History:CSG Standard/Mozart: Difference between revisions
(accertaining -> ascertain) |
(Horn Concerto 1 muddled with fragments) |
||
(7 intermediate revisions by 6 users not shown) | |||
Line 134: | Line 134: | ||
| colspan="3" | '''Horn''' |
| colspan="3" | '''Horn''' |
||
|- |
|- |
||
| [[CSG Standard/Mozart#K370b| |
| [[CSG Standard/Mozart#K370b|"0"]] || 1 || [[CSG Standard/Mozart#HornConcerto2|2]] |
||
|- |
|- |
||
| [[CSG Standard/Mozart#HornConcerto4|4]] || || |
| [[CSG Standard/Mozart#HornConcerto3|3]] || [[CSG Standard/Mozart#HornConcerto4|4]] || || |
||
|- |
|- |
||
| colspan="3" | '''Violin''' |
| colspan="3" | '''Violin''' |
||
Line 487: | Line 487: | ||
| 46c || 52 || Note: The author of the libretto is unknown. This is a piano transcription of Aria No. 11 from Bastien und Bastienne. There is no doubt that Wolfgang Amadeus Mozart composed the source music, but it is debated as to whether Wolfgang Amadeus Mozart, or Leopold Mozart created the later piano transcription. Most, however, tend towards the piano arranger being Leopold. |
| 46c || 52 || Note: The author of the libretto is unknown. This is a piano transcription of Aria No. 11 from Bastien und Bastienne. There is no doubt that Wolfgang Amadeus Mozart composed the source music, but it is debated as to whether Wolfgang Amadeus Mozart, or Leopold Mozart created the later piano transcription. Most, however, tend towards the piano arranger being Leopold. |
||
|- |
|- |
||
| 46c || 52 || Song for Voice and Piano in A major, K. 46c/52 |
| 46c || 52 || Song for Voice and Piano in A major, K. 46c/52 "Daphne, deine Rosenwangen" |
||
|- |
|- |
||
| 46d || deest || Sonate in C for Violin and Bass (or Piano) in C major, K. 046d/deest |
| 46d || deest || Sonate in C for Violin and Bass (or Piano) in C major, K. 046d/deest |
||
Line 2,137: | Line 2,137: | ||
| 320B || deest || Divertimento Movement for Orchestra in D major, K. 320B/deest (fragment) |
| 320B || deest || Divertimento Movement for Orchestra in D major, K. 320B/deest (fragment) |
||
|- |
|- |
||
| 320d || 364 || Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso |
| 320d || 364 || Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso |
||
|- |
|- |
||
| 320d || 364 || Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: II. Andante |
| 320d || 364 || Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: II. Andante |
||
|- |
|- |
||
| 320d || 364 || Sinfonia Concertante in E major for Violin, Viola & Orchestra, K. 320d/364: III. Presto |
| 320d || 364 || Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: III. Presto |
||
|- |
|- |
||
| <span id="K320e"></span>320e || Anh 104 || Sinfonia Concertante for Violin, Viola, & Cello in A major, K. 320e/Anh 104 (fragment) |
| <span id="K320e"></span>320e || Anh 104 || Sinfonia Concertante for Violin, Viola, & Cello in A major, K. 320e/Anh 104 (fragment) |
||
Line 2,744: | Line 2,744: | ||
|- |
|- |
||
| 405a || Anh 77 || Fugue for String Quartet in C major, K. 405a / K3 385m / KV Anh 77 Fr 1789a (fragment) |
| 405a || Anh 77 || Fugue for String Quartet in C major, K. 405a / K3 385m / KV Anh 77 Fr 1789a (fragment) |
||
|- |
|||
| 412 || 386b || Horn Concerto in D major: I. Allegro |
|||
|- |
|||
| 514 || 386b || Horn Concerto in D major: II. Rondo (Allegro) |
|||
|- |
|- |
||
| 416d || 446 || Please be careful entering K. 416d/446. The only complete version is a reconstruction, and will need a large amount of attention to details to enter. If you are entering that version, please contact every CSG editor you know. If you have any other recording, of the unreconstructed version, please contact [[User:BrianFreud|BrianFreud]] to add this fragmentary opera to this listing. |
| 416d || 446 || Please be careful entering K. 416d/446. The only complete version is a reconstruction, and will need a large amount of attention to details to enter. If you are entering that version, please contact every CSG editor you know. If you have any other recording, of the unreconstructed version, please contact [[User:BrianFreud|BrianFreud]] to add this fragmentary opera to this listing. |
||
Line 3,260: | Line 3,264: | ||
|- |
|- |
||
| 509c || deest || "Die Liebesprobe" - A fragmentary Singspiel consisting of an overture and 15 numbers, and a libretto outline. Some numbers are known to be by Mozart, some are thought not to be. The numbers by Mozart are already in Köchel (the Overture is K. 588a, No.1 is K. 106, No. 5 is K. 106/2, No. 7 is K. 600/3, No. 12 is K. 603/1, No. 13 is K. 600/6, No. 14 is K. 462/1, and No. 15 is K. 214). Any notes for how a recording of this work is put together would be needed to create any proper listing here. |
| 509c || deest || "Die Liebesprobe" - A fragmentary Singspiel consisting of an overture and 15 numbers, and a libretto outline. Some numbers are known to be by Mozart, some are thought not to be. The numbers by Mozart are already in Köchel (the Overture is K. 588a, No.1 is K. 106, No. 5 is K. 106/2, No. 7 is K. 600/3, No. 12 is K. 603/1, No. 13 is K. 600/6, No. 14 is K. 462/1, and No. 15 is K. 214). Any notes for how a recording of this work is put together would be needed to create any proper listing here. |
||
|- |
|||
| 514 || 386b || see 412 above |
|||
|- |
|- |
||
| 516c || Anh 91 || Quintet for Clarinet in B-flat, K. 516c/Anh 91 Fr 1789d (fragment): Allegro |
| 516c || Anh 91 || Quintet for Clarinet in B-flat, K. 516c/Anh 91 Fr 1789d (fragment): Allegro |
||
Line 3,919: | Line 3,925: | ||
| Anh C 17.01 || Anh 226 || Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/K3 196e/Anh 226 (spurious): IV. Minuetto |
| Anh C 17.01 || Anh 226 || Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/K3 196e/Anh 226 (spurious): IV. Minuetto |
||
|- |
|- |
||
| Anh C 17.01 || Anh 226 || |
| Anh C 17.01 || Anh 226 || Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/K3 196e/Anh 226 (spurious): V. Rondo |
||
|- |
|- |
||
| Anh C 17.02 || Anh 226 || Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/K3 196f/Anh 227 (spurious): I. Allegro |
| Anh C 17.02 || Anh 226 || Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/K3 196f/Anh 227 (spurious): I. Allegro |
||
Line 6,385: | Line 6,391: | ||
| <span id="PianoConcerto11"></span>Concerto for Piano No. 11 in F major |
| <span id="PianoConcerto11"></span>Concerto for Piano No. 11 in F major |
||
|- |
|- |
||
| 387a || 413 || 1 || Concerto for Piano No. 11 in F major, K. 387a |
| 387a || 413 || 1 || Concerto for Piano No. 11 in F major, K. 387a/413: I. Allegro || Winter 1782-1783 |
||
|- |
|- |
||
| 387a || 413 || 2 || Concerto for Piano No. 11 in F major, K. 387a |
| 387a || 413 || 2 || Concerto for Piano No. 11 in F major, K. 387a/413: II. Larghetto |
||
|- |
|- |
||
| 387a || 413 || 3 || Concerto for Piano No. 11 in F major, K. 387a |
| 387a || 413 || 3 || Concerto for Piano No. 11 in F major, K. 387a/413: III. Tempo di menuetto |
||
|- |
|- |
||
| <span id="PianoConcerto13"></span>Concerto for Piano No. 13 in C major |
| <span id="PianoConcerto13"></span>Concerto for Piano No. 13 in C major |
||
|- |
|- |
||
| 387b || 415 || 1 || Concerto for Piano No. 13 in C major, K. 387b |
| 387b || 415 || 1 || Concerto for Piano No. 13 in C major, K. 387b/415: I. Allegro || 1783-02 |
||
|- |
|- |
||
| 387b || 415 || 2 || Concerto for Piano No. 13 in C major, K. 387b |
| 387b || 415 || 2 || Concerto for Piano No. 13 in C major, K. 387b/415: II. Andante |
||
|- |
|- |
||
| 387b || 415 || 3 || Concerto for Piano No. 13 in C major, K. 387b |
| 387b || 415 || 3 || Concerto for Piano No. 13 in C major, K. 387b/415: III. Rondeau. Allegro |
||
|- |
|- |
||
| 416 || 416 || || Recitavo for Soprano and Orchestra in B-flat major, K. 416: Andante - adagio - allegretto - andante - allegro assai - adagio "Mia speranza adorata" || 1783-01-08 |
| 416 || 416 || || Recitavo for Soprano and Orchestra in B-flat major, K. 416: Andante - adagio - allegretto - andante - allegro assai - adagio "Mia speranza adorata" || 1783-01-08 |
||
Line 7,139: | Line 7,145: | ||
| 527 || 527 || || Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) |
| 527 || 527 || || Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) |
||
|- |
|- |
||
| 527 || 527 || || Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene |
| 527 || 527 || || Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XII. Recitativo "Ah ti ritrovo ancor" (Donna Elvira) |
||
|- |
|- |
||
| 527 || 527 || || Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene |
| 527 || 527 || || Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XII. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) |
||
|- |
|- |
||
| 527 || 527 || || Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene |
| 527 || 527 || || Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XII. Recitativo "Povera sventurata!" (Don Giovanni) |
||
|- |
|- |
||
| 527 || 527 || || Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) |
| 527 || 527 || || Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) |
Latest revision as of 21:11, 14 April 2013
This page contains a listing for (almost) every work by Wolfgang Amadeus Mozart using K6/(K3/K2)/KV [1] notation in correct CSG/Opera Style.
Can I edit this page?
Many people have sent me a PM asking if they can or should fix errors here. Yes!:) If you see notice a typo, please feel free to fix it. Please contact me, however, if you think you've found a factual error or omission in the lower table here (the 100% verified one).
My thanks to all who have helped to fix errors and improve the quality of this data.
Catalogs of Wolfgang Amadeus Mozart's works
- Alte Mozart-Ausgabe (AMA)
- Der neue Köchel (not yet published)
- Köchel (KV, K., K², K³, K⁶, Zu [2], * [3])
- Neue Mozart-Ausgabe (F., Fr, Sk, Skb, NMA)
Unlisted Works
This listing has attempted to be as entirely complete as is possible. However, some few works are so obscure that there is simply not enough information to list them. If you find a release containing any of these works, please contact BrianFreud so that we can add a listing for that work to this list.
- K6 135a / KV Anh 109
- Anything in K6 Anhang B
- K6 453b
- K6 470a
- K6 509b
- K6 509c
- K6 626 (completion by Geoffrey McNeely)
The following works will only be added if a release can be found which requires the addition of the work to this list:
- Köchel (6th edition): K. 626b/*
- Köchel (6th edition): K. 626aII/*
- Anhang works from any edition of Köchel
- Any F., Fr, Sk, or Skb works
- Any NMA numbered works which do not have a Köchel number
- Completions, including
- 417a, reconstructed 'complete' version by Alois Schmitt
You may also want to look here to see if perhaps you can find some help identifying obscure works or versions of works.
If you do need a work added to this list, please PM BrianFreud and include any identifying information that you can regarding the track and the release.
Mozart completionists/reconstructors/orchestrators/etc.
- Julius André
- Luigi Bianchi
- Completion: K. 320e
- John Humphries
- Completion: K. 370b
- Herman Jeurissen
- Completion: K. 370b
- August Alexander Klengel
- Completion: K. Anh C 27.10 (NMA IX/27/2 Anh 23)
- Ernst Lewicki
- Completion: K. 374g
- Geoffrey McNeely
- Completion: K. 626
- E. Reichert
- Completion: K. 383h
- Hermann Schroeder
- Completion: K. 374g
- Richard Schumacher
- Completion: K. 320e
- Erik George Sebastian Smith (1931-03-25 - 2004-05-04)
- Maximilian Stadler
A note on tempos
Liners often shorten tempo information. However, "Allegro" is not the same exact thing as "Allegro assai", nor are "Adagio" and "Adagio cantabile" interchangeable. "Andantino" should not be used as just a way to make "Andantino sostenuto e cantabile" shorter. Mozart made full use of meter indications, not just tempo-words, using nearly one hundred different tempos in his career. He didn't use only the basic tempo-words (Andante, Adagio, Allegro, etc).
Note, too, that some of his tempo-word+meter pairings were intended as intentional musical humor [4] - abbreviating these tempos loses that humorous touch.
That said, those exact tempos meter indications currently are the weak part of this listing - namely, many of them are currently missing from this listing; many works do currently list just the tempo-word, and not the tempo-word + meter pair. If you have information to allow you to expand a generic "Andante" out to the "Andante mà un poco sostenuto" it ought to be, please do correct it. The Neue Mozart-Ausgabe archives can also be of significant assistance. (Just make sure to select "KV" and not "zu KV" from the drop down menu.)
Also note that "Allegretto mà non troppo" and "Allegretto non troppo" were both tempo indications used by Wolfgang Amadeus Mozart, and each can be correct.
Quick Links to Famous Works
Symphonies | |||
---|---|---|---|
1 | 2 | 3 | 4 |
5 | 6 | 7 | 7a |
8 | 9 | 10 | 11 |
12 | 13 | 14 | 15 |
16 | 17 | 18 | 19 |
20 | 21 | 22 | 23 |
24 | 25 | 26 | 27 |
28 | 29 | 30 | 31 |
32 | 33 | 34 | 35 |
36 | 37 | 38 | 39 |
40 | 41 | 42 | 43 |
44 | 45 | 46 | 47 |
48 | 49 | 50 | 51 |
52 | 53 | 54 | 55 |
Note about Symphony Nos. 43-55 |
Concertos | |||
---|---|---|---|
Horn | |||
"0" | 1 | 2 | |
3 | 4 | ||
Violin | |||
1 | 2 | 3 | |
4 | 5 | ||
Piano | |||
1 | 2 | 3 | |
4 | 5 | 6 | |
7 | 8 | 9 | |
10 | 11 | 12 | |
13 | 14 | 15 | |
16 | 17 | 18 | |
19 | 20 | 21 | |
22 | 23 | 24 | |
25 | 26 | 27 |
Sonatas | |||||
---|---|---|---|---|---|
Church | |||||
1 | 2 | 3 | 4 | 5 | 6 |
7 | 8 | 9 | 10 | 11 | 12 |
13 | 14 | 15 | 16 | 17 | |
Piano | |||||
1 | 2 | 3 | 4 | 5 | 6 |
7 | 8 | 9 | 10 | 11 | 12 |
13 | 14 | 15 | 16 | 17 | 18 |
Violin [Note] | |||||
1 | 2 | 3 | 4 | 5 | 6 |
7 | 8 | 9 | 10 | 11 | 12 |
13 | 14 | 15 | 16 | 17 | 18 |
19 | 20 | 21 | 22 | 23 | 24 |
25 | 26 | 27 | 28 | 29 | 30 |
31 | 32 | 33 | 34 | 35 | 36 |
37 | 38 | 39 | 40 | 41 | 42 |
43 | 44 | 45 |
Masses | ||
---|---|---|
1 | 2 | 3 |
4 | 5 | 6 |
7 | 8 | 9 |
10 | 11 | 12 |
13 | 14 | 15 |
16 | 17 | Requiem |
Serenades | ||
---|---|---|
1 | 2 | 3 |
4 | 5 | 6 |
7 | 8 | 9 |
10 | 11 | 12 |
13 |
Quartets for Strings | ||
---|---|---|
1 | 2 | 3 |
4 | 5 | 6 |
7 | 8 | 9 |
10 | 11 | 12 |
13 | 14 | 15 |
16 | 17 | 18 |
19 | 20 | 21 |
22 | 23 |
Der Stein der Weisen
Der Stein der Weisen is a collaboratively composed opera. Rather than confuse this listing, that work is listed separately.
Old Table
Please keep in mind that the capitalization within K6 catalog numbers does make a difference. K. 22 is not the same as K. 22a, K. 22A, K. 22Aa or K. 22aA.
Regarding Guess Case in classical mode: It will make a mess of your track titles. Do not use it - the cases and punctuation in this listing are already correct.
Note: This list is currently being verified for tempos and omissions against the NMA scores. As each work is verified to be 100% correctly listed, a movement column is being added, and the work is being moved to the lower table. If you don't see the work you need in the upper table, please remember to also check the lower table.
Link down to the new table.
K6 | K1 | Title |
10 | 10 | Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: I. Allegro |
10 | 10 | Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: II. Andante |
10 | 10 | Sonata for Violin (or Flute) & Piano No. 5 in B-flat major, K. 10: III. Minuetto |
11 | 11 | Sonata for Violin (or Flute) & Piano No. 6 in G major, K. 11: I. Andante |
11 | 11 | Sonata for Violin (or Flute) & Piano No. 6 in G major, K. 11: II. Minuetto. Allegro |
12 | 12 | Sonata for Violin (or Flute) & Piano No. 7 in A major, K. 12: I. Andante |
12 | 12 | Sonata for Violin (or Flute) & Piano No. 7 in A major, K. 12: II. Allegro |
13 | 13 | Sonata for Violin (or Flute) & Piano No. 8 in F major, K. 13: I. Allegro |
13 | 13 | Sonata for Violin (or Flute) & Piano No. 8 in F major, K. 13: II. Andante |
13 | 13 | Sonata for Violin (or Flute) & Piano No. 8 in F major, K. 13: III. Minuetto |
14 | 14 | Sonata for Violin (or Flute) & Piano No. 9 in C major, K. 14: I. Allegro |
14 | 14 | Sonata for Violin (or Flute) & Piano No. 9 in C major, K. 14: II. Allegro |
14 | 14 | Sonata for Violin (or Flute) & Piano No. 9 in C major, K. 14: III. Minuetto |
15 | 15 | Sonata for Violin (or Flute) & Piano No. 10 in B-flat major, K. 15: I. Andante maestoso |
15 | 15 | Sonata for Violin (or Flute) & Piano No. 10 in B-flat major, K. 15: II. Allegro grazioso |
16a | Anh 220 | Symphony for Orchestra in A minor, K. 16a/Anh 220 "Odense": I. Allegro moderato |
16a | Anh 220 | Symphony for Orchestra in A minor, K. 16a/Anh 220 "Odense": II. Andantino |
16a | Anh 220 | Symphony for Orchestra in A minor, K. 16a/Anh 220 "Odense": III. Rondo. Allegro moderato |
19d | deest | Sontata for Piano with 4 Hands in C major, K. 19d/deest: I. Allegro |
19d | deest | Sontata for Piano with 4 Hands in C major, K. 19d/deest: II. Minuetto |
19d | deest | Sontata for Piano with 4 Hands in C major, K. 19d/deest: III. Rondeau. Allegretto |
24 | 24 | 8 Variations on Chr. E. Graaf: "Laat ons juichen, Batavieren!" for Piano in G major, K. 24 |
25 | 25 | 7 Variations on Dutch Traditional: "Wilhelmus van Nassau" for Piano in D major, K. 25 |
33 | 33 | Kyrie for Chorus & Orchestra in F major, K. 33 |
35 | 35 | Die Schuldigkeit des ersten Gebots in C major, K. 35: I. Parte I. Sinfonia |
35 | 35 | Die Schuldigkeit des ersten Gebots in C major, K. 35: II. Parte I. Recitativo "Die Löblich' und gerechte bitte" (Gerechtigkeit, Christgeist, Barmherzigkeit) |
35 | 35 | Die Schuldigkeit des ersten Gebots in C major, K. 35: III. Parte I. No. 1 Aria "Mit Jammer muss ich schauen" (Christgeist) |
35 | 35 | Die Schuldigkeit des ersten Gebots in C major, K. 35: IV. Parte I. Recitativo "So vieler Seelen Fall" (Barmherzigkeit, Gerechtigkeit) |
35 | 35 | Die Schuldigkeit des ersten Gebots in C major, K. 35: V. Parte I. No. 2 Aria "Ein ergrimmter Löwe brüllet" (Barmherzigkeit) |
35 | 35 | Die Schuldigkeit des ersten Gebots in C major, K. 35: VI. Parte I. Recitativo "Was glaubst du" (Bermherzigkeit, Gerechtigkeit, Christgeist) |
35 | 35 | Die Schuldigkeit des ersten Gebots in C major, K. 35: VII. Parte I. No. 3 Aria "Erwache, fauler Knecht" (Gerechtigkeit) |
35 | 35 | Die Schuldigkeit des ersten Gebots in C major, K. 35: VIII. Parte I. Recitativo "Er reget sich" (Christgeist, Barmherzigkeit, Gerechtigkeit) |
35 | 35 | Die Schuldigkeit des ersten Gebots in C major, K. 35: IX. Parte I. Recitativo "Wie, wer erwecket mich" (Christ, Weltgeist) |
35 | 35 | Die Schuldigkeit des ersten Gebots in C major, K. 35: X. Parte I. No. 4 Aria "Hat der Schöpfer von Leben" (Weltgeist) |
35 | 35 | Die Schuldigkeit des ersten Gebots in C major, K. 35: XI. Parte I. Recitativo "Daß Träume Träume sind" (Christ) |
35 | 35 | Die Schuldigkeit des ersten Gebots in C major, K. 35: XII. Parte I. No. 5 Aria "Jener Donnerworte Kraft" (Christ) |
35 | 35 | Die Schuldigkeit des ersten Gebots in C major, K. 35: XIII. Parte I. Recitativo "Ist dieses, o so zweifle nimmermehr" (Weltgeist, Christ, Christgeist) |
35 | 35 | Die Schuldigkeit des ersten Gebots in C major, K. 35: XIV. Parte I. No. 6 Aria "Schildre einen Philosophen" (Weltgeist) |
35 | 35 | Die Schuldigkeit des ersten Gebots in C major, K. 35: XV. Parte I. Recitativo "Wen hör' ich nun hier in der Nähe" (Weltgeist, Christ, Christgeist) |
35 | 35 | Die Schuldigkeit des ersten Gebots in C major, K. 35: XVI. Parte I. No. 7 Aria "Manches Übel will zuweilen" (Christgeist) |
35 | 35 | Die Schuldigkeit des ersten Gebots in C major, K. 35: XVII. Parte I. Recitativo "Er halt mich einem Kranken gleich" (Christ, Christgeist, Weltgeist) |
35 | 35 | Die Schuldigkeit des ersten Gebots in C major, K. 35: XVIII. Parte I. Recitativo "Hast du nunmehr erfahren" (Barmherzigkeit, Christgeist, Gerechtigkeit) |
35 | 35 | Die Schuldigkeit des ersten Gebots in C major, K. 35: XIX. Parte I. No. 8 Terzetto "Laßt mir euer Gnade Schein" (Christgeist, Barmherzigkeit, Gerechtigkeit) |
35a | 42 | Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": I. Recitativo "Wo bin ich bittrer Schmerz" (Die Seele) / II. Aria "Felsen, spaltet euren Rachen" (Die Seele) |
35a | 42 | Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": III. Recitativo "Geliebte Seel`" (Der Engel) / IV. Aria "Betracht dies Herz" (Der Engel) |
35a | 42 | Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": V. Recitativo "O Himmel, was ein traurig Licht (Die Seele, Basso)" (Die Seele) |
35a | 42 | Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VI. Duetto "Jesu, was hab ich getan?" (Der Engel, Die Seele) |
35a | 42 | Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VII. Recitativo "O lobenswerter Sinn!" (Der Engel) / VIII. Coro "Jesu, wahrer Gottessohn" (Coro) |
37 | 37 | Concerto for Piano No. 1 in F major, K. 37: I. Allegro |
37 | 37 | Concerto for Piano No. 1 in F major, K. 37: II. Andante |
37 | 37 | Concerto for Piano No. 1 in F major, K. 37: III. Allegro |
39 | 39 | Concerto for Piano No. 2 in B-flat major, K. 39: I. Allegro spirituoso |
39 | 39 | Concerto for Piano No. 2 in B-flat major, K. 39: II. Andante staccato |
39 | 39 | Concerto for Piano No. 2 in B-flat major, K. 39: III. Allegro molto |
40 | 40 | Concerto for Piano No. 3 in D major, K. 40: I. Allegro maestoso |
40 | 40 | Concerto for Piano No. 3 in D major, K. 40: II. Andante |
40 | 40 | Concerto for Piano No. 3 in D major, K. 40: III. Presto |
41 | 41 | Concerto for Piano No. 4 in G major, K. 41: I. Allegro |
41 | 41 | Concerto for Piano No. 4 in G major, K. 41: II. Andante |
41 | 41 | Concerto for Piano No. 4 in G major, K. 41: III. Allegro molto |
46b | 50 | Bastien und Bastienne, K. 46b/50: Intrada |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene I. No. 1 Aria "Mein liebster Freund hat mich verlassen," (Bastienne) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene I. Dialog "Du fliehest von mir Bastien?" (Bastienne) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene I. No. 2 Aria "Ich geh jetzt auf die Weide" (Bastienne) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 3 Pastorale "Colas' Auftritt" (Orchester) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 4 Aria "Befraget mich ein zartes Kind" (Colas) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. Dialog "Guten Morgen, Herr Colas!" (Bastienne) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 5 Aria "Wenn mein Bastien einst im Scherze" (Bastienne) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. Dialog "O, die Edelfrau vom Schlosse weiss ihn noch besser zu verpflichten" (Colas) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 6 Aria "Würd ich auch wie manche Buhlerinnen" (Bastienne) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. Dialog "Giebdich, zufrieden! Ich bin Bürge für deinen Wetterhahn" (Colas, Bastienne) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene II. No. 7 Duetto "Auf den Rat, den ich gegeben" (Colas, Bastienne) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene III. Dialog "Dieses Liebhaberpaar ist wahrlich ein rechtes Wunderwerk" (Colas) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene IV. No. 8 Aria "Großen Dank dir abzustatten" (Bastien) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene IV. Dialog "Es freut mich, dass du endlich zu dir selber kommst" (Colas) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene IV. No. 9 Aria "Geh! Du sagst mir eine Fabel" (Bastien) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene IV. Dialog "Das kann sein; aber genug, dass deine Geliebte einen andern Ambeter hat" (Colas, Bastien) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene IV. No. 10 Aria "Diggi, daggi, schurry, murry" (Colas) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene IV. Dialog "Ist die Hexerei zu Ende?" (Bastien, Colas) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene V. No. 11 Aria "Meiner Liebsten schöne Wangen" (Bastien) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "Da ist sie…Soll ich ihre Blicke fliehen?" (Bastienne, Bastien) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 12 Aria "Er war mir sonst treu und ergeben" (Bastien) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "O sich sehe schon, was dich verdriesst" (Bastienne, Bastien) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 13 Aria "Geh hin! Dein Trotz soll mich nicht schrecken" (Bastienne, Bastien) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "Sieh' da! bist du noch hier?" (Bastienne, Bastien) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 14 Aria "Dein Trotz vermehrt sich durch mein Leiden?" (Bastienne, Bastien) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. Dialog "Und sollte ich wohl ein solcher Narr sein" (Bastienne, Bastien) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene VI. No. 15 Duetto "Geh! Herz von Flandern!" (Bastienne, Bastien) |
46b | 50 | Bastien und Bastienne, K. 46b/50: Act I, Scene VII. No. 16 Terzetto "Kinder! Kinder! Seht, nach Sturm und Regen" (Bastienne, Bastien, Colas) |
46c | 52 | Note: The author of the libretto is unknown. This is a piano transcription of Aria No. 11 from Bastien und Bastienne. There is no doubt that Wolfgang Amadeus Mozart composed the source music, but it is debated as to whether Wolfgang Amadeus Mozart, or Leopold Mozart created the later piano transcription. Most, however, tend towards the piano arranger being Leopold. |
46c | 52 | Song for Voice and Piano in A major, K. 46c/52 "Daphne, deine Rosenwangen" |
46d | deest | Sonate in C for Violin and Bass (or Piano) in C major, K. 046d/deest |
61b | deest | 7 Minuets with Trio for Violin, Cello, & Bass in A major, K. 61b/K2 65a: III. |
61b | deest | 7 Minuets with Trio for Violin, Cello, & Bass in C major, K. 61b/K2 65a: V. |
61b | deest | 7 Minuets with Trio for Violin, Cello, & Bass in D major, K. 61b/K2 65a: II. |
61b | deest | 7 Minuets with Trio for Violin, Cello, & Bass in D major, K. 61b/K2 65a: VII. |
61b | deest | 7 Minuets with Trio for Violin, Cello, & Bass in F major, K. 61b/K2 65a: IV. |
61b | deest | 7 Minuets with Trio for Violin, Cello, & Bass in G major, K. 61b/K2 65a: I. |
61b | deest | 7 Minuets with Trio for Violin, Cello, & Bass in G major, K. 61b/K2 65a: VI. |
12 Movement K1 version | ||
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 1, KV 103: I. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 2, KV 103: II. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 3, KV 103: III. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 4, KV 103: IV. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 5, KV 103: V. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 6, KV 103: VI. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 7, KV 103: VII. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 8, KV 103: VII. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 9, KV 103: IX. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 10, KV 103: X. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 11, KV 103: XI. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass No. 12, KV 103: XII. |
19 Movement K6 version | ||
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 1 in C major, K. 61d/103: I. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 2 in G major, K. 61d/103: II. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 3 in D major, K. 61d/103: III. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 4 in F major, K. 61d/103: IV. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 5 in C major, K. 61d/103: V. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 6 in G major, K. 61d/103: VI. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 7 in D major, K. 61d/103: VII. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 8 in F major, K. 61d/103: VII. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 9 in D major, K. 61d/103: IX. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 10 in G major, K. 61d/103: X. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 11 in F major, K. 61d/103: XI. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 12 in C major, K. 61d/103: XII. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 13 in C major, K. 61d/103: XIII. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 14 in E-flat major, K. 61d/103: XIV. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 15 in B-flat major, K. 61d/103: XV. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 16 in G major, K. 61d/103: XVI. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 17 in E major, K. 61d/103: XVII. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 18 in A major, K. 61d/103: XVIII. |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [K6] No. 19 in C major, K. 61d/103: IXX. |
20 Movement NMA version | ||
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 1] in C major, K. 61d/103 |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 2] in G major, K. 61d/103 |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 3] in D major, K. 61d/103 |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 4] in F major, K. 61d/103 |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 5] in C major, K. 61d/103 |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 6] No. 13 in G major, K. 61d/103 |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 7] in D major, K. 61d/103 |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 8] in F major, K. 61d/103 |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 9] in D major, K. 61d/103 |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 10] in G major, K. 61d/103 |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 11] in F major, K. 61d/103 |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 12] in C major, K. 61d/103 |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 13] No. 1 in C major, K. 61d/103 |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 14] No. 15 in E-flat major, K. 61d/103 |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 15] No. 14 in B-flat major, K. 61d/103 |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 16] No. 19 in G major, K. 61d/103 |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 17] No. 16 in E major, K. 61d/103 |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 18] No. 9 in A major, K. 61d/103 |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 19] No. 17 in A major, K. 61d/103 |
61d | 103 | 19 Minuets for 2 Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, & Bass [NMA No. 20] in C major, K. 61d/103 |
61e | 104 | 6 Minuets for Orchestra in C major, K. 61e/104: I. |
61e | 104 | 6 Minuets for Orchestra in F major, K. 61e/104: II. |
61e | 104 | 6 Minuets for Orchestra in C major, K. 61e/104: III. |
61e | 104 | 6 Minuets for Orchestra in A major, K. 61e/104: IV. |
61e | 104 | 6 Minuets for Orchestra in G major, K. 61e/104: V. |
61e | 104 | 6 Minuets for Orchestra in G major, K. 61e/104: VI. |
61f | 105 | 6 Minuets for Orchestra in D major, K. 61f/105: I. |
61f | 105 | 6 Minuets for Orchestra in D major, K. 61f/105: II. |
61f | 105 | 6 Minuets for Orchestra in D major, K. 61f/105: III. |
61f | 105 | 6 Minuets for Orchestra in G major, K. 61f/105: IV. |
61f | 105 | 6 Minuets for Orchestra in G major, K. 61f/105: V. |
61f | 105 | 6 Minuets for Orchestra in G major, K. 61f/105: VI. |
61g/I | deest | Minuet for Orchestra in A major, K. 61g/I/KV deest |
61h | deest | 6 Minuets for Orchestra in C major, K. 61h/deest: I. |
61h | deest | 6 Minuets for Orchestra in A major, K. 61h/deest: II. |
61h | deest | 6 Minuets for Orchestra in D major, K. 61h/deest: III. |
61h | deest | 6 Minuets for Orchestra in B-flat major, K. 61h/deest: IV. |
61h | deest | 6 Minuets for Orchestra in G major, K. 61h/deest: V. |
61h | deest | 6 Minuets for Orchestra in C major, K. 61h/deest: VI. |
64 | 64 | Minuet for 2 Violins, 2 Horns and Bass in D major, K. 64 (doubtful) |
66a | 117 | Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": I. "Benedictus sit Deus" |
66a | 117 | Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": II. "Aria" |
66a | 117 | Offertorium for Soprano, Chorus & Orchestra in C major, K. 66a/117 "Benedictus sit Deus": III. "Jubilate" |
66b | 141 | Te Deum for Chorus & Orchestra in C major, K. 66b/141: I. "Te Deum laudamus" |
66b | 141 | Te Deum for Chorus & Orchestra in C major, K. 66b/141: II. "Te ergo quaesumus" |
66b | 141 | Te Deum for Chorus & Orchestra in C major, K. 66b/141: III. "Aeterna fac" |
66b | 141 | Te Deum for Chorus & Orchestra in C major, K. 66b/141: IV. "In te Domino speravi" |
73a | 143 | Recitative and Aria for Soprano & Orchestra in G major, K. 73a/143: "Ergo interest. Quaere superna" |
73D | deest | Aria for Soprano in E-flat major, K. 73D/deest Fr 1766a (fragment): "Per quel paterno amplesso" |
73f | 80 | Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": I. Adagio |
73f | 80 | Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": II. Allegro |
73f | 80 | Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": III. Minuetto |
73f | 80 | Quartet for Strings No. 1 in G major, K. 73f/80 "Quartetti Milanesi", "Lodi": IV. Rondo |
73g | 123 | Contredanse for Orchestra in B-flat major, K. 73g/123 |
73s | 85 | Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": I. "Miserere" |
73s | 85 | Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": II. "Et secundum" |
73s | 85 | Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": III. "Quoniam" |
73s | 85 | Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": IV. "Ecce" |
73s | 85 | Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": V. "Asperges" |
73s | 85 | Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": VI. "Averte" |
73s | 85 | Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": VII. "Ne projicias" |
73s | 85 | Miserere for Soloists & Continuo in A minor, K. 73s/85 "Miserere mei, Deus": VIII. "Docebo" |
73t | 122 | Minuet for Orchestra in E-flat major, K. 73t/122 |
73v | 86 | Antiphon for Chorus in D minor, K. 73v/86: "Quaerite primum regnum Dei" |
73x | deest | Canonical Study, K. 73x/K2 Anh 109d |
74a | 74a | Mitridate, rè di Ponto, K. 74a/87: Ouverture: Allegro, andante grazio, presto |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene I-II. Recitativi "Vieni, Signor… Se a me s'unisce Arbate" (Arbate, Sifare, Aspasia) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene II. No. 1 Aria "Al destin, che la minaccia" (Aspasia) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. Recitativo accompagnato "Qual tumulto nell'alma" (Sifare) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene III. No. 2 Aria "Soffre il mio cor con pace" (Sifare) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI. No. 3 Aria "L'odio nel cor frenate" (Arbate) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VI. Recitativo "Principe, che facemmo!" (Farnace, Sifare, Aspasia) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VII. No. 4 Aria "Nel sen mi palpita" (Aspasia) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VIII. Recitativo "Un tale addio, germano" (Farnace, Sifare) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene VIII. No. 5 Aria "Nel gran cimento" (Sifare) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. Recitativo "Eccovi in un momento sconvolti" (Farnace, Marzio) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene IX. No. 6 Aria "Venga pur, minacci" (Farnace) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X. No. 7 Marcia. Maestoso |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X. No. 8 Cavata "Se di lauri il crine adorno" (Mitridate) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene X-XI. Recitativi "Tu mi rivedi, Arbate… Su la temuta destra" (Mitridate, Isemene, Arbate, Sifare, Farnace) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XI. No. 9 Aria "In faccia all'oggetto" (Ismene) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XII-XIII. Recitativi "Teme Ismene a ragion… Respira alfin, respira" (Mitridate, Arbate) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act I, Scene XIII. No. 10 Aria "Quel ribelle e quell'ingrato" (Mitridate) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. Recitativo "Questo è l'amor, Franace" (Farnace) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene I. No. 11 Aria "Va, l'error mio palesa" (Farnace) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene II-III. Recitativi "Perfido, ascolta… eccomi a' cenni tuoi… Respiro, oh Dei!" (Ismene, Mitridate, Aspasia) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IV. No. 12 Aria "Tu, che fedel mi sei" (Mitridate) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene V-VII. Recitativi "Che dirò? Che ascoltai?… Alla tua fede il padre… Oh giorno di dolore!… Non più, Regina, oh Dio!" (Sifare, Aspasia, Arbate) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. No. 13 Aria "Lungi da te, mio bene" (Sifare) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VII. Recitativo accompagnato "Non più, Regina, oh Dio!" (Aspasia) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene VIII. No. 14 Aria "Nel grave tormento" (Aspasia) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene IX-XII. Recitativi "Qui, dove la vendetta… Sedete, oh Prenci, e m'ascoltate… Signor, so io… Inclita Ismene" (Mitridate, Ismene, Arbate, Sifare, Farnace, Marzio) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XII. No. 15 Aria "So quanto a te dispiace" (Ismene) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIII. Recitativo "Ah, giacché son tradito" (Farnace) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIII. No. 16 Aria "Son reo; l'error confesso" (Farnace) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. Recitativo "E crederai, Signor" (Sifare, Mitridate, Aspasia) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XIV. No. 17 Aria "Già di pietà mi spoglio" (Mitridate) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. Recitativi "Sifare, per pietà stringi l'acciaro" (Aspasia, Sifare) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act II, Scene XV. No. 18 Duetto "Se viver non degg'io" (Sifare, Aspasia) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. Recitativo "Pera omai chi m'oltraggia" (Mitridate, Aspasia, Ismene) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene I. No. 19 Aria "Tu sai per chi m'accese" (Ismene) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene II-III. Recitativi "Re crudel, Re spietato… Mio re, t'affretta" (Aspasia, Mitridate, Arbate) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene III. No. 20 Aria "Vado incontro al fato estremo" (Mitridate) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IV. Recitativo "Lagrime internpestive" (Aspasia) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IV. No. 21 Recitativo accompagnato e Cavatina "Ah ben ne fui presaga!… Pallid'ombre, che scorgete" (Aspasia) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene V-VI. Recitativi "Che fai, Regina?… Che mi val questa vita" (Sifare, Aspasia) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VI. No. 22 Aria "Se il rigor d'ingrata sorte" (Sifare) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VII-VIII. Recitativi "Sorte crudel, stelle inimiche… Tecco i patti, oh Farnace" (Farnace, Marzio) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene VIII. No. 23 Aria "Se di regnar sei vago" (Marzio) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IX. Recitativo accompagnate "Vadasi… Oh ciel" (Farnace) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene IX. No. 24 Aria "Gia darli occhi il velo e tolto" (Franace) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene X-XII. Recitativi "Figlio, amico, non più… Ah vieni, oh dolce, dell'amor mio… Reo non si chiami, oh Sire" (Mitridate, Sifare, Aspasia, Ismene) |
74a | 87 | Mitridate, rè di Ponto, K. 74a/87: Act III, Scene XII. No. 25 Coro "Non si ceda al Campidoglio" (Aspasia, Sifare, Farnace) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": I. Parte prima: Overtura |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": II. Parte prima: Recitativo "Popoli di Betulia" (Ozia) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": III. Parte prima: No. 1 Aria "D’ogni colpa la colpa maggiore" (Ozia) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": IV. Parte prima: Recitativo "E in che sperar?" (Cabri, Amital) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": V. Parte prima: No. 2 Aria "Ma qual virtù non cede" (Cabri) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": VI. Parte prima: Recitativo "Già le memorie antiche" (Ozia, Cabri, Amital) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": VII. Parte prima: No. 3 Aria "Non hai cor" (Amital) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": VIII. Parte prima: Recitativo "E qual pace sperate" (Ozia, Amital, Coro) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": IX. Parte prima: No. 4 Aria con il Coro "Pietà, se irato sei" (Ozia, Coro) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": X. Parte prima: Recitativo "Chi è costei che qual sorgente aurora" (Cabri, Amital, Ozia, Giuditta) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XI. Parte prima: No. 5 Aria "Del pari infeconda" (Giuditta) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XII. Parte prima: Recitativo "Oh saggia, oh santa" (Ozia, Cabri, Giuditta) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XIII. Parte prima: No. 6 Aria con il Coro "Pietà, se irato sei" (Ozia, Coro) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XIV. Parte prima: Recitativo "Signor, Carmi a te viene" (Cabri, Amital, Carmi, Ozia, Achior) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XV. Parte prima: No. 7 Aria "Terribile d’aspetto" (Achior) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XVI. Parte prima: Recitativo "Ti consola, Achior" (Ozia, Cabri, Achior, Giuditta) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XVII. Parte prima: No. 8 Aria "Parto inerme, e non pavento" (Giuditta) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XVIII. Parte prima: No. 9 Coro "Oh prodigio! Oh stupor!" (Coro) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XIX. Parte seconda: Recitativo "Troppo mal corrisponde" (Achior, Ozia) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XX. Parte seconda: No. 10 Aria "Se Dio veder tu vuoi" (Ozia) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XXI. Parte seconda: Recitativo "Confuso io son" (Achior, Ozia, Amital) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XXII. Parte seconda: No. 11 Aria "Quel nocchier che in gran procella" (Amital) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XXIII. Parte seconda: Recitativo "Lungamente non dura" (Ozia, Amital, Coro, Cabri, Giuditta, Achior) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XXIV. Parte seconda: No. 12 Aria "Prigionier che fa ritorno" (Giuditta) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XXV. Parte seconda: Recitativo "Giuditta, Ozia, popoli, amici" (Achior) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XXVI. Parte seconda: No. 13 Aria "Te solo adoro" (Achior) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XXVII. Parte seconda: Recitativo "Di tua vittoria" (Ozia, Amital) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XXVIII. Parte seconda: No. 14 Aria "Con troppa rea viltà" (Amital) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XXIX. Parte seconda: Recitativo "Quanta cura hai di noi" (Cabri, Carmi, Ozia, Amital) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XXX. Parte seconda: No. 15 Aria "Quei moti che senti" (Carmi) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XXXI. Parte seconda: Recitativo "Seguansi, oh Carmi" (Ozia, Amital, Cabri, Achior, Giuditta) |
74c | 118 | Oratorio in F major, K. 74c/118 "La Betulia liberata": XXXII. Parte seconda: No. 16 Aria con il Coro "Lodi al gran Dio" (Giuditta, Coro) |
74d | 108 | Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: I. Allegro |
74d | 108 | Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: II. Tempo moderato |
74d | 108 | Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: III. Adagio un poco andanta |
74d | 108 | Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: IV. Allegro |
74f | 72 | Offertorium for Chorus & Orchestra in G major, K. 74f/72 "Inter natos mulierum" |
90 | 90 | Kyrie for 4 Voices & Organ (in Figured Bass) in D minor, K. 90: (no tempo indication). (Soprano, Alto, Tenor, Bass) |
90a | 116 | Composed by Wolfgang Amadeus Mozart, but arranged by Leopold Mozart. |
107/1 | 107/1 | Concerto for Piano No. 1 in D major, K. 107/1, after J.C. Bach: Keyboard Sonata, Opus 5. No. 2 in D major: I. Allegro |
107/1 | 107/1 | Concerto for Piano No. 1 in D major, K. 107/1, after J.C. Bach: Keyboard Sonata, Opus 5. No. 2 in D major: II. Andante |
107/1 | 107/1 | Concerto for Piano No. 1 in D major, K. 107/1, after J.C. Bach: Keyboard Sonata, Opus 5. No. 2 in D major: III. Tempo di menuetto |
107/2 | 107/2 | Concerto for Piano No. 1 in G major, K. 107/2, after J.C. Bach: Keyboard Sonata, Opus 5. No. 3 in G major: I. Allegro |
107/2 | 107/2 | Concerto for Piano No. 1 in G major, K. 107/2, after J.C. Bach: Keyboard Sonata, Opus 5. No. 3 in G major: II. Allegretto |
107/3 | 107/3 | Concerto for Piano No. 1 in E-flat major, K. 107/3, after J.C. Bach: Keyboard Sonata, Opus 5. No. 4 in E-flat major: I. Allegro |
107/3 | 107/3 | Concerto for Piano No. 1 in E-flat major, K. 107/3, after J.C. Bach: Keyboard Sonata, Opus 5. No. 4 in E-flat major: II. Allegretto |
111 | 111 | Ascanio in Alba, K. 111: Ouverture |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene I. No. 1 Ballet. Andante grazioso |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene I. No. 2 Coro "Di te più amabile" (Coro di geni e grazie) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene I. Recitativo "Genie, grazie, ed amori" (Venere) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene I. No. 3 Aria "L'ombra de' rami tuoi" (Venere) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene I. Recitativo "Ma la Ninfa gentil" (Ascanio & Venere) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene I. No. 4 Coro "Di te più amabile, nè Dea maggiore" (Coro di geni e grazie) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene II. Recitativo "Perché tacer degg'io?" (Ascanio) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene II. No. 5 Aria "Cara, lontano ancora" (Ascanio) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene III. No. 6 Coro "Venga, de' sommi eroi" (Coro di Pastore) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Ma qual canto risona?" (Ascanio & Fauno) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene III. No. 7 Coro "Venga, de' sommi eroi" (Coro di pastori) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Ma tu, chi sei" (Fauno & Ascanio) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene III. No. 8 Aria "Se il labbro più non dice" (Fauno) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene III. Recitativo "Quanto soavi al core" (Ascanio & Fauno) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene III. No. 9 Coro "Hai di Diana il core" (Coro di pastori e Pastorelle) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Oh generosa Diva" (Aceste) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene IV. No. 10 Coro "Venga, de' sommi eroi" (Coro di pastori) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Di propria man la Dea" (Aceste) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene IV. No. 11 Coro "Venga, de' sommi eroi" (Coro di pastori) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Oh mia gloria" (Aceste) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene IV. No. 12 Aria "Per la gioia in questo seno" (Aceste) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Misera! che farò?" (Silvia, Aceste) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene IV. No. 13 Cavatina "Sì, sì, ma d'un altro amore" (Silvia) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Ah no, Silvia t'inganni" (Aceste, Silvia) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene IV. No. 14 Aria "Come è felice stato" (Silvia) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene IV. Recitativo "Silvia, mira, che il sole" (Aceste) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene IV. No. 15 Coro "Venga, de' sommi Eroi" (Coro di pastori) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene V. Recitativo "Cielo! che vidi mai?" (Ascanio & Venere) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene V. No. 16 Aria "Ah di sì nobil alma" (Ascanio) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene V. Recitativo "Un'altra prova" (Venere & Ascanio) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene V. No. 17 Aria "Al chiaror di que' bei rai" (Venere) |
111 | 111 | Ascanio in Alba, K. 111: Act I, Scene V. No. 18 Coro "Di te più amabile, nè Dea maggiore" (Coro di geni e grazie) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene I. Recitativo "Star lontana non so" (Silvia) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene I. No. 19 Aria "Spiega il desio, le piume" (Silvia) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene I. No. 20 Coro "Già l'ore sen volano" (Coro di pastorelle) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene II. Recitativo "Cerco di loco in loco" (Ascanio) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene II. Recitativo accompagnato "Oh ciel! che miro?" (Silvia, Ascanio) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene III. Recitativo "Silvia, ove sei?" (Silvia, Ascanio, Fauno) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene III. No. 21 Aria "Dal tuo gentil sembiante" (Fauno) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene IV. Recitativo "Ahime! Che veggio mai?" (Ascanio & Silvia) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene IV. No. 22 Aria "Al mio ben mi veggio avanti" (Ascanio) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene IV. Recitativo "Ferma, aspetta, ove vai?" (Silvia) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene IV. No. 23 Aria "Infelici affetti miei" (Silvia) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene IV. Recitativo e Coro "Ascanio, Silvia, coro di pastorelle" (Silvia, Coro) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene V. Recitativo "Ahi la crudel come scoccato dardo" (Ascanio) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene V. No. 25 Aria "Torna mio bene, ascolta" (Ascanio) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene VI. No. 26 Coro "Venga, venga, de' sommi eroi" (Coro di pastori) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Che strana meraviglia" (Aceste) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene VI. No. 27 Aria "Sento, che il cor mi dice" (Aceste) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Sì, padre" (Silvia) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene VI. No. 28 Coro "Scendi celeste Venere" (Coro di pastori e Ninfe o Pastorelle) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Ma s'allotani almen" (Silvia, Aceste, Ascanio) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene VI. No. 29 Coro "No, non possiamo vivere" (Coro di pastori e Pastorelle) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Ecco, ingombran l'altare" (Aceste) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene VI. No. 30 Coro "Scendi celeste Venere" (Coro) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Invoca, oh figlia" (Aceste, Silvia, Ascanio, Venere) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene VI. No. 31 Terzetto "Ah caro sposo, oh dio!" (Silvia, Ascanio, Aceste) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Eccovi al fin" (Venere) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene VI. No. 32 Terzetto "Che bel piacer io sento" (Silvia, Ascanio, Aceste) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene VI. Recitativo "Ah chi nodi più forti" (Silvia, Ascanio, Aceste, Venere) |
