, K. 33B / deest: Contredanse. Allegro 1766-10
33c deest Lost Lost Work: Stabat Mater for 4 voices without instruments 1766
33d Anh 199 Lost Lost Work: Sonata for Piano in D major between 1768 and 1775
33e Anh 200 Lost Lost Work: Sonata for Piano in D major between 1768 and 1775
33f Anh 201 Lost Lost Work: Sonata for Piano in D major between 1768 and 1775
33g Anh 201 Lost Lost Work: Sonata for Piano in F major early 1775
33h deest Lost Lost Work: Wäldhornstückl early 1778
Or che il dover
Librettist: Unknown
33i 36 Recitative for Tenor and Orchestra in C major, K. 33i / KV 36: Allegro maestoso - andante - maestoso - allegro - andante - maestoso - andante "Or che il dover" 1766-12
Tali e cotanti sono
Librettist: Unknown
33i 36 Aria for Tenor and Orchestra in C major, K. 33i / KV 36: Allegro - andantino "Tali e cotanti sono" 1766-12
34 34 1 Offertorium in Festo Sti Benedicti for Soprano, Chorus, Orchestra & Organ in C major, K. 34: I. Aria "Scanda coeli limina". Andante 1766 or 1767
34 34 2 Offertorium in Festo Sti Benedicti for Soprano, Chorus, Orchestra & Organ in C major, K. 34: II. Chorus "Cara o pignora". Allegro
Apollo et Hyacinthus
38 38 Apollo et Hyacinthus, K. 38: Intrada. Allegro 1767
38 38 Apollo et Hyacinthus, K. 38: Act I Recitativo "Amice! iam parata sunt" (Hyacinthus, Zephyrus, Oebalus, Melia)
38 38 Apollo et Hyacinthus, K. 38: Act I No. 1 Chorus et Oebalus. Andante alla breve "Numen o Latonium" (Chorus, Oebalus)
38 38 Apollo et Hyacinthus, K. 38: Act I No. 1 Chorus et Oebalus. Tempo moderato "O Apollo" (Chorus, Oebalus)
38 38 Apollo et Hyacinthus, K. 38: Act I No. 1 Chorus et Oebalus. Andante alla breve "Numen o Latonium" (Chorus, Oebalus)
38 38 Apollo et Hyacinthus, K. 38: Act I Recitativo "Heu me! perimus!" (Melia, Oebalus, Hyacinthus, Zephyrus)
38 38 Apollo et Hyacinthus, K. 38: Act I No. 2 Aria. Allegro moderato - andantino "Saepe terrent Numina" (Hyacinthus)
38 38 Apollo et Hyacinthus, K. 38: Act I Recitativo "Ah nate! vera loqueris" (Oebalus)
38 38 Apollo et Hyacinthus, K. 38: Act I No. 3 Aria. Andantino - allegro - andantino "Jam pastor Apollo" (Apollo)
38 38 Apollo et Hyacinthus, K. 38: Act II Recitativo "Amare numquid filia" (Oebalus, Melia)
38 38 Apollo et Hyacinthus, K. 38: Act II No. 4 Aria. Allegro "Laetari, iocari" (Melia)
38 38 Apollo et Hyacinthus, K. 38: Act II Recitativo "Rex! de salute filii" (Zephyrus, Oebalus, Melia)
38 38 Apollo et Hyacinthus, K. 38: Act II No. 5 Aria. Un poco allegro "En! duos conspicis" (Zephyrus)
38 38 Apollo et Hyacinthus, K. 38: Act II Recitativo "Heu! Numen! Ecce!" (Zephyrus, Melia, Apollo)
38 38 Apollo et Hyacinthus, K. 38: Act II No. 6 Duetto. Allegro - moderato - allegro "Discede crudelis!" (Melia, Apollo)
38 38 Apollo et Hyacinthus, K. 38: Act III Recitativo "Non est quis ergo" (Hyacinthus, Oebalus)
38 38 Apollo et Hyacinthus, K. 38: Act III No. 7 Aria. Allegro "Ut navis in aequore luxuriante" (Oebalus)
38 38 Apollo et Hyacinthus, K. 38: Act III Recitativo "Quocumque me converto" (Melia, Oebalus)
38 38 Apollo et Hyacinthus, K. 38: Act III No. 8 Duetto. Andante "Natus cadit, atque Deus" (Oebalus, Melia)
38 38 Apollo et Hyacinthus, K. 38: Act III Recitativo "Rex! me redire cogit" (Apollo, Oebalus, Melia)
38 38 Apollo et Hyacinthus, K. 38: Act III Recitativo. Andantino "Hyacinthe surge!" (Apollo, Oebalus, Melia)
38 38 Apollo et Hyacinthus, K. 38: Act III No. 9 Terzetto. Allegro "Tandem post turbida fulmina" (Apollo, Melia, Oebalus)
41a deest Lost Lost Work: 6 Divertimentos in 4-parts for various instruments 1767
41b deest Lost Lost Work: Wind pieces of various settings
41c deest Lost Lost Work: Marches of various settings
41d deest Lost Lost Work: Menuets of various settings
41e deest Lost Lost Work: Fugue for Piano
41f deest Lost Lost Work: 4-part Fugue
41g deest Lost Lost Work: Nachtmusik for 2 Violins and Bass
41h 67 Church Sonata No. 1 for 2 Violins, Organ, Cello, and Bass in E-flat major, K. 41h / KV 67: Andantino 1772
41i 68 Church Sonata No. 2 for 2 Violins, Organ, Cello, and Bass in B-flat major, K. 41i / KV 68: Allegro 1772
41k 69 Church Sonata No. 3 for 2 Violins, Organ, Cello, and Bass in D major, K. 41k / KV 69: Allegro 1772
Symphony No. 43 for Orchestra in F major
42a 76 1 Symphony No. 43 for Orchestra in F major, K. 42a / 76: I. Allegro maestoso Fall 1767
42a 76 2 Symphony No. 43 for Orchestra in F major, K. 42a / 76: II. Andante
42a 76 3 Symphony No. 43 for Orchestra in F major, K. 42a / 76: III. Minuetto & Trio
42a 76 4 Symphony No. 43 for Orchestra in F major, K. 42a / 76: IV. Allegro
Symphony No. 6 in F major
43 43 1 Symphony No. 6 for Orchestra in F major, K. 43: I. Allegro Late 1767
43 43 2 Symphony No. 6 for Orchestra in F major, K. 43: II. Andante
43 43 3 Symphony No. 6 for Orchestra in F major, K. 43: III. Minuetto & Trio
43 43 4 Symphony No. 6 for Orchestra in F major, K. 43: IV. Allegro
Ach, was müssen wir erfahren!
Librettist: Unknown
43a deest Duet for 2 Voices in F major, K. 43a / K2 Anh 24a / KV deest Fr 1767a (fragment): (no tempo indication). (2 Sopranos) "Ach, was müssen wir erfahren!" 1767-10-15
Symphony No. 7 in D major
45 45 1 Symphony No. 7 for Orchestra in D major, K. 45: I. Allegro molto 1768-01-16
45 45 2 Symphony No. 7 for Orchestra in D major, K. 45: II. Andante
45 45 3 Symphony No. 7 for Orchestra in D major, K. 45: III. Minuetto & Trio
45 45 4 Symphony No. 7 for Orchestra in D major, K. 45: IV. Allegro molto
Symphony No. 7a in G major "Alte Lambacher"
45a Anh 221 1 Symphony No. 7a for Orchestra in G major, K. 45a / Anh 221 "Alte Lambacher": I. Allegro maestoso 1766 to 1769-01-04
45a Anh 221 2 Symphony No. 7a for Orchestra in G major, K. 45a / Anh 221 "Alte Lambacher": II. Andante
45a Anh 221 3 Symphony No. 7a for Orchestra in G major, K. 45a / Anh 221 "Alte Lambacher": III. Presto
Zu 45a Appendix You almost always want the above (revised) version. The below version is the earlier version.
The 3rd movement's tempo is also a good indicator of which version you have.
Zu 45a Anh 221 1 Symphony for Orchestra in G major, K. Zu 45a / Anh 221: I. Allegro maestoso 1766
Zu 45a Anh 221 2 Symphony for Orchestra in G major, K. Zu 45a / Anh 221: II. Andante
Zu 45a Anh 221 3 Symphony for Orchestra in G major, K. Zu 45a / Anh 221: III. Allegro molto
Unnumbered Symphony in B-flat major
45b Anh 214 1 Symphony for Orchestra in B-flat major, K. 45b / Anh 214: I. Allegro 1768
45b Anh 214 2 Symphony for Orchestra in B-flat major, K. 45b / Anh 214: II. Andante
45b Anh 214 3 Symphony for Orchestra in B-flat major, K. 45b / Anh 214: III. Minuetto & Trio
45b Anh 214 4 Symphony for Orchestra in B-flat major, K. 45b / Anh 214: IV. Allegro
La finta semplice
46a 51 La finta semplice, K. 46a / KV 51: a. Sinfonia. Molto allegro 1786-04 to 1786-06
46a 51 La finta semplice, K. 46a / KV 51: b. Sinfonia. Andante
46a 51 La finta semplice, K. 46a / KV 51: c. Sinfonia. Molto allegro
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene I. No. 1 Coro. Allegro "Bella cosa è far l'amore!" (Giacinta, Ninetta, Fracasso, Simone)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene I. Recitativo "Ritiriamoci, amici!" (Giacinta, Fracasso, Ninetta, Simone)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene I. No. 2 Aria. Tempo ordinario - allegro - tempo primo - allegro - tempo primo "Troppa briga a prender moglie" (Simone)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene II. Recitativo "L'un de' patroni è alzato" (Giacinta, Ninetta, Fracasso)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene II. No. 3 Aria. Allegro grazioso - allegro - tempo primo - allegro "Marito io vorrei" (Giacinta)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene III. Recitativo "Oh, starem male insieme" (Fracasso)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene III. No. 4 Aria. Allegro non molto "Non c'è al mondo altro che donne" (Cassandro)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene III. Recitativo "Con chi l'ha Don Cassandro?" (Cassandro, Fracasso)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene III. No. 5 Aria. Allegro moderato "Guarda la donna in viso" (Fracasso)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene III. Recitativo "Eh! ben ben, ci vedremo, e sua sorella" (Cassandro)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene IV. No. 6 Aria. Andante "Colla bocca, e non col core" (Rosina)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene IV. Recitativo "Sicche m'avete inteso?" (Ninetta, Polidoro, Rosina)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene V. Recitativo "Oh, la prendo da vero" (Cassandro Polidoro)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene V. No. 7 Aria. Allegro "Cosa ha mai la donna indosso" (Polidoro)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene VI. Recitativo "Grand'uomo che son io" (Cassandro, Rosina)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene VI. No. 8 Aria. Andante - tempo primo - adagio - tempo primo "Ella vuole ed io torrei" (Cassandro)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene VII. Recitativo "Eh ben, sorella mia?" (Fracasso, Ninetta Rosina)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene VII. No. 9 Aria. Andante un poco adagio - allegro grazioso - andante unn poco adagio - allegro grazioso "Senti l'eco, ove t'aggiri" (Rosina)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene VIII. Recitativo "Ninetta. - Che volete?" (Fracasso, Ninetta, Polidoro)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene VIII. No. 10 Aria. Tempo di Minuetto "Chi mi vuol bene" (Ninetta)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene IX. Recitativo "Adesso e fatto tutto" (Polidoro)
46a 51 La finta semplice, K. 46a / KV 51: Act I, Scene IX. No. 11 Finale. Un poco adagio - allegro - Allegro - andante - molto allegro - tempo più moderato "Dove avete la creanza?" (Rosina, Fracasso, Polidoro, Ninetta, Cassandro, Simone, Giacinta)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene I. Recitativo "Sono i padroni miei a pranzo ancor" (Ninetta, Simone)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene I. No. 12 Aria. Allegretto "Un marito, donne care" (Ninetta)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene II. Recitativo "Eh, quando sia mia sposa" (Giacinta, Simone)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene II. No. 13 Aria. Allegro "Con certe persone vuol esser bastone" (Simone)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene III. Recitativo "Non mi marito più" (Giacinta, Polidoro)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene III. No. 14 Aria. Allegro comodo "Se a maritarmi arrivo" (Giacinta)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene IV. Recitativo "Quando avro moglie anch'io" (Polidoro, Ninetta)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene V. No. 15 Aria "Amoretti, che ascosi qui siete" (Rosina)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene V. Recitativo "Madama, è fatto tutto" (Polidoro, Ninetta, Rosina)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene VI. No. 16 Aria. Allegro "Ubriaco non son io" (Cassandro)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene VI. Recitativo "L'ha coll'anello ancora" (Rosina, Cassandro, Polidoro)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene VI. No. 17 Aria. Adagio - allegretto - moderato - allegretto - moderato "Sposa cara, sposa bella" (Polidoro)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene VII. Recitativo "L'ho fatta grossa assai" (Cassandro, Rosina)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene VII. Recitativo pantomima "Me ne vo' prender spasso" (Cassandro, Rosina)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene VII. Recitativo "Ehi... dormite, signore?" (Cassandro, Rosina)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene VII. No. 18 Aria. Allegro grazioso - allegretto - tempo primo - allegretto "Ho sentito a dir da tutte" (Rosina)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene VIII. Recitativo "Sciocca è la Baronessa" (Cassandro, Fracasso)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene VIII. No. 19 Duetto "Cospetton, cospettonaccio!" (Cassandro, Fracasso)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene IX. Recitativo "Dove andate, signore?" (Rosina, Cassandro)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene X. Recitativo "Siam quasi in porto adesso" (Rosina, Fracasso)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene XI. Recitativo "Vieni a tempo, Simone" (Fracasso, Ninetta, Simone)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene XI. No. 20 Aria. Grazioso - allegro "In voi, belle, è leggiadria" (Fracasso)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene XII. Recitativo "Come anderà, Simone" (Ninetta, Simone)
46a 51 La finta semplice, K. 46a / KV 51: Act II, Scene XIII. No. 21 Finale. Allegro - a tempo giusto - Allegro - a tempo giusto - allegro "T'ho detto, buffone" (Cassandro, Fracasso, Ninetta, Polidoro, Rosina, Simone)
46a 51 La finta semplice, K. 46a / KV 51: Act III, Scene I. No. 22 Aria. Un poco adagio "Vieni, vieni, oh mia Ninetta" (Simone)
46a 51 La finta semplice, K. 46a / KV 51: Act III, Scene I. Recitativo "Io non ho gran paura" (Ninetta, Simone)
46a 51 La finta semplice, K. 46a / KV 51: Act III, Scene I. No. 23 Aria. Tempo di menuetto - allegro - tempo di menuetto - allegro "Sono in amore, voglio marito" (Ninetta)
46a 51 La finta semplice, K. 46a / KV 51: Act III, Scene II. No. 24 Aria. Allegro "Che scompiglio, che flagello" (Giacinta)
46a 51 La finta semplice, K. 46a / KV 51: Act III, Scene II. Recitativo "Che smorfie, che paura!" (Fracasso, Giacinta)
46a 51 La finta semplice, K. 46a / KV 51: Act III, Scene II. No. 25 Aria. Andante maestoso - tempo di menuetto - tempo primo "Nelle guerre d'amore" (Fracasso)
46a 51 La finta semplice, K. 46a / KV 51: Act III, Scene III. Recitativo "E così, Baronessa?" (Cassandro, Rosina)
46a 51 La finta semplice, K. 46a / KV 51: Act III, Scene IV. Recitativo "Eh ben, quando facciamo queste nozze, signora?" (Polidoro, Rosina)
46a 51 La finta semplice, K. 46a / KV 51: Act III, Scene IV. No. 26 Finale. Andante "Se le pupille io giro" (Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone)
46a 51 La finta semplice, K. 46a / KV 51: Act III, Scene Ultima. No. 26 Finale. Allegro non presto - recitativo - in tempo - un poco adagio - allegro - allegro - andantino - allegretto - recitativo - allegro "Nozze, nozze eviva, eviva" (Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone)
*46a *51 La finta semplice, K. *46a / KV *51 (original conclusion) NMA II/5/2/1-2 Anh No. 1: Act I, Scene I. No. 2 Aria. Tempo ordinario - allegro - tempo primo - allegro - tempo primo "Troppa briga a prender moglie" (Simone)
*46a *51 La finta semplice, K. *46a / KV *51 (original version) NMA II/5/2/1-2 Anh No. 2: Act I, Scene III. No. 5 Aria. Adagio maestoso - andante - allegro - adagio - andante - allegro "Guarda la donna in viso" (Fracasso)
*46a *51 La finta semplice, K. *46a / KV *51 (original conclusion) NMA II/5/2/1-2 Anh No. 3: Act I, Scene VI. No. 8 Aria. Andante - tempo primo - adagio - tempo primo "Ella vuole ed io torrei" (Cassandro)
*46a *51 La finta semplice, K. *46a / KV *51 (original conclusion) NMA II/5/2/1-2 Anh No. 4: Act I, Scene XI. No. 11 Finale. Un poco adagio - allegro - Allegro - andante - molto allegro - tempo più moderato "Dove avete la creanza?" (Rosina, Fracasso, Polidoro, Ninetta, Cassandro, Simone, Giacinta)
*46a *51 La finta semplice, K. *46a / KV *51 (original conclusion) NMA II/5/2/1-2 Anh No. 5: Act II, Scene VI. No. 16 Aria. Allegro "Ubriaco non son io" (Cassandro)
*46a *51 La finta semplice, K. *46a / KV *51 (original conclusion) NMA II/5/2/1-2 Anh No. 6: Act II, Scene VII. No. 17 Aria. Adagio - allegretto - moderato - allegretto - moderato "Sposa cara, sposa bella" (Polidoro)
*46a *51 La finta semplice, K. *46a / KV *51 (original conclusion) NMA II/5/2/1-2 Anh No. 7: Act III, Scene I. No. 22 Aria. Un poco adagio "Vieni, vieni, oh mia Ninetta" (Simone)
*46a *51 La finta semplice, K. *46a / KV *51 (original version) NMA II/5/2/1-2 Anh No. 8: Act III, Scene I. No. 23 Aria. Tempo di menuetto - allegretto - tempo primo - allegretto "Sono in amore, voglio marito" (Ninetta)
*46a *51 La finta semplice, K. *46a / KV *51 (original version) NMA II/5/2/1-2 Anh No. 9: Act III, Scene II. No. 25 Aria. Andante maestoso "Nelle guerre d'amore" (Fracasso)
47 47 Antiphon for Soloists, Chorus, Orchestra & Organ in C major, K. 47: "Veni sancte Spiritus". Allegro - presto 1768
Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor
47a 139 1a Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": Ia. Kyrie: Adagio "Kyrie eleison" fall 1768 to 1769
47a 139 1b Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": Ib. Kyrie: Allegro "Kyrie eleison. Christe eleison"
47a 139 1c Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": Ic. Kyrie: Andante - allegro da capo "Christe eleison - Kyrie eleison"
47a 139 2a Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIa. Gloria: Allegro "Gloria in excelsis Deo"
47a 139 2b Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIb. Gloria: Andante "Laudamus te"
47a 139 2c Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIc. Gloria: Adagio - vivace "Gratias agimus tibi"
47a 139 2d Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IId. Gloria: Andante "Domine Deus"
47a 139 2e Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIe. Gloria: Adagio "Qui tollis peccata mundi"
47a 139 2f Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIf. Gloria: Allegro "Quoniam tu solus"
47a 139 2g Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIg. Gloria: Allegro "Cum sancto Spiritu"
47a 139 3a Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIIa. Credo: Allegro "Credo in unum Deum"
47a 139 3b Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIIb. Credo: Andante "Et incarnatus est"
47a 139 3c Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIIc. Credo: Adagio "Crucifixus"
47a 139 3d Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIId. Credo: Allegro - adagio - allegro "Et resurrexit"
47a 139 3e Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIIe. Credo: Andante "Et in Spiritum Sanctum"
47a 139 3f Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIIf. Credo: Allegro - adagio "Et unam sanctam catholicam"
47a 139 3g Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIIg. Credo: Allegro "Et vitam venturi saeculi"
47a 139 4a Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IVa.Sanctus: Adagio "Sanctus Dominus"
47a 139 4b Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IVb.Sanctus: Allegro "Pleni sunt coeli"
47a 139 5 Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": V. Benedictus. Andante
47a 139 6a Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": VIa. Agnus Dei: Andante "Agnus Dei qui tollis"
47a 139 6b Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": VIb. Agnus Dei: Allegro "Dona nobis pacem"
47b deest Lost Lost Work: Offertorium for 4 Voices and Orchestra
47c deest Lost Lost Work: Concerto for Trumpet
Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major
47d Note: See K. 626b/25 if you need the deleted Credo section.
47d 49 1 Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: I. Kyrie: Adagio - andante "Kyrie" 1768
47d 49 2 Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: II. Gloria: Allegro "Gloria"
47d 49 3a Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IIIa. Credo: Allegro "Credo in unum Deum"
47d 49 3b Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IIIb. Credo: Poco adagio "Et incarnatus est"
47d 49 3c Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IIIc. Credo: Allegro - adagio - allegro "Et resurrexit"
47d 49 3d Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IIId. Credo: Andante "Et in Spiritum Sanctum"
47d 49 3e Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IIIe. Credo: Allegro - adagio - allegro - adagio "Et unam sanctam catholicam"
47d 49 3f Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IIIf. Credo: Allegro "Et vitam venturi saeculi"
47d 49 4a Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IVa. Sanctus: Andante "Sanctus Dominus"
47d 49 4b Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IVb. Sanctus: Allegro Pleni sunt coeli"
47d 49 4c Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IVc. Sanctus: Allegro "Hosanna in excelsis"
47d 49 5 Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: V. Benedictus: Andante "Benedictus"
47d 49 6a Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: VIa. Agnus Dei: Adagio "Agnus Dei qui tollis"
47d 49 6b Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: VIb. Agnus Dei: Allegro - adagio "Dona nobis pacem"
An die Freude: "Freude, Königin der Weisen"
Librettist: Johann Peter Uz
47e 53 Song for Solo Voice and Basso continuo in F major, K. 47e / K3 43b / KV 53 "An die Freude": Mäßig. "Freude, Königin der Weisen" 1768-11
Symphony No. 8 in D major
48 48 1 Symphony No. 8 for Orchestra in D major, K. 48: I. Allegro 1768-12-13
48 48 2 Symphony No. 8 for Orchestra in D major, K. 48: II. Andante
48 48 3 Symphony No. 8 for Orchestra in D major, K. 48: III. Minuetto & Trio
48 48 4 Symphony No. 8 for Orchestra in D major, K. 48: IV. Allegro molto
Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor
61a 65 1a Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: Ia. Kyrie: Adagio "Kyrie eleison" 1769-01-14
61a 65 1b Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: Ib. Kyrie: Allegro "Kyrie eleison - Christe eleison"
61a 65 2 Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: II. Gloria: Allegro moderato
61a 65 3a Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: IIIa. Credo: Allegro moderato "Patrem omnipotentem"
61a 65 3b Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: IIIb. Credo: Adagio "Et incarnatus est"
61a 65 3c Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: IIIc. Credo: Allegro moderato "Et resurrexit"
61a 65 3d Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: IIId. Credo: Allegro moderato "Et vitam venturi saeculi"
61a 65 4a Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: IVa.Sanctus: Adagio "Sanctus Dominus"
61a 65 4b Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: IVb.Sanctus: Allegro "Pleni sunt coeli"
61a 65 4c Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: IVc.Sanctus: Allegro "Hosanna in excelsis"
61a 65 5 Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: V. Benedictus: Andante
61a 65 6a Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: VIa. Agnus Dei: Andante "Agnus Dei qui tollis"
61a 65 6b Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: VIb. Agnus Dei: Andante "Dona nobis pacem"
A Berenice
Librettist: Unknown
61c 70 Recitative for Soprano and Orchestra in G major, K. 61c / KV 70: Tempo moderato "A Berenice" 1767-02 or 1769-02
Sol nascente
Librettist: Unknown
61c 70 Aria for Soprano and Orchestra in G major, K. 61c / KV 70: Allegro moderato "Sol nascente" 1767-02 or 1769-02
12/19/20 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass
61d Caution: K. 61d can be confusing. Please check if you need the piano version or one of the versions for multiple instruments. If the latter, please check if you need the 12 work version (AMA, KV, K2, K3), the 19 work version (K6), or the 20 work version (NMA).
Zu 61d Appendix Piano Reduction version: 12 Minuets for Piano
Zu 61d 61d Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in C major, K. Zu 61d / 103 NMA IX/27/2 No. 1: Minuetto & Trio summer 1772
Zu 61d 61d Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in G major, K. Zu 61d / 103 NMA IX/27/2 No. 2: Minuetto & Trio
Zu 61d 61d Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in D major, K. Zu 61d / 103 NMA IX/27/2 No. 3: Minuetto & Trio
Zu 61d 61d Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in F major, K. Zu 61d / 103 NMA IX/27/2 No. 4: Minuetto & Trio
Zu 61d 61d Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in C major, K. Zu 61d / 103 NMA IX/27/2 No. 5: Minuetto & Trio
Zu 61d 61d Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in G major, K. Zu 61d / 103 NMA IX/27/2 No. 6: Minuetto & Trio
Zu 61d 61d Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in D major, K. Zu 61d / 103 NMA IX/27/2 No. 7: Minuetto & Trio
Zu 61d 61d Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in F major, K. Zu 61d / 103 NMA IX/27/2 No. 8: Minuetto & Trio
Zu 61d 61d Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in D major to A major, K. Zu 61d / 103 NMA IX/27/2 No. 9: Minuetto & Trio
Zu 61d 61d Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in G major to C major, K. Zu 61d / 103 NMA IX/27/2 No. 10: Minuetto & Trio
Zu 61d 61d Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in F major, K. Zu 61d / 103 NMA IX/27/2 No. 11: Minuetto & Trio
Zu 61d 61d Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in C major, K. Zu 61d / 103 NMA IX/27/2 No. 12: Minuetto & Trio
61g/II Note: The trio from a minuet "for 2 flutes and strings" is not K. 61g/II. K. 61g/II is only for solo piano. The trio referred to by those recordings is an instrumental version of the trio from this minuet, and has its own catalog designation: K. 61e No. 3. Note, however, that there is an orchestrated version of 61g/II - that version ought to use the orchestration listing below.
61g/II deest Minuet for Piano in C major, K. 61g/II / KV deest No. 2: Minuetto & Trio, reduction of Michael Haydn: 12 Minuets for Orchestra, MH 136 No. 1 1770
61g/II deest Minuet for Orchestra in C major, K. 61g/II / KV deest No. 2 (Erik Smith orchestration): Minuetto & Trio, reduction of Michael Haydn: 12 Minuets for Orchestra, MH 136 No. 1  ?
Cassation for Orchestra in D major
62 62 1 Cassation for Orchestra in D major, K. 62: I. Marcia. Maestoso Summer 1769
62 62 2 Cassation for Orchestra in D major, K. 62: II. Serenata. Allegro
62 62 3 Cassation for Orchestra in D major, K. 62: III. Andante
62 62 4a Cassation for Orchestra in D major, K. 62: IVa. Minuetto
62 62 4b Cassation for Orchestra in D major, K. 62: IVb. Trio & IVa. Minuetto
62 62 5 Cassation for Orchestra in D major, K. 62: V. Allegro
62 62 6a Cassation for Orchestra in D major, K. 62: VIa. Minuetto
62 62 6b Cassation for Orchestra in D major, K. 62: VIb. Trio & VIa. Minuetto
62 62 7 Cassation for Orchestra in D major, K. 62: VII. Andante
62 62 8a Cassation for Orchestra in D major, K. 62: VIIIa. Minuetto
62 62 8b Cassation for Orchestra in D major, K. 62: VIIIb. Trio & VIIIa. Minuetto
62 62 9 Cassation for Orchestra in D major, K. 62: IX. Allegro
Serenade No. 1 for Orchestra in D major
62a 100 1 Serenade No. 1 for Orchestra in D major, K. 62a / KV 100: I. Marche. Maestoso Summer 1769
62a 100 2 Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: II. Serenata. Allegro
62a 100 3 Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: III. Andante
62a 100 4a Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: IVa. Minuetto
62a 100 4b Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: IVb. Trio & IVa. Minuetto
62a 100 5 Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: IV. Allegro
62a 100 6a Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: VIa. Minuetto
62a 100 6b Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: VIb. Trio & VIa. Minuetto
62a 100 7 Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: VII. Andante
62a 100 8a Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: VIIa. Minuetto
62a 100 8b Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: VIIb. Trio & VIIa. Minuetto
62a 100 9 Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: IX. Allegro
Cassation for Orchestra in G major
63 63 1 Cassation for Orchestra in G major, K. 63: I. Marche Summer 1769
63 63 2 Cassation for Orchestra in G major, K. 63: II. Allegro
63 63 3 Cassation for Orchestra in G major, K. 63: III. Andante
63 63 4a Cassation for Orchestra in G major, K. 63: IVa. Minuet
63 63 4b Cassation for Orchestra in G major, K. 63: IVb. Trio & IVa. Minuet
63 63 5 Cassation for Orchestra in G major, K. 63: V. Adagio
63 63 6a Cassation for Orchestra in G major, K. 63: VIa. Minuet
63 63 6b Cassation for Orchestra in G major, K. 63: VIb. Trio & VIa. Minuet
63 63 7 Cassation for Orchestra in G major, K. 63: VII. Finale. Allegro assai
Cassation for Orchestra in B-flat major
63a 99 1 Cassation for Orchestra in B-flat major, K. 63a/99: I. March Summer 1769
63a 99 2 Cassation for Orchestra in B-flat major, K. 63a/99: II. Molto allegro
63a 99 3 Cassation for Orchestra in B-flat major, K. 63a/99: III. Andante
63a 99 4a Cassation for Orchestra in B-flat major, K. 63a/99: IVa. Minuet
63a 99 4b Cassation for Orchestra in B-flat major, K. 63a/99: IVb. Trio & IVa. Minuet
63a 99 5 Cassation for Orchestra in B-flat major, K. 63a/99: V. Andante
63a 99 6a Cassation for Orchestra in B-flat major, K. 63a/99: VIa. Minuet
63a 99 6b Cassation for Orchestra in B-flat major, K. 63a/99: VIb. Trio & VIa. Minuet
63a 99 7 Cassation for Orchestra in B-flat major, K. 63a/99: VII. Allegro - andante - allegro - andante & I. March
Mass No. 3 for Soloists, Chorus & Orchestra in C major "Dominicusmesse"
66 66 1a Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Ia. Kyrie: Adagio "Kyrie eleison" 1769-10
66 66 1b Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Ib. Kyrie: Allegro "Kyrie eleison. Christe eleison"
66 66 2a Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIa. Gloria: Allegro moderato "Gloria in excelsis Deo"
66 66 2b Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIb. Gloria: Andante grazioso "Laudamus te"
66 66 2c Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIc. Gloria: Adagio - allegro "Gratias"
66 66 2d Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IId. Gloria: Un poco andante "Domine Deus"
66 66 2e Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIe. Gloria: Un poco adagio "Qui tollis"
66 66 2f Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIf. Gloria: Andante ma un poco allegro "Quoniam tu solus"
66 66 2g Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIg. Gloria: "Cum sancto Spiritu"
66 66 3a Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIIa. Credo: Allegro molto "Patrem omnipotentem"
66 66 3b Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIIb. Credo: Allegro "Et incarnatus est"
66 66 3c Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIIc. Credo: Adagio "Crucifixus"
66 66 3d Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIId. Credo: Allegro moderato "Et resurrexit"
66 66 3e Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIIe. Credo: Andante "Et in Spiritum Sanctum"
66 66 3f Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIIf. Credo: Moderato "Et resurrexit"
66 66 3g Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIIg. Credo: Allegro moderato "Et vitam venturi saeculi"
66 66 4a Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IVa. Sanctus: Adagio "Sanctus Dominus"
66 66 4b Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IVb. Sanctus: Allegro "Pleni sunt caeli"
66 66 4c Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IVc. Sanctus: Moderato "Hosanna in excelsis"
66 66 5a Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Va. Benedictus: Allegro moderato "Benedictus qui venit"
66 66 5b Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Vb. Benedictus: Moderato "Hosanna in excelsis"
66 66 6a Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VIa. Agnus Dei: Allegro moderato "Agnus Dei qui tollis"
66 66 6b Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VIb. Agnus Dei: "Dona nobis pacem "
66c Anh 215 Lost Lost Work: Symphony in D major
66d Anh 217 Lost Lost Work: Symphony in B-flat major
66e Anh 218 Lost Lost Work: Symphony in B-flat major
Ah, più tremar non voglio
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
71 71 Aria for Tenor and Orchestra in F major, K. 71 Fr 1770a (fragment): Allegro "Ah, più tremar non voglio" 1769 or 1770
72a deest Lost Lost Work: Sonata for Piano in G major (complete)
72a deest Sonata for Piano in G major, K. 72a/deest Fr 1769a (fragment): Allegro molto 1770-01-06
73A Anh 2 Lost Lost Work: Aria "Misero tu non sei"
Per pietà, bell'idol mio
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
73b 78 Aria for Soprano and Orchestra in E-flat major, K. 73b / KV 78: Andante con moto "Per pietà, bell'idol mio" 1766
Fra cento affanni e cento
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
73c 88 Aria for Soprano and Orchestra in C major, K. 73c / KV 88: Allegro maestoso "Fra cento affanni e cento" 1770
O temerario Arbace!
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
73d 79 Recitative for Soprano and Orchestra in B-flat major, K. 73d / KV 79: Allegro assai - moderato - andante "O temerario Arbace!" 1766
Misero me!
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
73e 77 Recitative for Soprano and Orchestra in B-flat major, K. 73e / KV 77: Andante - allegro - andante - allegro - andante - allegro - andante - allegro - adagio "Misero me!" 1770-03
Misero pargoletto
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
73e 77 Aria for Soprano and Orchestra in B-flat major, K. 73e / KV 77: Andante - un poco allegro - adagio "Misero pargoletto" 1770-03
73h 94 Minuet for Piano in D major, K. 73h/94: Minuet 1769
73h 94 Minuet for Orchestra (Erik Smith orchestration) in D major, K. 73h/94: Minuet  ?
73i Note: This canon was written for 4 voices, but unless a fifth voice enters in measure 13, certain triadic harmonies are rendered incomplete, thus many recordings are for 5, not 4 voices.
73k 89 Canon for 4 (or 5) Voices in 1 in G major, K. 73k / KV 89: Canon ad unisonum. (5 Sopranos) "Kyrie" 1770-05
Symphony No. 44 in D major
73l 81 1 Symphony No. 44 for Orchestra in D major, K. 73l / 81: I. Allegro 1770-04-25
73l 81 2 Symphony No. 44 for Orchestra in D major, K. 73l / 81: II. Andante
73l 81 3 Symphony No. 44 for Orchestra in D major, K. 73l / 81: III. Allegro molto
Symphony No. 47 in D major
73m 97 1 Symphony No. 47 for Orchestra in D major, K. 73m / 97: I. Allegro 1770-04
73m 97 2 Symphony No. 47 for Orchestra in D major, K. 73m / 97: II. Andante
73m 97 3 Symphony No. 47 for Orchestra in D major, K. 73m / 97: III. Minuetto & Trio
73m 97 4 Symphony No. 47 for Orchestra in D major, K. 73m / 97: IV. Presto
Symphony No. 45 in D major
73n 95 1 Symphony No. 45 for Orchestra in D major, K. 73n / 95: I. Allegro 1770-04
73n 95 2 Symphony No. 45 for Orchestra in D major, K. 73n / 95: II. Andante
73n 95 3 Symphony No. 45 for Orchestra in D major, K. 73n / 95: III. Minuetto & Trio
73n 95 4 Symphony No. 45 for Orchestra in D major, K. 73n / 95: IV. Allegro
Se ardire, e speranza
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
73o 82 Aria for Soprano and Orchestra in F major, K. 73o / KV 82: Andante - tempo primo "Se ardire, e speranza" 1770-04-25
Se tutti i mali miei
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
73p 83 Aria for Soprano and Orchestra in E-flat major, K. 73p / KV 83: Adagio - allegretto - tempo primo "Se tutti i mali miei" 1770
Se tutti i mali miei
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
73p 83 Aria for Soprano and Orchestra in E-flat major, K. Zu 73p / KV Zu 83 (first version): Adagio - allegretto - tempo primo "Se tutti i mali miei" 1770
Symphony No. 11 in D major
73q 84 1 Symphony No. 11 for Orchestra in D major, K. 73q / 84: I. Allegro 1770-02 to 1770-07
73q 84 2 Symphony No. 11 for Orchestra in D major, K. 73q / 84: II. Andante
73q 84 3 Symphony No. 11 for Orchestra in D major, K. 73q / 84: III. Allegro
4 Riddle Canons
73r deest 4 Riddle Canons No. 1 for 3 Male Voices in 1 in F major, K. 73r / K2 89aII / KV deest "Sit trium series una": Canon. "Incipe Menalios" July or August 1770
73r deest 4 Riddle Canons No. 2 for 9 Female Voices in 1 in C major, K. 73r / K2 89aII / KV deest "Ter ternis canite vocibus": Canon. "Cantate Domino" July or August 1770
73r deest 4 Riddle Canons No. 3 for 2 Mixed Voices and 1 additional Voice in C major, K. 73r / K2 89aII / KV deest "Clama ne cesses. Tertia pars si placet": Canon ad duodecimam. "Confitebor tibi Domine" July or August 1770
73r deest 4 Riddle Canons No. 4 for 6 Mixed Voices in 2 in C major, K. 73r / K2 89aII / KV deest "Ter voce ciemus. Voce ter insonuit": Canon. "Thebana bella cantus / Troiana cantat" July or August 1770
73u 44 Spurious Work Composer: Johann Stadlmayr
Date is when Wolfgang Amadeus Mozart made his copy.
Work is the first and third sections of the Intoitus to the Corpus Christi Fest from "Musica super cantum gregorianum".
1768 or 1769
Antiphon for Chorus and Organ in A minor, K. 73u/44 (spurious): "Quaerite primum regnum Dei"
73w deest Fugue for Piano in D major, K. 73w / deest Fr 1773a (I) + Fr 1773a (II) (7 measure one hand fragment): Fuga septimi toni 1773
73w deest Fugue for Piano in D major, K. 73w / deest (Leonard Danek completion): Fuga septimi toni  ?
Symphony No. 10 in G major
74 74 1 Symphony No. 10 for Orchestra in G major, K. 74: I. Allegro - andante 1770
74 74 2 Symphony No. 10 for Orchestra in G major, K. 74: II. Allegro
Non curo l'affetto
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
74b deest Aria for Soprano and Orchestra in E major, K. 74b / KV deest: Allegro "Non curo l'affetto" 1771
Symphony No. 42 in F major
75 75 1 Symphony No. 42 for Orchestra in F major, K. 75: I. Allegro Summer 1771
75 75 2 Symphony No. 42 for Orchestra in F major, K. 75: II. Minuetto & Trio
75 75 3 Symphony No. 42 for Orchestra in F major, K. 75: III. Andantino
75 75 4 Symphony No. 42 for Orchestra in F major, K. 75: IV. Allegro
Symphony No. 9 in C major
75a 73 1 Symphony No. 9 for Orchestra in C major, K. 75a / 73: I. Allegro 1769
75a 73 2 Symphony No. 9 for Orchestra in C major, K. 75a / 73: II. Andante
75a 73 3 Symphony No. 9 for Orchestra in C major, K. 75a / 73: III. Minuetto & Trio
75a 73 4 Symphony No. 9 for Orchestra in C major, K. 75a / 73: IV. Allegro molto
Symphony No. 12 in G major
75b 110 1 Symphony No. 12 for Orchestra in G major, K. 75b / 110: I. Allegro Summer 1771
75b 110 2 Symphony No. 12 for Orchestra in G major, K. 75b / 110: II. Andante
75b 110 3 Symphony No. 12 for Orchestra in G major, K. 75b / 110: III. Minuetto & Trio
75b 110 4 Symphony No. 12 for Orchestra in G major, K. 75b / 110: IV. Allegro
Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in B-flat major
74e 109 1 Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in B-flat major, K. 74e / KV 109: I. Allegro "Kyrie" 1771-05
74e 109 2 Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in B-flat major, K. 74e / KV 109: II. Andante "Sancta Maria"
74e 109 3 Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in B-flat major, K. 74e / KV 109: III. Adagio - allegro moderato "Salus infirmorum"
74e 109 4 Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in B-flat major, K. 74e / KV 109: IV. Vivace "Regina Angelorum"
74e 109 5 Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in B-flat major, K. 74e / KV 109: V. Andante "Agnus Dei"
Per quel paterno amplesso
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
79 79 Aria for Soprano and Orchestra in B-flat major, K. 73d / KV 79: Moderato "Per quel paterno amplesso" 1766
Symphony No. 49 in D major "Ascanio in Alba"
111 Note: The final movement of Symphony No. 49 is catalogued separately from the serenata teatrale as 111a instead of 111.
111 111 1 Symphony No. 49 for Orchestra in D major, K. 111 "Ascanio in Alba": I. Allegro assai 1771-09-23
111 111 2 Symphony No. 49 for Orchestra in D major, K. 111 "Ascanio in Alba": II. Andante grazioso
111a 120 3 Symphony No. 49 for Orchestra in D major, K. 111a / 120 "Finale zu Ascanio in Alba": III. Finale. Presto Oct or Nov 1771
Symphony No. 46 in C major
111b 96 1 Symphony No. 46 for Orchestra in C major, K. 111b / 96: I. Allegro Oct or Nov 1771
111b 96 2 Symphony No. 46 for Orchestra in C major, K. 111b / 96: II. Andante
111b 66 3 Symphony No. 46 for Orchestra in C major, K. 111b / 96: III Minuetto & Trio
111b 96 4 Symphony No. 46 for Orchestra in C major, K. 111b / 96: IV. Allegro molto
Symphony No. 13 in F major
112 112 1 Symphony No. 13 for Orchestra in F major, K. 112: I. Allegro 1771-11-02
112 112 2 Symphony No. 13 for Orchestra in F major, K. 112: II. Andante
112 112 3 Symphony No. 13 for Orchestra in F major, K. 112: III. Minuetto & Trio
112 112 4 Symphony No. 13 for Orchestra in F major, K. 112: IV. Allegro molto
Symphony No. 14 in A major
114 114 1 Symphony No. 14 for Orchestra in A major, K. 114: I. Allegro moderato 1771-12-30
114 114 2 Symphony No. 14 for Orchestra in A major, K. 114: II. Andante
114 114 3 Symphony No. 14 for Orchestra in A major, K. 114: III. Minuetto & Trio
114 114 4 Symphony No. 14 for Orchestra in A major, K. 114: IV. Allegro molto
Symphony No. 15 in G major
124 124 1 Symphony No. 15 for Orchestra in G major, K. 124: I. Allegro 1772-02-21
124 124 2 Symphony No. 15 for Orchestra in G major, K. 124: II. Andante
124 124 3 Symphony No. 15 for Orchestra in G major, K. 124: III. Minuetto & Trio
124 124 4 Symphony No. 15 for Orchestra in G major, K. 124: IV. Presto
124a 144 Church Sonata No. 4 for 2 Violins, Organ, Cello, and Bass in D major, K. 124a / KV 144: Allegro 1772
124A deest Spurious Work Composer: Leopold Mozart Possibly 1772 or 1775
Beginning of a Church Sonata for 2 Violins, Organ and Bass in D major, K. 124A / K3 Anh 65a / KV deest (fragment): Langsam
124b 145 Church Sonata No. 5 for 2 Violins, Organ, Cello, and Bass in F major, K. 124b / KV 145: Allegro 1772
Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major
125 125 1 Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major, K. 125: I. Allegro molto - adagio - allegro molto "Kyrie" 1772-03
125 125 2 Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major, K. 125: II. Andante "Panis vivus"
125 125 3 Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major, K. 125: III. Adagio "Verbum caro factum"
125 125 4 Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major, K. 125: IV. Allegro molto "Hostia sancta"
125 125 5 Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major, K. 125: V. Adagio - allegro "Tremendum"
125 125 6 Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major, K. 125: VI. Andante "Panis omnipotentia"
125 125 7 Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major, K. 125: VII. Adagio "Viaticum"
125 125 8 Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major, K. 125: VIII. "Pignus futurae gloriae"
125 125 9 Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major, K. 125: IX. Un poco adagio "Agnus Dei"
Wie unglücklich bin ich nit
Librettist: Unknown
125g 147 Song for Solo Voice and Basso continuo in F major, K. 125g / KV 147: (no tempo indication). "Wie unglücklich bin ich nit" 1772
Auf die feierliche Johannisloge: "O heiliges Band der Freundschaft treuer Brüder"
Librettist: Ludwig Friedrich Lenz
125h 148 Masonic Song for Solo Voice and Piano in D major, K. 125h / KV 148 "Auf die feierliche Johannisloge": Longsam. "O heiliges Band der Freundschaft treuer Brüder" 1772
Symphony No. 16 for Orchestra in C major
128 128 1 Symphony No. 16 for Orchestra in C major, K. 128: I. Allegro maestoso 1772-05
128 128 2 Symphony No. 16 for Orchestra in C major, K. 128: II. Andante grazioso
128 128 3 Symphony No. 16 for Orchestra in C major, K. 128: III. Allegro
Symphony No. 17 in G major
129 129 1 Symphony No. 17 for Orchestra in G major, K. 129: I. Allegro 1772-05
129 129 2 Symphony No. 17 for Orchestra in G major, K. 129: II. Andante
129 129 3 Symphony No. 17 for Orchestra in G major, K. 129: III. Allegro
Symphony No. 18 in F major
130 130 1 Symphony No. 18 for Orchestra in F major, K. 130: I. Allegro 1772-05
130 130 2 Symphony No. 18 for Orchestra in F major, K. 130: II. Andantino grazioso
130 130 3 Symphony No. 18 for Orchestra in F major, K. 130: III. Minuetto & Trio
130 130 4 Symphony No. 18 for Orchestra in F major, K. 130: IV. Allegro molto
Symphony No. 19 in E-flat major
132 132 1 Symphony No. 19 for Orchestra in E-flat major, K. 132: I. Allegro 1772-07
132 132 2 Symphony No. 19 for Orchestra in E-flat major, K. 132: II. Andante
132 132 3 Symphony No. 19 for Orchestra in E-flat major, K. 132: III. Minuetto & Trio
132 132 4 Symphony No. 19 for Orchestra in E-flat major, K. 132: IV. Allegro
Zu 132 Appendix
Zu 132 132 Symphony No. 19 for Orchestra in E-flat major, K. Zu 132: Andantino grazioso  ?
Symphony No. 20 in D major
133 133 1 Symphony No. 20 for Orchestra in D major, K. 133: I. Allegro 1772-07
133 133 2 Symphony No. 20 for Orchestra in D major, K. 133: II. Andante
133 133 3 Symphony No. 20 for Orchestra in D major, K. 133: III. Minuetto & Trio
133 133 4 Symphony No. 20 for Orchestra in D major, K. 133: IV. Allegro
Symphony No. 21 in A major
134 134 1 Symphony No. 21 for Orchestra in A major, K. 134: I. Allegro 1772-08
134 134 2 Symphony No. 21 for Orchestra in A major, K. 134: II. Andante
134 134 3 Symphony No. 21 for Orchestra in A major, K. 134: III. Minuetto & Trio
134 134 4 Symphony No. 21 for Orchestra in A major, K. 134: IV. Allegro
Symphony No. 50 in D major "Ouverture und Finale zu Il sogno di Scipione"
141a 126+161 1 Symphony No. 50 for Orchestra in D major, K. 141a / 126+161 "Ouverture zu Il sogno di Scipione": I. Allegro moderato 1772-03
141a 126+161 2 Symphony No. 50 for Orchestra in D major, K. 141a / 126+161 "Ouverture zu Il sogno di Scipione": II. Andante
141a 163+161 3 Symphony No. 50 for Orchestra in D major, K. 141a / 163+161 "Finale zu Il sogno di Scipione": III. Presto end of 1772
Symphony No. 26 in E-flat major
161a 184 1 Symphony No. 26 for Orchestra in E-flat major, K. 161a / K3 166a / KV 184: I. Molto presto 1773-03-30
161a 184 2 Symphony No. 26 for Orchestra in E-flat major, K. 161a / K3 166a / KV 184: II. Andante
161a 184 3 Symphony No. 26 for Orchestra in E-flat major, K. 161a / K3 166a / KV 184: III. Allegro
Symphony No. 27 in G major
161b Note: The date is nearly unreadable on the manuscript; it may be 1773-04-16 instead of 1773-04-10.
161b 199 1 Symphony No. 27 for Orchestra in G major, K. 161b / K3 162a / 199: I. Allegro 1773-04-10
161b 199 2 Symphony No. 27 for Orchestra in G major, K. 161b / K3 162a / 199: II. Andantino grazioso
161b 199 3 Symphony No. 27 for Orchestra in G major, K. 161b / K3 162a / 199: III. Presto
Symphony No. 22 in C major
162 Note: The exact date is unreadable on the manuscript. It is either 1773-04-19 or 1773-04-29.
162 162 1 Symphony No. 22 for Orchestra in C major, K. 162: I. Allegro assai 1773-04
162 162 2 Symphony No. 22 for Orchestra in C major, K. 162: II. Andantino grazioso
162 162 3 Symphony No. 22 for Orchestra in C major, K. 162: III. Presto assai
Symphony No. 23 in D major
162b 181 1 Symphony No. 23 for Orchestra in D major, K. 162b / 181: I. Allegro spiritoso 1773-05-19
162b 181 2 Symphony No. 23 for Orchestra in D major, K. 162b / 181: II. Andantino grazioso
162b 181 3 Symphony No. 23 for Orchestra in D major, K. 162b / 181: III. Presto assai
167AB 290 March for 2 Horns, Violin, Viola and Bass in D major, K. 167AB / K3 173b / 290: (no tempo indication) Summer 1772
167b 189 March for Orchestra in D major, K. 167b / 189: Andante 1773-07 to 1773-08
Symphony No. 24 in B-flat major
173dA 182 1 Symphony No. 24 for Orchestra in B-flat major, K. 173dA / K3 166c / 182: I. Allegro spiritoso 1773-10-03
173dA 182 2 Symphony No. 24 for Orchestra in B-flat major, K. 173dA / K3 166c / 182: II. Andantino grazioso
173dA 182 3 Symphony No. 24 for Orchestra in B-flat major, K. 173dA / K3 166c / 182: III. Allegro
Symphony No. 25 in G minor "Little G Minor"
173dB 183 1 Symphony No. 25 for Orchestra in G minor, K. 173dB / 183 "Little G Minor": I. Allegro con brio 1773-10-05
173dB 183 2 Symphony No. 25 for Orchestra in G minor, K. 173dB / 183 "Little G Minor": II. Andante
173dB 183 3 Symphony No. 25 for Orchestra in G minor, K. 173dB / 183 "Little G Minor": III. Minuetto & Trio
173dB 183 4 Symphony No. 25 for Orchestra in G minor, K. 173dB / 183 "Little G Minor": IV. Allegro
Quintet for 2 Violins, 2 Violas and Cello No. 1 in B-flat major
174 174 1 Quintet for 2 Violins, 2 Violas and Cello No. 1 in B-flat major, K. 174: I. Allegro moderato spring 1773 to 1773-12
174 174 2 Quintet for 2 Violins, 2 Violas and Cello No. 1 in B-flat major, K. 174: II. Adagio con sordino & Coda
174 174 3 Quintet for 2 Violins, 2 Violas and Cello No. 1 in B-flat major, K. 174: III. Minuetto ma allegro & Trio
174 174 4 Quintet for 2 Violins, 2 Violas and Cello No. 1 in B-flat major, K. 174: IV. Allegro & Coda
Zu 174 Appendix Unless your liner specifically identifies that the first (or "rejected") version of the minuetto or allegro is being used, use the non-Anhung version above.
Zu 174 174 3 Quintet for 2 Violins, 2 Violas and Cello No. 1 in B-flat major, K. Zu 174 (first version): III. Trio  ?
Zu 174 174 4 Quintet for 2 Violins, 2 Violas and Cello No. 1 in B-flat major, K. Zu 174 (first version): IV. Allegro  ?
Concerto for Piano No. 5 in D major
175 175 1 Concerto for Piano No. 5 in D major, K. 175: I. Allegro 1773-12
175 175 2 Concerto for Piano No. 5 in D major, K. 175: II. Andante ma un poco adagio
175 175 3 Concerto for Piano No. 5 in D major, K. 175: III. Allegro
16 Minuets for Orchestra
Zu 176 Appendix Piano Reduction version: 16 Minuets for Piano
Zu 176 Note: Though there are 16 minuets for orchestra, only 11 have piano reductions.
Zu 176 176 Reduction for Piano of 16 Minuets for Orchestra in C major, K. Zu 176 NMA IX/27/2 No. 1: Minuette & Trio  ?
Zu 176 176 Reduction for Piano of 16 Minuets for Orchestra in G major, K. Zu 176 NMA IX/27/2 No. 2: Minuette & Trio
Zu 176 176 Reduction for Piano of 16 Minuets for Orchestra in E-flat major, K. Zu 176 NMA IX/27/2 No. 3: Minuette
Zu 176 176 Reduction for Piano of 16 Minuets for Orchestra in B-flat major, K. Zu 176 NMA IX/27/2 No. 4: Minuette
Zu 176 176 Reduction for Piano of 16 Minuets for Orchestra in F major, K. Zu 176 NMA IX/27/2 No. 5: Minuette & Trio
Zu 176 176 Reduction for Piano of 16 Minuets for Orchestra in D major, K. Zu 176 NMA IX/27/2 No. 6: Minuette & Trio
Zu 176 176 Reduction for Piano of 16 Minuets for Orchestra in D major, K. Zu 176 NMA IX/27/2 No. 12: Minuette & Trio
Zu 176 176 Reduction for Piano of 16 Minuets for Orchestra in G major, K. Zu 176 NMA IX/27/2 No. 13: Minuette & Trio
Zu 176 176 Reduction for Piano of 16 Minuets for Orchestra in C major, K. Zu 176 NMA IX/27/2 No. 14: Minuette & Trio
Zu 176 176 Reduction for Piano of 16 Minuets for Orchestra in F major, K. Zu 176 NMA IX/27/2 No. 15: Minuette & Trio
Zu 176 176 Reduction for Piano of 16 Minuets for Orchestra in D major, K. Zu 176 NMA IX/27/2 No. 16: Minuette & Trio
Symphony No. 29 in A major
186a 201 1 Symphony No. 29 for Orchestra in A major, K. 186a / 201: I. Allegro moderato 1774-04-06
186a 201 2 Symphony No. 29 for Orchestra in A major, K. 186a / 201: II. Andante
186a 201 3 Symphony No. 29 for Orchestra in A major, K. 186a / 201: III. Minuetto & Trio
186a 201 4 Symphony No. 29 for Orchestra in A major, K. 186a / 201: IV. Allegro con spirito
Symphony No. 30 in D major
186b 202 1 Symphony No. 30 for Orchestra in D major, K. 186b / 202: I. Allegro molto 1774-05-05
186b 202 2 Symphony No. 30 for Orchestra in D major, K. 186b / 202: II. Andantino con moto
186b 202 3 Symphony No. 30 for Orchestra in D major, K. 186b / 202: III. Minuetto & Trio
186b 202 4 Symphony No. 30 for Orchestra in D major, K. 186b / 202: IV. Presto
Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major
186d 195 1 Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: I. Adagio - allegro "Kyrie" 1774
186d 195 2 Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: II. Andante "Sancta Maria"
186d 195 3 Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: III. Adagio "Salus infirmorum"
186d 195 4 Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: IV. Allegro con spiritu "Regina angelorum"
186d 195 5 Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: V. Adagio "Agnus Dei"
Dixit et Magnificat for Soloists, Chorus & Orchestra in C major
186g 193 1 Dixit et Magnificat for Soloists, Chorus & Orchestra in C major, K. 186g / KV 193: I. Allegro - andante - allegro "Dixit Dominus" 1774-07
186g 193 2 Dixit et Magnificat for Soloists, Chorus & Orchestra in C major, K. 186g / KV 193: II. Allegro "Magnificat"
Serenade No. 4 for Orchestra in D major "Colloredo"
189c (189b) Note: If you have a recording of K. 189c by itself, use the K. 189c listing; if you have a recording with the march as part of the serenade, use the listing in K. 189b.
189c (189b) 237 Serenade No. 4 for Orchestra in D major, K. 189c / KV 237 "Colloredo": Marcia Summer 1774
189b 203 1 Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": I. Serenata. Andante maestoso - allego assai 1774-08
189b 203 2 Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": II. Andante
189b 203 3a Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": IIIa. Minuetto
189b Caution: Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& IIIa. Minuetto"!
189b 203 3b Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": IIIb. Trio & IIIa. Minuetto 1774-08
189b 203 4 Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": IV. Allegro
189b 203 5a Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": Va. Minuetto
189b Caution: Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& Va. Minuetto"!
189b 203 5b Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": Vb. Trio & Va. Minuetto 1774-08
189b 203 6 Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": VI. Andante & Coda
189b 203 7a Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": VIIa. Minuetto
189b Caution: Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& VIIa. Minuetto"!
189b 203 7b Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": VIIb. Trio & VIIa. Minuetto 1774-08
189b 203 8 Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": VIII. Prestissimo & Coda
Symphony on Serenade No. 4 for Orchestra in D major
*189b *203 1 Symphony on Serenade No. 4 for Orchestra in D major, K. *189b / KV *203 "Colloredo": I. Serenata. Andante maestoso - allego assai  ?
*189b *203 2 Symphony on Serenade No. 4 for Orchestra in D major, K. *189b / KV *203 "Colloredo": II. Andante & Coda
*189b *203 3 Symphony on Serenade No. 4 for Orchestra in D major, K. *189b / KV *203 "Colloredo": III. Trio & VIIa. Minuetto
*189b *203 4 Symphony on Serenade No. 4 for Orchestra in D major, K. *189b / KV *203 "Colloredo": IV. Prestissimo & Coda
189c 237 March for Orchestra in D major, K. 189c / KV 237: (no tempo indication) Summer 1774
Symphony No. 28 in C major
189k Note: The date is nearly unreadable on the manuscript; it may be 1774-11-12 instead of 1774-11-17.
189k 200 1 Symphony No. 28 for Orchestra in C major, K. 189k / K3 173e / 200: I. Allegro spiritoso 1774-11-17
189k 200 2 Symphony No. 28 for Orchestra in C major, K. 189k / K3 173e / 200: II. Andante
189k 200 3 Symphony No. 28 for Orchestra in C major, K. 189k / K3 173e / 200: III. Minuetto. Allegretto & Trio
189k 200 4 Symphony No. 28 for Orchestra in C major, K. 189k / K3 173e / 200: IV. Presto
206a deest Lost Lost Work: Concerto for Cello in F 1775-03
Concerto for Violin and Orchestra No. 1
207 207 1 Concerto for Violin and Orchestra No. 1 in B-flat major, K. 207: I. Allegro moderato 1773
207 207 2 Concerto for Violin and Orchestra No. 1 in B-flat major, K. 207: II. Adagio
207 207 3 Concerto for Violin and Orchestra No. 1 in B-flat major, K. 207: III. Presto
Unnumbered Symphony in D major "Finale zu La finta giardiniera"
207a 121 1 Symphony for Orchestra in D major, K. 207a / 121 "Finale zu La finta giardiniera": I. Allegro molto Spring 1775
207a 121 2 Symphony for Orchestra in D major, K. 207a / 121 "Finale zu La finta giardiniera": II. Andantino grazioso
207a 121 3 Symphony for Orchestra in D major, K. 207a / 121 "Finale zu La finta giardiniera": III. Allegro
Si mostra la sorte
Librettist: Unknown
209 209 Aria for Tenor and Orchestra in D major, K. 209: Andante - allegro assai - tempo primo "Si mostra la sorte" 1775-05-19
Un dente guasto e gelato
Librettist: Unknown
209a deest Aria for Bass and Orchestra in D major, K. 209a / KV deest Fr 1772e (fragment): "Un dente guasto e gelato" 1775
Con ossequio, con rispetto
Librettist: Unknown
210 210 Aria buffa for Tenor and Orchestra in C major, K. 210: Allegro assai "Con ossequio, con rispetto" 1775-05
Ridente la calma
Librettist: G. Migliavacca
For this one, set Josef Mysliveček as track artist, a composition AR for Josef Mysliveček, and an arranger AR for W.A. Mozart.
210a 152 Canzonetta arrangement for Solo Voice and Piano of Josef Mysliveček: Armida, Aria "Il caro mio bene attendo sospiro" in F major, K. 210a / KV 152: Larghetto. "Ridente la calma" Between 1772 and 1775
Concerto for Violin and Orchestra No. 2
211 211 1 Concerto for Violin and Orchestra No. 2 in D major, K. 211: I. Allegro moderato 1775
211 211 2 Concerto for Violin and Orchestra No. 2 in D major, K. 211: II. Andante
211 211 3 Concerto for Violin and Orchestra No. 2 in D major, K. 211: III. Rondeau. Allegro
212 212 Church Sonata No. 6 for 2 Violins, Organ, Cello, and Bass in B-flat major, K. 212: Allegro 1775-07
(Symphony on) Serenade No. 5 for Orchestra in D major
213a (213b) Note: If you have a recording of K. 213b by itself, use the K. 213b listing; if you have a recording with the march as part of the serenade, use the listing in K. 213a.
213a (213b) 215 Serenade No. 5 for Orchestra in D major, K. 213b / KV 215: Marcia 1775-08
213a 204 Serenade No. 5 for Orchestra in D major, K. 213a / KV 204: I. Serenata. Allegro assai 1775-08-05
213a 204 Serenade No. 5 for Orchestra in D major, K. 213a / KV 204: II. Andante moderato
213a 204 Serenade No. 5 for Orchestra in D major, K. 213a / KV 204: III. Allegro
213a 204 Serenade No. 5 for Orchestra in D major, K. 213a / KV 204: IVa. Minuetto
213a Caution: Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& IVa. Minuetto"!
213a 204 Serenade No. 5 for Orchestra in D major, K. 213a / KV 204: IVb. Trio & IVa. Minuetto 1775-08-05
213a 204 Serenade No. 5 for Orchestra in D major, K. 213a / KV 204: V. Andante
213a 204 Serenade No. 5 for Orchestra in D major, K. 213a / KV 204: VIa. Minuetto
213a Caution: Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& VIa. Minuetto"!
213a 204 Serenade No. 5 for Orchestra in D major, K. 213a / KV 204: VIb. Trio & VIa. Minuetto 1775-08-05
213a 204 Serenade No. 5 for Orchestra in D major, K. 213a / KV 204: VII. Andantino grazioso - allegro - andantino grazioso - allegro - andantino grazioso - allegro - andantino grazioso - allegro
213a Appendix Most recordings will be of the serenade version above, not the symphony version of the serenade below.
*213a 204 1 Symphony on Serenade No. 5 for Orchestra in D major, K. *213a / KV 204 NMA IV/11/7 No. 1: I. Allegro assai  ?
*213a 204 2 Symphony on Serenade No. 5 for Orchestra in D major, K. *213a / KV 204 NMA IV/11/7 No. 1: II. Andante
*213a 204 3a Symphony on Serenade No. 5 for Orchestra in D major, K. *213a / KV 204 NMA IV/11/7 No. 1: IIIa. Minuetto
*213a Caution: Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& IIIa. Minuetto"!
*213a 204 3b Symphony on Serenade No. 5 for Orchestra in D major, K. *213a / KV 204 NMA IV/11/7 No. 1: IIIb. Trio & IIIa. Minuetto  ?
213a Note: If you have a split movement IV, the tempos would split as "Andantino grazioso - allegro - andantino" and "Allegro - andantino - allegro - andantino - allegro".
213a 204 4 Symphony on Serenade No. 5 for Orchestra in D major, K. Zu 213a / KV 204 NMA IV/11/7 No. 1: IV. Andantino grazioso - allegro - andantino - allegro - andantino - allegro - andantino - allegro  ?
213b 215 March for Orchestra in D major, K. 213b / KV 215: (no tempo indication) 1775-08
Symphony No. 48 in C Major "Il rè pastore"
213c 102 1 Symphony No. 48 for Orchestra in C Major, K. 213c / 102 "Ouverture zu Il rè pastore": I. Allegro molto 1775-08
213c 102 2 Symphony No. 48 for Orchestra in C Major, K. 213c / 102 (fragment) "Instrumental Arie zu Il rè pastore: 'Intendo amico'": II. Andantino
213c 102 3 Symphony No. 48 for Orchestra in C Major, K. 213c / 102 "Finale zu Il rè pastore": III. Presto assai
214 214 March for Orchestra in C major, K. 214: (no tempo indication) 1775-08-20
Concerto for Violin and Orchestra No. 3
216 216 1 Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Strassburg": I. Allegro aperto 1775-09-12
216 216 2 Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Strassburg": II. Adagio
216 216 3 Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Strassburg": III. Rondeau. Allegro - andante - allegretto
Voi avete un cor fedele
Librettist: Carlo Osvaldo Goldoni
217 217 Aria for Soprano and Orchestra in G major, K. 217: Andantino grazioso - allegro - primo tempo - allegro - primo tempo - allegro "Voi avete un cor fedele" 1775-10-26
Concerto for Violin and Orchestra No. 4
218 218 1 Concerto for Violin and Orchestra No. 4 in D major, K. 218: I. Allegro aperto 1775-10
218 218 2 Concerto for Violin and Orchestra No. 4 in D major, K. 218: II. Andante cantabile
218 218 3 Concerto for Violin and Orchestra No. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - allegro ma non troppo - andante grazioso
Zu 218 Appendix Unless your liner specifically identifies that the first (or "rejected") version of the minuetto or allegro is being used, use the non-Anhung version above.
Zu 218 218 2 Concerto for Violin and Orchestra No. 4 in D major, K. 218 NMA V/14/1 No. 1 (original conclusion): II. Andante cantabile 1775-10
Zu 218 218 3 Concerto for Violin and Orchestra No. 4 in D major, K. 218 NMA V/14/1 No. 2 (deleted section): III. Rondeau. Allegro grazioso - allegro ma non troppo - andante grazioso 1775-10
Concerto for Violin and Orchestra No. 5
219 219 1 Concerto for Violin and Orchestra No. 5 in A major, K. 219 "Turkish": I. Allegro aperto 1775
219 219 2 Concerto for Violin and Orchestra No. 5 in A major, K. 219 "Turkish": II. Adagio
219 219 3 Concerto for Violin and Orchestra No. 5 in A major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto - Allegro
Concerto for Piano No. 6 in B-flat major
238 238 1 Concerto for Piano No. 6 in B-flat major, K. 238: I. Allegro aperto 1776-01
238 238 2 Concerto for Piano No. 6 in B-flat major, K. 238: II. Andante un poco adagio
238 238 3 Concerto for Piano No. 6 in B-flat major, K. 238: III. Rondeau. Allegro
Serenade No. 6 for Orchestra in D major "Serenada Notturna"
239 239 1 Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": I. Marcia. Maestoso 1776-01
239 239 2a Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": IIa. Minuetto
239 Caution: Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& IIa. Minuetto"!
239 239 2b Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": IIb. Trio & IIa. Minuetto 1776-01
239 239 2b Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": III. Rondeau. Allegretto - adagio - allegro
241 241 Church Sonata No. 9 for 2 Violins, Organ, Cello, and Bass in G major, K. 241: Allegro 1776-01
241a 224 Church Sonata No. 7 for 2 Violins, Organ, Cello, and Bass in F major, K. 241a / KV 224: Allegro con spirito 1776
241b 225 Church Sonata No. 8 for 2 Violins, Organ, Cello, and Bass in A major, K. 241b / KV 225: Allegro 1776
Concerto for 3 Pianos & Orchestra No. 7 in F major / Concerto for 2 Pianos & Orchestra in F major
242 242 1 Concerto for 3 Pianos & Orchestra No. 7 in F major, K. 242 "Lodron": I. Allegro 1776-02
242 242 2 Concerto for 3 Pianos & Orchestra No. 7 in F major, K. 242 "Lodron": II. Adagio
242 242 3 Concerto for 3 Pianos & Orchestra No. 7 in F major, K. 242 "Lodron": III. Rondo. Tempo di minuetto
Zu 242 Appendix
Zu 242 Zu 242 1 Concerto for 2 Pianos and Orchestra in F major, K. Zu 242 "Lodron": I. Allegro 1776-02
Zu 242 Zu 242 2 Concerto for 2 Pianos & Orchestra in F major, K. Zu 242 "Lodron": II. Adagio
Zu 242 Zu 242 2 Concerto for 2 Pianos & Orchestra in F major, K. Zu 242 "Lodron": III. Rondo. Tempo di minuetto
Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major
243 243 1 Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: I. Andante moderato "Kyrie" 1776-03
243 243 2 Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: II. Allegro aperto "Panis vivus"
243 243 3 Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: III. Largo "Verbum caro factum"
243 243 4 Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: IV. Allegro comodo "Hostia sancta"
243 243 5 Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: V. Adagio "Tremendum"
243 243 6 Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VI. Andantino "Dulcissimum convivium"
243 243 7 Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VII. Andante "Viaticum"
243 243 8 Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VIII. "Pignus futurae gloriae"
243 243 9 Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: IX. Andantino - Andante moderato "Agnus dei"
244 244 Church Sonata No. 10 for 2 Violins, Organ, Cello, and Bass in F major, K. 244: Allegro 1776-04
245 245 Church Sonata No. 11 for 2 Violins, Organ, Cello, and Bass in D major, K. 245: Allegro 1776-04
248 248 March for 2 Horns, 2 Violins, Viola and Bass in F major, K. 248: (no tempo indication) 1776-06
(Symphony on) Serenade No. 7 for Orchestra in D major "Haffner Serenade"
248b Caution: This is the Haffner Serenade, not the Haffner Symphony. That work is K. 385. (Note, however, if you need the symphony version of the Haffner Serenade, it is in the appendix just below.)
249 (248b) Caution: Please double check as to whether your release uses the K. 249 march (the version below for the serenade, not the separate march K. 249), and not one (or both) of the 2 K. 320a / KV 335 marches.
249 (248b) 249 Serenade No. 7 for Orchestra in D major, K. 249 "Haffner": Marcia. Maestoso 1776-07-20
248b 250 1 Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": I. Serenata. Allegro maestoso - allegro molto 1776-07
248b 250 2 Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": II. Andante
248b 250 3a Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": IIIa. Minuetto galante
248b Caution: Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& IIIa. Minuetto galante"!
248b 250 3b Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": IIIb. Trio & IIIa. Minuetto galante 1776-07
248b 250 4 Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": IV. Rondeau. Allegro
248b 250 5a Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": Va. Minuetto galante
248b Caution: Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& Va. Minuetto"!
248b 250 5b Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": Vb. Trio & Va. Minuetto galante 1776-07
248b 250 6 Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": VI. Andante
248b 250 7a Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": VIIa. Minuetto
248b Caution: Even if your liner lists only "Trio", the reprises of the Minuetto still are there.eprise of the Minuetto still is there. Don't leave out the "& VIIa. Minuetto"s!
248b 250 7b Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": VIIb. Trio I & VIIa. Minuetto 1776-07
248b 250 7c Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": VIIc. Trio II & VIIa. Minuetto
248b 250 8 Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": VIII. Adagio - Allegro assai
*248b Appendix This is not the Haffner Symphony. That work is K. 385. This is the symphony version of the Haffner Serenade. Most recordings of the Haffner Serenade also will be the one above, not the one below.
*248b 250 1 Symphony on Serenade No. 7 for Orchestra in D major, K. *248b / KV *250 NMA IV/11/7 No. 2 "Haffner": I. Allegro maestoso - allegro molto Some point between 1776-07-21 and 1784
*248b 250 2a Symphony on Serenade No. 7 for Orchestra in D major, K. *248b / KV *250 NMA IV/11/7 No. 2 "Haffner": IIa. Minuetto galante
*248b Caution: Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& IIa. Minuetto"!
*248b 250 2b Symphony on Serenade No. 7 for Orchestra in F major, K. *248b / KV *250 NMA IV/11/7 No. 2 "Haffner": IIb. Trio & IIa. Minuetto galante Some point between 1776-07-21 and 1784
*248b 250 3 Symphony on Serenade No. 7 for Orchestra in D major, K. *248b / KV *250 NMA IV/11/7 No. 2 "Haffner": III. Andante
*248b Caution: Even if your liner lists only "Trio", the reprises of the Minuetto still are there. Don't leave out the "& IVa. Minuetto"s!
*248b 250 4a Symphony on Serenade No. 7 for Orchestra in D major, K. *248b / KV *250 NMA IV/11/7 No. 2 "Haffner": IVa. Minuetto Some point between 1776-07-21 and 1784
*248b 250 4b Symphony on Serenade No. 7 for Orchestra in G major, K. *248b / KV *250 NMA IV/11/7 No. 2 "Haffner": IVb. Trio I & IVa. Minuetto
*248b 250 4c Symphony on Serenade No. 7 for Orchestra in D major, K. *248b / KV *250 NMA IV/11/7 No. 2 "Haffner": IVc. Trio II & IVa. Minuetto
*248b 250 5 Symphony on Serenade No. 7 for Orchestra in D major, K. *248b / KV *250 NMA IV/11/7 No. 2 "Haffner": V. Adagio - allegro assai
249 249 March for Orchestra in D major, K. 249 "Haffner": Maestoso 1776-07-20
Ombra felice!
Librettist: Giovanni de Gammera
255 255 Recitativo for Contralto and Orchestra in F major, K. 255: Andante "Ombra felice!" 1776-09
Io ti lascio, e questo addio
Librettist: Giovanni de Gammera
255 255 Aria for Contralto and Orchestra in F major, K. 255: Andante moderato - allegro assai - andante moderato - allegro assai - andante moderato - allegretto - allegro assai - andante moderato - allegro assai "Io ti lascio, e questo addio" 1776-09
Clarice cara mia sposa
Librettist: Unknown
256 256 Aria for Tenor and Orchestra in D major, K. 256: In tempo comodo d'un gran ciarlone "Clarice cara mia sposa" 1776-09
261 261 Adagio for Violin & Orchestra in E major, K. 261: Adagio 1776
261a 269 Rondo for Violin & Orchestra in B-flat major, K. 261a / 269: Rondo. Allegro end of 1776
263 263 Church Sonata No. 12 for 2 Violins, 2 Trumpets, Organ, Cello and Bass in C major, K. 263: Allegro 1776-12
Serenade No. 8 in D major
269a 286 1 Serenade No. 8 in D major, K. 269a / KV 286 "Notturno for Four Orchestras": I. Andante 1776-12 or 1777-01
269a 286 2 Serenade No. 8 in D major, K. 269a / KV 286 "Notturno for Four Orchestras": II. Allegretto grazioso
269a 286 3 Serenade No. 8 in D major, K. 269a / KV 286 "Notturno for Four Orchestras": IIIa. Minuetto
269a 286 4 Serenade No. 8 in D major, K. 269a / KV 286 "Notturno for Four Orchestras": IIIb. Trio & IIIa. Minuetto
12 Contredanses for Orchestra / Piano
269b deest Lost Lost Work: 12 Contredanses for Orchestra in G major for Johann Rudolf Graf Czernin, K. 269b / deest 1777-01
269b deest Lost Lost Work: 8 of the 12 Piano Reductions of 12 Contredanses for Orchestra in G major for Johann Rudolf Graf Czernin, K. 269b / deest 1791-03-04
Reduction for Piano of 12 Contredanses for Orchestra in G major for Johann Rudolf Graf Czernin
269b deest Reduction for Piano of 12 Contredanses for Orchestra in G major for Johann Rudolf Graf Czernin, K. 269b / deest No. 1: Allegro 1777-01
269b deest Reduction for Piano of 12 Contredanses for Orchestra in G major for Johann Rudolf Graf Czernin, K. 269b / deest No. 2: Andantino - allegro
269b deest Reduction for Piano of 12 Contredanses for Orchestra in C major for Johann Rudolf Graf Czernin, K. 269b / deest No. 3: Allegro
269b Note: Some recordings incorrectly identify No. 12 as No. 4.
269b deest Reduction for Piano of 12 Contredanses for Orchestra in D major for Johann Rudolf Graf Czernin, K. 269b / deest No. 12: Preto 1777-01
271d 274 Church Sonata No. 13 for 2 Violins, Organ, Cello, and Bass in G major, K. 271d / KV 274: Allegro 1777
271e 278 Church Sonata No. 14 for 2 Violins, Cello, Bass, 2 Oboes, 2 Trumpets, Timpani and Organ in C major, K. 271e / KV 278: Allegro March or April 1777
Concerto for Violin and Orchestra
271i deest 1 Concerto for Violin and Orchestra in D major, K. 271i / K2 271a / KV deest (doubtful): I. Allegro maestoso 1777-07-16
271i deest 2 Concerto for Violin and Orchestra in G major, K. 271i / K2 271a / KV deest (doubtful): II. Andante
271i deest 3 Concerto for Violin and Orchestra in D major, K. 271i / K2 271a / KV deest (doubtful): III. Rondo. Allegro
Zu 271i Appendix
Zu 271i 271i for Mvmt 1 Cadenza (Berlin version) for Violin in D major, K. deest NMA X/29/1 Anh No 1a  ?
Zu 271i 271i for Mvmt 1 Cadenza (Paris version A) for Violin in D major, K. deest NMA X/29/1 Anh No 1b  ?
Zu 271i 271i for Mvmt 1 Cadenza (Paris version B) for Violin in D major, K. deest NMA X/29/1 Anh No 1c  ?
Zu 271i 271i for Mvmt 2 Cadenza (Berlin version) for Violin in G major, K. deest NMA X/29/1 Anh No 2a  ?
Zu 271i 271i for Mvmt 2 Cadenza (Paris version) for Violin in G major, K. deest NMA X/29/1 Anh No 2b  ?
Zu 271i 271i for Mvmt 3 Cadenza (Berlin version) for Violin in G major, K. deest NMA X/29/1 Anh No 3  ?
Zu 271i 271i for Mvmt 3 Cadenza (Berlin version) for Violin in G major, K. deest NMA X/29/1 Anh No 4  ?
271k deest Duplicate Double Listed Work: K. 271k is actually K. 314.
Ah, lo previdi!
Librettist: Vittorio Amedio Cigna-Santi
272 272 Recitative for Soprano and Orchestra in C minor, K. 272: Allegro risoluto "Ah, lo previdi!" 1777-08
Ah, t'invola agl'occhi miei
Librettist: Vittorio Amedio Cigna-Santi
272 272 Aria for Soprano and Orchestra in C minor, K. 272: Allegro - recitativo - allegro - andante - allegro - adagio - allegro "Ah, t'invola agl'occhi miei" 1777-08
Deh, non varcar quell'onda
Librettist: Vittorio Amedio Cigna-Santi
272 272 Cavatina for Soprano and Orchestra in C minor, K. 272: Andantino - allegro "Deh, non varcar quell'onda" 1777-08
284a deest Duplicate Double Listed Work: K. 284a is the same work as is the same work as K. 300g.
Oiseaux, si tous les ans
Librettist: Antoine Ferrand
284d 307 Arietta for Solo Voice and Piano in C major, K. 284d / KV 307: Allegretto. "Oiseaux, si tous les ans" 1777-10-30
284e deest Lost Lost Work: Instrumentation for a Concerto for Flute by Johann Baptist Wendling
284f deest Lost Lost Work: Rondeau for Piano
Quartet for Flute, Violin, Viola & Cello No. 1 in D major
285 285 1 Quartet for Flute, Violin, Viola & Cello No. 1 in D major, K. 285: I. Allegro 1777-12-25
285 285 2 Quartet for Flute, Violin, Viola & Cello No. 1 in D major, K. 285: II. Adagio
285 285 3 Quartet for Flute, Violin, Viola & Cello No. 1 in D major, K. 285: III. Rondeau
Quartet for Flute, Violin, Viola & Cello No. 2 in G major
285a deest 1 Quartet for Flute, Violin, Viola & Cello No. 2 in G major, K. 285a / KV deest: I. Andante some time between 1777-12-25 and 1778-02-14
285a deest 2 Quartet for Flute, Violin, Viola & Cello No. 2 in G major, K. 285a / KV deest: II. Tempo di minuetto
Quartet for Flute, Violin, Viola & Cello No. 3 in C major
285b Anh 171 1 Quartet for Flute, Violin, Viola & Cello No. 3 in C major, K. 285b / KV Anh 171: I. Allegro some time between 1777-12-25 and 1778-02-14
285b Anh 171 2 Quartet for Flute, Violin, Viola & Cello No. 3 in C major, K. 285b / KV Anh 171: II. Thema. Aandantino & Variations I - IV & Variation V. Adagio & Variation VI. Allegro
Sonata for Violin & Harpsichord No. 25 in G major
293a 301 1 Sonata for Violin & Keyboard No. 25 in G major, K. 293a / KV 301: I. Allegro con spirito early 1778
293a 301 2 Sonata for Violin & Keyboard No. 25 in G major, K. 293a / KV 301: II. Allegro
Sonata for Violin & Harpsichord No. 26 in E-flat major
293b 302 1 Sonata for Violin & Keyboard No. 26 in E-flat major, K. 293b / KV 302: I. Allegro early 1778
293b 302 2 Sonata for Violin & Keyboard No. 26 in E-flat major, K. 293b / KV 302: II. Rondo. Andante grazioso
Sonata for Violin & Harpsichord No. 27 in C major
293c 303 1 Sonata for Violin & Keyboard No. 27 in C major, K. 293c / KV 303: I. Adagio - allegro molto early 1778
293c 303 2 Sonata for Violin & Keyboard No. 27 in C major, K. 293c / KV 303: II. Tempo di minuetto
Sonata for Violin & Harpsichord No. 29 in A major
293d 305 1 Sonata for Violin & Keyboard No. 29 in A major, K. 293d / KV 305: I. Allegro di molto early 1778
293d 305 2 Sonata for Violin & Keyboard No. 29 in A major, K. 293d / KV 305: II. Tema. Andante grazioso & Variations I - V & Variation VI. Allegro
294 294 Recitative for Soprano and Orchestra in E-flat major, K. 294: Andantino "Alcandro, Io confesso" 1778-02-24
Non sò d'onde viene
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
294 294 Aria for Soprano and Orchestra in E-flat major, K. 294: Andante sostenuto - allegro agitato - primo tempo "Non sò d'onde viene" 1778-02-24
Se al labbro mio non credi
Librettist: Antonio Salvi
295 295 Aria for Tenor and Orchestra in B-flat major, K. 295: Adagio - allegretto - primo tempo "Se al labbro mio non credi" 1778-02-28
Basta, vincesti
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
295 295 Recitativo for Soprano and Orchestra in E-flat major, K. 295a / KV K2 486a: Andantino - allegretto "Basta, vincesti" 1778-02-28
Ah, non lasciarmi, no
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
295a deest Aria for Soprano and Orchestra in E-flat major, K. 295a / K2 486a: Andantino espressivo "Ah, non lasciarmi, no" 1778-02-28
Dans un bois solitaire
Librettist: Antoine Houdart de la Motte
295b 308 Arietta for Solo Voice and Piano in A-flat major, K. 295b / KV 308: Adagio - allegro - presto - primo tempo. "Dans un bois solitaire" 1777-10-30 to 1778-03-14
Sonata for Violin & Piano No. 17 in C major
296 296 1 Sonata for Violin & Piano No. 17 in C major, K. 296: I. Allegro vivace 1778-03-11
296 296 2 Sonata for Violin & Piano No. 17 in C major, K. 296: II. Andante
296 296 3 Sonata for Violin & Piano No. 17 in C major, K. 296: III. Rondo. Allegro
297a Anh 1 Lost Lost Work: 8 choruses for Miserere by Ignaz Holzbauer 1778
297B Note: A Sinfonia concertante for Flute, Oboe, Horn and Bassoon was discovered, which could be K. 297B. Whether or not that Sinfonia concertante is the 297b Sinfonia concertante is debated, however, and it also is considered a doubtful work. As there is certainty that the 297B did exist, and uncertainty as to whether that Sinfonia concertante is the 297B Sinfonia concertante, that Sinfonia concertante was located at Anh 14.01 in the Köchel 6 catalog. (To make it even more confusing, this Sinfonia concertante is K. 297B, but in the Köchel 3 catalog, that Sinfonia concertante was numbered K3 297b.)
Anh 9 Lost Possibly Lost Work: Sinfonia concertante for Flute, Oboe, Horn and Bassoon early 1778
Quartet for Flute, Violin, Viola & Cello No. 4 in A major
298 298 1 Quartet for Flute, Violin, Viola & Cello No. 4 in A major, K. 298: I. Thema. Andante & Variations I - IV end of 1786
298 298 2a Quartet for Flute, Violin, Viola & Cello No. 4 in A major, K. 298: IIa. Minuetto
298 298 2b Quartet for Flute, Violin, Viola & Cello No. 4 in A major, K. 298: IIb. Trio & IIa. Minuetto
298 298 3 Quartet for Flute, Violin, Viola & Cello No. 4 in A major, K. 298: III. Rondeau. Allegretto grazioso, mà non troppo presto, però non troppo adagio. Così-così-con molto garbo ed espressione
Symphony No. 31 in D major "Paris"
300a 297 1 Symphony No. 31 for Orchestra in D major, K. 300a / 297 "Paris": I. Allegro assai May or June 1778
300a 297 2 Symphony No. 31 for Orchestra in D major, K. 300a / 297 "Paris": II. Andante June or July 1778
300a 297 3 Symphony No. 31 for Orchestra in D major, K. 300a / 297 "Paris": III. Allegro May or June 1778
Zu 300a Appendix
Zu 300a 297 1 Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": I. Allegro vivace 1778-06-18 to 1778-07-09
Zu 300a 297 2 Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": II. Andante 1778-06-18 to 1778-07-09
Zu 300a 297 3 Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 1a. Allegro assai. Zwischen Takt 28 & 29 1778
Zu 300a 297 3 Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 1b. Allegro assai. Zwischen Takt 47 & 48 1778
Zu 300a 297 3 Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 1c. Allegro assai. Zwischen Takt 104 & 105 1778
Zu 300a 297 3 Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 1d. Allegro assai. Zwischen Takt 193 & 194 1778
Zu 300a 297 3 Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 1e(1). Allegro assai. Zwischen Takt 256 & 257 1778
Zu 300a 297 3 Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 1e(2). Allegro assai. Takt 257 1778
Zu 300a 297 3 Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 1f. Allegro assai. Zwischen Takt 283 & 284 1778
Zu 300a 297 3 Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 2a. Andantino. Zwischen Takt 40 & 41 1778
Zu 300a 297 3 Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 2b. Andantino. Nich Takt 48 1778
Zu 300a 297 3 Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 2c. Andantino. Zwischen Takt 82 & 83 1778
Zu 300a 297 3 Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 2d. Andantino. Zwischen Takt 86 & 87 1778
Zu 300a 297 3 Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 2a. Andantino. Zwischen Takt 40 & 41 1778
Popoli di Tessaglia!
Librettist: Ranieri de' Calzabigi
300b 316 Recitative for Soprano and Orchestra in C major, K. 300b / KV 316: Andantino sostenuto e languido "Popoli di Tessaglia!" 1779-01-08
Io non chiedo, eterni Dei
Librettist: Ranieri de' Calzabigi
300b 316 Aria for Soprano and Orchestra in C major, K. 300b / KV 316: Andantino sostenuto e cantabile "Io non chiedo, eterni Dei" 1779-01-08
Sonata for Violin & Harpsichord No. 28 in E minor
300c 304 1 Sonata for Violin & Keyboard No. 28 in E minor, K. 300c/304: I. Allegro early summer 1778
300c 304 2 Sonata for Violin & Keyboard No. 28 in E minor, K. 300c/304: II. Tempo di minuetto
300g 395 Duplicate Double Listed Work: K. 284a is the same work as is the same work as K. 300g.
300g 395 Prelude for Piano in C major, K. 284a / deest + K. 300g / deest + 395: Allegretto - capriccio - andantino - presto - adagio - andantino - allegro - cantabile - capriccio allegro assai - allegro - presto 1777-10
Sonata for Violin & Harpsichord No. 30 in D major
300l 306 1 Sonata for Violin & Keyboard No. 30 in D major, K. 300l/306: I. Allegro con spirito summer 1778
300l 306 2 Sonata for Violin & Keyboard No. 30 in D major, K. 300l/306: II. Andantino cantabile
300l 306 3 Sonata for Violin & Keyboard No. 30 in D major, K. 300l/306: III. Allegretto - allegro - allegretto - allegro assai - andantino - allegretto - allegro
*300l *306 1 Sonata for Violin & Keyboard No. 30 in D major, K. *300l / KV *306 NMA VIII/23/1 Anh 1 (first version, 74 measure fragment): I. Allegro con spirito  ?
*300l *306 3 Sonata for Violin & Keyboard No. 30 in D major, K. *300l / KV *306 NMA VIII/23/1 Anh 2 (first version, 77 measure fragment): III. Andante grazioso con moto  ?
311A Anh 8 Lost Lost Work: Symphony, "Paris No. 2" mid 1778
315b Anh 3 Lost Lost Work: Szene in 14 parts for Piano, Oboe, Horn and Bassoon for Tenducci 1778
315e Note: The music begun for Semiramis may have ended up being used instead for Thamos, König in Ägypten.
Anh 11 Lost Lost Work: At least some music for the first act to Gemmingen: "Semiramis" 1778-12
315g deest Lost Lost Work: 8 Minuettes for Orchestra (The orchestral versions of the below minuettes for piano.) 1777-01
8 Minuettes for Orchestra / Piano
315g deest 8 Minuettes for Piano in C major to F major, K. 315g / (K2) 315a / KV deest No. 1: Minuette & Trio 1773
315g deest 8 Minuettes for Piano in G major, K. 315g / (K2) 315a / KV deest No. 2: Minuette & Trio
315g deest 8 Minuettes for Piano in D major to G major, K. 315g / (K2) 315a / KV deest No. 3: Minuette & Trio
315g deest 8 Minuettes for Piano in C major to F major, K. 315g / (K2) 315a / KV deest No. 4: Minuette & Trio
315g deest 8 Minuettes for Piano in F major to B-flat major, K. 315g / (K2) 315a / KV deest No. 5: Minuette & Trio
315g deest 8 Minuettes for Piano in D major to G major, K. 315g / (K2) 315a / KV deest No. 6: Minuette & Trio
315g deest 8 Minuettes for Piano in A major, K. 315g / (K2) 315a / KV deest No. 7: Minuette & Trio
315g Note: Note: The trio attached to No. 8 was not composed for No. 8, and originally had nothing to do with this opus at all. It was attached to No. 8 in K2, however, and has not been since catalogued separately.
315g deest 8 Minuettes for Piano in G major to C major, K. 315g / (K2) 315a / KV deest No. 8: Minuette (fragment) & Trio minuette: possibly 1774, trio: 1779 or 1780
317a 329 Church Sonata No. 16 for 2 Violins, Cello, Bass, 2 Oboes, 2 Horns, 2 Trumpets, Timpani and Organ in C major, K. 317a / KV 329: Allegro March 1779
317c 328 Church Sonata No. 15 for 2 Violins, Organ, Cello, and Bass in C major, K. 317c / KV 328: Allegro 1779
Sonata for Violin & Harpsichord No. 34 in B-flat major
317d 378 1 Sonata for Violin & Keyboard No. 34 in B-flat major, K. 317d / KV 378: I. Allegro moderato early 1779 or 1781
317d 378 2 Sonata for Violin & Keyboard No. 34 in B-flat major, K. 317d / KV 378: II. Andantino sostenuto e cantabile
317d 378 3 Sonata for Violin & Keyboard No. 34 in B-flat major, K. 317d / KV 378: III. Rondeu. Allegro
Symphony No. 32 in G major
318 318 1 Symphony No. 32 for Orchestra in G major, K. 318: I. Allegro spiritoso 1779-04-26
318 318 2 Symphony No. 32 for Orchestra in G major, K. 318: II. Andante
318 318 3 Symphony No. 32 for Orchestra in G major, K. 318: III. Primo tempo
Symphony No. 33 in B-flat major
319 319 1 Symphony No. 33 for Orchestra in B-flat major, K. 319: I. Allegro assai 1779-07-09
319 319 2 Symphony No. 33 for Orchestra in B-flat major, K. 319: II. Andante moderato
319 319 3 Symphony No. 33 for Orchestra in B-flat major, K. 319: III. Minuetto & Trio 1782
319 319 4 Symphony No. 33 for Orchestra in B-flat major, K. 319: IV. Allegro assai 1779-07-09
(Symphony / Sinfonia Concertante on) Serenade No. 9 for Orchestra in D major
320 320 1 Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": I. Adagio maestoso - allegro con spirito 1779-08-03
320 320 2a Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": IIa. Minuetto. Allegro
320 320 2b Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": IIb. Trio. Allegro & IIa. Minuetto. Allegro
320 320 3 Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": III. Concertante. Andante grazioso
320 320 4 Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": IV. Rondeau. Allegro ma non troppo & Cadenza & Rondeau. Allegro ma non troppo - Adagio - Allegro
320 320 5 Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": V. Andantino
320 320 6a Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": VIa. Minuetto
320 Caution: Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& VIa. Minuetto"!
320 320 6b Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": VIb. Trio I & VIa. Minuetto 1779-08-03
320 320 6c Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": VIc. Trio II
320 320 7 Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": VII. Minuetto & Coda
320 320 8 Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": VIII. Finale. Presto
Zu 320 Appendix Most recordings will be of the serenade version above, not the symphony or sinfonia concertante versions of the serenade below. If you do need one of the two versions below, please be sure to select the correct one - the symphony version has three movements, the sinfonia concertante version two movements, and each is based on different movements from the serenade.
Zu 320 320 1 Symphony on Serenade No. 9 for Orchestra in D major, K. Zu 320 NMA IV/11/7 No. 3 "Posthorn": I. Adagio maestoso - allegro con spirito  ?
Zu 320 320 2 Symphony on Serenade No. 9 for Orchestra in D major, K. Zu 320 NMA IV/11/7 No. 3 "Posthorn": II. Andantino
Zu 320 320 3 Symphony on Serenade No. 9 for Orchestra in D major, K. Zu 320 NMA IV/11/7 No. 3 "Posthorn": III. Presto
Zu 320 320 1 Sinfonia Concertante on Serenade No. 9 for Orchestra in G major, K. Zu 320 NMA X/31/4 "Posthorn": I. Concertante. Andante grazioso some time prior to 1783-03-29
Zu 320 320 2 Sinfonia Concertante on Serenade No. 9 for Orchestra in G major, K. Zu 320 NMA X/31/4 "Posthorn": II. Rondeau. Allegro ma non troppo & Cadenza & Rondeau. Allegro ma non troppo - Adagio - Allegro
2 Marches for Orchestra in D major
320a 335 2 Marches for Orchestra in D major, K. 320a / KV 335 No. 1: (no tempo specified) 1779-08
320a 335 2 Marches for Orchestra in D major, K. 320a / KV 335 No. 2: Maestoso assai
320c 445 March for 2 Horns, 2 Violins, Viola and Bass in D major, K. 320c / 445: (no tempo indication) Summer 1780
Vesperae solennes de Dominica for Soloists, Chorus & Orchestra in C major
321 321 1 Vesperae solennes de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: I. Allegro vivace "Dixit dominus" 1779
321 321 2 Vesperae solennes de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: II. Allegro "Confitebor"
321 321 3 Vesperae solennes de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: III. Allegro "Beatus vir"
321 321 4 Vesperae solennes de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: IV. "Laudate pueri"
321 321 5 Vesperae solennes de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: V. Allegro "Laudate dominum"
321 321 6 Vesperae solennes de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: VI. Adagio maestoso "Magnificat"
321a deest Magnificat for Soloists, in C major, K. 321a / KV deest (fragment): Allegro con spirito "Magnificat anima mea" 1779
2 German Church Songs for Solo Voice and Organ
Librettist: Unknown
336c 343 2 German Church Songs for Solo Voice and Organ in F major, K. 336c / KV 343 No. 1: (no tempo indication). "O Gotteslamm" 1787-02
336c 343 2 German Church Songs for Solo Voice and Organ in C major, K. 336c / KV 343 No. 2: (no tempo indication). "Als aus Ägypten Israel" 1787-02
Zu 336c Appendix
Zu 336c 343 2 German Church Songs for Solo Voice and Organ in F major, K. Zu 336c / KV 343 No. 1 NMA III/8 Anh No. 5a ("Lieder zur öffentlichen und häuslichen Andacht…" version): (no tempo indication). "O Gotteslamm"  ?
Zu 336c 343 2 German Church Songs for Solo Voice and Organ in C major, K. Zu 336c / KV 343 No. 2 NMA III/8 Anh No. 5b ("Lieder zur öffentlichen und häuslichen Andacht…" version): (no tempo indication). "Als aus Ägypten Israel"  ?
336d 336 Church Sonata No. 17 for 2 Violins, Organ, Cello, and Bass in C major, K. 336d / KV 336: Allegro 1780-03
Symphony No. 34 in C major
338 Note: K. 409 is occasionally inserted into K. 338 as a minuet movement.
If your release does have a minuet movement, please check if it is K. 409 or the original fragment of the original minuetto (or a completion based on the same).
If you have a minuet movement, however, please simply insert it - do not renumber the other movements to "fit" the minuet/minuetto.
338 338 1 Symphony No. 34 for Orchestra in C major, K. 338: I. Allegro vivace 1780-08-29
338 338 2 Symphony No. 34 for Orchestra in C major, K. 338: II. Andante di molto più tosto allegretto
338 338 3 Symphony No. 34 for Orchestra in C major, K. 338: III. Finale. Allegro vivace
338 Appendix This minuetto was originally composed to be placed prior to movement II above; Wolfgang Amadeus Mozart tore it from the manuscript. It exists now only as that 14 measure fragment, though some believe it may have been actually been completed.
338 338 2a Symphony No. 34 in C major, K. Zu 338 (14 measure fragment): II. Minuetto. Allegretto 1780
Vesperae solennes de Confessore for Soloists, Chorus & Orchestra in C major
339 339 1 Vesperae solennes de Confessore for Soloists, Chorus & Orchestra in C major, K. 339: I. Allegro vivace "Dixit dominus" 1780
339 339 2 Vesperae solennes de Confessore for Soloists, Chorus & Orchestra in C major, K. 339: II. Allegro "Confitebor"
339 339 3 Vesperae solennes de Confessore for Soloists, Chorus & Orchestra in C major, K. 339: III. Allegro vivace "Beatus vir"
339 339 4 Vesperae solennes de Confessore for Soloists, Chorus & Orchestra in C major, K. 339: IV. "Laudate pueri"
339 339 5 Vesperae solennes de Confessore for Soloists, Chorus & Orchestra in C major, K. 339: V. Andante ma un poco sostenuto "Laudate dominum"
339 339 6 Vesperae solennes de Confessore for Soloists, Chorus & Orchestra in C major, K. 339: VI. Adagio - allegro "Magnificat"
Verdankt sei es dem Glanz der Großen
Librettist: Johann Timotheus Hermes
340a 392 Song for Solo Voice and Piano in F major, K. 340a / KV 392: Gleichgültig und zufrieden. "Verdankt sei es dem Glanz der Großen" 1781-08 to 1782-05
Sei du mein trost
Librettist: Johann Timotheus Hermes
340b 391 Song for Solo Voice and Piano in B-flat major, K. 340b / KV 391: Traurig, doch gelassen. "Sei du mein trost" 1781-08 to 1782-05
Ich würd' auf meinem Pfad
Librettist: Johann Timotheus Hermes
340c 390 Song for Solo Voice and Piano in D minor, K. 340c / KV 390: Mäßig gehend. "Ich würd' auf meinem Pfad" 1781-08 to 1782-05
544 544 Beginning of a March for Flute, Horn, Violin, Viola and Cello in D major, K. 544 (fragment): Andante 1788-06-28
3 Minuets for Orchestra
363 363 3 Minuets for Orchestra in D major, K. 363 No. 1: Minuetto I 1780
363 363 3 Minuets for Orchestra in B-flat major, K. 363 No. 2: Minuetto II
363 363 3 Minuets for Orchestra in D major, K. 363 No. 3: Minuetto III
365a Note: One page of K. 365a (containing a 30 measure fragment) was located in 1996. It is believed that three pages still remain missing.
Anh 11a Lost Lost Work: Recitative and Aria "Warum, o Liebe…Zittre, toricht Herz" 1780-11-22
Die Zufriedenheit: "Was frag' ich viel nach Geld und Gut"
Librettist: Johann Martin Miller
367a 349 Song for Solo Voice and Mandolin in G major, K. 367a / KV 349 "Die Zufriedenheit": Mäßig. "Was frag' ich viel nach Geld und Gut" 1777-11-8 to 1778-03-14
Komm, libe Zither, komm
Librettist: Unknown
367b 351 Song for Solo Voice and Mandolin in C major, K. 367b / KV 351: (no tempo indication). (Tenor (or Soprano)) "Komm, libe Zither, komm" 1780-11 to 1781-03
Ma che vi fece, o stelle
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
368 368 Recitavo for Soprano and Orchestra in F major, K. 368: Allegro assai "Ma che vi fece, o stelle" 1781-01
Sperai vicino il lido
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
368 368 Aria for Soprano and Orchestra in F major, K. 368: Andantino - allegro - andantino - allegro "Sperai vicino il lido" 1781-01
Quintet for Oboe, Violin, Viola & Cello in F major
368b 370 1 Quintet for Oboe, Violin, Viola & Cello in F major, K. 368b / KV 370: I. Allegro 1781
368b 370 2 Quintet for Oboe, Violin, Viola & Cello in F major, K. 368b / KV 370: II. Adagio
368b 370 3 Quintet for Oboe, Violin, Viola & Cello in F major, K. 368b / KV 370: III. Rondeau. Allegro
Misera, dove son!
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
369 369 Recitative for Soprano and Orchestra in E-flat major, K. 369: Andante sostenuto "Misera, dove son! 1781-03-08
Ah! non son io che parlo
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
369 369 Aria for Soprano and Orchestra in E-flat major, K. 369: Allegro "Ah! non son io che parlo" 1781-03-08
Concerto for Horn, K. 370b + K. 371
370b / 371 Note: While this listing has refrained from telling the stories of each work listed here, the story of K. 370b and K. 371 is perhaps the next most interesting after the Requiem (K. 626), and knowing it is rather important to ascertain just what version of each you have on any particular release. Knowing the backstory will also help you understand why these have bar far the longer Köchel catalog identification strings in this entire list.