111 | 111 | Ascanio in Alba, K. 111: Act II, Scene VI. No. 33 Coro "Alma Dea, tutto il mondo governa" (Coro ultimo di geni, grazie, pastori e ninfe) |
113 | 113 | Divertimento No. 1 for 2 Clarinets, 2 Horns & Strings in E-flat major, K. 113: I. Allegro |
113 | 113 | Divertimento No. 1 for 2 Clarinets, 2 Horns & Strings in E-flat major, K. 113: II. Andante |
113 | 113 | Divertimento No. 1 for 2 Clarinets, 2 Horns & Strings in E-flat major, K. 113: III. Minuetto |
113 | 113 | Divertimento No. 1 for 2 Clarinets, 2 Horns & Strings in E-flat major, K. 113: IV. Allegro |
123a | 381 | Sontata for Piano with 4 Hands in D major, K. 123a/381: I. Allegro |
123a | 381 | Sontata for Piano with 4 Hands in D major, K. 123a/381: II. Andante |
123a | 381 | Sontata for Piano with 4 Hands in D major, K. 123a/381: III. Allegro molto |
125a | 136 | Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony No. 1": I. Allegro |
125a | 136 | Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony No. 1": II. Andante |
125a | 136 | Divertimento for String Quartet in D major, K. 125a/136 "Salzburg Symphony No. 1": III. Presto |
125b | 137 | Divertimento for String Quartet in B-flat major, K. 125b/137 "Salzburg Symphony No. 2": I. Andante |
125b | 137 | Divertimento for String Quartet in B-flat major, K. 125b/137 "Salzburg Symphony No. 2": II. Allegro di molto |
125b | 137 | Divertimento for String Quartet in B-flat major, K. 125b/137 "Salzburg Symphony No. 2": III. Allegro assai |
125c | 138 | Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": I. Allegro |
125c | 138 | Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": II. Andante |
125c | 138 | Divertimento for String Quartet in F major, K. 125c/138 "Salzburg Symphony No. 3": III. Presto |
125d | 149 | Composed by Leopold Mozart, not Wolfgang Amadeus Mozart. |
125d | 149 | Song for Voice & Piano, K. 125d/149 "Die grossmütige Gelassenheit" |
125e | 150 | Composed by Leopold Mozart, not Wolfgang Amadeus Mozart. |
125e | 150 | Song for Voice & Piano, K. 125e/150 "Geheime Liebe" |
125f | 151 | Composed by Leopold Mozart, not Wolfgang Amadeus Mozart. |
125f | 151 | Song for Voice & Piano, K. 125f/151 "Die Zufriedenheit": "Ich trachte nicht" |
126 | 126 | Il sogno di Scipione, K. 126: Overtura |
126 | 126 | Il sogno di Scipione, K. 126: Act I Recitativo "Vieni e segui i mici passi" (Fortuna, Constanza, Scipione) |
126 | 126 | Il sogno di Scipione, K. 126: Act I No. 1 Aria "Risolver non osa" (Scipione) |
126 | 126 | Il sogno di Scipione, K. 126: Act I Recitativo "Giusta è la tua richiesta" (Constanza, Fortuna) |
126 | 126 | Il sogno di Scipione, K. 126: Act I No. 2 Aria "Lieve sono al par del vento" (Fortuna) |
126 | 126 | Il sogno di Scipione, K. 126: Act I Recitativo "Dunque ove son?" (Scipione, Constanza, Fortuna) |
126 | 126 | Il sogno di Scipione, K. 126: Act I No. 3 Aria "Ciglio che al sol si gira" (Constanza) |
126 | 126 | Il sogno di Scipione, K. 126: Act I Recitativo "E quali abitatori" (Scipione, Fortuna, Constanza) |
126 | 126 | Il sogno di Scipione, K. 126: Act I No. 4 Coro "Germe di cento eroi" (Coro) |
126 | 126 | Il sogno di Scipione, K. 126: Act I Recitativo "Numi, è vero o m'inganno?" (Scipione, Publio) |
126 | 126 | Il sogno di Scipione, K. 126: Act I No. 5 Aria "Se vuoi che te raccolgano" (Publio) |
126 | 126 | Il sogno di Scipione, K. 126: Act I Recitativo "Se qui vivon gli eroi" (Scipione, Fortuna, Constanza, Publio, Emilio) |
126 | 126 | Il sogno di Scipione, K. 126: Act I No. 6 Aria "Voi colaggiù ridete" (Emilio) |
126 | 126 | Il sogno di Scipione, K. 126: Act I Recitativo "Publio, padre, ah lasciate" (Scipione, Fortuna, Constanza, Publio, Emilio) |
126 | 126 | Il sogno di Scipione, K. 126: Act I No. 7 Aria "Quercia annosa su l'erte pendici" (Publio) |
126 | 126 | Il sogno di Scipione, K. 126: Act I Recitativo "Giacche al voler de' Fati" (Scipione, Constanza, Fortuna, Publio, Emilio) |
126 | 126 | Il sogno di Scipione, K. 126: Act I No. 8 Aria "A chi serena io miro" (Fortuna) |
126 | 126 | Il sogno di Scipione, K. 126: Act I Recitativo "E a sì enorme possanza" (Scipione, Costanza) |
126 | 126 | Il sogno di Scipione, K. 126: Act I No. 9 Aria "Biancheggia in mar lo scoglio" (Constanza) |
126 | 126 | Il sogno di Scipione, K. 126: Act I Recitativo "Non più, bella Costanza" (Scipione, Fortuna) |
126 | 126 | Il sogno di Scipione, K. 126: Act I No. 10 Aria "Di che sei l'arbitra del mondo intero" (Scipione) |
126 | 126 | Il sogno di Scipione, K. 126: Act I Recitativo accompagnato "E v'è mortal" (Fortuna, Scipione) |
126 | 126 | Il sogno di Scipione, K. 126: Act I Recitativo "Non è Scipio" (La Licenza) |
126 | 126 | Il sogno di Scipione, K. 126: Act I No. 11a+b Aria "Ah, perché cercar degg'io" (La Licenza) |
126 | 126 | Il sogno di Scipione, K. 126: Act I No. 12 Coro "Cento volte con lieto sembiante" (Coro) |
127 | 127 | Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127: Regina coeli: I. Allegro maestoso |
127 | 127 | Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127: Regina coeli: II. Andante |
127 | 127 | Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127: Regina coeli: III. Allegro |
130a | 164 | 6 Minuets for Orchestra No. 1 in D major, K. 130a/1/164/1: Minuetto & Trio |
130a | 164 | 6 Minuets for Orchestra No. 2 in D major, K. 130a/2/164/2: Minuetto & Trio |
130a | 164 | 6 Minuets for Orchestra No. 3 in D major, K. 130a/3/164/3: Minuetto & Trio |
130a | 164 | 6 Minuets for Orchestra No. 4 in G major, K. 130a/4/164/4: Minuetto & Trio |
130a | 164 | 6 Minuets for Orchestra No. 5 in G major, K. 130a/5/164/5: Minuetto & Trio |
130a | 164 | 6 Minuets for Orchestra No. 6 in G major, K. 130a/6/164/6: Minuetto & Trio |
131 | 131 | Divertimento No. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: I. Allegro |
131 | 131 | Divertimento No. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: II. Adagio |
131 | 131 | Divertimento No. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: III. Minuetto & Trio I & Trio II & Trio III & Coda |
131 | 131 | Divertimento No. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: IV. Allegretto |
131 | 131 | Divertimento No. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: V. Minuetto & Trio I & Trio II & Coda |
131 | 131 | Divertimento No. 2 for Flute, Oboe, Bassoon, 4 Horns & Strings in D major, K. 131: VI. Adagio - allegro moto - allegro assai |
134a | 155 | Quartet for Strings No. 2 in D major, K. 134a/155 "Quartetti Milanesi": I. Allegro |
134a | 155 | Quartet for Strings No. 2 in D major, K. 134a/155 "Quartetti Milanesi": II. Andante |
134a | 155 | Quartet for Strings No. 2 in D major, K. 134a/155 "Quartetti Milanesi": III. Allegro molto |
134b | 156 | If you're not sure which second movement you need, most likely it's the revised version. The revised runs, typically, around 6:30 to 7:00. The original runs around 2:45 to 3:15. |
134b | 156 | Quartet for Strings No. 3 in G major, K. 134b/156 "Quartetti Milanesi": I. Presto |
134b | 156 | Quartet for Strings No. 3 in G major, K. 134b/156 "Quartetti Milanesi": II. Adagio (revised version) |
134b | 156 | Quartet for Strings No. 3 in G major, K. 134b/156 "Quartetti Milanesi": II. Adagio (original version) |
134b | 156 | Quartet for Strings No. 3 in G major, K. 134b/156 "Quartetti Milanesi": III. Tempo di minuetto |
135 | 135 | Lucio Silla, K. 135: Ouverture. Allegro molto |
135 | 135 | Lucio Silla, K. 135: Ouverture. Andante |
135 | 135 | Lucio Silla, K. 135: Ouverture. Allegro molto |
135 | 135 | Lucio Silla, K. 135: Act I, Scene I. Recitativo "Ah ciel l'amico cinna" (Cecilio, Cinna) |
135 | 135 | Lucio Silla, K. 135: Act I, Scene I. No. 1 Aria "Vieni ov'amor t'invita" (Cinna) |
135 | 135 | Lucio Silla, K. 135: Act I, Scene II. Recitativo accompagnato "Dunque sperar poss'io" (Cecilio) |
135 | 135 | Lucio Silla, K. 135: Act I, Scene II. No. 2 Aria "Il tenero momento" (Cecilio) |
135 | 135 | Lucio Silla, K. 135: Act I, Scene III. Recitativo "A te dell'amor mio" (Silla, Celia, Aufidio) |
135 | 135 | Lucio Silla, K. 135: Act I, Scene III. No. 3 Aria "Se lusinghiera speme" (Celia) |
135 | 135 | Lucio Silla, K. 135: Act I, Scene IV. Recitativo "Signor, duolmi vederti" (Silla, Aufidio) |
135 | 135 | Lucio Silla, K. 135: Act I, Scene V. Recitativo "Sempre dovrò vederti" (Silla, Giunia) |
135 | 135 | Lucio Silla, K. 135: Act I, Scene V. No. 4 Aria "Dalla sponda tenebrosa" (Giunia) |
135 | 135 | Lucio Silla, K. 135: Act I, Scene VI. Recitativo accompagnato "E tollerare lo posso" (Silla) |
135 | 135 | Lucio Silla, K. 135: Act I, Scene VI. No. 5 Aria "Il desio de vendetta" (Silla) |
135 | 135 | Lucio Silla, K. 135: Act I, Scene VII. Recitativo accompagnato "Morte, morte fatal" (Cecilio) |
135 | 135 | Lucio Silla, K. 135: Act I, Scene VIII. No. 6 Coro è Arioso "Fuor di queste urne dolenti" (Coro) |
135 | 135 | Lucio Silla, K. 135: Act I, Scene VIII. Recitativo accompagnato "Se l'empio Silla, oh padre" (Giunia) |
135 | 135 | Lucio Silla, K. 135: Act I, Scene IX. Recitativo "Eccomi, oh cara" (Giunia, Cecilio) |
135 | 135 | Lucio Silla, K. 135: Act I, Scene IX. No. 7 Duetto "D'Elisio in sen m'attendi" (Giunia, Cecilio) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene I. Recitativo "Tel' predissi, oh Signor, che la superba" (Silla, Aufidio) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene II. Recitativo "Ah non mai non credea" (Celia, Silla) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene III. Recitativo accompagnato "Al fiero suon… Ah corri, vola" (Cecilio, Cinna) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene III. No. 9 Aria "Quest'improvviso tremito" (Cecilio) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene IV. Recitativo "Ah sì, s'affretti il colpo" (Cinna, Celia) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene V. Recitativo accompagnato "Vanne. T'affretta" (Cinna, Giunia) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene V. No. 11 Aria "Ah se il crudel periglio" (Giunia) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene VI. Recitativo accompagnato "Ah sì, scuotasi omai" (Cinna) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene VI. No. 12 Aria "Nel fortunato istante" (Cinna) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene VII. Recitativo "Signor, ai cenni tuoi… Silla? L'odiato aspetto" (Aufidio, Silla) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene VIII. Recitativo accompagnato "Silla? L'odiato aspetto" (Giunia, Silla) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene VIII. No. 13 Aria "D'ogni pietà mi spoglio" (Silla) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene IX. Recitativo "Che intesi, eterni Dei?" (Giunia, Cecilio) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene IX. Recitativo accompagnato "Chi sa, che non sia questa" (Cecilio, Giunia) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene IX. No. 14 Aria "Ah se a morir mi chiama" (Cecilio) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene X. Recitativo "Perché mi balzi in seno" (Giunia, Celia) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene X. No. 15 Aria "Quando sugl'arsi campi" (Celia) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene XI. Recitativo accompagnato "In un istante oh come" (Giunia) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene XI. No. 16 Aria "Parto,m'affretto" (Giunia) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene XII. No. 17 Coro "Se gloria il crin ti cinse" (Coro) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene XII. Recitativo "Padri Coscritti, Io che pugnai per Roma" (Silla, Giunia, Aufidio) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene XIII. Recitativo "Sposa ah no,non temer" (Cecilio, Cinna) |
135 | 135 | Lucio Silla, K. 135: Act II, Scene XIV. No. 18 Terzetto "Quell'orgoglioso sdegno" (Cecilio, Giunia, Cinna) |
135 | 135 | Lucio Silla, K. 135: Act III, Scene I. Recitativo "Ah si tu solo, amico" (Cecilia, Celia, Cinna) |
135 | 135 | Lucio Silla, K. 135: Act III, Scene I. No. 19 Aria "Strider sento la procella" (Celia) |
135 | 135 | Lucio Silla, K. 135: Act III, Scene II. Recitativo "Forse tu credi, amico" (Cecilio, Cinna) |
135 | 135 | Lucio Silla, K. 135: Act III, Scene II. No. 20 Aria "De' più superbi il core" (Cinna) |
135 | 135 | Lucio Silla, K. 135: Act III, Scene III. Recitativo "Ah no, che il fato estremo" (Giunia, Cecilio) |
135 | 135 | Lucio Silla, K. 135: Act III, Scene IV. Recitativo "Tosto seguir tu dei" (Aufidio, Giunia, Cecilio) |
135 | 135 | Lucio Silla, K. 135: Act III, Scene IV. No. 21 Aria "Pupille amate" (Cecilio) |
135 | 135 | Lucio Silla, K. 135: Act III, Scene V. Recitativo accompagnato "Sposo, mia vita" (Giunia) |
135 | 135 | Lucio Silla, K. 135: Act III, Scene V. No. 22 Aria "Fra i pensier più funesti di morte" (Giunia) |
135 | 135 | Lucio Silla, K. 135: Act III, Scene VI-VII. Recitativo "Celia, Cinna, non più… Anima vil, da Giunia" (Cinna, Silla, Celia, Giunia) |
135 | 135 | Lucio Silla, K. 135: Act III, Scene Ultima. Recitativo "Lo sposo mio" (Giunia, Cinna, Cecilio, Silla) |
135 | 135 | Lucio Silla, K. 135: Act III, Scene Ultima. No. 23 Finale "Il gran Silla a Roma in seno" (Coro) |
135a | Anh 109 | Unrecorded work(?): Sketches for a Ballet K. 135a/Anh 109 "Le gelosie del Serraglio" A recording of this work is needed to create a correct listing here. |
157 | 157 | Quartet for Strings No. 4 in C major, K. 157 "Quartetti Milanesi": I. (No tempo indication) |
157 | 157 | Quartet for Strings No. 4 in C major, K. 157 "Quartetti Milanesi": II. Andante |
157 | 157 | Quartet for Strings No. 4 in C major, K. 157 "Quartetti Milanesi": III. Presto |
158 | 158 | Quartet for Strings No. 5 in F major, K. 158 "Quartetti Milanesi": I. Allegro |
158 | 158 | Quartet for Strings No. 5 in F major, K. 158 "Quartetti Milanesi": II. Andante un poco allegretto |
158 | 158 | Quartet for Strings No. 5 in F major, K. 158 "Quartetti Milanesi": III. Tempo di minuetto |
158a | 165 | Note: There are three different versions of this work, depending on which text is being used. If yours has "Fulget amica dies" as the first line of movement 2, it is the Milano version. If it has "Tandem ad venit hora" it is one of the 2 Salzburg versions. If yours is a Salzburg version, look at line 4 of the libretto for movement 1. If that line is "Summa Trinitas revelatur", yours is the Salzburg 1 version. If that line is "Caro factus, factus homo ubique adoratur", yours is the Salzburg 2 version. |
158a | 165 | Milano version: |
158a | 165 | Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): I. "Exsultate, jubilate" |
158a | 165 | Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): II. Recitativo: "Fulget amica dies" |
158a | 165 | Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): III. "Tu virginum corona" |
158a | 165 | Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): IV. "Alleluja" |
158a | 165 | Salzburg 1 version: |
158a | 165 | Motet for Soprano & Orchestra in F major, K. 158a/165 (Salzburg 1 version): I. "Exsultate, jubilate" |
158a | 165 | Motet for Soprano & Orchestra in F major, K. 158a/165 (Salzburg 1 version): II. Recitativo: "Tandem ad venit hora" |
158a | 165 | Motet for Soprano & Orchestra in F major, K. 158a/165 (Salzburg 1 version): III. "Tu virginum corona" |
158a | 165 | Motet for Soprano & Orchestra in F major, K. 158a/165 (Salzburg 1 version): IV. "Alleluja" |
158a | 165 | Salzburg 2 version: |
158a | 165 | Motet for Soprano & Orchestra in F major, K. 158a/165 (Salzburg 2 version): I. "Exsultate, jubilate" |
158a | 165 | Motet for Soprano & Orchestra in F major, K. 158a/165 (Salzburg 2 version): II. Recitativo: "Tandem ad venit hora" |
158a | 165 | Motet for Soprano & Orchestra in F major, K. 158a/165 (Salzburg 2 version): III. "Tu virginum corona" |
158a | 165 | Motet for Soprano & Orchestra in F major, K. 158a/165 (Salzburg 2 version): IV. "Alleluja" |
159 | 159 | Quartet for Strings No. 6 in B-flat major, K. 159 "Quartetti Milanesi": I. Andante |
159 | 159 | Quartet for Strings No. 6 in B-flat major, K. 159 "Quartetti Milanesi": II. Allegro |
159 | 159 | Quartet for Strings No. 6 in B-flat major, K. 159 "Quartetti Milanesi": III. Rondo. Allegro grazioso |
159a | 160 | Quartet for Strings No. 7 in E-flat major, K. 159a/160 "Quartetti Milanesi": I. Allegro |
159a | 160 | Quartet for Strings No. 7 in E-flat major, K. 159a/160 "Quartetti Milanesi": II. Un poco adagio |
159a | 160 | Quartet for Strings No. 7 in E-flat major, K. 159a/160 "Quartetti Milanesi": III. Presto |
159b | 186 | Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: I. Allegro assai |
159b | 186 | Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: II. Minuetto |
159b | 186 | Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: III. Andante |
159b | 186 | Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: IV. Adagio |
159b | 186 | Divertimento No. 4 for Wind Ensemble in B-flat major, K. 159b/186: V. Allegro |
159d | 166 | Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: I. Allegro |
159d | 166 | Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: II. Minuet |
159d | 166 | Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: III. Andante grazioso |
159d | 166 | Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: IV. Adagio |
159d | 166 | Divertimento No. 3 for Wind Ensemble in E-flat major, K. 159d/166: V. Allegro |
166d | 115 | Spurious work: composed by Leopold Mozart. |
166e | 223 | Osanna in C major, K. 166e/223 (fragment) |
166f | Anh 18 | Kyrie for 4 Voices, 2 Violins, Viola, Bass, 2 Oboes, 2 Horns, 2 Trumpets & Timpani in C major, K. 166f/Anh 18 Fr 1772a (49 measure fragment): Adagio - allegro |
166g | Anh 19 | Kyrie for Orchestra in D major, K. 166g/Anh 19 Fr 1772b (12 measure fragment) |
166h | Anh 23 | Psalm in C major, K. 166h/Anh 23 Fr 1774a (fragment): "In te Domine speravi" |
167 | 167 | Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": I. "Kyrie" |
167 | 167 | Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": II. "Gloria" |
167 | 167 | Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": III. "Credo in unuum Deum" |
167 | 167 | Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IV. "Et incarnatus est" |
167 | 167 | Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": V. "Et in Spiritum Sanctum" |
167 | 167 | Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VI. "Et unam Sanctam Catholicam" |
167 | 167 | Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VII. "Et vitam venturi saeculi" |
167 | 167 | Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": VIII. "Sanctus" |
167 | 167 | Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": IX. "Benedictus" |
167 | 167 | Mass No. 7 for Soloists, Chorus & Orchestra in C major, K. 167 "Trinitatis Messe": X. "Agnus Dei" |
167a | 185 | Serenade No. 3 for Orchestra in D major, K. 167a/185 "Antretter": I. Allegro assai |
167a | 185 | Serenade No. 3 for Orchestra in D major, K. 167a/185 "Antretter": II. Andante |
167a | 185 | Serenade No. 3 for Orchestra in D major, K. 167a/185 "Antretter": III. Allegro |
167a | 185 | Serenade No. 3 for Orchestra in D major, K. 167a/185 "Antretter": IV. Minuetto |
167a | 185 | Serenade No. 3 for Orchestra in D major, K. 167a/185 "Antretter": V. Andante grazioso |
167a | 185 | Serenade No. 3 for Orchestra in D major, K. 167a/185 "Antretter": VI. Minuetto |
167a | 185 | Serenade No. 3 for Orchestra in D major, K. 167a/185 "Antretter": VII. Adagio - assai |
167A | 205 | Divertimento No. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: I. Largo |
167A | 205 | Divertimento No. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: II. Minuetto |
167A | 205 | Divertimento No. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: III. Minuetto |
167A | 205 | Divertimento No. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: IV. Adagio |
167A | 205 | Divertimento No. 7 for 2 Horns, Bassoon & Strings in D major, K. 167A/205: V. Finale presto |
168 | 168 | Quartet for Strings No. 8 in F major, K. 168 "Quartetti Vienna": I. Allegro |
168 | 168 | Quartet for Strings No. 8 in F major, K. 168 "Quartetti Vienna": II. Andante |
168 | 168 | Quartet for Strings No. 8 in F major, K. 168 "Quartetti Vienna": III. Minuetto |
168 | 168 | Quartet for Strings No. 8 in F major, K. 168 "Quartetti Vienna": IV. Allegro |
168a | deest | Minuet for String Quartet in F major, K. 168a/deest (28 measure fragment) |
169 | 169 | Quartet for Strings No. 9 in A major, K. 169 "Quartetti Vienna": I. Allegro molto |
169 | 169 | Quartet for Strings No. 9 in A major, K. 169 "Quartetti Vienna": II. Andante |
169 | 169 | Quartet for Strings No. 9 in A major, K. 169 "Quartetti Vienna": III. Minuetto |
169 | 169 | Quartet for Strings No. 9 in A major, K. 169 "Quartetti Vienna": IV. Rondeaux. Allegro |
170 | 170 | Quartet for Strings No. 10 in C major, K. 170 "Quartetti Vienna": I. Tema con variazioni. Andante |
170 | 170 | Quartet for Strings No. 10 in C major, K. 170 "Quartetti Vienna": II. Minuetto |
170 | 170 | Quartet for Strings No. 10 in C major, K. 170 "Quartetti Vienna": III. Un poco adagio |
170 | 170 | Quartet for Strings No. 10 in C major, K. 170 "Quartetti Vienna": IV. Rondeaux. Allegro |
171 | 171 | Quartet for Strings No. 11 in E-flat major, K. 171 "Quartetti Vienna": I. Adagio - allegro assai |
171 | 171 | Quartet for Strings No. 11 in E-flat major, K. 171 "Quartetti Vienna": II. Minuetto |
171 | 171 | Quartet for Strings No. 11 in E-flat major, K. 171 "Quartetti Vienna": III. Andante |
171 | 171 | Quartet for Strings No. 11 in E-flat major, K. 171 "Quartetti Vienna": IV. Allegro assai |
172 | 172 | Quartet for Strings No. 12 in B-flat major, K. 172 "Quartetti Vienna": I. Allegro spiritoso |
172 | 172 | Quartet for Strings No. 12 in B-flat major, K. 172 "Quartetti Vienna": II. Adagio |
172 | 172 | Quartet for Strings No. 12 in B-flat major, K. 172 "Quartetti Vienna": III. Minuetto |
172 | 172 | Quartet for Strings No. 12 in B-flat major, K. 172 "Quartetti Vienna": IV. Allegro assai |
173 | 173 | Quartet for Strings No. 13 in D minor, K. 173 "Quartetti Vienna": I. Allegro ma molto moderato |
173 | 173 | Quartet for Strings No. 13 in D minor, K. 173 "Quartetti Vienna": II. Andantino grazioso |
173 | 173 | Quartet for Strings No. 13 in D minor, K. 173 "Quartetti Vienna": III. Minuetto |
173 | 173 | Quartet for Strings No. 13 in D minor, K. 173 "Quartetti Vienna": IV. Allegro |
173c | 180 | 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, K. 173c/180 |
176 | 176 | 16 Minuets for Orchestra in C major, K. 176: I. |
176 | 176 | 16 Minuets for Orchestra in G major, K. 176: II. |
176 | 176 | 16 Minuets for Orchestra in E-flat major, K. 176: III. |
176 | 176 | 16 Minuets for Orchestra in B-flat major, K. 176: IV. |
176 | 176 | 16 Minuets for Orchestra in F major, K. 176: V. |
176 | 176 | 16 Minuets for Orchestra in D major, K. 176: VI. |
176 | 176 | 16 Minuets for Orchestra in A major, K. 176: VII. |
176 | 176 | 16 Minuets for Orchestra in C major, K. 176: VIII. |
176 | 176 | 16 Minuets for Orchestra in G major, K. 176: IX. |
176 | 176 | 16 Minuets for Orchestra in B-flat major, K. 176: X. |
176 | 176 | 16 Minuets for Orchestra in F major, K. 176: XI. |
176 | 176 | 16 Minuets for Orchestra in D major, K. 176: XII. |
176 | 176 | 16 Minuets for Orchestra in G major, K. 176: XIII. |
176 | 176 | 16 Minuets for Orchestra in C major, K. 176: XIV. |
176 | 176 | 16 Minuets for Orchestra in F major, K. 176: XV. |
176 | 176 | 16 Minuets for Orchestra in D major, K. 176: XVI. |
186b | 202 | Symphony No. 30 for Orchestra in D major, K. 186b/202: I. Allegro molto |
186b | 202 | Symphony No. 30 for Orchestra in D major, K. 186b/202: II. Andantino con moto |
186b | 202 | Symphony No. 30 for Orchestra in D major, K. 186b/202: III. Minuetto & Trio |
186b | 202 | Symphony No. 30 for Orchestra in D major, K. 186b/202: IV. Presto |
186c | 358 | Sontata for Piano with 4 Hands in B-flat major, K. 186c/358: I. Allegro |
186c | 358 | Sontata for Piano with 4 Hands in B-flat major, K. 186c/358: II. Adagio |
186c | 358 | Sontata for Piano with 4 Hands in B-flat major, K. 186c/358: III. Molto presto |
186e | 191 | Concerto for Bassoon in B-flat major, K. 186e/191: I. Allegro |
186e | 191 | Concerto for Bassoon in B-flat major, K. 186e/191: II. Andante ma adagio |
186e | 191 | Concerto for Bassoon in B-flat major, K. 186e/191: III. Rondeau. Tempo di menuetto |
186E | 190 | Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: I. Allegro spiritoso |
186E | 190 | Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: II. Andantino grazioso |
186E | 190 | Concertone for 2 Violins, Oboe, Cello & Orchestra in C major, K. 186E/190: III. Tempo di menuetto |
186f | 192 | Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": I. "Kyrie" |
186f | 192 | Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": II. "Gloria" |
186f | 192 | Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": III. "Credo" |
186f | 192 | Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": IV. "Sanctus" |
186f | 192 | Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": V. "Benedictus" |
186f | 192 | Mass No. 6 for Soloists, Chorus & Orchestra in F major, K. 186f/192 "Missa brevis": VI. "Agnus Dei" |
186h | 194 | Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": I. "Kyrie" |
186h | 194 | Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": II. "Gloria" |
186h | 194 | Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": III. "Credo" |
186h | 194 | Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": IV. "Sanctus" |
186h | 194 | Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": V. "Benedictus" |
186h | 194 | Mass No. 8 for Soloists, Chorus & Orchestra in D major, K. 186h/194 "Missa brevis": VI. "Agnus Dei" |
186i | 91 | Composed by Georg Reutter (the younger), not Wolfgang Amadeus Mozart. Wolfgang Amadeus Mozart simply made a copy of the work. |
189a | 179 | 12 Variations on J. C. Fischer: Minuet for Piano in C major, K. 189a/179 |
189d | 279 | Sonata for Piano No. 1 in C major, K. 189d/279: I. Allegro |
189d | 279 | Sonata for Piano No. 1 in C major, K. 189d/279: II. Andante |
189d | 279 | Sonata for Piano No. 1 in C major, K. 189d/279: III. Allegro |
189e | 280 | Sonata for Piano No. 2 in F major, K. 189e/280: I. Allegro assai |
189e | 280 | Sonata for Piano No. 2 in F major, K. 189e/280: II. Adagio |
189e | 280 | Sonata for Piano No. 2 in F major, K. 189e/280: III. Presto |
189f | 281 | Sonata for Piano No. 3 in B-flat major, K. 189f/281: I. Allegro |
189f | 281 | Sonata for Piano No. 3 in B-flat major, K. 189f/281: II. Andante amoroso |
189f | 281 | Sonata for Piano No. 3 in B-flat major, K. 189f/281: III. Rondeau. Allegro |
189g | 282 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: I. Adagio |
189g | 282 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: II. Minuetto I |
189g | 282 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: III. Minuetto II |
189g | 282 | Sonata for Piano No. 4 in E-flat major, K. 189g/282: IV. Allegro |
189h | 283 | Sonata for Piano No. 5 in G major, K. 189h/283: I. Allegro |
189h | 283 | Sonata for Piano No. 5 in G major, K. 189h/283: II. Andante |
189h | 283 | Sonata for Piano No. 5 in G major, K. 189h/283: III. Presto |
196 | 196 | La finta giardiniera, K. 196: Ouvertura. Allegro molto |
196 | 196 | La finta giardiniera, K. 196: Ouvertura. Andane grazioso |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene I. No. 1 Introduzione, Quintetto "Che lieto giorno" (Sandrina, Seretta, Ramiro, Il Podestà, Nardo) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene I. Recitativo "Viva, viva il buon gusto" (Il Podestà, Ramiro, Serpetta, Nardo, Sandrina) |
196 | 196 | La finta giardiniera, K. 196: Act I No. 2 Aria "Se l'augellin sen fugge" (Ramiro) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene II. Recitativo "Presto Nardo" (Il Podestà, Serpetta, Nardo, Sandrina) |
196 | 196 | La finta giardiniera, K. 196: Act I No. 3 Aria "Dentro il mio petto io sento" (Il Podestà) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene III. Recitativo "Vo' subito partire" (Sandrina, Nardo, Ramiro) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene IV. No. 4 Aria "Noi donne poverine" (Sandrina) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene V. Recitativo "Sarei felice appieno" (Ramiro) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene VI. Recitativo "Questa tardanza" (Arminda, Il Podestà, Serpetta) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene VII. No. 6 Aria "Che beltà, che leggiadria" (Il Contino) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene VII. Recitativo "Sposa, Arminda, mio sole" (Il Contino, Arminda, Il Podestà, Serpetta) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene VII. No. 7 Aria "Si promette facilmente" (Arminda) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene VIII. Recitativo "Che dite, Signor Conte" (Il Podestà, Il Contino, Serpetta) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene VIII. No. 8 Aria "Da Scirocco a Tramontana" (Il Contino) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene VIII. Recitativo "Evviva, evviva i consoli Romani" (Il Podestà) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene IX. Reactivo "In questa casa non si può più stare" (Serpetta) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene IX. No. 9a+b Cavatina "Un marito, oh Dio, vorrei" (Serpetta, Nardo) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene IX. Recitativo "Bravo, signor buffone" (Serpetta, Nardo) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene IX. No. 10 Aria "Appena mi vedon" (Serpetta) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene X. No. 11 Cavatina "Geme la tortorella" (Sandrina) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene X. Recitativo "Questa sara la bella giardiniera" (Arminda, Sandrina, Il Contino) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene XII. No. 12 Finale I "Numi! Che incanto è questo" (Sandrina, Arminda, Ramiro, Il Contino, Il Podestà, Nardo) |
196 | 196 | La finta giardiniera, K. 196: Act II, Scene I. Recitativo "Non fuggirmi spietata" (Ramiro, Arminda) |
196 | 196 | La finta giardiniera, K. 196: Act II, Scene II. No. 13 Aria "Vorrei punirti indegno" (Arminda) |
196 | 196 | La finta giardiniera, K. 196: Act II, Scene III. Recitativo "Ah costei non e donna" (Il Contino, Serpetta, Nardo) |
196 | 196 | La finta giardiniera, K. 196: Act II, Scene IV. No. 14 Aria "Con un vezzo all'italiana" (Nardo) |
196 | 196 | La finta giardiniera, K. 196: Act II, Scene IV. Recitativo "Trovar l'amante" (Sandrina, Il Contino) |
196 | 196 | La finta giardiniera, K. 196: Act II, Scene V. No. 15 Aria "Care pupille belle" (Il Contino) |
196 | 196 | La finta giardiniera, K. 196: Act II, Scene V. Recitativo "Va Conte disgraziato" (Il Podestà, Sandrina) |
196 | 196 | La finta giardiniera, K. 196: Act II, Scene VI. No. 16 Aria "Una voce sento al core" (Sandrina) |
196 | 196 | La finta giardiniera, K. 196: Act II, Scene VII. Recitativo "Ah che son stato un sciocco!" (Il Podestà, Arminda, Ramiro) |
196 | 196 | La finta giardiniera, K. 196: Act II, Scene VII. No. 17 Aria "Una damina, una nipote" (Il Podestà) |
196 | 196 | La finta giardiniera, K. 196: Act II, Scene VIII. Recitativo "Sappi Arminda, ben mio" (Ramiro, Arminda) |
196 | 196 | La finta giardiniera, K. 196: Act II, Scene IX. No. 18 Aria "Dolce d'amor compagna" (Ramiro) |
196 | 196 | La finta giardiniera, K. 196: Act II, Scene XI. Recitativo "Credimi nipotina" (Il Podestà, Arminda, Serpetta, Il Contino, Sandrina) |
196 | 196 | La finta giardiniera, K. 196: Act II, Scene XII. No. 19a+b Recitativo ed aria "Ah non partir… M'ascolta" (Il Contino) |
196 | 196 | La finta giardiniera, K. 196: Act II, Scene XIII. Recitativo "Oh poveretto me!" (Nardo, Ramiro, Il Podestà, Serpetta) |
196 | 196 | La finta giardiniera, K. 196: Act II, Scene XIV. No. 20 Aria "Chi vuol godere il mondo" (Serpetta) |
196 | 196 | La finta giardiniera, K. 196: Act II, Scene XV. No. 21 Aria "Crudeli, oh Dio! Fermate" (Sandrina) |
196 | 196 | La finta giardiniera, K. 196: Act II, Scene XV. No. 22 Cavatina "Ah dal pianto, dal singhiozzo" (Sandrina) |
196 | 196 | La finta giardiniera, K. 196: Act II, Scene XVI. No. 23 Finale II "Fra quest'ombre" (Sandrina, Serpetta, Arminda, Ramiro, Il Contino, Il Podestà, Nardo) |
196 | 196 | La finta giardiniera, K. 196: Act III, Scene I. Recitativo "Sentimi, Nardo mio" (Serpetta, Nardo) |
196 | 196 | La finta giardiniera, K. 196: Act I, Scene V. No. 5 Aria "A forza di martelli" (Nardo) |
196 | 196 | La finta giardiniera, K. 196: Act III, Scene II. Recitativo "Olà, olà" (Il Contino, Nardo, Sandrina) |
196 | 196 | La finta giardiniera, K. 196: Act III, Scene II-III. No. 24a+b Aria e duetto "Mirate che contrasto… Oh l'ho pensata bene" (Nardo, Sandrina, Il Contino) |
196 | 196 | La finta giardiniera, K. 196: Act III, Scene III. Recitativo "L'ho fatto a modo mio" (Il Podestà, Serpetta) |
196 | 196 | La finta giardiniera, K. 196: Act III, Scene IV. No. 25 Aria "Mio padrone, io dir volevo" (Il Podestà) |
196 | 196 | La finta giardiniera, K. 196: Act III, Scene V. Recitativo "Ramiro, orsù, alle corte" (Arminda, Ramiro) |
196 | 196 | La finta giardiniera, K. 196: Act III, Scene VI. No. 26 Aria "Va' pure ad altri in braccio" (Ramiro) |
196 | 196 | La finta giardiniera, K. 196: Act III, Scene VII. No. 27a+b Recitativo e duetto "Dove mai son!" (Sandrina, Il Contino) |
196 | 196 | La finta giardiniera, K. 196: Act III, Scene VIII. Recitativo "Ma nipote, mia cara" (Il Podestà, Nardo, Arminda, Ramiro, Serpetta, Sandrina, Il Contino) |
196 | 196 | La finta giardiniera, K. 196: Act III, Scene VIII. No. 28 Finale, Coro "Viva pur la Giardiniera" (Sandrina, Serpetta, Arminda, Ramiro, Il Contino, Il Podestà, Nardo) |
196a | Anh 16 | Kyrie for 4 Voices, Strings, 2 Trumpets & Timpani in G major, K. 196a/Anh 16 (Maximilian Stadler continuation): Adagio - andante (14 measure fragment, 20 measure continuation) |
196b | 220 | Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": I. "Kyrie" |
196b | 220 | Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": II. "Gloria" |
196b | 220 | Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": III. "Credo" |
196b | 220 | Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": IV. "Sanctus" |
196b | 220 | Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": V. "Benedictus" |
196b | 220 | Mass No. 9 for Soloists, Chorus & Orchestra in C major, K. 196b/220 "Missa brevis", "Spatzenmesse": VI. "Agnus Dei" |
196c | 292 | Sonata for 2 Bassoons (or Bassoon & Cello) in B-flat major, K. 196c/292 (doubtful): I. Allegro |
196c | 292 | Sonata for 2 Bassoons (or Bassoon & Cello) in B-flat major, K. 196c/292 (doubtful): II. Andante |
196c | 292 | Sonata for 2 Bassoons (or Bassoon & Cello) in B-flat major, K. 196c/292 (doubtful): III. Rondo. Allegro |
196d | Anh 230 | Composed by Franz Danzi, not Wolfgang Amadeus Mozart. |
205a | 222 | Offertorium de tempore for Chorus & Orchestra in D minor, K. 205a/222: "Misericordias Domini" |
205b | 284 | Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": I. Allegro |
205b | 284 | Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": II. Rondeau en polonaise. Andante |
205b | 284 | Sonata for Piano No. 6 in D major, K. 205b/284 "Dürnitz": III. Tema. Andante & Variations I - X & Variation XI. Adagio cantabile & Variation XII. Allegro |
208 | 208 | Il rè pastore, K. 208: No. 1 Overtura. Allegro molto |
208 | 208 | Il rè pastore, K. 208: Act I, Scene I. Scena "Intendo amico mio" (Aminta) |
208 | 208 | Il rè pastore, K. 208: Act I, Scene I. Recitativo "Bella Elisa? idol mio?" (Aminta, Elisa) |
208 | 208 | Il rè pastore, K. 208: Act I, Scene I. No. 2 Aria "Alla selva, al prato, al fonte" (Elisa) |
208 | 208 | Il rè pastore, K. 208: Act I, Scene II. Recitativo "Perdono amici Dei" (Aminta, Agenore, Alessandro) |
208 | 208 | Il rè pastore, K. 208: Act I, Scene II. No. 3 Aria "Aer tranquillo e dì sereni" (Aminta) |
208 | 208 | Il rè pastore, K. 208: Act I, Scene III. Recitativo "Or che dici Alessandro?" (Agenore, Alessandro) |
208 | 208 | Il rè pastore, K. 208: Act I, Scene III. No. 4 Aria "Si spande al sole in faccia" (Alessandro) |
208 | 208 | Il rè pastore, K. 208: Act I, Scene IV. Recitativo "Agenore? T'arresta" (Tamiri, Agenore) |
208 | 208 | Il rè pastore, K. 208: Act I, Scene IV. No. 5 Aria "Per me rispondete" (Agenore) |
208 | 208 | Il rè pastore, K. 208: Act I, Scene V. Recitativo "No: voi non siete, oh Dei" (Tamiri) |
208 | 208 | Il rè pastore, K. 208: Act I, Scene V. No. 6 Aria "Di tante sue procelle" (Tamiri) |
208 | 208 | Il rè pastore, K. 208: Act I, Scene VI. Recitativo "Oh lieto giorno!" (Elisa, Aminta) / Act I, Scene VII. Recitativo "Dal più fedel vassallo" (Agenore, Elisa, Aminta) |
208 | 208 | Il rè pastore, K. 208: Act I, Scene VIII. Recitativo "Elisa! Aminta! È sogno?" (Aminta, Elisa) |
208 | 208 | Il rè pastore, K. 208: Act I, Scene VIII. No. 7 Duetto "Vanne a regnar ben mio" (Elisa, Aminta) |
208 | 208 | Il rè pastore, K. 208: Act II, Scene I. Recitativo "Questa del campo greco e la tenda maggior" (Elisa, Agenore) |
208 | 208 | Il rè pastore, K. 208: Act II, Scene I. No. 8 Aria "Barbaro, oh Dio! mi vedi" (Elisa) |
208 | 208 | Il rè pastore, K. 208: Act II, Scene II. Recitativo "Nel gran cor d'Alessandro" (Agenore, Aminta) / Recitativo "Per qual ragione resta il re di Sidone" (Alessandro, Aminta) / Act II, Scene IV. Recitativo "Or per la mia Tamiri e tempo di parlar" (Agenore, Alessandro) |
208 | 208 | Il rè pastore, K. 208: Act II, Scene IV. No. 9 Aria "Se vincendo vi rendo felici" (Alessandro) |
208 | 208 | Il rè pastore, K. 208: Act II, Scene V. Recitativo "Oimè! declina il sol" (Aminta) / Act II, Scene VI. Recitativo "E irresoluto ancora" (Agenore, Aminta) |
208 | 208 | Il rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta) |
208 | 208 | Il rè pastore, K. 208: Act II, Scene VII. No. 10 Recitativo "Uscite, alfine uscite" (Agenore, Elisa) / Recitativo "Povera ninfa!" (Agenore, Tamiri) |
208 | 208 | Il rè pastore, K. 208: Act II, Scene IX. Aria "Se tu di me fai dono" (Tamiri) |
208 | 208 | Il rè pastore, K. 208: Act II, Scene X. Recitativo "Misero cor!" (Agenore) |
208 | 208 | Il rè pastore, K. 208: Act II, Scene X. No. 12 Aria "Sol può dir, come si trova" (Agenore) |
208 | 208 | Il rè pastore, K. 208: Act II, Scene XI-XIII. No. 13 Aria "Voi che fausti ognor donate" (Alessandro) |
208 | 208 | Il rè pastore, K. 208: Act II, Scene XIII. Recitativo "Ola! che più si tarda?" (Alessandro, Tamiri, Agenore, Elisa, Aminta) |
208 | 208 | Il rè pastore, K. 208: Act II, Scene XIII. No. 14 Coro "Viva l'invitto duce" (Elisa, Tamiri, Aminta, Agenore, Alessandro) |
213 | 213 | Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: I. Allegro spiritoso |
213 | 213 | Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: II. Andante |
213 | 213 | Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: III. Minuetto |
213 | 213 | Divertimento No. 8 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 213: IV. Contredanse en rondeau |
240 | 240 | Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: I. Allegro |
240 | 240 | Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: II. Andante grazioso |
240 | 240 | Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: III. Minuetto |
240 | 240 | Divertimento No. 9 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 240: IV. Allegro |
240a | 252 | Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: I. Andante |
240a | 252 | Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: II. Minuetto & Trio |
240a | 252 | Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: III. Polonaise. Andante |
240a | 252 | Divertimento No. 12 for 2 Oboes, 2 Horns & 2 Bassoons in E-flat major, K. 240a/252: IV. Presto assai |
240b | 188 | Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: I. Andante |
240b | 188 | Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: II. Allegro |
240b | 188 | Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: III. Minuetto |
240b | 188 | Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: IV. Andante |
240b | 188 | Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: V. Minuetto |
240b | 188 | Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: VI. Gavotte |
246 | 246 | Concerto for Piano No. 8 in C major, K. 246 "Lutzow": I. Allegro aperto |
246 | 246 | Concerto for Piano No. 8 in C major, K. 246 "Lutzow": II. Andante |
246 | 246 | Concerto for Piano No. 8 in C major, K. 246 "Lutzow": III. Rondeau. Tempo di menuetto |
246a | 262 | Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": I. "Kyrie" |
246a | 262 | Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": II. "Gloria" |
246a | 262 | Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": III. "Credo" |
246a | 262 | Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": IV. "Sanctus" |
246a | 262 | Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": V. "Benedictus" |
246a | 262 | Mass No. 13 for Soloists, Chorus & Orchestra in C major, K. 246a/262 "Missa longa": VI. "Agnus Dei" |
246c | 288 | Divertimento for Orchestra in F major, K. 246c/288 (77 measure fragment): Allegro |
246c | 288 | Divertimento for Orchestra in F major, K. 246c/288 (Erik Smith completion): Allegro |
247 | 247 | Divertimento No. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": I. Allegro |
247 | 247 | Divertimento No. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": II. Andante grazioso |
247 | 247 | Divertimento No. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": III. Minuetto |
247 | 247 | Divertimento No. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": IV. Adagio |
247 | 247 | Divertimento No. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": V. Minuetto |
247 | 247 | Divertimento No. 10 for 2 Horns, 2 Violins, Viola & Double Bass in F major, K. 247 "Lodronische Nachtmusik": VI. Andante - allegro assai |
248a | 260 | Offertorium, Venerabili sacramento for Chorus & Orchestra in D major, K. 248a/260: "Venite populi" |
250a | 101 | Serenade No. 2 for Orchestra in F major, K. 250a/101: I. Contredanse |
250a | 101 | Serenade No. 2 for Orchestra in G major, K. 250a/101: II. Contredanse |
250a | 101 | Serenade No. 2 for Orchestra in D major, K. 250a/101: III. Contredanse |
250a | 101 | Serenade No. 2 for Orchestra in F major, K. 250a/101: IV. Contredanse |
251 | 251 | Divertimento No. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": I. Allegro molto |
251 | 251 | Divertimento No. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": II. Minuetto |
251 | 251 | Divertimento No. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": III. Andantino |
251 | 251 | Divertimento No. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": IV. Minuetto |
251 | 251 | Divertimento No. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": V. Rondeau |
251 | 251 | Divertimento No. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": VI. Marcia alla francese |
253 | 253 | Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: I. Tema. Andante con variazioni |
253 | 253 | Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: II. Minuetto |
253 | 253 | Divertimento No. 13 for 2 Oboes, 2 Horns & 2 Bassoons in F major, K. 253: III. Allegro assai |
254 | 254 | Trio for Piano No. 1 in B-flat major, K. 254: I. Allegro assai |
254 | 254 | Trio for Piano No. 1 in B-flat major, K. 254: II. Adagio |
254 | 254 | Trio for Piano No. 1 in B-flat major, K. 254: III. Rondeau. Tempo di minuetto |
257 | 257 | Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": I. "Kyrie" |
257 | 257 | Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": II. "Gloria" |
257 | 257 | Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": III. "Credo in unum Deum" |
257 | 257 | Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": IV. "Et incarnatus est" |
257 | 257 | Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": V. "Sanctus" |
257 | 257 | Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": VI. "Benedictus" |
257 | 257 | Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": VII. "Agnus Dei" |
258 | 258 | Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": I. "Kyrie" |
258 | 258 | Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": II. "Gloria" |
258 | 258 | Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": III. "Credo" |
258 | 258 | Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": IV. "Sanctus" |
258 | 258 | Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": V. "Benedictus" |
258 | 258 | Mass No. 11 for Soloists, Chorus & Orchestra in C major, K. 258 "Missa brevis", "Spaurmesse": VI. "Agnus Dei" |
258a | Anh 13 | Kyrie for 4 Voices, 2 Violins, 2 Clarini, Timpani, Bass & Organ in C major, K. 258a/Anh 13 (9 measure fragment) |
259 | 259 | Mass No. 12 for Soloists, Chorus & Orchestra in C major, K. 259 "Missa brevis", "Orgelsolomesse": I. "Kyrie" |
259 | 259 | Mass No. 12 for Soloists, Chorus & Orchestra in C major, K. 259 "Missa brevis", "Orgelsolomesse": II. "Gloria" |
259 | 259 | Mass No. 12 for Soloists, Chorus & Orchestra in C major, K. 259 "Missa brevis", "Orgelsolomesse": III. "Credo" |
259 | 259 | Mass No. 12 for Soloists, Chorus & Orchestra in C major, K. 259 "Missa brevis", "Orgelsolomesse": IV. "Sanctus" |
259 | 259 | Mass No. 12 for Soloists, Chorus & Orchestra in C major, K. 259 "Missa brevis", "Orgelsolomesse": V. "Benedictus" |
259 | 259 | Mass No. 12 for Soloists, Chorus & Orchestra in C major, K. 259 "Missa brevis", "Orgelsolomesse": VI. "Agnus Dei" |
270 | 270 | Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: I. Allegro molto |
270 | 270 | Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: II. Andantino |
270 | 270 | Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto |
270 | 270 | Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: IV. Presto |
271 | 271 | Concerto for Piano No. 9 in E-flat major, K. 271 "Jenamy": I. Allegro |
271 | 271 | Concerto for Piano No. 9 in E-flat major, K. 271 "Jenamy": II. Andantino |
271 | 271 | Concerto for Piano No. 9 in E-flat major, K. 271 "Jenamy": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo |
271c | 267 | 4 Contredanses for Orchestra in G major, K. 271c/267: I. |
271c | 267 | 4 Contredanses for Orchestra in E-flat major, K. 271c/267: II. |
271c | 267 | 4 Contredanses for Orchestra in A major, K. 271c/267: III. |
271c | 267 | 4 Contredanses for Orchestra in D major, K. 271c/267: IV. |
271f | 266 | Note that II and III for the movements of 271f is correct. Movement I is a lost work. |
271f | 266 | Trio for 2 Violins & Cello in B-flat major, K. 271f/266: II. Adagio |
271f | 266 | Trio for 2 Violins & Cello in B-flat major, K. 271f/266: III. Minuetto |
271f | 266 | Trio for 2 Violins & Cello in B-flat major, K. 271f/266: II. Adagio / III. Minuetto |
271g | 289 | Divertimento No. 16 for 2 Oboes, 2 Bassoons & 2 Horns in E-flat major, K. 271g/289 (doubtful): I. Adagio - allegro |
271g | 289 | Divertimento No. 16 for 2 Oboes, 2 Bassoons & 2 Horns in E-flat major, K. 271g/289 (doubtful): II. Minuetto |
271g | 289 | Divertimento No. 16 for 2 Oboes, 2 Bassoons & 2 Horns in E-flat major, K. 271g/289 (doubtful): III. Adagio |
271g | 289 | Divertimento No. 16 for 2 Oboes, 2 Bassoons & 2 Horns in E-flat major, K. 271g/289 (doubtful): IV. Finale. Presto |
271H | 287 | Divertimento No. 15 for 2 Horns, 2 Violins, Viola & Double Bass in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": I. Allegro |
271H | 287 | Divertimento No. 15 for 2 Horns, 2 Violins, Viola & Double Bass in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": II. Tema con variazioni. Andante grazioso con variazioni |
271H | 287 | Divertimento No. 15 for 2 Horns, 2 Violins, Viola & Double Bass in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": III. Minuetto & Trio |
271H | 287 | Divertimento No. 15 for 2 Horns, 2 Violins, Viola & Double Bass in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": IV. Adagio |
271H | 287 | Divertimento No. 15 for 2 Horns, 2 Violins, Viola & Double Bass in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": V. Minuetto & Trio |
271H | 287 | Divertimento No. 15 for 2 Horns, 2 Violins, Viola & Double Bass in B-flat major, K. 271H/K3 271b/287 "Lodron Serenade No 2": VI. Andante - allegro molto |
272a | 277 | Offertorium de beata Maria virgine for Chorus & Orchestra in F major, K. 272a/277: "Alma Dei creatoris" |
272b | 275 | Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": I. "Kyrie" |
272b | 275 | Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": II. "Gloria" |
272b | 275 | Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": III. "Credo" |
272b | 275 | Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": IV. "Sanctus" |
272b | 275 | Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": V. "Benedictus" |
272b | 275 | Mass No. 14 for Soloists, Chorus & Orchestra in B-flat major, K. 272b/275 "Missa brevis": VI. "Agnus Dei" |
273 | 273 | Graduale ad festum de beata Maria virgine for Chorus & Orchestra in F major, K. 273: "Sancta Maria, mater Dei" |
284b | 309 | Sonata for Piano No. 7 in C major, K. 284b/309: I. Allegro con spirito |
284b | 309 | Sonata for Piano No. 7 in C major, K. 284b/309: II. Andante un poco adagio |
284b | 309 | Sonata for Piano No. 7 in C major, K. 284b/309: III. Rondeau. Allegretto grazioso |
284c | 311 | Sonata for Piano No. 9 in D major, K. 284c/311: I. Allegro con spirito |
284c | 311 | Sonata for Piano No. 9 in D major, K. 284c/311: II. Andante con espressione |
284c | 311 | Sonata for Piano No. 9 in D major, K. 284c/311: III. Rondeau. Allegro |
285c | 313 | Concerto for Flute No. 1 in G major, K. 285c/313: I. Allegro maestoso |
285c | 313 | Concerto for Flute No. 1 in G major, K. 285c/313: II. Adagio non troppo |