In 1781, W.A. Mozart began composing a concert for horn, most likely for Viennese hornist Jacob Eisen. By March 3rd, however, Eisen's wife had died, and Mozart stopped working on the concerto. In 1882, his publishers, Breitkopf & Härtel, published a draft version of K. 371. Thus, K. 371 passed into present times relatively intact, if uncompleted. However, the version Breitkopf & Härtel distributed was only 219 measures long. Mozart had a habit of placing at the end of his compositions a count of the total number of measures. For K. 371, the number he had written was 279, yet the discrepancy between the extant 219 measure score and this 279 measure count went unnoticed.

K. 370b has an even more bizarre history. It had never been published by Breitkopf & Härtel, and the autograph had passed down to W.A. Mozart's older son, Karl Thomas Mozart. In 1856, to celebrate the one hundredth anniversary of his father's birth, Karl cut the autograph of K. 370b into at least 9 pieces, and gave the pieces away as souvenirs to admirers of his father's music. By the time Köchel's catalog was first published, in 1862, the locations of many of these was unknown, such that only KV Anh 97 (35 measures) was listed with an incipit. KV Anh 98 was listed only as known of, but current location unknown. By the time of the second edition, in 1905, K2 Anh 98b had been added to the listing, but the location of KV Anh 98 was still unknown.

In the passing years, enough additional pieces were found that by the time K3 was produced, KV Anh 97, KV 98, and K2 98b were recognized as the same work, and brought together with some of the other pieces under the notes section of K3 371 as connected with that Rondo. Then, in K6, these pieces were recognized to be parts of the same work, but that the work they formed was not the same work as K3 371, so they were reassigned their own work listing, K. 370b. Pieces continued to be located. By 1988, 8 pieces had been found. By this point, they were held by seven different libraries scattered across the globe. Plans were then made to reassemble them for an exhibition in 1989.

Then, in late 1988, the then owner of the autograph of K. 371 (Robert Owen Lehman) discovered a new fragment, 60 measures long - and only then was the significance of the disparity between 219 and 279 realized. The four pages containing those 60 measures were found to fit between the page ending measure 27 and the page begining with what had been assumed to be measure 28 in the autograph.

Thus, in 1989, with the large majority of K. 370b now reassembled (only the final piece part remains missing) and with the missing 60 measures reinserted into K. 371, this concerto for horn was finally able to be made available in a form resembling what it had been at the time when W.A. Mozart stopped working on it.

Therefore, if you find a release containing K. 370b and/or K. 371, it is very important to determine when it was recorded.

For K. 370a, in the listing below, movement "A" refers to any recording made since 1989. Movement "B" refers to any recording made between 1964 and 1988. (If you find a release recorded before 1964 which contains K2 Anh 97, K2 Anh 98, or K2 Anh 97b, contact BrianFreud via PM - I seriously doubt that any such release exists).

For K. 371, in the listing below, movement "A" refers to any recording made since 1989. Movement "B" refers to any recording made prior to 1989. Be careful, however. Even in its reunited form, K. 371 remains an unfinished concerto movement, and as such, it has been reconstructed at least once, and completed by other composers at least three different times. If you see the name "Levin" (1990's), "Paumgartner" (1937), or "Kling" (1909), be aware that you need one of the movement "C" listings below, depending upon which completion version you have. (Be careful about "Levin", by the way - he also authenticated the 60 measure fragment. Be sure that the reference to his name is for his completion, not just his authentification.)
deest Anh 97+Anh 98 1 A Concerto for French Horn in E-flat major, K. 370b + deest / K3 Zu 371 + deest / K2 Anh 97 + Anh 98 + Anh 98b + deest / KV Anh 97 + Anh 98 + deest Fr 1781a NMA V/14/5 Anh II No. 1 (127 measure fragment): I. (no tempo indication) 1781-03-21
370b Anh 97+Anh 98 1 B Concerto for French Horn in E-flat major, K. 370b / K3 Zu 371 + deest / K2 Anh 97 + Anh 98 + Anh 98b + deest / KV Anh 97 + Anh 98 (fragment): (no tempo indication) 1781-03-21
deest Anh 97+Anh 98 1 C Concerto for French Horn in E-flat major, K. 370b / K3 Zu 371 + deest / K2 Anh 97 + Anh 98 + Anh 98b + deest / KV Anh 97 + Anh 98 (John Humphries reconstruction): (no tempo indication)  ?
deest 371 2 A Concerto for French Horn in E-flat major, K. 371 + deest Fr 1781b NMA V/14/5 Anh II No. 2 (279 measure fragment): II. Rondo. Allegro 1781-03-21
371 371 2 B Concerto for French Horn in E-flat major, K. 371 (219 measure fragment): Rondo. Allegro 1781-03-21
371 371 2 C Concerto for French Horn in E-flat major, K. 371 (Henri Kling completion): Rondo. Allegro 1909
371 371 2 C Concerto for Orchestra in E-flat major, K. 371 (Bernhard Paumgartner completion): Rondo. Allegro 1937
371 371 2 C Concerto for French Horn in E-flat major, K. 371 (John Humphries reconstruction): Rondo. Allegro  ?
deest 371 2 C Concerto for French Horn in E-flat major, K. 371 + deest NMA V/14/5 Anh 2 (Robert Levin completion): II. Rondo. Allegro 1990's
373 373 Rondo for Violin & Orchestra in C major, K. 373: Rondo. Allegretto grazioso 1781-04-02
A questo seno deh vieni
Librettist: Giovanni de Gamerra
374 374 Recitative for Soprano and Orchestra in E-flat major, K. 374: Recitativo con moto - più moderato - recitativo con moto "A questo seno deh vieni" 1781-04
Or che il cielo a me ti rende
Librettist: Giovanni de Gamerra
374 374 Aria for Soprano and Orchestra in E-flat major, K. 374: Rondeaux. Allegretto "Or che il cielo a me ti rende" 1781-04
Sonata for 2 Pianos in D major
375a 448 1 Sonata for 2 Pianos in D major, K. 375a / 448: I. Allegro con spirito 1781-11
375a 448 2 Sonata for 2 Pianos in D major, K. 375a / 448: II. Andante
375a 448 3 Sonata for 2 Pianos in D major, K. 375a / 448: III. Allegro molto & Coda
375b Anh 42 Sonata Movement for 2 Pianos in B-flat major, K. 375b / Anh 42 Fr 1782b (fragment): I. Grave spring 1782
375b Anh 42 Sonata Movement for 2 Pianos in B-flat major, K. 375b / Anh 42 Fr 1782b (fragment): II. Presto
375c Anh 43 Sonata Movement for 2 Pianos in B-flat major, K. 375c / Anh 43 Fr 1782c (fragment): (no tempo indication) spring 1782
375d Anh 45 Fugue for 2 Pianos in G major, K. 375d / Anh 45 Fr 1785a (fragment): (no tempo indication) spring 1782
375e Note: Most recordings will be the Maximilian Stadler completion - yours is, unless it specifically mentions that it is a recording of the fragment only.
375e 401 Fugue for Organ in G minor, K. 375e / 401 Fr 1772g (95 measure fragment): Fuga 1773
375e 401 Fugue for Organ in G minor, K. 375e / 401 (Maximilian Stadler completion): Fuga  ?
2 Fugues for Piano in E-flat major
375f 153 2 Fugues for Piano in E-flat major, K. 375f / 153 Fr 1782p No. 1 (26.5 measure fragment): Fuga  ?
375f 153 2 Fugues for Piano in E-flat major, K. 375f / 153 No. 1 (Simon Sechter completion): Fuga  ?
375f 153 2 Fugues for Piano in E-flat major, K. 375f / Fr 1782p 153 No. 2 (5.25 measure fragment): Fuga  ?
375g Anh 41 Fugue for Piano in G major, K. 375g / Anh 41 Fr 1776b (26.25 measure fragment): Fuga 1776 or 1777
375h deest Duplicate Double Listed Work: K. 375h is the same work as is the same work as K. 626b/14 No. 1 Skb 1783c (1).
375h deest Fugue for Piano in F major, K. 375h (and 626b/14 No. 1) / K3 Anh. 109g/14 No. 1 / KV deest Fr 1783c / Skb 1783c (1) (13 measure fragment): Fuga 1782 or 1783
375h deest Fugue for Piano in F major, K. 375h (and 626b/14 No. 1) / K3 Anh. 109g/14 No. 1 / KV deest (Leonard Danek completion): Fuga  ?
382 382 Rondo for Piano & Orchestra in D major, K. 382: Rondo. Allegretto grazioso - allegro 1782-02
382a 229 Canon for 3 Voices in 1 in C minor, K. 382a / KV 229: Canon. "Sie ist dahin" 1782
382b 230 Canon for 2 Voices in 1 in C major, K. 382b / KV 230: Canon. "Selig, selig" 1782
382c Caution: Please make sure to choose the correct libretto text for your release.
382c 231 Canon for 6 Voices in 1 in B-flat major, K. 382c / KV 231: Canon. "Leck mich im Arsch" 1782
382c 231 Canon for 6 Voices in 1 in B-flat major, K. 382c / KV 231: Canon. "Laßt froh uns sein" 1782
382d Caution: Please make sure to choose the correct libretto text for your release.
382d 233 Canon for 3 Voices in 1 in B-flat major, K. 382d / KV 233: Andante. "Leck mir den Arsch fein recht schön sauber" 1782
382d 233 Canon for 3 Voices in 1 in B-flat major, K. 382d / KV 233: Andante. "Nichts labt mich mehr als Wein" 1782
382e Caution: Please make sure to choose the correct libretto text for your release.
382e 234 Canon for 3 Voices in 1 in G major, K. 382e / KV 234: Allegro. "Bei der Hitz im Sommer eß ich" 1782
382e 234 Canon for 3 Voices in 1 in G major, K. 382e / KV 234: Allegro. "Essen, Trinken" 1782
382f 347 Canon for 6 Voices in 1 in D major, K. 382f / KV 347: Canon. "Wo der perlende Wein im Glase blinkt" 1782
382g 348 Triple Canon for 12 Voices in 3 in G major, K. 382g / KV 348 (Maximilian Stadler completion): Canon. "V'amo di core" 1782
Nehmt meinen Dank, ihr holden Gönner
Librettist: Unknown
383 383 Aria for Soprano and Orchestra in G major, K. 383: Andante "Nehmt meinen Dank, ihr holden Gönner" 1782-04-10
Mia speranza adorata
Librettist: Gaetano Sertor
383a 394 Prelude for Piano in C major, K. 383a / 394: I. Fantasia. Adagio - andante - più adagio - primo tempo 1782-04
383a 394 Fugue for Piano in C major, K. 383a / 394: II. Fugue. Andante maestoso - adagio
383b Anh 33+40 Fugue for Piano in F major, K. 383b / KV Anh 33+40 Fr 1787d (16.25 measure fragment): Fuga 1782
383C Anh 32 Fantasie for Piano in F minor, K. 383C / Anh 32 Fr 1790b (fragment): Fantasia. Adagio 1789
383d Anh 39 Fugue for Piano in C minor, K. 383d / Anh 39 Fr 1783a (8 measure fragment): Fuga 1782
383d Anh 39 Fugue for Piano in C minor, K. 383d / Anh 39 (Leonard Danek completion): Fuga  ?
383e 408/1 March for Orchestra in C major, K. 383e / KV 408/1: Maestoso 1782
Zu 383e Appendix
Zu 383e 408/1 Reduction for Piano of March for Orchestra in C major, K. 383e / KV 408/1 NMA IX/27/2: Marcia 1782
383f 409 Symphonic Minuet for Orchestra in C major, K. 383f / KV 409: Minuetto & Trio 1782
383F 408/3 March for Orchestra in C major, K. 383F / KV 408/3: Maestoso 1782
383g Anh 100 Lost Lost Work: Symphony in E-flat major (incomplete) early 1782
Der Liebe himmlisches Gefühl
Librettist: Unknown
382h 119 Reduction for Piano of Aria for Soprano and Orchestra in A major, K. 382h / KV 119: Allegro "Der Liebe himmlisches Gefühl" 1782
In te spero, oh sposo amato
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
383h 440 Aria for Soprano and Orchestra in C major, K. 383h / KV 440 Fr 1782f (fragment): "In te spero, oh sposo amato" 1782-02
383h 440 Aria for Soprano and Orchestra in C major, K. 383h / KV 440 (E. Reichert completion): "In te spero, oh sposo amato"  ?
Zu 384 Note: The transcriptions of the overture and (as fragments only) Aria Nos. 11 and 12 are not lost.
Zu 384 Lost Lost Work:Wolfgang Amadeus Mozart's arrangement for piano of the first two acts of Die Entführung aus dem Serail between 1782 and 1785
Symphony No. 35 in D major "Haffner Symphony"
385 Caution: This is not the Haffner Serenade, nor the symphony version of the Haffner Serenade. Those works is are K. 248b and the appendix to K. 248b. This is the Haffner Symphony.
385 385 1 Symphony No. 35 for Orchestra in D major, K. 385 "Haffner": I. Allegro con spirito early 1783
385 385 2 Symphony No. 35 for Orchestra in D major, K. 385 "Haffner": II. Andante
385 385 3 Symphony No. 35 for Orchestra in D major, K. 385 "Haffner": III. Minuetto & Trio
385 385 4 Symphony No. 35 for Orchestra in D major, K. 385 "Haffner": IV. Presto
385 Appendix You almost always will want the revised version of K. 385 above, not the serenade version below.
385 385 1 Symphony for Orchestra in D major, K. Zu 385 (serenade version) "Haffner": I. Allegro con spirito 1782-07
385 385 2 Symphony for Orchestra in D major, K. Zu 385 (serenade version) "Haffner": II. Andante
385 385 3 Symphony for Orchestra in D major, K. Zu 385 (serenade version) "Haffner": III. Menuetto
385 385 4 Symphony for Orchestra in D major, K. Zu 385 (serenade version) "Haffner": IV. Finale. Presto
385a 408/2 March for Orchestra in D major, K. 385a / KV 408/2: (no tempo indication) 1782-08
4 Solfeggios for 1 Voice
385b 393 4 Solfeggios for 1 Voice, K. 385b / KV 393 No. 1 1782-08
385b 393 4 Solfeggios for 1 Voice, K. 385b / KV 393 No. 2 1782-08
385b 393 4 Solfeggios for 1 Voice, K. 385b / KV 393 No. 3 "Solfeggio per la Cara mia Consorte!": (Soprano) 1782-08
385b 393 4 Solfeggios for 1 Voice, K. 385b / KV 393 No. 4 "Essercizio per il Canto" 1782-08
385f Note: Most recordings will be the Maximilian Stadler completion - yours is, unless it specifically mentions that it is a recording of the fragment only.
385f 396 Fantasia Movement for Violin and Piano in C minor, K. 385f / 396 Fr 1782l (27 measure fragment): (no tempo indication) 1782-08 or 1782-09
385f 396 Fantasia Movement for Violin and Piano in C minor, K. 385f / 396 Fr 1782l (Maximilian Stadler completion): Adagio  ?
385g 397 Fantasia for Piano in D minor, K. 385g / 397 Fr *1782e (fragment): Andante - adagio - presto - tempo primo - presto - tempo primo - allegretto - a tempo 1782
385h Anh 34/1 Piece for Piano or Organ in D minor, K. 385h / KV Anh 34/1 Fr 1786a [I] (3 measure fragment): Adagio  ?
Suite for Piano in C major
385i 399 1 Suite for Piano in C major, K. 385i / 399: I. Overture. Grave - allegro 1782
385i 399 2 Suite for Piano in C major, K. 385i / 399: II. Allemande. Andante
385i 399 3 Suite for Piano in C major, K. 385i / 399: III. Courante. Allegretto
385i 399 4 Suite for Piano in C major, K. 385i / 399 Fr 1782i (5.5 measure fragment): IV. Sarabande
385k 154 Fugue for Piano in G minor, K. 385k / 154 Fr 1782j Skb 1782h (3) (30 measure fragment): Fuga  ?
385k 154 Fugue for Piano in G minor, K. 385k / 154 (Simon Sechter completion): Fuga  ?
385o deest Sketch of Concerto for Piano No. 12 in A major, K. 385p / K3 386a / KV deest: I. Allegro (measures 85-145), K. 385o / KV deest Skb 1782d (2) (47 measure sketch) Fall 1782
Concerto for Piano No. 12 in A major
385p 414 1 Concerto for Piano No. 12 in A major, K. 385p / K3 386a / KV 414: I. Allegro Fall 1782
385p 414 2 Concerto for Piano No. 12 in A major, K. 385p / K3 386a / KV 414: II. Andante
385p 414 3 Concerto for Piano No. 12 in A major, K. 385p / K3 386a / KV 414: III. Rondo. Allegretto
386b 412 1 Concerto for French Horn No. 1 in D major, K. 386b / KV 412: I. Allegro 1791
386b 514 2 Concerto for French Horn No. 1 in D major, K. 386b / KV 514 (Süßmayr completion): II. Rondo. Allegro 1792-04-06
386b Appendix Note: Almost all recordings of the second movement will be the Süßmayr above, not the fragment below. If the Süßmayr version is on your release, Süßmayr, not W.A. Mozart, ought to be set as that track's composer.
386b Zu 514 / Zu 412 2 Concerto for French Horn in D major, K. Zu 386b / KV 412 Fr 1791d NMA V/14/5 Anh II No. 4 (fragment): II. Rondo 1791
Gibraltar: "O Calpe! dir donnert's am Fuße"
Librettist: Johann Neopomuk Cosmas Michael Denis
386d Anh 25 Recitativo accompagnato for Solo Voice and Piano in D major, K. 386d / KV Anh 25 Skb 1782ε (sketch) "Gibraltar": (no tempo indication). (Tenor) "O Calpe! dir donnert's am Fuße" 1782-12
Concerto for Piano No. 11 in F major
387a 413 1 Concerto for Piano No. 11 in F major, K. 387a/413: I. Allegro Winter 1782-1783
387a 413 2 Concerto for Piano No. 11 in F major, K. 387a/413: II. Larghetto
387a 413 3 Concerto for Piano No. 11 in F major, K. 387a/413: III. Tempo di menuetto
Concerto for Piano No. 13 in C major
387b 415 1 Concerto for Piano No. 13 in C major, K. 387b/415: I. Allegro 1783-02
387b 415 2 Concerto for Piano No. 13 in C major, K. 387b/415: II. Andante
387b 415 3 Concerto for Piano No. 13 in C major, K. 387b/415: III. Rondeau. Allegro
416 416 Recitavo for Soprano and Orchestra in B-flat major, K. 416: Andante - adagio - allegretto - andante - allegro assai - adagio "Mia speranza adorata" 1783-01-08
Ah, non sai qual pena
Librettist: Gaetano Sertor
416 416 Aria for Soprano and Orchestra in B-flat major, K. 416: Andante sostenuto - più andante - Allegro assai - primo tempo - allegro asssai "Ah, non sai qual pena" 1783-01-08
416a Note: Some scholars think that Wolfgang Amadeus Mozart may never have actually begun K. 416a. Some scholars think, however, that K. 433, K. 435, and Sk 1783c may possibly have been part of work on this planned opera.
Anh 28 Lost Possibly Lost Work: German Opera based on "Il servitore di due padroni"
Müßt ich auch durch tausend Drachen
Librettist: Unknown
416b 435 Aria for Tenor and Orchestra in D major, K. 416b / KV 435 Fr 1783e (fragment): "Müßt ich auch durch tausend Drachen" 1783
416b 435 Aria for Tenor and Orchestra in D major, K. 416b / KV 435 (Erik Smith completion): "Müßt ich auch durch tausend Drachen"  ?
Maenner suchen stets zu naschen
Librettist: Unknown
416c 433 Aria for Bass and Orchestra in F major, K. 416c / KV 433 Fr 1783f (fragment) "Warnung": "Maenner suchen stets zu naschen" 1783
416c 433 Aria for Bass and Orchestra in F major, K. 416c / KV 433 (Erik Smith completion) "Warnung": "Maenner suchen stets zu naschen"  ?
Concerto for Horn No. 2 in E-flat major
417 417 1 Concerto for French Horn No. 2 in E-flat major, K. 417: I. Allegro 1783-05-27
417 417 2 Concerto for French Horn No. 2 in E-flat major, K. 417: II. Andante
417 417 3 Concerto for French Horn No. 2 in E-flat major, K. 417: III. Rondo. Allegro - più allegro
417B No. 1 deest Fugue for 4 Voices in C major, K. 417B No. 4 / K2 Anh 23a / KV deest Skb 1782b (4a-e) Sk 1782h (1-5) (13 measure sketch): Gloria: (Soprano, Alto, Tenor, Bass) "Cum Sancto Spiritu" 1770
417B No. 2 deest Chorus for 4 voices in E-flat major, K. 417B No. 2 / K3 Zu 417a / K2 Anh 109fA / KV deest Skb 1770ε (2) Sk 1770a (5 measure sketch): Credo: (Soprano, Alto, Tenor, Bass) "Et in unum Dominum" 1770
417B No. 3 deest Fugue for 4 voices in C major, K. 417B No. 3 / K3 Zu 417a / K2 Anh 109fB / KV deest Skb 1770ε (3) Sk 1770b (12 measure sketch): Sanctus: (Soprano, Alto, Tenor, Bass) "Osanna" 1770
417B No. 4 deest Chorus for 4 voices in E-flat major, K. 417B No. 4 / K3 Zu 417a / K2 Anh 109fC / KV deest Skb 1770ε (4) Sk 1770c (6.5 measure sketch): Credo: (Soprano, Alto, Tenor, Bass) "Crucifixus" 1770
417B No. 5 deest Fugue for 8 voices in C major, K. 417B No. 5 / KV deest Skb 1784a (3) (sketch): Fugato 1784
417B deest Duplicate Double Listed Work: K. 417B No. 6 is the same work as K. 626b/14 No. 10 Skb 1783c (5).
417B No. 6 deest Fugue for 4 voices in B major, K. 417B No. 6 / KV deest Skb 1783c (5) (fragment) second half of 1783
Ah, spiegarti, oh Dio
Librettist: Unknown
417e 178 Reduction for Solo Voice and Piano of Aria for Solo Voice and Orchestra in A major, K. 417e / K3 125i / KV 178: Andante. (Soprano) "Ah, spiegarti, oh Dio" 1783
Vorrei spiegarvi, oh Dio!
Librettist: Unknown
418 418 Aria for Soprano and Orchestra in A major, K. 418: Allegro "Vorrei spiegarvi, oh Dio!" 1783-06-20
No, che non sei capace
Librettist: Unknown
419 419 Aria for Soprano and Orchestra in C major, K. 419: Allegro "No, che non sei capace" 1783-06
Per pietà, non ricercate
Librettist: Unknown
420 420 Aria for Tenor and Orchestra in E-flat major, K. 420: Rondo. Andante "Per pietà, non ricercate" 1783-06-21
Così dunque tradisci
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
421a 432 Recitative for Bass and Orchestra in F minor, K. 421a / KV 432 (fragment): Allegro "Così dunque tradisci" 1783
421a 432 Recitative for Bass and Orchestra in F minor, K. 421a / KV 432 (Maximillian Stadler completion): Allegro "Così dunque tradisci"  ?
Aspri rimorsi atroci
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
421a 432 Aria for Bass and Orchestra in F minor, K. 421a / KV 432 (fragment): Allegro "Aspri rimorsi atroci" 1783
421a 432 Aria for Bass and Orchestra in F minor, K. 421a / KV 432 (Maximillian Stadler completion): Allegro "Aspri rimorsi atroci"  ?
L'oca del Cairo
Librettist: Giovanni Battista Varesco
422 422 L'oca del Cairo, K. 422: Scene III. No. 1: Duetto e Recitativo. Allegro assai "Così si fa" (Auretta, Chichibio)  ?
422 422 L'oca del Cairo, K. 422: Scene VI: No. 2. Recitativo. Andante "Se fosse qui nascoso" (Auretta)
422 422 L'oca del Cairo, K. 422: Scene VI: No. 3. Aria. Presto "Ogni momento dicon le donne" (Chichibio)
422 422 L'oca del Cairo, K. 422: Scene VIII: Recitativo. "O pazzo, o pazzo, o pazzo, pazzissimo Biondello!" (Don Pippo, Auretta)
422 422 L'oca del Cairo, K. 422: Scene X: No. 4. Aria "Siano pronte alle gran nozze" (Don Pippo)
422 422 L'oca del Cairo, K. 422: Scene XI: No. 5. Quartetto "S'oggi, oh Dei, sperar mi fate" (Celidora, Lavina, Biondello, Calandrino)
422 422 L'oca del Cairo, K. 422: Scene XV: No. 6. Finale. Allegro - Adagio - Andante maestoso - Allegro "Su via, putti, presto, presto!" (Celidora, Lavina, Auretta, Biondello, Calandrino, Don Pippo, Chichibio, Coro)
422 422 L'oca del Cairo, K. 422: Scene XV: No. 6. Finale. Presto "Alto, all'armi, o miei soldati!" (Celidora, Lavina, Auretta, Biondello, Calandrino, Don Pippo, Chichibio, Coro)
Zu 422 Appendix
Zu 422 422 L'oca del Cairo, K. 422 NMA II/5/13/1 Anh I: Scene III. Duetto. Anhang Allegretto vivo "Ho un pensiero" (Auretta, Chichibio)  ?
Zu 422 422 L'oca del Cairo, K. 422 NMA II/5/13/2: Scene X: Aria e Terzetto. No. 4 Anhang. Allegro - più allegro "Siano pronte alle gran nozze" (Auretta, Don Pippo, Chichibio)  ?
Zu 422 422 L'oca del Cairo, K. Zu 422 NMA II/5/13/1 Anh IIa (fragment): II. Scene VI: No. 2. Aria. (No tempo indication) "Se fosse qui nascoso" (Auretta)  ?
Zu 422 422 L'oca del Cairo, K. Zu 422 NMA II/5/13/1 Anh IIb (fragment): Scene VI: Zur No. 3. Aria. (No tempo indication) "Ogni momento dicon le donne" (Chichibio)  ?
Zu 422 422 L'oca del Cairo, K. Zu 422 NMA II/5/13/1 Anh IIc (fragment): Scene VI: Zu der nicht ausgeführten Arie des Biondello (No tempo indication) "Che parli, che dica" (Biondello)  ?
Zu 422 422 L'oca del Cairo, K. Zu 422 NMA II/5/13/1 Anh IId (fragment): Scene XI: Zur No. 5. Quartett (No tempo indication) "S'oggi, oh Dei, sperar mi fate" (Celidora, Lavina, Biondello, Calandrino)  ?
Zu 422 422 L'oca del Cairo, K. Zu 422 NMA II/5/13/1 Anh IIe (fragment): Scene XV: Zur No. 6. Finale. (No tempo indication) "Su via, putti, presto, presto!" (Celidora, Lavina, Auretta, Biondello, Calandrino, Chichibio, Coro)  ?
Symphony No. 36 in C major
425 425 1 Symphony No. 36 for Orchestra in C major, K. 425 "Linz": I. Adagio - allegro spiritoso 1783-10 or 1783-11
425 425 2 Symphony No. 36 for Orchestra in C major, K. 425 "Linz": II. Andante
425 425 3a Symphony No. 36 for Orchestra in C major, K. 425 "Linz": IIIa. Minuetto
425 425 3b Symphony No. 36 for Orchestra in C major, K. 425 "Linz": IIIb. Trio & IIIa. Minuetto
425 425 4 Symphony No. 36 for Orchestra in C major, K. 425 "Linz": IV. Presto
Misero! O sogno
Librettist: Unknown
425b 431 Recitative for Tenor and Orchestra in E-flat major, K. 425b / KV 431: Adagio - andante ostecon moto - allegro risoluto - andante sostenuto "Misero! O sogno" 1783
Aura, che intorno spiri
Librettist: Unknown
425b 431 Aria for Tenor and Orchestra in E-flat major, K. 425b / KV 431: Andante sostenuto "Aura, che intorno spiri" 1783
426 426 Fugue for 2 Pianos in C minor, K. 426: Allegro moderato 1783-12-29
426a Anh 44 Allegro for 2 Pianos in C minor, K. 426a / Anh 44 Fr 1785d (fragment): Allegro 1783-12
Ecco quel fiero istante
Librettist: Pietro Metastasio
436 436 Notturno for 3 Voices and 3 Basset Horns in F major, K. 436: Andante. (2 Sopranos, Bass) "Ecco quel fiero istante" 1783
Zu 436 Appendix
Zu 436 436 Draft of Song for 3 Voices in F major, K. Zu 436 NMA III/9 Anh III No. 2: (no tempo indication). (2 Sopranos, Bass) "Ecco quel fiero istante" 1783
Mi lagnerò tacendo
Librettist: Pietro Metastasio
437 437 Notturno for 3 Voices, 2 Clarinets and Basset Horn in G major, K. 437: Poco adagio. (2 Sopranos, Bass) "Mi lagnerò tacendo" 1783
Se lontan, ben mio, tu sei
Librettist: Pietro Metastasio
438 438 Notturno for 3 Voices, 2 Clarinets and Basset Horn in E-flat major, K. 438: Adagio. (2 Sopranos, Bass) "Se lontan, ben mio, tu sei" 1783
Zu 438 Appendix
Zu 438 438 Draft of Song for 3 Voices in E-flat major, K. Zu 438 NMA III/9 Anh III No. 1: Adagio. (2 Sopranos, Bass) "Se lontan, ben mio, tu sei" 1783
Due pupille amabili
Librettist: Unknown
439 439 Notturno for 3 Voices and 3 Basset Horns in F major, K. 439: Andante. (2 Sopranos, Bass) "Due pupille amabili" 1783
Luci care, luci belle
Librettist: Unknown
439a 346 Notturno for 3 Voices and 3 Basset Horns in F major, K. 439a / KV 346: Allegretto. (2 Sopranos, Bass) "Luci care, luci belle" 1783
Liebes Manndel, wo ist's Bandel?
Librettist: Wolfgang Amadeus Mozart
441 441 Song for 3 Voices, 2 Violins, Viola and Bass in G major, K. 441: Andante sostenuto. (Soprano, Tenor, Bass) "Liebes Manndel, wo ist's Bandel?" 1783
Zu 441 Appendix
Zu 441 441 Draft of Song for 3 Voices, 2 Violins, Viola and Bass in G major, K. Zu 441 NMA III/9 Anh II No. 1: (no tempo indication). (Soprano, Tenor, Bass) "Liebes Manndel, wo ist's Bandel?" 1783
Zu 441 441 Score Fragment of Song for 3 Voices, 2 Violins, Viola and Bass in G major, K. Zu 441 NMA III/9 Anh II No. 2 Fr 1786b: Andante sostenuto. (Soprano, Tenor, Bass) "Liebes Manndel, wo ist's Bandel?" 1783
Concerto for Horn No. 3 in E-flat major
447 447 1 Concerto for French Horn No. 3 in E-flat major, K. 447: I. Allegro 1787
447 447 2 Concerto for French Horn No. 3 in E-flat major, K. 447: II. Romance. Larghetto
447 447 3 Concerto for French Horn No. 3 in E-flat major, K. 447: III. Allegro
6 Minuets for Orchestra
448a 461 6 Minuets for Orchestra in C major, K. 448a / 461 No. 1: Minuette & Trio 1784
448a 461 6 Minuets for Orchestra in E-flat major, K. 448a / 461 No. 2: Minuette & Trio
448a 461 6 Minuets for Orchestra in G major, K. 448a / 461 No. 3: Minuette & Trio
448a 461 6 Minuets for Orchestra in B-flat major, K. 448a / 461 No. 4: Minuette & Trio
448a 461 6 Minuets for Orchestra in F major, K. 448a / 461 No. 5: Minuette & Trio
448a 461 6 Minuets for Orchestra in D major, K. 448a / 461 No. 6: Minuette
6 Contredanses for Orchestra
448b 462 6 Contredanses for Orchestra in C major, K. 448b / 462 No. 1: Contredanse 1784-01
448b 462 6 Contredanses for Orchestra in E-flat major, K. 448b / 462 No. 2: Contredanse - tempo di minuetto
448b 462 6 Contredanses for Orchestra in B-flat major, K. 448b / 462 No. 3: Contredanse
448b 462 6 Contredanses for Orchestra in D major, K. 448b / 462 No. 4: Contredanse
448b 462 6 Contredanses for Orchestra in B-flat major, K. 448b / 462 No. 5: Contredanse
448b 462 6 Contredanses for Orchestra in F major, K. 448b / 462 No. 6: Contredanse
Zu 448b Appendix
Zu 448b 462 Reduction for Piano of 6 Contredanses for Orchestra in C major, K. Zu 448b / 462 No. 1: Contredanse & Minore  ?
Zu 448b 462 Reduction for Piano of 6 Contredanses for Orchestra in E-flat major, K. Zu 448b / 462 No. 2: Contredanse - tempo di minuetto - allegro
Zu 448b 462 Reduction for Piano of 6 Contredanses for Orchestra in B-flat major, K. Zu 448b / 462 No. 3: Contredanse
Zu 448b 462 Reduction for Piano of 6 Contredanses for Orchestra in D major, K. Zu 448b / 462 No. 4: Contredanse
Zu 448b 462 Reduction for Piano of 6 Contredanses for Orchestra in B-flat major, K. Zu 448b / 462 No. 5: Contredanse
Zu 448b 462 Reduction for Piano of 6 Contredanses for Orchestra in F major, K. Zu 448b / 462 No. 6: Contredanse
2 Minuets with Contredanse for Orchestra
448c 463 2 Minuets with Contredanse for Orchestra in F major, K. 448c / 463 No. 1 "Quadrilles": Minuetto. Contredanse - allegro 1784-01
448c 463 2 Minuets with Contredanse for Orchestra in B-flat major, K. 448c / 463 No. 2 "Quadrilles": Minuetto cantabile. Adagio - allegro
Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major
452 452 1 Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: I. Largo - allegro moderato 1784-03-30
452 452 2 Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: II. Larghetto
452 452 3 Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: III. Allegretto
*452 Appendix Most recordings will include the version of movement 3 above.
*452 *452 3 Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. *452 (final version): III. Allegretto 1784
453a deest Small Funeral March for Piano in C minor, K. 453a / deest "Marche funèbre del Sigr Maestro Contrapunto": Marche funebre. Lento 1784
Lied zur Gesellenreise: "Die ihr einem neuen Grad"
Librettist: Joseph Franz von Ratschky
468 468 Masonic Fellowship Song for Solo Voice and Piano in B-flat major, K. 468 "Lied zur Gesellenreise": Larghetto. "Die ihr einem neuen Grad" 1785-03-26
470 470 Lost Lost Work: Concerto Movement for Violin in A major: Andante
Der Zauberer: "Ihr Mädchen, flieht Damöten"
Librettist: Christian Felix Weiße
472 472 Song for Solo Voice and Piano in G minor, K. 472 "Der Zauberer": (no tempo indication). "Ihr Mädchen, flieht Damöten" 1785-05-07
Die Zufriedenheit: "Wie sanft, wie ruhig"
Librettist: Christian Felix Weiße
473 473 Song for Solo Voice and Piano in B-flat major, K. 473 "Die Zufriedenheit": (no tempo indication). "Wie sanft, wie ruhig" 1785-05-07
Die betrogene Welt: "Der reiche Tor"
Librettist: Christian Felix Weiße
474 474 Song for Solo Voice and Piano in G major, K. 474 "Die betrogene Welt": (no tempo indication). "Der reiche Tor" 1785-05-07
Einsam bin ich, meine Liebe
Librettist: Unknown
475a Anh 26 Song for Solo Voice and Piano in D minor, K. 475a / KV Anh 26 Fr 1785f (fragment): (no tempo indication). "Einsam bin ich, meine Liebe" Possibly 1785
Das Veilchen: "Ein Veilchen auf der Wiese stand"
Librettist: Johann Wolfgang von Goethe
476 476 Song for Solo Voice and Piano in G major, K. 476 "Das Veilchen": Allegretto. "Ein Veilchen auf der Wiese stand" 1785-06-08
477a Note: K. 477a may not exist. A newspaper advertisement advertised an Italian song of joy, "Per la recuperata saulute di Ophelia", with libretto by da Ponte and music by Salieri, Wolfgang Amadeus Mozart, and Cornetti being sold as a charity fundraiser. However, no copies have been discovered, and of da Ponte, Salieri, and Wolfgang Amadeus Mozart, none mentions it in their personal works lists.
Anh 11a Lost Lost Work: Cantata for Voice and Piano 1785
Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor
478 478 1 Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. 478: I. Allegro 1785-10-16
478 478 2 Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. 478: II. Andante
478 478 3 Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. 478: III. Rondeau. Allegro moderato
*478 Appendix Most recordings will include the version of movement 1 above.
*478 Zu 478 1 Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. *478: I. Allegro 1785-10-16
Dite almeno, in che mancai
Librettist: Unknown
479 479 Aria for Quartetto and Orchestra in E-flat major, K. 479: Allegro - allegro assai - più stretto (Soprano, Tenor, 2 Basses) "Dite almeno, in che mancai" 1785-11-05
479a 477 Masonic Funeral Music for Orchestra in C minor, K. 479a / KV 477: Adagio 1785
Mandina amabile
Librettist: Unknown
480 480 Aria for Trio and Orchestra in A major, K. 480: Andante (Soprano, Tenor, Bass) "Mandina amabile" 1785-11-21
Del gran regno delle amazzone
Librettist: Guiseppe Petrosellini
480b 434 Aria for Trio and Orchestra in B-flat major, K. 480b / K3 424b / KV 434 Fr 1786e (fragment): (Tenor, 2 Basses) "Del gran regno delle amazzone" End of 1785
Zu 480b Anh II/3a Nos. 160-161 Aria for Quintet and Orchestra in B-flat major, K. Zu 480b / K3 Zu 424b / KV Anh II/3a Nos. 160-161 (sketch): (2 Sopranos, Tenor, 2 Basses) "Del gran regno delle amazzone" End of 1785
Zerfließet heut', geliebte Brüder
Librettist: Augustin Veith Edlem von Schittlersberg
483 483 Masonic Song for Solo Voice, Chorus of 3 Men and Organ in B-flat major, K. 483: Andante. "Zerfließet heut', geliebte Brüder" 1785-12
Ihr unsre neuen Leiter
Librettist: Augustin Veith Edlem von Schittlersberg
484 484 Masonic Song for Solo Voice, Chorus of 3 Men and Organ in G major, K. 484: Andante. "Ihr unsre neuen Leiter" 1785-12
485 485 Rondo for Piano in D major, K. 485: Allegro 1786-01-10
Le nozze di Figaro
492 492 Le nozze di Figaro, K. 492: Overture 1785-10 to 1786-04-19
492 492 Le nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duetto "Cinque… dieci… Venti… trenta…" (Figaro, Susanna)
492 492 Le nozze di Figaro, K. 492: Act I, Scene I. Recitativo "Cosa stai misurando" (Figaro, Susanna)
492 492 Le nozze di Figaro, K. 492: Act I, Scene I. No. 2 Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna)
492 492 Le nozze di Figaro, K. 492: Act I, Scene II. Recitativo "Or bene, ascolta e taci!" (Figaro, Susanna)
492 492 Le nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina "Se vuol ballare, signor Contino" (Figaro)
492 492 Le nozze di Figaro, K. 492: Act I, Scene III. Recitativo "Ed aspettaste il giorno fissato a le sue nozze" (Bartolo, Marcellina)
492 492 Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo)
492 492 Le nozze di Figaro, K. 492: Act I, Scene IV. Recitativo "Tutto ancor non ho perso" (Marcellina, Susanna)
492 492 Le nozze di Figaro, K. 492: Act I, Scene IV. No. 5 Duettino "Via, resti servita, madama brillante" (Marcellina, Susanna)
492 492 Le nozze di Figaro, K. 492: Act I, Scene V. Recitativo "Va là, vecchia pedante" (Cherubino, Susanna)
492 492 Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino)
492 492 Le nozze di Figaro, K. 492: Act I, Scene VI. Recitativo "Ah, son perduto!" (Cherubino, Susanna, Il Conte, Basilio)
492 492 Le nozze di Figaro, K. 492: Act I, Scene VII. No. 7 Terzetto "Cosa sento! tosto andante" (Il Conte, Basilio, Susanna)
492 492 Le nozze di Figaro, K. 492: Act I, Scene VII. Recitativo "Basilio, in traccia tosto di Figaro volate" (Il Conte, Susanna, Cherubino, Basilio)
492 492 Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete, fiori spargete" (Coro)
492 492 Le nozze di Figaro, K. 492: Act I, Scene VIII. Recitativo "Cos'è questa commedia?" (Il Conte, Figaro, Susanna)
492 492 Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 9 Coro "Giovani liete, fiori spargete" (Coro)
492 492 Le nozze di Figaro, K. 492: Act I, Scene VIII. Recitativo "Evviva!" (Figaro, Susanna, Basilio, Cherubino, Il Conte)
492 492 Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro)
492 492 Le nozze di Figaro, K. 492: Act II, Scene I. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa)
492 492 Le nozze di Figaro, K. 492: Act II, Scene I. Recitativo "Vieni, cara Susanna" (La Contessa, Susanna, Figaro)
492 492 Le nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Quanto duolmi, Susanna" (La Contessa, Susanna, Cherubino)
492 492 Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino)
492 492 Le nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Bravo! che bella voce!" (La Contessa, Susanna, Cherubino)
492 492 Le nozze di Figaro, K. 492: Act II, Scene II. No. 13 Aria "Venite… inginocchiatevi…" (Susanna)
492 492 Le nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Quante buffonerie" (Il Conte, La Contessa, Cherubino, Susanna)
492 492 Le nozze di Figaro, K. 492: Act II, Scene III. Recitativo "Che novità!" (Il Conte, La Contessa)
492 492 Le nozze di Figaro, K. 492: Act II, Scene III. No. 14 Terzetto "Susanna or via, sortite" (Il Conte, La Contessa, Susanna)
492 492 Le nozze di Figaro, K. 492: Act II, Scene III. Recitativo "Dunque, voi non aprite?" (Il Conte, La Contessa)
492 492 Le nozze di Figaro, K. 492: Act II, Scene IV. No. 15 Duettino "Aprite, presto, aprite" (Susanna, Cherubino)
492 492 Le nozze di Figaro, K. 492: Act II, Scene IV. Recitativo "Oh guarda il demonietto!" (Susanna)
492 492 Le nozze di Figaro, K. 492: Act II, Scene V. Recitativo "Tutto è come io lasciai" (Il Conte, La Contessa)
492 492 Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna)
492 492 Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Signore, cos'è quel stupore?" (Il Conte, La Contessa, Susanna)
492 492 Le nozze di Figaro, K. 492: Act II, Scene VIII. No. 16 Finale "Susanna, son morta" (Il Conte, La Contessa, Susanna)
492 492 Le nozze di Figaro, K. 492: Act II, Scene IX. No. 16 Finale "Signori di fuori son già suonatori" (Il Conte, La Contessa, Susanna)
492 492 Le nozze di Figaro, K. 492: Act II, Scene IX. No. 16 Finale "Conoscete signor Figaro" (Il Conte, La Contessa, Susanna)
492 492 Le nozze di Figaro, K. 492: Act II, Scene X. No. 16 Finale "Ah signor... signor" (Il Conte, La Contessa, Susanna)
492 492 Le nozze di Figaro, K. 492: Act II, Scene X. No. 16 Finale "Vostre dunque saran queste carte che perdeste" (Il Conte, La Contessa, Susanna)
492 492 Le nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna)
492 492 Le nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Son confusa son stordita" (Il Conte, La Contessa, Susanna)
492 492 Le nozze di Figaro, K. 492: Act II, Scene Ultima. No. 16 Finale "Certo un diavol dell’inferno" (Il Conte, La Contessa, Susanna)
492 492 Le nozze di Figaro, K. 492: Act III, Scenes I-II. Recitativo "Che imbarazzo è mai questo!" (Il Conte, La Contessa, Susanna)
492 492 Le nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duetto "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna)
492 492 Le nozze di Figaro, K. 492: Act III, Scene III. Recitativo "E perchè fosti meco" (Il Conte, Susanna, Figaro)
492 492 Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Recitativo "Hai già vinta la causa" (Il Conte)
492 492 Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Aria "Vedrò, mentre io sospiro" (Il Conte)
492 492 Le nozze di Figaro, K. 492: Act III, Scene V. Recitativo "È decisa la lite" (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo)
492 492 Le nozze di Figaro, K. 492: Act III, Scene V. No. 19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro)
492 492 Le nozze di Figaro, K. 492: Act III, Scene VI. Recitativo "Eccovi, oh caro amico" (Marcellina, Bartolo, Figaro, Susanna)
492 492 Le nozze di Figaro, K. 492: Act III, Scene VII. Recitativo "Andiam, andiam, bel paggio" (Barbarina, Cherubino)
492 492 Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Recitativo "E Susanna non vien!" (La Contessa)
492 492 Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa)
492 492 Le nozze di Figaro, K. 492: Act III, Scene IX. Recitativo "Io vi dico, signor, che Cherubino" (Antonio, Il Conte)
492 492 Le nozze di Figaro, K. 492: Act III, Scene X. Recitativo "Cosa mi narri" (La Contessa, Susanna)
492 492 Le nozze di Figaro, K. 492: Act III, Scene X. No. 21 Duettino "Che soave zeffiretto (La Contessa, Susanna)
492 492 Le nozze di Figaro, K. 492: Act III, Scene X. Recitativo "Piegato è il foglio" (La Contessa, Susanna)
492 492 Le nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze)
492 492 Le nozze di Figaro, K. 492: Act III, Scenes XII-XIII. Recitativo "Questo sono, Madama" (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro)
492 492 Le nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. No. 23 Finale "Ecco la marcia, Andiamo" (Barbarina, Coro)
492 492 Le nozze di Figaro, K. 492: Act IV, Scene XIV. No. 23 Finale "Amanti costanti seguaci d'onor" (Barbarina, Coro)
492 492 Le nozze di Figaro, K. 492: Act IV, Scene XIV. No. 23 Finale "Eh già solita usanza" (Barbarina, Coro)
492 492 Le nozze di Figaro, K. 492: Act IV, Scene XIV. No. 23 Finale "Andate amici!" (Barbarina, Coro)
492 492 Le nozze di Figaro, K. 492: Act IV, Scene I. No. 24 Aria "L'ho perduta... me meschina" (Marcellina)
492 492 Le nozze di Figaro, K. 492: Act IV, Scenes II-III. Recitativo "Barbarina, cos'hai?" (Figaro, Barbarina, Marcellina)
492 492 Le nozze di Figaro, K. 492: Act IV, Scene IV. No. 25 Aria "Il capro e la capretta" (Marcellina)
492 492 Le nozze di Figaro, K. 492: Act IV, Scenes V-VII. Recitativo "Nel padiglione a manca" (Barbarina, Figaro, Basilio, Bartolo)
492 492 Le nozze di Figaro, K. 492: Act IV, Scene VII. No. 26 Aria "In quegli anni in cui val poco" (Basilio)
492 492 Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Tutto è disposto" (Figaro)
492 492 Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Aria "Aprite un po' quegl'occhi" (Figaro)
492 492 Le nozze di Figaro, K. 492: Act IV, Scene IX. Recitativo "Signora, ella mi disse" (Figaro, La Contessa, Marcellina, Susanna)
492 492 Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Recitativo "Giunse alfin il momento" (Susanna)
492 492 Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Aria "Deh vieni non tardar" (Susanna)
492 492 Le nozze di Figaro, K. 492: Act IV, Scenes XI-XIV. Recitativo "Perfida, e in quella forma meco mentia?" (Cherubino, Figaro, La Contessa)
492 492 Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pian pianin le andrò più presso" (Il Conte, Tutti)
492 492 Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Partito è alfin l'audace" (Il Conte, Tutti)
492 492 Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Tutto è tranquillo e placido" (Il Conte, Tutti)
492 492 Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pace pace, mio dolce tesoro" (Il Conte, Tutti)
492 492 Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Gente gente, all'armi all'armi!" (Il Conte, Tutti)
492 492 Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Questo giorno di tormenti" (Il Conte, Tutti)
Zu 492 Appendix Some appendix works also have individual catalog numbers.
Please use the below listing if your release is a full opera release.
Otherwise, if it is a collection of various works, please use the regular catalog listings found elsewhere on this page.
Zu 492 / Zu 579 579 Anh Le nozze di Figaro, K. 492: Act II, Scene II. Anhang. No. 13a Arietta "Un moto di gioia" (Susanna) [K. 579] 1789-08
Zu 492 / Zu 577 577 Anh Le nozze di Figaro, K. 492: Act IV, Scene X. Anhang. No. 28a Rondo. Larghetto "Al desio di chi t'adora" (Susanna) [K. 577] 1789-07
Zu 492 492 Anh Reduction for Soprano, Piano and Violin of Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino), K. Zu 492: Anhang. Allegro vivace  ?
Zu 492 / Zu 579 579 Anh Reduction for Soprano and Piano of Le nozze di Figaro, K. Zu 492: Act II, Scene II. Anhang. No. 13a Arietta "Un moto di gioia" (Susanna) [K. 579], K. Zu 492 . Anhang. Allegretto moderato  ?
Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major
493 493 1 Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. 493: I. Allegro 1786-06-03
493 493 2 Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. 493: II. Larghetto
493 493 3 Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. 493: III. Allegretto
*493 Appendix Most recordings will include the version of movement 3 above.
*493 *493 3 Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. *493 / KV Anh 53 (first version): III. Allegretto 1786
*493 *493 3 Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. *493 (final version): III. Allegretto 1786-06-03
494a deest Concerto movement for Horn in E major, K. 494a / K3 Zu 386b / K2 Anh 98a / KV deest Fr 1785k NMA V/14/5 Anh II No. 3 (fragment): Allegro Summer 1786
Concerto for Horn No. 4 in E-flat major
495 Caution: There are three variations of movement I. All three can be found on releases. First, check whether yours is Allegro maestoso or Allegro moderato. If yours is Allegro moderato, or you see a reference to "André", you want listing 1B below. Otherwise, look for notes in the liner referring to a missing, extra, or deleted section, or a reference to "Clementiunum", Prague, or 229 measures. If any of these appears, you want listing 1C below. Otherwise, you want listing 1A below.
495 495 1A Concerto for French Horn No. 4 in E-flat major, K. 495 / KV deest (218 measures): I. Allegro maestoso 1786-06-26
495 495 2 Concerto for French Horn No. 4 in E-flat major, K. 495: II. Romance. Andante cantabile
495 495 3 Concerto for French Horn No. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace
495 Appendix There are three variations of movement I.
495 495 1B Concerto for French Horn No. 4 in E-flat major, K. Zu 495 / KV 495 NMA V/14/5 Anh III (175 measures): I. Allegro moderato 1786-06-26
495 495 1C Concerto for French Horn No. 4 in E-flat major, K. 496 + K. Zu 495 / KV deest (229 measures): I. Allegro maestoso 1786-06-26
Symphony No. 38 for Orchestra in D major
504 504 1 Symphony No. 38 for Orchestra in D major, K. 504 "Prague": I. Adagio - allegro 1786-12-06
504 504 2 Symphony No. 38 for Orchestra in D major, K. 504 "Prague": II. Andante
504 504 3 Symphony No. 38 for Orchestra in D major, K. 504 "Prague": III. Presto
Ch'io mi scordi di te?
Librettist: Unknown
505 505 Recitative for Soprano, Piano and Orchestra in E-flat major, K. 505: Andantino - andante "Ch'io mi scordi di te?" 1786-12-26
Non temer, amato bene
Librettist: Unknown
505 505 Aria for Soprano, Piano and Orchestra in E-flat major, K. 505: Rondo. Andante "Non temer, amato bene" 1786-12-26
Lied der Freiheit: "Wer unter eines Mädchens Hand"
Librettist: Johannes Aloys Blumauer
506 506 Song for Solo Voice and Piano in F major, K. 506 "Lied der Freiheit": (no tempo indication). "Wer unter eines Mädchens Hand" end of 1785
507 507 Canon for 3 Voices in 1 in F major, K. 507: Canon. "Heiterkeit und leichtes Blut" 1786-06-03
508 508 Canon for 3 Voices in 1 in F major, K. 508: Canon. "Auf das Wohl aller Freunde" 1786-06-03
Canon in 3 Parts for 3 Female Voices in 1 in F major
508a deest Canon in 3 Parts for 3 Female Voices in 1 in F major, K. 508a / KV deest No. 1 "Canone a tre soprani": Canon. (3 Sopranos) 1786-06-03
508a deest Canon in 3 Parts for 3 Female Voices in 1 in F major, K. 508a / KV deest No. 2 "Canone a tre soprani": Canon. (3 Sopranos) 1786-06-03
14 Interval Canons
508a Note: The remainder of the 14 Interval Canons can be found listed at K. deest.
508a deest 14 Interval Canons No. 4 for 2 in 1 in F major, K. 508a / KV deest No. 3 "Canoni in seconda di sotto": Canon 1786-06-03
508a deest 14 Interval Canons No. 6 for 2 in 1 in F major, K. 508a / KV deest No. 4 "Canoni in terza di sotto": Canon 1786-06-03
508a deest 14 Interval Canons No. 8 for 2 in 1 in F major, K. 508a / KV deest No. 5 "Canoni in quarta di sotto": Canon 1786-06-03
508a deest 14 Interval Canons No. 10 for 2 in 1 in F major, K. 508a / KV deest No. 6 "Canoni in quinta di sotto": Canon 1786-06-03
508a deest 14 Interval Canons No. 12 for 2 in 1 in F major, K. 508a / KV deest No. 7 "Canoni in sesta di sotto": Canon 1786-06-03
508a deest 14 Interval Canons No. 14 for 2 in 1 in F major, K. 508a / KV deest No. 8 "Canoni in settima di sotto": Canon 1786-06-03
508A deest Canon for 3 in 1 in C major, K. 508A / KV deest: Canon 1786-06-03
6 German Dances for Orchestra / Piano
509 509 6 German Dances for Orchestra in D major, K. 509 No. 1: German Dance & Alternativo 1787-02-06
509 509 6 German Dances for Orchestra in G major, K. 509 No. 2: German Dance & Alternativo
509 509 6 German Dances for Orchestra in E-flat major, K. 509 No. 3: German Dance & Alternativo
509 509 6 German Dances for Orchestra in F major, K. 509 No. 4: German Dance & Alternativo
509 509 6 German Dances for Orchestra in A major, K. 509 No. 5: German Dance & Alternativo
509 509 6 German Dances for Orchestra in C major, K. 509 No. 6: German Dance & Alternativo & Coda
Zu 509 Appendix Piano Reduction version: 6 German Dances for Piano
Zu 509 509 Reduction for Piano of 6 German Dances for Orchestra in D major, K. Zu 509 NMA IX/27/2 No. 1: German Dance & Minore 1787
Zu 509 509 Reduction for Piano of 6 German Dances for Orchestra in G major to C major, K. Zu 509 NMA IX/27/2 No. 2: German Dance & Minore
Zu 509 509 Reduction for Piano of 6 German Dances for Orchestra in E-flat major to B-flat major, K. Zu 509 NMA IX/27/2 No. 3: German Dance & Minore
Zu 509 509 Reduction for Piano of 6 German Dances for Orchestra in F major to C major, K. Zu 509 NMA IX/27/2 No. 4: German Dance & Minore
Zu 509 509 Reduction for Piano of 6 German Dances for Orchestra in A major to C major, K. Zu 509 NMA IX/27/2 No. 5: German Dance & Minore
Zu 509 509 Reduction for Piano of 6 German Dances for Orchestra in C major, K. Zu 509 NMA IX/27/2 No. 6: German Dance & Minore & Coda
Zu 509 Appendix
Zu 509 509 Reduction for Piano of 6 German Dances for Orchestra in D major, K. Zu 509 No. 1: German Dance & Minore  ?
Zu 509 509 Reduction for Piano of 6 German Dances for Orchestra in G major, K. Zu 509 No. 2: German Dance & Minore
Zu 509 509 Reduction for Piano of 6 German Dances for Orchestra in E-flat major, K. Zu 509 No. 3: German Dance & Minore
Zu 509 509 Reduction for Piano of 6 German Dances for Orchestra in F major, K. Zu 509 No. 4: German Dance & Minore
Zu 509 509 Reduction for Piano of 6 German Dances for Orchestra in A major, K. Zu 509 No. 5: German Dance & Minore
Zu 509 509 Reduction for Piano of 6 German Dances for Orchestra in C major, K. Zu 509 No. 6: German Dance & Minore & Coda
509a 232 Canon for 4 Voices in 1 in G major, K. 509a / KV 232: Canon. "Lieber Freistädtler, lieber Gaulimauli" 1787-07-04
511 511 Rondo for Piano No. 3 in A minor, K. 511: Andante 1787-03-11
Alcandro, Io confesso
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
512 512 Recitativo for Bass and Orchestra in F major, K. 512: Allegro molto - andante a tempo - tempo primo "Alcandro, Io confesso" 1787-03-[18 or 19]
Non so d'onde viene
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
512 512 Aria for Bass and Orchestra in F major, K. 512: Andante - allegretto - tempo primo "Non so d'onde viene" 1787-03-[18 or 19]
Mentre ti lascio, oh figlia
Librettist: Duca Sant' Angioli-Morbilli
513 513 Aria for Bass and Orchestra in E-flat major, K. 513: Larghetto - allegro - più allegro "Mentre ti lascio, oh figlia" 1787-03-23
Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major
514a Anh 80 Movement for 2 Violins, 2 Violas, and Cello in B-flat major, K. 514a / Anh 80 Fr 1787j (122 measure fragment): (no tempo indication) 1787
514a Anh 80 Movement for 2 Violins, 2 Violas, and Cello in B-flat major, K. 514a / Anh 80 (Erik Smith completion): Allegro  ?
514a Anh 80 Movement for 2 Violins, 2 Violas, and Cello in B-flat major, K. 514a / Anh 80 (Franz Beyer completion): Allegro  ?
515 515 1 Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: I. Allegro 1787-04
515 515 2 Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: II. Andante
515 515 3 Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: III. Minuetto. Allegretto & Trio
515 515 4 Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: IV. Allegro
515a Anh 87 Movement for 2 Violins, 2 Violas, and Cello in F major, K. 515a / Anh 87 Fr 1791b (11 measure fragment): Andante 1787-04
515b 228 Double Canon for 4 Voices in 2 in F major, K. 515b / KV 228: Canon. "Ach! zu kurz ist unsers Lebens Lauf" 1787-04-24
515c Anh 79 Movement for 2 Violins, 2 Violas, and Cello in A minor, K. 515c / Anh 79 Fr 1791c (72 measure fragment): Allegro moderato 1787-05
515c Anh 79 Movement for 2 Violins, 2 Violas, and Cello in A minor, K. 515c / Anh 79 (Franz Beyer completion): Allegro moderato  ?
Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor
516 516 1 Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: I. Allegro 1787-05-16
516 516 2 Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: II. Minuetto. Allegretto & Trio
516 516 3 Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: III. Adagio ma non troppo
516 516 4 Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: IV. Adagio - allegro
Zu 516 Appendix
Zu 516 516 3 Reduction for Piano of Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: III. Adagio ma non troppo in C minor, K. Zu 516 (fragment)  ?
516a Anh 86 Movement for 2 Violins, 2 Violas, and Cello in G minor, K. 516a / Anh 86 Fr 1787k (9.25 measure Violin I-only fragment): Rondo 1787-05