285c | 313 | Concerto for Flute No. 1 in G major, K. 285c/313: III. Tempo di menuetto |
285d | 314 | Concerto for Flute No. 2 in D major, K. 285d/314: I. Allegro aperto |
285d | 314 | Concerto for Flute No. 2 in D major, K. 285d/314: II. Adagio ma non troppo |
285d | 314 | Concerto for Flute No. 2 in D major, K. 285d/314: III. Rondo. Tempo di menuetto |
285e | 315 | Concerto for Flute & Orchestra in C major, K. 285e/315: Andante |
285d | 314 | Concerto for Flute (on Oboe) No. 2 in D major, K. 285d/314: I. Allegro aperto |
285d | 314 | Concerto for Flute (on Oboe) No. 2 in D major, K. 285d/314: II. Adagio ma non troppo |
285d | 314 | Concerto for Flute (on Oboe) No. 2 in D major, K. 285d/314: III. Rondo. Allegretto |
291b | deest | Composed by Leopold Mozart, not Wolfgang Amadeus Mozart. |
293e | deest | Note: For this work, Johann Christian Bach ought to be AR'd as composer, Wolfgang Amadeus Mozart as additional composer. Wolfgang Amadeus Mozart ought to be set as the track composer. |
293e | deest | Ornamentation Cadenza for Johann Christian Bach: Adriano in Siria, T 211: Aria "Cara, la dolce fiamma", K. 293e/deest |
296a | 322 | Kyrie for Chorus & Orchestra in E-flat major, K. 296a/322 (22 measure fragment) |
296a | 322 | Kyrie for Chorus & Orchestra in E-flat major, K. 296a/322 (Maximilian Stadler completion) |
296b | Anh 12 | Kyrie for 4 Voices & Orchestra in E-flat major, K. 296b/KV Anh 12 (fragment) |
296c | deest | Sanctus for 4 Voices in E-flat major, K. 296c/K3 296b(discussion)/KV deest (18 measure textless sketch) |
297B | Anh 9 | Sinfonie concertante for Winds in E-flat major, K. 297B/Anh 9 (fragment) (Joseph Bopp reconstruction) |
297B | Anh 9 | Sinfonie concertante for Winds in E-flat major, K. 297B/Anh 9 (Robert Levin reconstruction): I. Allegro |
297B | Anh 9 | Sinfonie concertante for Winds in E-flat major, K. 297B/Anh 9 (Robert Levin reconstruction): II. Adagio |
297B | Anh 9 | Sinfonie concertante for Winds in E-flat major, K. 297B/Anh 9 (Robert Levin reconstruction): III. Andantino con variazioni |
297B | Anh 9 | Sinfonie concertante for Winds in E-flat major, K. 297B/Anh 9 (fragment) (Robert Levin reconstruction) |
297c | 299 | Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: I. Allegro |
297c | 299 | Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino |
297c | 299 | Sinfonia Concertante in C major for Flute, Harp & Orchestra, K. 297c/299: III. Rondeau. Allegretto grazioso, ma non troppo presto, però non troppo adagio. Così-così-con molto garbo ed espressione |
299a | 354 | 12 Variations on Antoine-Laurent Baudron: Le Barbier de Seville: "Je suis Lindor" for Piano in E-flat major, K. 299a/354 |
299b | Anh 10 | Ballet Music in C major, K. 299b/Anh 10 "Les petits riens": I. Ouverture |
299b | Anh 10 | Ballet Music in C major, K. 299b/Anh 10 "Les petits riens": II. Andantino |
299b | Anh 10 | Ballet Music in C major, K. 299b/Anh 10 "Les petits riens": III. Allegro |
299b | Anh 10 | Ballet Music in C major, K. 299b/Anh 10 "Les petits riens": IV. Larghetto |
299b | Anh 10 | Ballet Music in C major, K. 299b/Anh 10 "Les petits riens": V. Gavotte |
299b | Anh 10 | Ballet Music in C major, K. 299b/Anh 10 "Les petits riens": VI. Gavotte |
299b | Anh 10 | Ballet Music in C major, K. 299b/Anh 10 "Les petits riens": VII. Pantomime |
299b | Anh 10 | Ballet Music in C major, K. 299b/Anh 10 "Les petits riens": VIII. Gavotte |
299c | deest | Sketches of a Ballet Intermezzo, K. 299c/deest (fragment) |
299c | deest | Sketches of a Ballet Intermezzo, K. 299c/deest (Erik Smith completion) |
299d | Anh 103 | Sketch for Orchestra in A major, K. 299d/Anh 103 (fragment) "La Chaße" |
299d | Anh 103 | La chasse for Orchestra in A major, K. 299d/Anh 103 (Erik Smith completion) |
300 | 300 | Gavotte for Orchestra in B major, K. 300 |
300d | 310 | Sonata for Piano No. 8 in A minor, K. 300d/310: I. Allegro maestoso |
300d | 310 | Sonata for Piano No. 8 in A minor, K. 300d/310: II. Andante cantabile con espressione |
300d | 310 | Sonata for Piano No. 8 in A minor, K. 300d/310: III. Presto |
300e | 265 | 12 Variations on French Traditional: "Ah, vous dirai-je, Maman" for Piano in C major, K. 300e/265 |
300f | 353 | 12 Variations on French Traditional: "La belle Françoise" for Piano in E-flat major, K. 300f/353 |
300h | 330 | Sonata for Piano No. 10 in C major, K. 300h/330: I. Allegro moderato |
300h | 330 | Sonata for Piano No. 10 in C major, K. 300h/330: II. Andante cantabile |
300h | 330 | Sonata for Piano No. 10 in C major, K. 300h/330: III. Allegretto |
300i | 331 | Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": I. Tema con variazioni. Andante grazioso |
300i | 331 | Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": II. Minuetto |
300i | 331 | Sonata for Piano No. 11 in A major, K. 300i/331 "Alla Turca": III. Rondo alla Turca. Allegretto |
300k | 332 | Sonata for Piano No. 12 in F major, K. 300k/332: I. Allegro |
300k | 332 | Sonata for Piano No. 12 in F major, K. 300k/332: II. Adagio |
300k | 332 | Sonata for Piano No. 12 in F major, K. 300k/332: III. Allegro assai |
315c | 333 | Sonata for Piano No. 13 in B-flat major, K. 315c/333: I. Allegro |
315c | 333 | Sonata for Piano No. 13 in B-flat major, K. 315c/333: II. Andante cantabile |
315c | 333 | Sonata for Piano No. 13 in B-flat major, K. 315c/333: III. Allegretto grazioso |
315d | 264 | 9 Variations on Nicolas Dezède: Comedie melée d'Ariettes Julie: "Lison dormait" for Piano in C major, K. 315d/264 |
315f | Anh 56 | Concerto for Piano & Violin, K. 315f/Anh 56 (fragment) |
315f | Anh 56 | Concerto for Piano & Violin, K. 315f/Anh 56 (Philip Wilby reconstruction): I. Allegro |
315f | Anh 56 | Concerto for Piano & Violin, K. 315f/Anh 56 (Philip Wilby reconstruction): II. Andantino cantabile |
315f | Anh 56 | Concerto for Piano & Violin, K. 315f/Anh 56 (Philip Wilby reconstruction): III. Allegretto - allegro |
316a | 365 | Concerto for 2 Pianos & Orchestra No. 10 in E-flat major, K. 316a/365: I. Allegro |
316a | 365 | Concerto for 2 Pianos & Orchestra No. 10 in E-flat major, K. 316a/365: II. Andante |
316a | 365 | Concerto for 2 Pianos & Orchestra No. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro |
317 | 317 | Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": I. "Kyrie" |
317 | 317 | Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": II. "Gloria" |
317 | 317 | Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": III. "Credo" |
317 | 317 | Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": IV. "Sanctus" |
317 | 317 | Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": V. "Benedictus" |
317 | 317 | Mass No. 15 for Soloists, Chorus & Orchestra in C major, K. 317 "Coronation Mass": VI. "Agnus Dei" |
317b | 146 | Aria for Soprano & Orchestra in B-flat major, K. 317b/146: "Kommet her, ihr frechen Sünder" |
320b | 334 | Divertimento No. 17 for 2 Horns & Strings in D major, K. 320b/334: I. Allegro |
320b | 334 | Divertimento No. 17 for 2 Horns & Strings in D major, K. 320b/334: II. Andante |
320b | 334 | Divertimento No. 17 for 2 Horns & Strings in D major, K. 320b/334: III. Minuetto |
320b | 334 | Divertimento No. 17 for 2 Horns & Strings in D major, K. 320b/334: IV. Adagio |
320b | 334 | Divertimento No. 17 for 2 Horns & Strings in D major, K. 320b/334: V. Minuetto |
320b | 334 | Divertimento No. 17 for 2 Horns & Strings in D major, K. 320b/334: VI. Rondo allegro |
320B | deest | Divertimento Movement for Orchestra in D major, K. 320B/deest (fragment) |
320d | 364 | Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso |
320d | 364 | Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: II. Andante |
320d | 364 | Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: III. Presto |
320e | Anh 104 | Sinfonia Concertante for Violin, Viola, & Cello in A major, K. 320e/Anh 104 (fragment) |
320e | Anh 104 | Sinfonia Concertante for Violin, Viola, & Cello in A major, K. 320e/Anh 104 (Richard Schumacher & Luigi Bianchi completion) |
320e | Anh 104 | Sinfonia Concertante for Violin, Viola, & Cello in A major, K. 320e/Anh 104 (Robert Levin completion) |
320e | Anh 104 | Sinfonia Concertante for Violin, Viola, & Cello in A major, K. 320e/Anh 104 (Philip Wilby reconstruction) |
321b | 276 | Antiphon for Soloists, Chorus & Orchestra in C major, K. 321b/276: Regina coeli |
323 | Anh 15 | Kyrie for Chorus & Orchestra in C major, K. 323/Anh 15 (37 measure fragment) |
323 | Anh 15 | Kyrie for Chorus & Orchestra in C major, K. 323/Anh 15 (Maximilian Stadler completion) |
323a | Anh 20 | Gloria in C major, K. 323a/Anh 20 (26 measure fragment) |
336a | 345 | Thamos, König in Ägypten, K. 336a/345: I. Act I. Chorus "Schon weichet dir, Sonne" |
336a | 345 | Thamos, König in Ägypten, K. 336a/345: II. Act I. Interlude |
336a | 345 | Thamos, König in Ägypten, K. 336a/345: III. Andante: Act II. Interlude |
336a | 345 | Thamos, König in Ägypten, K. 336a/345: IV. Allegro: Act III. Interlude |
336a | 345 | Thamos, König in Ägypten, K. 336a/345: V. Allegro vivace assai: Act IV. Interlude |
336a | 345 | Thamos, König in Ägypten, K. 336a/345: VI. Allegro moderato: Act V. Chorus with Soloists "Gottheit, über alle mächtig!" |
336a | 345 | Thamos, König in Ägypten, K. 336a/345: VII. Allegro moderato: Act V. Chorus, Solo "Ihr Kinder des Staubes, erzittert und betet" (Sethos) |
336b | 344 | Zaïde, K. 336b/344 (fragment): Act I. No. 1 Coro "Brüder, laßt uns lustig sein" (Coro) |
336b | 344 | Zaïde, K. 336b/344 (fragment): Act I. No. 2 Melologo "Unerforschliche Fügung" (Gomatz) |
336b | 344 | Zaïde, K. 336b/344 (fragment): Act I. No. 3 Aria "Ruhe sanft, mein holdes Leben" (Zaïde) |
336b | 344 | Zaïde, K. 336b/344 (fragment): Act I. No. 4 Aria "Rase, Schicksal, wüte immer" (Gomatz) |
336b | 344 | Zaïde, K. 336b/344 (fragment): Act I. No. 5 Duetto "Meine Seele hüpft vor Freuden" (Zaïde, Gomatz) |
336b | 344 | Zaïde, K. 336b/344 (fragment): Act I. No. 6 Aria "Herr und Freund, wie dank' ich Dir" (Gomatz) |
336b | 344 | Zaïde, K. 336b/344 (fragment): Act I. No. 7 Aria "Nur mutig, mein Herze, versuche dein Glück" (Allazim) |
336b | 344 | Zaïde, K. 336b/344 (fragment): Act I. No. 8 Terzetto "O selige Wonne" (Zaïde, Gomatz, Allazim) |
336b | 344 | Zaïde, K. 336b/344 (fragment): Act II. No. 9 Melologo "Zaïde entflohen" (Soliman) / Aria "Der stolze Löw' läßt sich zwar zähmen" (Soliman) |
336b | 344 | Zaïde, K. 336b/344 (fragment): Act II. No. 10 Aria "Wer hungrig bei der Tafel sitzt" (Osmin) |
336b | 344 | Zaïde, K. 336b/344 (fragment): Act II. No. 11 Aria "Ich bin so bös' als gut" (Soliman) |
336b | 344 | Zaïde, K. 336b/344 (fragment): Act II. No. 12 Aria "Trostlos schluchzet Philomele" (Zaïde) |
336b | 344 | Zaïde, K. 336b/344 (fragment): Act II. No. 13 Aria "Tiger! Wetze nur die Klauen" (Zaïde) |
336b | 344 | Zaïde, K. 336b/344 (fragment): Act II. No. 14 Aria "Ihr Mächtigen seht ungerührt" (Allazim) |
336b | 344 | Zaïde, K. 336b/344 (fragment): Act II. No. 15 Quartetto "Freundin, stille deine Tränen" (Zaïde, Gomatz, Soliman, Allazim) |
336b | 344 | Zaïde, K. 336b/344 (fragment): Act II. Marsch |
337 | 337 | Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: I. "Kyrie" |
337 | 337 | Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: II. "Gloria" |
337 | 337 | Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: III. "Credo" |
337 | 337 | Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: IV. "Sanctus" |
337 | 337 | Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: V. "Benedictus" |
337 | 337 | Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. 337: VI. "Agnus Dei" |
*337 | 337 | Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. *337 (137 measure fragment) (original version): III. Rondo. Chaconne "Credo" |
*337 | 337 | Missa solemnis No. 16 for Soloists, Chorus & Orchestra in C major, K. *337 (Murl J. Sickbert, Jr. completion) (original version): III. Rondo. Chaconne "Credo" |
365a | Anh 11a | Aria, K 365a/Anh 11a (30 measure fragment) "Die neugeborne Ros' entzückt": Aria "Warum, o Liebe, triebst du jenen..." |
366 | 366 | Special Note: Idomeneo, rè di Creta has many optional or alternative movements, as well as a over a dozen possible drop-in movements from the Anhang works. Especially as this opera is performed much less frequently than some other Mozart operas, the selection of which movements (or versions of movements) will be performed, in which order - and then which will end up on a recorded release - varies greatly. Most of the possible movements have been listed here. If you encounter libretto text, a Numbered+letter movement (especially where the libretto doesn't match one listed here for that Number+letter), or any Anhang or fragmentary works which are not listed here, please contact BrianFreud for assistance in identifying your movement and so it may be correctly listed on your release and added to this list. |
366 | 366 | Please also note that as Wolfgang Amadeus Mozart also composed the ballet music for this opera, you may also find that music included within your release. It is K. 367. |
366 | 366 | Idomeneo, rè di Creta, K. 366: Ouverture |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act I, Scene I. No. 1 Aria "Padre, germani, addio!" (Ilia) / "Ecco Idamante, ahimé!" (Ilia) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act I, Scene II. Recitativo "Radunate i Troiani, ite" (Ilia, Idamante) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act I, Scene II. No. 2 Aria "Non ho colpa" (Idamante) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act I, Scene II. Recitativo "Ecco il misero" (Ilia, Idamante) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act I, Scene III. No. 3 Coro "Godiam la pace" (Coro) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act I, Scene III. Recitativo "Arbace viene" (Idamante, Arbace, Ilia) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act I, Scene VI. Recitativo "Estinto è Idomeneo?" (Elettra) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act I, Scene VI. No. 4 Aria "Tutte nel cor vi sento" (Elettra) |
366 | 366 | Note that some releases split the following Recitativo in the middle, creating two separate tracks. Do not be alarmed if you only need the first of these two lines. |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act I, Scene VI. Recitativo "Prence, signor, tutta la Grecia oltraggi" (Elettra,Idomeneo, Arbace) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act I, Scene VI. Recitativo (continued) "Estinto è Idomeneo?" (Elettra,Idomeneo, Arbace) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act I, Scene VII. No. 5 Coro "Pietà! Numi, pietà!" (Coro) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act I, Scene VIII. Pantomima e Recitativo "Ecco ci salvi alfin" (Idomeneo) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act I, Scene VIII. Aria "Vedrommi intorno l'ombra dolente" (Idomeneo) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act I, Scene VIII. No. 6 Recitativo "Cieli! che veggo!" (Idomeneo, Idamante) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act I, Scene IX. Recitativo "Ah qual gelido orror" (Idamante) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act I, Scene X. No. 7 Aria "Il padre adorato" (Idamante) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act I, Scene XI. No. 8 Marcia |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act I, Scene XI. No. 9 Coro "Nettuno s'onori!" (Coro) |
366 | 366 | Note: The next movement is correctly titled - it is a titled ballet movement occurring within the opera. |
366 | 366 | Idomeneo, rè di Creta, K. 366 "Ballo delle donne Cretesi": Act I, Scene XI. Gavotte |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene I. Recitativo "Siam soli, odimi Arbace" (Idomeneo, Arbace) |
366 | 366 | Note: There are four different 10a's - some recordings include more than one. Please check if the one you need uses "Aria" (the first (separated non-allegro aria) 10a listed below), "Allegro" or "Aria. Allegro" (the second (Allegro version) 10a listed below), has the libretto "Tutto m'è noto" (the third (separated recitativo) 10a listed below), or Aria with both "Tutto m'è noto" and "Se il tuo duol" (the fourth (combined recitativo and aria) 10a listed below). |
366 | 366 | Please also double check - to make it even more confusing, 10a also may be completely omitted, and replaced by a slightly modified K. 490 as No. 10b. If your version includes libretto which begins with "Non più tutto", use the 10b listed below. |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene I. No. 10a Aria "Se il tuo duol, se il mio desio" (Arbace) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene I. No. 10a Recitativo "Tutto m'è noto" (Arbace, Idomeneo) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene I. No. 10a Aria. Allegro "Se il tuo duol, se il mio desio" (Arbace) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene I. No. 10a Recitativo e Aria. "Tutto m'è noto… Se il tuo duol, se il mio desio" (Arbace) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene I. No. 10b Recitative and Aria (K. 490): "Non più. Tutto ascoltai… Non temer, amato bene" |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene II. Recitativo "Se mai pomposo" (Ilia, Idomeneo) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene III. Recitativo "Qual mi conturba i sensi" (Idomeneo) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene III. No. 12 Aria "Fuor del mar ho un mar in seno" (Idomeneo) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene IV. Recitativo "Frettolosa e giuliva" (Idomeneo, Elettra) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene IV. Recitativo "Chi mai del mio provò piacer più dolce?" (Elettra) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene V. Recitativo "Parto, e l'unico oggetto" (Elettra) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene V. No. 13 Aria "Idol mio, se ritroso" (Elettra) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene V. Marcia / No. 14 Recitavio "Odo da lunge" (Elettra) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene V. Recitativo "Sidonie sponde!" (Elettra) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene VI. No. 15 Coro "Placido è il mar" (Elettra) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene VII. Recitativo "Vattene, prence" (Idomeneo, Idamante) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene VII. No. 16 Terzetto "Pria di partir, oh Dio!" (Idamante, Elettra, Idomeneo) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene VII. No. 17 Coro "Qual nuovo terrore!" (Coro) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act II, Scene VII. Recitativo "Eccoti in me, barbaro Nume!" (Idomeneo) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 18 Coro "Corriamo, fuggiamo" (Coro) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene I. Recitativo "Solitudini amiche" (Ilia) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Ei stesso vien" (Ilia) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Principessa, a' tuoi sguardi" (Idamante, Ilia) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene II. No. 20a Duetto "S'io non moro a questi accenti" (Idamante, Ilia) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene II. Duetto "Spiegarti non poss'io" (Ilia, Idamante) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene III. Recitativo "Cieli! che vedo?" (Idomeneo, Ilia, Idamante, Elettra) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene III. No. 21 Quartetto "Andrò ramingo e solo" (Idamante, Ilia, Idomeneo, Elettra) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene IV. Recitativo "Sire, alla reggia tua immensa turba" (Arbace, Ilia,Idomeneo, Elettra) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene V. Recitativo "Sventurata Sidon!" (Arbace) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene V. No. 22 Aria "Se colà ne' fati è scritto" (Arbace) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene VI. No. 23 Recitativo "Volgi intorno lo sguardo" (Gran Sacerdote, Idomeneo) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene VI. No. 24 Coro "O voto tremendo" (Coro, Gran Sacerdote) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene VII. No. 25 Marcia |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene VII. No. 26 Duetto "Accogli, oh rè del mar" (Idomeneo, Sacerdote) |
366 | 366 | Please pay particular attention to which of the next 5 lines you need - you may need only line 1, line 2, line 3, line 4, line 5, lines 3/2, lines 3/4, lines 4/5, or lines 3/4/5. |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene VII. Coro "Stupenda vittoria!" (Coro) / Scene VII. Recitativo "Qual risuona qui intorno" (Idomeneo, Arbace) / Scene VIII. Recitativo "Sire, il prence" (Idomeneo, Arbace) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene VII. Recitativo "Qual risuona qui intorno" (Idomeneo, Arbace) / Scene VIII. Recitativo "Sire, il prence" (Idomeneo, Arbace) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene VII. Coro "Stupenda vittoria!" (Coro) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene VII. Recitativo "Qual risuona qui intorno" (Idomeneo, Arbace) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene VIII. Recitativo "Sire, il prence" (Idomeneo, Arbace) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene IX. Recitativo "Padre, mio caro padre!" (Idamante, Idomeneo) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene IX. Allegro risoluto - Andante - Allegro - Largo - Presto "Deh vibra un colpo" (Idomeneo, Ilia, Gran Sacerdote, Elletra) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene IX. No. 27a Aria "No, la morte io non pavento" (Idamante) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. Recitativo "Ma, che più tardi?" (Idamante, Idomeneo, Ilia, Gran Sacerdote) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 28 La Voce "Ha vinto Amore" (La Voce) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. Recitativo "O ciel pietoso!" (Idomeneo, Idamante, Ilia, Arbace, Elettra) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. Dialogue "Ferma, oh sire, che fai?" (Ilia,Idomeneo, Idomante, Ilia, Gran Sacerdote) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 28a La Voce "Idomeneo cessi esserre" (La Voce) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 28b La Voce "A Idomeneo perdona" (La Voce) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 28d La Voce "Ha vinto Amore" (La Voce) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29a Aria "D'Oreste, d'Aiace" (Elettra) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 30 Recitativo "Popoli, a voi l'ultima legge" (Idomeneo) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo) |
366 | 366 | Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 31 Coro "Scenda Amor, scenda Imeneo" (Coro) |
367 | 367 | Ballet Music for Idomeneo, rè di Creta, K. 367: I. Chaconne: Allegro in D major / Larghetto in B-flat major / Allegro in D major |
367 | 367 | Note: K. 367 I. is sometimes tracked as three separate tracks. If you need this, please use the following three lines instead of the above one. |
367 | 367 | Ballet Music for Idomeneo, rè di Creta, K. 367: Ia. Chaconne: Allegro in D major |
367 | 367 | Ballet Music for Idomeneo, rè di Creta, K. 367: Ib. Chaconne: Larghetto in B-flat major |
367 | 367 | Ballet Music for Idomeneo, rè di Creta, K. 367: Ic. Chaconne: Allegro in D major |
367 | 367 | Ballet Music for Idomeneo, rè di Creta in D major, K. 367: II. Pas seul: Largo / Allegretto / Più allegro |
367 | 367 | Note: K. 367 II. is sometimes tracked as three separate tracks. If you need this, please use the following three lines instead of the above one. |
367 | 367 | Ballet Music for Idomeneo, rè di Creta in D major, K. 367: IIa. Pas seul: Largo |
367 | 367 | Ballet Music for Idomeneo, rè di Creta in D major, K. 367: IIb. Pas seul: Allegretto |
367 | 367 | Ballet Music for Idomeneo, rè di Creta in D major, K. 367: IIc. Pas seul: Più allegro |
367 | 367 | Ballet Music for Idomeneo, rè di Creta in B-flat major, K. 367: III. Passepied |
367 | 367 | Ballet Music for Idomeneo, rè di Creta in G major, K. 367: IV. Gavotte |
367 | 367 | Ballet Music for Idomeneo, rè di Creta in C major, K. 367: V. Passacaille |
368a | 341 | Kyrie for Chorus & Orchestra in D minor, K. 368a/341 |
370a | 361 | Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partitta": I. Largo - allegro molto |
370a | 361 | Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partitta": II. Minuetto |
370a | 361 | Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partitta": III. Adagio |
370a | 361 | Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partitta": IV. Minuetto. Allegretto |
370a | 361 | Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partitta": V. Romanze. Adagio |
370a | 361 | Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partitta": VI. Tema con variazioni |
370a | 361 | Serenade No. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partitta": VII. Rondo |
370b | Anh 97+Anh 98 | Concerto Movement for Horn in E-flat major, K. 370b/K2 Anh 98b/KV Anh 97+Anh 98 (Herman Jeurissen completion): Allegro |
370b | Anh 97+Anh 98 | Concerto Movement for Horn in E-flat major, K. 370b/K2 Anh 98b/KV Anh 97+Anh 98 (John Humphries completion): Allegro |
370b | Anh 97+Anh 98 | Concerto Movement for Horn in E-flat major, K. 370b/K2 Anh 98b/KV Anh 97+Anh 98 (Robert Levin completion): Allegro |
372 | 372 | Sonata for Violin & Piano No. 31 in B-flat major, K. 372 (65 measure fragment): Allegro |
372 | 372 | Sonata for Violin & Piano No. 31 in B-flat major, K. 372 (Maximilian Stadler completion): Allegro |
372a | 400 | Note: Almost all recordings of K. 372a are the Stadler completion, not the fragment version. |
372a | 400 | Allegro for Piano in B-flat major, K. 372a/400 (Maximilian Stadler completion) |
372a | 400 | Allegro for Piano in B-flat major, K. 372a/400 (91 measure fragment) |
373a | 379 | Sonata for Violin & Piano No. 35 in G major, K. 373a/379: I. Adagio - allegro |
373a | 379 | Sonata for Violin & Piano No. 35 in G major, K. 373a/379: II. Tema. Andantino |
373a | 379 | Sonata for Violin & Piano No. 35 in G major, K. 373a/379: III. Variation I |
373a | 379 | Sonata for Violin & Piano No. 35 in G major, K. 373a/379: IV. Variation II |
373a | 379 | Sonata for Violin & Piano No. 35 in G major, K. 373a/379: V. Variation III |
373a | 379 | Sonata for Violin & Piano No. 35 in G major, K. 373a/379: VI. Variation IV |
373a | 379 | Sonata for Violin & Piano No. 35 in G major, K. 373a/379: VII. Variation V. Adagio |
373a | 379 | Sonata for Violin & Piano No. 35 in G major, K. 373a/379: VIII. Tema. Allegretto |
374a | 359 | 12 Variations for Violin & Piano No. 44 in G major, K. 374a/359 "La bergère Célimene" |
374b | 360 | 6 Variations for Violin & Piano No. 45 in G major, K. 374b/360 "Hélas, j'ai perdu mon amant" |
374c | 352 | 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352 |
374d | 376 | Sonata for Violin & Piano No. 32 in F major, K. 374d/376: I. Allegro |
374d | 376 | Sonata for Violin & Piano No. 32 in F major, K. 374d/376: II. Andante |
374d | 376 | Sonata for Violin & Piano No. 32 in F major, K. 374d/376: III. Rondo. Allegretto |
374e | 377 | Sonata for Violin & Piano No. 33 in F major, K. 374e/377: I. Allegro |
374e | 377 | Sonata for Violin & Piano No. 33 in F major, K. 374e/377: II. Tema. Andante |
374e | 377 | Sonata for Violin & Piano No. 33 in F major, K. 374e/377: III. Variation I |
374e | 377 | Sonata for Violin & Piano No. 33 in F major, K. 374e/377: IV. Variation II |
374e | 377 | Sonata for Violin & Piano No. 33 in F major, K. 374e/377: V. Variation III |
374e | 377 | Sonata for Violin & Piano No. 33 in F major, K. 374e/377: VI. Variation IV |
374e | 377 | Sonata for Violin & Piano No. 33 in F major, K. 374e/377: VII. Variation V |
374e | 377 | Sonata for Violin & Piano No. 33 in F major, K. 374e/377: VIII. Variation VI. Siciliana |
374e | 377 | Sonata for Violin & Piano No. 33 in F major, K. 374e/377: IX. Minuetto |
374f | 380 | Sonata for Violin & Piano No. 36 in E-flat major, K. 374f/380: I. Allegro |
374f | 380 | Sonata for Violin & Piano No. 36 in E-flat major, K. 374f/380: II. Andante |
374f | 380 | Sonata for Violin & Piano No. 36 in E-flat major, K. 374f/380: III. Rondo. Allegro |
374g | Anh 46 | Andantino for Piano and Cello in B-flat major, K. 374g/Anh 46 (fragment) |
374g | Anh 46 | Andantino for Piano and Cello in B-flat major, K. 374g/Anh 46 (Ernst Lewicki completion) |
374g | Anh 46 | Andantino for Piano and Cello in B-flat major, K. 374g/Anh 46 (Hermann Schroeder completion) |
375 | 375 | Serenade No. 11 for Winds in E-flat major, K. 375: I. Allegro maestoso |
375 | 375 | Serenade No. 11 for Winds in E-flat major, K. 375: II. Minuetto |
375 | 375 | Serenade No. 11 for Winds in E-flat major, K. 375: III. Adagio |
375 | 375 | Serenade No. 11 for Winds in E-flat major, K. 375: IV. Minuetto & Trio |
375 | 375 | Serenade No. 11 for Winds in E-flat major, K. 375: V. Allegro |
383c | Anh 38 | Fantasie for Keyboard in C major, K. 383c/Anh 38 (fragment) |
383i | deest | Sketch to a Symphony Movement or to an Overture in C major, K. 383i/deest (47 measure fragment) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Ouvertüre |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act I, Scene I. No. 1 Aria "Hier soll ich Dich denn sehen" (Belmonte) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act I, Scene I. Dialog "Aber wie soll ich in den Palast kommen?" (Belmonte) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act I, Scene II. No. 2 Lied und Duetto "Wer ein Liebchen hat gefunden" (Osmin, Belmonte) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act I, Scene III. Dialog "Könnt'ich mir noch so einen Schurken" (Osmin, Pedrillo) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act I, Scene III. No. 3 Aria "Solche hergelauf'ne Laffen" (Osmin) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act I, Scene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act I, Scene V. No. 4 Recitativo ed Aria "Konstanze! Dich wiederzusehen!" (Belmonte) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act I, Scene V. Dialog "Geschwind, geschwind auf die Seite und versteckt!" (Pedrillo, Belmonte) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act I, Scene VI. No. 5b Chor "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act I, Scene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act I, Scene VII. No. 6 Aria "Ach ich liebte" (Konstanze) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act I, Scene VIII. Dialog "Ihr Schmerz, ihre Tränen" (Selim, Pedrillo, Belmonte) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act I, Scene X. No. 7 Trio "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act II, Scene I. Dialog "O des Zankens, Befehlens und Murrens wird auch kein Ende!" (Blonde, Osmin) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act II, Scene I. No. 8 Aria "Durch Zärtlichkeit und Schmeicheln" (Blonde) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act II, Scene I. Dialog "Zärtlichkeit? Schmeicheln? Es ist mir wie pure Zärtlichkeit!" (Osmin, Blonde) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act II, Scene I. No. 9 Duetto "Ich gehe, doch rate ich dir" (Osmin, Blonde) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act II, Scene II. Recitativo "Welcher Wechsel herrscht in meiner Seele" (Konstanze) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act II, Scene II. No. 10 Aria "Traurigkeit ward mir zum Lose" (Konstanze) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act II, Scene III. Dialog "Nun, Konstanze, denkst du meinem Begehren nach?" (Selim, Konstanze) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act II, Scene III. No. 11 Aria "Martern aller Arten" (Konstanze) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act II, Scene IV. Dialog "Ist das ein Traum?" (Selim) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act II, Scene VI. Dialog "Bst, bst! Blondchen! Ist der Weg rein?" (Pedrillo, Blonde) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act II, Scene VI. No. 12 Aria "Welche Wonne, welche Lust" (Blonde) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act II, Scene VII. Dialog "Ah, daß es schon vorbei wäre!" (Pedrillo) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act II, Scene VII. No. 13 Aria "Frisch zum Kampfe!" (Pedrillo) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. Dialog "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. No. 14 Duetto "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. Dialog "Wein - Wein - ist ein schönes Getränk" (Pedrillo, Osmin) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act II, Scene IX. No. 15 Aria "Wenn der Freude Tränen fließen" (Belmonte) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act II, Scene IX. No. 16 Quartetto "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act III, Scene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act III, Scene IV. Dialog "Alles liegt auf dem Ohr" (Pedrillo, Belmonte) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act III, Scene IV. No. 18 Romance "In Mohrenland gefangen war" (Pedrillo) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act III, Scene IV. Dialog "Sie macht auf, Herr!" (Pedrillo, Belmonte, Konstanze, Blonde) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act III, Scene V. No. 19 Aria "O, wie will ich triumphieren" (Osmin) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act III, Scene V. Dialog "Was gibt's, Osmin, was gibt's?" (Selim, Osmin, Konstanze, Belmonte) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act III, Scene VII. Recitativo "Welch ein Geschick!" (Belmonte, Konstanze) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act III, Scene VII. No. 20 Duetto "Meinetwegen sollst du sterben!" |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act III, Scene IX. Dialog "Nun,Sklave! Elender Sklave!" (Selim, Belmonte, Konstanze, Pedrillo, Osmin) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Act III, Scene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" (Belmonte, Konstanze, Pedrillo, Blonde, Osmin) |
384 | 384 | Die Entführung aus dem Serail, K. 384: Appendix. Aria "Wenn der Freude Tränen fließen" (Belmonte) (long version) |
*384 | *384 | Arrangement for Piano of Die Entführung aus dem Serail, K. *384: Ouvertüre |
384a | 388 | Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": I. Allegro |
384a | 388 | Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": II. Andante |
384a | 388 | Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": III. Minuetto & Trio |
384a | 388 | Serenade No. 12 for Winds in C minor, K. 384a/388 "Nacht musique": IV. Allegro |
384A | 389 | Duet for 2 Tenors in E-flat major, K. 384A/389 (fragment): "Welch ängstliches Beben" |
384A | 389 | Duet for 2 Tenors in E-flat major, K. 384A/389 (Erik Smith completion): "Welch ängstliches Beben" |
384b | deest | March for 8 Winds in B-flat major, K. 384b/deest (fragment): Andante |
384b | deest | March for 8 Winds in B-flat major, K. 384b/deest (Eberhard Buschmann reconstruction): Andante |
384B | deest | Andante for 8 Winds in E-flat major, K. 384B/deest (fragment) |
384B | deest | Andante for 8 Winds in E-flat major, K. 384B/deest (Eberhard Buschmann reconstruction) |
384c | Anh 96 | Allegro for 8 Winds in B-flat major, K. 384c/Anh 96 (fragment) |
384c | Anh 96 | Allegro for 8 Winds in B-flat major, K. 384c/Anh 96 (Eberhard Buschmann reconstruction) |
384c | Anh 96 | Allegro for 8 Winds in B-flat major, K. 384c/Anh 96 (Larry Combs reconstruction) |
385c | 403 | Sonata for Violin & Piano No. 38 in C major, K. 385c/403 (fragment): I. Allegro moderato |
385c | 403 | Sonata for Violin & Piano No. 38 in C major, K. 385c/403 (fragment): II. Andante - allegretto |
385c | 403 | Sonata for Violin & Piano No. 38 in C major, K. 385c/403 (Maximilian Stadler completion): I. Allegro moderato |
385c | 403 | Sonata for Violin & Piano No. 38 in C major, K. 385c/403 (Maximilian Stadler completion): II. Andante - allegretto |
385d | 404 | Sonata for Violin & Piano No. 39 in C major, K. 385d/404 (fragment): I. Andante |
385d | 404 | Sonata for Violin & Piano No. 39 in C major, K. 385d/404 Fr 1785b (fragment): II. Allegretto |
385d | 404 | Sonata for Violin & Piano No. 39 in C major, K. 385d/404 (Julius André completion): I. Andante |
385d | 404 | Sonata for Violin & Piano No. 39 in C major, K. 385d/404 (Julius André completion): II. Allegretto |
385e | 402 | Sonata for Violin & Piano No. 37 in A major, K. 385e/402 (fragment): I. Andante |
385e | 402 | Sonata for Violin & Piano No. 37 in A major, K. 385e/402 (fragment): II. Fugo |
385e | 402 | Sonata for Violin & Piano No. 37 in A major, K. 385e/402 (Maximilian Stadler completion): I. Andante |
385e | 402 | Sonata for Violin & Piano No. 37 in A major, K. 385e/402 (Maximilian Stadler completion): II. Fugo |
385E | Anh 48 | Sonata Movement for Piano and Violin in A major, K. 385E/Anh 48 (fragment): Allegro |
385n | deest | Fugue (for String Quartet for 4 Voices, unspecified) in A major, K. 385n/deest (fragment, lower 2 parts only) |
386 | 386 | Rondo for Piano & Orchestra in A major, K. 386 (fragment) |
386 | 386 | Rondo for Piano & Orchestra in A major, K. 386 (Erik Smith completion) |
386 | 386 | Rondo for Piano & Orchestra in A major, K. 386 (Badura-Skoda & Charles Mackerras reconstruction) |
386 | 386 | Rondo for Piano & Orchestra in A major, K. 386 (Cipriani Potter reconstruction) |
386b | 514 | Concerto for Horn No. 1 in D major, K. 386b/514 (John Humphries reconstruction): I. Allegro |
386b | 412 | Concerto for Horn No. 1 in D major, K. 386b/412 (John Humphries reconstruction): II. Rondo. Allegro |
386c | 407 | Quintet for Horn, Violin, 2 Violas, & Cello in E-flat major, K. 386c/407: I. Allegro |
386c | 407 | Quintet for Horn, Violin, 2 Violas, & Cello in E-flat major, K. 386c/407: II. Andante |
386c | 407 | Quintet for Horn, Violin, 2 Violas, & Cello in E-flat major, K. 386c/407: III. Allegro |
387 | 387 | Quartet for Strings No. 14 in G major, K. 387 "Haydn Quartetti", "Spring": I. Allegro vivace assai |
387 | 387 | Quartet for Strings No. 14 in G major, K. 387 "Haydn Quartetti", "Spring": II. Minuetto & Trio |
387 | 387 | Quartet for Strings No. 14 in G major, K. 387 "Haydn Quartetti", "Spring": III. Andante cantabile |
387 | 387 | Quartet for Strings No. 14 in G major, K. 387 "Haydn Quartetti", "Spring": IV. Allegro molto |
404a | deest | Note: All of 404a ought to be AR'd with Mozart as sole composer. W. A. Mozart ought to be set as track composer. |
404a | deest | Prelude & Fugue for Violin, Viola, & Bass No. 1 in D minor, K. 404a/deest: I. Adagio (After J. S. Bach: Prelude & Fugue No. 8 in D-sharp major, BWV 853 "The Well-Tempered Clavier, Book I") |
404a | deest | Prelude & Fugue for Violin, Viola, & Bass No. 1 in D minor, K. 404a/deest: II. Fuga (After J. S. Bach: Prelude & Fugue No. 8 in D-sharp major, BWV 853 "The Well-Tempered Clavier, Book I") |
404a | deest | Prelude & Fugue for Violin, Viola, & Bass No. 1 in D minor, K. 404a/deest: I. Adagio / II. Fuga (After J. S. Bach: Prelude & Fugue No. 8 in D-sharp major, BWV 853 "The Well-Tempered Clavier, Book I") |
404a | deest | Prelude & Fugue for Violin, Viola, & Bass No. 2 in G minor, K. 404a/deest: I. Adagio (After J. S. Bach: Prelude & Fugue No. 13 in F-sharp major, BWV 882 "The Well-Tempered Clavier, Book II") |
404a | deest | Prelude & Fugue for Violin, Viola, & Bass No. 2 in G minor, K. 404a/deest: II. Fuga (After J. S. Bach: Prelude & Fugue No. 13 in F-sharp major, BWV 882 "The Well-Tempered Clavier, Book II") |
404a | deest | Prelude & Fugue for Violin, Viola, & Bass No. 2 in G minor, K. 404a/deest: I. Adagio / II. Fuga (After J. S. Bach: Prelude & Fugue No. 13 in F-sharp major, BWV 882 "The Well-Tempered Clavier, Book II") |
404a | deest | Prelude & Fugue for Violin, Viola, & Bass No. 3 in F major, K. 404a/deest: I. Adagio (After J. S. Bach: Prelude & Fugue No. 14 in F-sharp major, BWV 883 "The Well-Tempered Clavier, Book II") |
404a | deest | Prelude & Fugue for Violin, Viola, & Bass No. 3 in F major, K. 404a/deest: II. Fuga (After J. S. Bach: Prelude & Fugue No. 14 in F-sharp major, BWV 883 "The Well-Tempered Clavier, Book II") |
404a | deest | Prelude & Fugue for Violin, Viola, & Bass No. 3 in F major, K. 404a/deest: I. Adagio / II. Fuga (After J. S. Bach: Prelude & Fugue No. 14 in F-sharp major, BWV 883 "The Well-Tempered Clavier, Book II") |
404a | deest | Prelude & Fugue for Violin, Viola, & Bass No. 4 in F major, K. 404a/deest: I. Adagio (After J. S. Bach: Sonata in D minor, BWV 527: II. Adagio e dolce) |
404a | deest | Prelude & Fugue for Violin, Viola, & Bass No. 4 in F major, K. 404a/deest: II. Fuga (After J. S. Bach: Sonata in D minor, BWV 527: II. Adagio e dolce) |
404a | deest | Prelude & Fugue for Violin, Viola, & Bass No. 4 in F major, K. 404a/deest: I. Adagio / II. Fuga (After J. S. Bach: Sonata in D minor, BWV 527: II. Adagio e dolce) |
404a | deest | Prelude & Fugue for Violin, Viola, & Bass No. 5 in E-flat major, K. 404a/deest: I. Largo (After J. S. Bach: Sonata for Organ No. 2 in C minor, BWV 526: II. Largo) |
404a | deest | Prelude & Fugue for Violin, Viola, & Bass No. 5 in E-flat major, K. 404a/deest: II. Fuga (After J. S. Bach: Sonata for Organ No. 2 in C minor, BWV 526: II. Largo) |
404a | deest | Prelude & Fugue for Violin, Viola, & Bass No. 5 in E-flat major, K. 404a/deest: I. Largo / II. Fuga (After J. S. Bach: Sonata for Organ No. 2 in C minor, BWV 526: II. Largo) |
404a | deest | Prelude & Fugue for Violin, Viola, & Bass No. 6 in F minor, K. 404a/deest: I. Adagio (After W. F. Bach: Fugue No. 8, FK 31) |
404a | deest | Prelude & Fugue for Violin, Viola, & Bass No. 6 in F minor, K. 404a/deest: II. Fuga (After W. F. Bach: Fugue No. 8, FK 31) |
404a | deest | Prelude & Fugue for Violin, Viola, & Bass No. 6 in F minor, K. 404a/deest: I. Adagio / II. Fuga (After W. F. Bach: Fugue No. 8, FK 31) |
404b | 443 | Trio Movement in G major, K. 404b/443 (37 measure fragment): Fugue |
404b | 443 | Trio Movement in G major, K. 404b/443 (Maximilian Stadler completion): Fugue |
405 | 405 | Note: All of 404a ought to be AR'd with J. S. Bach as composer, W. A. Mozart as additional composer. W. A. Mozart ought to be set as track composer. |
405 | 405 | Fugue for String Quartet No. 1 in C minor, K. 405: (Transcription: J. S. Bach: Fugue No. 2 in C minor, BWV 871, "The Well-Tempered Clavier, Book II") |
405 | 405 | Fugue for String Quartet No. 2 in E-flat major, K. 405: (Transcription: J. S. Bach: Fugue No. 7 in E-flat major, BWV 876, "The Well-Tempered Clavier, Book II") |
405 | 405 | Fugue for String Quartet No. 3 in E minor, K. 405: (Transcription: J. S. Bach: Fugue No. 9 in E minor, BWV 878, "The Well-Tempered Clavier, Book II") |
405 | 405 | Fugue for String Quartet No. 4 in D minor, K. 405: (Transcription: J. S. Bach: Fugue No. 8 in D-sharp minor, BWV 877, "The Well-Tempered Clavier, Book II") |
405 | 405 | Fugue for String Quartet No. 5 in D major, K. 405: (Transcription: J. S. Bach: Fugue No. 5 in D major, BWV 874, "The Well-Tempered Clavier, Book II") |
405a | Anh 77 | Fugue for String Quartet in C major, K. 405a / K3 385m / KV Anh 77 Fr 1789a (fragment) |
412 | 386b | Horn Concerto in D major: I. Allegro |
514 | 386b | Horn Concerto in D major: II. Rondo (Allegro) |
416d | 446 | Please be careful entering K. 416d/446. The only complete version is a reconstruction, and will need a large amount of attention to details to enter. If you are entering that version, please contact every CSG editor you know. If you have any other recording, of the unreconstructed version, please contact BrianFreud to add this fragmentary opera to this listing. |
416d | 446 | Music to a Pantomime in D major, K. 416d/446 (Franz Beyer completion). |
416e | 398 | 6 Variations on Giovanni Paisiello: I. filosofi immaginarii: "Salve tu, Domine" for Piano in F major, K. 416e/398 |
416f | 293 | Concerto Movement for Oboe in F major, K. 416f/293 (fragment): Allegro |
416f | 293 | Concerto Movement for Oboe in F major, K. 416f/293 (Robert Levin completion): Allegro |
417a | 427 | Note: In 1905, a reconstructed 'complete' version of KV 427 was created by Alois Schmitt. At least two recordings exist of this version. That version also mixes in parts of KV 337, KV Anh 2, KV 323, KV 262, and KV 427, and not all the source material has turned out to even have been composed by Wolfgang Amadeus Mozart. If you need to enter the completed version, please contact BrianFreud and every CSG editor you know for assistance. |
417a | 427 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": I. "Kyrie" |
417a | 427 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIa. Gloria: "Gloria in excelsis" |
417a | 427 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIb. Gloria: "Laudamus te" |
417a | 427 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIc. Gloria: "Gratias agimus tibi" |
417a | 427 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IId. Gloria: "Domine Deus" |
417a | 427 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIe. Gloria: "Qui tollis" |
417a | 427 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIf. Gloria: "Quoniam tu solus" |
417a | 427 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIg. Gloria: "Jesu Christe" |
417a | 427 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIh. Gloria: "Cum Sancto Spiritu" |
417a | 427 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIa. Credo: "Credo in unum Deum" |
417a | 427 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IIIb. Credo: "Et incarnatus est" |
417a | 427 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVa. Sanctus: "Sanctus" |
417a | 427 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": IVb. Sanctus: "Hosanna" |
417a | 427 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (fragment) "Great": V. Benedictus |
417b | 421 | Quartet for Strings No. 15 in D minor, K. 417b/421 "Haydn Quartetti": I. Allegro moderato |
417b | 421 | Quartet for Strings No. 15 in D minor, K. 417b/421 "Haydn Quartetti": II. Andante |
417b | 421 | Quartet for Strings No. 15 in D minor, K. 417b/421 "Haydn Quartetti": III. Minuetto. Allegretto & Trio |
417b | 421 | Quartet for Strings No. 15 in D minor, K. 417b/421 "Haydn Quartetti": IV. Allegretto ma non troppo |
417c | Anh 76 | Fugue Movement for String Quartet in D minor, K. 417c / KV Anh 76 Fr 1785c (fragment) |
417d | deest | Movement for String Quartet in E minor, K. 417d/deest (54 measure fragment) |
421b | 428 | Quartet for Strings No. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": I. Allegro non troppo |
421b | 428 | Quartet for Strings No. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": II. Andante con moto |
421b | 428 | Quartet for Strings No. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": III. Minuetto & Trio. Allegro |
421b | 428 | Quartet for Strings No. 16 in E-flat major, K. 421b/428 "Haydn Quartetti": IV. Allegro vivace |
422a | Anh 14 | Kyrie for 4 Voices, 2 Violins, Viola, 2 Oboes, 1 Bassoons, Bass & Organ in D major, K. 422a/Anh 14 (11 measure fragment) |
423 | 423 | Duo for Violin & Viola No. 1 in G major, K. 423: I. Allegro |
423 | 423 | Duo for Violin & Viola No. 1 in G major, K. 423: II. Adagio |
423 | 423 | Duo for Violin & Viola No. 1 in G major, K. 423: III. Rondeau. Allegro |
424 | 424 | Duo for Violin & Viola No. 2 in B-flat major, K. 424: I. Adagio - allegro |
424 | 424 | Duo for Violin & Viola No. 2 in B-flat major, K. 424: II. Andante cantabile |
424 | 424 | Duo for Violin & Viola No. 2 in B-flat major, K. 424: III. Tema con variazioni. Andante grazioso |
424a | 430 | Lo sposo deluso, ossia La rivalità di tre donne per un solo amante , K. 424a/430 (fragment): Ouvertura. Allegro - andante |
424a | 430 | Lo sposo deluso, ossia La rivalità di tre donne per un solo amante , K. 424a/430 (fragment): No. 1 Quartetto. Primo tempo "Ah ah ah ah, oh che ridere!" |
424a | 430 | Lo sposo deluso, ossia La rivalità di tre donne per un solo amante , K. 424a/430 (fragment): No. 2 Aria No. 1. Andantino "Nacqui all'aura trionfale." |
424a | 430 | Lo sposo deluso, ossia La rivalità di tre donne per un solo amante , K. 424a/430 (fragment): No. 3 Aria No. 2. Più allegro "Dove mai trovar quel ciglio?" |
424a | 430 | Lo sposo deluso, ossia La rivalità di tre donne per un solo amante , K. 424a/430 (fragment): No. 4 Terzetto. Andantino "Che accidenti! che tragedia!" |
*424a | 430 | Lo sposo deluso, ossia La rivalità di tre donne per un solo amante , K. *424a/430 (fragment): No. 1 Quartetto "Ah ah ah ah, oh che ridere!" |
*424a | 430 | Lo sposo deluso, ossia La rivalità di tre donne per un solo amante , K. *424a/430 (fragment): No. 2 Aria "Nacqui all'aura trionfale." |
*424a | 430 | Lo sposo deluso, ossia La rivalità di tre donne per un solo amante , K. *424a/430 (fragment): No. 4 Terzetto "Che accidenti! che tragedia!" |
425a | 444 | Note: Wolfgang Amadeus Mozart's "Symphony No. 37" is really Michael Haydn's "Symphony No. 25" with an additional introductory movement. (Though Mozart did make a few reductive changes to Haydn's symphony.) Movement N ought to be attributed to Mozart as composer, but movements I-III ought to be attributed to Michael Haydn. (N, by the way, is the roman number for 0 (added circa 725 AD)). |
425a | 444 | Symphony No. 37 in G major, K. 425a/444: N. Andante maestoso |
425a | 444 | Symphony No. 25 in G major, MH 334: I. Allegro con spirito |
425a | 444 | Symphony No. 25 in G major, MH 334: II. Andante sostenuto |
425a | 444 | Symphony No. 25 in G major, MH 334: III. Allegro molto |
439b/1 | Anh 229/1 | Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: I. Allegro |
439b/1 | Anh 229/1 | Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: II. Minuetto. Allegretto & Trio |
439b/1 | Anh 229/1 | Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: III. Adagio |
439b/1 | Anh 229/1 | Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: IV. Minuetto & Trio |
439b/1 | Anh 229/1 | Divertimento No. 1 for 2 Clarinets & Basset Horn, K. 439b/1/KV Anh 229/1: V. Rondo. Allegro |
439b/2 | Anh 229/2 | Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: I. Allegro |
439b/2 | Anh 229/2 | Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: II. Minuetto |
439b/2 | Anh 229/2 | Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: III. Larghetto |
439b/2 | Anh 229/2 | Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: IV. Minuetto & Trio |
439b/2 | Anh 229/2 | Divertimento No. 2 for 2 Clarinets & Basset Horn, K. 439b/2/KV Anh 229/2: V. Rondo |
439b/3 | Anh 229/3 | Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: I. Allegro |
439b/3 | Anh 229/3 | Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: II. Minuetto & Trio |
439b/3 | Anh 229/3 | Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: III. Adagio |