Quintet for 2 Violins, 2 Violas and Cello No. 2 in C minor
516b Note: K. 516b is an arrangement of Serenade No. 12 for Winds in C minor, K. 384a / 388 "Nacht musique" for string quintet.
516b 406 1 Quintet for 2 Violins, 2 Violas and Cello No. 2 in C minor, K. 516b / 406: I. Allegro spring 1787 to early 1788
516b 406 2 Quintet for 2 Violins, 2 Violas and Cello No. 2 in C minor, K. 516b / 406: II. Andante
516b 406 3 Quintet for 2 Violins, 2 Violas and Cello No. 2 in C minor, K. 516b / 406: III. Minuetto in canone & Trio in canone al roverscio
516b 406 4 Quintet for 2 Violins, 2 Violas and Cello No. 2 in C minor, K. 516b / 406: IV. Allegro
516e Anh 89 Rondo for Clarinet, 2 Violins, Viola, and Cello in E-flat major, K. 516e / KV Anh 89 Fr *1787y (7 measure fragment): Andante
Die Alte: "Ein bißchen aus der Nase"
Librettist: Friedrich von Hagedorn
517 517 Song for Solo Voice and Piano in E minor, K. 517 Fr 1787w (fragment) "Die Alte": (no tempo indication). "Ein bißchen aus der Nase" 1787-05-18
Die Verschweigung: "Sobald Damötas Chloen sieht"
Librettist: Christian Felix Weiße
518 518 Song for Solo Voice and Piano in F major, K. 518 Fr 1787x (Johann Anton André completion) "Die Verschweigung": (no tempo indication). "Sobald Damötas Chloen sieht" 1787-05-20
Das Lied der Trennung: "Die Engel Gottes weinen"
Librettist: Klamer Eberhard Karl Schmidt
519 519 Song for Solo Voice and Piano in F minor, K. 519 "Das Lied der Trennung": Langsam. "Die Engel Gottes weinen" 1787-05-23
Als Luise die Briefe ihres ungetruen Liebhabers verbrannte: "Erzeugt von heißer Phantasie"
Librettist: Gabriele von Baumberg
520 520 Song for Solo Voice and Piano in C minor, K. 520 "Als Luise die Briefe ihres ungetruen Liebhabers verbrannte": Andante. "Erzeugt von heißer Phantasie" 1787-05-26
Abendempfindung an Laura: "Abend ist's, die Sonne ist verschwunden"
Librettist: Unknown
523 523 Song for Solo Voice and Piano in F major, K. 523 "Abendempfindung an Laura": Andante. "Abend ist's, die Sonne ist verschwunden" 1787-06-24
An Chloe: "Wenn die Lieb’ aus deinen blauen, hellen, offnen Augen sieht"
Librettist: Johann Georg Jacobi
524 524 Song for Solo Voice and Piano in E-flat major, K. 524 "An Chloe": Allegretto. "Wenn die Lieb’ aus deinen blauen, hellen, offnen Augen sieht" 1787-06-24
525 Note: Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik" was composed with 5 movements; the missing minuet would have been the first movement.
525 Lost Lost Work: Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Minuet
Il dissoluto punito, ossia il Don Giovanni
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - Allegro molto 1787-10-28
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene II. Recitativo "Leporello, ove sei?" (Don Giovanni, Leporello)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene II. Recitativo "Ah del padre in periglio" (Donna Anna, Don Ottavio)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Recitativo accompagnato "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. Recitativo "Chi è la? Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VI. Recitativo "In questa forma dunque" (Donna Elvira)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. Recitativo "Manco male e partita" (Don Giovanni, Leporello, Zerlina)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XII. Recitativo "Ah ti ritrovo ancor" (Donna Elvira)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XII. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XII. Recitativo "Povera sventurata!" (Don Giovanni)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Recitativo "Come mai cerder deggio" (Don Giovanni)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Pace, pace, o vita mia" (Zerlina)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XVII. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVIII. No. 13 Finale "Tra quest' arbori celata" (Zerlina, Don Giovanni, Masetto, Coro)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVIII-XIV. No. 13 Finale "Sì core, fate core" (Donna Anna, Donna Elvira, Don Ottavio, Zerlina, Don Giovanni, Leporello, Masetto, Coro)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XIX. No. 13 Finale "Signor guardate un poco" (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni, Leporello)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIX. No. 13 Finale "Protegga il giusto cielo" (Donna Anna, Donna Elvira, Don Ottavio, Leporello)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Da bravi, via, ballate!" (Donna Anna, Donna Elvira, Don Ottavio, Leporello)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Soccorriamo l'innocente!" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Trema, trema, o scellerato!" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Sul tuo capo in questo giorno" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. Recitativo "Leporello! Signore?" (Don Giovanni, Leporello)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Recitativo "Eccomi a voi!" (Donna Elvira, Don Giovanni, Leporello)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. Recitativo "V'è gente alla finestra" (Don Giovanni, Masetto)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. Recitativo "Non ci stanchiamo" (Don Giovanni, Masetto)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. Recitativo "Ahi ahi! la testa mia" (Masetto, Zerlina)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Ah, ah, ah, ah, questa e buona" (Don Giovanni, Leporello)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Di rider finirai pria dell'aurora." (Don Ottavio)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Chi ha parlato?" (Don Giovanni)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Ribaldo, audace" (Don Giovanni, Leporello, Il Commendatore)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Sarà qualcun di fuori che si burla" (Don Giovanni, Leporello)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Recitativo accompagnato "Crudele! - Ah no, mio bene!" (Donna Anna)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Rondo "Non mi dir, bell'idol mio" (Donna Anna)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Ah, si segua il suo passo" (Don Ottavio)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIII. No. 24 Finale "Già la mensa e preparata" (Don Giovanni, Leporello, Donna Elvira)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIV. No. 24 Finale "L'ultima prova dell'amor mio" (Don Giovanni, Leporello, Donna Elvira)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIV. No. 24 Finale "Ah signor ... per carità!" (Don Giovanni, Leporello)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Oimè! che gelo è questo mai?" (Il Commendatore, Don Giovanni)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Da qual tremore insolito..." (Don Giovanni, Leporello, Coro)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro)
527 527 Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scenes XV-Ultima. No. 24 Finale "Questo è il fin di chi fa mal" (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto)
Zu 527 Appendix Some appendix works also have individual catalog numbers.
Please use the below listing if your release is a full opera release.
Otherwise, if it is a collection of various works, please use the regular catalog listings found elsewhere on this page.
527 527 Anh Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Anhang. No. 10a Aria "Dalla sua pace" (Don Ottavio) [K. 540a] 1788-04-24
527 527 Anh Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Anhang. Recitativo "Ah pietà... compassion" (Leporello, Don Ottavio)  ?
527 527 Anh Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xa. Anhang. No. 21a Recitativo "Restati qua" (Zerlina, Leporello) 1788-04-24
527 527 Anh Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xa. Anhang. No. 21a Duetto "Per queste tue manine" (Zerlina, Leporello) [K. 540b] 1788-04-24
527 527 Anh Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xb. Anhang. Recitativo "Amico, per pietà" (Leporello)  ?
527 527 Anh Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xc. Anhang. Recitativo "Andiam, andiam, signora" (Zerlina, Donna Elvira, Masetto)  ?
527 527 Anh Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Recitativo accompagnato "In quali eccessi, o Numi" (Donna Elvira) [540c/1] 1788-04-30
527 527 Anh Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Aria "Mi tradi quell'alma ingrata" (Donna Elvira) [540c/2] 1788-04-30
527 Note: Capitalization is correct for the next line. This appendix work picks up mid-sentence.
Zu 527 527 Anh Il dissoluto punito, ossia il Don Giovanni, K. Zu 527: Act II, Scene XI. Anhang. Scene "birbo! Ah siete voi?" (Leporello, Don Giovanni)  ?
Zu 527 527 Anh Il dissoluto punito, ossia il Don Giovanni, K. Zu 527: Act II, Scene Ultima. Anhang. Scene. Übergang für die gestrichenen (Measures 689-749) (Donna Anna, Zerlina, Donna Elvira, Don Ottavio, Masetto)  ?
Zu 527 Note: Most recordings of the Don Giovanni overture are the above one, not the below one. All recordings of the overture, when accompaning the opera, are the above one. Only if the overture is recorded as a stand-alone symphonic movement might the below version apply. If your recording is from 1978 or before, it is definitely the above version. If you still think it might possibly be the below version, look for some indication on your liner, "alternative ending", "concert ending", or "concert version".
Zu 527 527 Il dissoluto punito, ossia il Don Giovanni, K. Zu 527 NMA IV/11/10 (concert version): Ouverture. Andante - allegro molto 1788
Bella mia fiamma, addio!
Librettist: D. Michele Sarcone
528 528 Recitative for Soprano and Orchestra in C major, K. 528: Andante "Bella mia fiamma, addio!" 1787-11-03
Resta, oh cara!
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
528 528 Aria for Soprano and Orchestra in C major, K. 528: Andante - allegro "Resta, oh cara!" 1788-03-04
Des kleinen Friedrichs Geburtstag: "Es war einmal, ihr Leute"
Librettist: Eberhard Friedrich Schall / Libretto (final verse): Joachim Heinrich Campe
529 529 Song for Solo Voice and Piano in F major, K. 529 "Des kleinen Friedrichs Geburtstag": (no tempo indication). "Es war einmal, ihr Leute" 1787-11-06
Das Traumbild: "Wo bist du, Bild"
Librettist: Ludwig Heinrich Christoph Hölty
530 530 Song for Solo Voice and Piano in E-flat major, K. 530 "Das Traumbild": (no tempo indication). "Wo bist du, Bild" 1787-11-06
Die kleine Spinnerin: "Was spinnst du?"
Librettist: Unknown
531 531 Song for Solo Voice and Piano in C major, K. 531 "Die kleine Spinnerin": Lebhaft. "Was spinnst du?" 1787-12-11
532 Note: Note: If you have a recording of "K. 532" arranged for 2 Sopranos and Piano, with libretto by Pietro Metastasio, please note that it is NOT K. 532. It is the original Canzonetta, by Michael Kelly. Wolfgang Amadeus Mozart only arranged that work. He did not compose it. A later (1825) version, also by Michael Kelly, is a different arrangment, this time by Michael Kelly, not Wolfgang Amadeus Mozart. That version, too, is not K. 532. K. 532 has no text.
Grazie agl'inganni tuoi
532 532 Untexted Draft of Tafelmusiik Trio for 3 Voices, Flute, 2 Clarinets, Bassoon, Horn, and Bass of Michael Kelly: La Libertà a Nice: Canzonetta "Grazie agl'inganni tuoi" in B-flat major, K. 532 Fr 1784k Skb 1787β (1) (fragment): (no tempo indication). (Soprano, Tenor, Bass) "Grazie agl'inganni tuoi" 1787
534 534 Lost Work: Contredanse for Orchestra in D major, K. 534 "Das Donnerwetter": Contredanse 1788-01-14
Zu 534 Appendix
Zu 534 534 Reduction for Piano of Contredanse for Orchestra in D major, K. Zu 534 (version a) "Das Donnerwetter": Contredanse 1788-01-14
Zu 534 534 Reduction for Piano of Contredanse for Orchestra in D major, K. Zu 534 (version b) "Das Donnerwetter": Contredanse 1788-01-14
Zu 534 Caution: Pay special attention if you have an Orchestral version of K. 534. If it is orchestrated for Picciolo, 2 Clarinets, Trumpet, Drum and Strings, it is the Erik Smith orchestration (from the piano reduction). If your recording predates the 1980's, it is the Erik Smith orchestration. If your liner notes mention a Budapest score and/or the orchestration includes 2 violins, 2 oboes, and 2 horns, it is the "La Tempeté" version. Finally, if you do have a "La Tempeté" version, and it includes flutes and/or drums, it is a completion based on the "La Tempeté" version, and will need to be added to this listing. (Don't just use the "La Tempeté" that is listed here!)
Zu 534 534 Contredanse for Orchestra in D major, K. Zu 534 "La Tempeté": Contredanse  ?
534 534 Contredanse for Orchestra in D major, K. 534 (Erik Smith orchestration) "Das Donnerwetter": Contredanse  ?
535 535 Contredanse for Orchestra in C major, K. 535 "La Bataille": Parte Ima & Parte IIda & Parte IIIza & Parte IVta & Marcia turca 1788-01-23
Zu 535 Appendix Your version is almost certainly the non-Zu version. If your version includes a cello and piccolo flute in the instrumentation, and does not include a piccolo trumpet, it is the non-Zu version. If it does not include a cello and piccolo flute, and includes a piccolo trumpet, it is the Zu version.
Zu 535 535 Contredanse for Orchestra in C major, K. Zu 535 "La Bataille": Contredanse  ?
3 Contredanses for Orchestra
535a deest 3 Contredanses for Orchestra in A major, K. 535a / deest No. 1 (doubtful): Contredanse 1788
535a deest 3 Contredanses for Orchestra in G major, K. 535a / deest No. 2 (doubtful): Contredanse
535a deest 3 Contredanses for Orchestra in G major, K. 535a / deest No. 3 (doubtful): Contredanse
535b Anh 107 Contredanse for Orchestra in B-flat major, K. 535b / Anh 107 (fragment) Fr 1789e: Contredanse 1790 or 1791
535b Anh 107 Contredanse for Orchestra in B-flat major, K. 535b / Anh 107 (Erik Smith completion): Contredanse  ?
12 German Dances for Orchestra
536 / 567 Note: This work is split in the Köchel catalog. The other half of this work is listed under K. 567.
536 / 567 Caution: If you are entering a release which uses NMA work numbers instead of Köchel catalog numbers, note that these twelve works are not numbered the same in the NMA catalog.
NMA Nos. 1-5 are Köchel Nos. 1-5, NMA Nos. 6-10 are Köchel Nos. 7-11, NMA No. 11 is Köchel No. 6, and NMA No. 12 is Köchel No. 12.
536 536 12 German Dances for Orchestra in C major, K. 536 No. 1: German Dance & Trio 1788-01-27
536 536 12 German Dances for Orchestra in G major, K. 536 No. 2: German Dance & Trio
536 536 12 German Dances for Orchestra in B-flat major, K. 536 No. 3: German Dance & Trio
536 536 12 German Dances for Orchestra in D major, K. 536 No. 4: German Dance & Trio
536 536 12 German Dances for Orchestra in F major, K. 536 No. 5: German Dance & Trio
536 536 12 German Dances for Orchestra in B-flat major, K. 536 No. 6: German Dance & Trio
Ah se in ciel, benigne stelle
Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi)
538 538 Aria for Soprano and Orchestra in F major, K. 538: Allegro "Ah se in ciel, benigne stelle" 1788-03-04
Ich möchte wohl der Kaiser sein
Librettist: Johann Wilhelm Ludwig Gleim
539 539 German War Song for Bass and Orchestra in A major, K. 539: Allegro "Ich möchte wohl der Kaiser sein" 1788-03-05
540 540 Adagio for Piano in B minor, K. 540: Adagio 1788-03-19
Un bacio di mano
Librettist: Lorenzo Da Ponte
541 541 Arietta for Bass and Orchestra in F major, K. 541: Allegretto "Un bacio di mano" 1788-06
Symphony No. 39 for Orchestra in E-flat major
543 543 1 Symphony No. 39 for Orchestra in E-flat major, K. 543: I. Adagio - allegro 1788-06-26
543 543 2 Symphony No. 39 for Orchestra in E-flat major, K. 543: II. Andante con moto
543 543 3a Symphony No. 39 for Orchestra in E-flat major, K. 543: IIIa. Minuetto. Allegretto
543 543 3b Symphony No. 39 for Orchestra in E-flat major, K. 543: IIIb. Trio Da capo
543 543 4 Symphony No. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro
544 544 Lost Lost Work: Little March in D major for chamber setting (complete) 1788-06-26
Adagio and Fugue for String Quartet in C minor
546 546 1 Adagio and Fugue for String Quartet in C minor, K. 546: I. Adagio 1788-06-26
546 546 2 Adagio and Fugue for String Quartet in C minor, K. 546: II. Fuga. Allegro
Più non si trovano
Librettist: Pietro Metastasio
549 549 Canzonetta for 3 Voices and 3 Basset Horns in B-flat major, K. 549: Andante. (2 Sopranos, Bass) "Più non si trovano" 1788-07-16
Symphony No. 40 for Orchestra without clarinets in G minor "Great"
550 550 1 Symphony No. 40 for Orchestra without clarinets in G minor , K. 550 "Great": I. Allegro molto 1788-06-25
550 550 2 Symphony No. 40 for Orchestra without clarinets in G minor , K. 550 "Great": II. Andante
550 550 3a Symphony No. 40 for Orchestra without clarinets in G minor , K. 550 "Great": IIIa. Minuetto. Allegretto
550 550 3b Symphony No. 40 for Orchestra without clarinets in G minor , K. 550 "Great": IIIb. Trio & IIIa. Minuetto. Allegretto
550 550 4 Symphony No. 40 for Orchestra without clarinets in G minor , K. 550 "Great": IV. Allegro assai
Symphony No. 40 in G minor with clarinets
550 550 1 Symphony No. 40 for Orchestra with clarinets in G minor, K. 550 "Great": I. Allegro molto some time between 1781 and 1791
550 550 2 Symphony No. 40 for Orchestra with clarinets in G minor, K. 550 "Great": II. Andante
550 550 3a Symphony No. 40 for Orchestra with clarinets in G minor, K. 550 "Great": IIIa. Minuetto. Allegretto
550 550 3b Symphony No. 40 for Orchestra with clarinets in G minor, K. 550 "Great": IIIb. Trio & IIIa. Minuetto. Allegretto
550 550 4 Symphony No. 40 for Orchestra with clarinets in G minor, K. 550 "Great": IV. Allegro assai
Symphony No. 41 in C major
551 551 1 Symphony No. 41 for Orchestra in C major, K. 551 "Jupiter": I. Allegro vivace 1788-08-10
551 551 2 Symphony No. 41 for Orchestra in C major, K. 551 "Jupiter": II. Andante cantabile
551 551 3a Symphony No. 41 for Orchestra in C major, K. 551 "Jupiter": IIIa. Minuetto. Allegretto
551 551 3b Symphony No. 41 for Orchestra in C major, K. 551 "Jupiter": IIIb. Trio & IIIa. Minuetto. Allegretto
551 551 4 Symphony No. 41 for Orchestra in C major, K. 551 "Jupiter": IV. Allegro molto
Leid beim Auszugin in das Feld: "Dem hohen Kaiserworte treu"
Librettist: Unknown
552 552 Song for Solo Voice and Piano in A major, K. 552 "Leid beim Auszugin in das Feld": Mit Würde. "Dem hohen Kaiserworte treu" 1788-08-11
553 553 Canon for 3 Voices in 1 in C major, K. 553: Allegro. "Alleluia" 1888-09-02
554 554 Canon for 4 Voices in 1 in F major, K. 554: Andante. "Ave Maria" 1888-09-02
555 555 Canon for 4 Voices in 1 in A minor, K. 555: Adagio. "Lacrimoso son'io" 1888-09-02
556 556 Canon for 4 Voices in 1 in G major, K. 556: Allegretto. "Grechtelt's enk" 1888-09-02
557 557 Canon for 4 Voices in 1 in F minor, K. 557: Adagio. "Nascoso è il mio sol" 1888-09-02
558 558 Canon for 4 Voices in 1 in B-flat major, K. 558: Allegro. "Gehn wir im Prater, gehn wir in d'Hetz" 1888-09-02
559 559 Canon for 3 Voices in 1 in F major, K. 559: Canon. "Difficile lectu mihi mars" 1888-09-02
559a deest Canon for 4 Voices in 1 in F major, K. 559a / K3 560a / KV deest: Canon. "O du eselhafter Peierl" some point between 1785 and 1787
560 560 Canon for 4 Voices in 1 in F major, K. 560: Canon. "O du eselhafter Martin (Jakob) " 1888-09-02
561 561 Canon for 4 Voices in 1 in A major, K. 561: Canon. "Bona nox! bist a rechta Ox" 1888-09-02
562 562 Canon for 3 Voices in 1 in A major, K. 562: Canon. "Caro bell'idol mio" 1888-09-02
562a deest Canon for 4 in 1 in B-flat major, K. 562a / KV deest: Canon  ?
562c Anh 191 Canon for 4 Instruments in 1 in C major, K. 562c / KV Anh 191: Canon  ?
565 565 Lost Lost Work: 2 Contredances 1788-10-30
565a Note: This contredanse is based on themes from an opera by Pasquale Anfossi, "La forza delle donne".
565a Caution: This contredanse was scored for 2 Violins, Bass, Flute, Oboe, Bassoon and 2 Horns. All that has survived until recently is the second violin part.
A 53 measure fully scored fragment surfaced in December 2005. If your release was recorded after December 2005, please make sure you select the correct K. 605a listing.
565a deest Contredanse for Orchestra (on Violin) in D major, K. 565a / deest (violin II only fragment): Contredanse  ?
565a deest Contredanse for Orchestra in D major, K. 565a / deest (53 measure fragment): Contredanse  ?
565a deest Contredanse for Orchestra in D major, K. 565a / deest (Erik Smith completion): Contredanse  ?
12 German Dances for Orchestra
536 / 567 Note: This work is split in the Köchel catalog. The other half of this work is listed under K. 536.
536 / 567 Caution: If you are entering a release which uses NMA work numbers instead of Köchel catalog numbers, note that these twelve works are not numbered the same in the NMA catalog.
NMA Nos. 1-5 are Köchel Nos. 1-5, NMA Nos. 6-10 are Köchel Nos. 7-11, NMA No. 11 is Köchel No. 6, and NMA No. 12 is Köchel No. 12.
567 567 12 German Dances for Orchestra in E-flat major, K. 567 No. 7: German Dance & Trio 1788-12-06
567 567 12 German Dances for Orchestra in G major, K. 567 No. 8: German Dance & Trio
567 567 12 German Dances for Orchestra in D major, K. 567 No. 9: German Dance & Trio
567 567 12 German Dances for Orchestra in A major, K. 567 No. 10: German Dance & Trio
567 567 12 German Dances for Orchestra in F major, K. 567 No. 11: German Dance & Trio
567 567 12 German Dances for Orchestra in C major, K. 567 No. 12: German Dance & Trio & Coda
12 Minuets for Orchestra
568 568 12 Minuets for Orchestra in C major, K. 568 No. 1: Minuet & Trio 1788-12-24
568 568 12 Minuets for Orchestra in F major, K. 568 No. 2: Minuet & Trio
568 568 12 Minuets for Orchestra in B-flat major, K. 568 No. 3: Minuet & Trio
568 568 12 Minuets for Orchestra in E-flat major, K. 568 No. 4: Minuet & Trio
568 568 12 Minuets for Orchestra in G major, K. 568 No. 5: Minuet & Trio
568 568 12 Minuets for Orchestra in D major, K. 568 No. 6: Minuet & Trio
568 568 12 Minuets for Orchestra in A major, K. 568 No. 7: Minuet & Trio
568 568 12 Minuets for Orchestra in F major, K. 568 No. 8: Minuet & Trio
568 568 12 Minuets for Orchestra in B-flat major, K. 568 No. 9: Minuet & Trio
568 568 12 Minuets for Orchestra in D major, K. 568 No. 10: Minuet & Trio
568 568 12 Minuets for Orchestra in G major, K. 568 No. 11: Minuet & Trio
568 568 12 Minuets for Orchestra in C major, K. 568 No. 12: Minuet & Trio
569 569 Lost Lost Work: Aria for Soprano “Ohne Zwang aus eignem Triebe” 1789-01
6 German Dances for Orchestra
571 571 6 German Dances for Orchestra in D major, K. 571 No. 1: German Dance & Trio 1789-02-21
571 571 6 German Dances for Orchestra in A major, K. 571 No. 2: German Dance & Trio
571 571 6 German Dances for Orchestra in C major, K. 571 No. 3: German Dance & Trio
571 571 6 German Dances for Orchestra in G major, K. 571 No. 4: German Dance & Trio
571 571 6 German Dances for Orchestra in B-flat major, K. 571 No. 5: German Dance & Trio
571 571 6 German Dances for Orchestra in D major, K. 571 No. 6: German Dance & Trio & Coda
571a Anh 5 Humorous Quartet for 4 voices in E-flat major, K. 571a / KV Anh 5 Fr *1789j (fragment): (no tempo indication). (Soprano, 2 Tenors, Bass) "Caro mio Druck und Schluck" 1789
571a Anh 5 Humorous Quartet for 4 voices in E-flat major, K. 571a / KV Anh 5 (Erik Smith completion): (no tempo indication). (Soprano, 2 Tenors, Bass) "Caro mio Druck und Schluck" 1789
571a Anh 5 Humorous Quartet for 4 voices in E-flat major, K. 571a / KV Anh 5 (Theodor Veidl completion): (no tempo indication). (Soprano, 2 Tenors, Bass) "Caro mio Druck und Schluck" 1789
572a Anh 4 Lost Lost Work: 6-part Double Canon 1789-04-22
574 574 Gigue for Piano in G major, K. 574 "Eine kleine Gigue": Allegro 1789-05-16
576a Anh 34/2 Minuet for Piano in D major, K. 576a / KV Anh 34/2 Fr 1786a [II] (8 measure fragment): Minuetto  ?
576a Anh 34/2 Minuet for Piano in D major, K. 576a / KV Anh 34/2 (Maximilian Stadler completion): Minuetto  ?
576b Note: Most recordings will be the Maximilian Stadler completion - yours is, unless it specifically mentions that it is a recording of the fragment only.
576b 355 Minuet for Piano in D major, K. 576b / (K3) 594a / KV 355 Fr *178X/c (fragment): Minuetto 1789 or 1790
576b 355 Minuet for Piano in D major, K. 576b / (K3) 594a / KV 355 (Maximilian Stadler completion): Minuetto & Trio  ?
Alma grande e nobil core
Librettist: Giuseppe Palomba
578 578 Aria for Soprano and Orchestra in B-flat major, K. 578: Allegro "Alma grande e nobil core" 1789-08
Schon lacht der holde Fruhling
Librettist: Unknown
580 580 Aria for Soprano and Orchestra in B-flat major, K. 580 Fr 1789h (fragment): "Schon lacht der holde Fruhling" 1789-09-17
580 580 Aria for Soprano and Orchestra in B-flat major, K. 580 (Erik Smith completion): "Schon lacht der holde Fruhling"  ?
Chi sà, chi sà, qual sia
Librettist: Lorenzo Da Ponte
582 582 Aria for Soprano and Orchestra in C major, K. 582: Andante "Chi sà, chi sà, qual sia" 1789-10
Vado, ma dove? oh Dei!
Librettist: Lorenzo Da Ponte
583 583 Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto "Vado, ma dove? oh Dei!" 1789-10
584 584 See the appendix to Così fan tutte ossia La scuola degli amanti.  ?
12 Minuets for Orchestra
585 585 12 Minuets for Orchestra in D major, K. 585 No. 1: Minuet & Trio 1789-12
585 585 12 Minuets for Orchestra in F major, K. 585 No. 2: Minuet & Trio
585 585 12 Minuets for Orchestra in B-flat major, K. 585 No. 3: Minuet & Trio
585 585 12 Minuets for Orchestra in E-flat major, K. 585 No. 4: Minuet & Trio
585 585 12 Minuets for Orchestra in G major, K. 585 No. 5: Minuet & Trio
585 585 12 Minuets for Orchestra in C major, K. 585 No. 6: Minuet & Trio
585 585 12 Minuets for Orchestra in A major, K. 585 No. 7: Minuet & Trio
585 585 12 Minuets for Orchestra in F major, K. 585 No. 8: Minuet & Trio
585 585 12 Minuets for Orchestra in B-flat major, K. 585 No. 9: Minuet & Trio
585 585 12 Minuets for Orchestra in E-flat major, K. 585 No. 10: Minuet & Trio
585 585 12 Minuets for Orchestra in G major, K. 585 No. 11: Minuet & Trio
585 585 12 Minuets for Orchestra in G major, K. 585 No. 12: Minuet & Trio
12 German Dances for Orchestra
586 586 12 German Dances for Orchestra in C major, K. 586 No. 1: German Dance & Trio 1789-12
586 586 12 German Dances for Orchestra in G major, K. 586 No. 2: German Dance & Trio
586 586 12 German Dances for Orchestra in B-flat major, K. 586 No. 3: German Dance & Trio
586 586 12 German Dances for Orchestra in F major, K. 586 No. 4: German Dance & Trio
586 586 12 German Dances for Orchestra in A major, K. 586 No. 5: German Dance & Trio
586 586 12 German Dances for Orchestra in D major, K. 586 No. 6: German Dance & Trio
586 586 12 German Dances for Orchestra in G major, K. 586 No. 7: German Dance & Trio
586 586 12 German Dances for Orchestra in E-flat major, K. 586 No. 8: German Dance & Trio
586 586 12 German Dances for Orchestra in B-flat major, K. 586 No. 9: German Dance & Trio
586 586 12 German Dances for Orchestra in F major, K. 586 No. 10: German Dance & Trio
586 586 12 German Dances for Orchestra in A major, K. 586 No. 11: German Dance & Trio
586 586 12 German Dances for Orchestra in C major, K. 586 No. 12: German Dance & Trio & Coda
587 587 Contredanse for Orchestra in C major, K. 587 "Der Sieg vom Helden Koburg": Allegretto 1789-12
Così fan tutte
Librettist: Lorenzo Da Ponte
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Ouvertura. Andante Fall 1789 to January 1990
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene I No. 1 Terzetto. Allegro "La mia Dorabella capace non è" (Ferrando, Guglielmo, Don Alfonso)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene I Recitativo "Fuor la spada" (Ferrando, Guglielmo, Don Alfonso)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene I No. 2 Terzetto. Allegro "È la fede delle femmine" (Ferrando, Guglielmo, Don Alfonso)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene I Recitativo "Scioccherie di poeti!" (Ferrando, Guglielmo, Don Alfonso)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene I No. 3 Terzetto. Allegro "Una bella serenata" (Ferrando, Guglielmo, Don Alfonso)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene II No. 4 Duetto. Andante "Ah, guarda, sorella" (Fiordiligi, Dorabella)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene II Recitativo "Mi par che stamattina" (Fiordiligi, Dorabella)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene III No. 5 Aria. Allegro agitato "Vorrei dir, e cor non ho" (Don Alfonso)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene III Recitativo "Stelle! Per carità, signor Alfonso" (Fiordiligi, Dorabella, Don Alfonso)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene IV No. 6 Quintetto. Andante "Sento, oddio, che questo piede" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene IV Recitativo "Non piangere, idol mio" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene IV No. 7 Duettino. Andante "Al fato dàn legge" (Ferrando, Guglielmo)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene IV Recitativo "(La commedia è graziosa)" (Ferrando, Don Alfonso, Fiordiligi, Dorabella)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene V No. 8 Coro. Maestoso "Bella vita militar!" (Coro)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene V Recitativo "Non v'è più tempo, amici" (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene V No. 8a Quintetto. Andante "Di scrivermi ogni giorno" (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene V No. 9 Coro. Maestoso "Bella vita militar!" (Coro)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene VI Recitativo "Dove son? Son partiti" (Don Alfonso, Fiordiligi, Dorabella)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene VI No. 10 Terzettino. Andante "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene VII Recitativo "Non son cattivo comico!" (Don Alfonso)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene VIII Recitativo "Nel mare solca" (Despina, Fiordiligi, Don Alfonso)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene VIII Recitativo "Che vita maledetta" (Despina, Fiordiligi, Dorabella)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene IX Recitativo. Allegro assai - maestoso "Ah, scostati!" (Dorabella)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene IX No. 11 Aria. Allegro agitato "Smanie implacabili che m'agitate" (Dorabella)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene IX Recitativo "Signora Dorabella, signora Fiordiligi" (Despina, Dorabella, Fiordiligi)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene IX No. 12 Aria. Allegretto "In uomini! In soldati" (Despina)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene X Recitativo "Che silenzio! Che aspetto di tristezza" (Don Alfonso, Despina)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XI No. 13 Sestetto. Allegro - allegro - allegro molto "Alla bella Despinetta" (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XI Recitativo "Che sussurro! Che strepito" (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XI Recitativo Allegretto - Allegro "Stelle! Sogno, o son desto?" (Fiordiligi, Don Alfonso, Guglielmo, Despina, Dorabella)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XI No. 14 Aria. Andante maestoso - più allegro "Come scoglio immoto resta" (Fiordiligi)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XI Recitativo "Ah non partite!" (Don Alfonso, Ferrando, Guglielmo, Fiordiligi, Dorabella)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XI No. 15 Aria. Andantino "Non siate ritrosi" (Guglielmo)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XII No. 16 Terzetto. Allegro molto "E voi ridete?" (Don Alfonso, Ferrando, Guglielmo)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XII Recitativo "Si può sapere un poco" (Don Alfonso, Ferrando, Guglielmo)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XII No. 17 Aria. Andante cantabile "Un'aura amorosa" (Ferrando)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XIII Recitativo "Oh la saria da ridere" (Don Alfonso, Despina)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XIV No. 18 Finale. Andante "Ah, che tutta in un momento" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XV No. 18 Finale. Allegro "Si mora sì, si mora" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XV No. 18 Finale "Giacché a morir vicini" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XIVI No. 18 Finale. Allegro "Despina in maschera, che trista pelle!" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XIVI No. 18 Finale. Andante "Dove son! Che loco è questo!" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XIVI No. 18 Finale. Allegro "Dammi un bacio, o mio tesoro" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene I Recitativo "Andate là, che siete" (Despina, Firodiligi, Dorabella)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene I No.19 Aria. Andante "Una donna a quindici anni" (Despina)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene II Recitativo "Sorella, cosa dici?" (Firodiligi, Dorabella)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene II No. 20 Duetto. Andante "Prenderò quel brunettino" (Fiordiligi, Dorabella)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene III Recitativo "Ah correte al giardino" (Don Alfonso, Dorabella)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene IV No. 21 Duetto con Coro. Andante "Secondate, aurette amiche" (Ferrando, Guglielmo, Chor)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene IV Recitativo "II tutto deponete" (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene IV No. 22 "La mano a me date" (Don Alfonso, Ferrando, Guglielmo, Despina)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene V Recitativo "Oh che bella giornata!" (Fiordiligi, Ferrando, Dorabella, Guglielmo)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene V No. 23 Duetto "Il core vi dono, bell'idolo mio" (Dorabella, Guglielmo)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene VI Recitativo. Allegro - adagio "Barbara! Perché fuggi?" (Ferrando, Fiordiligi)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene VI No. 24 Allegretto - allegro "Ah lo veggio, quell'anima bella" (Ferrando)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene VII Recitativo. Allegretto "Ei parte... senti...! Ah no... partir si lasci" (Fiordiligi)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene VII No. 25 Rondò "Per pietà, ben mio, perdona" (Fiordiligi)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene VIII Recitativo "Amico, abbiamo vinto!" (Ferrando, Guglielmo)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene VIII No. 26 Aria. Allegretto "Donne mie, la fate a tanti" (Guglielmo)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene IX Recitativo. Allegro - andante "In qual fiero contrasto, in qual disordine" (Ferrando)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene IX No. 27 Cavatina "Tradito, schernito" (Ferrando)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene IX Recitativo "Bravo: questa è costanza" (Don Alfonso, Ferrando, Guglielmo)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene X Recitativo "Ora vedo che siete" (Despina, Dorabella, Fiordiligi)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene X No. 28 Aria. Allegretto vivace "È amore un ladroncello" (Dorabella)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XI Recitativo "Come tutto congiura" (Fiordiligi, Guglielmo, Despina, Don Alfonso)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XII No. 29 Duetto "Fra gli amplessi in pochi istanti" (Fiordiligi, Ferrando)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XIII Recitativo "Ah poveretto me! Cosa ho veduto!" (Guglielmo, Don Alfonso, Ferrando)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XII No. 30 Aria. Andante "Tutti accusan le donne" (Don Alfonso, Ferrando, Guglielmo)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XIV Recitativo "Vittoria, padroncini!" (Despina, Ferrando, Don Alfonso, Guglielmo)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XV No. 31 Finale. Allegro assai "Fate presto, oh cari amici" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XV No. 31 Finale. Allegro assai "Fate presto, o cari amici" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XVI No. 31 Finale. Andante "Benedetti i doppi coniugi" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XVI No. 31 Finale. Larghetto "E nel tuo, nel mio bicchiero" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XVII No. 31 Finale. Allegro "Miei signori, tutto è fatto" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XVII No. 31 Finale. Maestoso "Bella vita militar!" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XVII No. 31 Finale. Allegro "Misericordia! Numi del cielo!" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene Ultima No. 31 Finale. Andante "Sani e salvi agli amplessi" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene Ultima No. 31 Finale. Con più moto "Non signor; non è un notario" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene Ultima No. 31 Finale. Allegro "Giusto ciel! Voi qui scriveste" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene Ultima No. 31 Finale. Andante "Ah, signor, son rea di morte" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene Ultima No. 31 Finale. Allegretto - andante - allegretto "A voi s'inchina, bella damina" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene Ultima No. 31 Finale. Andante con moto "V'ingannai, ma fu l'inganno" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor)
588 588 Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene Ultima No. 31 Finale. Allegro molto "Fortunato l'uom che prende" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor)
Zu 588 Appendix Only use the alternate aria for No. 15 or the alternate version of "Come tutto congiura" below if your release specifically identifies that they are being used instead of the standard ones above. (The No. 15 below was the original aria, which W.A. Mozart replaced with the above one.)
584 584 Così fan tutte ossia La scuola degli amanti, K. *584: Appendix. Act. I, Scene XI No. 15 Aria. Allegro (Bass) "Rivolgete a lui lo sguardo" (Guglielmo) 1788-12
Zu 588 Zu 588 Così fan tutte ossia La scuola degli amanti, K. *588: Appendix. Act II, Scene XI Recitativo "Come tutto congiura" (Fiordiligi, Guglielmo, Despina, Don Alfonso) [alternate version]  ?
592b Anh 83 Movement for 2 Violins, 2 Violas, and Cello in D major, K. 592b / Anh 83 Fr 1787u (18.25 measure fragment): (no tempo indication) 1790
Quintet for 2 Violins, 2 Violas and Cello No. 4 in D major
593 593 1 Quintet for 2 Violins, 2 Violas and Cello No. 4 in D major, K. 593: I. Larghetto - allegro - larghetto - primo tempo 1790-12
593 593 2 Quintet for 2 Violins, 2 Violas and Cello No. 4 in D major, K. 593: II. Adagio
593 593 3 Quintet for 2 Violins, 2 Violas and Cello No. 4 in D major, K. 593: III. Minuetto. Allegretto & Trio
593 593 4 Quintet for 2 Violins, 2 Violas and Cello No. 4 in D major, K. 593: IV. Allegro
Zu 593 Appendix
Zu 593 593 3 Quintet for 2 Violins, 2 Violas and Cello No. 4 in D major, K. Zu 593 (first version) (13.5 measure fragment): III. Trio (measures 14b-28)  ?
593a Anh 35 Adagio for a Mechanical Organ in D minor, K. 593a / Anh 35 Fr 1790f (9 measure fragment): Adagio end of 1790
594 594 Fantasia for Mechanical Organ in F minor, K. 594: Adagio - allegro - adagio end of 1790
Sehnsucht nach dem Frühling: "Komm, lieber Mai, und mache"
Librettist: Christian Adolf Overbeck
596 596 Song for Solo Voice and Piano in F major, K. 596 "Sehnsucht nach dem Frühling": Fröhlich. "Komm, lieber Mai, und mache" 1791-01-14
Der Frühling: "Erwacht zum neuen Leben"
Librettist: Christian Chrisoph Sturm
597 597 Song for Solo Voice and Piano in E-flat major, K. 597 "Der Frühling": Etwas langsam. "Erwacht zum neuen Leben" 1791-01-14
Das Kinderspiel: "Wir Kinder, wir schmecken der Freuden recht viel!"
Librettist: Christian Adolf Overbeck
598 598 Song for Solo Voice and Piano in A major, K. 598 "Das Kinderspiel": Munter. "Wir Kinder, wir schmecken der Freuden recht viel!" 1791-01-14
6 Minuets for Orchestra
599 Caution: If you are entering a release which uses NMA work numbers instead of Köchel catalog numbers, note that the NMA combines K. 599, K. K. 601, and K. K. 604.
NMA Nos. 1-6 are Köchel K. 599 Nos. 1-6, NMA Nos. 7-10 are Köchel K. 601 Nos. 1-4, and NMA Nos. 11-12 are Köchel K. 604 Nos. 1-2.
599 599 6 Minuets for Orchestra in C major, K. 599 No. 1: Minuet & Trio 1791-01-23
599 599 6 Minuets for Orchestra in G major, K. 599 No. 2: Minuet & Trio
599 599 6 Minuets for Orchestra in E-flat major, K. 599 No. 3: Minuet & Trio
599 599 6 Minuets for Orchestra in B-flat major, K. 599 No. 4: Minuet & Trio
599 599 6 Minuets for Orchestra in F major, K. 599 No. 5: Minuet & Trio
599 599 6 Minuets for Orchestra in D major, K. 599 No. 6: Minuet & Trio
6 German Dances for Orchestra
600 Caution: If you are entering a release which uses NMA work numbers instead of Köchel catalog numbers, note that the NMA combines K. 600, K. K. 602, and K. K. 605.
NMA Nos. 1-6 are Köchel K. 600 Nos. 1-6, NMA Nos. 7-10 are Köchel K. 602 Nos. 1-4, and NMA Nos. 11-13 are Köchel K. 605 Nos. 1-3.
600 600 6 German Dances for Orchestra in C major, K. 600 No. 1: German Dance & Trio 1791-01-29
600 600 6 German Dances for Orchestra in F major, K. 600 No. 2: German Dance & Trio
600 600 6 German Dances for Orchestra in B-flat major, K. 600 No. 3: German Dance & Trio
600 600 6 German Dances for Orchestra in E-flat major, K. 600 No. 4: German Dance & Trio
600 600 6 German Dances for Orchestra in G major, K. 600 No. 5: German Dance & Trio
600 600 6 German Dances for Orchestra in D major, K. 600 No. 6: German Dance & Trio
4 Minuets for Orchestra
601 Caution: If you are entering a release which uses NMA work numbers instead of Köchel catalog numbers, note that the NMA combines K. 599, K. K. 601, and K. K. 604.
NMA Nos. 1-6 are Köchel K. 599 Nos. 1-6, NMA Nos. 7-10 are Köchel K. 601 Nos. 1-4, and NMA Nos. 11-12 are Köchel K. 604 Nos. 1-2.
601 601 4 Minuets for Orchestra in A major, K. 601 No. 1: Minuet & Trio 1791-02-05
601 601 4 Minuets for Orchestra in C major, K. 601 No. 2: Minuet & Trio
601 601 4 Minuets for Orchestra in G major, K. 601 No. 3: Minuet & Trio
601 601 4 Minuets for Orchestra in D major, K. 601 No. 4: Minuet & Trio
4 German Dances for Orchestra
602 Caution: If you are entering a release which uses NMA work numbers instead of Köchel catalog numbers, note that the NMA combines K. 600, K. K. 602, and K. K. 605.
NMA Nos. 1-6 are Köchel K. 600 Nos. 1-6, NMA Nos. 7-10 are Köchel K. 602 Nos. 1-4, and NMA Nos. 11-13 are Köchel K. 605 Nos. 1-3.
602 602 4 German Dances for Orchestra in B-flat major, K. 602 No. 1: German Dance & Trio 1791-02-05
602 602 4 German Dances for Orchestra in F major, K. 602 No. 2: German Dance & Trio
602 602 4 German Dances for Orchestra in C major, K. 602 No. 3: German Dance & Trio
602 602 4 German Dances for Orchestra in A major, K. 602 No. 4: German Dance & Trio
2 Contredanses for Orchestra
603 603 2 Contredanses for Orchestra in D major, K. 603 No. 1: Contredanse 1791-02-05
603 603 2 Contredanses for Orchestra in B-flat major, K. 603 No. 2: Contredanse - andante - allegro
2 Minuets for Orchestra
604 Caution: If you are entering a release which uses NMA work numbers instead of Köchel catalog numbers, note that the NMA combines K. 599, K. K. 601, and K. K. 604.
NMA Nos. 1-6 are Köchel K. 599 Nos. 1-6, NMA Nos. 7-10 are Köchel K. 601 Nos. 1-4, and NMA Nos. 11-12 are Köchel K. 604 Nos. 1-2.
604 604 2 Minuets for Orchestra in B-flat major, K. 604 No. 1: Minuet & Trio 1791-02-12
604 604 2 Minuets for Orchestra in E-flat major, K. 604 No. 2: Minuet & Trio
3 German Dances for Orchestra
605 Caution: If you are entering a release which uses NMA work numbers instead of Köchel catalog numbers, note that the NMA combines K. 600, K. K. 602, and K. K. 605.
NMA Nos. 1-6 are Köchel K. 600 Nos. 1-6, NMA Nos. 7-10 are Köchel K. 602 Nos. 1-4, and NMA Nos. 11-13 are Köchel K. 605 Nos. 1-3.
605 605 3 German Dances for Orchestra in D major, K. 605 No. 1: German Dance & Trio 1791-02-12
605 605 3 German Dances for Orchestra in G major, K. 605 No. 2: German Dance & Trio
605 Note: "Die Schlittenfahrt" translates as "The Sleigh Ride" in English, and is listed as such on many releases.
605 605 3 German Dances for Orchestra in C major, K. 605 No. 3: German Dance & Trio "Die Schlittenfahrt" & Coda 1791-02-12
605a 607 Contredanse for Orchestra in E-flat major, K. 605a / 607: "Il Trionfo delle Donne": Parte I. Contredanse & Parte II & Parte III & Parte IV 1791-02-28
6 German Dances for Orchestra
606 606 6 German Dances for Orchestra in B-flat major, K. 606 No. 1: German Dance 1791-02-28
606 606 6 German Dances for Orchestra in B-flat major, K. 606 No. 2: German Dance
606 606 6 German Dances for Orchestra in B-flat major, K. 606 No. 3: German Dance
606 606 6 German Dances for Orchestra in B-flat major, K. 606 No. 4: German Dance
606 606 6 German Dances for Orchestra in B-flat major, K. 606 No. 5: German Dance
606 606 6 German Dances for Orchestra in B-flat major, K. 606 No. 6: German Dance
Zu 606 Appendix
Zu 606 Anh 144 Reduction for Piano of 6 German Dances for Orchestra in B-flat major, K. Zu 606 No. 1: German Dance  ?
608 608 Fantasia for Mechanical Organ in F minor, K. 608: Allegro - andante - tempo primo 1791-03-03
5 Contredanses for Orchestra
609 609 5 Contredanses for Orchestra in C major, K. 609 No. 1: Contredanse 1791
609 609 5 Contredanses for Orchestra in E-flat major, K. 609 No. 2: Contredanse 1791
609 609 5 Contredanses for Orchestra in D major, K. 609 No. 3: Contredanse 1791
609 609 5 Contredanses for Orchestra in C major, K. 609 No. 4: Contredanse & Alternativo Imo & Alternativo IIdo & Alternativo IIIzo 1791
609 609 5 Contredanses for Orchestra in G major, K. 609 No. 5: Contredanse 1791-03-06
610 610 Contredanse for Orchestra in G major, K. 610 "Les filles malicieuses": Contredanse 1791-03-06
Per questa bella mano
Librettist: Unknown
612 612 Aria for Two Voices and Orchestra in D major, K. 612: Andante - adagio - allegro (Bass, Contrabass) "Per questa bella mano" 1791-03-08
613a Anh 81 Movement for 2 Violins, 2 Violas, and Cello in E-flat major, K. 613a / Anh 81 Fr 1784l (71 measure fragment): Quintetto 1791-04
613b Anh 82 Movement for 2 Violins, 2 Violas, and Cello in E-flat major, K. 613b / Anh 82 Fr 1786i (19 measure fragment): Quintetto 1791-04
Quintet for 2 Violins, 2 Violas and Cello No. 6 in E-flat major
614 614 1 Quintet for 2 Violins, 2 Violas and Cello No. 6 in E-flat major, K. 614: I. Allegro di molto 1791-04-12
614 614 2 Quintet for 2 Violins, 2 Violas and Cello No. 6 in E-flat major, K. 614: II. Andante
614 614 3 Quintet for 2 Violins, 2 Violas and Cello No. 6 in E-flat major, K. 614: III. Minuetto. Allegretto & Trio
614 614 4 Quintet for 2 Violins, 2 Violas and Cello No. 6 in E-flat major, K. 614: IV. Allegro
615 deest Lost Lost Work: Final chorus, “Viviamo felici” for Sarti: "Le geloise villane" 1791-04-20
616 616 Andante for Mechanical Organ in F major, K. 616: Andante 1791-03-04
616a Anh 92 Fantasia for Glass-harmonica, Flute, Oboe, Viola & Cello in F major, K. 616a / KV Anh 92 (fragment): Adagio 1791-03-23
Adagio and Rondo for Glass Armonica, Flute, Oboe, Viola & Cello in C minor
617 617 1 Adagio and Rondo for Glass Armonica, Flute, Oboe, Viola & Cello in C minor, K. 617: I. Adagio 1791-03-23
617 617 2 Adagio and Rondo for Glass Armonica, Flute, Oboe, Viola & Cello in C minor, K. 617: II. Rondeau. Allegretto
617a 356 Adagio for Glass Armonica in C major, K. 617a/356: Adagio 1791
Io ti lascio, oh cara, addio
Librettist: Unknown
621a Anh 245 Aria for Bass and Orchestra in E-flat major, K. 621a / KV Anh 245: Adagio "Io ti lascio, oh cara, addio" 1791
Zu 621a Zu Anh 245 Cavatina for Soprano and Orchestra in E-flat major, K. Zu 621a / KV Zu Anh 245 NMA II/7/4 Anh III: Adagio "Io ti lascio, oh cara, addio"  ?
Requiem in D minor
626 Note: The Requiem in D minor is perhaps one of the most famous fragmentary works of all time. Many different completions for the work are performed, as well as the non-completed fragmentary version. However, don't let the number of different completions scare you. Almost all recordings of K. 626 are the Süßmayr completion version. If yours is a different completion, that fact will likely be well indicated on the liner, or you will be able to identify it because it will have additional movements not found in the Süßmayr completion. ("Amen", "Osanna I", "Osanna II", etc.)

Wolfgang Amadeus Mozart Fragment-only version
Franz Beyer version
• Dover edition: same version as the Süßmayr completion
Duncan Druce completion
• "edited by Johannes Brahms": same version as the Süßmayr completion
• "edited by Leopold Nowak": same version as the Süßmayr completion
Marius Flothuis completion
H.C. Robbins Landon completion
Robert D. Levin completion
Richard F. Maunder completion
Geoffrey McNeely completion
• New Mozart Edition: same version as the Süßmayr completion
• Novello edition: same version as the Süßmayr completion
• Oxford University Press version: same version as the Maunder completion
Franz Xaver Süßmayr completion
Knud Vad completion
Requiem in D minor: Wolfgang Amadeus Mozart Fragment-only version
626 ARs: Wolfgang Amadeus Mozart for composition for all tracks.
Check your liner for the names Freystädtler, Eybler, and Stadler - if any of those names is listed, AR them for the relevant track(s) as in the Franz Xaver Süßmayr completion's ARs listing. You may also have release-specific arrangement, instrumentation, and/or orchestration AR credits.
626 626 1 Requiem in D minor, K. 626 (fragment) Fr 1791h: I. Introitus: "Requiem aeternam" 1791
626 626 2 Requiem in D minor, K. 626 (fragment) Fr 1791h: II. Kyrie: "Kyrie eleison"
626 626 3a Requiem in D minor, K. 626 (fragment) Fr 1791h: IIIa. Sequenz: "Dies irae"
626 626 3b Requiem in D minor, K. 626 (fragment) Fr 1791h: IIIb. Sequenz: "Tuba mirum"
626 626 3c Requiem in D minor, K. 626 (fragment) Fr 1791h: IIIc. Sequenz: "Rex tremendae"
626 626 3d Requiem in D minor, K. 626 (fragment) Fr 1791h: IIId. Sequenz: "Recordare"
626 626 3e Requiem in D minor, K. 626 (fragment) Fr 1791h: IIIe. Sequenz: "Confutatis"
626 626 3f Requiem in D minor, K. 626 (fragment) Fr 1791h: IIIf. Sequenz: "Lacrimosa"
626 626 4a Requiem in D minor, K. 626 (fragment) Fr 1791h: IVa. Offertorium: "Domine Jesu"
626 626 4b Requiem in D minor, K. 626 (fragment) Fr 1791h: IVb. Offertorium: "Hostias"
Zu 626 Appendix
Zu 626 626 3c Requiem in D minor, K. Zu 626 Skb 1791a (4) (sketch): IIIc. Sequenz: "Rex tremendae" (Takt 7ff) 1791
Zu 626 626 3g Requiem in D minor, K. Zu 626 Skb 1791a (3) (sketch): IIIg. Sequenz: Fuge. "Amen" 1791
Requiem in D minor: Franz Beyer version
Zu 626 Note: The Franz Beyer version is an reorchestration of the Franz Xaver Süßmayr completion.
Please use the Franz Xaver Süßmayr completion to enter this version.
Zu 626 ARs: This version has the same ARs as the Franz Xaver Süßmayr completion; add arrangement and orchestration ARs for Franz Beyer on all movements.
Please also add a release annotation "This is the Franz Beyer YYYY version of the Franz Xaver Süßmayr completion." - Note that Beyer has released two different versions, one in 1971 and one in 1990; if you can identify which yours is, please fill in the YYYY.
Requiem in D minor: Duncan Druce completion
Zu 626 ARs: Identical ARs to the Franz Xaver Süßmayr completion in movements 1-3f, 4a-4b, and 7a-7b with the following changes:
• Add an orchestration credit for Duncan Druce to all movements
• Add an arrangement credit for Duncan Druce to all movements
• Omit the orchestration credit for Franz Xaver Süßmayr in IIIe
• Add a composition (additional) credit for Duncan Druce in IIIe
• Omit the composition credit for Franz Xaver Süßmayr in IIIf