439b/3 | Anh 229/3 | Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: IV. Minuetto & Trio |
439b/3 | Anh 229/3 | Divertimento No. 3 for 2 Clarinets & Basset Horn, K. 439b/3/KV Anh 229/3: V. Rhondo. Allegro assai |
439b/4 | Anh 229/4 | Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: I. Allegro |
439b/4 | Anh 229/4 | Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: II. Larghetto |
439b/4 | Anh 229/4 | Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: III. Minuetto & Trio |
439b/4 | Anh 229/4 | Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: IV. Adagio |
439b/4 | Anh 229/4 | Divertimento No. 4 for 2 Clarinets & Basset Horn, K. 439b/4/KV Anh 229/4: V. Allegretto |
439b/5 | Anh 229/5 | Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: I. Adagio |
439b/5 | Anh 229/5 | Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: II. Minuetto & Trio |
439b/5 | Anh 229/5 | Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: III. Adagio |
439b/5 | Anh 229/5 | Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: IV. Romance. Andante |
439b/5 | Anh 229/5 | Divertimento No. 5 for 2 Clarinets & Basset Horn, K. 439b/5/KV Anh 229/5: V. Polonaise |
441a | deest | Humorous Song for Bass in A major, K. 441a/deest (fragment): "Ja! Grüss dich Gott, mein liebes Schatzel" |
442 | 442 | Note that these are fragments to three unrelated movements. Even in the Stadler completion, though they are intended to be played as three movements, this is not enforced. Thus the lack of movement numberings here is correct. |
442 | 442 | Piano Trio No. 1 in D minor, K. 442 (55 measure fragment): Allegro |
442 | 442 | Piano Trio No. 2 in D minor, K. 442 (151 measure fragment): Tempo di minuetto |
442 | 442 | Piano Trio No. 3 in D minor, K. 442 (133 measure fragment): Allegro |
442 | 442 | Piano Trio No. 1 in D minor, K. 442 Fr 1785e (Maximilian Stadler completion): Allegro |
442 | 442 | Piano Trio No. 2 in D minor, K. 442 (Maximilian Stadler completion): Adagio |
442 | 442 | Piano Trio No. 3 in D minor, K. 442 (Maximilian Stadler completion): Allegro |
449 | 449 | Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": I. Allegro vivace |
449 | 449 | Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": II. Andantino |
449 | 449 | Concerto for Piano No. 14 in E-flat major, K. 449 "First Ployer": III. Allegro ma non troppo |
450 | 450 | Concerto for Piano No. 15 in B-flat major, K. 450: I. Allegro |
450 | 450 | Concerto for Piano No. 15 in B-flat major, K. 450 (Robert Levin reconstruction): I. Allegro |
450 | 450 | Concerto for Piano No. 15 in B-flat major, K. 450: II. Andante |
450 | 450 | Concerto for Piano No. 15 in B-flat major, K. 450: III. Allegro assai |
451 | 451 | Concerto for Piano No. 16 in D major, K. 451: I. Allegro assai |
451 | 451 | Concerto for Piano No. 16 in D major, K. 451: II. Andante |
451 | 451 | Concerto for Piano No. 16 in D major, K. 451: III. Rondo. Allegro di molto |
452a | Anh 54 | Quintet for Piano and Winds in B-flat major, K. 452a/Anh 54: Larghetto |
452b | Anh 55 | Movement of Chamber Music for Piano, 2 Violins, 2 Horns & Bass in D major, K. 452b / K3 387c / KV Anh 55 Fr 1784e (fragment) Fr 1784e |
452c | Anh 65 | Middle Movement to a Concerto for Piano in C major, K. 452c/Anh 65 (10 measure fragment) |
453 | 453 | Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": I. Allegro |
453 | 453 | Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": II. Andante |
453 | 453 | Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto |
453b | deest | Practice Notebook for Barbara Ployer - NOTE: More information is needed before a proper listing for this work can be added. |
*453b | deest | Fugue for 2 Violins, Viola & Cello, K. *453b/KV deest (fragment) |
454 | 454 | Sonata for Violin & Piano No. 40 in B-flat major, K. 454: I. Largo - allegro |
454 | 454 | Sonata for Violin & Piano No. 40 in B-flat major, K. 454: II. Andante |
454 | 454 | Sonata for Violin & Piano No. 40 in B-flat major, K. 454: III. Allegretto |
454a | 460 | 8 Variations on G. Sarti: Come un'agnello: "Fra i due litiganti" for Piano in A major, K. 454a/460 |
455 | 455 | 10 Variations on Christoph Will: Unser dummer Pöbel meint: "La Rencontre imprévue" for Piano in G major, K. 455 |
456 | 456 | Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": I. Allegro vivace |
456 | 456 | Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": II. Andante un poco sostenuto |
456 | 456 | Concerto for Piano No. 18 in B-flat major, K. 456 "Paradis": III. Allegro vivace |
457 | 457 | Sonata for Piano No. 14 in C minor, K. 457: I. Allegro molto |
457 | 457 | Sonata for Piano No. 14 in C minor, K. 457: II. Adagio |
457 | 457 | Sonata for Piano No. 14 in C minor, K. 457: III. Allegro assai |
458 | 458 | Quartet for Strings No. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": I. Allegro vivace assai |
458 | 458 | Quartet for Strings No. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": II. Minuetto. Moderato & Trio |
458 | 458 | Quartet for Strings No. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": III. Adagio |
458 | 458 | Quartet for Strings No. 17 in B-flat major, K. 458 "Haydn Quartetti", "Hunt": IV. Allegro assai |
458a | Anh 75 | Minuet for String Quartet in B-flat major, K. 458a / KV Anh 75 Fr 1790c (9 measure fragment) |
458b | Anh 71 | Movement for String Quartet in B-flat major, K. 458b/Anh 71 (fragment) |
459 | 459 | Concerto for Piano No. 19 in F major, K. 459: I. Allegro |
459 | 459 | Concerto for Piano No. 19 in F major, K. 459: II. Allegretto |
459 | 459 | Concerto for Piano No. 19 in F major, K. 459: III. Allegro assai |
459a | Anh 59 | Concerto Movement for Orchestra and Solo Piano in C major, K. 459a/Anh 59 (37 measure fragment): Ritornello. Solo. Ritornello |
464 | 464 | Quartet for Strings No. 18 in A major, K. 464 "Haydn Quartetti": I. Allegro |
464 | 464 | Quartet for Strings No. 18 in A major, K. 464 "Haydn Quartetti": II. Minuetto & Trio |
464 | 464 | Quartet for Strings No. 18 in A major, K. 464 "Haydn Quartetti": III. Andante |
464 | 464 | Quartet for Strings No. 18 in A major, K. 464 "Haydn Quartetti": IV. Allegro ma non troppo |
464a | Anh 72 | Movement for String Quartet in A major, K. 464a/Anh 72 (170 measure fragment): Rondo |
464a | Anh 72 | Movement for String Quartet in A major, K. 464a/Anh 72 (Erik Smith completion): Rondo |
464a | Anh 72 | Movement for String Quartet in A major, K. 464a/Anh 72 (Franz Beyer completion): Rondo |
465 | 465 | Quartet for Strings No. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": I. Adagio - allegro |
465 | 465 | Quartet for Strings No. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": II. Andante cantabile |
465 | 465 | Quartet for Strings No. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": IV. Allegro molto |
465 | 465 | Quartet for Strings No. 19 in C major, K. 465 "Haydn Quartetti", "Dissonance": III. Minuetto. Allegretto |
466 | 466 | Concerto for Piano No. 20 in D minor, K. 466: I. Allegro |
466 | 466 | Concerto for Piano No. 20 in D minor, K. 466: II. Romanze |
466 | 466 | Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai |
467 | 467 | Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": I. Allegro |
467 | 467 | Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": II. Andante |
467 | 467 | Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai |
468a | 429 | Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in E-flat major, K. 468a/429 (fragment): I. Choir "Dir, Seele des Weltalls" |
468a | 429 | Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in E-flat major, K. 468a/429 (fragment): II. Aria "Dir danken wir die Freude" |
468a | 429 | Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in E-flat major, K. 468a/429 (fragment) "Dir, Seel des Weltalls, o Sonne": III. Choir "Dir, Sonne des Weltalls " |
468a | 429 | Note: In the Rainer Bischof completion of K. 468a, Maximilian Stadler also needs to be credited for instrumentation. |
468a | 429 | Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in E-flat major, K. 468a/429 (Rainer Bischof completion): I. Choir "Dir, Seele des Weltalls" |
468a | 429 | Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in E-flat major, K. 468a/429 (Rainer Bischof completion): II. Aria (Tenor) "Dir danken wir die Freude" |
468a | 429 | Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in E-flat major, K. 468a/429 (Rainer Bischof completion): "Dir, Seel des Weltalls, o Sonne": III. Choir "Dir, Sonne des Weltalls " |
468a | 429 | If you need the next version of 468a, Wolfgang Amadeus Mozart as composer, Maximilian Stadler as arranger. |
468a | 429 | Cantata for Piano in E-flat major, K. 468a/429 (fragment): I. Choir "Dir, Seele des Weltalls" |
468a | 429 | Cantata for Piano in E-flat major, K. 468a/429 (fragment): II. Aria "Dir danken wir die Freude" |
469 | 469 | Oratorio in C minor, K. 469 "Davidde penitente": I. Andante moderato: Soloist and Choir "Alzai le flebili voci al Signor" |
469 | 469 | Oratorio in C major, K. 469 "Daviddepenitente": II. Allegro vivace: Choir "Cantiam le glorie" |
469 | 469 | Oratorio in F major, K. 469 "Daviddepenitente": III. Allegro aperto: Aria "Lungi le cure" |
469 | 469 | Oratorio in A minor, K. 469 "Daviddepenitente": IV. Adagio: Choir "Sii pur sempre" |
469 | 469 | Oratorio in D minor, K. 469 "Daviddepenitente": V. Allegro moderato: Duetto "Sorgi, oh Signore" |
469 | 469 | Oratorio in B-flat major, K. 469 "Daviddepenitente": VI. Andante, allegro: Aria "A te, fra tanti affanni" |
469 | 469 | Oratorio in G minor, K. 469 "Daviddepenitente": VII. Largo: Double Choir "Se vuoi, puniscimi" |
469 | 469 | Oratorio in C minor, K. 469 "Daviddepenitente": VIII. Andante, allegro: Aria "Tra l'oscure ombre" |
469 | 469 | Oratorio in E minor, K. 469 "Daviddepenitente": IX. Allegro: Trio "Tutte le mie speranze" |
469 | 469 | Oratorio in C major, K. 469 "Daviddepenitente": X. Adagio: Choir "Chi in Dio sol spera" |
470a | deest | Trumpet and Drum ornamentation for Giovanni Battista Viotti: Concerto for Violin & Orchestra No. 16 in E major, K. 470a/deest - NOTE: More information is needed before a proper listing for this work can be added. |
471 | 471 | Cantata for Tenor, Men's Chorus & Orchestra in E-flat major, K. 471: "Die Maurerfreude": Aria "Sehen, wie dem starren Forscherauge" |
471 | 471 | Cantata for Tenor, Men's Chorus & Orchestra in E-flat major, K. 471: "Die Maurerfreude": Recitativo "Sehen, wie die Weisheit und die Tugend" |
471 | 471 | Cantata for Tenor, Men's Chorus & Orchestra in E-flat major, K. 471: "Die Maurerfreude": Aria and Coro "Drum singet und jauchzet, ihr Brüder!" |
475 | 475 | Fantasia for Piano in C minor, K. 475 |
481 | 481 | Sonata for Violin & Piano No. 41 in E-flat major, K. 481: I. Allegro molto |
481 | 481 | Sonata for Violin & Piano No. 41 in E-flat major, K. 481: II. Adagio |
481 | 481 | Sonata for Violin & Piano No. 41 in E-flat major, K. 481: III. Tema - allegretto |
481 | 481 | Sonata for Violin & Piano No. 41 in E-flat major, K. 481: IV. Variation I |
481 | 481 | Sonata for Violin & Piano No. 41 in E-flat major, K. 481: V. Variation II |
481 | 481 | Sonata for Violin & Piano No. 41 in E-flat major, K. 481: VI. Variation III |
481 | 481 | Sonata for Violin & Piano No. 41 in E-flat major, K. 481: VII. Variation IV |
481 | 481 | Sonata for Violin & Piano No. 41 in E-flat major, K. 481: VIII. Variation V |
481 | 481 | Sonata for Violin & Piano No. 41 in E-flat major, K. 481: IX. Variation VI. Allegro |
482 | 482 | Concerto for Piano No. 22 in E-flat major, K. 482: I. Allegro |
482 | 482 | Concerto for Piano No. 22 in E-flat major, K. 482: II. Andante |
482 | 482 | Concerto for Piano No. 22 in E-flat major, K. 482: III. Allegro |
484a | 411 | Adagio for 2 Clarinets & 3 Bassett Horns in B-flat major, K. 484a/411: Adagio |
484b | Anh 95 | Allegro assai for 2 Clarinets and 3 Basset Horns in B-flat major, K. 484b / K3 440b / KV Anh 95 Fr 1786f (fragment) |
484c | Anh 93 | Adagio for Clarinet and 3 Basset Horns in F major, K. 484c / K3 440c / KV Anh 93 Fr 1787g (fragment) |
484d | 410 | Adagio for 2 Basset Horns & Bassoon in F major, K. 484d/410 |
484e | deest | Allegro for Basset Horn in F major, K. 484e / KV deest (fragment) |
486 | 486 | Der Schauspieldirektor, K. 486: Ouverture |
486 | 486 | Der Schauspieldirektor, K. 486: Act I, Scene I. Scene "Lustig, Herr Direkteur, wir haben Permission" (Buff, Frank) |
486 | 486 | Der Schauspieldirektor, K. 486: Act I, Scene II. Scene "Ihr Diener lieber Frank" (Eiler, Frank, Buff) |
486 | 486 | Der Schauspieldirektor, K. 486: Act I, Scene III. Scene "Wie, Herr Frank?" (Madame Pfeil, Eiler, Buff, Frank) |
486 | 486 | Der Schauspieldirektor, K. 486: Act I, Scene IV. Scene "Madame Krone!" (Madame Krone, Buff) |
486 | 486 | Der Schauspieldirektor, K. 486: Act I, Scene V. Scene "Mich freut es recht sehr Sie kennen zu lernen" (Frank, Herz, Madame Krone) |
486 | 486 | Der Schauspieldirektor, K. 486: Act I, Scene VI-VII. Scene "Ah! Madame Vogelsang!" (Buff, Madame Vogelsang) |
486 | 486 | Der Schauspieldirektor, K. 486: Act I, Scene VII. Arietta "Da schlägt des Abschieds Stunde" (Madame Herz, Frank, Herz, Buff) |
486 | 486 | Der Schauspieldirektor, K. 486: Act I, Scene VII-VIII. Scene "Göttlich! unvergleichlich!" (Frank, Herz, Madamoiselle Silberklang) |
486 | 486 | Der Schauspieldirektor, K. 486: Act I, Scene VIII. Rondo "Bester Jüngling! mit Entzücken" (Madamoiselle Silberklang, Frank, Buff) |
486 | 486 | Der Schauspieldirektor, K. 486: Act I, Scene VIII-IX. Scene "Bravo! Bravo!" (Frank, Madamoiselle Silberklang, Buff, Madame Vogelsang) |
486 | 486 | Der Schauspieldirektor, K. 486: Act I, Scene IX. Terzett "Ich bin die erste Sängerin" (Madamoiselle Silberklang, Madame Herz, Monsieur Vogelsang) |
486 | 486 | Der Schauspieldirektor, K. 486: Act I, Scene IX-X. Scene "Es lebe die Einigkeit!" (Buff, Madame Pfeil, Eiler, Frank, Madamoiselle Silberklang) |
486 | 486 | Der Schauspieldirektor, K. 486: Act I, Scene X. Finale, Vaudeville "Jeder Künstler strebt nach Ehre" (Buff, Eiler, Frank, Madame Krone, Madame Pfeil, Madamoiselle Silberklang, Madame Vogelsang, Madame Herz, Monsieur Vogelsang) |
488 | 488 | Concerto for Piano No. 23 in A major, K. 488: I. Allegro |
488 | 488 | Concerto for Piano No. 23 in A major, K. 488: II. Andante |
488 | 488 | Concerto for Piano No. 23 in A major, K. 488: III. Allegro |
488a | Anh 58 | Concerto Movement for Piano in D major, K. 488a/Anh 58 Fr 1785g (fragment) |
488b | Anh 63 | Concerto Movement for Piano in A major, K. 488b/Anh 63 Fr 1785h (fragment) |
488c | Anh 64 | Concerto Movement for Piano in A major, K. 488c/Anh 64 Fr 1785i (fragment) |
488d | deest | Concerto for Piano in A major, K. 488d/deest Fr 1785j (fragment): Rondo |
489 | 489 | Duet for Soprano and Tenor in A major, K. 489: "Spiegarti no poss'io" |
490 | 490 | Recitative and Aria for Tenor & Orchestra in B-flat major, K. 490: "Non più tutto ascoltai… Non temer, amato bene" |
491 | 491 | Concerto for Piano No. 24 in C minor, K. 491: I. Allegro |
491 | 491 | Concerto for Piano No. 24 in C minor, K. 491: II. Larghetto |
491 | 491 | Concerto for Piano No. 24 in C minor, K. 491: III. Allegretto |
491a | Anh 62 | Concerto Movement for Piano & Strings in E-flat major, K. 491a/Anh 62 (fragment) |
493a | Anh 53 | Quartet Movement for Piano & Strings in E-flat major, K. 493a/Anh 53 (fragment) |
494+533 | 494+533 | Sonata for Piano No. 15 in F major, K. 494+533: I. Allegro |
494+533 | 494+533 | Sonata for Piano No. 15 in F major, K. 494+533: II. Andante |
494+533 | 494+533 | Sonata for Piano No. 15 in F major, K. 494+533: III. Rondeau |
494a | deest | Concerto for Horn in E major, K. 494a/K2 Anh 98a (Herman Jeurissen completion): Allegro |
494a | deest | Concerto for Horn in E major, K. 494a/K2 Anh 98a (John Humphries & Roy Goodman reconstruction): Allegro |
495a | Anh 52 | Trio Movement for Piano & Strings in G major, K. 495a/Anh 52 (fragment) |
496 | 496 | Trio for Piano No. 2 in G major, K. 496: I. Allegro |
496 | 496 | Trio for Piano No. 2 in G major, K. 496: II. Andante |
496 | 496 | Trio for Piano No. 2 in G major, K. 496: III. Thema. Allegretto. Variation I. Variation II. Variation III. Variation IV. Variation V. Adagio. Variation VI. Allegretto |
496a | 487 | Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": I. Allegro |
496a | 487 | Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": II. Minuetto |
496a | 487 | Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": III. Andante |
496a | 487 | Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": IV. Polonaise |
496a | 487 | Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": V. Larghetto |
496a | 487 | Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": VI. Minuetto |
496a | 487 | Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": VII. Adagio |
496a | 487 | Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": VIII. Allegro |
496a | 487 | Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": IX. Minuetto |
496a | 487 | Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": X. Andante |
496a | 487 | Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": XI. Minuetto |
496a | 487 | Twelve duos for 2 Horns in C major, K. 496a/487 "Kegelduette": XII. Allegro |
497 | 497 | Sontata for Piano with 4 Hands in F major, K. 497: I. Adagio. Allegro di molto |
497 | 497 | Sontata for Piano with 4 Hands in F major, K. 497: II. Andante |
497 | 497 | Sontata for Piano with 4 Hands in F major, K. 497: III. Allegro |
497a | 357/1 | Sonata for Keyboard with 4 Hands in G major, K. 497a/KV 357/1 (fragment): Allegro |
497a | 357/1 | Sonata for Keyboard with 4 Hands in G major, K. 497a/KV 357/1 (Julius André completion): Allegro |
498 | 498 | Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": I. Andante |
498 | 498 | Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": II. Minuetto & Trio |
498 | 498 | Trio for Clarinet, Viola & Piano in E-flat major, K. 498 "Kegelstatt": III. Rondo. Allegretto |
499 | 499 | Quartet for Strings No. 20 in D major, K. 499 "Hoffmeister": I. Allegretto |
499 | 499 | Quartet for Strings No. 20 in D major, K. 499 "Hoffmeister": II. Minuetto |
499 | 499 | Quartet for Strings No. 20 in D major, K. 499 "Hoffmeister": III. Adagio |
499 | 499 | Quartet for Strings No. 20 in D major, K. 499 "Hoffmeister": IV. Allegro |
500 | 500 | 12 Variations on an Unknown Allegro for Piano in B-flat major, K. 500 |
500a | 357/2 | Variations and Coda for Keyboard with 4 Hands in G major, K. 500a/KV 357/2 (fragment) |
500a | 357/2 | Variations and Coda for Keyboard with 4 Hands in G major, K. 500a/KV 357/2 (Julius André completion) |
501 | 501 | Andante and Variations for Piano with 4 Hands in G major, K. 501 |
501a | Anh 51 | Trio Movement for Piano & Strings in B-flat major, K. 501a/Anh 51 (fragment) |
502 | 502 | Trio for Piano No. 3 in B-flat major, K. 502: I. Allegro |
502 | 502 | Trio for Piano No. 3 in B-flat major, K. 502: II. Larghetto |
502 | 502 | Trio for Piano No. 3 in B-flat major, K. 502: III. Allegretto |
502a | Anh 60 | Concerto Movement for Piano in C major, K. 502a/Anh 60 Fr 1784j (fragment) |
503 | 503 | Concerto for Piano No. 25 in C major, K. 503: I. Allegro maestoso |
503 | 503 | Concerto for Piano No. 25 in C major, K. 503: II. Andante |
503 | 503 | Concerto for Piano No. 25 in C major, K. 503: III. Allegretto |
504a | Anh 105 | Symphony Movement in G major, K. 504a/Anh 105 (fragment) |
506a | deest | Composed by Thomas Attwood, not Mozart. More complicated than this, listing needs followup. |
509b | deest | "Der Salzburger Lump in Wien" - Sketches of the first four scenes of this work exist as a fragment, but as libretto; this was likely intended to be a spoken comedy. Any listing for this work would require details as to such a hypothetical recording. |
509c | deest | "Die Liebesprobe" - A fragmentary Singspiel consisting of an overture and 15 numbers, and a libretto outline. Some numbers are known to be by Mozart, some are thought not to be. The numbers by Mozart are already in Köchel (the Overture is K. 588a, No.1 is K. 106, No. 5 is K. 106/2, No. 7 is K. 600/3, No. 12 is K. 603/1, No. 13 is K. 600/6, No. 14 is K. 462/1, and No. 15 is K. 214). Any notes for how a recording of this work is put together would be needed to create any proper listing here. |
514 | 386b | see 412 above |
516c | Anh 91 | Quintet for Clarinet in B-flat, K. 516c/Anh 91 Fr 1789d (fragment): Allegro |
516c | Anh 91 | Quintet for Clarinet in B-flat, K. 516c/Anh 91 (Robert Levin completion): Allegro |
516c | Anh 91 | Quintet for Clarinet in B-flat, K. 516c/Anh 91 (Duncan Druce completion): Allegro |
516d | deest | Rondo for Clarinet and Strings in E-flat major, K. 516d/deest (fragment) |
516f | deest | Musical Dice Game in C major, K. 516f/deest "Musikalisches Wurfelspiel" |
521 | 521 | Sontata for Piano with 4 Hands in C major, K. 521: I. Allegro |
521 | 521 | Sontata for Piano with 4 Hands in C major, K. 521: II. Andante |
521 | 521 | Sontata for Piano with 4 Hands in C major, K. 521: III. Allegretto |
522 | 522 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": I. Allegro |
522 | 522 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": II. Minuetto. Maestoso & Trio |
522 | 522 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": III. Adagio cantabile |
522 | 522 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": IV. Presto |
522a | Anh 108 | Rondo for Two Horns & Strings in F major, K. 522a/Anh 108 (fragment) |
525 | 525 | Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro |
525 | 525 | Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante |
525 | 525 | Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto & Trio |
525 | 525 | Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro |
525a | Anh 69 | Larghetto for Strings in C major, K. 525a/Anh 69 (fragment) |
526 | 526 | Sonata for Violin & Piano No. 42 in A major, K. 526: I. Allegro molto |
526 | 526 | Sonata for Violin & Piano No. 42 in A major, K. 526: II. Andante |
526 | 526 | Sonata for Violin & Piano No. 42 in A major, K. 526: III. Presto |
526a | Anh 50 | Sonata Movement for Keyboard and Violin in A major, K. 526a/Anh 50 (fragment) |
533 | 533 | SEE 494+533 |
537 | 537 | Concerto for Piano No. 26 in D major, K. 537 "Coronation": I. Allegro |
537 | 537 | Concerto for Piano No. 26 in D major, K. 537 "Coronation": II. Larghetto |
537 | 537 | Concerto for Piano No. 26 in D major, K. 537 "Coronation": III. Allegretto |
537a | Anh 57 | Concerto Movement for Piano in D major, K. 537a/Anh 57 (fragment) |
537b | Anh 61 | Concerto Movement for Piano in D minor, K. 537b/Anh 61 (fragment) |
537d | deest | Modified Accompaniment for Opera for Trumpet, Flute & Oboe after C.P.E. Bach: "Auferstehung und Himmelfahrt Jesu" in D major, K. 537d/deest: Allegretto - andante - da-capo. No. 11. Aria "Ich folge dir, verklärter Held" |
540a | deest | Il dissoluto punito, ossia il Don Giovanni for Soprano in G major, K. 540a/deest: No. 10a. Appendix. Aria "Dalla sua pace" (Tenor) |
540b | deest | Il dissoluto punito, ossia il Don Giovanni for Soprano in C major, K. 540b/deest: No. 21a. Appendix. Duetto "Per queste tue manine" (Soprano, Bass) |
540c | deest | Il dissoluto punito, ossia il Don Giovanni for Soprano in E-flat major, K. 540c/deest: No. 21b. Appendix. Recitativo accompagnato ed Aria "In quali eccessi, oh numi" (Soprano) |
540c | deest | Il dissoluto punito, ossia il Don Giovanni for Soprano in E-flat major, K. 540c/deest: No. 21b. Appendix. Recitativo accompagnato ed Aria "Mi tradì quell'alma ingrata" (Soprano) |
542 | 542 | Trio for Piano No. 4 in E major, K. 542: I. Allegro |
542 | 542 | Trio for Piano No. 4 in E major, K. 542: II. Andante grazioso |
542 | 542 | Trio for Piano No. 4 in E major, K. 542: III. Allegro |
545 | 545 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": I. Allegro |
545 | 545 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": II. Andante |
545 | 545 | Sonata for Piano No. 16 in C major, K. 545 "Sonata semplice": III. Rondo. Allegro |
546a | Anh 47 | Sonata Movement for Keyboard & Violin in G major, K. 546a/Anh 47 Fr 1789f (fragment) |
547 | 547 | Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": I. Andantino cantabile |
547 | 547 | Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": II. Allegro |
547 | 547 | Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": IIIa. Tema. Andante |
547 | 547 | Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": IIIb. Variation I |
547 | 547 | Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": IIIc. Variation II |
547 | 547 | Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": IIId. Variation III |
547 | 547 | Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": IIe. Variation IV |
547 | 547 | Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": IIIf. Variation V |
547 | 547 | Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": IIIg. Variation VI |
547 | 547 | Sonata for Violin & Piano No. 43 in F major, K. 547 "For Beginners": III. Tema. Andante. Variation I. Variation II. Variation III. Variation IV. Variation V. Variation VI. |
547a | Anh 135 | Sonata for Piano in F major, K. 547a/Anh 135: I. Allegro |
547a | Anh 135 | Sonata for Piano in F major, K. 547a/Anh 135: II. Allegretto |
547b | 54 | 6 Variations on an Original Theme for Piano in F major, K. 547b/54 |
548 | 548 | Trio for Piano No. 5 in C major, K. 548: I. Allegro |
548 | 548 | Trio for Piano No. 5 in C major, K. 548: II. Andante cantabile |
548 | 548 | Trio for Piano No. 5 in C major, K. 548: III. Allegro |
562b | deest | Composed by Michael Haydn, not Wolfgang Amadeus Mozart. |
562e | Anh 66 | Trio for Strings in G major, K. 562e⁄Anh 66 Fr 1789g (fragment): Allegro |
563 | 563 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: I. Allegro |
563 | 563 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: II. Adagio |
563 | 563 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: III. Minuetto |
563 | 563 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: IV. Andante |
563 | 563 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: V. Minuetto |
563 | 563 | Divertimento for Violin, Viola & Cello in E-flat major, K. 563: VI. Allegro |
564 | 564 | Trio for Piano No. 6 in G major, K. 564: I. Allegro |
564 | 564 | Trio for Piano No. 6 in G major, K. 564: II. Andante con variazioni |
564 | 564 | Trio for Piano No. 6 in G major, K. 564: III. Allegretto |
566 | 566 | This is an arrangement of a work by Handel's "Acis und Galathea". |
569a | Anh 31 | Sonata Movement for Piano in B-flat major, K. 569a/Anh 31 (fragment) |
570 | 570 | Sonata for Piano No. 17 in B-flat major, K. 570: I. Allegro |
570 | 570 | Sonata for Piano No. 17 in B-flat major, K. 570: II. Adagio |
570 | 570 | Sonata for Piano No. 17 in B-flat major, K. 570: III. Allegretto |
571A | Anh 106 | Minuet in A major, K. 571A/Anh 106 (fragment) |
572 | 572 | This is an arrangement of a work by Handel's "Messiah" in G major. |
573 | 573 | 9 Variations on Jean-Pierre Duport: Minuet for Piano in D major, K. 573 "Duport Variationen" |
575 | 575 | Quartet for Strings No. 21 in D major, K. 575 "Quartetti Prussian": I. Allegretto |
575 | 575 | Quartet for Strings No. 21 in D major, K. 575 "Quartetti Prussian": II. Andante |
575 | 575 | Quartet for Strings No. 21 in D major, K. 575 "Quartetti Prussian": III. Minuetto. Allegretto & Trio |
575 | 575 | Quartet for Strings No. 21 in D major, K. 575 "Quartetti Prussian": IV. Allegretto |
576 | 576 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": I. Allegro |
576 | 576 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio |
576 | 576 | Sonata for Piano No. 18 in D major, K. 576 "Trumpet", "Hunt": III. Allegretto |
577 | 577 | Aria for Soprano & Orchestra in F major, K. 577: "Al desio di chi t'adora" |
579 | 579 | Aria for Soprano in G major, K. 579: "Un moto di gioia mi sento" |
580a | Anh 94 | Adagio for English Horn, 2 Horns & Bassoon in C major, K. 580a/Anh 94 (fragment): Adagio |
580a | Anh 94 | Adagio for English Horn, 2 Horns & Bassoon in C major, K. 580a/Anh 94 (Robert Levin & Franz Beyer reconstruction): Adagio |
580a | Anh 94 | Adagio for English Horn, 2 Horns & Bassoon in C major, K. 580a/Anh 94 (Johannes Pröger completion): Adagio |
580b | Anh 90 | Quintet Movement for Clarinet, Basset Horn, Violin, Viola & Cello in F major, K. 580b⁄Anh 90 (fragment): Allegro |
580b | Anh 90 | Quintet Movement for Clarinet, Basset Horn, Violin, Viola & Cello in F major, K. 580b⁄Anh 90 (Franz Beyer completion): Allegro |
580b | Anh 90 | Quintet Movement for Clarinet, Basset Horn, Violin, Viola & Cello in F major, K. 580b⁄Anh 90 (Duncan Druce completion): Allegro |
580b | Anh 90 | Quintet Movement for Clarinet, Basset Horn, Violin, Viola & Cello in F major, K. 580b⁄Anh 90 (Gerhard Mass completion): Allegro |
580b | Anh 90 | Quintet Movement for Clarinet, Basset Horn, Violin, Viola & Cello in F major, K. 580b⁄Anh 90 (Erik Smith completion): Allegro |
581 | 581 | Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": I. Allegro |
581 | 581 | Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto |
581 | 581 | Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": III. Minuetto |
581 | 581 | Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": IV. Allegretto con variazioni |
581a | Anh 88 | Concerto for Clarinet & Strings in A major, K. 581a/Anh 88 (Buschmann completion) |
581a | Anh 88 | Concerto for Clarinet & Strings in A major, K. 581a/Anh 88 (fragment) |
581a | Anh 88 | Concerto for Clarinet & Strings in A major, K. 581a/Anh 88 (Otto Bach completion) |
587a | Anh 74 | Quartet Movement for Strings in G minor, K. 587a/Anh 74 (fragment) "Der Sieg vom Helen Koburg" |
588a | 106 | For K. 588a/106, set composer to [unknown] - it is not by Wolfgang Amadeus Mozart, but composer is unknown. |
588a | 106 | Overture and 3 Contredances, K. 588a/106 |
588b | 236 | Andantino for Piano in E-flat major, K. 588b/236 |
589 | 589 | Quartet for Strings No. 22 in B-flat major, K. 589 "Quartetti Prussian": I. Allegro |
589 | 589 | Quartet for Strings No. 22 in B-flat major, K. 589 "Quartetti Prussian": II. Larghetto |
589 | 589 | Quartet for Strings No. 22 in B-flat major, K. 589 "Quartetti Prussian": III. Minuetto. Moderato & Trio |
589 | 589 | Quartet for Strings No. 22 in B-flat major, K. 589 "Quartetti Prussian": IV. Allegro assai |
589a | Anh 68 | Quartet Movement for Strings in B-flat major, K. 589a/Anh 68 (fragment): Minuet |
589a | Anh 68 | Quartet Movement for Strings in B-flat major, K. 589a/Anh 68 (Erik Smith completion): Minuet |
589b | Anh 73 | Quartet Movement for Strings in F major, K. 589b/Anh 73 (fragment) |
590 | 590 | Quartet for Strings No. 23 in F major, K. 590 "Quartetti Prussian": I. Allegro moderato |
590 | 590 | Quartet for Strings No. 23 in F major, K. 590 "Quartetti Prussian": II. Andante |
590 | 590 | Quartet for Strings No. 23 in F major, K. 590 "Quartetti Prussian": III. Minuetto & Trio. Allegretto |
590 | 590 | Quartet for Strings No. 23 in F major, K. 590 "Quartetti Prussian": IV. Allegro |
590a | Anh 29 | Sonata Movement for Piano in F major, K. 590a / KV Anh 29 Fr 1787r (fragment) |
590b | Anh 30 | Sonata Movement for Piano in F major, K. 590b / KV Anh 30 Fr 1787s (fragment): Presto |
590c | Anh 37 | Rondo for Piano in F major, K. 590c/Anh 37 (fragment) |
590d | 312 | Allegro for Piano in G minor, K. 590d / K3 189i / KV 312 Fr 1790e (fragment) |
590d | 312 | Allegro for Piano in G minor, K. 590d/312 (Paul Badura-Skoda completion) |
591 | 591 | This is an arrangement of a work by Handel's "Alexander's Feast". |
592 | 592 | This is an arrangement of a work by Handel's "Ode to Saint Caecelia". |
592a | 625 | Comical Duet for Soprano & Bass in D major, K. 592a/625: "Nun, liebes Weibchen" |
595 | 595 | Concerto for Piano No. 27 in B-flat major, K. 595: I. Allegro |
595 | 595 | Concerto for Piano No. 27 in B-flat major, K. 595: II. Larghetto |
595 | 595 | Concerto for Piano No. 27 in B-flat major, K. 595: III. Rondo. Allegro |
611 | 611 | German Dance with Organ-Grinder Trio in C major, K. 611 "Die Leierer": German Dance. (No tempo indication) |
613 | 613 | 8 Variations on Der dumme Gärtn: "Ein Weib ist das herrlichste Ding" for Piano in F major, K. 613 |
615a | deest | Andante to a Waltz for Small Mechanical Organ in F major, K. 615a/deest (fragment) |
616 | 616 | Andante for Piano in F major, K. 616 |
618 | 618 | Motet for Chorus, Strings & Organ in D major, K. 618: "Ave verum corpus" |
619 | 619 | Cantata for Tenor & Piano in C major, K. 619: "Die ihr des unermeßlichen Weltalls" |
620 | 620 | Die Zauberflöte, K. 620: Ouverture |
620 | 620 | Die Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino) |
620 | 620 | Die Zauberflöte, K. 620: Act I, Scene I. Monologue "Wo bin ich?" (Tamino) |
620 | 620 | Die Zauberflöte, K. 620: Act I, Scene II. No. 1 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno) |
620 | 620 | Die Zauberflöte, K. 620: Act I, Scene III. No. 2 Aria "He da!... Was da?" (Tamino, Papageno) |
620 | 620 | Die Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino) |
620 | 620 | Die Zauberflöte, K. 620: Act I, Scene V. Dialogue "Rüste dich mit Mut und Standhaftigkeit" (Tamino) |
620 | 620 | Die Zauberflöte, K. 620: Act I, Scene VI. No. 4 Recitative and Aria "O zitt're nicht, mein lieber Sohn!" (Die Königin der Nacht) |
620 | 620 | Die Zauberflöte, K. 620: Act I, Scene VII. Monologue "Ist's denn auch Wirklichkeit, was ich sah?" (Tamino) |
620 | 620 | Die Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino) |
620 | 620 | Die Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Pamina, Tamino) |
620 | 620 | Die Zauberflöte, K. 620: Act I, Scene XIII - XIV. Monologue "Mutter! Mutter! / Wie? / Noch schlagt dies Herz?" (Pamina) |
620 | 620 | Die Zauberflöte, K. 620: Act I, Scene XIV. No. 7 Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno) |
620 | 620 | Die Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino) |
620 | 620 | Die Zauberflöte, K. 620: Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" (Tamino) |
620 | 620 | Die Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino) |
620 | 620 | Die Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno) |
620 | 620 | Die Zauberflöte, K. 620: Act I, Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch der Priester |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene I. Dialogue "Ihr, in dem Weisheitstempel eingeweihten Diener" (Sarastro) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene I. Dialogue "Sarastro dankt euch" (Sarastro) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene I. No. 10 Aria and Chorus "O Isis und Osiris!" (Sarastro) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene II. Dialogue "Eine schreckliche Nacht!" (Tamino, Papageno) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene IV. No. 11 Duet "Bewahret euch vor Weibertücken" (Papageno, Tamino) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene IV. Dialogue "He, Lichter Her!" (Papageno, Tamino) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene VI. Dialogue "Jüngling! Dein standhaft männliches Betragen" (Papageno, Tamino) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene VIII. Dialogue "Zurück! O weh!" (Die Königin der Nacht) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene IX - XII. Monologue "Morden soll ich?" (Pamina, Sarastro) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene XIII - XV. Dialogue "Hier seid ihr euch beide allein überlassen" (Papageno, Tamino) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Knaben) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene XVII - XVIII. Dialogue "Tamino, wollen wir nicht speisen?" (Papageno, Pamina) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene XIX. Monologue "Nicht wahr, Tamino" (Papagena) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene XXII - XXIII. Dialogue "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene XXIV. Dialogue "Da bin ich schon, mein Engel!" (Papageno) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Wir wandelten durch Feuersgluten" (Pamina, Tamino) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene XXIX. "Papagena! Papagena!" (Papageno) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Chor, Monostatos, Königin, Damen) |
620 | 620 | Die Zauberflöte, K. 620: Act II, Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro) |
*620 | deest | Die Zauberflöte, K. *620 (Anh, spurious): Act II, Scene XI. "Pamina, wo bist du?" (Tamino, Papageno) |
620b | Anh 78 | Contrapuntal Study in B minor, K. 620b/Anh 78 |
621 | 621 | La clemenza di Tito, K. 621: Ouverture |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene I. Recitativo "Ma ché? sempre l’istesso" (Vitellia, Sesto) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene II. No. 1 Duetto "Come ti piace imponi" (Sesto, Vitellia) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene II. Recitativo "Amico, il passo affretta" (Annio, Vitellia, Sesto) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene II. No. 2 Aria "Deh se piacer mi vuoi" (Vitellia) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene III. Recitativo "Amico, ecco il momento" (Annio, Sesto) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene III. No. 3 Duettino "Deh prendi un dolce amplesso" (Annio, Sesto) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene IV. No. 4 Marcia |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene IV. No. 5 Coro "Serbate, oh Dei custodi" (Coro) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Te della patria il Padre" (Publio, Annio, Tito) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Adesso, oh Sesto" (Publio, Annio, Tito) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene IV. No. 6 Aria "Deh più sublime soglio" (Tito) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene V. Recitativo "Non ci pentiam" (Annio, Servilia) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene V. No. 7 Duetto "Ah perdona il primo affetto" (Annio, Servilia) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene VI. Recitativo "Che mi rechi in quel foglio?" (Tito, Publio) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene VII. No. 8 Aria "Ah, se fosse intorno al trono" (Tito) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene VIII. Recitativo "Felice me!" (Servilia, Vitellia) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio" (Sesto) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene X. Recitativo "Vedrai, Tito, vedrai, che alfin sì vile" (Vitellia, Publio, Annio) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene X. No. 10 Terzetto "Vengo… aspettate… Sesto!…" (Vitellia, Publio, Annio) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene XI. No. 11 Recitativo accompagnato "Oh Dei, che smania è questa" (Sesto) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene XI. No. 12 Quintetto con coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Publio, Vitellia, Coro) |
621 | 621 | La clemenza di Tito, K. 621: Act I, Scene XII-XIV. Finale |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene I. Recitativo "Sesto, come tu credi" (Annio, Sesto) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene I. No. 13 Aria "Torna di Tito a lato" (Annio) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene II. Recitativo "Partir deggio, o restar?" (Sesto, Vitellia) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene III. Recitativo "Sesto! Che chiedi?" (Publio, Sesto, Vitellia) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene IV. No. 14 Terzetto "Se al volto mai ti senti" (Sesto, Vitellia, Publio) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene V. No. 15 Coro "Ah grazie si rendano" (Tito, Publio) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene V. Recitativo "Già de' pubblici giuochi" (Publio, Tito) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene V. No. 16 Aria "Tardi s'avvede" (Publio) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene VI. Recitativo "No, così scellerato" (Tito, Annio) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene VII. No. 17 Aria "Tu fosti tradito" (Annio) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene VIII. Recitativo accompagnato "Che orror! che tradimento!" (Tito) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene IX. Recitativo "Ma, Publio, ancora Sesto non viene?" (Publio, Tito) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene X. No. 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene X. Recitativo "Eppur mi fa pietà" (Tito, Sesto) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene X. No. 19 Rondo "Deh per questo istante solo" (Sesto) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene XI. Recitativo "Ove s’intese mai più contumace" (Tito) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene XII. No. 20 Aria "Se all’impero, amici Dei" (Tito) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene XIII. Recitativo "Publio, ascolta!" (Vitellia, Publio) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene XIV. No. 21 Aria "S’altro che lacrime" (Servilia) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene XV. No. 22 Recitativo accompagnato "Ecco il punto, oh Vitellia" (Vitellia) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" (Vitellia) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene XVI. No. 24 Coro "Che del ciel, che degli Dei" (Coro) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene XVII. Recitativo "Sesto, de' tuoi delitti" (Tito, Vitellia, Sesto, Servilia, Annio, Publio) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene XVII. No. 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito) |
621 | 621 | La clemenza di Tito, K. 621: Act II, Scene XVII. No. 26 Sestetto con coro "Tu, è ver, m’assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro) |
621b | deest | Concerto Movement for Basset Horn in G major, K. 621b/deest (fragment) |
622 | 622 | Concerto for Clarinet in A major, K. 622: I. Allegro |
622 | 622 | Concerto for Clarinet in A major, K. 622: II. Adagio |
622 | 622 | Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro |
623 | 623 | Freemason Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in C major, K. 623 "Laut Verkünde unsre Freude": I. Coro - Recitativo "Laut Verkünde unsre Freude" |
623 | 623 | Freemason Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in C major, K. 623 "Laut Verkünde unsre Freude": II. Aria "Dieser Gottheit Allmacht ruhet" |
623 | 623 | Freemason Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in C major, K. 623 "Laut Verkünde unsre Freude": III. Recitativo "Wohlan, ihr Brüder" |
623 | 623 | Freemason Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in C major, K. 623 "Laut Verkünde unsre Freude": IV. Duetto "Lange sollen diese Mauern" |
623 | 623 | Freemason Cantata for 2 Tenors, Bass, Men's Chorus & Orchestra in C major, K. 623 "Laut Verkünde unsre Freude": V. Allegro "Laut verkünde unsre Freude" |
623a | deest | "Laßt uns mit geschlungen Händen". Composed by Paul Wranitsky (unconfirmed), not Wolfgang Amadeus Mozart. |
623a | deest | Masonic Song for Voice, Male Chorus & Piano in F major, K. 623a/deest (doubtful): "Lasst uns mit geschlungnen Händen" |
626aI/1 | 624/1 | Cadenza Version A, K. 626aI/1/KV 624/1: Concerto No. 5 in D major for Piano, K. 175: I. Allegro |
626aI/2 | deest | Cadenza Version B, K. 626aI/2: Concerto No. 5 in D major for Piano, K. 175: I. Allegro |
626aI/3 | 624/2 | Cadenza Version A, K. 626aI/3/KV 624/2: Concerto No. 5 in D major for Piano, K. 175: II. Andante ma un poco adagio |
626aI/4 | deest | Cadenza Version B, K. 626aI/4: Concerto No. 5 in D major for Piano, K. 175: II. Andante ma un poco adagio |
626aI/5 | deest | Cadenza, K. 626aI/5: Concerto No. 6 in B-flat major for Piano, K. 238: I. Allegro aperto |
626aI/6 | deest | Cadenza, K. 626aI/6: Concerto No. 6 in B-flat major for Piano, K. 238: II. Andante un poco adagio |
626aI/7 | deest | Cadenza, K. 626aI/7: Concerto No. 6 in B-flat major for Piano, K. 238: III. Rondeau. Allegro |
626aI/8 | deest | Cadenza Version A, K. 626aI/8: Concerto No. 6 in B-flat major for Piano, K. 238: III. Rondeau. Allegro |
626aI/9 | deest | Cadenza Version B, K. 626aI/9: Concerto No. 6 in B-flat major for Piano, K. 238: III. Rondeau. Allegro |
626aI/10 | deest | Cadenza Version C, K. 626aI/10: Concerto No. 6 in B-flat major for Piano, K. 238: III. Rondeau. Allegro |
626aI/11 | deest | Cadenza Version A, K. 626aI/11: Concerto No. 8 in C major for Piano, K. 246 "Lutzow": II. Andante |
626aI/12 | deest | Cadenza Version B, K. 626aI/12: Concerto No. 8 in C major for Piano, K. 246 "Lutzow": II. Andante |
626aI/13 | deest | Cadenza Version C, K. 626aI/13: Concerto No. 8 in C major for Piano, K. 246 "Lutzow": II. Andante |
626aI/14 | deest | Cadenza Version D, K. 626aI/14: Concerto No. 8 in C major for Piano, K. 246 "Lutzow": II. Andante |
626aI/15 | 624/3 | Cadenza Version A, K. 626aI/15/KV 624/3: Concerto No. 9 in E-flat major for Piano, K. 271 "Jeunehomme": I. Allegro |
626aI/16 | deest | Cadenza Version B, K. 626aI/16: Concerto No. 9 in E-flat major for Piano, K. 271 "Jeunehomme": I. Allegro |
626aI/17 | 624/4 | Cadenza Version A, K. 626aI/17/KV 624/4: Concerto No. 9 in E-flat major for Piano, K. 271 "Jeunehomme": II. Andantino |
626aI/18 | deest | Cadenza Version B, K. 626aI/18: Concerto No. 9 in E-flat major for Piano, K. 271 "Jeunehomme": II. Andantino |
626aI/19 | 624/5 | Introduction 1 Version A, K. 626aI/19/KV 624/5: Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto |
626aI/20 | 624/5 | Introduction 2 Version A, K. 626aI/20/KV 624/5: Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto |
626aI/21 | deest | Introduction 1 Version B, K. 626aI/21: Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto |
626aI/22 | deest | Introduction 2 Version B, K. 626aI/22: Divertimento No. 14 for 2 Oboes, 2 Horns & 2 Bassoons in B-flat major, K. 270: III. Minuetto |
626aI/23 | deest | Cadenza, K. 626aI/23: Concerto No. 10 in E-flat major for 2 Pianos & Orchestra, K. 316a/365: I. Allegro |
626aI/24 | deest | Cadenza, K. 626aI/24: Concerto No. 10 in E-flat major for 2 Pianos & Orchestra, K. 316a/365: III. Rondo. Allegro |
626aI/25 | 624/6 | Cadenza Version A, K. 626aI/25/KV 624/6: Rondo for Piano & Orchestra in D major, K. 382 |
626aI/26 | deest | Cadenza Version B, K. 626aI/26: Rondo for Piano & Orchestra in D major, K. 382 |
626aI/27 | 624/7 | Cadenza Version A, K. 626aI/27/KV 624/7: Concerto No. 12 in A major for Piano, K. 385p/414: I. Allegro |
626aI/28 | 624/8 | Cadenza Version B, K. 626aI/28/KV 624/8: Concerto No. 12 in A major for Piano, K. 385p/414: I. Allegro |
626aI/29 | 624/11 | Introduction Version A, K. 626aI/29/KV 624/11: Concerto No. 12 in A major for Piano, K. 385p/414: II. Andante |
626aI/30 | deest | Introduction Version B, K. 626aI/30: Concerto No. 12 in A major for Piano, K. 385p/414: II. Andante |
626aI/31 | 624/9 | Cadenza Version A, K. 626aI/31/KV 624/9: Concerto No. 12 in A major for Piano, K. 385p/414: II. Andante |
626aI/32 | deest | Cadenza Version B, K. 626aI/32: Concerto No. 12 in A major for Piano, K. 385p/414: II. Andante |
626aI/33 | 624/10 | Cadenza Version B, K. 626aI/33/KV 624/10 (sketch): Concerto No. 12 in A major for Piano, K. 385p/414: II. Andante |
626aI/34 | 624/12 | Cadenza Version A, K. 626aI/34/KV 624/12: Concerto No. 12 in A major for Piano, K. 385p/414: III. Rondo. Allegretto |
626aI/35 | 624/13 | Cadenza Version B, K. 626aI/35/KV 624/13: Concerto No. 12 in A major for Piano, K. 385p/414: III. Rondo. Allegretto |
626aI/36 | 624/14 | Introduction, K. 626aI/36/KV 624/14: Concerto No. 12 in A major for Piano, K. 385p/414: III. Rondo. Allegretto |
626aI/37 | deest | Cadenza, K. 626aI/37: Concerto No. 11 in F major for Piano, K. 387a/413: I. Allegro |
626aI/38 | deest | Cadenza, K. 626aI/38: Concerto No. 11 in F major for Piano, K. 387a/413: II. Larghetto |
626aI/39 | 624/15 | Cadenza, K. 626aI/39/KV 624/15: Concerto No. 13 in C major for Piano, K. 387b/415: I. Allegro |
626aI/40 | 624/16 | Cadenza, K. 626aI/40/KV 624/16: Concerto No. 13 in C major for Piano, K. 387b/415: II. Andante |
626aI/41 | 624/17 | Cadenza, K. 626aI/41/KV 624/17: Concerto No. 13 in C major for Piano, K. 387b/415: III. Allegro |
626aI/42 | 624/18 | Cadenza, K. 626aI/42/KV 624/18: Concerto No. 14 in E-flat major for Piano, K. 449 "First Ployer": I. Allegro vivace |
626aI/43 | 624/19 | Cadenza, K. 626aI/43/KV 624/19: Concerto No. 15 in B-flat major for Piano, K. 450: I. Allegro |
626aI/44 | 624/21 | Introduction, K. 626aI/44/KV 624/21: Concerto No. 15 in B-flat major for Piano, K. 450: II. Adagio |
626aI/45 | 624/20 | Cadenza, K. 626aI/45/KV 624/20: Concerto No. 15 in B-flat major for Piano, K. 450: II. Adagio |
626aI/46 | 624/32 | Cadenza, K. 626aI/46/KV 624/32: Concerto No. 16 in D major for Piano, K. 451: I. Allegro assai |
626aI/47 | 624/33 | Cadenza, K. 626aI/47/KV 624/33: Concerto No. 16 in D major for Piano, K. 451: III. Rondo. Allegro di molto |
626aI/48 | 624/22 | Cadenza Version A, K. 626aI/48/KV 624/22: Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": I. Allegro |
626aI/49 | 624/23 | Cadenza Version B, K. 626aI/49/KV 624/23: Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": I. Allegro |
626aI/50 | 624/24 | Cadenza Version B, K. 626aI/50/KV 624/24: Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": II. Andante |
626aI/51 | 624/25 | Cadenza Version A, K. 626aI/51/KV 624/25: Concerto No. 17 in G major for Piano, K. 453 "Second Ployer": II. Andante |
626aI/52 | deest | Cadenza Version A, K. 626aI/52: Concerto No. 18 in B-flat major for Piano, K. 456 "Paradis": I. Allegro vivace |
626aI/53 | 624/26 | Cadenza Version B, K. 626aI/53/KV 624/26: Concerto No. 18 in B-flat major for Piano, K. 456 "Paradis": I. Allegro vivace |
626aI/54 | 624/27 | Cadenza Version C, K. 626aI/54/KV 624/27: Concerto No. 18 in B-flat major for Piano, K. 456 "Paradis": I. Allegro vivace |
626aI/55 | deest | Introduction, K. 626aI/55: Concerto No. 18 in B-flat major for Piano, K. 456 "Paradis": III. Allegro vivace |
626aI/56 | deest | Cadenza Version B, K. 626aI/56: Concerto No. 18 in B-flat major for Piano, K. 456 "Paradis": III. Allegro vivace |
626aI/57 | 624/28 | Cadenza Version A, K. 626aI/57/KV 624/28: Concerto No. 18 in B-flat major for Piano, K. 456 "Paradis": III. Allegro vivace |
626aI/58 | 624/29 | Cadenza, K. 626aI/58/KV 624/29: Concerto No. 19 in F major for Piano, K. 459: I. Allegro |
626aI/59 | deest | Introduction, K. 626aI/59: Concerto No. 19 in F major for Piano, K. 459: III. Allegro assai |
626aI/60 | 624/30 | Cadenza, K. 626aI/60/KV 624/30: Concerto No. 19 in F major for Piano, K. 459: III. Allegro assai |
626aI/61 | 624/31 | Cadenza, K. 626aI/61/KV 624/31: Concerto No. 23 in A major for Piano, K. 488: I. Allegro |
626aI/62 | 624/34 | Cadenza, K. 626aI/62/KV 624/34: Concerto No. 27 in B-flat major for Piano, K. 595: I. Allegro |
626aI/63 | 624/35 | Introduction, K. 626aI/63/KV 624/35: Concerto No. 27 in B-flat major for Piano, K. 595: III. Rondo. Allegro |
626aI/64 | 624/36 | Cadenza, K. 626aI/64/KV 624/36: Concerto No. 27 in B-flat major for Piano, K. 595: III. Rondo. Allegro |
626b/28 | 187 | Composed by Christoph Willibald Gluck, not Wolfgang Amadeus Mozart. |
626b/28 | 187 | Exercises for Piano, K. 626b/28/K3 159c/KV deest |
Anh 240a | 177 | Composed by Leopold Mozart, not Wolfgang Amadeus Mozart. |
Anh 25.05 | Anh 137 | Minuet for Piano in B-flat major, K. Anh 25.05/K3 498a/Anh 137 (spurious) [6 Variations on a Theme from an Unidentified Clarinet Quintet] |
Anh A3 | A21 | K3 93c, composed by E. Eberlin, not Wolfgang Amadeus Mozart. |
Anh A4 | 326 | Composed by E. Eberlin, not Wolfgang Amadeus Mozart. |
Anh A10 | 327 | Composed by Q. Gasparini, not Wolfgang Amadeus Mozart. |
Anh A52 | 291 | Composed by M. Haydn, not Wolfgang Amadeus Mozart. |
Anh A65 | deest | Adagio for Piano in F major, K. Anh A65/K3 Anh A206a/KV deest |
Anh. C 3.04 | 142 | Contredanse for 4 Voices and Orchestra in D major, K. Anh. C 3.04/K3 Anh. 186d/142 (doubtful) "Tantum ergo" |
Anh. C 3.05 | 197 | Contredanse for 4 Voices and Orchestra in D major, K. Anh. C 3.05/K3 Anh. 186e/197 (doubtful) "Tantum ergo" |
Anh C 3.08 | 198 | Offertorium for 2 Voices & Orchestra in F major, K. Anh C 3.08/K3 158b/198: "Sub tuum praesidium" |
Anh C 3.09 | 177 | Composed by Leopold Mozart, not Wolfgang Amadeus Mozart. |
Anh C 3.09 | 342 | Composed by Leopold Mozart, not Wolfgang Amadeus Mozart. |
Anh C 7.05 | deest | K3 584a. Composed by Giovanni Paisiello, not Wolfgang Amadeus Mozart. |
Anh C 8.32 | 350 | Composed by B. Flies, not Wolfgang Amadeus Mozart. |
Anh C 11.03 | Anh 216 | Symphony for Orchestra in B-flat major, K. Anh C 11.03/K3 74g/Anh 216: I. Allegro |
Anh C 11.03 | Anh 216 | Symphony for Orchestra in B-flat major, K. Anh C 11.03/K3 74g/Anh 216: II. Andante |
Anh C 11.03 | Anh 216 | Symphony for Orchestra in B-flat major, K. Anh C 11.03/K3 74g/Anh 216: III. Minuet & trio |
Anh C 11.03 | Anh 216 | Symphony for Orchestra in B-flat major, K. Anh C 11.03/K3 74g/Anh 216: IV. Allegro molto |
Anh C 17.01 | Anh 226 | Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/K3 196e/Anh 226 (spurious): I. Allegro moderato |
Anh C 17.01 | Anh 226 | Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/K3 196e/Anh 226 (spurious): II. Minuetto |
Anh C 17.01 | Anh 226 | Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/K3 196e/Anh 226 (spurious): III. Romance |
Anh C 17.01 | Anh 226 | Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/K3 196e/Anh 226 (spurious): IV. Minuetto |
Anh C 17.01 | Anh 226 | Divertimento for Wind Ensemble in E-flat major, K. Anh C 17.01/K3 196e/Anh 226 (spurious): V. Rondo |
Anh C 17.02 | Anh 226 | Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/K3 196f/Anh 227 (spurious): I. Allegro |
Anh C 17.02 | Anh 226 | Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/K3 196f/Anh 227 (spurious): II. Minuetto |
Anh C 17.02 | Anh 226 | Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/K3 196f/Anh 227 (spurious): III. Adagio |
Anh C 17.02 | Anh 226 | Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/K3 196f/Anh 227 (spurious): IV. Minuetto |
Anh C 17.02 | Anh 226 | Divertimento for Wind Ensemble in B-flat major, K. Anh C 17.02/K3 196f/Anh 227 (spurious): V. Finale |
Anh C 17.12 | 187 | Composed by Christoph Willibald Gluck, not Wolfgang Amadeus Mozart. |
deest | 61 | Composed by Friedrich Raupach, not Wolfgang Amadeus Mozart |
deest | deest | Canonical Study in B-flat major, K. deest: "Dona nobis pacem" |
deest | deest | Canonical Study, K. deest: "Sinkt die Nacht" |
deest | deest | Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): I. Serenade: Rondo. Larghetto. Le nozze di Figaro “Al descio, di che t’adora" |
deest | deest | Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): II. Serenade: Le nozze di Figaro: "Voi che sapete" |
deest | deest | Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): III. Serenade: Le nozze di Figaro: "Non più andrai" |
deest | deest | Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): IV. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Là ci darem la mano" |
deest | deest | Divertimento No. 6 for 2 Clarinets, 2 Horns & Bassoon, K. deest (spurious): V. Serenade: Il dissoluto punito, ossia il Don Giovanni: "Vedrai, carino" |
deest | deest | March for 9 Winds & 2 Drums for "Die Entführung aus dem Serail" K. deest "Marsch der Janitscharen" |
deest | deest | Sonata for Piano in D major, K. deest, after J.C. Bach: Opus 5. No. 2, CW A2 (T. 338/3): I. Allegro di molto |
deest | deest | Sonata for Piano in D major, K. deest, after J.C. Bach: Opus 5. No. 2, CW A2 (T. 338/3): II. Andante di molto |
deest | deest | Sonata for Piano in D major, K. deest, after J.C. Bach: Opus 5. No. 2, CW A2 (T. 338/3): III. Minuetto |
deest | deest | Sonata for Piano in G major, K. deest, after J.C. Bach: Opus 5. No. 3, CW A3 (T. 338/6): I. Allegro |
deest | deest | Sonata for Piano in G major, K deest., after J.C. Bach: Opus 5. No. 3, CW A3 (T. 338/6): II. Allegretto |
deest | deest | Sonata for Piano in E-flat major, K. deest, after J.C. Bach: Opus 5. No. 4, CW A4 (T. 339/1): I. Allegro |
deest | deest | Sonata for Piano in E-flat major, K. deest, after J.C. Bach: Opus 5. No. 4, CW A4 (T. 339/1): II. Rondeau. Allegretto |
Fr 1764e | deest | Movement for Orchestra in G-sharp minor, K. deest (noted: K. 186+159b) (fragment) Fr 1764e |
Fr 1765b | deest | Instrumental Movement in C major, K. deest (fragment) Fr 1765b |
Fr 1782r | deest | Movement for String Quartet in E major, K. deest (fragment) Fr 1782r |
Fr 1782s | deest | Fugue for 2 Violins, Viola & Cello in C minor, K. deest (fragment) Fr 1782s |
NMA IX/25/ii/Anh1 | deest | Sonata Movement in C major, K. deest NMA IX/25/ii/Anh1 |
New Table
Every work in the table below has been checked against the NMA scores and should be 100% correct as it is. Please do not add or edit information in this table. If you think you've spotted an omission or error, please PM BrianFreud. Note: The distinction between Zu and * is currently being corrected in this listing. If you run into one of these, please check with BrianFreud if it is a catalog number higher than: K. 8
K6 / NMA | K1 | Mvmt | Title | Composed |
Dates: Except where date ranges are specified with the word "to", composition dates indicate the date upon which composition was completed. Note also that many works are undated. Specific dates typically come from Mozart's own records, while more vague dates typically come from research which has attempted to identify when the work was composed. For completions & reconstructions, the date listed is for the completion or reconstruction, not Mozart's composition date (which can be found just above in the fragment listing). | ||||
Completions: With few exceptions, the Köchel catalog numbers indicate the fragment composed by Wolfgang Amadeus Mozart, or very early completions such as Süßmayr's completion of K. 626. However, though these numbers do not technically apply also to non-catalog completions or reconstructions, the Köchel catalog numbers are normally still used to identify the fragmentary work. Thus, in this listing, Köchel catalog numbers are used to also identify completions, not just the Köchel-listed fragments. Where you do see multiple listings here for the same work, please double check if you need the fragment version, or one of the completion/reconstruction versions. (If you don't see the completion version you need, please add it to this listing.) | ||||
Cadenzas / Engang / Ornamentation: Cadenzas, engang, and ornamentation for works by other composers are listed according to their Köchel catalog numer, as with other works. Cadenzas, engang, and ornamentation for works by Mozart, however, are listed with the works they apply to, rather than in catalog order, to avoid your having to scroll up and down across this listing. | ||||
1a | deest | Andante for Keyboard in C major, K. 1a / deest "Notenbuch für Nannerl Mozart" No. 53: Andante | 1761 | |
1b | deest | Allegro for Keyboard in C major, K. 1b / deest "Notenbuch für Nannerl Mozart" No. 54: Allegro | 1761 | |
1c | deest | Allegro for Keyboard in F major, K. 1c / deest "Notenbuch für Nannerl Mozart" No. 55: Allegro | 1761-12-11 | |
1d | deest | Minuet for Keyboard in F major, K. 1d / deest "Notenbuch für Nannerl Mozart" No. 56: Minuetto | 1761-12-16 | |
1e | 1 | Minuet for Keyboard in G major, K. 1e / 1 (Minuet) "Notenbuch für Nannerl Mozart" No. 62: Minuet | 1764 | |
1f | 1 | Minuet for Keyboard in C major, K. 1f / 1 (Trio) "Notenbuch für Nannerl Mozart" No. 63: Minuet | 1764 | |
2 | 2 | Minuet for Keyboard in F major, K. 2 "Notenbuch für Nannerl Mozart" No. 58: Minuet | 1762-01 | |
3 | 3 | Allegro for Keyboard in B-flat major, K. 3 "Notenbuch für Nannerl Mozart" No. 59: Allegro | 1762-03-04 | |
4 | 4 | Minuet for Keyboard in F major, K. 4 "Notenbuch für Nannerl Mozart" No. 49: (no tempo indication) | 1762-05-11 | |
5 | 5 | Minuet for Keyboard in F major, K. 5 "Notenbuch für Nannerl Mozart" No. 61: Minuet | 1762-07-05 | |
5a | deest | Piece for Keyboard in C major, K. 5a / K2 9a / KV deest "Notenbuch für Nannerl Mozart" No. 20: (no tempo indication) | 1764 | |
5b | deest | Andante for Keyboard in C major, K. 5b / K2 9b / KV deest Fr 1764a (fragment) "Notenbuch für Nannerl Mozart" No. 64: Andante | 1764 | |
Sonata for Violin & Harpsichord No. 1 in C major | ||||
6 | 6 | 1 | Sonata for Violin & Harpsichord No. 1 in C major, K. 6: I. Allegro | 1764-01 |
6 | 6 | 2 | Sonata for Violin & Harpsichord No. 1 in C major, K. 6: II. Andante | |
6 | 6 | 3 | Sonata for Violin & Harpsichord No. 1 in C major, K. 6: III. Minuet I & Minuet II & Minuet I | |
6 | 6 | 4 | Sonata for Violin & Harpsichord No. 1 in C major, K. 6: IV. Allegro molto | |
*6/01 | *6/01 | Allegro for Harpsichord in C major, K. *6/01 "Notenbuch für Nannerl Mozart" No. 46: Allegro | 1763-10-14 | |
*6/02 | *6/02 | Andante for Harpsichord in F major, K. *6/02 "Notenbuch für Nannerl Mozart" No. 25: Andante | 1763-10 | |
*6/03 | *6/03 | Minuet for Harpsichord in C major, K. *6/03 "Notenbuch für Nannerl Mozart" No. 26: Minuet I | 1763-10 | |
*6/03 | *6/03 | Minuet for Harpsichord in C major, K. *6/03 "Notenbuch für Nannerl Mozart" No. 26: Minuet II | 1762-07-16 | |
Sonata for Violin & Harpsichord No. 2 in D major | ||||
7 | 7 | 1 | Sonata for Violin & Harpsichord No. 2 in D major, K. 7: I. Allegro molto | 1764-01 |
7 | 7 | 2 | Sonata for Violin & Harpsichord No. 2 in D major, K. 7: II. Adagio | |
7 | 7 | 3 | Sonata for Violin & Harpsichord No. 2 in D major, K. 7: III. III. Minuet I & Minuet II & Minuet I | |
*7/03 | *7/03 | Minuet for Harpsichord in D major, K. *7/03 "Notenbuch für Nannerl Mozart" No. 47: Minuet I | 1763-11-30 | |
Sonata for Violin & Harpsichord No. 3 in B-flat major | ||||
8 | 8 | 1 | Sonata for Violin & Harpsichord No. 3 in B-flat major, K. 8: I. Allegro | 1764-01 |
8 | 8 | 2 | Sonata for Violin & Harpsichord No. 3 in B-flat major, K. 8: II. Andante grazioso | |
8 | 8 | 3 | Sonata for Violin & Harpsichord No. 3 in B-flat major, K. 8: III. III. Minuet I & Minuet II & Minuet I | |
*8/01 | *8/01 | Allegro for Harpsichord in B-flat major, K. *8/01 "Notenbuch für Nannerl Mozart" No. 24: Allegro | 1763-11-21 | |
Sonata for Violin & Harpsichord No. 4 in G major | ||||
9 | 9 | 1 | Sonata for Violin & Harpsichord No. 4 in G major, K. 9: I. Allegro spiritoso | 1764-01 |
9 | 9 | 2 | Sonata for Violin & Harpsichord No. 4 in G major, K. 9: II. Andante | |
9 | 9 | 3 | Sonata for Violin & Harpsichord No. 4 in G major, K. 9: III. III. Minuet I & Minuet II & Minuet I | |
15a | deest | Allegretto for Keyboard in F major, K. 15a / K2 Anh 109b No. 1 / KV deest "Londoner Skizzenbuch" No. 1: (no tempo indication) | 1764 | |
15b | deest | Contredanse for Keyboard in C major, K. 15b / K2 Anh 109b No. 2 / KV deest "Londoner Skizzenbuch" No. 2: (no tempo indication) | 1764 | |
15c | deest | Minuet for Keyboard in G major, K. 15c / KV deest "Londoner Skizzenbuch" No. 3: (no tempo indication) | 1764 | |
15d | deest | Rondino for Keyboard in D major, K. 15d / KV deest "Londoner Skizzenbuch" No. 4: (no tempo indication) | 1764 | |
15e | deest | Ecossaise for Keyboard in G major, K. 15e / KV deest "Londoner Skizzenbuch" No. 5: (no tempo indication) | 1764 | |
15f | deest | Minuet for Keyboard in C major, K. 15f / KV deest "Londoner Skizzenbuch" No. 6: (no tempo indication) | 1764 | |
15g | deest | Prelude for Organ in G major, K. 15g / KV deest "Londoner Skizzenbuch" No. 7: (no tempo indication) | 1764 | |
15h | deest | Contredanse for Keyboard in F major, K. 15h / KV deest "Londoner Skizzenbuch" No. 8: (no tempo indication) | 1764 | |
15i | deest | Minuet for Keyboard in D major, K. 15i / KV deest "Londoner Skizzenbuch" No. 9: (no tempo indication) | 1764 | |
15k | deest | Minore for Keyboard in D major, K. 15k / KV deest "Londoner Skizzenbuch" No. 10: (no tempo indication) | 1764 | |
15l | deest | Contredanse for Keyboard in D major, K. 15l / KV deest "Londoner Skizzenbuch" No. 11: Maggoire & Minore. (no tempo indication) | 1764 | |
15m | deest | Minuet for Keyboard in F major, K. 15m / K2 Anh 109b No. 4 / KV deest "Londoner Skizzenbuch" No. 12: (no tempo indication) | 1764 | |
15n | deest | Piece for Keyboard in C major, K. 15n / KV deest "Londoner Skizzenbuch" No. 13: (no tempo indication) | 1764 | |
15o | deest | Piece for Keyboard in D major, K. 15o / KV deest "Londoner Skizzenbuch" No. 14: (no tempo indication) | 1764 | |
15p | deest | Sonata for Keyboard in G minor, K. 15p / K2 Anh 109b No. 3 / KV deest "Londoner Skizzenbuch" No. 15: (no tempo indication) | 1764 | |
15q | deest | Divertimento for Keyboard in G minor, K. 15q / KV deest "Londoner Skizzenbuch" No. 16: (no tempo indication) | 1764 | |
15r | deest | Divertimento for Keyboard in G minor, K. 15r / K2 Anh 109b No. 7 / KV deest "Londoner Skizzenbuch" No. 17: (no tempo indication) | 1764 | |
15s | deest | Hornpipe for Keyboard in C major, K. 15s / KV deest "Londoner Skizzenbuch" No. 18: (no tempo indication) | 1764 | |
15t | deest | Sonata for Keyboard in F major, K. 15t / K2 Anh 109b No. 5 / KV deest "Londoner Skizzenbuch" No. 19: (no tempo indication) | 1764 | |
15u | deest | Siciliano for Keyboard in F major, K. 15u / KV deest "Londoner Skizzenbuch" No. 20: (no tempo indication) | 1764 | |
15v | deest | Finale for Keyboard in F major, K. 15v / KV deest "Londoner Skizzenbuch" No. 21: (no tempo indication) | 1764 | |
15w | deest | Piece for Keyboard in B-flat major, K. 15w / KV deest "Londoner Skizzenbuch" No. 22: (no tempo indication) | 1764 | |
15x | deest | Sinfonia for Keyboard in F major, K. 15x / K2 Anh 109b No. 6 / KV deest "Londoner Skizzenbuch" No. 23: (no tempo indication) | 1764 | |
15y | deest | Minuet for Keyboard in G major, K. 15y / KV deest "Londoner Skizzenbuch" No. 24: (no tempo indication) | 1764 | |
15z | deest | Gigue for Keyboard in C minor, K. 15z / KV deest "Londoner Skizzenbuch" No. 25: (no tempo indication) | 1764 | |
15aa | deest | Piece for Keyboard in B-flat major, K. 15aa / KV deest "Londoner Skizzenbuch" No. 26: (no tempo indication) | 1764 | |
15bb | deest | Piece for Keyboard in D major, K. 15bb / KV deest "Londoner Skizzenbuch" No. 27: (no tempo indication) | 1764 | |
15cc | deest | Concertino for Keyboard in E-flat major, K. 15cc / KV deest "Londoner Skizzenbuch" No. 28: (no tempo indication) | 1764 | |
15dd | deest | Piece for Keyboard in A-flat major, K. 15dd / KV deest "Londoner Skizzenbuch" No. 29: (no tempo indication) | 1764 | |
15ee | deest | Minuet for Keyboard in E-flat major, K. 15ee / KV deest "Londoner Skizzenbuch" No. 30: (no tempo indication) | 1764 | |
15ff | deest | Minuet for Keyboard in A-flat major, K. 15ff / K2 Anh 109b No. 8 / KV deest "Londoner Skizzenbuch" No. 31: (no tempo indication) | 1764 | |
15gg | deest | Cottilon for Keyboard in B-flat major, K. 15gg / KV deest "Londoner Skizzenbuch" No. 32: (no tempo indication) | 1764 | |
15hh | deest | Rondo for Keyboard in F major, K. 15hh / KV deest "Londoner Skizzenbuch" No. 33: (no tempo indication) | 1764 | |
15ii | deest | Air for Keyboard in B-flat major, K. 15ii / KV deest "Londoner Skizzenbuch" No. 34: (no tempo indication) | 1764 | |
15kk | deest | Piece for Keyboard in E-flat major, K. 15kk / KV deest "Londoner Skizzenbuch" No. 35: (no tempo indication) | 1764 | |
15ll | deest | Piece for Keyboard in B-flat major, K. 15ll / K2 Anh 109b No. 9 / KV deest "Londoner Skizzenbuch" No. 36: Presto | 1764 | |
15mm | deest | Piece for Keyboard in E-flat major, K. 15mm / KV deest "Londoner Skizzenbuch" No. 37: (no tempo indication) | 1764 | |
15nn | deest | Sonata Movement for Keyboard in F major, K. 15nn / KV deest Fr 1764b "Londoner Skizzenbuch" No. 38: (no tempo indication) | 1764 | |
15oo | deest | German Dance for Keyboard in F major, K. 15oo / KV deest "Londoner Skizzenbuch" No. 39: (no tempo indication) | 1764 | |
15pp | deest | Minuet for Keyboard in B-flat major, K. 15pp / KV deest "Londoner Skizzenbuch" No. 40: (no tempo indication) | 1764 | |
15qq | deest | Minuet for Keyboard in E-flat major, K. 15qq / KV deest "Londoner Skizzenbuch" No. 41: (no tempo indication) | 1764 | |
15rr | deest | Minuet for Keyboard in C major, K. 15rr / KV deest Fr 1764c (fragment) "Londoner Skizzenbuch" No. 42: (no tempo indication) | 1764 | |
15rr | deest | Minuet for Keyboard in C major, K. 15rr / KV deest Fr 1764c (Leonard Danek completion) "Londoner Skizzenbuch" No. 42: (no tempo indication) | 1764 | |
15rr | deest | Minuet for Keyboard in C major, K. 15rr / KV deest Fr 1764c (Hans-Udo Kreuels completion) "Londoner Skizzenbuch" No. 42: (no tempo indication) | 1764 | |
15ss | deest | Fugue for 4 Voices & Keyboard in A major, K. 15ss / KV deest Fr 1764d (fragment) "Londoner Skizzenbuch" No. 43: Fuga | 1764 | |
15ss | deest | Fugue for 4 Voices & Keyboard in A major, K. 15ss / KV deest Fr 1764d (Hans-Udo Kreuels completion) "Londoner Skizzenbuch" No. 43: Fuga | 1764 | |
Symphony No. 1 in E-flat major | ||||
16 | 16 | 1 | Symphony No. 1 for Orchestra in E-flat major, K. 16: I. Allegro molto | 1764 or 1765 |
16 | 16 | 2 | Symphony No. 1 for Orchestra in E-flat major, K. 16: II. Andante | |
16 | 16 | 3 | Symphony No. 1 for Orchestra in E-flat major, K. 16: III. Presto | |
Zu 16 | Appendix | |||
Zu 16 | 16 | Symphony No. 1 for Orchestra in E-flat major, K. Zu 16: (deleted measures) | 1764 or 1765 | |
Symphony No. 4 in D major | ||||
19 | 19 | 1 | Symphony No. 4 for Orchestra in D major, K. 19: I. Allegro | 1765 |
19 | 19 | 2 | Symphony No. 4 for Orchestra in D major, K. 19: II. Andante | |
19 | 19 | 3 | Symphony No. 4 for Orchestra in D major, K. 19: III. Presto | |
Unnumbered Symphony in F major | ||||
19a | Note: | The NMA index for this work erroniously inverts the tempos for movements 1 and 2. Tempos are correct as listed here, per the actual score. | ||
19a | Anh 223 | 1 | Symphony for Orchestra in F major, K. 19a / Anh 223: I. Allegro assai | 1765 |
19a | Anh 223 | 2 | Symphony for Orchestra in F major, K. 19a / Anh 223: II. Andante | |
19a | Anh 223 | 3 | Symphony for Orchestra in F major, K. 19a / Anh 223: III. Presto | |
19b | Anh 222 | Lost | Lost Work: Symphony in C major | 1765 |
Va, dal furor portata Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
19c | 21 | Aria for Tenor and Orchestra in C major, K. 19c / KV 21: Allegro "Va, dal furor portata" | 1765 | |
Zu 19c | Zu 21 | Aria for Tenor and Orchestra in C major, K. Zu 19c / Zu KV 21 (revised version): Allegro "Va, dal furor portata" | 1765 | |
God is our refuge Librettist: (Psalm 46, 1) | ||||
20 | 20 | Motet for Chorus in G minor, K. 20: (no tempo indication). (Soprano, Alto, Tenor, Bass) "God is our refuge" | 1765-07 | |
21a | Anh 206 | Lost | Lost Work: Variations for Piano | 1764 or 1765 |
Symphony No. 5 in B-flat major | ||||
22 | 22 | 1 | Symphony No. 5 for Orchestra in B-flat major, K. 22: I. Allegro | 1765-12 |
22 | 22 | 2 | Symphony No. 5 for Orchestra in B-flat major, K. 22: II. Andante | |
22 | 22 | 3 | Symphony No. 5 for Orchestra in B-flat major, K. 22: III. Allegro molto | |
Conservati fedele Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
23 | 23 | Aria for Soprano and Orchestra in A major, K. 23: Andante grazioso - allegretto "Conservati fedele" | 1765-10 | |
Zu 23 | Zu 23 | Aria for Soprano and Orchestra in A major, K. Zu 23 (revised version): Andante - allegretto "Conservati fedele" | 1765 | |
Zu 23 | Zu 23 | Reduction for Soprano and Piano of Aria for Soprano and Orchestra in A major, K. 23: Andante grazioso - allegretto "Conservati fedele", K. Zu 23 | 1766-01 | |
Sonata for Violin & Harpsichord No. 11 in E-flat major | ||||
26 | 26 | 1 | Sonata for Violin & Harpsichord No. 11 in E-flat major, K. 26: I. Allegro molto | 1766-02 |
26 | 26 | 2 | Sonata for Violin & Harpsichord No. 11 in E-flat major, K. 26: II. Adagio poco andante | |
26 | 26 | 3 | Sonata for Violin & Harpsichord No. 11 in E-flat major, K. 26: III. Rondeaux. Allegro | |
Sonata for Violin & Harpsichord No. 12 in G major | ||||
27 | 27 | 1 | Sonata for Violin & Harpsichord No. 12 in G major, K. 27: I. Andante poco adagio | 1766-02 |
27 | 27 | 2 | Sonata for Violin & Harpsichord No. 12 in G major, K. 27: II. Allegro | |
Sonata for Violin & Harpsichord No. 13 in C major | ||||
28 | 28 | 1 | Sonata for Violin & Harpsichord No. 13 in C major, K. 28: I. Allegro maestroso | 1766-02 |
28 | 28 | 2 | Sonata for Violin & Harpsichord No. 13 in C major, K. 28: II. Allegro grazioso | |
Sonata for Violin & Harpsichord No. 14 in D major | ||||
29 | 29 | 1 | Sonata for Violin & Harpsichord No. 14 in D major, K. 29: I. Allegro molto | 1766-02 |
29 | 29 | 2 | Sonata for Violin & Harpsichord No. 14 in D major, K. 29: II. Minuetto | |
Sonata for Violin & Harpsichord No. 15 in F major | ||||
30 | 30 | 1 | Sonata for Violin & Harpsichord No. 15 in F major, K. 30: I. Adagio | 1766-02 |
30 | 30 | 2 | Sonata for Violin & Harpsichord No. 15 in F major, K. 30: II. Rondo. Tempo di minuetto - poco adagio -- tempo primo | |
Sonata for Violin & Harpsichord No. 16 in B-flat major | ||||
31 | 31 | 1 | Sonata for Violin & Harpsichord No. 16 in B-flat major, K. 31: I. Allegro | 1766-02 |
31 | 31 | 2 | Sonata for Violin & Harpsichord No. 16 in B-flat major, K. 31: II. Tempo di minuetto - moderato & Variations I - VI | |
Galimathias musicum for Harpsichord & Orchestra in D major "Quodlibet" | ||||
32 | 32 | 1 | Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": I. Allegro molto | 1766-03 |
32 | 32 | 2 | Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": II. Andante | |
32 | 32 | 3 | Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": III. Allegro | |
32 | 32 | 4 | Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": IV. Pastorella | |
32 | 32 | 5 | Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": V. Allegro | |
32 | 32 | 6 | Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": VI. Allegretto | |
32 | 32 | 7 | Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": VII. Allegro | |
32 | 32 | 8 | Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": VIII. Molto adagio | |
32 | 32 | 9 | Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": IX. Allegro | |
32 | 32 | 10 | Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": X. Largo | |
32 | 32 | 11 | Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XI. Allegro | |
32 | 32 | 12 | Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XII. Andante | |
32 | 32 | 13 | Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XIII. Allegro | |
32 | 32 | 14 | Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XIV. Minuet | |
32 | 32 | 15 | Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XV. Adagio | |
32 | 32 | 16 | Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XVI. Presto | |
32 | 32 | 17 | Galimathias musicum for Harpsichord & Orchestra in D major, K. 32 "Quodlibet": XVII. Fuga | |
Zu 32-14 | Zu 32-14 | Minuet for Harpsichord in F major, K. Zu 32 No. 14 NMA IX/27/1 I. No. 19 "Notenbuch für Nannerl Mozart" No. 19: Minuet | ? | |
32a | deest | Lost | Lost Work: Sketchbook "Capricci" | |
33a | deest | Lost | Lost Work: Solos for Flute | |
33b | deest | Lost | Lost Work: Solos for Cello | |
33B | deest | Piece for Piano in F major, K. 33B / deest: Contredanse. Allegro | 1766-10 | |
33c | deest | Lost | Lost Work: Stabat Mater for 4 voices without instruments | 1766 |
33d | Anh 199 | Lost | Lost Work: Sonata for Piano in D major | between 1768 and 1775 |
33e | Anh 200 | Lost | Lost Work: Sonata for Piano in D major | between 1768 and 1775 |
33f | Anh 201 | Lost | Lost Work: Sonata for Piano in D major | between 1768 and 1775 |
33g | Anh 201 | Lost | Lost Work: Sonata for Piano in F major | early 1775 |
33h | deest | Lost | Lost Work: Wäldhornstückl | early 1778 |
Or che il dover Librettist: Unknown | ||||
33i | 36 | Recitative for Tenor and Orchestra in C major, K. 33i / KV 36: Allegro maestoso - andante - maestoso - allegro - andante - maestoso - andante "Or che il dover" | 1766-12 | |
Tali e cotanti sono Librettist: Unknown | ||||
33i | 36 | Aria for Tenor and Orchestra in C major, K. 33i / KV 36: Allegro - andantino "Tali e cotanti sono" | 1766-12 | |
34 | 34 | 1 | Offertorium in Festo Sti Benedicti for Soprano, Chorus, Orchestra & Organ in C major, K. 34: I. Aria "Scanda coeli limina". Andante | 1766 or 1767 |
34 | 34 | 2 | Offertorium in Festo Sti Benedicti for Soprano, Chorus, Orchestra & Organ in C major, K. 34: II. Chorus "Cara o pignora". Allegro | |
Apollo et Hyacinthus | ||||
38 | 38 | Apollo et Hyacinthus, K. 38: Intrada. Allegro | 1767 | |
38 | 38 | Apollo et Hyacinthus, K. 38: Act I Recitativo "Amice! iam parata sunt" (Hyacinthus, Zephyrus, Oebalus, Melia) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act I No. 1 Chorus et Oebalus. Andante alla breve "Numen o Latonium" (Chorus, Oebalus) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act I No. 1 Chorus et Oebalus. Tempo moderato "O Apollo" (Chorus, Oebalus) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act I No. 1 Chorus et Oebalus. Andante alla breve "Numen o Latonium" (Chorus, Oebalus) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act I Recitativo "Heu me! perimus!" (Melia, Oebalus, Hyacinthus, Zephyrus) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act I No. 2 Aria. Allegro moderato - andantino "Saepe terrent Numina" (Hyacinthus) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act I Recitativo "Ah nate! vera loqueris" (Oebalus) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act I No. 3 Aria. Andantino - allegro - andantino "Jam pastor Apollo" (Apollo) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act II Recitativo "Amare numquid filia" (Oebalus, Melia) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act II No. 4 Aria. Allegro "Laetari, iocari" (Melia) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act II Recitativo "Rex! de salute filii" (Zephyrus, Oebalus, Melia) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act II No. 5 Aria. Un poco allegro "En! duos conspicis" (Zephyrus) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act II Recitativo "Heu! Numen! Ecce!" (Zephyrus, Melia, Apollo) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act II No. 6 Duetto. Allegro - moderato - allegro "Discede crudelis!" (Melia, Apollo) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act III Recitativo "Non est quis ergo" (Hyacinthus, Oebalus) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act III No. 7 Aria. Allegro "Ut navis in aequore luxuriante" (Oebalus) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act III Recitativo "Quocumque me converto" (Melia, Oebalus) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act III No. 8 Duetto. Andante "Natus cadit, atque Deus" (Oebalus, Melia) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act III Recitativo "Rex! me redire cogit" (Apollo, Oebalus, Melia) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act III Recitativo. Andantino "Hyacinthe surge!" (Apollo, Oebalus, Melia) | ||
38 | 38 | Apollo et Hyacinthus, K. 38: Act III No. 9 Terzetto. Allegro "Tandem post turbida fulmina" (Apollo, Melia, Oebalus) | ||
41a | deest | Lost | Lost Work: 6 Divertimentos in 4-parts for various instruments | 1767 |
41b | deest | Lost | Lost Work: Wind pieces of various settings | |
41c | deest | Lost | Lost Work: Marches of various settings | |
41d | deest | Lost | Lost Work: Menuets of various settings | |
41e | deest | Lost | Lost Work: Fugue for Piano | |
41f | deest | Lost | Lost Work: 4-part Fugue | |
41g | deest | Lost | Lost Work: Nachtmusik for 2 Violins and Bass | |
41h | 67 | Church Sonata No. 1 for 2 Violins, Organ, Cello, and Bass in E-flat major, K. 41h / KV 67: Andantino | 1772 | |
41i | 68 | Church Sonata No. 2 for 2 Violins, Organ, Cello, and Bass in B-flat major, K. 41i / KV 68: Allegro | 1772 | |
41k | 69 | Church Sonata No. 3 for 2 Violins, Organ, Cello, and Bass in D major, K. 41k / KV 69: Allegro | 1772 | |
Symphony No. 43 for Orchestra in F major | ||||
42a | 76 | 1 | Symphony No. 43 for Orchestra in F major, K. 42a / 76: I. Allegro maestoso | Fall 1767 |
42a | 76 | 2 | Symphony No. 43 for Orchestra in F major, K. 42a / 76: II. Andante | |
42a | 76 | 3 | Symphony No. 43 for Orchestra in F major, K. 42a / 76: III. Minuetto & Trio | |
42a | 76 | 4 | Symphony No. 43 for Orchestra in F major, K. 42a / 76: IV. Allegro | |
Symphony No. 6 in F major | ||||
43 | 43 | 1 | Symphony No. 6 for Orchestra in F major, K. 43: I. Allegro | Late 1767 |
43 | 43 | 2 | Symphony No. 6 for Orchestra in F major, K. 43: II. Andante | |
43 | 43 | 3 | Symphony No. 6 for Orchestra in F major, K. 43: III. Minuetto & Trio | |
43 | 43 | 4 | Symphony No. 6 for Orchestra in F major, K. 43: IV. Allegro | |
Ach, was müssen wir erfahren! Librettist: Unknown | ||||
43a | deest | Duet for 2 Voices in F major, K. 43a / K2 Anh 24a / KV deest Fr 1767a (fragment): (no tempo indication). (2 Sopranos) "Ach, was müssen wir erfahren!" | 1767-10-15 | |
Symphony No. 7 in D major | ||||
45 | 45 | 1 | Symphony No. 7 for Orchestra in D major, K. 45: I. Allegro molto | 1768-01-16 |
45 | 45 | 2 | Symphony No. 7 for Orchestra in D major, K. 45: II. Andante | |
45 | 45 | 3 | Symphony No. 7 for Orchestra in D major, K. 45: III. Minuetto & Trio | |
45 | 45 | 4 | Symphony No. 7 for Orchestra in D major, K. 45: IV. Allegro molto | |
Symphony No. 7a in G major "Alte Lambacher" | ||||
45a | Anh 221 | 1 | Symphony No. 7a for Orchestra in G major, K. 45a / Anh 221 "Alte Lambacher": I. Allegro maestoso | 1766 to 1769-01-04 |
45a | Anh 221 | 2 | Symphony No. 7a for Orchestra in G major, K. 45a / Anh 221 "Alte Lambacher": II. Andante | |
45a | Anh 221 | 3 | Symphony No. 7a for Orchestra in G major, K. 45a / Anh 221 "Alte Lambacher": III. Presto | |
Zu 45a | Appendix | You almost always want the above (revised) version. The below version is the earlier version. The 3rd movement's tempo is also a good indicator of which version you have. | ||
Zu 45a | Anh 221 | 1 | Symphony for Orchestra in G major, K. Zu 45a / Anh 221: I. Allegro maestoso | 1766 |
Zu 45a | Anh 221 | 2 | Symphony for Orchestra in G major, K. Zu 45a / Anh 221: II. Andante | |
Zu 45a | Anh 221 | 3 | Symphony for Orchestra in G major, K. Zu 45a / Anh 221: III. Allegro molto | |
Unnumbered Symphony in B-flat major | ||||
45b | Anh 214 | 1 | Symphony for Orchestra in B-flat major, K. 45b / Anh 214: I. Allegro | 1768 |
45b | Anh 214 | 2 | Symphony for Orchestra in B-flat major, K. 45b / Anh 214: II. Andante | |
45b | Anh 214 | 3 | Symphony for Orchestra in B-flat major, K. 45b / Anh 214: III. Minuetto & Trio | |
45b | Anh 214 | 4 | Symphony for Orchestra in B-flat major, K. 45b / Anh 214: IV. Allegro | |
La finta semplice | ||||
46a | 51 | La finta semplice, K. 46a / KV 51: a. Sinfonia. Molto allegro | 1786-04 to 1786-06 | |
46a | 51 | La finta semplice, K. 46a / KV 51: b. Sinfonia. Andante | ||
46a | 51 | La finta semplice, K. 46a / KV 51: c. Sinfonia. Molto allegro | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene I. No. 1 Coro. Allegro "Bella cosa è far l'amore!" (Giacinta, Ninetta, Fracasso, Simone) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene I. Recitativo "Ritiriamoci, amici!" (Giacinta, Fracasso, Ninetta, Simone) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene I. No. 2 Aria. Tempo ordinario - allegro - tempo primo - allegro - tempo primo "Troppa briga a prender moglie" (Simone) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene II. Recitativo "L'un de' patroni è alzato" (Giacinta, Ninetta, Fracasso) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene II. No. 3 Aria. Allegro grazioso - allegro - tempo primo - allegro "Marito io vorrei" (Giacinta) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene III. Recitativo "Oh, starem male insieme" (Fracasso) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene III. No. 4 Aria. Allegro non molto "Non c'è al mondo altro che donne" (Cassandro) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene III. Recitativo "Con chi l'ha Don Cassandro?" (Cassandro, Fracasso) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene III. No. 5 Aria. Allegro moderato "Guarda la donna in viso" (Fracasso) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene III. Recitativo "Eh! ben ben, ci vedremo, e sua sorella" (Cassandro) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene IV. No. 6 Aria. Andante "Colla bocca, e non col core" (Rosina) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene IV. Recitativo "Sicche m'avete inteso?" (Ninetta, Polidoro, Rosina) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene V. Recitativo "Oh, la prendo da vero" (Cassandro Polidoro) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene V. No. 7 Aria. Allegro "Cosa ha mai la donna indosso" (Polidoro) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene VI. Recitativo "Grand'uomo che son io" (Cassandro, Rosina) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene VI. No. 8 Aria. Andante - tempo primo - adagio - tempo primo "Ella vuole ed io torrei" (Cassandro) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene VII. Recitativo "Eh ben, sorella mia?" (Fracasso, Ninetta Rosina) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene VII. No. 9 Aria. Andante un poco adagio - allegro grazioso - andante unn poco adagio - allegro grazioso "Senti l'eco, ove t'aggiri" (Rosina) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene VIII. Recitativo "Ninetta. - Che volete?" (Fracasso, Ninetta, Polidoro) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene VIII. No. 10 Aria. Tempo di Minuetto "Chi mi vuol bene" (Ninetta) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene IX. Recitativo "Adesso e fatto tutto" (Polidoro) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act I, Scene IX. No. 11 Finale. Un poco adagio - allegro - Allegro - andante - molto allegro - tempo più moderato "Dove avete la creanza?" (Rosina, Fracasso, Polidoro, Ninetta, Cassandro, Simone, Giacinta) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene I. Recitativo "Sono i padroni miei a pranzo ancor" (Ninetta, Simone) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene I. No. 12 Aria. Allegretto "Un marito, donne care" (Ninetta) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene II. Recitativo "Eh, quando sia mia sposa" (Giacinta, Simone) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene II. No. 13 Aria. Allegro "Con certe persone vuol esser bastone" (Simone) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene III. Recitativo "Non mi marito più" (Giacinta, Polidoro) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene III. No. 14 Aria. Allegro comodo "Se a maritarmi arrivo" (Giacinta) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene IV. Recitativo "Quando avro moglie anch'io" (Polidoro, Ninetta) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene V. No. 15 Aria "Amoretti, che ascosi qui siete" (Rosina) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene V. Recitativo "Madama, è fatto tutto" (Polidoro, Ninetta, Rosina) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene VI. No. 16 Aria. Allegro "Ubriaco non son io" (Cassandro) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene VI. Recitativo "L'ha coll'anello ancora" (Rosina, Cassandro, Polidoro) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene VI. No. 17 Aria. Adagio - allegretto - moderato - allegretto - moderato "Sposa cara, sposa bella" (Polidoro) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene VII. Recitativo "L'ho fatta grossa assai" (Cassandro, Rosina) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene VII. Recitativo pantomima "Me ne vo' prender spasso" (Cassandro, Rosina) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene VII. Recitativo "Ehi... dormite, signore?" (Cassandro, Rosina) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene VII. No. 18 Aria. Allegro grazioso - allegretto - tempo primo - allegretto "Ho sentito a dir da tutte" (Rosina) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene VIII. Recitativo "Sciocca è la Baronessa" (Cassandro, Fracasso) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene VIII. No. 19 Duetto "Cospetton, cospettonaccio!" (Cassandro, Fracasso) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene IX. Recitativo "Dove andate, signore?" (Rosina, Cassandro) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene X. Recitativo "Siam quasi in porto adesso" (Rosina, Fracasso) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene XI. Recitativo "Vieni a tempo, Simone" (Fracasso, Ninetta, Simone) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene XI. No. 20 Aria. Grazioso - allegro "In voi, belle, è leggiadria" (Fracasso) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene XII. Recitativo "Come anderà, Simone" (Ninetta, Simone) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act II, Scene XIII. No. 21 Finale. Allegro - a tempo giusto - Allegro - a tempo giusto - allegro "T'ho detto, buffone" (Cassandro, Fracasso, Ninetta, Polidoro, Rosina, Simone) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act III, Scene I. No. 22 Aria. Un poco adagio "Vieni, vieni, oh mia Ninetta" (Simone) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act III, Scene I. Recitativo "Io non ho gran paura" (Ninetta, Simone) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act III, Scene I. No. 23 Aria. Tempo di menuetto - allegro - tempo di menuetto - allegro "Sono in amore, voglio marito" (Ninetta) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act III, Scene II. No. 24 Aria. Allegro "Che scompiglio, che flagello" (Giacinta) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act III, Scene II. Recitativo "Che smorfie, che paura!" (Fracasso, Giacinta) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act III, Scene II. No. 25 Aria. Andante maestoso - tempo di menuetto - tempo primo "Nelle guerre d'amore" (Fracasso) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act III, Scene III. Recitativo "E così, Baronessa?" (Cassandro, Rosina) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act III, Scene IV. Recitativo "Eh ben, quando facciamo queste nozze, signora?" (Polidoro, Rosina) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act III, Scene IV. No. 26 Finale. Andante "Se le pupille io giro" (Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone) | ||
46a | 51 | La finta semplice, K. 46a / KV 51: Act III, Scene Ultima. No. 26 Finale. Allegro non presto - recitativo - in tempo - un poco adagio - allegro - allegro - andantino - allegretto - recitativo - allegro "Nozze, nozze eviva, eviva" (Cassandro, Fracasso, Giacinta, Ninetta, Polidoro, Rosina, Simone) | ||
*46a | *51 | La finta semplice, K. *46a / KV *51 (original conclusion) NMA II/5/2/1-2 Anh No. 1: Act I, Scene I. No. 2 Aria. Tempo ordinario - allegro - tempo primo - allegro - tempo primo "Troppa briga a prender moglie" (Simone) | ||
*46a | *51 | La finta semplice, K. *46a / KV *51 (original version) NMA II/5/2/1-2 Anh No. 2: Act I, Scene III. No. 5 Aria. Adagio maestoso - andante - allegro - adagio - andante - allegro "Guarda la donna in viso" (Fracasso) | ||
*46a | *51 | La finta semplice, K. *46a / KV *51 (original conclusion) NMA II/5/2/1-2 Anh No. 3: Act I, Scene VI. No. 8 Aria. Andante - tempo primo - adagio - tempo primo "Ella vuole ed io torrei" (Cassandro) | ||
*46a | *51 | La finta semplice, K. *46a / KV *51 (original conclusion) NMA II/5/2/1-2 Anh No. 4: Act I, Scene XI. No. 11 Finale. Un poco adagio - allegro - Allegro - andante - molto allegro - tempo più moderato "Dove avete la creanza?" (Rosina, Fracasso, Polidoro, Ninetta, Cassandro, Simone, Giacinta) | ||
*46a | *51 | La finta semplice, K. *46a / KV *51 (original conclusion) NMA II/5/2/1-2 Anh No. 5: Act II, Scene VI. No. 16 Aria. Allegro "Ubriaco non son io" (Cassandro) | ||
*46a | *51 | La finta semplice, K. *46a / KV *51 (original conclusion) NMA II/5/2/1-2 Anh No. 6: Act II, Scene VII. No. 17 Aria. Adagio - allegretto - moderato - allegretto - moderato "Sposa cara, sposa bella" (Polidoro) | ||
*46a | *51 | La finta semplice, K. *46a / KV *51 (original conclusion) NMA II/5/2/1-2 Anh No. 7: Act III, Scene I. No. 22 Aria. Un poco adagio "Vieni, vieni, oh mia Ninetta" (Simone) | ||
*46a | *51 | La finta semplice, K. *46a / KV *51 (original version) NMA II/5/2/1-2 Anh No. 8: Act III, Scene I. No. 23 Aria. Tempo di menuetto - allegretto - tempo primo - allegretto "Sono in amore, voglio marito" (Ninetta) | ||
*46a | *51 | La finta semplice, K. *46a / KV *51 (original version) NMA II/5/2/1-2 Anh No. 9: Act III, Scene II. No. 25 Aria. Andante maestoso "Nelle guerre d'amore" (Fracasso) | ||
47 | 47 | Antiphon for Soloists, Chorus, Orchestra & Organ in C major, K. 47: "Veni sancte Spiritus". Allegro - presto | 1768 | |
Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor | ||||
47a | 139 | 1a | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": Ia. Kyrie: Adagio "Kyrie eleison" | fall 1768 to 1769 |
47a | 139 | 1b | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": Ib. Kyrie: Allegro "Kyrie eleison. Christe eleison" | |
47a | 139 | 1c | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": Ic. Kyrie: Andante - allegro da capo "Christe eleison - Kyrie eleison" | |
47a | 139 | 2a | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIa. Gloria: Allegro "Gloria in excelsis Deo" | |
47a | 139 | 2b | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIb. Gloria: Andante "Laudamus te" | |
47a | 139 | 2c | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIc. Gloria: Adagio - vivace "Gratias agimus tibi" | |
47a | 139 | 2d | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IId. Gloria: Andante "Domine Deus" | |
47a | 139 | 2e | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIe. Gloria: Adagio "Qui tollis peccata mundi" | |
47a | 139 | 2f | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIf. Gloria: Allegro "Quoniam tu solus" | |
47a | 139 | 2g | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIg. Gloria: Allegro "Cum sancto Spiritu" | |
47a | 139 | 3a | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIIa. Credo: Allegro "Credo in unum Deum" | |
47a | 139 | 3b | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIIb. Credo: Andante "Et incarnatus est" | |
47a | 139 | 3c | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIIc. Credo: Adagio "Crucifixus" | |
47a | 139 | 3d | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIId. Credo: Allegro - adagio - allegro "Et resurrexit" | |
47a | 139 | 3e | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIIe. Credo: Andante "Et in Spiritum Sanctum" | |
47a | 139 | 3f | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIIf. Credo: Allegro - adagio "Et unam sanctam catholicam" | |
47a | 139 | 3g | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IIIg. Credo: Allegro "Et vitam venturi saeculi" | |
47a | 139 | 4a | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IVa.Sanctus: Adagio "Sanctus Dominus" | |
47a | 139 | 4b | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": IVb.Sanctus: Allegro "Pleni sunt coeli" | |
47a | 139 | 5 | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": V. Benedictus. Andante | |
47a | 139 | 6a | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": VIa. Agnus Dei: Andante "Agnus Dei qui tollis" | |
47a | 139 | 6b | Missa solemnis No. 4 for Soloists, Chorus & Orchestra in C minor, K. 47a / K3 114a / KV 139 "Waisenhausmesse": VIb. Agnus Dei: Allegro "Dona nobis pacem" | |
47b | deest | Lost | Lost Work: Offertorium for 4 Voices and Orchestra | |
47c | deest | Lost | Lost Work: Concerto for Trumpet | |
Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major | ||||
47d | Note: | See K. 626b/25 if you need the deleted Credo section. | ||
47d | 49 | 1 | Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: I. Kyrie: Adagio - andante "Kyrie" | 1768 |
47d | 49 | 2 | Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: II. Gloria: Allegro "Gloria" | |
47d | 49 | 3a | Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IIIa. Credo: Allegro "Credo in unum Deum" | |
47d | 49 | 3b | Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IIIb. Credo: Poco adagio "Et incarnatus est" | |
47d | 49 | 3c | Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IIIc. Credo: Allegro - adagio - allegro "Et resurrexit" | |
47d | 49 | 3d | Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IIId. Credo: Andante "Et in Spiritum Sanctum" | |
47d | 49 | 3e | Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IIIe. Credo: Allegro - adagio - allegro - adagio "Et unam sanctam catholicam" | |
47d | 49 | 3f | Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IIIf. Credo: Allegro "Et vitam venturi saeculi" | |
47d | 49 | 4a | Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IVa. Sanctus: Andante "Sanctus Dominus" | |
47d | 49 | 4b | Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IVb. Sanctus: Allegro Pleni sunt coeli" | |
47d | 49 | 4c | Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: IVc. Sanctus: Allegro "Hosanna in excelsis" | |
47d | 49 | 5 | Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: V. Benedictus: Andante "Benedictus" | |
47d | 49 | 6a | Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: VIa. Agnus Dei: Adagio "Agnus Dei qui tollis" | |
47d | 49 | 6b | Missa brevis No. 1 for Soloists, Chorus & Orchestra in G major, K. 47d / KV 49: VIb. Agnus Dei: Allegro - adagio "Dona nobis pacem" | |
An die Freude: "Freude, Königin der Weisen" Librettist: Johann Peter Uz | ||||
47e | 53 | Song for Solo Voice and Basso continuo in F major, K. 47e / K3 43b / KV 53 "An die Freude": Mäßig. "Freude, Königin der Weisen" | 1768-11 | |
Symphony No. 8 in D major | ||||
48 | 48 | 1 | Symphony No. 8 for Orchestra in D major, K. 48: I. Allegro | 1768-12-13 |
48 | 48 | 2 | Symphony No. 8 for Orchestra in D major, K. 48: II. Andante | |
48 | 48 | 3 | Symphony No. 8 for Orchestra in D major, K. 48: III. Minuetto & Trio | |
48 | 48 | 4 | Symphony No. 8 for Orchestra in D major, K. 48: IV. Allegro molto | |
Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor | ||||
61a | 65 | 1a | Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: Ia. Kyrie: Adagio "Kyrie eleison" | 1769-01-14 |
61a | 65 | 1b | Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: Ib. Kyrie: Allegro "Kyrie eleison - Christe eleison" | |
61a | 65 | 2 | Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: II. Gloria: Allegro moderato | |
61a | 65 | 3a | Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: IIIa. Credo: Allegro moderato "Patrem omnipotentem" | |
61a | 65 | 3b | Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: IIIb. Credo: Adagio "Et incarnatus est" | |
61a | 65 | 3c | Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: IIIc. Credo: Allegro moderato "Et resurrexit" | |
61a | 65 | 3d | Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: IIId. Credo: Allegro moderato "Et vitam venturi saeculi" | |
61a | 65 | 4a | Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: IVa.Sanctus: Adagio "Sanctus Dominus" | |
61a | 65 | 4b | Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: IVb.Sanctus: Allegro "Pleni sunt coeli" | |
61a | 65 | 4c | Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: IVc.Sanctus: Allegro "Hosanna in excelsis" | |
61a | 65 | 5 | Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: V. Benedictus: Andante | |
61a | 65 | 6a | Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: VIa. Agnus Dei: Andante "Agnus Dei qui tollis" | |
61a | 65 | 6b | Missa brevis No. 2 for Soloists, Chorus & Orchestra in D minor, K. 61a / KV 65: VIb. Agnus Dei: Andante "Dona nobis pacem" | |
A Berenice Librettist: Unknown | ||||
61c | 70 | Recitative for Soprano and Orchestra in G major, K. 61c / KV 70: Tempo moderato "A Berenice" | 1767-02 or 1769-02 | |
Sol nascente Librettist: Unknown | ||||
61c | 70 | Aria for Soprano and Orchestra in G major, K. 61c / KV 70: Allegro moderato "Sol nascente" | 1767-02 or 1769-02 | |
12/19/20 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass | ||||
61d | Caution: | K. 61d can be confusing. Please check if you need the piano version or one of the versions for multiple instruments. If the latter, please check if you need the 12 work version (AMA, KV, K2, K3), the 19 work version (K6), or the 20 work version (NMA). | ||
Zu 61d | Appendix | Piano Reduction version: 12 Minuets for Piano | ||
Zu 61d | 61d | Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in C major, K. Zu 61d / 103 NMA IX/27/2 No. 1: Minuetto & Trio | summer 1772 | |
Zu 61d | 61d | Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in G major, K. Zu 61d / 103 NMA IX/27/2 No. 2: Minuetto & Trio | ||
Zu 61d | 61d | Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in D major, K. Zu 61d / 103 NMA IX/27/2 No. 3: Minuetto & Trio | ||
Zu 61d | 61d | Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in F major, K. Zu 61d / 103 NMA IX/27/2 No. 4: Minuetto & Trio | ||
Zu 61d | 61d | Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in C major, K. Zu 61d / 103 NMA IX/27/2 No. 5: Minuetto & Trio | ||
Zu 61d | 61d | Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in G major, K. Zu 61d / 103 NMA IX/27/2 No. 6: Minuetto & Trio | ||
Zu 61d | 61d | Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in D major, K. Zu 61d / 103 NMA IX/27/2 No. 7: Minuetto & Trio | ||
Zu 61d | 61d | Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in F major, K. Zu 61d / 103 NMA IX/27/2 No. 8: Minuetto & Trio | ||