For the other movements:
• Composition credit for Wolfgang Amadeus Mozart: IIIf
• Composition credit for Duncan Druce: IIIf, Va, Vb, Vd, VI
• Composition (additional) credit for Wolfgang Amadeus Mozart: Va, VI
• Composition (additional) credit for Franz Xaver Süßmayr: Vb, Vc
• Orchestration credit for Duncan Druce: IIIf, Va, Vb, Vc, Vd, VI
• Arrangement credit for Duncan Druce: IIIf, Va, Vb, Vc, Vd, VI
626 626 1 Requiem in D minor, K. 626 (Druce completion): I. Introitus: "Requiem aeternam" 1987
626 626 2 Requiem in D minor, K. 626 (Druce completion): II. Kyrie: "Kyrie"
626 626 3a Requiem in D minor, K. 626 (Druce completion): IIIa. Sequenz: "Dies irae"
626 626 3b Requiem in D minor, K. 626 (Druce completion): IIIb. Sequenz: "Tuba mirum"
626 626 3c Requiem in D minor, K. 626 (Druce completion): IIIc. Sequenz: "Rex tremendae"
626 626 3d Requiem in D minor, K. 626 (Druce completion): IIId. Sequenz: "Recordare"
626 626 3e Requiem in D minor, K. 626 (Druce completion): IIIe. Sequenz: "Confutatis"
626 626 3f Requiem in D minor, K. 626 (Druce completion): IIIf. Sequenz: "Lacrimosa"
626 626 3g Requiem in D minor, K. 626 (Druce completion): IIIg. Sequenz: "Amen" (based on Requiem in D minor, K. Zu 626 Skb 1791a (3) (sketch): IIIg. Sequenz: Fuge. "Amen")
626 626 4a Requiem in D minor, K. 626 (Druce completion): IVa. Offertorium: "Domine Jesu"
626 626 4b Requiem in D minor, K. 626 (Druce completion): IVb. Offertorium: "Hostias"
626 626 5a Requiem in D minor, K. 626 (Druce completion): Va. Sanctus et Benedictus: "Sanctus"
626 626 5b Requiem in D minor, K. 626 (Druce completion): Vb. Sanctus et Benedictus: "Osanna I"
626 626 5c Requiem in D minor, K. 626 (Druce completion): Vc. Sanctus et Benedictus: "Benedictus"
626 626 5d Requiem in D minor, K. 626 (Druce completion): Vd. Sanctus et Benedictus: "Osanna II"
626 626 6 Requiem in D minor, K. 626 (Druce completion): VI. "Agnus Dei"
626 626 7a Requiem in D minor, K. 626 (Druce completion): VIIa. Communio: "Lux aeterna"
626 626 7b Requiem in D minor, K. 626 (Druce completion): VIIb. Communio: "Cum sanctis tuis"
Requiem in D minor: Marius Flothuis completion
626 ARs: This version has the same ARs as the Franz Xaver Süßmayr completion with these modifications: add orchestration and arrangement ARs for Marius Flothuis on all movements, and composition (additional) ARs for Marius Flothuis on movements II - VIII.
626 626 1 Requiem in D minor, K. 626 (Flothuis completion): I. Introitus: "Requiem aeternam" 1941
626 626 2 Requiem in D minor, K. 626 (Flothuis completion): II. "Kyrie eleison"
626 626 3a Requiem in D minor, K. 626 (Flothuis completion): IIIa. Sequenz: "Dies irae"
626 626 3b Requiem in D minor, K. 626 (Flothuis completion): IIIb. Sequenz: "Tuba mirum"
626 626 3c Requiem in D minor, K. 626 (Flothuis completion): IIIc. Sequenz: "Rex tremendae"
626 626 3d Requiem in D minor, K. 626 (Flothuis completion): IIId. Sequenz: "Recordare"
626 626 3e Requiem in D minor, K. 626 (Flothuis completion): IIIe. Sequenz: "Confutatis"
626 626 3f Requiem in D minor, K. 626 (Flothuis completion): IIIf. Sequenz: "Lacrimosa"
626 626 4a Requiem in D minor, K. 626 (Flothuis completion): IVa. Offertorium: "Domine Jesu"
626 626 4b Requiem in D minor, K. 626 (Flothuis completion): IVb. Offertorium: "Hostias"
626 626 5 Requiem in D minor, K. 626 (Flothuis completion): V. "Sanctus"
626 626 6 Requiem in D minor, K. 626 (Flothuis completion): VI. "Benedictus"
626 626 7 Requiem in D minor, K. 626 (Flothuis completion): VII. "Agnus Dei"
626 626 8 Requiem in D minor, K. 626 (Flothuis completion): VIII. Communio: "Lux aeterna"
Requiem in D minor: H.C. Robbins Landon completion
626 ARs: This version has the same ARs as the Franz Xaver Süßmayr completion with these modifications: add orchestration (additional) ARs for H.C. Robbins Landon on all movements, omit all ARs for Abbé Maximilian Stadler and Franz Xaver Süßmayr in movements 1 - 3f, add orchestration ARs for Joseph Leopold von Eybler to 3a - 3f, and add composition (additional) ARs for H.C. Robbins Landon in 3a - 3f.
626 626 1 Requiem in D minor, K. 626 (Landon completion): I. Introitus: "Requiem aeternam" 1990
626 626 2 Requiem in D minor, K. 626 (Landon completion): II. "Kyrie eleison"
626 626 3a Requiem in D minor, K. 626 (Landon completion): IIIa. Sequenz: "Dies irae"
626 626 3b Requiem in D minor, K. 626 (Landon completion): IIIb. Sequenz: "Tuba mirum"
626 626 3c Requiem in D minor, K. 626 (Landon completion): IIIc. Sequenz: "Rex tremendae"
626 626 3d Requiem in D minor, K. 626 (Landon completion): IIId. Sequenz: "Recordare"
626 626 3e Requiem in D minor, K. 626 (Landon completion): IIIe. Sequenz: "Confutatis"
626 626 3f Requiem in D minor, K. 626 (Landon completion): IIIf. Sequenz: "Lacrimosa"
626 626 4a Requiem in D minor, K. 626 (Landon completion): IVa. Offertorium: "Domine Jesu"
626 626 4b Requiem in D minor, K. 626 (Landon completion): IVb. Offertorium: "Hostias"
626 626 5 Requiem in D minor, K. 626 (Landon completion): V. "Sanctus"
626 626 6 Requiem in D minor, K. 626 (Landon completion): VI. "Benedictus"
626 626 7 Requiem in D minor, K. 626 (Landon completion): VII. "Agnus Dei"
626 626 8 Requiem in D minor, K. 626 (Landon completion): VIII. Communio: "Lux aeterna"
Requiem in D minor: Robert D. Levin completion
626 ARs: Movements I - IVb, composition: Wolfgang Amadeus Mozart.
Movements II-IIIf and IVa-IVb, orchestration, arrangement, and composition (additional): Robert D. Levin.
Movement IIIg: composition: Wolfgang Amadeus Mozart and Robert D. Levin.
Movement IIIg: orchestration and arrangement: Robert D. Levin.
Movements V-VIII: identical ARs to the Franz Xaver Süßmayr completion, add orchestration (additional) and arrangement (additional): Robert D. Levin, omit composition (Additional) AR for Franz Xaver Süßmayr in movement VIII, add composition (additional): credit for Robert D. Levin in VIII.
626 626 1 Requiem in D minor, K. 626 (Levin completion): I. Introitus: "Requiem aeternam" 1990
626 626 2 Requiem in D minor, K. 626 (Levin completion): II. "Kyrie"
626 626 3a Requiem in D minor, K. 626 (Levin completion): IIIa. Sequenz: "Dies irae"
626 626 3b Requiem in D minor, K. 626 (Levin completion): IIIb. Sequenz: "Tuba mirum"
626 626 3c Requiem in D minor, K. 626 (Levin completion): IIIc. Sequenz: "Rex tremendae"
626 626 3d Requiem in D minor, K. 626 (Levin completion): IIId. Sequenz: "Recordare"
626 626 3e Requiem in D minor, K. 626 (Levin completion): IIIe. Sequenz: "Confutatis"
626 626 3f Requiem in D minor, K. 626 (Levin completion): IIIf. Sequenz: "Lacrimosa"
626 626 3g Requiem in D minor, K. 626 (Levin completion): IIIg. Sequenz: "Amen" (based on Requiem in D minor, K. 626 Skb 1791a (3) (sketch): IIIg. Sequenz: Fuge. "Amen")
626 626 4a Requiem in D minor, K. 626 (Levin completion): IVa. Offertorium: "Domine Jesu"
626 626 4b Requiem in D minor, K. 626 (Levin completion): IVb. Offertorium: "Hostias"
626 626 5 Requiem in D minor, K. 626 (Levin completion): V. "Sanctus"
626 626 5 Requiem in D minor, K. 626 (Levin completion): VI. "Hosanna"
626 626 6 Requiem in D minor, K. 626 (Levin completion): VII. "Benedictus"
626 626 5 Requiem in D minor, K. 626 (Levin completion): VIIII. "Hosanna"
626 626 7 Requiem in D minor, K. 626 (Levin completion): IX. "Agnus Dei"
626 626 8a Requiem in D minor, K. 626 (Levin completion): X. Communio: "Lux aeterna"
626 626 8b Requiem in D minor, K. 626 (Levin completion): XI. "Cum sanctis"
Requiem in D minor: Richard F. Maunder completion
626 ARs: Movements IIIf - IVb and VIa-VIb: composition: Wolfgang Amadeus Mozart and Richard F. Maunder, arrangement and orchestration: Richard F. Maunder.
Movements V: composition: Wolfgang Amadeus Mozart, composition (additional): Richard F. Maunder, arrangement and orchestration: Richard F. Maunder.
Movements I - IIIe identical ARs to the Franz Xaver Süßmayr completion, add arrangement and orchestration ARs for Richard F. Maunder.
626 626 1 Requiem in D minor, K. 626 (Maunder completion): I. Introitus: "Requiem aeternam" 1988
626 626 2 Requiem in D minor, K. 626 (Maunder completion): II. "Kyrie eleison"
626 626 3a Requiem in D minor, K. 626 (Maunder completion): IIIa. Sequenz: "Dies irae"
626 626 3b Requiem in D minor, K. 626 (Maunder completion): IIIb. Sequenz: "Tuba mirum"
626 626 3c Requiem in D minor, K. 626 (Maunder completion): IIIc. Sequenz: "Rex tremendae"
626 626 3d Requiem in D minor, K. 626 (Maunder completion): IIId. Sequenz: "Recordare"
626 626 3e Requiem in D minor, K. 626 (Maunder completion): IIIe. Sequenz: "Confutatis"
626 626 3f Requiem in D minor, K. 626 (Maunder completion): IIIf. Sequenz: "Lacrimosa"
626 626 3g Requiem in D minor, K. 626 (Maunder completion): IIIg. Sequenz: "Amen" (based on Fantasia for Mechanical Organ in F minor, K. 608 and Requiem in D minor, K. Zu 626 Skb 1791a (3) (sketch): IIIg. Sequenz: Fuge. "Amen")
626 626 4a Requiem in D minor, K. 626 (Maunder completion): IVa. Offertorium: "Domine Jesu Christe"
626 626 4b Requiem in D minor, K. 626 (Maunder completion): IVb. Offertorium: "Versus: Hostias et preces"
626 626 5 Requiem in D minor, K. 626 (Maunder completion): V. "Agnus Dei"
626 626 6a Requiem in D minor, K. 626 (Maunder completion): VIa. Communio: "Lux aeterna"
626 626 6b Requiem in D minor, K. 626 (Maunder completion): VIb. Communio: "Cum sanctis tuis"
626 Note: An alternate version of the Maunder completion also omits the Agnus Dei movement. If your release does not have an Agnus Dei, please use the below two movements instead of the above three.
626 626 5a Requiem in D minor, K. 626 (Maunder completion): Va. Communio: "Lux aeterna" 1988
626 626 5b Requiem in D minor, K. 626 (Maunder completion): Vb. Communio: "Cum sanctis tuis"
Requiem in D minor: Geoffrey McNeely completion
626 Note: More information is needed before this completion can be listed. Please contact BrianFreud if you find a recording of this version.
Requiem in D minor: Franz Xaver Süßmayr completion
626 ARs: I. Introitus: "Requiem aeternam"' Composition: Wolfgang Amadeus Mozart
Orchestration: Wolfgang Amadeus Mozart
Arrangement: Wolfgang Amadeus Mozart
Performance ARs: soloist in this movement is only the soprano.
626 ARs: II. "Kyrie eleison"' Composition: Wolfgang Amadeus Mozart
Composition (Additional): Franz Xaver Süßmayr
Orchestration: Franz Jakob Freystädtler
Orchestration: Franz Xaver Süßmayr
Orchestration: Wolfgang Amadeus Mozart
Arrangement: Franz Xaver Süßmayr
Performance ARs: no soloists in this movement.
626 ARs: IIIa. Sequenz: "Dies irae"' Composition: Wolfgang Amadeus Mozart
Composition (Additional): Joseph Leopold von Eybler
Orchestration: Franz Xaver Süßmayr
Arrangement: Franz Xaver Süßmayr
Performance ARs: no soloists in this movement.
626 ARs: IIIb. Sequenz: "Tuba mirum"' Composition: Wolfgang Amadeus Mozart
Composition (Additional): Joseph Leopold von Eybler
Orchestration: Franz Xaver Süßmayr
Arrangement: Franz Xaver Süßmayr
Performance ARs: soloists in this movement are full SATB.
626 ARs: IIIc. Sequenz: "Rex tremendae"' Composition: Wolfgang Amadeus Mozart
Composition (Additional): Joseph Leopold von Eybler
Orchestration: Franz Xaver Süßmayr
Arrangement: Franz Xaver Süßmayr
Performance ARs: no soloists in this movement.
626 ARs: IIId. Sequenz: "Recordare"' Composition: Wolfgang Amadeus Mozart
Composition (Additional): Joseph Leopold von Eybler
Orchestration: Franz Xaver Süßmayr
Arrangement: Franz Xaver Süßmayr
Performance ARs: soloists in this movement are full SATB.
626 ARs: IIIe. Sequenz: "Confutatis"' Composition: Wolfgang Amadeus Mozart
Composition (Additional): Joseph Leopold von Eybler
Composition (Additional): Franz Xaver Süßmayr
Orchestration: Franz Xaver Süßmayr
Arrangement: Franz Xaver Süßmayr
Performance ARs: no soloists in this movement.
626 ARs: IIIf. Sequenz: "Lacrimosa"' Composition: Wolfgang Amadeus Mozart
Composition: Franz Xaver Süßmayr
Composition (Additional): Joseph Leopold von Eybler
Orchestration: Franz Xaver Süßmayr
Arrangement: Franz Xaver Süßmayr
Performance ARs: no soloists in this movement.
626 ARs: IVa. Offertorium: "Domine Jesu"' Composition: Wolfgang Amadeus Mozart
Orchestration: Abbé Maximilian Stadler
Orchestration: Franz Xaver Süßmayr
Arrangement: Franz Xaver Süßmayr
Performance ARs: soloists in this movement are full SATB.
626 ARs: IVb. Offertorium: "Hostias"' Composition: Wolfgang Amadeus Mozart
Orchestration: Abbé Maximilian Stadler
Orchestration: Franz Xaver Süßmayr
Arrangement: Franz Xaver Süßmayr
Performance ARs: no soloists in this movement.
626 ARs: V. "Sanctus"' Composition: Franz Xaver Süßmayr
Composition (Additional): Wolfgang Amadeus Mozart
Orchestration: Franz Xaver Süßmayr
Arrangement: Franz Xaver Süßmayr
Performance ARs: no soloists in this movement.
626 ARs: VI. "Benedictus"' Composition: Franz Xaver Süßmayr
Orchestration: Franz Xaver Süßmayr
Arrangement: Franz Xaver Süßmayr
Performance ARs: soloists in this movement are full SATB.
626 ARs: VII. "Agnus Dei"' Composition: Franz Xaver Süßmayr
Composition (Additional): Wolfgang Amadeus Mozart
Orchestration: Franz Xaver Süßmayr
Arrangement: Franz Xaver Süßmayr
Performance ARs: no soloists in this movement.
626 ARs: VIIIa. Communio: "Lux aeterna"' Composition: Wolfgang Amadeus Mozart
Composition (Additional): Franz Xaver Süßmayr
Orchestration: Franz Xaver Süßmayr
Orchestration (Additional): Franz Jakob Freystädtler
Arrangement: Franz Xaver Süßmayr
Performance ARs: soloist in this movement is only the soprano.
626 ARs: VIIIb. Communio: "Cum sanctis tuis"' Composition: Wolfgang Amadeus Mozart
Composition (Additional): Franz Xaver Süßmayr
Orchestration: Franz Xaver Süßmayr
Orchestration (Additional): Franz Jakob Freystädtler
Arrangement: Franz Xaver Süßmayr
Performance ARs: soloist in this movement is only the soprano.
626 626 1 Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" 1792-03
626 626 2 Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison"
626 626 3a Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae"
626 626 3b Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum"
626 626 3c Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae"
626 626 3d Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare"
626 626 3e Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis"
626 626 3f Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa"
626 626 4a Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu"
626 626 4b Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias"
626 626 5 Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus"
626 626 6 Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus"
626 626 7 Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei"
626 626 8 Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna"
626 Note: Some publishers of the Requiem score split movement 8; if your release has a split movement 8, please use the listing below instead of the one above.
626 626 8a Requiem in D minor, K. 626 (Süßmayr completion): VIIIa. Communio: "Lux aeterna" 1792-03
626 626 8b Requiem in D minor, K. 626 (Süßmayr completion): VIIIb. Communio: "Cum sanctis tuis"
Requiem in D minor: Knud Vad completion
626 ARs: This version has the same ARs as the Franz Xaver Süßmayr completion with these modifications: add arrangement (additional) ARs for Knud Vad to all movements, add composition and arrangement ARs for Knud Vad to movements V - VII.
626 626 1 Requiem in D minor, K. 626 (Vad completion): I. Introitus: "Requiem aeternam" 2000
626 626 2 Requiem in D minor, K. 626 (Vad completion): II. "Kyrie eleison"
626 626 3a Requiem in D minor, K. 626 (Vad completion): IIIa. Sequenz: "Dies irae"
626 626 3b Requiem in D minor, K. 626 (Vad completion): IIIb. Sequenz: "Tuba mirum"
626 626 3c Requiem in D minor, K. 626 (Vad completion): IIIc. Sequenz: "Rex tremendae"
626 626 3d Requiem in D minor, K. 626 (Vad completion): IIId. Sequenz: "Recordare"
626 626 3e Requiem in D minor, K. 626 (Vad completion): IIIe. Sequenz: "Confutatis"
626 626 3f Requiem in D minor, K. 626 (Vad completion): IIIf. Sequenz: "Lacrimosa"
626 626 4a Requiem in D minor, K. 626 (Vad completion): IVa. Offertorium: "Domine Jesu"
626 626 4b Requiem in D minor, K. 626 (Vad completion): IVb. Offertorium: "Hostias"
626 626 5 Requiem in D minor, K. 626 (Vad completion): V. "Sanctus"
626 626 6 Requiem in D minor, K. 626 (Vad completion): VI. "Benedictus"
626 626 7 Requiem in D minor, K. 626 (Vad completion): VII. "Agnus Dei"
626 626 8a Requiem in D minor, K. 626 (Vad completion): VIIIa. Communio: "Lux aeterna"
626 626 8b Requiem in D minor, K. 626 (Vad completion): VIIIb. Communio: "Cum sanctis tuis"
626b/14 deest Duplicate Double Listed Works: 2 of the 10 sketches in K. 626b/14 are already listed in Köchel 6 elsewhere; K. 626b/14 No. 1 Skb 1783c (1) is the same work as K. 375h and K. 626b/14 No. 10 Skb 1783c (5) is the same work as K. 417B No. 6.
626b/25 No. 1 Anh 20a Missa brevis for Soloists, 2 Violins, Viola, Bass and Organ in G major, K. 626b/25 No. 1 (*47d) / KV Anh 20a (fragment): Credo: "Et unam sanctam catholicam" (deleted measures 182-195)  ?
626b/25 No. 2 *Anh 20a Piece for Piano in B-flat major, K. 626b/25 No. 2 / KV *Anh 20a NMA IX/27/1 Anh II No. 1: (no tempo indicated)  ?
626b/25 No. 2 *Anh 20a Piece for Piano in B-flat major, K. 626b/25 No. 2 / KV *Anh 20a NMA IX/27/1 Anh II No. 1 (Leonard Danek completion): (no tempo indicated)  ?
626b/25 No. 3 *Anh 20a Piece for Piano in E-flat major, K. 626b/25 No. 3 / KV *Anh 20a Fr 1765a NMA IX/27/1 Anh II No. 2 (fragment): (no tempo indicated)  ?
626b/25 No. 3 *Anh 20a Piece for Piano in E-flat major, K. 626b/25 No. 3 / KV *Anh 20a NMA IX/27/1 Anh II No. 2 (Leonard Danek completion): (no tempo indicated)  ?
626b/27 Anh 39a Fugue for Piano in C minor, K. 626b/27 / K3 Anh 39a / KV Anh 39a Fr 1782q (27 measure fragment): Fuga  ?
626b/31 deest Canonical Study for 4 in 2 in G major, K. 626b/31 / KV deest: Canon Summer 1887
Finger Exercises for Piano in C major
626b/48 deest Finger Exercises for Piano in C major, K. 626b/48 / KV deest No. 1: (no tempo indication) mid to late 1780's
626b/48 deest Finger Exercises for Piano in C major, K. 626b/48 / KV deest No. 2: (no tempo indication)
626b/48 deest Finger Exercises for Piano in C major, K. 626b/48 / KV deest No. 3: (no tempo indication)
626b/48 deest Finger Exercises for Piano in C major, K. 626b/48 / KV deest No. 4: (no tempo indication)
626b/48 deest Finger Exercises for Piano in C major, K. 626b/48 / KV deest No. 5: (no tempo indication)
626b/48 deest Finger Exercises for Piano in C major, K. 626b/48 / KV deest No. 6: (no tempo indication)
626b/48 deest Finger Exercises for Piano in C major, K. 626b/48 / KV deest No. 7: (no tempo indication)
626b/48 deest Finger Exercises for Piano in C major, K. 626b/48 / KV deest No. 8: (no tempo indication)
Anh A 15 deest Lost Lost Work: Copy of Michael Haydn: "Lauda Sion" (K3 Zu Anh 109vi ) between 1775 and 1783
Anh A 51 18 Spurious Work Composer: Carl Friedrich Abel (Op. 7 No. 6)
Date is when Wolfgang Amadeus Mozart made his copy.
Wolfgang Amadeus Mozart did change instrumentation slightly from the original, substituting 2 oboes where the original called for 2 clarinets.
1764
Symphony No. 3 for Orchestrain E-flat major, K. Anh A 51 / K3 Anh 109i / KV 18 (spurious): I. Molto allegro
Symphony No. 3 for Orchestrain E-flat major, K. Anh A 51 / K3 Anh 109i / KV 18 (spurious): II. Andante
Symphony No. 3 for Orchestrain E-flat major, K. Anh A 51 / K3 Anh 109i / KV 18 (spurious): III. Presto
2 Small Fugues for Organ in G major
Anh A 61 deest 2 Small Fugues for Organ in G major, K. Anh A 61 / (K3) Anh. 109VIII / (K2) 154a / KV deest No. 1: Fuga 1772 or 1773
Anh A 62 deest 2 Small Fugues for Organ in G major, K. Anh A 62 / (K3) Anh. 109VIII / (K2) 154a / KV deest No. 2: Fuga 1772 or 1773
Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major
The NMA classifies this work as authentic W.A. Mozart, but Matthias Kracher has also been suggested as composer.
Anh C 1.12 140 1 Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: I. Kyrie: Andantino  ?
Anh C 1.12 140 2a Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: IIa. Gloria: Allegro "Et in terra pax"
Anh C 1.12 140 2b Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: IIb. Gloria: Andantino "Laudamus te"
Anh C 1.12 140 3a Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: IIIa. Credo: Allegro "Patrem omnipotentem"
Anh C 1.12 140 3b Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: IIIb. Credo: Andantino "Et incarnatus est"
Anh C 1.12 140 3c Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: IIIc. Credo: Allegro "Et resurrexit"
Anh C 1.12 140 4a Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: IVa. Sanctus: Andante "Sanctus Dominus"
Anh C 1.12 140 4b Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: IVb. Sanctus: Allegro vivace "Pleni sunt coeli"
Anh C 1.12 140 5a Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: Va. Benedictus: Andante "Benedictus qui venit"
Anh C 1.12 140 5b Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: Vb. Benedictus: Allegro vivace "Hosanna in excelsis"
Anh C 1.12 140 6a Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: VIa. Agnus Dei: Andante "Agnus Dei qui tollis"
Anh C 1.12 140 6b Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: VIb. Agnus Dei: Allegro "Dona nobis pacem"
Anh C 1.27 deest Spurious Work Composer: Karl Thomas Mozart (questionable attribution)
This work is incredibly obscure - it may perhaps have never been recorded. However, it does have one most interesting feature: There is an entry for it, dated ~1830, in the Rajhrad Monastery library's catalog listing this work as "Aut. Carol. Mozart". Wolfgang Plath has suggested [5] that "Carol." more than likely is "Carl", which would make this work the only surviving work by Karl (Carl) Thomas Mozart, Wolfgang Amadeus Mozart's older son, who did study music, but never (unlike his father or brother) became known as a composer - he stopped studying and writing music in 1810 and became an official in the service of the Viceroy of Napoli in Milan. (Anything else he might have composed has been lost, includinging all records of what he might also have composed.)
 ?
Missa Solemnis for 4 Voices, 2 Violins, Viola, 2 Clarinets, 2 Horns, 2 Trumpets, Timpani and Organ in C major, K. Anh C 1.27 / KV deest (spurious)
Anh C 3.06 340 Lost Work / Spurious Work Composer: Unknown
Kyrie (K3 Anh. 186f)
Zu Anh C 8.14 deest Lost Lost Work: Song "Meine weise Mutter spricht: Küssen, Küssen, Kind, is Sünde" (K3 Anh 255a) before 1784
Anh C 11.02 17 Spurious Work Composer: Leopold Mozart (Bb6)
Likely composed between 1764 and 1765 by Leopold Mozart.
1760's
Symphony No. 2 for Orchestrain B-flat major, K. Anh C 11.02 / K3 Anh 223a / KV 17 (fragment) (spurious): I. Allegro
Symphony No. 2 for Orchestrain B-flat major, K. Anh C 11.02 / K3 Anh 223a / KV 17 (fragment) (spurious): II. Andante
Symphony No. 2 for Orchestrain B-flat major, K. Anh C 11.02 / K3 Anh 223a / KV 17 (fragment) (spurious): IIIa. Menuetto I & II
Symphony No. 2 for Orchestrain B-flat major, K. Anh C 11.02 / K3 Anh 223a / KV 17 (fragment) (spurious): IV. Presto
Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra
Anh C 14.01 Anh 9 1 Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01 / K3 297b / Anh 9 (doubtful): I. Allegro  ?
Anh C 14.01 Anh 9 2 Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01 / K3 297b / Anh 9 (doubtful): II. Adagio
Anh C 14.01 Anh 9 3 Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01 / K3 297b / Anh 9 (doubtful): III. Andantino & Variations I - IX & Variation X. Andantino - adagio - allegro - più mosso
Prelude Transitions for Piano for Concertos for Piano
Anh C 14.05 deest Spurious Work Composer: Marius Casadesus 1933
Concerto for Violin in D major, K. Anh C 14.05 / K3 Anh 294a / KV deest (spurrious) "Adelaide": I. Allegro
Concerto for Violin in D major, K. Anh C 14.05 / K3 Anh 294a / KV deest (spurrious) "Adelaide": II. Adagio
Concerto for Violin in D major, K. Anh C 14.05 / K3 Anh 294a / KV deest (spurrious) "Adelaide": III. Allegro
Anh C 15.11 Caution: In the rare cases when K. Anh C 15.11 has been recorded, it typically is all on a single track. (The fragments do make musical sense, playing them in order, and even combined, the entire Anh C 15.11 Nos. a-x is only 29 measures long.) For such cases, please use the first listing, rather than attempt to combine all of the 24 separate listings into a single track title.
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) Nos. a-x: (no tempo indication) - andantino 1777
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. a: (no tempo indication)
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. b: (no tempo indication)
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. c: (no tempo indication)
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. d: (no tempo indication)
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. e: (no tempo indication)
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. f: (no tempo indication)
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. g: (no tempo indication)
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. h: (no tempo indication)
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. i: (no tempo indication)
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. j: (no tempo indication)
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. k: (no tempo indication)
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. l: (no tempo indication)
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. m: (no tempo indication)
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. n: (no tempo indication)
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. o: (no tempo indication)
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. p: (no tempo indication)
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. q: Andantino
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. r: Andantino
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. s: Andantino
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. t: Andantino
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. u: Andantino
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. v: Andantino
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. w: Andantino
Anh C 15.11 deest Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. x: Andantino
Anh C 27.03 deest Fantasia Improvisation for Organ in B-flat major, K. Anh C 27.03 / K2 528a / KV deest (doubtful) (fragment): (no tempo indication) - Organo! 1787
Anh C 16.01 deest Church Sonata for 2 Violins, Organ and Bass in C major, K. Anh C 16.01 / K3 124c / KV deest (fragment) 1772
deest deest Lost Lost Work: Ballet Music for Ascanio in Alba, K. 111 (for Orchestra)
Ballet Music for Ascanio in Alba, K. 111 for Piano
Anh C 27.06 Anh 207 Ballet Music for Ascanio in Alba, K. 111 for Piano in D major, K. Anh C 27.06 / KV Anh 207 No. 1 "9 Pieces for Piano": (No tempo indication) 1771-09
Anh C 27.06 Anh 207 Ballet Music for Ascanio in Alba, K. 111 for Piano in E-flat major, K. Anh C 27.06 / KV Anh 207 No. 2 "9 Pieces for Piano": (No tempo indication)
Anh C 27.06 Anh 207 Ballet Music for Ascanio in Alba, K. 111 for Piano in C major, K. Anh C 27.06 / KV Anh 207 No. 3 "9 Pieces for Piano": (No tempo indication)
Anh C 27.06 Anh 207 Ballet Music for Ascanio in Alba, K. 111 for Piano in E-flat major, K. Anh C 27.06 / KV Anh 207 No. 4 "9 Pieces for Piano": (No tempo indication)
Anh C 27.06 Anh 207 Ballet Music for Ascanio in Alba, K. 111 for Piano in B-flat major, K. Anh C 27.06 / KV Anh 207 No. 5 "9 Pieces for Piano": (No tempo indication)
Anh C 27.06 Anh 207 Ballet Music for Ascanio in Alba, K. 111 for Piano in F major, K. Anh C 27.06 / KV Anh 207 No. 6 "9 Pieces for Piano": (No tempo indication)
Anh C 27.06 Anh 207 Ballet Music for Ascanio in Alba, K. 111 for Piano in G major, K. Anh C 27.06 / KV Anh 207 No. 7 "9 Pieces for Piano": (No tempo indication)
Anh C 27.06 Anh 207 Ballet Music for Ascanio in Alba, K. 111 for Piano in C major, K. Anh C 27.06 / KV Anh 207 No. 8 "9 Pieces for Piano": (No tempo indication)
Anh C 27.06 Anh 207 Ballet Music for Ascanio in Alba, K. 111 for Piano in D major, K. Anh C 27.06 / KV Anh 207 No. 9 "9 Pieces for Piano": Maggiore & Minore
Anh C 27.10 deest Fugue for Piano in E-flat major, K. Anh C 27.10 / K3 Zu Anh 109viii / KV deest (10 measure fragment): Fuga a due. Allegro  ?
Anh C 27.10 deest Fugue for Piano in E-flat major, K. Anh C 27.10 NMA IX/27/2 Anh No. 23 (August Alexander Klengel completion): Fuga a due. Allegro  ?
deest deest Lost Lost Work: 3 Concertos for Bassoon in C major, B-flat major, and B-flat major
deest deest Lost Lost Work: 6 Trios for 2 Violins and Cello
deest Note: For the curious, the 5 arias that have been identified are K. 19c, K. 23, K. 73b, K. 73d, and K. deest.
deest Lost Lost Work: 10 Arias from the 15 unspecifically referred to in “Leopold Mozart’s list of 12-year old son”
deest deest Lost Lost Work: Aria "Quel destrier, che all’albergo e vicino"
deest deest Lost Lost Work: Aria for Gretl Marchard
Note: K. 382h is believed to be a piano reduction from this aria.
deest deest Lost Lost Work: Aria for daughter of Joseph Wolf late 1767
deest deest Lost Lost Work: Arrangement of a Contredance for Piano for ballet music by Cannabich
deest Note: Note: The autograph of Ascanio in Alba does contain the bass part for 8 numbers of the ballet (in a copyist's handwriting). Nos. 2 and 3 of this correspond with Nos. 4 and 5 from K. Anh 207.
deest Lost Lost Work: Cassation in C major
deest deest Lost Lost Work: Concerto for Transverse Flute 1777
deest deest Lost Lost Work: Copy of Gregorio Allegri: Miserere
deest deest Lost Lost Work: Masonic Song: Bey Eröffnung der Tafelloge (“Legt fur heut des Werkzeug nieder!”) 1790-06
deest deest Lost Lost Work: Masonic Song: Kettenlied (“Wir singen, und schlingern zur Wette”) 1790-06
deest deest Lost Lost Work: Masonic Song: Lied im Nahmen der Armen (“Brüder! Hort das Flehn der Armen”) 1790-06
deest deest Lost Lost Work: Masonic Song: Zum Schluss der Arbeit der Meister (“Vollbracht ist die Arbeit der Meister”) either 1786 or 1790
deest deest Lost Lost Work: Masonic Song: Zur Eröffnung der Meisterloge (“Des Todes Werk, der Faulniss Grauen”) either 1786 or 1790
deest deest Lost Lost Work: Setting of 5 Metastasio texts
deest deest Lost Lost Work: Solo for Viola da gamba
deest deest Lost Lost Work: Variations for Clarinet on "Les Marriages Samnites": March of the Samnites for Joseph Beer 1791-03-04
Cara, se le mie pene
Librettist: Unknown
NMA II/7/1 No. 7 deest Aria for Soprano, 2 Horns, Violin, Viola and Bass, K. deest NMA II/7/1 No. 7: Andante "Cara, se le mie pene" 1769
14 Interval Canons
NMA III/10 No. 26 Note: The remainder of the 14 Interval Canons can be found listed at K. 508a.
NMA III/10 No. 26-1 deest 14 Interval Canons No. 1 for 2 in 1 in F major, K. deest NMA III/10 No. 26-1 "Canoni in unisono": Canon 1786-06-03
NMA III/10 No. 26-2 deest 14 Interval Canons No. 2 for 2 in 1 in F major, K. deest NMA III/10 No. 26-2 "Canoni in unisono": Canon 1786-06-03
NMA III/10 No. 26-3 deest 14 Interval Canons No. 3 for 2 in 1 in F major, K. deest NMA III/10 No. 26-3 "Canoni in seconda di sopra": Canon 1786-06-03
NMA III/10 No. 26-5 deest 14 Interval Canons No. 5 for 2 in 1 in F major, K. deest NMA III/10 No. 26-5 "Canoni in terza di sopra": Canon 1786-06-03
NMA III/10 No. 26-7 deest 14 Interval Canons No. 7 for 2 in 1 in F major, K. deest NMA III/10 No. 26-7 "Canoni in quarta di sopra": Canon 1786-06-03
NMA III/10 No. 26-9 deest 14 Interval Canons No. 9 for 2 in 1 in F major, K. deest NMA III/10 No. 26-9 "Canoni in quinta di sopra": Canon 1786-06-03
NMA III/10 No. 26-11 deest 14 Interval Canons No. 11 for 2 in 1 in F major, K. deest NMA III/10 No. 26-11 "Canoni in sesta di sopra": Canon 1786-06-03
NMA III/10 No. 26-13 deest 14 Interval Canons No. 13 for 2 in 1 in F major, K. 508a NMA III/10 No. 26-13 "Canoni in settima di sopra": Canon 1786-06-03
NMA III/10 No. 28 deest Canon for 4 in 1 in F major, K. deest NMA III/10 No. 28: Canon Summer 1786
NMA III/10 Anh II No. 1a deest Canon for 5 in 5 in F major, K. deest NMA III/10 Anh II No. 1a (sketch): Canon 1781 or 1782
NMA III/10 Anh II No. 1b deest Canon for 3 in 3 in B-flat major, K. deest NMA III/10 Anh II No. 1b (sketch): Canon 1781 or 1782
NMA III/10 Anh II No 2 deest Canon for 4 in 4 in F major, K. deest NMA III/10 Anh II No 2 (sketch): Canon 1781 or 1782
NMA III/10 Anh II No. 3 deest Canon for 4 in 4 in B-flat major, K. deest NMA III/10 Anh II No. 3 (sketch): Canon 1781 or 1782
NMA III/10 Anh II No. 4 deest Canon for 4 in 4 in E-flat major, K. deest NMA III/10 Anh II No. 4 (sketch): Canone end of 1785 or 1786
NMA III/10 Anh II No. 6 deest Canon for 3 in 1 in F major, K. deest NMA III/10 Anh II No. 6 (sketch): Canon 1786-06-03
2 Canons for 2 in 1 in F major
NMA III/10 Anh II No. 7a deest 2 Canons for 2 in 1 in F major, K. deest NMA III/10 Anh II No. 7a (sketch): Canon 1786-06-03
NMA III/10 Anh II No. 7b deest 2 Canons for 2 in 1 in F major, K. deest NMA III/10 Anh II No. 7b (sketch): Canon 1786-06-03
NMA III/10 Anh II No. 9 deest Canon for 4 in 4 in B-flat major, K. deest NMA III/10 Anh II No. 9 (sketch): Canon 1787 or 1888
NMA III/10 Anh II No. 10 deest Canon for 4 in 4 in C major, K. deest NMA III/10 Anh II No. 10 (sketch): Canon 1787 or 1888
NMA III/10 Anh II No. 11 deest Canon for 4 in 3 in C major, K. deest NMA III/10 Anh II No. 11 (sketch): Canon 1787 or 1888
NMA IV/13/Abt. 1 Anh No. 3 deest Second Half of a Dance for Violin in F major, K. deest NMA IV/13/Abt. 1 Anh No. 3  ?
NMA IX/24/Abt. 1/Nachtrag deest Larghetto and Allegro for 2 Pianos in E-flat major, K. deest NMA IX/24/Abt. 1/Nachtrag Fr 1781f (109 measure fragment): Larghetto - allegro 1781
NMA IX/24/Abt. 1/Nachtrag deest Larghetto and Allegro for 2 Pianos in E-flat major, K. deest NMA IX/24/Abt. 1/Nachtrag (Paul Badura-Skoda completion): Larghetto - allegro  ?
NMA IX/24/Abt. 1/Nachtrag deest Larghetto and Allegro for 2 Pianos in E-flat major, K. deest NMA IX/24/Abt. 1/Nachtrag Fr 1781f (Maximilian Stadler completion): Larghetto - allegro  ?
NMA IX/24/Abt. 1/Nachtrag deest Larghetto and Allegro for 2 Pianos in E-flat major, K. deest NMA IX/24/Abt. 1/Nachtrag Fr 1781f (Robert Levin completion): Larghetto - allegro  ?
5 Technical Exercises
NMA IX/27/1 I. No. 52-1 deest 5 Technical Exercises for Piano in F major, K. deest NMA IX/27/1 I. No. 52 No. 1 "Notenbuch für Nannerl Mozart": (no tempo indication)  ?
NMA IX/27/1 I. No. 52-2 deest 5 Technical Exercises for Piano in C major, K. deest NMA IX/27/1 I. No. 52 No. 2 "Notenbuch für Nannerl Mozart": (no tempo indication)
NMA IX/27/1 I. No. 52-3 deest 5 Technical Exercises for Piano in E-flat major, K. deest NMA IX/27/1 I. No. 52 No. 3 "Notenbuch für Nannerl Mozart": (no tempo indication)
NMA IX/27/1 I. No. 52-4 deest 5 Technical Exercises for Piano in C major, K. deest NMA IX/27/1 I. No. 52 No. 4 "Notenbuch für Nannerl Mozart": (no tempo indication)
NMA IX/27/1 I. No. 52-5 deest 5 Technical Exercises for Piano in C major, K. deest NMA IX/27/1 I. No. 52 No. 5 "Notenbuch für Nannerl Mozart": (no tempo indication)
NMA IX/27/1 I. No. 57 deest Interval Table, K. deest NMA IX/27/1 I. No. 57  ?
NMA IX/27/1 I. No. 60-1 deest 3 Modulating Figured Basses, K. deest NMA IX/27/1 I. No. 60 No. 1  ?
NMA IX/27/1 I. No. 60-2 deest 3 Modulating Figured Basses, K. deest NMA IX/27/1 I. No. 60 No. 2
NMA IX/27/1 I. No. 60-3 deest 3 Modulating Figured Basses, K. deest NMA IX/27/1 I. No. 60 No. 3
NMA IX/27/2 No. 2 deest Modulating Prelude for Piano in F major to E minor, K. deest NMA IX/27/2 No. 2: (no tempo indication) 1776 or 1777
NMA IX/27/2 Anh 3 deest Adagio for Piano in B-minor, K. deest NMA IX/27/2 Anh 3 Fr 1788b (5.5 measure fragment): Adagio 1788
2 Contrapuntal Sketches for Piano
NMA IX/27/2 Anh No. 16 deest 2 Contrapuntal Sketches for Piano in E-flat major, K. deest NMA IX/27/2 Anh No. 16 No. 1 Skb 1782α (1) (11 measure sketch): (no tempo indication)  ?
NMA IX/27/2 Anh No. 16 deest 2 Contrapuntal Sketches for Piano in C minor, K. deest NMA IX/27/2 Anh No. 16 No. 2 Skb 1782α (2) (11 measure sketch): (no tempo indication)  ?
6 Fugues for Piano in E minor
NMA IX/27/2 Anh No. 17-1 deest 6 Fugues for Piano in E minor, K. deest NMA IX/27/2 Anh No. 17-1 (15 measure sketch): Fuga  ?
NMA IX/27/2 Anh No. 17-2 deest 6 Fugues for Piano in E minor, K. deest NMA IX/27/2 Anh No. 17-2 (19 measure sketch): Fuga
NMA IX/27/2 Anh No. 17-3 deest 6 Fugues for Piano in E minor, K. deest NMA IX/27/2 Anh No. 17-3 (4.5 measure sketch): Fuga
NMA IX/27/2 Anh No. 17-4 deest 6 Fugues for Piano in E minor, K. deest NMA IX/27/2 Anh No. 17-4 (4 measure sketch): Fuga
NMA IX/27/2 Anh No. 17-5 deest 6 Fugues for Piano in E minor, K. deest NMA IX/27/2 Anh No. 17-5 (4 measure sketch): Fuga
NMA IX/27/2 Anh No. 17-6 deest 6 Fugues for Piano in E minor, K. deest NMA IX/27/2 Anh No. 17-6 (20 measure sketch): Fuga
2 Fugues in E-flat major
NMA IX/27/2 Anh No. 18-1 deest 2 Fugues in E-flat major, K. deest NMA IX/27/2 Anh No. 18-1 (10 measure sketch): Fuga  ?
NMA IX/27/2 Anh No. 18-2 deest 2 Fugues in E-flat major, K. deest NMA IX/27/2 Anh No. 18-2 (5 measure sketch): Fuga
NMA IX/27/2 Anh No. 22 deest Fugue in D minor, K. deest NMA IX/27/2 Anh No. 22 (31 measure fragment): Fuga  ?
NMA IX/27/2 Anh No. 22 deest Fugue in D minor, K. deest NMA IX/27/2 Anh No. 22 (Leonard Danek completion): Fuga  ?
NMA IX/27/2 Anh No. 23 Note: See also the listing for K. Anh C 27.10 for the Mozart-only fragment version of K. Anh C 27.10.
NMA IX/27/2 Anh No. 23 deest Fugue for Piano in E-flat major, K. deest NMA IX/27/2 Anh No. 23 (August Alexander Klengel completion of K. Anh C 27.10): Fuga a due. Allegro  ?
"Notenbuch für Nannerl Mozart"
N/A Note: Much of the "Notenbuch für Nannerl Mozart" is not by W.A. Mozart; much of it is by unknown composers. However, as you may need to enter a release containing these works, it is included in this list. The dates are thought to be 1759 for all, save those actually by W.A. Mozart. The parts of the Notenbuch attributed to W.A. Mozart can be found at K. 1a, K. 1b, K. 1c, K. 1d, K. 1e, K. 1f, K. 2, K. 3, K. 4, K. 5, K. 5a, K. 5b, K. 6, K. 7, K. 8, K. Zu 32 No. 14, NMA IX/27/1 I. No. 52, NMA IX/27/1 I. No. 57, and NMA IX/27/1 I. No. 60 Nos. 1-3.
N/A N/A Composer: Unknown
Minuet for Piano in C major, NMA IX/27/1 I. No. 1 "Notenbuch für Nannerl Mozart" No. 1: Minuet
N/A N/A Composer: Unknown
Minuet for Piano in F major, NMA IX/27/1 I. No. 2 "Notenbuch für Nannerl Mozart" No. 2: Minuet
N/A N/A Composer: Unknown
Minuet for Piano in C major, NMA IX/27/1 I. No. 3 "Notenbuch für Nannerl Mozart" No. 3: Minuet
N/A N/A Composer: Unknown
Minuet for Piano in G major, NMA IX/27/1 I. No. 4 "Notenbuch für Nannerl Mozart" No. 4: Minuet
N/A N/A Composer: Unknown
Minuet for Piano in F major, NMA IX/27/1 I. No. 5 "Notenbuch für Nannerl Mozart" No. 5: Minuet
N/A N/A Composer: Unknown
Minuet for Piano in F major, NMA IX/27/1 I. No. 6 "Notenbuch für Nannerl Mozart" No. 6: Minuet
N/A N/A Composer: Unknown
Minuet for Piano in D major, NMA IX/27/1 I. No. 7 "Notenbuch für Nannerl Mozart" No. 7: Minuet
N/A N/A Composer: Unknown
Minuet for Piano in F major, NMA IX/27/1 I. No. 8 "Notenbuch für Nannerl Mozart" No. 8: Minuet
N/A N/A Composer: Unknown
Minuet for Piano in A major, NMA IX/27/1 I. No. 9 "Notenbuch für Nannerl Mozart" No. 9: Minuet
N/A N/A Composer: Unknown
Minuet for Piano in D major, NMA IX/27/1 I. No. 10 "Notenbuch für Nannerl Mozart" No. 10: Minuet
N/A N/A Composer: Unknown
Minuet for Piano in F major, NMA IX/27/1 I. No. 11 "Notenbuch für Nannerl Mozart" No. 11: Minuet & Trio
N/A N/A Composer: Unknown
Minuet for Piano in A major, NMA IX/27/1 I. No. 12 "Notenbuch für Nannerl Mozart" No. 12: Minuet
N/A N/A Composer: Unknown
Minuet for Piano in A major, NMA IX/27/1 I. No. 13 "Notenbuch für Nannerl Mozart" No. 13: Minuet
N/A N/A Composer: Unknown
Minuet for Piano in E major, NMA IX/27/1 I. No. 14 "Notenbuch für Nannerl Mozart" No. 14: Minuet
N/A N/A Composer: Unknown
Minuet for Piano in E major, NMA IX/27/1 I. No. 15 "Notenbuch für Nannerl Mozart" No. 15: Minuet
N/A N/A Composer: Unknown
Minuet for Piano in C major, NMA IX/27/1 I. No. 16 "Notenbuch für Nannerl Mozart" No. 16: Minuet
N/A N/A Composer: Leopold Mozart
Minuet for Piano in F major, NMA IX/27/1 I. No. 17 "Notenbuch für Nannerl Mozart" No. 17: Minuet & Trio
N/A N/A Composer: Unknown
Minuet for Piano in B major, NMA IX/27/1 I. No. 18 "Notenbuch für Nannerl Mozart" No. 18: Minuet & Trio
N/A N/A Composer: Unknown
Minuet for Piano in C major, NMA IX/27/1 I. No. 21 "Notenbuch für Nannerl Mozart" No. 21: Minuet & Trio
N/A N/A Composer: Unknown
March for Piano in F major, NMA IX/27/1 I. No. 22 "Notenbuch für Nannerl Mozart" No. 22: Marche
N/A N/A Composer: Unknown
March for Piano in F major, NMA IX/27/1 I. No. 23 "Notenbuch für Nannerl Mozart" No. 23: Marche
N/A N/A Composer: Unknown
Allegro for Piano in C major, NMA IX/27/1 I. No. 27 "Notenbuch für Nannerl Mozart" No. 27: Allegro
N/A N/A Composer: Unknown
Allegro for Piano in F major, NMA IX/27/1 I. No. 28 "Notenbuch für Nannerl Mozart" No. 28: Allegro
N/A N/A Composer: Unknown
Piece for Piano in F major, NMA IX/27/1 I. No. 29 "Notenbuch für Nannerl Mozart" No. 29: (no tempo indication)
N/A N/A Composer: Unknown
Allegro for Piano in G major, NMA IX/27/1 I. No. 30 "Notenbuch für Nannerl Mozart" No. 30: Allegro
N/A N/A Composer: Georg Christoph Wagenseil
Scherzo for Piano in C major, NMA IX/27/1 I. No. 31 "Notenbuch für Nannerl Mozart" No. 31: Scherzo
N/A N/A Composer: Unknown
Scherzo for Piano in F major, NMA IX/27/1 I. No. 32 "Notenbuch für Nannerl Mozart" No. 32: Scherzo
N/A N/A Composer: Unknown
Allegro for Piano in F major, NMA IX/27/1 I. No. 33 "Notenbuch für Nannerl Mozart" No. 33: Allegro
N/A N/A Composer: Unknown
Allegro for Piano in C major, NMA IX/27/1 I. No. 34 "Notenbuch für Nannerl Mozart" No. 34: Allegro
N/A N/A Composer: Unknown
Tempo di Menuetto for Piano in F major, NMA IX/27/1 I. No. 35 "Notenbuch für Nannerl Mozart" No. 35: Tempo di menuetto
N/A N/A Composer: Unknown
Allegro moderato for Piano in F major, NMA IX/27/1 I. No. 36 "Notenbuch für Nannerl Mozart" No. 36: Allegro moderato
N/A N/A Composer: Unknown
Andante for Piano in B major, NMA IX/27/1 I. No. 37 "Notenbuch für Nannerl Mozart" No. 37: Andante
N/A N/A Composer: Unknown
Andante for Piano in C major, NMA IX/27/1 I. No. 38 "Notenbuch für Nannerl Mozart" No. 38: Andante
N/A N/A Composer: Carl Philipp Emanuel Bach
Arietta con Variazioni for Piano in A major, NMA IX/27/1 I. No. 39 "Notenbuch für Nannerl Mozart" No. 39: Arietta variata & Variations I - VII Da capo & Variations VIII - XII Da capo dal segno & Arietta da capo
N/A N/A Composer: Unknown
Allegro for Piano in C major, NMA IX/27/1 I. No. 40 "Notenbuch für Nannerl Mozart" No. 40: Allegro
N/A N/A Composer: Unknown
Allegro for Piano in G major, NMA IX/27/1 I. No. 41 "Notenbuch für Nannerl Mozart" No. 41: Allegro
N/A N/A Composer: Unknown
Allegro for Piano in g major, NMA IX/27/1 I. No. 42 "Notenbuch für Nannerl Mozart" No. 42: Allegro
N/A N/A Composer: J. N. Tischer
Presto for Piano in A major, NMA IX/27/1 I. No. 43 "Notenbuch für Nannerl Mozart" No. 43: Presto
N/A N/A Composer: Unknown
Polonoise for Piano in F major, NMA IX/27/1 I. No. 44 "Notenbuch für Nannerl Mozart" No. 44: Polonoise Da capo
N/A N/A Composer: J. J. Agrell
Allegro for Piano in E minor, NMA IX/27/1 I. No. 45 "Notenbuch für Nannerl Mozart" No. 45: Allegro
N/A N/A Composer: Unknown
Allegro for Piano in C major, NMA IX/27/1 I. No. 46 "Notenbuch für Nannerl Mozart" No. 46: Allegro
N/A N/A Composer: Unknown
Minuet for Piano in D major, NMA IX/27/1 I. No. 47 "Notenbuch für Nannerl Mozart" No. 47: Minuet I
N/A N/A Composer: Unknown
Minuet for Piano in F major, NMA IX/27/1 I. No. 48 "Notenbuch für Nannerl Mozart" No. 48: Minuet II
N/A N/A Composer: Unknown
Minuet for Piano in F major, NMA IX/27/1 I. No. 49 "Notenbuch für Nannerl Mozart" No. 49: Minuet
N/A N/A Composer: Unknown
Piece for Piano in G major, NMA IX/27/1 I. No. 50 (fragment)"Notenbuch für Nannerl Mozart" No. 50: (no tempo indication)
N/A N/A Composer: Unknown
Concerto movement for Piano in G major, NMA IX/27/1 I. No. 51 "Notenbuch für Nannerl Mozart" No. 51: Molto allegro