Zu 61d | 61d | Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in D major to A major, K. Zu 61d / 103 NMA IX/27/2 No. 9: Minuetto & Trio | ||
Zu 61d | 61d | Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in G major to C major, K. Zu 61d / 103 NMA IX/27/2 No. 10: Minuetto & Trio | ||
Zu 61d | 61d | Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in F major, K. Zu 61d / 103 NMA IX/27/2 No. 11: Minuetto & Trio | ||
Zu 61d | 61d | Reduction for Piano of 12 Minuets for Oboes (or Flutes), 2 Horns (or Trumpets), 2 Violins, Cello, and Bass in C major, K. Zu 61d / 103 NMA IX/27/2 No. 12: Minuetto & Trio | ||
61g/II | Note: | The trio from a minuet "for 2 flutes and strings" is not K. 61g/II. K. 61g/II is only for solo piano. The trio referred to by those recordings is an instrumental version of the trio from this minuet, and has its own catalog designation: K. 61e No. 3. Note, however, that there is an orchestrated version of 61g/II - that version ought to use the orchestration listing below. | ||
61g/II | deest | Minuet for Piano in C major, K. 61g/II / KV deest No. 2: Minuetto & Trio, reduction of Michael Haydn: 12 Minuets for Orchestra, MH 136 No. 1 | 1770 | |
61g/II | deest | Minuet for Orchestra in C major, K. 61g/II / KV deest No. 2 (Erik Smith orchestration): Minuetto & Trio, reduction of Michael Haydn: 12 Minuets for Orchestra, MH 136 No. 1 | ? | |
Cassation for Orchestra in D major | ||||
62 | 62 | 1 | Cassation for Orchestra in D major, K. 62: I. Marcia. Maestoso | Summer 1769 |
62 | 62 | 2 | Cassation for Orchestra in D major, K. 62: II. Serenata. Allegro | |
62 | 62 | 3 | Cassation for Orchestra in D major, K. 62: III. Andante | |
62 | 62 | 4a | Cassation for Orchestra in D major, K. 62: IVa. Minuetto | |
62 | 62 | 4b | Cassation for Orchestra in D major, K. 62: IVb. Trio & IVa. Minuetto | |
62 | 62 | 5 | Cassation for Orchestra in D major, K. 62: V. Allegro | |
62 | 62 | 6a | Cassation for Orchestra in D major, K. 62: VIa. Minuetto | |
62 | 62 | 6b | Cassation for Orchestra in D major, K. 62: VIb. Trio & VIa. Minuetto | |
62 | 62 | 7 | Cassation for Orchestra in D major, K. 62: VII. Andante | |
62 | 62 | 8a | Cassation for Orchestra in D major, K. 62: VIIIa. Minuetto | |
62 | 62 | 8b | Cassation for Orchestra in D major, K. 62: VIIIb. Trio & VIIIa. Minuetto | |
62 | 62 | 9 | Cassation for Orchestra in D major, K. 62: IX. Allegro | |
Serenade No. 1 for Orchestra in D major | ||||
62a | 100 | 1 | Serenade No. 1 for Orchestra in D major, K. 62a / KV 100: I. Marche. Maestoso | Summer 1769 |
62a | 100 | 2 | Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: II. Serenata. Allegro | |
62a | 100 | 3 | Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: III. Andante | |
62a | 100 | 4a | Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: IVa. Minuetto | |
62a | 100 | 4b | Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: IVb. Trio & IVa. Minuetto | |
62a | 100 | 5 | Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: IV. Allegro | |
62a | 100 | 6a | Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: VIa. Minuetto | |
62a | 100 | 6b | Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: VIb. Trio & VIa. Minuetto | |
62a | 100 | 7 | Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: VII. Andante | |
62a | 100 | 8a | Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: VIIa. Minuetto | |
62a | 100 | 8b | Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: VIIb. Trio & VIIa. Minuetto | |
62a | 100 | 9 | Serenade No. 1 for Orchestra in D major, K. 62a / KV 00: IX. Allegro | |
Cassation for Orchestra in G major | ||||
63 | 63 | 1 | Cassation for Orchestra in G major, K. 63: I. Marche | Summer 1769 |
63 | 63 | 2 | Cassation for Orchestra in G major, K. 63: II. Allegro | |
63 | 63 | 3 | Cassation for Orchestra in G major, K. 63: III. Andante | |
63 | 63 | 4a | Cassation for Orchestra in G major, K. 63: IVa. Minuet | |
63 | 63 | 4b | Cassation for Orchestra in G major, K. 63: IVb. Trio & IVa. Minuet | |
63 | 63 | 5 | Cassation for Orchestra in G major, K. 63: V. Adagio | |
63 | 63 | 6a | Cassation for Orchestra in G major, K. 63: VIa. Minuet | |
63 | 63 | 6b | Cassation for Orchestra in G major, K. 63: VIb. Trio & VIa. Minuet | |
63 | 63 | 7 | Cassation for Orchestra in G major, K. 63: VII. Finale. Allegro assai | |
Cassation for Orchestra in B-flat major | ||||
63a | 99 | 1 | Cassation for Orchestra in B-flat major, K. 63a/99: I. March | Summer 1769 |
63a | 99 | 2 | Cassation for Orchestra in B-flat major, K. 63a/99: II. Molto allegro | |
63a | 99 | 3 | Cassation for Orchestra in B-flat major, K. 63a/99: III. Andante | |
63a | 99 | 4a | Cassation for Orchestra in B-flat major, K. 63a/99: IVa. Minuet | |
63a | 99 | 4b | Cassation for Orchestra in B-flat major, K. 63a/99: IVb. Trio & IVa. Minuet | |
63a | 99 | 5 | Cassation for Orchestra in B-flat major, K. 63a/99: V. Andante | |
63a | 99 | 6a | Cassation for Orchestra in B-flat major, K. 63a/99: VIa. Minuet | |
63a | 99 | 6b | Cassation for Orchestra in B-flat major, K. 63a/99: VIb. Trio & VIa. Minuet | |
63a | 99 | 7 | Cassation for Orchestra in B-flat major, K. 63a/99: VII. Allegro - andante - allegro - andante & I. March | |
Mass No. 3 for Soloists, Chorus & Orchestra in C major "Dominicusmesse" | ||||
66 | 66 | 1a | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Ia. Kyrie: Adagio "Kyrie eleison" | 1769-10 |
66 | 66 | 1b | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Ib. Kyrie: Allegro "Kyrie eleison. Christe eleison" | |
66 | 66 | 2a | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIa. Gloria: Allegro moderato "Gloria in excelsis Deo" | |
66 | 66 | 2b | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIb. Gloria: Andante grazioso "Laudamus te" | |
66 | 66 | 2c | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIc. Gloria: Adagio - allegro "Gratias" | |
66 | 66 | 2d | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IId. Gloria: Un poco andante "Domine Deus" | |
66 | 66 | 2e | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIe. Gloria: Un poco adagio "Qui tollis" | |
66 | 66 | 2f | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIf. Gloria: Andante ma un poco allegro "Quoniam tu solus" | |
66 | 66 | 2g | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIg. Gloria: "Cum sancto Spiritu" | |
66 | 66 | 3a | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIIa. Credo: Allegro molto "Patrem omnipotentem" | |
66 | 66 | 3b | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIIb. Credo: Allegro "Et incarnatus est" | |
66 | 66 | 3c | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIIc. Credo: Adagio "Crucifixus" | |
66 | 66 | 3d | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIId. Credo: Allegro moderato "Et resurrexit" | |
66 | 66 | 3e | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIIe. Credo: Andante "Et in Spiritum Sanctum" | |
66 | 66 | 3f | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIIf. Credo: Moderato "Et resurrexit" | |
66 | 66 | 3g | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IIIg. Credo: Allegro moderato "Et vitam venturi saeculi" | |
66 | 66 | 4a | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IVa. Sanctus: Adagio "Sanctus Dominus" | |
66 | 66 | 4b | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IVb. Sanctus: Allegro "Pleni sunt caeli" | |
66 | 66 | 4c | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": IVc. Sanctus: Moderato "Hosanna in excelsis" | |
66 | 66 | 5a | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Va. Benedictus: Allegro moderato "Benedictus qui venit" | |
66 | 66 | 5b | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": Vb. Benedictus: Moderato "Hosanna in excelsis" | |
66 | 66 | 6a | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VIa. Agnus Dei: Allegro moderato "Agnus Dei qui tollis" | |
66 | 66 | 6b | Mass No. 3 for Soloists, Chorus & Orchestra in C major, K. 66 "Dominicusmesse": VIb. Agnus Dei: "Dona nobis pacem " | |
66c | Anh 215 | Lost | Lost Work: Symphony in D major | |
66d | Anh 217 | Lost | Lost Work: Symphony in B-flat major | |
66e | Anh 218 | Lost | Lost Work: Symphony in B-flat major | |
Ah, più tremar non voglio Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
71 | 71 | Aria for Tenor and Orchestra in F major, K. 71 Fr 1770a (fragment): Allegro "Ah, più tremar non voglio" | 1769 or 1770 | |
72a | deest | Lost | Lost Work: Sonata for Piano in G major (complete) | |
72a | deest | Sonata for Piano in G major, K. 72a/deest Fr 1769a (fragment): Allegro molto | 1770-01-06 | |
73A | Anh 2 | Lost | Lost Work: Aria "Misero tu non sei" | |
Per pietà, bell'idol mio Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
73b | 78 | Aria for Soprano and Orchestra in E-flat major, K. 73b / KV 78: Andante con moto "Per pietà, bell'idol mio" | 1766 | |
Fra cento affanni e cento Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
73c | 88 | Aria for Soprano and Orchestra in C major, K. 73c / KV 88: Allegro maestoso "Fra cento affanni e cento" | 1770 | |
O temerario Arbace! Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
73d | 79 | Recitative for Soprano and Orchestra in B-flat major, K. 73d / KV 79: Allegro assai - moderato - andante "O temerario Arbace!" | 1766 | |
Misero me! Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
73e | 77 | Recitative for Soprano and Orchestra in B-flat major, K. 73e / KV 77: Andante - allegro - andante - allegro - andante - allegro - andante - allegro - adagio "Misero me!" | 1770-03 | |
Misero pargoletto Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
73e | 77 | Aria for Soprano and Orchestra in B-flat major, K. 73e / KV 77: Andante - un poco allegro - adagio "Misero pargoletto" | 1770-03 | |
73h | 94 | Minuet for Piano in D major, K. 73h/94: Minuet | 1769 | |
73h | 94 | Minuet for Orchestra (Erik Smith orchestration) in D major, K. 73h/94: Minuet | ? | |
73i | Note: | This canon was written for 4 voices, but unless a fifth voice enters in measure 13, certain triadic harmonies are rendered incomplete, thus many recordings are for 5, not 4 voices. | ||
73k | 89 | Canon for 4 (or 5) Voices in 1 in G major, K. 73k / KV 89: Canon ad unisonum. (5 Sopranos) "Kyrie" | 1770-05 | |
Symphony No. 44 in D major | ||||
73l | 81 | 1 | Symphony No. 44 for Orchestra in D major, K. 73l / 81: I. Allegro | 1770-04-25 |
73l | 81 | 2 | Symphony No. 44 for Orchestra in D major, K. 73l / 81: II. Andante | |
73l | 81 | 3 | Symphony No. 44 for Orchestra in D major, K. 73l / 81: III. Allegro molto | |
Symphony No. 47 in D major | ||||
73m | 97 | 1 | Symphony No. 47 for Orchestra in D major, K. 73m / 97: I. Allegro | 1770-04 |
73m | 97 | 2 | Symphony No. 47 for Orchestra in D major, K. 73m / 97: II. Andante | |
73m | 97 | 3 | Symphony No. 47 for Orchestra in D major, K. 73m / 97: III. Minuetto & Trio | |
73m | 97 | 4 | Symphony No. 47 for Orchestra in D major, K. 73m / 97: IV. Presto | |
Symphony No. 45 in D major | ||||
73n | 95 | 1 | Symphony No. 45 for Orchestra in D major, K. 73n / 95: I. Allegro | 1770-04 |
73n | 95 | 2 | Symphony No. 45 for Orchestra in D major, K. 73n / 95: II. Andante | |
73n | 95 | 3 | Symphony No. 45 for Orchestra in D major, K. 73n / 95: III. Minuetto & Trio | |
73n | 95 | 4 | Symphony No. 45 for Orchestra in D major, K. 73n / 95: IV. Allegro | |
Se ardire, e speranza Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
73o | 82 | Aria for Soprano and Orchestra in F major, K. 73o / KV 82: Andante - tempo primo "Se ardire, e speranza" | 1770-04-25 | |
Se tutti i mali miei Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
73p | 83 | Aria for Soprano and Orchestra in E-flat major, K. 73p / KV 83: Adagio - allegretto - tempo primo "Se tutti i mali miei" | 1770 | |
Se tutti i mali miei Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
73p | 83 | Aria for Soprano and Orchestra in E-flat major, K. Zu 73p / KV Zu 83 (first version): Adagio - allegretto - tempo primo "Se tutti i mali miei" | 1770 | |
Symphony No. 11 in D major | ||||
73q | 84 | 1 | Symphony No. 11 for Orchestra in D major, K. 73q / 84: I. Allegro | 1770-02 to 1770-07 |
73q | 84 | 2 | Symphony No. 11 for Orchestra in D major, K. 73q / 84: II. Andante | |
73q | 84 | 3 | Symphony No. 11 for Orchestra in D major, K. 73q / 84: III. Allegro | |
4 Riddle Canons | ||||
73r | deest | 4 Riddle Canons No. 1 for 3 Male Voices in 1 in F major, K. 73r / K2 89aII / KV deest "Sit trium series una": Canon. "Incipe Menalios" | July or August 1770 | |
73r | deest | 4 Riddle Canons No. 2 for 9 Female Voices in 1 in C major, K. 73r / K2 89aII / KV deest "Ter ternis canite vocibus": Canon. "Cantate Domino" | July or August 1770 | |
73r | deest | 4 Riddle Canons No. 3 for 2 Mixed Voices and 1 additional Voice in C major, K. 73r / K2 89aII / KV deest "Clama ne cesses. Tertia pars si placet": Canon ad duodecimam. "Confitebor tibi Domine" | July or August 1770 | |
73r | deest | 4 Riddle Canons No. 4 for 6 Mixed Voices in 2 in C major, K. 73r / K2 89aII / KV deest "Ter voce ciemus. Voce ter insonuit": Canon. "Thebana bella cantus / Troiana cantat" | July or August 1770 | |
73u | 44 | Spurious Work | Composer: Johann Stadlmayr Date is when Wolfgang Amadeus Mozart made his copy. Work is the first and third sections of the Intoitus to the Corpus Christi Fest from "Musica super cantum gregorianum". |
1768 or 1769 |
Antiphon for Chorus and Organ in A minor, K. 73u/44 (spurious): "Quaerite primum regnum Dei" | ||||
73w | deest | Fugue for Piano in D major, K. 73w / deest Fr 1773a (I) + Fr 1773a (II) (7 measure one hand fragment): Fuga septimi toni | 1773 | |
73w | deest | Fugue for Piano in D major, K. 73w / deest (Leonard Danek completion): Fuga septimi toni | ? | |
Symphony No. 10 in G major | ||||
74 | 74 | 1 | Symphony No. 10 for Orchestra in G major, K. 74: I. Allegro - andante | 1770 |
74 | 74 | 2 | Symphony No. 10 for Orchestra in G major, K. 74: II. Allegro | |
Non curo l'affetto Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
74b | deest | Aria for Soprano and Orchestra in E major, K. 74b / KV deest: Allegro "Non curo l'affetto" | 1771 | |
Symphony No. 42 in F major | ||||
75 | 75 | 1 | Symphony No. 42 for Orchestra in F major, K. 75: I. Allegro | Summer 1771 |
75 | 75 | 2 | Symphony No. 42 for Orchestra in F major, K. 75: II. Minuetto & Trio | |
75 | 75 | 3 | Symphony No. 42 for Orchestra in F major, K. 75: III. Andantino | |
75 | 75 | 4 | Symphony No. 42 for Orchestra in F major, K. 75: IV. Allegro | |
Symphony No. 9 in C major | ||||
75a | 73 | 1 | Symphony No. 9 for Orchestra in C major, K. 75a / 73: I. Allegro | 1769 |
75a | 73 | 2 | Symphony No. 9 for Orchestra in C major, K. 75a / 73: II. Andante | |
75a | 73 | 3 | Symphony No. 9 for Orchestra in C major, K. 75a / 73: III. Minuetto & Trio | |
75a | 73 | 4 | Symphony No. 9 for Orchestra in C major, K. 75a / 73: IV. Allegro molto | |
Symphony No. 12 in G major | ||||
75b | 110 | 1 | Symphony No. 12 for Orchestra in G major, K. 75b / 110: I. Allegro | Summer 1771 |
75b | 110 | 2 | Symphony No. 12 for Orchestra in G major, K. 75b / 110: II. Andante | |
75b | 110 | 3 | Symphony No. 12 for Orchestra in G major, K. 75b / 110: III. Minuetto & Trio | |
75b | 110 | 4 | Symphony No. 12 for Orchestra in G major, K. 75b / 110: IV. Allegro | |
Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in B-flat major | ||||
74e | 109 | 1 | Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in B-flat major, K. 74e / KV 109: I. Allegro "Kyrie" | 1771-05 |
74e | 109 | 2 | Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in B-flat major, K. 74e / KV 109: II. Andante "Sancta Maria" | |
74e | 109 | 3 | Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in B-flat major, K. 74e / KV 109: III. Adagio - allegro moderato "Salus infirmorum" | |
74e | 109 | 4 | Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in B-flat major, K. 74e / KV 109: IV. Vivace "Regina Angelorum" | |
74e | 109 | 5 | Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in B-flat major, K. 74e / KV 109: V. Andante "Agnus Dei" | |
Per quel paterno amplesso Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
79 | 79 | Aria for Soprano and Orchestra in B-flat major, K. 73d / KV 79: Moderato "Per quel paterno amplesso" | 1766 | |
Symphony No. 49 in D major "Ascanio in Alba" | ||||
111 | Note: | The final movement of Symphony No. 49 is catalogued separately from the serenata teatrale as 111a instead of 111. | ||
111 | 111 | 1 | Symphony No. 49 for Orchestra in D major, K. 111 "Ascanio in Alba": I. Allegro assai | 1771-09-23 |
111 | 111 | 2 | Symphony No. 49 for Orchestra in D major, K. 111 "Ascanio in Alba": II. Andante grazioso | |
111a | 120 | 3 | Symphony No. 49 for Orchestra in D major, K. 111a / 120 "Finale zu Ascanio in Alba": III. Finale. Presto | Oct or Nov 1771 |
Symphony No. 46 in C major | ||||
111b | 96 | 1 | Symphony No. 46 for Orchestra in C major, K. 111b / 96: I. Allegro | Oct or Nov 1771 |
111b | 96 | 2 | Symphony No. 46 for Orchestra in C major, K. 111b / 96: II. Andante | |
111b | 66 | 3 | Symphony No. 46 for Orchestra in C major, K. 111b / 96: III Minuetto & Trio | |
111b | 96 | 4 | Symphony No. 46 for Orchestra in C major, K. 111b / 96: IV. Allegro molto | |
Symphony No. 13 in F major | ||||
112 | 112 | 1 | Symphony No. 13 for Orchestra in F major, K. 112: I. Allegro | 1771-11-02 |
112 | 112 | 2 | Symphony No. 13 for Orchestra in F major, K. 112: II. Andante | |
112 | 112 | 3 | Symphony No. 13 for Orchestra in F major, K. 112: III. Minuetto & Trio | |
112 | 112 | 4 | Symphony No. 13 for Orchestra in F major, K. 112: IV. Allegro molto | |
Symphony No. 14 in A major | ||||
114 | 114 | 1 | Symphony No. 14 for Orchestra in A major, K. 114: I. Allegro moderato | 1771-12-30 |
114 | 114 | 2 | Symphony No. 14 for Orchestra in A major, K. 114: II. Andante | |
114 | 114 | 3 | Symphony No. 14 for Orchestra in A major, K. 114: III. Minuetto & Trio | |
114 | 114 | 4 | Symphony No. 14 for Orchestra in A major, K. 114: IV. Allegro molto | |
Symphony No. 15 in G major | ||||
124 | 124 | 1 | Symphony No. 15 for Orchestra in G major, K. 124: I. Allegro | 1772-02-21 |
124 | 124 | 2 | Symphony No. 15 for Orchestra in G major, K. 124: II. Andante | |
124 | 124 | 3 | Symphony No. 15 for Orchestra in G major, K. 124: III. Minuetto & Trio | |
124 | 124 | 4 | Symphony No. 15 for Orchestra in G major, K. 124: IV. Presto | |
124a | 144 | Church Sonata No. 4 for 2 Violins, Organ, Cello, and Bass in D major, K. 124a / KV 144: Allegro | 1772 | |
124A | deest | Spurious Work | Composer: Leopold Mozart | Possibly 1772 or 1775 |
Beginning of a Church Sonata for 2 Violins, Organ and Bass in D major, K. 124A / K3 Anh 65a / KV deest (fragment): Langsam | ||||
124b | 145 | Church Sonata No. 5 for 2 Violins, Organ, Cello, and Bass in F major, K. 124b / KV 145: Allegro | 1772 | |
Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major | ||||
125 | 125 | 1 | Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major, K. 125: I. Allegro molto - adagio - allegro molto "Kyrie" | 1772-03 |
125 | 125 | 2 | Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major, K. 125: II. Andante "Panis vivus" | |
125 | 125 | 3 | Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major, K. 125: III. Adagio "Verbum caro factum" | |
125 | 125 | 4 | Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major, K. 125: IV. Allegro molto "Hostia sancta" | |
125 | 125 | 5 | Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major, K. 125: V. Adagio - allegro "Tremendum" | |
125 | 125 | 6 | Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major, K. 125: VI. Andante "Panis omnipotentia" | |
125 | 125 | 7 | Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major, K. 125: VII. Adagio "Viaticum" | |
125 | 125 | 8 | Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major, K. 125: VIII. "Pignus futurae gloriae" | |
125 | 125 | 9 | Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in B-flat major, K. 125: IX. Un poco adagio "Agnus Dei" | |
Wie unglücklich bin ich nit Librettist: Unknown | ||||
125g | 147 | Song for Solo Voice and Basso continuo in F major, K. 125g / KV 147: (no tempo indication). "Wie unglücklich bin ich nit" | 1772 | |
Auf die feierliche Johannisloge: "O heiliges Band der Freundschaft treuer Brüder" Librettist: Ludwig Friedrich Lenz | ||||
125h | 148 | Masonic Song for Solo Voice and Piano in D major, K. 125h / KV 148 "Auf die feierliche Johannisloge": Longsam. "O heiliges Band der Freundschaft treuer Brüder" | 1772 | |
Symphony No. 16 for Orchestra in C major | ||||
128 | 128 | 1 | Symphony No. 16 for Orchestra in C major, K. 128: I. Allegro maestoso | 1772-05 |
128 | 128 | 2 | Symphony No. 16 for Orchestra in C major, K. 128: II. Andante grazioso | |
128 | 128 | 3 | Symphony No. 16 for Orchestra in C major, K. 128: III. Allegro | |
Symphony No. 17 in G major | ||||
129 | 129 | 1 | Symphony No. 17 for Orchestra in G major, K. 129: I. Allegro | 1772-05 |
129 | 129 | 2 | Symphony No. 17 for Orchestra in G major, K. 129: II. Andante | |
129 | 129 | 3 | Symphony No. 17 for Orchestra in G major, K. 129: III. Allegro | |
Symphony No. 18 in F major | ||||
130 | 130 | 1 | Symphony No. 18 for Orchestra in F major, K. 130: I. Allegro | 1772-05 |
130 | 130 | 2 | Symphony No. 18 for Orchestra in F major, K. 130: II. Andantino grazioso | |
130 | 130 | 3 | Symphony No. 18 for Orchestra in F major, K. 130: III. Minuetto & Trio | |
130 | 130 | 4 | Symphony No. 18 for Orchestra in F major, K. 130: IV. Allegro molto | |
Symphony No. 19 in E-flat major | ||||
132 | 132 | 1 | Symphony No. 19 for Orchestra in E-flat major, K. 132: I. Allegro | 1772-07 |
132 | 132 | 2 | Symphony No. 19 for Orchestra in E-flat major, K. 132: II. Andante | |
132 | 132 | 3 | Symphony No. 19 for Orchestra in E-flat major, K. 132: III. Minuetto & Trio | |
132 | 132 | 4 | Symphony No. 19 for Orchestra in E-flat major, K. 132: IV. Allegro | |
Zu 132 | Appendix | |||
Zu 132 | 132 | Symphony No. 19 for Orchestra in E-flat major, K. Zu 132: Andantino grazioso | ? | |
Symphony No. 20 in D major | ||||
133 | 133 | 1 | Symphony No. 20 for Orchestra in D major, K. 133: I. Allegro | 1772-07 |
133 | 133 | 2 | Symphony No. 20 for Orchestra in D major, K. 133: II. Andante | |
133 | 133 | 3 | Symphony No. 20 for Orchestra in D major, K. 133: III. Minuetto & Trio | |
133 | 133 | 4 | Symphony No. 20 for Orchestra in D major, K. 133: IV. Allegro | |
Symphony No. 21 in A major | ||||
134 | 134 | 1 | Symphony No. 21 for Orchestra in A major, K. 134: I. Allegro | 1772-08 |
134 | 134 | 2 | Symphony No. 21 for Orchestra in A major, K. 134: II. Andante | |
134 | 134 | 3 | Symphony No. 21 for Orchestra in A major, K. 134: III. Minuetto & Trio | |
134 | 134 | 4 | Symphony No. 21 for Orchestra in A major, K. 134: IV. Allegro | |
Symphony No. 50 in D major "Ouverture und Finale zu Il sogno di Scipione" | ||||
141a | 126+161 | 1 | Symphony No. 50 for Orchestra in D major, K. 141a / 126+161 "Ouverture zu Il sogno di Scipione": I. Allegro moderato | 1772-03 |
141a | 126+161 | 2 | Symphony No. 50 for Orchestra in D major, K. 141a / 126+161 "Ouverture zu Il sogno di Scipione": II. Andante | |
141a | 163+161 | 3 | Symphony No. 50 for Orchestra in D major, K. 141a / 163+161 "Finale zu Il sogno di Scipione": III. Presto | end of 1772 |
Symphony No. 26 in E-flat major | ||||
161a | 184 | 1 | Symphony No. 26 for Orchestra in E-flat major, K. 161a / K3 166a / KV 184: I. Molto presto | 1773-03-30 |
161a | 184 | 2 | Symphony No. 26 for Orchestra in E-flat major, K. 161a / K3 166a / KV 184: II. Andante | |
161a | 184 | 3 | Symphony No. 26 for Orchestra in E-flat major, K. 161a / K3 166a / KV 184: III. Allegro | |
Symphony No. 27 in G major | ||||
161b | Note: | The date is nearly unreadable on the manuscript; it may be 1773-04-16 instead of 1773-04-10. | ||
161b | 199 | 1 | Symphony No. 27 for Orchestra in G major, K. 161b / K3 162a / 199: I. Allegro | 1773-04-10 |
161b | 199 | 2 | Symphony No. 27 for Orchestra in G major, K. 161b / K3 162a / 199: II. Andantino grazioso | |
161b | 199 | 3 | Symphony No. 27 for Orchestra in G major, K. 161b / K3 162a / 199: III. Presto | |
Symphony No. 22 in C major | ||||
162 | Note: | The exact date is unreadable on the manuscript. It is either 1773-04-19 or 1773-04-29. | ||
162 | 162 | 1 | Symphony No. 22 for Orchestra in C major, K. 162: I. Allegro assai | 1773-04 |
162 | 162 | 2 | Symphony No. 22 for Orchestra in C major, K. 162: II. Andantino grazioso | |
162 | 162 | 3 | Symphony No. 22 for Orchestra in C major, K. 162: III. Presto assai | |
Symphony No. 23 in D major | ||||
162b | 181 | 1 | Symphony No. 23 for Orchestra in D major, K. 162b / 181: I. Allegro spiritoso | 1773-05-19 |
162b | 181 | 2 | Symphony No. 23 for Orchestra in D major, K. 162b / 181: II. Andantino grazioso | |
162b | 181 | 3 | Symphony No. 23 for Orchestra in D major, K. 162b / 181: III. Presto assai | |
167AB | 290 | March for 2 Horns, Violin, Viola and Bass in D major, K. 167AB / K3 173b / 290: (no tempo indication) | Summer 1772 | |
167b | 189 | March for Orchestra in D major, K. 167b / 189: Andante | 1773-07 to 1773-08 | |
Symphony No. 24 in B-flat major | ||||
173dA | 182 | 1 | Symphony No. 24 for Orchestra in B-flat major, K. 173dA / K3 166c / 182: I. Allegro spiritoso | 1773-10-03 |
173dA | 182 | 2 | Symphony No. 24 for Orchestra in B-flat major, K. 173dA / K3 166c / 182: II. Andantino grazioso | |
173dA | 182 | 3 | Symphony No. 24 for Orchestra in B-flat major, K. 173dA / K3 166c / 182: III. Allegro | |
Symphony No. 25 in G minor "Little G Minor" | ||||
173dB | 183 | 1 | Symphony No. 25 for Orchestra in G minor, K. 173dB / 183 "Little G Minor": I. Allegro con brio | 1773-10-05 |
173dB | 183 | 2 | Symphony No. 25 for Orchestra in G minor, K. 173dB / 183 "Little G Minor": II. Andante | |
173dB | 183 | 3 | Symphony No. 25 for Orchestra in G minor, K. 173dB / 183 "Little G Minor": III. Minuetto & Trio | |
173dB | 183 | 4 | Symphony No. 25 for Orchestra in G minor, K. 173dB / 183 "Little G Minor": IV. Allegro | |
Quintet for 2 Violins, 2 Violas and Cello No. 1 in B-flat major | ||||
174 | 174 | 1 | Quintet for 2 Violins, 2 Violas and Cello No. 1 in B-flat major, K. 174: I. Allegro moderato | spring 1773 to 1773-12 |
174 | 174 | 2 | Quintet for 2 Violins, 2 Violas and Cello No. 1 in B-flat major, K. 174: II. Adagio con sordino & Coda | |
174 | 174 | 3 | Quintet for 2 Violins, 2 Violas and Cello No. 1 in B-flat major, K. 174: III. Minuetto ma allegro & Trio | |
174 | 174 | 4 | Quintet for 2 Violins, 2 Violas and Cello No. 1 in B-flat major, K. 174: IV. Allegro & Coda | |
Zu 174 | Appendix | Unless your liner specifically identifies that the first (or "rejected") version of the minuetto or allegro is being used, use the non-Anhung version above. | ||
Zu 174 | 174 | 3 | Quintet for 2 Violins, 2 Violas and Cello No. 1 in B-flat major, K. Zu 174 (first version): III. Trio | ? |
Zu 174 | 174 | 4 | Quintet for 2 Violins, 2 Violas and Cello No. 1 in B-flat major, K. Zu 174 (first version): IV. Allegro | ? |
Concerto for Piano No. 5 in D major | ||||
175 | 175 | 1 | Concerto for Piano No. 5 in D major, K. 175: I. Allegro | 1773-12 |
175 | 175 | 2 | Concerto for Piano No. 5 in D major, K. 175: II. Andante ma un poco adagio | |
175 | 175 | 3 | Concerto for Piano No. 5 in D major, K. 175: III. Allegro | |
16 Minuets for Orchestra | ||||
Zu 176 | Appendix | Piano Reduction version: 16 Minuets for Piano | ||
Zu 176 | Note: | Though there are 16 minuets for orchestra, only 11 have piano reductions. | ||
Zu 176 | 176 | Reduction for Piano of 16 Minuets for Orchestra in C major, K. Zu 176 NMA IX/27/2 No. 1: Minuette & Trio | ? | |
Zu 176 | 176 | Reduction for Piano of 16 Minuets for Orchestra in G major, K. Zu 176 NMA IX/27/2 No. 2: Minuette & Trio | ||
Zu 176 | 176 | Reduction for Piano of 16 Minuets for Orchestra in E-flat major, K. Zu 176 NMA IX/27/2 No. 3: Minuette | ||
Zu 176 | 176 | Reduction for Piano of 16 Minuets for Orchestra in B-flat major, K. Zu 176 NMA IX/27/2 No. 4: Minuette | ||
Zu 176 | 176 | Reduction for Piano of 16 Minuets for Orchestra in F major, K. Zu 176 NMA IX/27/2 No. 5: Minuette & Trio | ||
Zu 176 | 176 | Reduction for Piano of 16 Minuets for Orchestra in D major, K. Zu 176 NMA IX/27/2 No. 6: Minuette & Trio | ||
Zu 176 | 176 | Reduction for Piano of 16 Minuets for Orchestra in D major, K. Zu 176 NMA IX/27/2 No. 12: Minuette & Trio | ||
Zu 176 | 176 | Reduction for Piano of 16 Minuets for Orchestra in G major, K. Zu 176 NMA IX/27/2 No. 13: Minuette & Trio | ||
Zu 176 | 176 | Reduction for Piano of 16 Minuets for Orchestra in C major, K. Zu 176 NMA IX/27/2 No. 14: Minuette & Trio | ||
Zu 176 | 176 | Reduction for Piano of 16 Minuets for Orchestra in F major, K. Zu 176 NMA IX/27/2 No. 15: Minuette & Trio | ||
Zu 176 | 176 | Reduction for Piano of 16 Minuets for Orchestra in D major, K. Zu 176 NMA IX/27/2 No. 16: Minuette & Trio | ||
Symphony No. 29 in A major | ||||
186a | 201 | 1 | Symphony No. 29 for Orchestra in A major, K. 186a / 201: I. Allegro moderato | 1774-04-06 |
186a | 201 | 2 | Symphony No. 29 for Orchestra in A major, K. 186a / 201: II. Andante | |
186a | 201 | 3 | Symphony No. 29 for Orchestra in A major, K. 186a / 201: III. Minuetto & Trio | |
186a | 201 | 4 | Symphony No. 29 for Orchestra in A major, K. 186a / 201: IV. Allegro con spirito | |
Symphony No. 30 in D major | ||||
186b | 202 | 1 | Symphony No. 30 for Orchestra in D major, K. 186b / 202: I. Allegro molto | 1774-05-05 |
186b | 202 | 2 | Symphony No. 30 for Orchestra in D major, K. 186b / 202: II. Andantino con moto | |
186b | 202 | 3 | Symphony No. 30 for Orchestra in D major, K. 186b / 202: III. Minuetto & Trio | |
186b | 202 | 4 | Symphony No. 30 for Orchestra in D major, K. 186b / 202: IV. Presto | |
Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major | ||||
186d | 195 | 1 | Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: I. Adagio - allegro "Kyrie" | 1774 |
186d | 195 | 2 | Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: II. Andante "Sancta Maria" | |
186d | 195 | 3 | Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: III. Adagio "Salus infirmorum" | |
186d | 195 | 4 | Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: IV. Allegro con spiritu "Regina angelorum" | |
186d | 195 | 5 | Litaniae de beata Maria virgine for Soloists, Chorus & Orchestra in D major, K. 186d / KV 195: V. Adagio "Agnus Dei" | |
Dixit et Magnificat for Soloists, Chorus & Orchestra in C major | ||||
186g | 193 | 1 | Dixit et Magnificat for Soloists, Chorus & Orchestra in C major, K. 186g / KV 193: I. Allegro - andante - allegro "Dixit Dominus" | 1774-07 |
186g | 193 | 2 | Dixit et Magnificat for Soloists, Chorus & Orchestra in C major, K. 186g / KV 193: II. Allegro "Magnificat" | |
Serenade No. 4 for Orchestra in D major "Colloredo" | ||||
189c (189b) | Note: | If you have a recording of K. 189c by itself, use the K. 189c listing; if you have a recording with the march as part of the serenade, use the listing in K. 189b. | ||
189c (189b) | 237 | Serenade No. 4 for Orchestra in D major, K. 189c / KV 237 "Colloredo": Marcia | Summer 1774 | |
189b | 203 | 1 | Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": I. Serenata. Andante maestoso - allego assai | 1774-08 |
189b | 203 | 2 | Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": II. Andante | |
189b | 203 | 3a | Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": IIIa. Minuetto | |
189b | Caution: | Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& IIIa. Minuetto"! | ||
189b | 203 | 3b | Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": IIIb. Trio & IIIa. Minuetto | 1774-08 |
189b | 203 | 4 | Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": IV. Allegro | |
189b | 203 | 5a | Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": Va. Minuetto | |
189b | Caution: | Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& Va. Minuetto"! | ||
189b | 203 | 5b | Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": Vb. Trio & Va. Minuetto | 1774-08 |
189b | 203 | 6 | Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": VI. Andante & Coda | |
189b | 203 | 7a | Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": VIIa. Minuetto | |
189b | Caution: | Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& VIIa. Minuetto"! | ||
189b | 203 | 7b | Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": VIIb. Trio & VIIa. Minuetto | 1774-08 |
189b | 203 | 8 | Serenade No. 4 for Orchestra in D major, K. 189b / KV 203 "Colloredo": VIII. Prestissimo & Coda | |
Symphony on Serenade No. 4 for Orchestra in D major | ||||
*189b | *203 | 1 | Symphony on Serenade No. 4 for Orchestra in D major, K. *189b / KV *203 "Colloredo": I. Serenata. Andante maestoso - allego assai | ? |
*189b | *203 | 2 | Symphony on Serenade No. 4 for Orchestra in D major, K. *189b / KV *203 "Colloredo": II. Andante & Coda | |
*189b | *203 | 3 | Symphony on Serenade No. 4 for Orchestra in D major, K. *189b / KV *203 "Colloredo": III. Trio & VIIa. Minuetto | |
*189b | *203 | 4 | Symphony on Serenade No. 4 for Orchestra in D major, K. *189b / KV *203 "Colloredo": IV. Prestissimo & Coda | |
189c | 237 | March for Orchestra in D major, K. 189c / KV 237: (no tempo indication) | Summer 1774 | |
Symphony No. 28 in C major | ||||
189k | Note: | The date is nearly unreadable on the manuscript; it may be 1774-11-12 instead of 1774-11-17. | ||
189k | 200 | 1 | Symphony No. 28 for Orchestra in C major, K. 189k / K3 173e / 200: I. Allegro spiritoso | 1774-11-17 |
189k | 200 | 2 | Symphony No. 28 for Orchestra in C major, K. 189k / K3 173e / 200: II. Andante | |
189k | 200 | 3 | Symphony No. 28 for Orchestra in C major, K. 189k / K3 173e / 200: III. Minuetto. Allegretto & Trio | |
189k | 200 | 4 | Symphony No. 28 for Orchestra in C major, K. 189k / K3 173e / 200: IV. Presto | |
206a | deest | Lost | Lost Work: Concerto for Cello in F | 1775-03 |
Concerto for Violin and Orchestra No. 1 | ||||
207 | 207 | 1 | Concerto for Violin and Orchestra No. 1 in B-flat major, K. 207: I. Allegro moderato | 1773 |
207 | 207 | 2 | Concerto for Violin and Orchestra No. 1 in B-flat major, K. 207: II. Adagio | |
207 | 207 | 3 | Concerto for Violin and Orchestra No. 1 in B-flat major, K. 207: III. Presto | |
Unnumbered Symphony in D major "Finale zu La finta giardiniera" | ||||
207a | 121 | 1 | Symphony for Orchestra in D major, K. 207a / 121 "Finale zu La finta giardiniera": I. Allegro molto | Spring 1775 |
207a | 121 | 2 | Symphony for Orchestra in D major, K. 207a / 121 "Finale zu La finta giardiniera": II. Andantino grazioso | |
207a | 121 | 3 | Symphony for Orchestra in D major, K. 207a / 121 "Finale zu La finta giardiniera": III. Allegro | |
Si mostra la sorte Librettist: Unknown | ||||
209 | 209 | Aria for Tenor and Orchestra in D major, K. 209: Andante - allegro assai - tempo primo "Si mostra la sorte" | 1775-05-19 | |
Un dente guasto e gelato Librettist: Unknown | ||||
209a | deest | Aria for Bass and Orchestra in D major, K. 209a / KV deest Fr 1772e (fragment): "Un dente guasto e gelato" | 1775 | |
Con ossequio, con rispetto Librettist: Unknown | ||||
210 | 210 | Aria buffa for Tenor and Orchestra in C major, K. 210: Allegro assai "Con ossequio, con rispetto" | 1775-05 | |
Ridente la calma Librettist: G. Migliavacca For this one, set Josef Mysliveček as track artist, a composition AR for Josef Mysliveček, and an arranger AR for W.A. Mozart. | ||||
210a | 152 | Canzonetta arrangement for Solo Voice and Piano of Josef Mysliveček: Armida, Aria "Il caro mio bene attendo sospiro" in F major, K. 210a / KV 152: Larghetto. "Ridente la calma" | Between 1772 and 1775 | |
Concerto for Violin and Orchestra No. 2 | ||||
211 | 211 | 1 | Concerto for Violin and Orchestra No. 2 in D major, K. 211: I. Allegro moderato | 1775 |
211 | 211 | 2 | Concerto for Violin and Orchestra No. 2 in D major, K. 211: II. Andante | |
211 | 211 | 3 | Concerto for Violin and Orchestra No. 2 in D major, K. 211: III. Rondeau. Allegro | |
212 | 212 | Church Sonata No. 6 for 2 Violins, Organ, Cello, and Bass in B-flat major, K. 212: Allegro | 1775-07 | |
(Symphony on) Serenade No. 5 for Orchestra in D major | ||||
213a (213b) | Note: | If you have a recording of K. 213b by itself, use the K. 213b listing; if you have a recording with the march as part of the serenade, use the listing in K. 213a. | ||
213a (213b) | 215 | Serenade No. 5 for Orchestra in D major, K. 213b / KV 215: Marcia | 1775-08 | |
213a | 204 | Serenade No. 5 for Orchestra in D major, K. 213a / KV 204: I. Serenata. Allegro assai | 1775-08-05 | |
213a | 204 | Serenade No. 5 for Orchestra in D major, K. 213a / KV 204: II. Andante moderato | ||
213a | 204 | Serenade No. 5 for Orchestra in D major, K. 213a / KV 204: III. Allegro | ||
213a | 204 | Serenade No. 5 for Orchestra in D major, K. 213a / KV 204: IVa. Minuetto | ||
213a | Caution: | Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& IVa. Minuetto"! | ||
213a | 204 | Serenade No. 5 for Orchestra in D major, K. 213a / KV 204: IVb. Trio & IVa. Minuetto | 1775-08-05 | |
213a | 204 | Serenade No. 5 for Orchestra in D major, K. 213a / KV 204: V. Andante | ||
213a | 204 | Serenade No. 5 for Orchestra in D major, K. 213a / KV 204: VIa. Minuetto | ||
213a | Caution: | Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& VIa. Minuetto"! | ||
213a | 204 | Serenade No. 5 for Orchestra in D major, K. 213a / KV 204: VIb. Trio & VIa. Minuetto | 1775-08-05 | |
213a | 204 | Serenade No. 5 for Orchestra in D major, K. 213a / KV 204: VII. Andantino grazioso - allegro - andantino grazioso - allegro - andantino grazioso - allegro - andantino grazioso - allegro | ||
213a | Appendix | Most recordings will be of the serenade version above, not the symphony version of the serenade below. | ||
*213a | 204 | 1 | Symphony on Serenade No. 5 for Orchestra in D major, K. *213a / KV 204 NMA IV/11/7 No. 1: I. Allegro assai | ? |
*213a | 204 | 2 | Symphony on Serenade No. 5 for Orchestra in D major, K. *213a / KV 204 NMA IV/11/7 No. 1: II. Andante | |
*213a | 204 | 3a | Symphony on Serenade No. 5 for Orchestra in D major, K. *213a / KV 204 NMA IV/11/7 No. 1: IIIa. Minuetto | |
*213a | Caution: | Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& IIIa. Minuetto"! | ||
*213a | 204 | 3b | Symphony on Serenade No. 5 for Orchestra in D major, K. *213a / KV 204 NMA IV/11/7 No. 1: IIIb. Trio & IIIa. Minuetto | ? |
213a | Note: | If you have a split movement IV, the tempos would split as "Andantino grazioso - allegro - andantino" and "Allegro - andantino - allegro - andantino - allegro". | ||
213a | 204 | 4 | Symphony on Serenade No. 5 for Orchestra in D major, K. Zu 213a / KV 204 NMA IV/11/7 No. 1: IV. Andantino grazioso - allegro - andantino - allegro - andantino - allegro - andantino - allegro | ? |
213b | 215 | March for Orchestra in D major, K. 213b / KV 215: (no tempo indication) | 1775-08 | |
Symphony No. 48 in C Major "Il rè pastore" | ||||
213c | 102 | 1 | Symphony No. 48 for Orchestra in C Major, K. 213c / 102 "Ouverture zu Il rè pastore": I. Allegro molto | 1775-08 |
213c | 102 | 2 | Symphony No. 48 for Orchestra in C Major, K. 213c / 102 (fragment) "Instrumental Arie zu Il rè pastore: 'Intendo amico'": II. Andantino | |
213c | 102 | 3 | Symphony No. 48 for Orchestra in C Major, K. 213c / 102 "Finale zu Il rè pastore": III. Presto assai | |
214 | 214 | March for Orchestra in C major, K. 214: (no tempo indication) | 1775-08-20 | |
Concerto for Violin and Orchestra No. 3 | ||||
216 | 216 | 1 | Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Strassburg": I. Allegro aperto | 1775-09-12 |
216 | 216 | 2 | Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Strassburg": II. Adagio | |
216 | 216 | 3 | Concerto for Violin and Orchestra No. 3 in G major, K. 216 "Strassburg": III. Rondeau. Allegro - andante - allegretto | |
Voi avete un cor fedele Librettist: Carlo Osvaldo Goldoni | ||||
217 | 217 | Aria for Soprano and Orchestra in G major, K. 217: Andantino grazioso - allegro - primo tempo - allegro - primo tempo - allegro "Voi avete un cor fedele" | 1775-10-26 | |
Concerto for Violin and Orchestra No. 4 | ||||
218 | 218 | 1 | Concerto for Violin and Orchestra No. 4 in D major, K. 218: I. Allegro aperto | 1775-10 |
218 | 218 | 2 | Concerto for Violin and Orchestra No. 4 in D major, K. 218: II. Andante cantabile | |
218 | 218 | 3 | Concerto for Violin and Orchestra No. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - allegro ma non troppo - andante grazioso | |
Zu 218 | Appendix | Unless your liner specifically identifies that the first (or "rejected") version of the minuetto or allegro is being used, use the non-Anhung version above. | ||
Zu 218 | 218 | 2 | Concerto for Violin and Orchestra No. 4 in D major, K. 218 NMA V/14/1 No. 1 (original conclusion): II. Andante cantabile | 1775-10 |
Zu 218 | 218 | 3 | Concerto for Violin and Orchestra No. 4 in D major, K. 218 NMA V/14/1 No. 2 (deleted section): III. Rondeau. Allegro grazioso - allegro ma non troppo - andante grazioso | 1775-10 |
Concerto for Violin and Orchestra No. 5 | ||||
219 | 219 | 1 | Concerto for Violin and Orchestra No. 5 in A major, K. 219 "Turkish": I. Allegro aperto | 1775 |
219 | 219 | 2 | Concerto for Violin and Orchestra No. 5 in A major, K. 219 "Turkish": II. Adagio | |
219 | 219 | 3 | Concerto for Violin and Orchestra No. 5 in A major, K. 219 "Turkish": III. Rondeau. Tempo di menuetto - Allegro | |
Concerto for Piano No. 6 in B-flat major | ||||
238 | 238 | 1 | Concerto for Piano No. 6 in B-flat major, K. 238: I. Allegro aperto | 1776-01 |
238 | 238 | 2 | Concerto for Piano No. 6 in B-flat major, K. 238: II. Andante un poco adagio | |
238 | 238 | 3 | Concerto for Piano No. 6 in B-flat major, K. 238: III. Rondeau. Allegro | |
Serenade No. 6 for Orchestra in D major "Serenada Notturna" | ||||
239 | 239 | 1 | Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": I. Marcia. Maestoso | 1776-01 |
239 | 239 | 2a | Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": IIa. Minuetto | |
239 | Caution: | Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& IIa. Minuetto"! | ||
239 | 239 | 2b | Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": IIb. Trio & IIa. Minuetto | 1776-01 |
239 | 239 | 2b | Serenade No. 6 for Orchestra in D major, K. 239 "Serenata notturna": III. Rondeau. Allegretto - adagio - allegro | |
241 | 241 | Church Sonata No. 9 for 2 Violins, Organ, Cello, and Bass in G major, K. 241: Allegro | 1776-01 | |
241a | 224 | Church Sonata No. 7 for 2 Violins, Organ, Cello, and Bass in F major, K. 241a / KV 224: Allegro con spirito | 1776 | |
241b | 225 | Church Sonata No. 8 for 2 Violins, Organ, Cello, and Bass in A major, K. 241b / KV 225: Allegro | 1776 | |
Concerto for 3 Pianos & Orchestra No. 7 in F major / Concerto for 2 Pianos & Orchestra in F major | ||||
242 | 242 | 1 | Concerto for 3 Pianos & Orchestra No. 7 in F major, K. 242 "Lodron": I. Allegro | 1776-02 |
242 | 242 | 2 | Concerto for 3 Pianos & Orchestra No. 7 in F major, K. 242 "Lodron": II. Adagio | |
242 | 242 | 3 | Concerto for 3 Pianos & Orchestra No. 7 in F major, K. 242 "Lodron": III. Rondo. Tempo di minuetto | |
Zu 242 | Appendix | |||
Zu 242 | Zu 242 | 1 | Concerto for 2 Pianos and Orchestra in F major, K. Zu 242 "Lodron": I. Allegro | 1776-02 |
Zu 242 | Zu 242 | 2 | Concerto for 2 Pianos & Orchestra in F major, K. Zu 242 "Lodron": II. Adagio | |
Zu 242 | Zu 242 | 2 | Concerto for 2 Pianos & Orchestra in F major, K. Zu 242 "Lodron": III. Rondo. Tempo di minuetto | |
Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major | ||||
243 | 243 | 1 | Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: I. Andante moderato "Kyrie" | 1776-03 |
243 | 243 | 2 | Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: II. Allegro aperto "Panis vivus" | |
243 | 243 | 3 | Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: III. Largo "Verbum caro factum" | |
243 | 243 | 4 | Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: IV. Allegro comodo "Hostia sancta" | |
243 | 243 | 5 | Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: V. Adagio "Tremendum" | |
243 | 243 | 6 | Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VI. Andantino "Dulcissimum convivium" | |
243 | 243 | 7 | Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VII. Andante "Viaticum" | |
243 | 243 | 8 | Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: VIII. "Pignus futurae gloriae" | |
243 | 243 | 9 | Litaniae de venerabili altaris sacramento for Soloists, Chorus & Orchestra in E-flat major, K. 243: IX. Andantino - Andante moderato "Agnus dei" | |
244 | 244 | Church Sonata No. 10 for 2 Violins, Organ, Cello, and Bass in F major, K. 244: Allegro | 1776-04 | |
245 | 245 | Church Sonata No. 11 for 2 Violins, Organ, Cello, and Bass in D major, K. 245: Allegro | 1776-04 | |
248 | 248 | March for 2 Horns, 2 Violins, Viola and Bass in F major, K. 248: (no tempo indication) | 1776-06 | |
(Symphony on) Serenade No. 7 for Orchestra in D major "Haffner Serenade" | ||||
248b | Caution: | This is the Haffner Serenade, not the Haffner Symphony. That work is K. 385. (Note, however, if you need the symphony version of the Haffner Serenade, it is in the appendix just below.) | ||
249 (248b) | Caution: | Please double check as to whether your release uses the K. 249 march (the version below for the serenade, not the separate march K. 249), and not one (or both) of the 2 K. 320a / KV 335 marches. | ||
249 (248b) | 249 | Serenade No. 7 for Orchestra in D major, K. 249 "Haffner": Marcia. Maestoso | 1776-07-20 | |
248b | 250 | 1 | Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": I. Serenata. Allegro maestoso - allegro molto | 1776-07 |
248b | 250 | 2 | Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": II. Andante | |
248b | 250 | 3a | Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": IIIa. Minuetto galante | |
248b | Caution: | Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& IIIa. Minuetto galante"! | ||
248b | 250 | 3b | Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": IIIb. Trio & IIIa. Minuetto galante | 1776-07 |
248b | 250 | 4 | Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": IV. Rondeau. Allegro | |
248b | 250 | 5a | Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": Va. Minuetto galante | |
248b | Caution: | Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& Va. Minuetto"! | ||
248b | 250 | 5b | Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": Vb. Trio & Va. Minuetto galante | 1776-07 |
248b | 250 | 6 | Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": VI. Andante | |
248b | 250 | 7a | Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": VIIa. Minuetto | |
248b | Caution: | Even if your liner lists only "Trio", the reprises of the Minuetto still are there.eprise of the Minuetto still is there. Don't leave out the "& VIIa. Minuetto"s! | ||
248b | 250 | 7b | Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": VIIb. Trio I & VIIa. Minuetto | 1776-07 |
248b | 250 | 7c | Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": VIIc. Trio II & VIIa. Minuetto | |
248b | 250 | 8 | Serenade No. 7 for Orchestra in D major, K. 248b / KV 250 "Haffner": VIII. Adagio - Allegro assai | |
*248b | Appendix | This is not the Haffner Symphony. That work is K. 385. This is the symphony version of the Haffner Serenade. Most recordings of the Haffner Serenade also will be the one above, not the one below. | ||
*248b | 250 | 1 | Symphony on Serenade No. 7 for Orchestra in D major, K. *248b / KV *250 NMA IV/11/7 No. 2 "Haffner": I. Allegro maestoso - allegro molto | Some point between 1776-07-21 and 1784 |
*248b | 250 | 2a | Symphony on Serenade No. 7 for Orchestra in D major, K. *248b / KV *250 NMA IV/11/7 No. 2 "Haffner": IIa. Minuetto galante | |
*248b | Caution: | Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& IIa. Minuetto"! | ||
*248b | 250 | 2b | Symphony on Serenade No. 7 for Orchestra in F major, K. *248b / KV *250 NMA IV/11/7 No. 2 "Haffner": IIb. Trio & IIa. Minuetto galante | Some point between 1776-07-21 and 1784 |
*248b | 250 | 3 | Symphony on Serenade No. 7 for Orchestra in D major, K. *248b / KV *250 NMA IV/11/7 No. 2 "Haffner": III. Andante | |
*248b | Caution: | Even if your liner lists only "Trio", the reprises of the Minuetto still are there. Don't leave out the "& IVa. Minuetto"s! | ||
*248b | 250 | 4a | Symphony on Serenade No. 7 for Orchestra in D major, K. *248b / KV *250 NMA IV/11/7 No. 2 "Haffner": IVa. Minuetto | Some point between 1776-07-21 and 1784 |
*248b | 250 | 4b | Symphony on Serenade No. 7 for Orchestra in G major, K. *248b / KV *250 NMA IV/11/7 No. 2 "Haffner": IVb. Trio I & IVa. Minuetto | |
*248b | 250 | 4c | Symphony on Serenade No. 7 for Orchestra in D major, K. *248b / KV *250 NMA IV/11/7 No. 2 "Haffner": IVc. Trio II & IVa. Minuetto | |
*248b | 250 | 5 | Symphony on Serenade No. 7 for Orchestra in D major, K. *248b / KV *250 NMA IV/11/7 No. 2 "Haffner": V. Adagio - allegro assai | |
249 | 249 | March for Orchestra in D major, K. 249 "Haffner": Maestoso | 1776-07-20 | |
Ombra felice! Librettist: Giovanni de Gammera | ||||
255 | 255 | Recitativo for Contralto and Orchestra in F major, K. 255: Andante "Ombra felice!" | 1776-09 | |
Io ti lascio, e questo addio Librettist: Giovanni de Gammera | ||||
255 | 255 | Aria for Contralto and Orchestra in F major, K. 255: Andante moderato - allegro assai - andante moderato - allegro assai - andante moderato - allegretto - allegro assai - andante moderato - allegro assai "Io ti lascio, e questo addio" | 1776-09 | |
Clarice cara mia sposa Librettist: Unknown | ||||
256 | 256 | Aria for Tenor and Orchestra in D major, K. 256: In tempo comodo d'un gran ciarlone "Clarice cara mia sposa" | 1776-09 | |
261 | 261 | Adagio for Violin & Orchestra in E major, K. 261: Adagio | 1776 | |
261a | 269 | Rondo for Violin & Orchestra in B-flat major, K. 261a / 269: Rondo. Allegro | end of 1776 | |
263 | 263 | Church Sonata No. 12 for 2 Violins, 2 Trumpets, Organ, Cello and Bass in C major, K. 263: Allegro | 1776-12 | |
Serenade No. 8 in D major | ||||
269a | 286 | 1 | Serenade No. 8 in D major, K. 269a / KV 286 "Notturno for Four Orchestras": I. Andante | 1776-12 or 1777-01 |
269a | 286 | 2 | Serenade No. 8 in D major, K. 269a / KV 286 "Notturno for Four Orchestras": II. Allegretto grazioso | |
269a | 286 | 3 | Serenade No. 8 in D major, K. 269a / KV 286 "Notturno for Four Orchestras": IIIa. Minuetto | |
269a | 286 | 4 | Serenade No. 8 in D major, K. 269a / KV 286 "Notturno for Four Orchestras": IIIb. Trio & IIIa. Minuetto | |
12 Contredanses for Orchestra / Piano | ||||
269b | deest | Lost | Lost Work: 12 Contredanses for Orchestra in G major for Johann Rudolf Graf Czernin, K. 269b / deest | 1777-01 |
269b | deest | Lost | Lost Work: 8 of the 12 Piano Reductions of 12 Contredanses for Orchestra in G major for Johann Rudolf Graf Czernin, K. 269b / deest | 1791-03-04 |
Reduction for Piano of 12 Contredanses for Orchestra in G major for Johann Rudolf Graf Czernin | ||||
269b | deest | Reduction for Piano of 12 Contredanses for Orchestra in G major for Johann Rudolf Graf Czernin, K. 269b / deest No. 1: Allegro | 1777-01 | |
269b | deest | Reduction for Piano of 12 Contredanses for Orchestra in G major for Johann Rudolf Graf Czernin, K. 269b / deest No. 2: Andantino - allegro | ||
269b | deest | Reduction for Piano of 12 Contredanses for Orchestra in C major for Johann Rudolf Graf Czernin, K. 269b / deest No. 3: Allegro | ||
269b | Note: | Some recordings incorrectly identify No. 12 as No. 4. | ||
269b | deest | Reduction for Piano of 12 Contredanses for Orchestra in D major for Johann Rudolf Graf Czernin, K. 269b / deest No. 12: Preto | 1777-01 | |
271d | 274 | Church Sonata No. 13 for 2 Violins, Organ, Cello, and Bass in G major, K. 271d / KV 274: Allegro | 1777 | |
271e | 278 | Church Sonata No. 14 for 2 Violins, Cello, Bass, 2 Oboes, 2 Trumpets, Timpani and Organ in C major, K. 271e / KV 278: Allegro | March or April 1777 | |
Concerto for Violin and Orchestra | ||||
271i | deest | 1 | Concerto for Violin and Orchestra in D major, K. 271i / K2 271a / KV deest (doubtful): I. Allegro maestoso | 1777-07-16 |
271i | deest | 2 | Concerto for Violin and Orchestra in G major, K. 271i / K2 271a / KV deest (doubtful): II. Andante | |
271i | deest | 3 | Concerto for Violin and Orchestra in D major, K. 271i / K2 271a / KV deest (doubtful): III. Rondo. Allegro | |
Zu 271i | Appendix | |||
Zu 271i | 271i | for Mvmt 1 | Cadenza (Berlin version) for Violin in D major, K. deest NMA X/29/1 Anh No 1a | ? |
Zu 271i | 271i | for Mvmt 1 | Cadenza (Paris version A) for Violin in D major, K. deest NMA X/29/1 Anh No 1b | ? |
Zu 271i | 271i | for Mvmt 1 | Cadenza (Paris version B) for Violin in D major, K. deest NMA X/29/1 Anh No 1c | ? |
Zu 271i | 271i | for Mvmt 2 | Cadenza (Berlin version) for Violin in G major, K. deest NMA X/29/1 Anh No 2a | ? |
Zu 271i | 271i | for Mvmt 2 | Cadenza (Paris version) for Violin in G major, K. deest NMA X/29/1 Anh No 2b | ? |
Zu 271i | 271i | for Mvmt 3 | Cadenza (Berlin version) for Violin in G major, K. deest NMA X/29/1 Anh No 3 | ? |
Zu 271i | 271i | for Mvmt 3 | Cadenza (Berlin version) for Violin in G major, K. deest NMA X/29/1 Anh No 4 | ? |
271k | deest | Duplicate | Double Listed Work: K. 271k is actually K. 314. | |
Ah, lo previdi! Librettist: Vittorio Amedio Cigna-Santi | ||||
272 | 272 | Recitative for Soprano and Orchestra in C minor, K. 272: Allegro risoluto "Ah, lo previdi!" | 1777-08 | |
Ah, t'invola agl'occhi miei Librettist: Vittorio Amedio Cigna-Santi | ||||
272 | 272 | Aria for Soprano and Orchestra in C minor, K. 272: Allegro - recitativo - allegro - andante - allegro - adagio - allegro "Ah, t'invola agl'occhi miei" | 1777-08 | |
Deh, non varcar quell'onda Librettist: Vittorio Amedio Cigna-Santi | ||||
272 | 272 | Cavatina for Soprano and Orchestra in C minor, K. 272: Andantino - allegro "Deh, non varcar quell'onda" | 1777-08 | |
284a | deest | Duplicate | Double Listed Work: K. 284a is the same work as is the same work as K. 300g. | |
Oiseaux, si tous les ans Librettist: Antoine Ferrand | ||||
284d | 307 | Arietta for Solo Voice and Piano in C major, K. 284d / KV 307: Allegretto. "Oiseaux, si tous les ans" | 1777-10-30 | |
284e | deest | Lost | Lost Work: Instrumentation for a Concerto for Flute by Johann Baptist Wendling | |
284f | deest | Lost | Lost Work: Rondeau for Piano | |
Quartet for Flute, Violin, Viola & Cello No. 1 in D major | ||||
285 | 285 | 1 | Quartet for Flute, Violin, Viola & Cello No. 1 in D major, K. 285: I. Allegro | 1777-12-25 |
285 | 285 | 2 | Quartet for Flute, Violin, Viola & Cello No. 1 in D major, K. 285: II. Adagio | |
285 | 285 | 3 | Quartet for Flute, Violin, Viola & Cello No. 1 in D major, K. 285: III. Rondeau | |
Quartet for Flute, Violin, Viola & Cello No. 2 in G major | ||||
285a | deest | 1 | Quartet for Flute, Violin, Viola & Cello No. 2 in G major, K. 285a / KV deest: I. Andante | some time between 1777-12-25 and 1778-02-14 |
285a | deest | 2 | Quartet for Flute, Violin, Viola & Cello No. 2 in G major, K. 285a / KV deest: II. Tempo di minuetto | |
Quartet for Flute, Violin, Viola & Cello No. 3 in C major | ||||
285b | Anh 171 | 1 | Quartet for Flute, Violin, Viola & Cello No. 3 in C major, K. 285b / KV Anh 171: I. Allegro | some time between 1777-12-25 and 1778-02-14 |
285b | Anh 171 | 2 | Quartet for Flute, Violin, Viola & Cello No. 3 in C major, K. 285b / KV Anh 171: II. Thema. Aandantino & Variations I - IV & Variation V. Adagio & Variation VI. Allegro | |
Sonata for Violin & Harpsichord No. 25 in G major | ||||
293a | 301 | 1 | Sonata for Violin & Keyboard No. 25 in G major, K. 293a / KV 301: I. Allegro con spirito | early 1778 |
293a | 301 | 2 | Sonata for Violin & Keyboard No. 25 in G major, K. 293a / KV 301: II. Allegro | |
Sonata for Violin & Harpsichord No. 26 in E-flat major | ||||
293b | 302 | 1 | Sonata for Violin & Keyboard No. 26 in E-flat major, K. 293b / KV 302: I. Allegro | early 1778 |
293b | 302 | 2 | Sonata for Violin & Keyboard No. 26 in E-flat major, K. 293b / KV 302: II. Rondo. Andante grazioso | |
Sonata for Violin & Harpsichord No. 27 in C major | ||||
293c | 303 | 1 | Sonata for Violin & Keyboard No. 27 in C major, K. 293c / KV 303: I. Adagio - allegro molto | early 1778 |
293c | 303 | 2 | Sonata for Violin & Keyboard No. 27 in C major, K. 293c / KV 303: II. Tempo di minuetto | |
Sonata for Violin & Harpsichord No. 29 in A major | ||||
293d | 305 | 1 | Sonata for Violin & Keyboard No. 29 in A major, K. 293d / KV 305: I. Allegro di molto | early 1778 |
293d | 305 | 2 | Sonata for Violin & Keyboard No. 29 in A major, K. 293d / KV 305: II. Tema. Andante grazioso & Variations I - V & Variation VI. Allegro | |
294 | 294 | Recitative for Soprano and Orchestra in E-flat major, K. 294: Andantino "Alcandro, Io confesso" | 1778-02-24 | |
Non sò d'onde viene Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
294 | 294 | Aria for Soprano and Orchestra in E-flat major, K. 294: Andante sostenuto - allegro agitato - primo tempo "Non sò d'onde viene" | 1778-02-24 | |
Se al labbro mio non credi Librettist: Antonio Salvi | ||||
295 | 295 | Aria for Tenor and Orchestra in B-flat major, K. 295: Adagio - allegretto - primo tempo "Se al labbro mio non credi" | 1778-02-28 | |
Basta, vincesti Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
295 | 295 | Recitativo for Soprano and Orchestra in E-flat major, K. 295a / KV K2 486a: Andantino - allegretto "Basta, vincesti" | 1778-02-28 | |
Ah, non lasciarmi, no Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
295a | deest | Aria for Soprano and Orchestra in E-flat major, K. 295a / K2 486a: Andantino espressivo "Ah, non lasciarmi, no" | 1778-02-28 | |
Dans un bois solitaire Librettist: Antoine Houdart de la Motte | ||||
295b | 308 | Arietta for Solo Voice and Piano in A-flat major, K. 295b / KV 308: Adagio - allegro - presto - primo tempo. "Dans un bois solitaire" | 1777-10-30 to 1778-03-14 | |
Sonata for Violin & Piano No. 17 in C major | ||||
296 | 296 | 1 | Sonata for Violin & Piano No. 17 in C major, K. 296: I. Allegro vivace | 1778-03-11 |
296 | 296 | 2 | Sonata for Violin & Piano No. 17 in C major, K. 296: II. Andante | |
296 | 296 | 3 | Sonata for Violin & Piano No. 17 in C major, K. 296: III. Rondo. Allegro | |
297a | Anh 1 | Lost | Lost Work: 8 choruses for Miserere by Ignaz Holzbauer | 1778 |
297B | Note: | A Sinfonia concertante for Flute, Oboe, Horn and Bassoon was discovered, which could be K. 297B. Whether or not that Sinfonia concertante is the 297b Sinfonia concertante is debated, however, and it also is considered a doubtful work. As there is certainty that the 297B did exist, and uncertainty as to whether that Sinfonia concertante is the 297B Sinfonia concertante, that Sinfonia concertante was located at Anh 14.01 in the Köchel 6 catalog. (To make it even more confusing, this Sinfonia concertante is K. 297B, but in the Köchel 3 catalog, that Sinfonia concertante was numbered K3 297b.) | ||
Anh 9 | Lost | Possibly Lost Work: Sinfonia concertante for Flute, Oboe, Horn and Bassoon | early 1778 | |
Quartet for Flute, Violin, Viola & Cello No. 4 in A major | ||||
298 | 298 | 1 | Quartet for Flute, Violin, Viola & Cello No. 4 in A major, K. 298: I. Thema. Andante & Variations I - IV | end of 1786 |
298 | 298 | 2a | Quartet for Flute, Violin, Viola & Cello No. 4 in A major, K. 298: IIa. Minuetto | |
298 | 298 | 2b | Quartet for Flute, Violin, Viola & Cello No. 4 in A major, K. 298: IIb. Trio & IIa. Minuetto | |
298 | 298 | 3 | Quartet for Flute, Violin, Viola & Cello No. 4 in A major, K. 298: III. Rondeau. Allegretto grazioso, mà non troppo presto, però non troppo adagio. Così-così-con molto garbo ed espressione | |
Symphony No. 31 in D major "Paris" | ||||
300a | 297 | 1 | Symphony No. 31 for Orchestra in D major, K. 300a / 297 "Paris": I. Allegro assai | May or June 1778 |
300a | 297 | 2 | Symphony No. 31 for Orchestra in D major, K. 300a / 297 "Paris": II. Andante | June or July 1778 |
300a | 297 | 3 | Symphony No. 31 for Orchestra in D major, K. 300a / 297 "Paris": III. Allegro | May or June 1778 |
Zu 300a | Appendix | |||
Zu 300a | 297 | 1 | Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": I. Allegro vivace | 1778-06-18 to 1778-07-09 |
Zu 300a | 297 | 2 | Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": II. Andante | 1778-06-18 to 1778-07-09 |
Zu 300a | 297 | 3 | Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 1a. Allegro assai. Zwischen Takt 28 & 29 | 1778 |
Zu 300a | 297 | 3 | Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 1b. Allegro assai. Zwischen Takt 47 & 48 | 1778 |
Zu 300a | 297 | 3 | Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 1c. Allegro assai. Zwischen Takt 104 & 105 | 1778 |
Zu 300a | 297 | 3 | Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 1d. Allegro assai. Zwischen Takt 193 & 194 | 1778 |
Zu 300a | 297 | 3 | Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 1e(1). Allegro assai. Zwischen Takt 256 & 257 | 1778 |
Zu 300a | 297 | 3 | Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 1e(2). Allegro assai. Takt 257 | 1778 |
Zu 300a | 297 | 3 | Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 1f. Allegro assai. Zwischen Takt 283 & 284 | 1778 |
Zu 300a | 297 | 3 | Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 2a. Andantino. Zwischen Takt 40 & 41 | 1778 |
Zu 300a | 297 | 3 | Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 2b. Andantino. Nich Takt 48 | 1778 |
Zu 300a | 297 | 3 | Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 2c. Andantino. Zwischen Takt 82 & 83 | 1778 |
Zu 300a | 297 | 3 | Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 2d. Andantino. Zwischen Takt 86 & 87 | 1778 |
Zu 300a | 297 | 3 | Symphony No. 31 for Orchestra in D major, K. Zu 300a / 297 "Paris": III. 2a. Andantino. Zwischen Takt 40 & 41 | 1778 |
Popoli di Tessaglia! Librettist: Ranieri de' Calzabigi | ||||
300b | 316 | Recitative for Soprano and Orchestra in C major, K. 300b / KV 316: Andantino sostenuto e languido "Popoli di Tessaglia!" | 1779-01-08 | |
Io non chiedo, eterni Dei Librettist: Ranieri de' Calzabigi | ||||
300b | 316 | Aria for Soprano and Orchestra in C major, K. 300b / KV 316: Andantino sostenuto e cantabile "Io non chiedo, eterni Dei" | 1779-01-08 | |
Sonata for Violin & Harpsichord No. 28 in E minor | ||||
300c | 304 | 1 | Sonata for Violin & Keyboard No. 28 in E minor, K. 300c/304: I. Allegro | early summer 1778 |
300c | 304 | 2 | Sonata for Violin & Keyboard No. 28 in E minor, K. 300c/304: II. Tempo di minuetto | |
300g | 395 | Duplicate | Double Listed Work: K. 284a is the same work as is the same work as K. 300g. | |
300g | 395 | Prelude for Piano in C major, K. 284a / deest + K. 300g / deest + 395: Allegretto - capriccio - andantino - presto - adagio - andantino - allegro - cantabile - capriccio allegro assai - allegro - presto | 1777-10 | |
Sonata for Violin & Harpsichord No. 30 in D major | ||||
300l | 306 | 1 | Sonata for Violin & Keyboard No. 30 in D major, K. 300l/306: I. Allegro con spirito | summer 1778 |
300l | 306 | 2 | Sonata for Violin & Keyboard No. 30 in D major, K. 300l/306: II. Andantino cantabile | |
300l | 306 | 3 | Sonata for Violin & Keyboard No. 30 in D major, K. 300l/306: III. Allegretto - allegro - allegretto - allegro assai - andantino - allegretto - allegro | |
*300l | *306 | 1 | Sonata for Violin & Keyboard No. 30 in D major, K. *300l / KV *306 NMA VIII/23/1 Anh 1 (first version, 74 measure fragment): I. Allegro con spirito | ? |
*300l | *306 | 3 | Sonata for Violin & Keyboard No. 30 in D major, K. *300l / KV *306 NMA VIII/23/1 Anh 2 (first version, 77 measure fragment): III. Andante grazioso con moto | ? |
311A | Anh 8 | Lost | Lost Work: Symphony, "Paris No. 2" | mid 1778 |
315b | Anh 3 | Lost | Lost Work: Szene in 14 parts for Piano, Oboe, Horn and Bassoon for Tenducci | 1778 |
315e | Note: | The music begun for Semiramis may have ended up being used instead for Thamos, König in Ägypten. | ||
Anh 11 | Lost | Lost Work: At least some music for the first act to Gemmingen: "Semiramis" | 1778-12 | |
315g | deest | Lost | Lost Work: 8 Minuettes for Orchestra (The orchestral versions of the below minuettes for piano.) | 1777-01 |
8 Minuettes for Orchestra / Piano | ||||
315g | deest | 8 Minuettes for Piano in C major to F major, K. 315g / (K2) 315a / KV deest No. 1: Minuette & Trio | 1773 | |
315g | deest | 8 Minuettes for Piano in G major, K. 315g / (K2) 315a / KV deest No. 2: Minuette & Trio | ||
315g | deest | 8 Minuettes for Piano in D major to G major, K. 315g / (K2) 315a / KV deest No. 3: Minuette & Trio | ||
315g | deest | 8 Minuettes for Piano in C major to F major, K. 315g / (K2) 315a / KV deest No. 4: Minuette & Trio | ||
315g | deest | 8 Minuettes for Piano in F major to B-flat major, K. 315g / (K2) 315a / KV deest No. 5: Minuette & Trio | ||
315g | deest | 8 Minuettes for Piano in D major to G major, K. 315g / (K2) 315a / KV deest No. 6: Minuette & Trio | ||
315g | deest | 8 Minuettes for Piano in A major, K. 315g / (K2) 315a / KV deest No. 7: Minuette & Trio | ||
315g | Note: | Note: The trio attached to No. 8 was not composed for No. 8, and originally had nothing to do with this opus at all. It was attached to No. 8 in K2, however, and has not been since catalogued separately. | ||
315g | deest | 8 Minuettes for Piano in G major to C major, K. 315g / (K2) 315a / KV deest No. 8: Minuette (fragment) & Trio | minuette: possibly 1774, trio: 1779 or 1780 | |
317a | 329 | Church Sonata No. 16 for 2 Violins, Cello, Bass, 2 Oboes, 2 Horns, 2 Trumpets, Timpani and Organ in C major, K. 317a / KV 329: Allegro | March 1779 | |
317c | 328 | Church Sonata No. 15 for 2 Violins, Organ, Cello, and Bass in C major, K. 317c / KV 328: Allegro | 1779 | |
Sonata for Violin & Harpsichord No. 34 in B-flat major | ||||
317d | 378 | 1 | Sonata for Violin & Keyboard No. 34 in B-flat major, K. 317d / KV 378: I. Allegro moderato | early 1779 or 1781 |
317d | 378 | 2 | Sonata for Violin & Keyboard No. 34 in B-flat major, K. 317d / KV 378: II. Andantino sostenuto e cantabile | |
317d | 378 | 3 | Sonata for Violin & Keyboard No. 34 in B-flat major, K. 317d / KV 378: III. Rondeu. Allegro | |
Symphony No. 32 in G major | ||||
318 | 318 | 1 | Symphony No. 32 for Orchestra in G major, K. 318: I. Allegro spiritoso | 1779-04-26 |
318 | 318 | 2 | Symphony No. 32 for Orchestra in G major, K. 318: II. Andante | |
318 | 318 | 3 | Symphony No. 32 for Orchestra in G major, K. 318: III. Primo tempo | |
Symphony No. 33 in B-flat major | ||||
319 | 319 | 1 | Symphony No. 33 for Orchestra in B-flat major, K. 319: I. Allegro assai | 1779-07-09 |
319 | 319 | 2 | Symphony No. 33 for Orchestra in B-flat major, K. 319: II. Andante moderato | |
319 | 319 | 3 | Symphony No. 33 for Orchestra in B-flat major, K. 319: III. Minuetto & Trio | 1782 |
319 | 319 | 4 | Symphony No. 33 for Orchestra in B-flat major, K. 319: IV. Allegro assai | 1779-07-09 |
(Symphony / Sinfonia Concertante on) Serenade No. 9 for Orchestra in D major | ||||
320 | 320 | 1 | Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": I. Adagio maestoso - allegro con spirito | 1779-08-03 |
320 | 320 | 2a | Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": IIa. Minuetto. Allegro | |
320 | 320 | 2b | Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": IIb. Trio. Allegro & IIa. Minuetto. Allegro | |
320 | 320 | 3 | Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": III. Concertante. Andante grazioso | |
320 | 320 | 4 | Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": IV. Rondeau. Allegro ma non troppo & Cadenza & Rondeau. Allegro ma non troppo - Adagio - Allegro | |
320 | 320 | 5 | Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": V. Andantino | |
320 | 320 | 6a | Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": VIa. Minuetto | |
320 | Caution: | Even if your liner lists only "Trio", the reprise of the Minuetto still is there. Don't leave out the "& VIa. Minuetto"! | ||
320 | 320 | 6b | Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": VIb. Trio I & VIa. Minuetto | 1779-08-03 |
320 | 320 | 6c | Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": VIc. Trio II | |
320 | 320 | 7 | Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": VII. Minuetto & Coda | |
320 | 320 | 8 | Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": VIII. Finale. Presto | |
Zu 320 | Appendix | Most recordings will be of the serenade version above, not the symphony or sinfonia concertante versions of the serenade below. If you do need one of the two versions below, please be sure to select the correct one - the symphony version has three movements, the sinfonia concertante version two movements, and each is based on different movements from the serenade. | ||
Zu 320 | 320 | 1 | Symphony on Serenade No. 9 for Orchestra in D major, K. Zu 320 NMA IV/11/7 No. 3 "Posthorn": I. Adagio maestoso - allegro con spirito | ? |
Zu 320 | 320 | 2 | Symphony on Serenade No. 9 for Orchestra in D major, K. Zu 320 NMA IV/11/7 No. 3 "Posthorn": II. Andantino | |
Zu 320 | 320 | 3 | Symphony on Serenade No. 9 for Orchestra in D major, K. Zu 320 NMA IV/11/7 No. 3 "Posthorn": III. Presto | |
Zu 320 | 320 | 1 | Sinfonia Concertante on Serenade No. 9 for Orchestra in G major, K. Zu 320 NMA X/31/4 "Posthorn": I. Concertante. Andante grazioso | some time prior to 1783-03-29 |
Zu 320 | 320 | 2 | Sinfonia Concertante on Serenade No. 9 for Orchestra in G major, K. Zu 320 NMA X/31/4 "Posthorn": II. Rondeau. Allegro ma non troppo & Cadenza & Rondeau. Allegro ma non troppo - Adagio - Allegro | |
2 Marches for Orchestra in D major | ||||
320a | 335 | 2 Marches for Orchestra in D major, K. 320a / KV 335 No. 1: (no tempo specified) | 1779-08 | |
320a | 335 | 2 Marches for Orchestra in D major, K. 320a / KV 335 No. 2: Maestoso assai | ||
320c | 445 | March for 2 Horns, 2 Violins, Viola and Bass in D major, K. 320c / 445: (no tempo indication) | Summer 1780 | |
Vesperae solennes de Dominica for Soloists, Chorus & Orchestra in C major | ||||
321 | 321 | 1 | Vesperae solennes de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: I. Allegro vivace "Dixit dominus" | 1779 |
321 | 321 | 2 | Vesperae solennes de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: II. Allegro "Confitebor" | |
321 | 321 | 3 | Vesperae solennes de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: III. Allegro "Beatus vir" | |
321 | 321 | 4 | Vesperae solennes de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: IV. "Laudate pueri" | |
321 | 321 | 5 | Vesperae solennes de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: V. Allegro "Laudate dominum" | |
321 | 321 | 6 | Vesperae solennes de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: VI. Adagio maestoso "Magnificat" | |
321a | deest | Magnificat for Soloists, in C major, K. 321a / KV deest (fragment): Allegro con spirito "Magnificat anima mea" | 1779 | |
2 German Church Songs for Solo Voice and Organ Librettist: Unknown | ||||
336c | 343 | 2 German Church Songs for Solo Voice and Organ in F major, K. 336c / KV 343 No. 1: (no tempo indication). "O Gotteslamm" | 1787-02 | |
336c | 343 | 2 German Church Songs for Solo Voice and Organ in C major, K. 336c / KV 343 No. 2: (no tempo indication). "Als aus Ägypten Israel" | 1787-02 | |
Zu 336c | Appendix | |||
Zu 336c | 343 | 2 German Church Songs for Solo Voice and Organ in F major, K. Zu 336c / KV 343 No. 1 NMA III/8 Anh No. 5a ("Lieder zur öffentlichen und häuslichen Andacht…" version): (no tempo indication). "O Gotteslamm" | ? | |
Zu 336c | 343 | 2 German Church Songs for Solo Voice and Organ in C major, K. Zu 336c / KV 343 No. 2 NMA III/8 Anh No. 5b ("Lieder zur öffentlichen und häuslichen Andacht…" version): (no tempo indication). "Als aus Ägypten Israel" | ? | |
336d | 336 | Church Sonata No. 17 for 2 Violins, Organ, Cello, and Bass in C major, K. 336d / KV 336: Allegro | 1780-03 | |
Symphony No. 34 in C major | ||||
338 | Note: | K. 409 is occasionally inserted into K. 338 as a minuet movement. If your release does have a minuet movement, please check if it is K. 409 or the original fragment of the original minuetto (or a completion based on the same). If you have a minuet movement, however, please simply insert it - do not renumber the other movements to "fit" the minuet/minuetto. | ||
338 | 338 | 1 | Symphony No. 34 for Orchestra in C major, K. 338: I. Allegro vivace | 1780-08-29 |
338 | 338 | 2 | Symphony No. 34 for Orchestra in C major, K. 338: II. Andante di molto più tosto allegretto | |
338 | 338 | 3 | Symphony No. 34 for Orchestra in C major, K. 338: III. Finale. Allegro vivace | |
338 | Appendix | This minuetto was originally composed to be placed prior to movement II above; Wolfgang Amadeus Mozart tore it from the manuscript. It exists now only as that 14 measure fragment, though some believe it may have been actually been completed. | ||
338 | 338 | 2a | Symphony No. 34 in C major, K. Zu 338 (14 measure fragment): II. Minuetto. Allegretto | 1780 |
Vesperae solennes de Confessore for Soloists, Chorus & Orchestra in C major | ||||
339 | 339 | 1 | Vesperae solennes de Confessore for Soloists, Chorus & Orchestra in C major, K. 339: I. Allegro vivace "Dixit dominus" | 1780 |
339 | 339 | 2 | Vesperae solennes de Confessore for Soloists, Chorus & Orchestra in C major, K. 339: II. Allegro "Confitebor" | |
339 | 339 | 3 | Vesperae solennes de Confessore for Soloists, Chorus & Orchestra in C major, K. 339: III. Allegro vivace "Beatus vir" | |
339 | 339 | 4 | Vesperae solennes de Confessore for Soloists, Chorus & Orchestra in C major, K. 339: IV. "Laudate pueri" | |
339 | 339 | 5 | Vesperae solennes de Confessore for Soloists, Chorus & Orchestra in C major, K. 339: V. Andante ma un poco sostenuto "Laudate dominum" | |
339 | 339 | 6 | Vesperae solennes de Confessore for Soloists, Chorus & Orchestra in C major, K. 339: VI. Adagio - allegro "Magnificat" | |
Verdankt sei es dem Glanz der Großen Librettist: Johann Timotheus Hermes | ||||
340a | 392 | Song for Solo Voice and Piano in F major, K. 340a / KV 392: Gleichgültig und zufrieden. "Verdankt sei es dem Glanz der Großen" | 1781-08 to 1782-05 | |
Sei du mein trost Librettist: Johann Timotheus Hermes | ||||
340b | 391 | Song for Solo Voice and Piano in B-flat major, K. 340b / KV 391: Traurig, doch gelassen. "Sei du mein trost" | 1781-08 to 1782-05 | |
Ich würd' auf meinem Pfad Librettist: Johann Timotheus Hermes | ||||
340c | 390 | Song for Solo Voice and Piano in D minor, K. 340c / KV 390: Mäßig gehend. "Ich würd' auf meinem Pfad" | 1781-08 to 1782-05 | |
544 | 544 | Beginning of a March for Flute, Horn, Violin, Viola and Cello in D major, K. 544 (fragment): Andante | 1788-06-28 | |
3 Minuets for Orchestra | ||||
363 | 363 | 3 Minuets for Orchestra in D major, K. 363 No. 1: Minuetto I | 1780 | |
363 | 363 | 3 Minuets for Orchestra in B-flat major, K. 363 No. 2: Minuetto II | ||
363 | 363 | 3 Minuets for Orchestra in D major, K. 363 No. 3: Minuetto III | ||
365a | Note: | One page of K. 365a (containing a 30 measure fragment) was located in 1996. It is believed that three pages still remain missing. | ||
Anh 11a | Lost | Lost Work: Recitative and Aria "Warum, o Liebe…Zittre, toricht Herz" | 1780-11-22 | |
Die Zufriedenheit: "Was frag' ich viel nach Geld und Gut" Librettist: Johann Martin Miller | ||||
367a | 349 | Song for Solo Voice and Mandolin in G major, K. 367a / KV 349 "Die Zufriedenheit": Mäßig. "Was frag' ich viel nach Geld und Gut" | 1777-11-8 to 1778-03-14 | |
Komm, libe Zither, komm Librettist: Unknown | ||||
367b | 351 | Song for Solo Voice and Mandolin in C major, K. 367b / KV 351: (no tempo indication). (Tenor (or Soprano)) "Komm, libe Zither, komm" | 1780-11 to 1781-03 | |
Ma che vi fece, o stelle Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
368 | 368 | Recitavo for Soprano and Orchestra in F major, K. 368: Allegro assai "Ma che vi fece, o stelle" | 1781-01 | |
Sperai vicino il lido Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
368 | 368 | Aria for Soprano and Orchestra in F major, K. 368: Andantino - allegro - andantino - allegro "Sperai vicino il lido" | 1781-01 | |
Quintet for Oboe, Violin, Viola & Cello in F major | ||||
368b | 370 | 1 | Quintet for Oboe, Violin, Viola & Cello in F major, K. 368b / KV 370: I. Allegro | 1781 |
368b | 370 | 2 | Quintet for Oboe, Violin, Viola & Cello in F major, K. 368b / KV 370: II. Adagio | |
368b | 370 | 3 | Quintet for Oboe, Violin, Viola & Cello in F major, K. 368b / KV 370: III. Rondeau. Allegro | |
Misera, dove son! Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
369 | 369 | Recitative for Soprano and Orchestra in E-flat major, K. 369: Andante sostenuto "Misera, dove son! | 1781-03-08 | |
Ah! non son io che parlo Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
369 | 369 | Aria for Soprano and Orchestra in E-flat major, K. 369: Allegro "Ah! non son io che parlo" | 1781-03-08 | |
Concerto for Horn, K. 370b + K. 371 | ||||
370b / 371 | Note: | While this listing has refrained from telling the stories of each work listed here, the story of K. 370b and K. 371 is perhaps the next most interesting after the Requiem (K. 626), and knowing it is rather important to ascertain just what version of each you have on any particular release. Knowing the backstory will also help you understand why these have bar far the longer Köchel catalog identification strings in this entire list. In 1781, W.A. Mozart began composing a concert for horn, most likely for Viennese hornist Jacob Eisen. By March 3rd, however, Eisen's wife had died, and Mozart stopped working on the concerto. In 1882, his publishers, Breitkopf & Härtel, published a draft version of K. 371. Thus, K. 371 passed into present times relatively intact, if uncompleted. However, the version Breitkopf & Härtel distributed was only 219 measures long. Mozart had a habit of placing at the end of his compositions a count of the total number of measures. For K. 371, the number he had written was 279, yet the discrepancy between the extant 219 measure score and this 279 measure count went unnoticed. K. 370b has an even more bizarre history. It had never been published by Breitkopf & Härtel, and the autograph had passed down to W.A. Mozart's older son, Karl Thomas Mozart. In 1856, to celebrate the one hundredth anniversary of his father's birth, Karl cut the autograph of K. 370b into at least 9 pieces, and gave the pieces away as souvenirs to admirers of his father's music. By the time Köchel's catalog was first published, in 1862, the locations of many of these was unknown, such that only KV Anh 97 (35 measures) was listed with an incipit. KV Anh 98 was listed only as known of, but current location unknown. By the time of the second edition, in 1905, K2 Anh 98b had been added to the listing, but the location of KV Anh 98 was still unknown. In the passing years, enough additional pieces were found that by the time K3 was produced, KV Anh 97, KV 98, and K2 98b were recognized as the same work, and brought together with some of the other pieces under the notes section of K3 371 as connected with that Rondo. Then, in K6, these pieces were recognized to be parts of the same work, but that the work they formed was not the same work as K3 371, so they were reassigned their own work listing, K. 370b. Pieces continued to be located. By 1988, 8 pieces had been found. By this point, they were held by seven different libraries scattered across the globe. Plans were then made to reassemble them for an exhibition in 1989. Then, in late 1988, the then owner of the autograph of K. 371 (Robert Owen Lehman) discovered a new fragment, 60 measures long - and only then was the significance of the disparity between 219 and 279 realized. The four pages containing those 60 measures were found to fit between the page ending measure 27 and the page begining with what had been assumed to be measure 28 in the autograph. Thus, in 1989, with the large majority of K. 370b now reassembled (only the final piece part remains missing) and with the missing 60 measures reinserted into K. 371, this concerto for horn was finally able to be made available in a form resembling what it had been at the time when W.A. Mozart stopped working on it. Therefore, if you find a release containing K. 370b and/or K. 371, it is very important to determine when it was recorded. For K. 370a, in the listing below, movement "A" refers to any recording made since 1989. Movement "B" refers to any recording made between 1964 and 1988. (If you find a release recorded before 1964 which contains K2 Anh 97, K2 Anh 98, or K2 Anh 97b, contact BrianFreud via PM - I seriously doubt that any such release exists). For K. 371, in the listing below, movement "A" refers to any recording made since 1989. Movement "B" refers to any recording made prior to 1989. Be careful, however. Even in its reunited form, K. 371 remains an unfinished concerto movement, and as such, it has been reconstructed at least once, and completed by other composers at least three different times. If you see the name "Levin" (1990's), "Paumgartner" (1937), or "Kling" (1909), be aware that you need one of the movement "C" listings below, depending upon which completion version you have. (Be careful about "Levin", by the way - he also authenticated the 60 measure fragment. Be sure that the reference to his name is for his completion, not just his authentification.) | ||
deest | Anh 97+Anh 98 | 1 A | Concerto for French Horn in E-flat major, K. 370b + deest / K3 Zu 371 + deest / K2 Anh 97 + Anh 98 + Anh 98b + deest / KV Anh 97 + Anh 98 + deest Fr 1781a NMA V/14/5 Anh II No. 1 (127 measure fragment): I. (no tempo indication) | 1781-03-21 |
370b | Anh 97+Anh 98 | 1 B | Concerto for French Horn in E-flat major, K. 370b / K3 Zu 371 + deest / K2 Anh 97 + Anh 98 + Anh 98b + deest / KV Anh 97 + Anh 98 (fragment): (no tempo indication) | 1781-03-21 |
deest | Anh 97+Anh 98 | 1 C | Concerto for French Horn in E-flat major, K. 370b / K3 Zu 371 + deest / K2 Anh 97 + Anh 98 + Anh 98b + deest / KV Anh 97 + Anh 98 (John Humphries reconstruction): (no tempo indication) | ? |
deest | 371 | 2 A | Concerto for French Horn in E-flat major, K. 371 + deest Fr 1781b NMA V/14/5 Anh II No. 2 (279 measure fragment): II. Rondo. Allegro | 1781-03-21 |
371 | 371 | 2 B | Concerto for French Horn in E-flat major, K. 371 (219 measure fragment): Rondo. Allegro | 1781-03-21 |
371 | 371 | 2 C | Concerto for French Horn in E-flat major, K. 371 (Henri Kling completion): Rondo. Allegro | 1909 |
371 | 371 | 2 C | Concerto for Orchestra in E-flat major, K. 371 (Bernhard Paumgartner completion): Rondo. Allegro | 1937 |
371 | 371 | 2 C | Concerto for French Horn in E-flat major, K. 371 (John Humphries reconstruction): Rondo. Allegro | ? |
deest | 371 | 2 C | Concerto for French Horn in E-flat major, K. 371 + deest NMA V/14/5 Anh 2 (Robert Levin completion): II. Rondo. Allegro | 1990's |
373 | 373 | Rondo for Violin & Orchestra in C major, K. 373: Rondo. Allegretto grazioso | 1781-04-02 | |
A questo seno deh vieni Librettist: Giovanni de Gamerra | ||||
374 | 374 | Recitative for Soprano and Orchestra in E-flat major, K. 374: Recitativo con moto - più moderato - recitativo con moto "A questo seno deh vieni" | 1781-04 | |
Or che il cielo a me ti rende Librettist: Giovanni de Gamerra | ||||
374 | 374 | Aria for Soprano and Orchestra in E-flat major, K. 374: Rondeaux. Allegretto "Or che il cielo a me ti rende" | 1781-04 | |
Sonata for 2 Pianos in D major | ||||
375a | 448 | 1 | Sonata for 2 Pianos in D major, K. 375a / 448: I. Allegro con spirito | 1781-11 |
375a | 448 | 2 | Sonata for 2 Pianos in D major, K. 375a / 448: II. Andante | |
375a | 448 | 3 | Sonata for 2 Pianos in D major, K. 375a / 448: III. Allegro molto & Coda | |
375b | Anh 42 | Sonata Movement for 2 Pianos in B-flat major, K. 375b / Anh 42 Fr 1782b (fragment): I. Grave | spring 1782 | |
375b | Anh 42 | Sonata Movement for 2 Pianos in B-flat major, K. 375b / Anh 42 Fr 1782b (fragment): II. Presto | ||
375c | Anh 43 | Sonata Movement for 2 Pianos in B-flat major, K. 375c / Anh 43 Fr 1782c (fragment): (no tempo indication) | spring 1782 | |
375d | Anh 45 | Fugue for 2 Pianos in G major, K. 375d / Anh 45 Fr 1785a (fragment): (no tempo indication) | spring 1782 | |
375e | Note: | Most recordings will be the Maximilian Stadler completion - yours is, unless it specifically mentions that it is a recording of the fragment only. | ||
375e | 401 | Fugue for Organ in G minor, K. 375e / 401 Fr 1772g (95 measure fragment): Fuga | 1773 | |
375e | 401 | Fugue for Organ in G minor, K. 375e / 401 (Maximilian Stadler completion): Fuga | ? | |
2 Fugues for Piano in E-flat major | ||||
375f | 153 | 2 Fugues for Piano in E-flat major, K. 375f / 153 Fr 1782p No. 1 (26.5 measure fragment): Fuga | ? | |
375f | 153 | 2 Fugues for Piano in E-flat major, K. 375f / 153 No. 1 (Simon Sechter completion): Fuga | ? | |
375f | 153 | 2 Fugues for Piano in E-flat major, K. 375f / Fr 1782p 153 No. 2 (5.25 measure fragment): Fuga | ? | |
375g | Anh 41 | Fugue for Piano in G major, K. 375g / Anh 41 Fr 1776b (26.25 measure fragment): Fuga | 1776 or 1777 | |
375h | deest | Duplicate | Double Listed Work: K. 375h is the same work as is the same work as K. 626b/14 No. 1 Skb 1783c (1). | |
375h | deest | Fugue for Piano in F major, K. 375h (and 626b/14 No. 1) / K3 Anh. 109g/14 No. 1 / KV deest Fr 1783c / Skb 1783c (1) (13 measure fragment): Fuga | 1782 or 1783 | |
375h | deest | Fugue for Piano in F major, K. 375h (and 626b/14 No. 1) / K3 Anh. 109g/14 No. 1 / KV deest (Leonard Danek completion): Fuga | ? | |
382 | 382 | Rondo for Piano & Orchestra in D major, K. 382: Rondo. Allegretto grazioso - allegro | 1782-02 | |
382a | 229 | Canon for 3 Voices in 1 in C minor, K. 382a / KV 229: Canon. "Sie ist dahin" | 1782 | |
382b | 230 | Canon for 2 Voices in 1 in C major, K. 382b / KV 230: Canon. "Selig, selig" | 1782 | |
382c | Caution: | Please make sure to choose the correct libretto text for your release. | ||
382c | 231 | Canon for 6 Voices in 1 in B-flat major, K. 382c / KV 231: Canon. "Leck mich im Arsch" | 1782 | |
382c | 231 | Canon for 6 Voices in 1 in B-flat major, K. 382c / KV 231: Canon. "Laßt froh uns sein" | 1782 | |
382d | Caution: | Please make sure to choose the correct libretto text for your release. | ||
382d | 233 | Canon for 3 Voices in 1 in B-flat major, K. 382d / KV 233: Andante. "Leck mir den Arsch fein recht schön sauber" | 1782 | |
382d | 233 | Canon for 3 Voices in 1 in B-flat major, K. 382d / KV 233: Andante. "Nichts labt mich mehr als Wein" | 1782 | |
382e | Caution: | Please make sure to choose the correct libretto text for your release. | ||
382e | 234 | Canon for 3 Voices in 1 in G major, K. 382e / KV 234: Allegro. "Bei der Hitz im Sommer eß ich" | 1782 | |
382e | 234 | Canon for 3 Voices in 1 in G major, K. 382e / KV 234: Allegro. "Essen, Trinken" | 1782 | |
382f | 347 | Canon for 6 Voices in 1 in D major, K. 382f / KV 347: Canon. "Wo der perlende Wein im Glase blinkt" | 1782 | |
382g | 348 | Triple Canon for 12 Voices in 3 in G major, K. 382g / KV 348 (Maximilian Stadler completion): Canon. "V'amo di core" | 1782 | |
Nehmt meinen Dank, ihr holden Gönner Librettist: Unknown | ||||
383 | 383 | Aria for Soprano and Orchestra in G major, K. 383: Andante "Nehmt meinen Dank, ihr holden Gönner" | 1782-04-10 | |
Mia speranza adorata Librettist: Gaetano Sertor | ||||
383a | 394 | Prelude for Piano in C major, K. 383a / 394: I. Fantasia. Adagio - andante - più adagio - primo tempo | 1782-04 | |
383a | 394 | Fugue for Piano in C major, K. 383a / 394: II. Fugue. Andante maestoso - adagio | ||
383b | Anh 33+40 | Fugue for Piano in F major, K. 383b / KV Anh 33+40 Fr 1787d (16.25 measure fragment): Fuga | 1782 | |
383C | Anh 32 | Fantasie for Piano in F minor, K. 383C / Anh 32 Fr 1790b (fragment): Fantasia. Adagio | 1789 | |
383d | Anh 39 | Fugue for Piano in C minor, K. 383d / Anh 39 Fr 1783a (8 measure fragment): Fuga | 1782 | |
383d | Anh 39 | Fugue for Piano in C minor, K. 383d / Anh 39 (Leonard Danek completion): Fuga | ? | |
383e | 408/1 | March for Orchestra in C major, K. 383e / KV 408/1: Maestoso | 1782 | |
Zu 383e | Appendix | |||
Zu 383e | 408/1 | Reduction for Piano of March for Orchestra in C major, K. 383e / KV 408/1 NMA IX/27/2: Marcia | 1782 | |
383f | 409 | Symphonic Minuet for Orchestra in C major, K. 383f / KV 409: Minuetto & Trio | 1782 | |
383F | 408/3 | March for Orchestra in C major, K. 383F / KV 408/3: Maestoso | 1782 | |
383g | Anh 100 | Lost | Lost Work: Symphony in E-flat major (incomplete) | early 1782 |
Der Liebe himmlisches Gefühl Librettist: Unknown | ||||
382h | 119 | Reduction for Piano of Aria for Soprano and Orchestra in A major, K. 382h / KV 119: Allegro "Der Liebe himmlisches Gefühl" | 1782 | |
In te spero, oh sposo amato Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
383h | 440 | Aria for Soprano and Orchestra in C major, K. 383h / KV 440 Fr 1782f (fragment): "In te spero, oh sposo amato" | 1782-02 | |
383h | 440 | Aria for Soprano and Orchestra in C major, K. 383h / KV 440 (E. Reichert completion): "In te spero, oh sposo amato" | ? | |
Zu 384 | Note: | The transcriptions of the overture and (as fragments only) Aria Nos. 11 and 12 are not lost. | ||
Zu 384 | Lost | Lost Work:Wolfgang Amadeus Mozart's arrangement for piano of the first two acts of Die Entführung aus dem Serail | between 1782 and 1785 | |
Symphony No. 35 in D major "Haffner Symphony" | ||||
385 | Caution: | This is not the Haffner Serenade, nor the symphony version of the Haffner Serenade. Those works is are K. 248b and the appendix to K. 248b. This is the Haffner Symphony. | ||
385 | 385 | 1 | Symphony No. 35 for Orchestra in D major, K. 385 "Haffner": I. Allegro con spirito | early 1783 |
385 | 385 | 2 | Symphony No. 35 for Orchestra in D major, K. 385 "Haffner": II. Andante | |
385 | 385 | 3 | Symphony No. 35 for Orchestra in D major, K. 385 "Haffner": III. Minuetto & Trio | |
385 | 385 | 4 | Symphony No. 35 for Orchestra in D major, K. 385 "Haffner": IV. Presto | |
385 | Appendix | You almost always will want the revised version of K. 385 above, not the serenade version below. | ||
385 | 385 | 1 | Symphony for Orchestra in D major, K. Zu 385 (serenade version) "Haffner": I. Allegro con spirito | 1782-07 |
385 | 385 | 2 | Symphony for Orchestra in D major, K. Zu 385 (serenade version) "Haffner": II. Andante | |
385 | 385 | 3 | Symphony for Orchestra in D major, K. Zu 385 (serenade version) "Haffner": III. Menuetto | |
385 | 385 | 4 | Symphony for Orchestra in D major, K. Zu 385 (serenade version) "Haffner": IV. Finale. Presto | |
385a | 408/2 | March for Orchestra in D major, K. 385a / KV 408/2: (no tempo indication) | 1782-08 | |
4 Solfeggios for 1 Voice | ||||
385b | 393 | 4 Solfeggios for 1 Voice, K. 385b / KV 393 No. 1 | 1782-08 | |
385b | 393 | 4 Solfeggios for 1 Voice, K. 385b / KV 393 No. 2 | 1782-08 | |
385b | 393 | 4 Solfeggios for 1 Voice, K. 385b / KV 393 No. 3 "Solfeggio per la Cara mia Consorte!": (Soprano) | 1782-08 | |
385b | 393 | 4 Solfeggios for 1 Voice, K. 385b / KV 393 No. 4 "Essercizio per il Canto" | 1782-08 | |
385f | Note: | Most recordings will be the Maximilian Stadler completion - yours is, unless it specifically mentions that it is a recording of the fragment only. | ||
385f | 396 | Fantasia Movement for Violin and Piano in C minor, K. 385f / 396 Fr 1782l (27 measure fragment): (no tempo indication) | 1782-08 or 1782-09 | |
385f | 396 | Fantasia Movement for Violin and Piano in C minor, K. 385f / 396 Fr 1782l (Maximilian Stadler completion): Adagio | ? | |
385g | 397 | Fantasia for Piano in D minor, K. 385g / 397 Fr *1782e (fragment): Andante - adagio - presto - tempo primo - presto - tempo primo - allegretto - a tempo | 1782 | |
385h | Anh 34/1 | Piece for Piano or Organ in D minor, K. 385h / KV Anh 34/1 Fr 1786a [I] (3 measure fragment): Adagio | ? | |
Suite for Piano in C major | ||||
385i | 399 | 1 | Suite for Piano in C major, K. 385i / 399: I. Overture. Grave - allegro | 1782 |
385i | 399 | 2 | Suite for Piano in C major, K. 385i / 399: II. Allemande. Andante | |
385i | 399 | 3 | Suite for Piano in C major, K. 385i / 399: III. Courante. Allegretto | |
385i | 399 | 4 | Suite for Piano in C major, K. 385i / 399 Fr 1782i (5.5 measure fragment): IV. Sarabande | |
385k | 154 | Fugue for Piano in G minor, K. 385k / 154 Fr 1782j Skb 1782h (3) (30 measure fragment): Fuga | ? | |
385k | 154 | Fugue for Piano in G minor, K. 385k / 154 (Simon Sechter completion): Fuga | ? | |
385o | deest | Sketch of Concerto for Piano No. 12 in A major, K. 385p / K3 386a / KV deest: I. Allegro (measures 85-145), K. 385o / KV deest Skb 1782d (2) (47 measure sketch) | Fall 1782 | |
Concerto for Piano No. 12 in A major | ||||
385p | 414 | 1 | Concerto for Piano No. 12 in A major, K. 385p / K3 386a / KV 414: I. Allegro | Fall 1782 |
385p | 414 | 2 | Concerto for Piano No. 12 in A major, K. 385p / K3 386a / KV 414: II. Andante | |
385p | 414 | 3 | Concerto for Piano No. 12 in A major, K. 385p / K3 386a / KV 414: III. Rondo. Allegretto | |
386b | 412 | 1 | Concerto for French Horn No. 1 in D major, K. 386b / KV 412: I. Allegro | 1791 |
386b | 514 | 2 | Concerto for French Horn No. 1 in D major, K. 386b / KV 514 (Süßmayr completion): II. Rondo. Allegro | 1792-04-06 |
386b | Appendix | Note: Almost all recordings of the second movement will be the Süßmayr above, not the fragment below. If the Süßmayr version is on your release, Süßmayr, not W.A. Mozart, ought to be set as that track's composer. | ||
386b | Zu 514 / Zu 412 | 2 | Concerto for French Horn in D major, K. Zu 386b / KV 412 Fr 1791d NMA V/14/5 Anh II No. 4 (fragment): II. Rondo | 1791 |
Gibraltar: "O Calpe! dir donnert's am Fuße" Librettist: Johann Neopomuk Cosmas Michael Denis | ||||
386d | Anh 25 | Recitativo accompagnato for Solo Voice and Piano in D major, K. 386d / KV Anh 25 Skb 1782ε (sketch) "Gibraltar": (no tempo indication). (Tenor) "O Calpe! dir donnert's am Fuße" | 1782-12 | |
Concerto for Piano No. 11 in F major | ||||
387a | 413 | 1 | Concerto for Piano No. 11 in F major, K. 387a/413: I. Allegro | Winter 1782-1783 |
387a | 413 | 2 | Concerto for Piano No. 11 in F major, K. 387a/413: II. Larghetto | |
387a | 413 | 3 | Concerto for Piano No. 11 in F major, K. 387a/413: III. Tempo di menuetto | |
Concerto for Piano No. 13 in C major | ||||
387b | 415 | 1 | Concerto for Piano No. 13 in C major, K. 387b/415: I. Allegro | 1783-02 |
387b | 415 | 2 | Concerto for Piano No. 13 in C major, K. 387b/415: II. Andante | |
387b | 415 | 3 | Concerto for Piano No. 13 in C major, K. 387b/415: III. Rondeau. Allegro | |
416 | 416 | Recitavo for Soprano and Orchestra in B-flat major, K. 416: Andante - adagio - allegretto - andante - allegro assai - adagio "Mia speranza adorata" | 1783-01-08 | |
Ah, non sai qual pena Librettist: Gaetano Sertor | ||||
416 | 416 | Aria for Soprano and Orchestra in B-flat major, K. 416: Andante sostenuto - più andante - Allegro assai - primo tempo - allegro asssai "Ah, non sai qual pena" | 1783-01-08 | |
416a | Note: | Some scholars think that Wolfgang Amadeus Mozart may never have actually begun K. 416a. Some scholars think, however, that K. 433, K. 435, and Sk 1783c may possibly have been part of work on this planned opera. | ||
Anh 28 | Lost | Possibly Lost Work: German Opera based on "Il servitore di due padroni" | ||
Müßt ich auch durch tausend Drachen Librettist: Unknown | ||||
416b | 435 | Aria for Tenor and Orchestra in D major, K. 416b / KV 435 Fr 1783e (fragment): "Müßt ich auch durch tausend Drachen" | 1783 | |
416b | 435 | Aria for Tenor and Orchestra in D major, K. 416b / KV 435 (Erik Smith completion): "Müßt ich auch durch tausend Drachen" | ? | |
Maenner suchen stets zu naschen Librettist: Unknown | ||||
416c | 433 | Aria for Bass and Orchestra in F major, K. 416c / KV 433 Fr 1783f (fragment) "Warnung": "Maenner suchen stets zu naschen" | 1783 | |
416c | 433 | Aria for Bass and Orchestra in F major, K. 416c / KV 433 (Erik Smith completion) "Warnung": "Maenner suchen stets zu naschen" | ? | |
Concerto for Horn No. 2 in E-flat major | ||||
417 | 417 | 1 | Concerto for French Horn No. 2 in E-flat major, K. 417: I. Allegro | 1783-05-27 |
417 | 417 | 2 | Concerto for French Horn No. 2 in E-flat major, K. 417: II. Andante | |
417 | 417 | 3 | Concerto for French Horn No. 2 in E-flat major, K. 417: III. Rondo. Allegro - più allegro | |
417B No. 1 | deest | Fugue for 4 Voices in C major, K. 417B No. 4 / K2 Anh 23a / KV deest Skb 1782b (4a-e) Sk 1782h (1-5) (13 measure sketch): Gloria: (Soprano, Alto, Tenor, Bass) "Cum Sancto Spiritu" | 1770 | |
417B No. 2 | deest | Chorus for 4 voices in E-flat major, K. 417B No. 2 / K3 Zu 417a / K2 Anh 109fA / KV deest Skb 1770ε (2) Sk 1770a (5 measure sketch): Credo: (Soprano, Alto, Tenor, Bass) "Et in unum Dominum" | 1770 | |
417B No. 3 | deest | Fugue for 4 voices in C major, K. 417B No. 3 / K3 Zu 417a / K2 Anh 109fB / KV deest Skb 1770ε (3) Sk 1770b (12 measure sketch): Sanctus: (Soprano, Alto, Tenor, Bass) "Osanna" | 1770 | |
417B No. 4 | deest | Chorus for 4 voices in E-flat major, K. 417B No. 4 / K3 Zu 417a / K2 Anh 109fC / KV deest Skb 1770ε (4) Sk 1770c (6.5 measure sketch): Credo: (Soprano, Alto, Tenor, Bass) "Crucifixus" | 1770 | |
417B No. 5 | deest | Fugue for 8 voices in C major, K. 417B No. 5 / KV deest Skb 1784a (3) (sketch): Fugato | 1784 | |
417B | deest | Duplicate | Double Listed Work: K. 417B No. 6 is the same work as K. 626b/14 No. 10 Skb 1783c (5). | |
417B No. 6 | deest | Fugue for 4 voices in B major, K. 417B No. 6 / KV deest Skb 1783c (5) (fragment) | second half of 1783 | |
Ah, spiegarti, oh Dio Librettist: Unknown | ||||
417e | 178 | Reduction for Solo Voice and Piano of Aria for Solo Voice and Orchestra in A major, K. 417e / K3 125i / KV 178: Andante. (Soprano) "Ah, spiegarti, oh Dio" | 1783 | |
Vorrei spiegarvi, oh Dio! Librettist: Unknown | ||||
418 | 418 | Aria for Soprano and Orchestra in A major, K. 418: Allegro "Vorrei spiegarvi, oh Dio!" | 1783-06-20 | |
No, che non sei capace Librettist: Unknown | ||||
419 | 419 | Aria for Soprano and Orchestra in C major, K. 419: Allegro "No, che non sei capace" | 1783-06 | |
Per pietà, non ricercate Librettist: Unknown | ||||
420 | 420 | Aria for Tenor and Orchestra in E-flat major, K. 420: Rondo. Andante "Per pietà, non ricercate" | 1783-06-21 | |
Così dunque tradisci Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
421a | 432 | Recitative for Bass and Orchestra in F minor, K. 421a / KV 432 (fragment): Allegro "Così dunque tradisci" | 1783 | |
421a | 432 | Recitative for Bass and Orchestra in F minor, K. 421a / KV 432 (Maximillian Stadler completion): Allegro "Così dunque tradisci" | ? | |
Aspri rimorsi atroci Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
421a | 432 | Aria for Bass and Orchestra in F minor, K. 421a / KV 432 (fragment): Allegro "Aspri rimorsi atroci" | 1783 | |
421a | 432 | Aria for Bass and Orchestra in F minor, K. 421a / KV 432 (Maximillian Stadler completion): Allegro "Aspri rimorsi atroci" | ? | |
L'oca del Cairo Librettist: Giovanni Battista Varesco | ||||
422 | 422 | L'oca del Cairo, K. 422: Scene III. No. 1: Duetto e Recitativo. Allegro assai "Così si fa" (Auretta, Chichibio) | ? | |
422 | 422 | L'oca del Cairo, K. 422: Scene VI: No. 2. Recitativo. Andante "Se fosse qui nascoso" (Auretta) | ||
422 | 422 | L'oca del Cairo, K. 422: Scene VI: No. 3. Aria. Presto "Ogni momento dicon le donne" (Chichibio) | ||
422 | 422 | L'oca del Cairo, K. 422: Scene VIII: Recitativo. "O pazzo, o pazzo, o pazzo, pazzissimo Biondello!" (Don Pippo, Auretta) | ||
422 | 422 | L'oca del Cairo, K. 422: Scene X: No. 4. Aria "Siano pronte alle gran nozze" (Don Pippo) | ||
422 | 422 | L'oca del Cairo, K. 422: Scene XI: No. 5. Quartetto "S'oggi, oh Dei, sperar mi fate" (Celidora, Lavina, Biondello, Calandrino) | ||
422 | 422 | L'oca del Cairo, K. 422: Scene XV: No. 6. Finale. Allegro - Adagio - Andante maestoso - Allegro "Su via, putti, presto, presto!" (Celidora, Lavina, Auretta, Biondello, Calandrino, Don Pippo, Chichibio, Coro) | ||
422 | 422 | L'oca del Cairo, K. 422: Scene XV: No. 6. Finale. Presto "Alto, all'armi, o miei soldati!" (Celidora, Lavina, Auretta, Biondello, Calandrino, Don Pippo, Chichibio, Coro) | ||
Zu 422 | Appendix | |||
Zu 422 | 422 | L'oca del Cairo, K. 422 NMA II/5/13/1 Anh I: Scene III. Duetto. Anhang Allegretto vivo "Ho un pensiero" (Auretta, Chichibio) | ? | |
Zu 422 | 422 | L'oca del Cairo, K. 422 NMA II/5/13/2: Scene X: Aria e Terzetto. No. 4 Anhang. Allegro - più allegro "Siano pronte alle gran nozze" (Auretta, Don Pippo, Chichibio) | ? | |
Zu 422 | 422 | L'oca del Cairo, K. Zu 422 NMA II/5/13/1 Anh IIa (fragment): II. Scene VI: No. 2. Aria. (No tempo indication) "Se fosse qui nascoso" (Auretta) | ? | |
Zu 422 | 422 | L'oca del Cairo, K. Zu 422 NMA II/5/13/1 Anh IIb (fragment): Scene VI: Zur No. 3. Aria. (No tempo indication) "Ogni momento dicon le donne" (Chichibio) | ? | |
Zu 422 | 422 | L'oca del Cairo, K. Zu 422 NMA II/5/13/1 Anh IIc (fragment): Scene VI: Zu der nicht ausgeführten Arie des Biondello (No tempo indication) "Che parli, che dica" (Biondello) | ? | |
Zu 422 | 422 | L'oca del Cairo, K. Zu 422 NMA II/5/13/1 Anh IId (fragment): Scene XI: Zur No. 5. Quartett (No tempo indication) "S'oggi, oh Dei, sperar mi fate" (Celidora, Lavina, Biondello, Calandrino) | ? | |
Zu 422 | 422 | L'oca del Cairo, K. Zu 422 NMA II/5/13/1 Anh IIe (fragment): Scene XV: Zur No. 6. Finale. (No tempo indication) "Su via, putti, presto, presto!" (Celidora, Lavina, Auretta, Biondello, Calandrino, Chichibio, Coro) | ? | |