A note on numbered symphonies: 

Symphonies 1-41 were officially numbered in their original publication by Breitkopf & Härtel between 1879 and 1882. Symphonies 42-47 were published together by Breitkopf & Härtel in 1881, as a supplement, and were unnumbered, though each symphony number from this supplement has come to be numbered in a consistent manner (K. 75 is always Symphony No. 42, etc).

The same is not true, however, for symphony numbers above 47. There are several unnumbered zu and Anhang symphonies, as well as various disconnected symphony movements and fragments from symphony movements. Many of these are often assigned a high symphony number in performance programs and on LP/CD liners, but there is no consistency as to which symphony numbers refer to which works - K. 213c/102 may be referred on one performance as Symphony No. 48, on another as Symphony No. 52, and in a third as an unnumbered symphony. In 1886, Breitkopf & Härtel published the final movements to three additional symphonies (K. 213c/102, K. 111a/120, and KV 163), again unnumbered. These three, like the other such mentioned movements and fragments, have been referred to as Nos. 48-50, Nos. 49-51, as well as higher symphony numbers. However, there is some good justification for these being numbered as 48-50. In this listing, they are numbered as is most common, K. 213c/102 = No. 48, K. 111a/120 = No. 49, and KV 163 (reunited by K6 with KV161 as K. 141a/161+163) = No. 50.

Thus please note that if you are adding a release in which tracks list any symphonies numbered higher than 47, special attention needs to be paid to see if you have the correct work identifications. Any symphony numbered between 48 and 50 might be incorrectly identified as to work number; any symphony numbered higher than 50 almost definitely is - there are no symphonies correctly numbered, officially or unofficially, higher than Symphony No. 50. (The most commonly misnumbered works are K. 213c/102, K. 111a/120, K. 141a/161+163, K. 208 (played as a libretto, not an opera), K. 141a/161+163, K. Anh C 11.03/K3 74g/Anh 216, and K. 45b/Anh 214).

That said, here are the real links to the correct Symphony numbers 48, 49, and 50.:)


A note on numbered violin sonatas: 

Breitkopf & Härtel originally published the violin sonatas in two volumes in 1879. They numbered 45 sonatas, and these are the numbers used in this list. Several of the works included, however, are not by Mozart: KV 55-61, numbered as Nos. 17-23 by Breitkopf & Härtel. Others since then have attempted to renumber the violin sonatas. Many omit Nos. 1-16 from the Breitkopf & Härtel list as juvenilia. Some move Nos. 5-10 to the list of numbered piano trios. K. 570 is sometimes added, as it originally was published with a violin accompaniment. However, even the NMA renumbering has its own issues. Thus, for our purposes, the original Breitkopf & Härtel numbering is being used.

Side note: Wikipedia's numbering system on their list of Mozart's compositions should be ignored; in a discussion note on 2006-11-08, they simply decided to start their own rather random numbering system for violin sonatas, "for the benefit of the general users of Wikipedia, who do not really understand these compositional technicalities".


Alte Mozart-Ausgabe
Normally abbreviated AMA.
A complete set of scores to every work thought to be by Wolfgang Amadeus Mozart at the time.
Published by Breitkopf & Härtel between 1877 and 1883, then Supplements to the catalog published up until 1910.

Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts
The original and most familiar complete catalog of Wolfgang Amadeus Mozart's works. There have been 8 editions. The 4th, 5th, 7th, and 8th editions were reprints. The 2nd edition was a minor revision; the 3rd and 6th editions were complete overhauls of the catalog.
  • 1st edition: written by Ludwig Ritter von Köchel published in 1862 (KV)
  • 2nd edition: edited by Paul von Waldersee published in 1905 (K²)
  • 3rd edition, edited by Alfred Einstein published in 1937 (K³)
  • 3rd edition reprint with revisions to some commentary and Zu notes, edited by Alfred Einstein and published in 1947 (K³ª)
  • 4th edition, a reprint of the 3rd edition published in 1958
  • 5th edition, a reprint of the 3rd edition published in 1961
  • 6th edition, edited by Franz Giegling, Alexander Weinmann and Gerd Sievers published in 1964 (K6, K⁶)
  • 7th edition, a reprint of the 6th edition published in 1965
  • 8th edition, a reprint of the 6th edition published in 1983
  • Neal Zaslaw is currently working on "Der neue Köchel" at the request of Breitkopf & Härtel.

Note that in Köchel 6, work numbers higher than 626 have special meanings.

  • All 626aI works are Cadenzas & Eingange[6] to Concerti for Keyboard by Wolfgang Amadeus Mozart (64 works)
  • All 626aII works are Cadenzas & Eingange[7] to Concerti for Keyboard by other composers
    • 626aII/A: Cadenza for Wolfgang Amadeus Mozart K. 107/1
    • 626aII/B: Cadenza for Wolfgang Amadeus Mozart K. 107/2
    • 626aII/C: Cadenza for Wolfgang Amadeus Mozart K. 40: I.
    • 626aII/D: Cadenza for J.S. Schroeter: Op. 3 No. 4: I.
    • 626aII/E: Cadenzas for unknown concerto by unknown composer (moved to Anhang C15.10 in Köchel 6)
    • 626aII/F: Cadenza for J.S. Schroeter: Op. 3 No. 6: I.
    • 626aII/G: Cadenza for J.S. Schroeter: Op. 3 No. 6: II.
    • 626aII/H: Cadenza for J.S. Schroeter: Op. 3 No. 1: I.
    • 626aII/I: Transitions (moved to Anhang C15.10 in Köchel 6)
    • 626aII/K: Cadenza for Ignaz v. Beecke: unknown concerto: II.
    • 626aII/L: 2 Cadenzas for unknown concerto by unknown composer
    • 626aII/M: Ornamentation for K. 451: II.
    • 626aII/N: Cadenza for J.S. Schroeter: Op. 3 No. 3: I.
    • 626aII/O: Cadenza for J.S. Schroeter: Op. 3 No. 3: II.
  • All 626b works are sketches and fragments (48 sketches and fragments)

The original Köchel catalog included 5 appendices:

  • Anhang I: Lost authentic Compositions (Anh. 1 - 11)
  • Anhang II: Fragmentary Compositions (Anh. 12 - 109)
  • Anhang III: Transcribed Works by Others (Anh. 110 - 184)
  • Anhang IV: Doubtful Compositions (Anh. 185 - 231)
  • Anhang V: Spurious Compositions (Anh 232 - 294)

Note that Köchel kept lost works and fragments separate from the works listing - any lost or fragmentary work which was listed was placed in KV Anhang II. Many of these were then moved to the main catalog by Alfred Einstein in K3.

Köchel 6 included 3 appendices of music:

  • Anhang A: Copies of Other Composers Works in Mozart's Handwriting (88 works)
  • Anhang B: Transcriptions of works by Mozart done by others
  • Anhang C: Doubtful and Misattributed Works
    • 1.* Masses (39 works)
    • 3.* Smaller Church Works (38 works)
    • 4.* Cantatas (1 work)
    • 5.* Operas (1 work)
    • 7.* Arias, Scenes, Works for Choir with Orchestra (9 works)
    • 8.* Songs with Piano Accompaniment (50 works)
    • 9.* Songs for Multiple Voices (14 works)
    • 10.* Canons (22 works)
    • 11.* Symphonies (16 works)
    • 13.* Church Sonatas (3 works)
    • 14.* Marches, Dances for Orchestra (6 works)
    • 15.* Concertos for One or More Solo Instruments (6 works)
    • 16.* Concertos for One or More Pianos (1 work)
    • 17.* Divertimenti for Wind (12 works)
    • 20.* String Quartets (7 works)
    • 22.* Trios for Piano, Violin and Cello (2 works)
    • 23.* Sonatas for Piano and Violin (9 works)
    • 24.* Works for Piano with Four Hands (2 works)
    • 25.* Sonatas, Fantasies, Rondos for Piano (5 works)
    • 26.* Variations for Piano (22 works)
    • 27.* Individual Pieces for Piano, Organ, or Mechanical Organ (12 works)
    • 29.* Dances and Marches for Piano or String Instruments (52 works)
    • 30.* Micellaneous works (6 works)
  • The rest of the appendices contain no music, but are lists of publishers, etc.

Wolfgang Amadeus Mozart. Neue Ausgabe sämtlicher Werke
Normally referred to as the Neue Mozart-Ausgabe and abbreviated NMA.
A new complete set of scores to every work thought to be by Wolfgang Amadeus Mozart, including a large number of autographs, sketches, fragments, and other works unknown at the time the Alte Mozart-Ausgabe was published. Also AMA transcription errors are corrected in this version, spurious works since discovered to not be by Wolfgang Amadeus Mozart are corrected, and critical commentary on the works and on authenticity and degrees of questionable attribution are discussed.
Published by Bärenreiter-Verlag between 1955 and 1991, with Supplements containing the remaining critical commentary and fragments/sketches continuing to be published. Almost all works have already been either published or assigned a position within the final Supplement (Volume X), but there do remain a very few number of works which do not have an Neue Mozart-Ausgabe work catalog assignment, and thus do not have an NMA number.
The entire contents of all NMA published volumes is also available online.

The Wolfgang Amadeus Mozart. Neue Ausgabe sämtlicher Werke is being created by the Neue Mozart-Ausgabe of the Internationale Stiftung Mozarteum.

Many non-Köchel listed works are often simply listed as "deest". However, as this indication can refer to any of many thousands of sketches and fragments, or even completed works not listed in Köchel, four different catalog indications have begun to be used, since the publication by the NMA of volumes encompassing those works. These numbers also may be searched for at the NMA's online archives. Any of these four types of catalog indications may appear in the above list; such a presence in the otherwise K6 column ought to be taken as an indication that the work is deest even in K6.

  • NMA
  • Fr
  • Sk
  • Skb
  • F.

NMA numbers look like "NMA IV/13/Abt. 1/2 No. 1", "NMA IX/24/I Anh 10 No. 3", "NMA IV/12/6, Orchesterwerke III No. 2". This indicates the NMA series / working group / volume, the work number within the volume, then, if needed, which supplimentary volume to the main volume (Orchesterwerke, Studienpartitur, Critical Report, etc).

Fr numbers all come from NMA X/30/4 (or the IX Supplements). They identify fragmentary works. While they could be referred to as above, as they all come from the same series and working group, it has become common to refer to them in the much shorter and still specific manner "Fr 1771b". "Fr" for "fragment," a year, and an identifying alphabetical character. The year does not indicate the exact year in which the fragment originated, it simply is an indication of the earliest possible date in an approximate period spanning several years. The letters also do not indicate any particular chronological order; they serve only to specifically identify a given fragment.

Sk and Skb numbers all come from NMA X/30/3 (or the IX Supplements). They identify sketches and Sketch books / pages to an identifiable movement or work. They use the same form as Fr numbers.

F. numbers are also from NMA X/30/3 (or the IX Supplements). They identify sketches which cannot be identified to any particular movement or work. They use the same form as Fr numbers.

There are 10 different series of volumes in Wolfgang Amadeus Mozart. Neue Ausgabe sämtlicher Werke (133 total volumes, not counting volumes of critical commentary or reissues):

  • Series I: Sacred Vocal Music (15 volumes)
  • Series II: Theatre Music (32 volumes)
  • Series III: Songs, Vocal Ensembles, and Canons (3 volumes)
  • Series IV: Orchestral Works (19 volumes)
  • Series V: Concertos (14 volumes)
  • Series VI: Church Sonatas (1 volume)
  • Series VII: Orchestral Serenades, Divertimentos, and Marches (3 volumes)
  • Series VIII: Chamber Music (11 volumes)
  • Series IX: Piano Music (8 volumes)
  • Series X: Supplement (26 volumes, 5 of them yet unpublished (volumes 109, 110, 121, 126, 127))

 

Specific identifications for obscurities and fragment completions

In no way a complete list, but this ought to help ID just which listing you want for some of the more difficult identifications, with thanks to the folks at MozartForum.

Release Title Label Catalog #
Vollendet im Unvollendeten? Mozart Fragmente ORF CD 433
Track 1: Fr 1764e
Track 2: 626b/25 (the version with both I and II)
Track 3: Fr 1765b
Track 17: Anh. C 15.11
Track 22: Fr 1782r
Track 23: Fr 1782s
Track 35: Fr 1788b
"Fragments and Unfinished Works for Piano" by Duo Crommelynck Claves 50-9109
"626b/25" = the separated, fragment versions of I and II
"Prelude Fragment in C major for Piano" = Anh. C 15.11
"Adagio in b-minor K450" = K. 540 (typo on liner)
"Fugue in E-flat major KV Anh 109" = ?
The deest "Sonata Movement in C" is NMA IX:25/ii/Anh1.
Contrapuntal Sketches is NMA IX:27/ii Anh 16.
6 Fugues in E minor is NMA IX:27/ii Anh 17.
2 Fugues in E-flat major is NMA:27/ii Anh 18.
Fugue in D minor is NMA IX:27ii/ Anh 22.
Piano Exercises is K. 626b/28.
"Piece in E-flat major" is 626b/25
"Fugue in C minor" is 626b/27.
Complete KeyboAR'd Works by Bart van Oort Brilliant Classics 93025
"Modulating Prelude KV. 624" = Anh. C 15.11
"Overture to Die Entfühtung aus dem Serail KV. 384" = K. Zu 384: Ouvertüre
"Contredanse in D major KV. 534" is the solo piano version of K. 534
"Klavierstück in B-flat major KV deest" = the LeonAR'd Danek version of 626b/25
K. 372a is the fragment version.
Tutti i frammenti by Marco Falossi Iktius IKT 025
K. 372a is the fragment version.
The deest "Sonata Movement in C" is NMA IX:25/ii/Anh1.
Contrapuntal Sketches is NMA IX:27/ii Anh 16.
6 Fugues in E minor is NMA IX:27/ii Anh 17.
2 Fugues in E-flat major is NMA:27/ii Anh 18.
Fugue in D minor is NMA IX:27ii/ Anh 22.
Piano Exercises is K. 626b/28.
"Piece in E-flat major" is 626b/25
"Fugue in C minor" is 626b/27.
205b/284 is included somewhere on this CD
Complete Mozart Edition, Volume 20 Philips 422-520-2
K. 296a is the Maximilian Stadler completion.
K. 323 is the Maximilian Stadler completion.
Nikolaus Harnoncourt conducting Concentus Musicus Wien and Arnold Schoenberg Chor and solists Teldec 4509-98928-2
K. 296a is the Maximilian Stadler completion.
K. 323 is the Maximilian Stadler completion.
Martin Haselböck conducting the Wiener Akademie, Chorus Viennensis and soloists Novalis 150 081-2
K. 468 is the Rainer Bischof completion.
Complete Mozart Edition, Volume 23 Philips 422-523-2
K. 383h is the E. Reichert completion.
K. 384A is the Erik Smith completion.
K. 382h needs an additional orchestration AR for Erik Smith
K. 386d needs an additional orchestration AR for Erik Smith
K. 417e needs an additional orchestration AR for Erik Smith
K. 571a is the Erik Smith version.
K. 416b is the Erik Smith version.
K. 416c is the Erik Smith version.
K. 580 is the Erik Smith version.
Entführung aus dem Serail Philips 416 479-2
K. 384A is the Erik Smith completion.
Christopher Hogwood conducting the Academy of Ancient Music L’Oiseau Lyre 411 720-2)
K. 525: The added Minuet movement is an adaptation of K. 506a by Christopher Hogwood.
Complete Mozart Edition, Volume 6 Philips 522 506-2
K. 61g/2 is the "2 Flutes & Strings" version.
K. 73h is the "on Orchestra" version.
K. 269b/4 is the "for Orchestra" version.
K. 299d is the Erik Smith version.
K. 315g/8 is the "on Orchestra" version.
K. 534 is the Erik Smith version.
K. 535a ought to also have an orchestration AR for Erik Smith.
K. 535b is the Erik Smith completion.
All modified version works on this release ought to credit Erik Smith as arranger.
Dietrich Fischer-Dieskau Sings Arias by Haydn & Mozart Decca LP SXL 6490
K. 416c is the fragment version, Fürst ought to be AR'd as arranger.
Dietrich Fischer-Dieskau Sings Arias by Haydn & Mozart Decca LP SXL 6490 or Decca LP JB100 LP JB100
K. 416c is the fragment version, Fürst ought to be AR'd as arranger.
Le Lieder Quartett Arion ARN 68161
K. 571a is the Theodor Veidl version.
Vocal Duets, Trios and Quartets Musical Heritage Society HMS 4318
K. 571a is the Theodor Veidl version.
 ? Valois V4621
K. deest "Larghetto and Allegro for 2 Pianos in E-flat major" is the Robert Levin version.
 ? Nonesuch 78023
K. deest "Larghetto and Allegro for 2 Pianos in E-flat major" is the Robert Levin version.
 ? Internationale Stiftung Mozarteum ISM 90/1
K. deest "Larghetto and Allegro for 2 Pianos in E-flat major" is the Robert Levin version.
 ? Bärenreiter Musicaphon LP BM 30 L 1535
K. deest "Larghetto and Allegro for 2 Pianos in E-flat major" is the Maximilian Stadler version.
 ? Nuova Era 6822
K. deest "Larghetto and Allegro for 2 Pianos in E-flat major" is the Maximilian Stadler version.
 ? Glossa GCD 921302
K. deest "Larghetto and Allegro for 2 Pianos in E-flat major" is the Maximilian Stadler version.
 ? Arion ARN68028
K. deest "Larghetto and Allegro for 2 Pianos in E-flat major" is the Paul Badura-Skoda version.
 ? Erato LP ERA 9062
K. deest "Larghetto and Allegro for 2 Pianos in E-flat major" is the Paul Badura-Skoda version.
Complete Mozart Edition Volume 16 Philips 422 516-2 & 454 026-2
K. deest "Larghetto and Allegro for 2 Pianos in E-flat major" is the Paul Badura-Skoda version.
K. 500a is the Julius André version.
K. 497a is the Julius André version.
Complete Mozart Edition Volume 15 Philips 422 515-2
K. 372 is the Maxillian Stadler version.
K. 385c is the Maxillian Stadler version.
K. 385d is the Julius André version.
K. 385e is the Maxillian Stadler version.
K. 385f is the Maxillian Stadler version.
Sonaten für Violine und Klavier Volume 6 Nuova Era 6784
K. 372 is the Maxillian Stadler version.
K. 385e is the Maxillian Stadler version.
Complete Mozart Edition Volume 18 Philips 422 518-2
K. 372a is the Maxillian Stadler version.
Les Sonates pour le Forte-Piano Volume 2 Astrée E8682
K. 372a is the Maxillian Stadler version.
K. 590d is the Paul Badura-Skoda version.
Klavierstücke Ricercar RIC 105081
K. 372a is the Maxillian Stadler version.
K. 385f is the Maxillian Stadler version.
Ingrid Haebler and Ludwig Hoffmann LPVOX SVBX 566
K. 497a is the Julius André version.
Mozart's Fragments Only - The Unfinished Mozart Emergo EC 3992-2+F192
Every work on this CD is the fragment version. There are no completions on this CD.
 ?Mozart! Volume 6 MD+G 301 0499-2
K. 384b is the Eberhard Buschmann version.
K. 384B is the Eberhard Buschmann version.
K. 384c is the Eberhard Buschmann version.
Chicago Symphony Winds CBS M2K 42144
K. 384c is the Larry Combs version.
Wolfgang Bauer Organo phon E10003
K. 385k is the Simon Sechter version.
K. 580a is the Johannes Pröger version.
Melvyn Tan EMI CDC 7 54021-2
K. 385f is the Maximilian Stadler version.
Complete Piano Music Volume 2 VOX SVBX 5407
K. 385f is the Maximilian Stadler version.
Complete Piano Music Volume 2 Turnabout TV 37009S
K. 385f is the Maximilian Stadler version.
 ? Entr'acte ESCD 6501
K. 372a is the Maximilian Stadler version.
 ? Concerto Bayreuth CB 16 002
K. 515c is the Franz Beyer version.
K. 514a is the Franz Beyer version.
Complete Mozart Edition Volume 15 Philips 522 525-2
K299c is the Erik Smith version.
 ? Nonesuch 79105-1
K. 516c is the Robert Levin version.
 ? M+DG 3375
K. 516c is the Robert Levin version.
K. 580b is the Franz Beyer version.
K. 581a is the Buschmann version.
 ? Arta F1 0079-2
K. 516c is the Robert Levin version.
 ? AmonRa SAR 17
K. 516c is the Duncan Druce version.
K. 580b is the Duncan Druce version.
Complete Mozart Edition Volume 10 Philips 422 510-2
K. 580b is the Erik Smith version.
K. 565a is the Erik Smith version.
K. 514a is the Erik Smith version.
K. 589a is the Erik Smith version.
K. 464a is the Erik Smith version.
 ? Claves CD 50-8007
K. 580b is the Gerhard Mass version.
K. 581a is the Otto Bach version.
Complete Mozart Edition Volume 45 Philips 422 545-2
K. 565a is the Erik Smith version.
This K. 565a also ought to credit Erik Smith for orchestration.
K. 371 is the Robert Levin version.
Complete Wind Concerti MusicMasters 01612-67191-2
K. 370b is the Robert Levin version.
K. 371 is the Robert Levin version.
 ? Naxos 8.553592
K. 370b is the John Humphries version.
K. 371 is the Robert Levin version.
The final movement of K. 386b is the Süßmayr version of K. 514.
 ? LaserLight 15 874
K. 370b is the Herman Jeurissen version.
K. 371 is the Robert Levin version.
The final movement of K. 386b is the Süßmayr version of K. 514.
 ? Olympia OCD 470
K. 370b is the Herman Jeurissen version.
K. 494a is the Herman Jeurissen version.
 ? MD+G 1039-LP
K. 370b is the Herman Jeurissen version.
K. 371 is the Robert Levin version.
The final movement of K. 386b is the Süßmayr version of K. 514.
K. 494a is the Herman Jeurissen version.
 ? CBS MK 42324
K. 371 is the Robert Levin version.
The final movement of K. 386b is the Süßmayr version of K. 514.
 ? RBM CD 6.3106
K. 464a is the Franz Beyer version.
 ? Warner Classics 2564 61944-2
K. 315f is the Philip Wilby version.
Complete Mozart Edition Volume 8 Philips 422 508-2
K. 315f is the Philip Wilby version.
 ? Sony SK 89488
K. 315f is the Philip Wilby version.
 ? Deutsche Grammophon 423 377-2
The final movement of K. 386b is the Süßmayr version of K. 514.
 ? Nimbus NI 5104
K. 412 uses the John Humphries version.
The final movement of K. 386b is the Süßmayr version of K. 514.
K. 494a is the Humphries / Goodman version.
 ? L'Oiseau-Lyre 455 814-2
Movement I of K. 450 uses the Robert Levin version.
Fontee FOCD3149
K. 385c is the Maximillian Stadler version.
K. 385e is the Maximillian Stadler version.
Ralph Gomberg, oboe; Michel Sasson conducting the Newton Symphony Orchestra  ? WCRB-7001
K. 416f is the Robert Levin version.
Ingo Goritzki, oboe; Wojciech Rajski conducting the Polish Chamber Philharmonic Claves 50-9302
K. 416f is the Robert Levin version.
Thomas Blees, cello; Ingrid Heiler, harpsichord Aulos PRE 68 510 AUL
K. 374g is the Hermann Schroeder version.
Maurice Gendron, cello and Hephzibah Menuhin, piano ASD 3329-LP
K. 374g is the Ernst Lewicki version.
Wolfgang Boettcher, cello; Ursula Trede-Boettcher, piano  ? RBM 3058
K. 374g is the Ernst Lewicki version.
 ? Camerata CMT 3012-3
K. 320e is the Philip Wilby version.
 ?  ? WCRB- 7001
K. 320e is the Robert Levin version.
 ? Philips 411 134-2
K. 297B is the Robert Levin version.
 ? Nonesuch H71068-LP
K. 297B is the Joseph Bopp version.
 ? Camerata CMCD 28022
K. 580a is the Levin / Beyer version.
Complete Piano Concertos Philips 412 856-2
K. 386 is the Erik Smith version.
 ? Supraphon 1 10 1044
K. 386 is the Badura-Skoda / Mackerras version.
"Apocryphal Piano Works" - Annette Töpel, piano Thorofon CTH 2430
K. 386 is the Cipriani Potter version.

Current Work
  1. Technically speaking, K2 in this list ought to be K², K3 ought to be K³, K3a ought to be K³ª, and K. ought to be K⁶. However, as ², ³, ³ª, and ⁶ are not functional characters on most standalone units, and as K. is also a commonly used abbreviation for K⁶ numbers, K2, K3, K3a, and K. have been used, for the greatest system-interoperability of metadata possible. KV and K. are often used interchangeably, but as KV has been reserved here for indication of the 1st edition catalog, K. has been taken here strictly to indicate the 6th edition catalog. Where the number remained unchanged from K1, K2, K3, or K3a to K6, the redundant catalog numbers are not noted.
  2. The Zu prefix can be rather confusing. K. Zu ### is used for works within Anhang B of Kochel 6. These are works of W.A. Mozart, but arranged for other instruments, or to different forms, such as a symphony formed from a serenade.
  3. Like Zu, the * prefix can be rather confusing. K. *### is used for works within Kochel, but not assigned a unique catalog number, as they were derived by W.A. Mozart from earlier works. An example of this is K. 320, the "Post Horn" Serenade in D, movements of which W.A. Mozart later used to form K. *320 Symphony in D and K. *320 Sinfonia concertante in G. In the Kochel catalogs, these works can be found mentioned in notes attached to each entry. Where a work was revised before it was ever published or performed, rejected or earlier versions of some movements can also be found using the K. *### format.
  4. Roughly translated: "Moderately fast, but not too fast, and less fast than an Allegro, but not too slowly. Ever so gracefully and with great expression".
  5. W. Plath, Zur Echtheitsfrage bei Mozart, Mozart-Jahrbuch 1971/72, Salzburg, I973, pp. 26-27
  6. "Lead-Ins"
  7. "Lead-Ins"