Symphony No. 36 in C major | ||||
425 | 425 | 1 | Symphony No. 36 for Orchestra in C major, K. 425 "Linz": I. Adagio - allegro spiritoso | 1783-10 or 1783-11 |
425 | 425 | 2 | Symphony No. 36 for Orchestra in C major, K. 425 "Linz": II. Andante | |
425 | 425 | 3a | Symphony No. 36 for Orchestra in C major, K. 425 "Linz": IIIa. Minuetto | |
425 | 425 | 3b | Symphony No. 36 for Orchestra in C major, K. 425 "Linz": IIIb. Trio & IIIa. Minuetto | |
425 | 425 | 4 | Symphony No. 36 for Orchestra in C major, K. 425 "Linz": IV. Presto | |
Misero! O sogno Librettist: Unknown | ||||
425b | 431 | Recitative for Tenor and Orchestra in E-flat major, K. 425b / KV 431: Adagio - andante ostecon moto - allegro risoluto - andante sostenuto "Misero! O sogno" | 1783 | |
Aura, che intorno spiri Librettist: Unknown | ||||
425b | 431 | Aria for Tenor and Orchestra in E-flat major, K. 425b / KV 431: Andante sostenuto "Aura, che intorno spiri" | 1783 | |
426 | 426 | Fugue for 2 Pianos in C minor, K. 426: Allegro moderato | 1783-12-29 | |
426a | Anh 44 | Allegro for 2 Pianos in C minor, K. 426a / Anh 44 Fr 1785d (fragment): Allegro | 1783-12 | |
Ecco quel fiero istante Librettist: Pietro Metastasio | ||||
436 | 436 | Notturno for 3 Voices and 3 Basset Horns in F major, K. 436: Andante. (2 Sopranos, Bass) "Ecco quel fiero istante" | 1783 | |
Zu 436 | Appendix | |||
Zu 436 | 436 | Draft of Song for 3 Voices in F major, K. Zu 436 NMA III/9 Anh III No. 2: (no tempo indication). (2 Sopranos, Bass) "Ecco quel fiero istante" | 1783 | |
Mi lagnerò tacendo Librettist: Pietro Metastasio | ||||
437 | 437 | Notturno for 3 Voices, 2 Clarinets and Basset Horn in G major, K. 437: Poco adagio. (2 Sopranos, Bass) "Mi lagnerò tacendo" | 1783 | |
Se lontan, ben mio, tu sei Librettist: Pietro Metastasio | ||||
438 | 438 | Notturno for 3 Voices, 2 Clarinets and Basset Horn in E-flat major, K. 438: Adagio. (2 Sopranos, Bass) "Se lontan, ben mio, tu sei" | 1783 | |
Zu 438 | Appendix | |||
Zu 438 | 438 | Draft of Song for 3 Voices in E-flat major, K. Zu 438 NMA III/9 Anh III No. 1: Adagio. (2 Sopranos, Bass) "Se lontan, ben mio, tu sei" | 1783 | |
Due pupille amabili Librettist: Unknown | ||||
439 | 439 | Notturno for 3 Voices and 3 Basset Horns in F major, K. 439: Andante. (2 Sopranos, Bass) "Due pupille amabili" | 1783 | |
Luci care, luci belle Librettist: Unknown | ||||
439a | 346 | Notturno for 3 Voices and 3 Basset Horns in F major, K. 439a / KV 346: Allegretto. (2 Sopranos, Bass) "Luci care, luci belle" | 1783 | |
Liebes Manndel, wo ist's Bandel? Librettist: Wolfgang Amadeus Mozart | ||||
441 | 441 | Song for 3 Voices, 2 Violins, Viola and Bass in G major, K. 441: Andante sostenuto. (Soprano, Tenor, Bass) "Liebes Manndel, wo ist's Bandel?" | 1783 | |
Zu 441 | Appendix | |||
Zu 441 | 441 | Draft of Song for 3 Voices, 2 Violins, Viola and Bass in G major, K. Zu 441 NMA III/9 Anh II No. 1: (no tempo indication). (Soprano, Tenor, Bass) "Liebes Manndel, wo ist's Bandel?" | 1783 | |
Zu 441 | 441 | Score Fragment of Song for 3 Voices, 2 Violins, Viola and Bass in G major, K. Zu 441 NMA III/9 Anh II No. 2 Fr 1786b: Andante sostenuto. (Soprano, Tenor, Bass) "Liebes Manndel, wo ist's Bandel?" | 1783 | |
Concerto for Horn No. 3 in E-flat major | ||||
447 | 447 | 1 | Concerto for French Horn No. 3 in E-flat major, K. 447: I. Allegro | 1787 |
447 | 447 | 2 | Concerto for French Horn No. 3 in E-flat major, K. 447: II. Romance. Larghetto | |
447 | 447 | 3 | Concerto for French Horn No. 3 in E-flat major, K. 447: III. Allegro | |
6 Minuets for Orchestra | ||||
448a | 461 | 6 Minuets for Orchestra in C major, K. 448a / 461 No. 1: Minuette & Trio | 1784 | |
448a | 461 | 6 Minuets for Orchestra in E-flat major, K. 448a / 461 No. 2: Minuette & Trio | ||
448a | 461 | 6 Minuets for Orchestra in G major, K. 448a / 461 No. 3: Minuette & Trio | ||
448a | 461 | 6 Minuets for Orchestra in B-flat major, K. 448a / 461 No. 4: Minuette & Trio | ||
448a | 461 | 6 Minuets for Orchestra in F major, K. 448a / 461 No. 5: Minuette & Trio | ||
448a | 461 | 6 Minuets for Orchestra in D major, K. 448a / 461 No. 6: Minuette | ||
6 Contredanses for Orchestra | ||||
448b | 462 | 6 Contredanses for Orchestra in C major, K. 448b / 462 No. 1: Contredanse | 1784-01 | |
448b | 462 | 6 Contredanses for Orchestra in E-flat major, K. 448b / 462 No. 2: Contredanse - tempo di minuetto | ||
448b | 462 | 6 Contredanses for Orchestra in B-flat major, K. 448b / 462 No. 3: Contredanse | ||
448b | 462 | 6 Contredanses for Orchestra in D major, K. 448b / 462 No. 4: Contredanse | ||
448b | 462 | 6 Contredanses for Orchestra in B-flat major, K. 448b / 462 No. 5: Contredanse | ||
448b | 462 | 6 Contredanses for Orchestra in F major, K. 448b / 462 No. 6: Contredanse | ||
Zu 448b | Appendix | |||
Zu 448b | 462 | Reduction for Piano of 6 Contredanses for Orchestra in C major, K. Zu 448b / 462 No. 1: Contredanse & Minore | ? | |
Zu 448b | 462 | Reduction for Piano of 6 Contredanses for Orchestra in E-flat major, K. Zu 448b / 462 No. 2: Contredanse - tempo di minuetto - allegro | ||
Zu 448b | 462 | Reduction for Piano of 6 Contredanses for Orchestra in B-flat major, K. Zu 448b / 462 No. 3: Contredanse | ||
Zu 448b | 462 | Reduction for Piano of 6 Contredanses for Orchestra in D major, K. Zu 448b / 462 No. 4: Contredanse | ||
Zu 448b | 462 | Reduction for Piano of 6 Contredanses for Orchestra in B-flat major, K. Zu 448b / 462 No. 5: Contredanse | ||
Zu 448b | 462 | Reduction for Piano of 6 Contredanses for Orchestra in F major, K. Zu 448b / 462 No. 6: Contredanse | ||
2 Minuets with Contredanse for Orchestra | ||||
448c | 463 | 2 Minuets with Contredanse for Orchestra in F major, K. 448c / 463 No. 1 "Quadrilles": Minuetto. Contredanse - allegro | 1784-01 | |
448c | 463 | 2 Minuets with Contredanse for Orchestra in B-flat major, K. 448c / 463 No. 2 "Quadrilles": Minuetto cantabile. Adagio - allegro | ||
Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major | ||||
452 | 452 | 1 | Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: I. Largo - allegro moderato | 1784-03-30 |
452 | 452 | 2 | Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: II. Larghetto | |
452 | 452 | 3 | Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. 452: III. Allegretto | |
*452 | Appendix | Most recordings will include the version of movement 3 above. | ||
*452 | *452 | 3 | Quintet for Piano, Oboe, Clarinet, Horn & Bassoon in E-flat major, K. *452 (final version): III. Allegretto | 1784 |
453a | deest | Small Funeral March for Piano in C minor, K. 453a / deest "Marche funèbre del Sigr Maestro Contrapunto": Marche funebre. Lento | 1784 | |
Lied zur Gesellenreise: "Die ihr einem neuen Grad" Librettist: Joseph Franz von Ratschky | ||||
468 | 468 | Masonic Fellowship Song for Solo Voice and Piano in B-flat major, K. 468 "Lied zur Gesellenreise": Larghetto. "Die ihr einem neuen Grad" | 1785-03-26 | |
470 | 470 | Lost | Lost Work: Concerto Movement for Violin in A major: Andante | |
Der Zauberer: "Ihr Mädchen, flieht Damöten" Librettist: Christian Felix Weiße | ||||
472 | 472 | Song for Solo Voice and Piano in G minor, K. 472 "Der Zauberer": (no tempo indication). "Ihr Mädchen, flieht Damöten" | 1785-05-07 | |
Die Zufriedenheit: "Wie sanft, wie ruhig" Librettist: Christian Felix Weiße | ||||
473 | 473 | Song for Solo Voice and Piano in B-flat major, K. 473 "Die Zufriedenheit": (no tempo indication). "Wie sanft, wie ruhig" | 1785-05-07 | |
Die betrogene Welt: "Der reiche Tor" Librettist: Christian Felix Weiße | ||||
474 | 474 | Song for Solo Voice and Piano in G major, K. 474 "Die betrogene Welt": (no tempo indication). "Der reiche Tor" | 1785-05-07 | |
Einsam bin ich, meine Liebe Librettist: Unknown | ||||
475a | Anh 26 | Song for Solo Voice and Piano in D minor, K. 475a / KV Anh 26 Fr 1785f (fragment): (no tempo indication). "Einsam bin ich, meine Liebe" | Possibly 1785 | |
Das Veilchen: "Ein Veilchen auf der Wiese stand" Librettist: Johann Wolfgang von Goethe | ||||
476 | 476 | Song for Solo Voice and Piano in G major, K. 476 "Das Veilchen": Allegretto. "Ein Veilchen auf der Wiese stand" | 1785-06-08 | |
477a | Note: | K. 477a may not exist. A newspaper advertisement advertised an Italian song of joy, "Per la recuperata saulute di Ophelia", with libretto by da Ponte and music by Salieri, Wolfgang Amadeus Mozart, and Cornetti being sold as a charity fundraiser. However, no copies have been discovered, and of da Ponte, Salieri, and Wolfgang Amadeus Mozart, none mentions it in their personal works lists. | ||
Anh 11a | Lost | Lost Work: Cantata for Voice and Piano | 1785 | |
Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor | ||||
478 | 478 | 1 | Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. 478: I. Allegro | 1785-10-16 |
478 | 478 | 2 | Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. 478: II. Andante | |
478 | 478 | 3 | Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. 478: III. Rondeau. Allegro moderato | |
*478 | Appendix | Most recordings will include the version of movement 1 above. | ||
*478 | Zu 478 | 1 | Quartet for Piano, Violin, Viola, and Cello No. 1 in G minor, K. *478: I. Allegro | 1785-10-16 |
Dite almeno, in che mancai Librettist: Unknown | ||||
479 | 479 | Aria for Quartetto and Orchestra in E-flat major, K. 479: Allegro - allegro assai - più stretto (Soprano, Tenor, 2 Basses) "Dite almeno, in che mancai" | 1785-11-05 | |
479a | 477 | Masonic Funeral Music for Orchestra in C minor, K. 479a / KV 477: Adagio | 1785 | |
Mandina amabile Librettist: Unknown | ||||
480 | 480 | Aria for Trio and Orchestra in A major, K. 480: Andante (Soprano, Tenor, Bass) "Mandina amabile" | 1785-11-21 | |
Del gran regno delle amazzone Librettist: Guiseppe Petrosellini | ||||
480b | 434 | Aria for Trio and Orchestra in B-flat major, K. 480b / K3 424b / KV 434 Fr 1786e (fragment): (Tenor, 2 Basses) "Del gran regno delle amazzone" | End of 1785 | |
Zu 480b | Anh II/3a Nos. 160-161 | Aria for Quintet and Orchestra in B-flat major, K. Zu 480b / K3 Zu 424b / KV Anh II/3a Nos. 160-161 (sketch): (2 Sopranos, Tenor, 2 Basses) "Del gran regno delle amazzone" | End of 1785 | |
Zerfließet heut', geliebte Brüder Librettist: Augustin Veith Edlem von Schittlersberg | ||||
483 | 483 | Masonic Song for Solo Voice, Chorus of 3 Men and Organ in B-flat major, K. 483: Andante. "Zerfließet heut', geliebte Brüder" | 1785-12 | |
Ihr unsre neuen Leiter Librettist: Augustin Veith Edlem von Schittlersberg | ||||
484 | 484 | Masonic Song for Solo Voice, Chorus of 3 Men and Organ in G major, K. 484: Andante. "Ihr unsre neuen Leiter" | 1785-12 | |
485 | 485 | Rondo for Piano in D major, K. 485: Allegro | 1786-01-10 | |
Le nozze di Figaro | ||||
492 | 492 | Le nozze di Figaro, K. 492: Overture | 1785-10 to 1786-04-19 | |
492 | 492 | Le nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duetto "Cinque… dieci… Venti… trenta…" (Figaro, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act I, Scene I. Recitativo "Cosa stai misurando" (Figaro, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act I, Scene I. No. 2 Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act I, Scene II. Recitativo "Or bene, ascolta e taci!" (Figaro, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina "Se vuol ballare, signor Contino" (Figaro) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act I, Scene III. Recitativo "Ed aspettaste il giorno fissato a le sue nozze" (Bartolo, Marcellina) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act I, Scene IV. Recitativo "Tutto ancor non ho perso" (Marcellina, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act I, Scene IV. No. 5 Duettino "Via, resti servita, madama brillante" (Marcellina, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act I, Scene V. Recitativo "Va là, vecchia pedante" (Cherubino, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act I, Scene VI. Recitativo "Ah, son perduto!" (Cherubino, Susanna, Il Conte, Basilio) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act I, Scene VII. No. 7 Terzetto "Cosa sento! tosto andante" (Il Conte, Basilio, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act I, Scene VII. Recitativo "Basilio, in traccia tosto di Figaro volate" (Il Conte, Susanna, Cherubino, Basilio) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete, fiori spargete" (Coro) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act I, Scene VIII. Recitativo "Cos'è questa commedia?" (Il Conte, Figaro, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 9 Coro "Giovani liete, fiori spargete" (Coro) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act I, Scene VIII. Recitativo "Evviva!" (Figaro, Susanna, Basilio, Cherubino, Il Conte) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene I. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene I. Recitativo "Vieni, cara Susanna" (La Contessa, Susanna, Figaro) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Quanto duolmi, Susanna" (La Contessa, Susanna, Cherubino) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Bravo! che bella voce!" (La Contessa, Susanna, Cherubino) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene II. No. 13 Aria "Venite… inginocchiatevi…" (Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Quante buffonerie" (Il Conte, La Contessa, Cherubino, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene III. Recitativo "Che novità!" (Il Conte, La Contessa) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene III. No. 14 Terzetto "Susanna or via, sortite" (Il Conte, La Contessa, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene III. Recitativo "Dunque, voi non aprite?" (Il Conte, La Contessa) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene IV. No. 15 Duettino "Aprite, presto, aprite" (Susanna, Cherubino) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene IV. Recitativo "Oh guarda il demonietto!" (Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene V. Recitativo "Tutto è come io lasciai" (Il Conte, La Contessa) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Signore, cos'è quel stupore?" (Il Conte, La Contessa, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene VIII. No. 16 Finale "Susanna, son morta" (Il Conte, La Contessa, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene IX. No. 16 Finale "Signori di fuori son già suonatori" (Il Conte, La Contessa, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene IX. No. 16 Finale "Conoscete signor Figaro" (Il Conte, La Contessa, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene X. No. 16 Finale "Ah signor... signor" (Il Conte, La Contessa, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene X. No. 16 Finale "Vostre dunque saran queste carte che perdeste" (Il Conte, La Contessa, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Il Conte, La Contessa, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Son confusa son stordita" (Il Conte, La Contessa, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act II, Scene Ultima. No. 16 Finale "Certo un diavol dell’inferno" (Il Conte, La Contessa, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act III, Scenes I-II. Recitativo "Che imbarazzo è mai questo!" (Il Conte, La Contessa, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duetto "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act III, Scene III. Recitativo "E perchè fosti meco" (Il Conte, Susanna, Figaro) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Recitativo "Hai già vinta la causa" (Il Conte) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Aria "Vedrò, mentre io sospiro" (Il Conte) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act III, Scene V. Recitativo "È decisa la lite" (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act III, Scene V. No. 19 Sestetto "Riconosci in questo amplesso" (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act III, Scene VI. Recitativo "Eccovi, oh caro amico" (Marcellina, Bartolo, Figaro, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act III, Scene VII. Recitativo "Andiam, andiam, bel paggio" (Barbarina, Cherubino) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Recitativo "E Susanna non vien!" (La Contessa) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act III, Scene IX. Recitativo "Io vi dico, signor, che Cherubino" (Antonio, Il Conte) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act III, Scene X. Recitativo "Cosa mi narri" (La Contessa, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act III, Scene X. No. 21 Duettino "Che soave zeffiretto (La Contessa, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act III, Scene X. Recitativo "Piegato è il foglio" (La Contessa, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act III, Scenes XII-XIII. Recitativo "Questo sono, Madama" (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. No. 23 Finale "Ecco la marcia, Andiamo" (Barbarina, Coro) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scene XIV. No. 23 Finale "Amanti costanti seguaci d'onor" (Barbarina, Coro) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scene XIV. No. 23 Finale "Eh già solita usanza" (Barbarina, Coro) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scene XIV. No. 23 Finale "Andate amici!" (Barbarina, Coro) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scene I. No. 24 Aria "L'ho perduta... me meschina" (Marcellina) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scenes II-III. Recitativo "Barbarina, cos'hai?" (Figaro, Barbarina, Marcellina) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scene IV. No. 25 Aria "Il capro e la capretta" (Marcellina) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scenes V-VII. Recitativo "Nel padiglione a manca" (Barbarina, Figaro, Basilio, Bartolo) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scene VII. No. 26 Aria "In quegli anni in cui val poco" (Basilio) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Tutto è disposto" (Figaro) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Aria "Aprite un po' quegl'occhi" (Figaro) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scene IX. Recitativo "Signora, ella mi disse" (Figaro, La Contessa, Marcellina, Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Recitativo "Giunse alfin il momento" (Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Aria "Deh vieni non tardar" (Susanna) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scenes XI-XIV. Recitativo "Perfida, e in quella forma meco mentia?" (Cherubino, Figaro, La Contessa) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pian pianin le andrò più presso" (Il Conte, Tutti) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Partito è alfin l'audace" (Il Conte, Tutti) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Tutto è tranquillo e placido" (Il Conte, Tutti) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pace pace, mio dolce tesoro" (Il Conte, Tutti) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Gente gente, all'armi all'armi!" (Il Conte, Tutti) | ||
492 | 492 | Le nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Questo giorno di tormenti" (Il Conte, Tutti) | ||
Zu 492 | Appendix | Some appendix works also have individual catalog numbers. Please use the below listing if your release is a full opera release. Otherwise, if it is a collection of various works, please use the regular catalog listings found elsewhere on this page. | ||
Zu 492 / Zu 579 | 579 | Anh | Le nozze di Figaro, K. 492: Act II, Scene II. Anhang. No. 13a Arietta "Un moto di gioia" (Susanna) [K. 579] | 1789-08 |
Zu 492 / Zu 577 | 577 | Anh | Le nozze di Figaro, K. 492: Act IV, Scene X. Anhang. No. 28a Rondo. Larghetto "Al desio di chi t'adora" (Susanna) [K. 577] | 1789-07 |
Zu 492 | 492 | Anh | Reduction for Soprano, Piano and Violin of Le nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino), K. Zu 492: Anhang. Allegro vivace | ? |
Zu 492 / Zu 579 | 579 | Anh | Reduction for Soprano and Piano of Le nozze di Figaro, K. Zu 492: Act II, Scene II. Anhang. No. 13a Arietta "Un moto di gioia" (Susanna) [K. 579], K. Zu 492 . Anhang. Allegretto moderato | ? |
Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major | ||||
493 | 493 | 1 | Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. 493: I. Allegro | 1786-06-03 |
493 | 493 | 2 | Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. 493: II. Larghetto | |
493 | 493 | 3 | Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. 493: III. Allegretto | |
*493 | Appendix | Most recordings will include the version of movement 3 above. | ||
*493 | *493 | 3 | Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. *493 / KV Anh 53 (first version): III. Allegretto | 1786 |
*493 | *493 | 3 | Quartet for Piano, Violin, Viola, and Cello No. 2 in E-flat major, K. *493 (final version): III. Allegretto | 1786-06-03 |
494a | deest | Concerto movement for Horn in E major, K. 494a / K3 Zu 386b / K2 Anh 98a / KV deest Fr 1785k NMA V/14/5 Anh II No. 3 (fragment): Allegro | Summer 1786 | |
Concerto for Horn No. 4 in E-flat major | ||||
495 | Caution: | There are three variations of movement I. All three can be found on releases. First, check whether yours is Allegro maestoso or Allegro moderato. If yours is Allegro moderato, or you see a reference to "André", you want listing 1B below. Otherwise, look for notes in the liner referring to a missing, extra, or deleted section, or a reference to "Clementiunum", Prague, or 229 measures. If any of these appears, you want listing 1C below. Otherwise, you want listing 1A below. | ||
495 | 495 | 1A | Concerto for French Horn No. 4 in E-flat major, K. 495 / KV deest (218 measures): I. Allegro maestoso | 1786-06-26 |
495 | 495 | 2 | Concerto for French Horn No. 4 in E-flat major, K. 495: II. Romance. Andante cantabile | |
495 | 495 | 3 | Concerto for French Horn No. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | |
495 | Appendix | There are three variations of movement I. | ||
495 | 495 | 1B | Concerto for French Horn No. 4 in E-flat major, K. Zu 495 / KV 495 NMA V/14/5 Anh III (175 measures): I. Allegro moderato | 1786-06-26 |
495 | 495 | 1C | Concerto for French Horn No. 4 in E-flat major, K. 496 + K. Zu 495 / KV deest (229 measures): I. Allegro maestoso | 1786-06-26 |
Symphony No. 38 for Orchestra in D major | ||||
504 | 504 | 1 | Symphony No. 38 for Orchestra in D major, K. 504 "Prague": I. Adagio - allegro | 1786-12-06 |
504 | 504 | 2 | Symphony No. 38 for Orchestra in D major, K. 504 "Prague": II. Andante | |
504 | 504 | 3 | Symphony No. 38 for Orchestra in D major, K. 504 "Prague": III. Presto | |
Ch'io mi scordi di te? Librettist: Unknown | ||||
505 | 505 | Recitative for Soprano, Piano and Orchestra in E-flat major, K. 505: Andantino - andante "Ch'io mi scordi di te?" | 1786-12-26 | |
Non temer, amato bene Librettist: Unknown | ||||
505 | 505 | Aria for Soprano, Piano and Orchestra in E-flat major, K. 505: Rondo. Andante "Non temer, amato bene" | 1786-12-26 | |
Lied der Freiheit: "Wer unter eines Mädchens Hand" Librettist: Johannes Aloys Blumauer | ||||
506 | 506 | Song for Solo Voice and Piano in F major, K. 506 "Lied der Freiheit": (no tempo indication). "Wer unter eines Mädchens Hand" | end of 1785 | |
507 | 507 | Canon for 3 Voices in 1 in F major, K. 507: Canon. "Heiterkeit und leichtes Blut" | 1786-06-03 | |
508 | 508 | Canon for 3 Voices in 1 in F major, K. 508: Canon. "Auf das Wohl aller Freunde" | 1786-06-03 | |
Canon in 3 Parts for 3 Female Voices in 1 in F major | ||||
508a | deest | Canon in 3 Parts for 3 Female Voices in 1 in F major, K. 508a / KV deest No. 1 "Canone a tre soprani": Canon. (3 Sopranos) | 1786-06-03 | |
508a | deest | Canon in 3 Parts for 3 Female Voices in 1 in F major, K. 508a / KV deest No. 2 "Canone a tre soprani": Canon. (3 Sopranos) | 1786-06-03 | |
14 Interval Canons | ||||
508a | Note: | The remainder of the 14 Interval Canons can be found listed at K. deest. | ||
508a | deest | 14 Interval Canons No. 4 for 2 in 1 in F major, K. 508a / KV deest No. 3 "Canoni in seconda di sotto": Canon | 1786-06-03 | |
508a | deest | 14 Interval Canons No. 6 for 2 in 1 in F major, K. 508a / KV deest No. 4 "Canoni in terza di sotto": Canon | 1786-06-03 | |
508a | deest | 14 Interval Canons No. 8 for 2 in 1 in F major, K. 508a / KV deest No. 5 "Canoni in quarta di sotto": Canon | 1786-06-03 | |
508a | deest | 14 Interval Canons No. 10 for 2 in 1 in F major, K. 508a / KV deest No. 6 "Canoni in quinta di sotto": Canon | 1786-06-03 | |
508a | deest | 14 Interval Canons No. 12 for 2 in 1 in F major, K. 508a / KV deest No. 7 "Canoni in sesta di sotto": Canon | 1786-06-03 | |
508a | deest | 14 Interval Canons No. 14 for 2 in 1 in F major, K. 508a / KV deest No. 8 "Canoni in settima di sotto": Canon | 1786-06-03 | |
508A | deest | Canon for 3 in 1 in C major, K. 508A / KV deest: Canon | 1786-06-03 | |
6 German Dances for Orchestra / Piano | ||||
509 | 509 | 6 German Dances for Orchestra in D major, K. 509 No. 1: German Dance & Alternativo | 1787-02-06 | |
509 | 509 | 6 German Dances for Orchestra in G major, K. 509 No. 2: German Dance & Alternativo | ||
509 | 509 | 6 German Dances for Orchestra in E-flat major, K. 509 No. 3: German Dance & Alternativo | ||
509 | 509 | 6 German Dances for Orchestra in F major, K. 509 No. 4: German Dance & Alternativo | ||
509 | 509 | 6 German Dances for Orchestra in A major, K. 509 No. 5: German Dance & Alternativo | ||
509 | 509 | 6 German Dances for Orchestra in C major, K. 509 No. 6: German Dance & Alternativo & Coda | ||
Zu 509 | Appendix | Piano Reduction version: 6 German Dances for Piano | ||
Zu 509 | 509 | Reduction for Piano of 6 German Dances for Orchestra in D major, K. Zu 509 NMA IX/27/2 No. 1: German Dance & Minore | 1787 | |
Zu 509 | 509 | Reduction for Piano of 6 German Dances for Orchestra in G major to C major, K. Zu 509 NMA IX/27/2 No. 2: German Dance & Minore | ||
Zu 509 | 509 | Reduction for Piano of 6 German Dances for Orchestra in E-flat major to B-flat major, K. Zu 509 NMA IX/27/2 No. 3: German Dance & Minore | ||
Zu 509 | 509 | Reduction for Piano of 6 German Dances for Orchestra in F major to C major, K. Zu 509 NMA IX/27/2 No. 4: German Dance & Minore | ||
Zu 509 | 509 | Reduction for Piano of 6 German Dances for Orchestra in A major to C major, K. Zu 509 NMA IX/27/2 No. 5: German Dance & Minore | ||
Zu 509 | 509 | Reduction for Piano of 6 German Dances for Orchestra in C major, K. Zu 509 NMA IX/27/2 No. 6: German Dance & Minore & Coda | ||
Zu 509 | Appendix | |||
Zu 509 | 509 | Reduction for Piano of 6 German Dances for Orchestra in D major, K. Zu 509 No. 1: German Dance & Minore | ? | |
Zu 509 | 509 | Reduction for Piano of 6 German Dances for Orchestra in G major, K. Zu 509 No. 2: German Dance & Minore | ||
Zu 509 | 509 | Reduction for Piano of 6 German Dances for Orchestra in E-flat major, K. Zu 509 No. 3: German Dance & Minore | ||
Zu 509 | 509 | Reduction for Piano of 6 German Dances for Orchestra in F major, K. Zu 509 No. 4: German Dance & Minore | ||
Zu 509 | 509 | Reduction for Piano of 6 German Dances for Orchestra in A major, K. Zu 509 No. 5: German Dance & Minore | ||
Zu 509 | 509 | Reduction for Piano of 6 German Dances for Orchestra in C major, K. Zu 509 No. 6: German Dance & Minore & Coda | ||
509a | 232 | Canon for 4 Voices in 1 in G major, K. 509a / KV 232: Canon. "Lieber Freistädtler, lieber Gaulimauli" | 1787-07-04 | |
511 | 511 | Rondo for Piano No. 3 in A minor, K. 511: Andante | 1787-03-11 | |
Alcandro, Io confesso Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
512 | 512 | Recitativo for Bass and Orchestra in F major, K. 512: Allegro molto - andante a tempo - tempo primo "Alcandro, Io confesso" | 1787-03-[18 or 19] | |
Non so d'onde viene Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
512 | 512 | Aria for Bass and Orchestra in F major, K. 512: Andante - allegretto - tempo primo "Non so d'onde viene" | 1787-03-[18 or 19] | |
Mentre ti lascio, oh figlia Librettist: Duca Sant' Angioli-Morbilli | ||||
513 | 513 | Aria for Bass and Orchestra in E-flat major, K. 513: Larghetto - allegro - più allegro "Mentre ti lascio, oh figlia" | 1787-03-23 | |
Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major | ||||
514a | Anh 80 | Movement for 2 Violins, 2 Violas, and Cello in B-flat major, K. 514a / Anh 80 Fr 1787j (122 measure fragment): (no tempo indication) | 1787 | |
514a | Anh 80 | Movement for 2 Violins, 2 Violas, and Cello in B-flat major, K. 514a / Anh 80 (Erik Smith completion): Allegro | ? | |
514a | Anh 80 | Movement for 2 Violins, 2 Violas, and Cello in B-flat major, K. 514a / Anh 80 (Franz Beyer completion): Allegro | ? | |
515 | 515 | 1 | Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: I. Allegro | 1787-04 |
515 | 515 | 2 | Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: II. Andante | |
515 | 515 | 3 | Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: III. Minuetto. Allegretto & Trio | |
515 | 515 | 4 | Quintet for 2 Violins, 2 Violas and Cello No. 3 in C major, K. 515: IV. Allegro | |
515a | Anh 87 | Movement for 2 Violins, 2 Violas, and Cello in F major, K. 515a / Anh 87 Fr 1791b (11 measure fragment): Andante | 1787-04 | |
515b | 228 | Double Canon for 4 Voices in 2 in F major, K. 515b / KV 228: Canon. "Ach! zu kurz ist unsers Lebens Lauf" | 1787-04-24 | |
515c | Anh 79 | Movement for 2 Violins, 2 Violas, and Cello in A minor, K. 515c / Anh 79 Fr 1791c (72 measure fragment): Allegro moderato | 1787-05 | |
515c | Anh 79 | Movement for 2 Violins, 2 Violas, and Cello in A minor, K. 515c / Anh 79 (Franz Beyer completion): Allegro moderato | ? | |
Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor | ||||
516 | 516 | 1 | Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: I. Allegro | 1787-05-16 |
516 | 516 | 2 | Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: II. Minuetto. Allegretto & Trio | |
516 | 516 | 3 | Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: III. Adagio ma non troppo | |
516 | 516 | 4 | Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: IV. Adagio - allegro | |
Zu 516 | Appendix | |||
Zu 516 | 516 | 3 | Reduction for Piano of Quintet for 2 Violins, 2 Violas and Cello No. 5 in G minor, K. 516: III. Adagio ma non troppo in C minor, K. Zu 516 (fragment) | ? |
516a | Anh 86 | Movement for 2 Violins, 2 Violas, and Cello in G minor, K. 516a / Anh 86 Fr 1787k (9.25 measure Violin I-only fragment): Rondo | 1787-05 | |
Quintet for 2 Violins, 2 Violas and Cello No. 2 in C minor | ||||
516b | Note: | K. 516b is an arrangement of Serenade No. 12 for Winds in C minor, K. 384a / 388 "Nacht musique" for string quintet. | ||
516b | 406 | 1 | Quintet for 2 Violins, 2 Violas and Cello No. 2 in C minor, K. 516b / 406: I. Allegro | spring 1787 to early 1788 |
516b | 406 | 2 | Quintet for 2 Violins, 2 Violas and Cello No. 2 in C minor, K. 516b / 406: II. Andante | |
516b | 406 | 3 | Quintet for 2 Violins, 2 Violas and Cello No. 2 in C minor, K. 516b / 406: III. Minuetto in canone & Trio in canone al roverscio | |
516b | 406 | 4 | Quintet for 2 Violins, 2 Violas and Cello No. 2 in C minor, K. 516b / 406: IV. Allegro | |
516e | Anh 89 | Rondo for Clarinet, 2 Violins, Viola, and Cello in E-flat major, K. 516e / KV Anh 89 Fr *1787y (7 measure fragment): Andante | ||
Die Alte: "Ein bißchen aus der Nase" Librettist: Friedrich von Hagedorn | ||||
517 | 517 | Song for Solo Voice and Piano in E minor, K. 517 Fr 1787w (fragment) "Die Alte": (no tempo indication). "Ein bißchen aus der Nase" | 1787-05-18 | |
Die Verschweigung: "Sobald Damötas Chloen sieht" Librettist: Christian Felix Weiße | ||||
518 | 518 | Song for Solo Voice and Piano in F major, K. 518 Fr 1787x (Johann Anton André completion) "Die Verschweigung": (no tempo indication). "Sobald Damötas Chloen sieht" | 1787-05-20 | |
Das Lied der Trennung: "Die Engel Gottes weinen" Librettist: Klamer Eberhard Karl Schmidt | ||||
519 | 519 | Song for Solo Voice and Piano in F minor, K. 519 "Das Lied der Trennung": Langsam. "Die Engel Gottes weinen" | 1787-05-23 | |
Als Luise die Briefe ihres ungetruen Liebhabers verbrannte: "Erzeugt von heißer Phantasie" Librettist: Gabriele von Baumberg | ||||
520 | 520 | Song for Solo Voice and Piano in C minor, K. 520 "Als Luise die Briefe ihres ungetruen Liebhabers verbrannte": Andante. "Erzeugt von heißer Phantasie" | 1787-05-26 | |
Abendempfindung an Laura: "Abend ist's, die Sonne ist verschwunden" Librettist: Unknown | ||||
523 | 523 | Song for Solo Voice and Piano in F major, K. 523 "Abendempfindung an Laura": Andante. "Abend ist's, die Sonne ist verschwunden" | 1787-06-24 | |
An Chloe: "Wenn die Lieb’ aus deinen blauen, hellen, offnen Augen sieht" Librettist: Johann Georg Jacobi | ||||
524 | 524 | Song for Solo Voice and Piano in E-flat major, K. 524 "An Chloe": Allegretto. "Wenn die Lieb’ aus deinen blauen, hellen, offnen Augen sieht" | 1787-06-24 | |
525 | Note: | Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik" was composed with 5 movements; the missing minuet would have been the first movement. | ||
525 | Lost | Lost Work: Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Minuet | ||
Il dissoluto punito, ossia il Don Giovanni | ||||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - Allegro molto | 1787-10-28 | |
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene II. Recitativo "Leporello, ove sei?" (Don Giovanni, Leporello) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene II. Recitativo "Ah del padre in periglio" (Donna Anna, Don Ottavio) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Recitativo accompagnato "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. Recitativo "Chi è la? Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VI. Recitativo "In questa forma dunque" (Donna Elvira) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. Recitativo "Manco male e partita" (Don Giovanni, Leporello, Zerlina) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XII. Recitativo "Ah ti ritrovo ancor" (Donna Elvira) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XII. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XII. Recitativo "Povera sventurata!" (Don Giovanni) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Recitativo "Come mai cerder deggio" (Don Giovanni) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Pace, pace, o vita mia" (Zerlina) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XVII. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVIII. No. 13 Finale "Tra quest' arbori celata" (Zerlina, Don Giovanni, Masetto, Coro) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVIII-XIV. No. 13 Finale "Sì core, fate core" (Donna Anna, Donna Elvira, Don Ottavio, Zerlina, Don Giovanni, Leporello, Masetto, Coro) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XIX. No. 13 Finale "Signor guardate un poco" (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni, Leporello) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIX. No. 13 Finale "Protegga il giusto cielo" (Donna Anna, Donna Elvira, Don Ottavio, Leporello) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Da bravi, via, ballate!" (Donna Anna, Donna Elvira, Don Ottavio, Leporello) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Soccorriamo l'innocente!" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Trema, trema, o scellerato!" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Sul tuo capo in questo giorno" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. Recitativo "Leporello! Signore?" (Don Giovanni, Leporello) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Recitativo "Eccomi a voi!" (Donna Elvira, Don Giovanni, Leporello) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. Recitativo "V'è gente alla finestra" (Don Giovanni, Masetto) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. Recitativo "Non ci stanchiamo" (Don Giovanni, Masetto) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. Recitativo "Ahi ahi! la testa mia" (Masetto, Zerlina) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Ah, ah, ah, ah, questa e buona" (Don Giovanni, Leporello) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Di rider finirai pria dell'aurora." (Don Ottavio) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Chi ha parlato?" (Don Giovanni) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Ribaldo, audace" (Don Giovanni, Leporello, Il Commendatore) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Sarà qualcun di fuori che si burla" (Don Giovanni, Leporello) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Recitativo accompagnato "Crudele! - Ah no, mio bene!" (Donna Anna) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Rondo "Non mi dir, bell'idol mio" (Donna Anna) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Ah, si segua il suo passo" (Don Ottavio) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIII. No. 24 Finale "Già la mensa e preparata" (Don Giovanni, Leporello, Donna Elvira) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIV. No. 24 Finale "L'ultima prova dell'amor mio" (Don Giovanni, Leporello, Donna Elvira) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIV. No. 24 Finale "Ah signor ... per carità!" (Don Giovanni, Leporello) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Oimè! che gelo è questo mai?" (Il Commendatore, Don Giovanni) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Da qual tremore insolito..." (Don Giovanni, Leporello, Coro) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro) | ||
527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scenes XV-Ultima. No. 24 Finale "Questo è il fin di chi fa mal" (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto) | ||
Zu 527 | Appendix | Some appendix works also have individual catalog numbers. Please use the below listing if your release is a full opera release. Otherwise, if it is a collection of various works, please use the regular catalog listings found elsewhere on this page. | ||
527 | 527 | Anh | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Anhang. No. 10a Aria "Dalla sua pace" (Don Ottavio) [K. 540a] | 1788-04-24 |
527 | 527 | Anh | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. Anhang. Recitativo "Ah pietà... compassion" (Leporello, Don Ottavio) | ? |
527 | 527 | Anh | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xa. Anhang. No. 21a Recitativo "Restati qua" (Zerlina, Leporello) | 1788-04-24 |
527 | 527 | Anh | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xa. Anhang. No. 21a Duetto "Per queste tue manine" (Zerlina, Leporello) [K. 540b] | 1788-04-24 |
527 | 527 | Anh | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xb. Anhang. Recitativo "Amico, per pietà" (Leporello) | ? |
527 | 527 | Anh | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xc. Anhang. Recitativo "Andiam, andiam, signora" (Zerlina, Donna Elvira, Masetto) | ? |
527 | 527 | Anh | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Recitativo accompagnato "In quali eccessi, o Numi" (Donna Elvira) [540c/1] | 1788-04-30 |
527 | 527 | Anh | Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Aria "Mi tradi quell'alma ingrata" (Donna Elvira) [540c/2] | 1788-04-30 |
527 | Note: | Capitalization is correct for the next line. This appendix work picks up mid-sentence. | ||
Zu 527 | 527 | Anh | Il dissoluto punito, ossia il Don Giovanni, K. Zu 527: Act II, Scene XI. Anhang. Scene "birbo! Ah siete voi?" (Leporello, Don Giovanni) | ? |
Zu 527 | 527 | Anh | Il dissoluto punito, ossia il Don Giovanni, K. Zu 527: Act II, Scene Ultima. Anhang. Scene. Übergang für die gestrichenen (Measures 689-749) (Donna Anna, Zerlina, Donna Elvira, Don Ottavio, Masetto) | ? |
Zu 527 | Note: | Most recordings of the Don Giovanni overture are the above one, not the below one. All recordings of the overture, when accompaning the opera, are the above one. Only if the overture is recorded as a stand-alone symphonic movement might the below version apply. If your recording is from 1978 or before, it is definitely the above version. If you still think it might possibly be the below version, look for some indication on your liner, "alternative ending", "concert ending", or "concert version". | ||
Zu 527 | 527 | Il dissoluto punito, ossia il Don Giovanni, K. Zu 527 NMA IV/11/10 (concert version): Ouverture. Andante - allegro molto | 1788 | |
Bella mia fiamma, addio! Librettist: D. Michele Sarcone | ||||
528 | 528 | Recitative for Soprano and Orchestra in C major, K. 528: Andante "Bella mia fiamma, addio!" | 1787-11-03 | |
Resta, oh cara! Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
528 | 528 | Aria for Soprano and Orchestra in C major, K. 528: Andante - allegro "Resta, oh cara!" | 1788-03-04 | |
Des kleinen Friedrichs Geburtstag: "Es war einmal, ihr Leute" Librettist: Eberhard Friedrich Schall / Libretto (final verse): Joachim Heinrich Campe | ||||
529 | 529 | Song for Solo Voice and Piano in F major, K. 529 "Des kleinen Friedrichs Geburtstag": (no tempo indication). "Es war einmal, ihr Leute" | 1787-11-06 | |
Das Traumbild: "Wo bist du, Bild" Librettist: Ludwig Heinrich Christoph Hölty | ||||
530 | 530 | Song for Solo Voice and Piano in E-flat major, K. 530 "Das Traumbild": (no tempo indication). "Wo bist du, Bild" | 1787-11-06 | |
Die kleine Spinnerin: "Was spinnst du?" Librettist: Unknown | ||||
531 | 531 | Song for Solo Voice and Piano in C major, K. 531 "Die kleine Spinnerin": Lebhaft. "Was spinnst du?" | 1787-12-11 | |
532 | Note: | Note: If you have a recording of "K. 532" arranged for 2 Sopranos and Piano, with libretto by Pietro Metastasio, please note that it is NOT K. 532. It is the original Canzonetta, by Michael Kelly. Wolfgang Amadeus Mozart only arranged that work. He did not compose it. A later (1825) version, also by Michael Kelly, is a different arrangment, this time by Michael Kelly, not Wolfgang Amadeus Mozart. That version, too, is not K. 532. K. 532 has no text. | ||
Grazie agl'inganni tuoi | ||||
532 | 532 | Untexted Draft of Tafelmusiik Trio for 3 Voices, Flute, 2 Clarinets, Bassoon, Horn, and Bass of Michael Kelly: La Libertà a Nice: Canzonetta "Grazie agl'inganni tuoi" in B-flat major, K. 532 Fr 1784k Skb 1787β (1) (fragment): (no tempo indication). (Soprano, Tenor, Bass) "Grazie agl'inganni tuoi" | 1787 | |
534 | 534 | Lost Work: Contredanse for Orchestra in D major, K. 534 "Das Donnerwetter": Contredanse | 1788-01-14 | |
Zu 534 | Appendix | |||
Zu 534 | 534 | Reduction for Piano of Contredanse for Orchestra in D major, K. Zu 534 (version a) "Das Donnerwetter": Contredanse | 1788-01-14 | |
Zu 534 | 534 | Reduction for Piano of Contredanse for Orchestra in D major, K. Zu 534 (version b) "Das Donnerwetter": Contredanse | 1788-01-14 | |
Zu 534 | Caution: | Pay special attention if you have an Orchestral version of K. 534. If it is orchestrated for Picciolo, 2 Clarinets, Trumpet, Drum and Strings, it is the Erik Smith orchestration (from the piano reduction). If your recording predates the 1980's, it is the Erik Smith orchestration. If your liner notes mention a Budapest score and/or the orchestration includes 2 violins, 2 oboes, and 2 horns, it is the "La Tempeté" version. Finally, if you do have a "La Tempeté" version, and it includes flutes and/or drums, it is a completion based on the "La Tempeté" version, and will need to be added to this listing. (Don't just use the "La Tempeté" that is listed here!) | ||
Zu 534 | 534 | Contredanse for Orchestra in D major, K. Zu 534 "La Tempeté": Contredanse | ? | |
534 | 534 | Contredanse for Orchestra in D major, K. 534 (Erik Smith orchestration) "Das Donnerwetter": Contredanse | ? | |
535 | 535 | Contredanse for Orchestra in C major, K. 535 "La Bataille": Parte Ima & Parte IIda & Parte IIIza & Parte IVta & Marcia turca | 1788-01-23 | |
Zu 535 | Appendix | Your version is almost certainly the non-Zu version. If your version includes a cello and piccolo flute in the instrumentation, and does not include a piccolo trumpet, it is the non-Zu version. If it does not include a cello and piccolo flute, and includes a piccolo trumpet, it is the Zu version. | ||
Zu 535 | 535 | Contredanse for Orchestra in C major, K. Zu 535 "La Bataille": Contredanse | ? | |
3 Contredanses for Orchestra | ||||
535a | deest | 3 Contredanses for Orchestra in A major, K. 535a / deest No. 1 (doubtful): Contredanse | 1788 | |
535a | deest | 3 Contredanses for Orchestra in G major, K. 535a / deest No. 2 (doubtful): Contredanse | ||
535a | deest | 3 Contredanses for Orchestra in G major, K. 535a / deest No. 3 (doubtful): Contredanse | ||
535b | Anh 107 | Contredanse for Orchestra in B-flat major, K. 535b / Anh 107 (fragment) Fr 1789e: Contredanse | 1790 or 1791 | |
535b | Anh 107 | Contredanse for Orchestra in B-flat major, K. 535b / Anh 107 (Erik Smith completion): Contredanse | ? | |
12 German Dances for Orchestra | ||||
536 / 567 | Note: | This work is split in the Köchel catalog. The other half of this work is listed under K. 567. | ||
536 / 567 | Caution: | If you are entering a release which uses NMA work numbers instead of Köchel catalog numbers, note that these twelve works are not numbered the same in the NMA catalog. NMA Nos. 1-5 are Köchel Nos. 1-5, NMA Nos. 6-10 are Köchel Nos. 7-11, NMA No. 11 is Köchel No. 6, and NMA No. 12 is Köchel No. 12. | ||
536 | 536 | 12 German Dances for Orchestra in C major, K. 536 No. 1: German Dance & Trio | 1788-01-27 | |
536 | 536 | 12 German Dances for Orchestra in G major, K. 536 No. 2: German Dance & Trio | ||
536 | 536 | 12 German Dances for Orchestra in B-flat major, K. 536 No. 3: German Dance & Trio | ||
536 | 536 | 12 German Dances for Orchestra in D major, K. 536 No. 4: German Dance & Trio | ||
536 | 536 | 12 German Dances for Orchestra in F major, K. 536 No. 5: German Dance & Trio | ||
536 | 536 | 12 German Dances for Orchestra in B-flat major, K. 536 No. 6: German Dance & Trio | ||
Ah se in ciel, benigne stelle Librettist: Metastasio (A.K.A. Pietro Antonio Domenico Trapassi) | ||||
538 | 538 | Aria for Soprano and Orchestra in F major, K. 538: Allegro "Ah se in ciel, benigne stelle" | 1788-03-04 | |
Ich möchte wohl der Kaiser sein Librettist: Johann Wilhelm Ludwig Gleim | ||||
539 | 539 | German War Song for Bass and Orchestra in A major, K. 539: Allegro "Ich möchte wohl der Kaiser sein" | 1788-03-05 | |
540 | 540 | Adagio for Piano in B minor, K. 540: Adagio | 1788-03-19 | |
Un bacio di mano Librettist: Lorenzo Da Ponte | ||||
541 | 541 | Arietta for Bass and Orchestra in F major, K. 541: Allegretto "Un bacio di mano" | 1788-06 | |
Symphony No. 39 for Orchestra in E-flat major | ||||
543 | 543 | 1 | Symphony No. 39 for Orchestra in E-flat major, K. 543: I. Adagio - allegro | 1788-06-26 |
543 | 543 | 2 | Symphony No. 39 for Orchestra in E-flat major, K. 543: II. Andante con moto | |
543 | 543 | 3a | Symphony No. 39 for Orchestra in E-flat major, K. 543: IIIa. Minuetto. Allegretto | |
543 | 543 | 3b | Symphony No. 39 for Orchestra in E-flat major, K. 543: IIIb. Trio Da capo | |
543 | 543 | 4 | Symphony No. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro | |
544 | 544 | Lost | Lost Work: Little March in D major for chamber setting (complete) | 1788-06-26 |
Adagio and Fugue for String Quartet in C minor | ||||
546 | 546 | 1 | Adagio and Fugue for String Quartet in C minor, K. 546: I. Adagio | 1788-06-26 |
546 | 546 | 2 | Adagio and Fugue for String Quartet in C minor, K. 546: II. Fuga. Allegro | |
Più non si trovano Librettist: Pietro Metastasio | ||||
549 | 549 | Canzonetta for 3 Voices and 3 Basset Horns in B-flat major, K. 549: Andante. (2 Sopranos, Bass) "Più non si trovano" | 1788-07-16 | |
Symphony No. 40 for Orchestra without clarinets in G minor "Great" | ||||
550 | 550 | 1 | Symphony No. 40 for Orchestra without clarinets in G minor , K. 550 "Great": I. Allegro molto | 1788-06-25 |
550 | 550 | 2 | Symphony No. 40 for Orchestra without clarinets in G minor , K. 550 "Great": II. Andante | |
550 | 550 | 3a | Symphony No. 40 for Orchestra without clarinets in G minor , K. 550 "Great": IIIa. Minuetto. Allegretto | |
550 | 550 | 3b | Symphony No. 40 for Orchestra without clarinets in G minor , K. 550 "Great": IIIb. Trio & IIIa. Minuetto. Allegretto | |
550 | 550 | 4 | Symphony No. 40 for Orchestra without clarinets in G minor , K. 550 "Great": IV. Allegro assai | |
Symphony No. 40 in G minor with clarinets | ||||
550 | 550 | 1 | Symphony No. 40 for Orchestra with clarinets in G minor, K. 550 "Great": I. Allegro molto | some time between 1781 and 1791 |
550 | 550 | 2 | Symphony No. 40 for Orchestra with clarinets in G minor, K. 550 "Great": II. Andante | |
550 | 550 | 3a | Symphony No. 40 for Orchestra with clarinets in G minor, K. 550 "Great": IIIa. Minuetto. Allegretto | |
550 | 550 | 3b | Symphony No. 40 for Orchestra with clarinets in G minor, K. 550 "Great": IIIb. Trio & IIIa. Minuetto. Allegretto | |
550 | 550 | 4 | Symphony No. 40 for Orchestra with clarinets in G minor, K. 550 "Great": IV. Allegro assai | |
Symphony No. 41 in C major | ||||
551 | 551 | 1 | Symphony No. 41 for Orchestra in C major, K. 551 "Jupiter": I. Allegro vivace | 1788-08-10 |
551 | 551 | 2 | Symphony No. 41 for Orchestra in C major, K. 551 "Jupiter": II. Andante cantabile | |
551 | 551 | 3a | Symphony No. 41 for Orchestra in C major, K. 551 "Jupiter": IIIa. Minuetto. Allegretto | |
551 | 551 | 3b | Symphony No. 41 for Orchestra in C major, K. 551 "Jupiter": IIIb. Trio & IIIa. Minuetto. Allegretto | |
551 | 551 | 4 | Symphony No. 41 for Orchestra in C major, K. 551 "Jupiter": IV. Allegro molto | |
Leid beim Auszugin in das Feld: "Dem hohen Kaiserworte treu" Librettist: Unknown | ||||
552 | 552 | Song for Solo Voice and Piano in A major, K. 552 "Leid beim Auszugin in das Feld": Mit Würde. "Dem hohen Kaiserworte treu" | 1788-08-11 | |
553 | 553 | Canon for 3 Voices in 1 in C major, K. 553: Allegro. "Alleluia" | 1888-09-02 | |
554 | 554 | Canon for 4 Voices in 1 in F major, K. 554: Andante. "Ave Maria" | 1888-09-02 | |
555 | 555 | Canon for 4 Voices in 1 in A minor, K. 555: Adagio. "Lacrimoso son'io" | 1888-09-02 | |
556 | 556 | Canon for 4 Voices in 1 in G major, K. 556: Allegretto. "Grechtelt's enk" | 1888-09-02 | |
557 | 557 | Canon for 4 Voices in 1 in F minor, K. 557: Adagio. "Nascoso è il mio sol" | 1888-09-02 | |
558 | 558 | Canon for 4 Voices in 1 in B-flat major, K. 558: Allegro. "Gehn wir im Prater, gehn wir in d'Hetz" | 1888-09-02 | |
559 | 559 | Canon for 3 Voices in 1 in F major, K. 559: Canon. "Difficile lectu mihi mars" | 1888-09-02 | |
559a | deest | Canon for 4 Voices in 1 in F major, K. 559a / K3 560a / KV deest: Canon. "O du eselhafter Peierl" | some point between 1785 and 1787 | |
560 | 560 | Canon for 4 Voices in 1 in F major, K. 560: Canon. "O du eselhafter Martin (Jakob) " | 1888-09-02 | |
561 | 561 | Canon for 4 Voices in 1 in A major, K. 561: Canon. "Bona nox! bist a rechta Ox" | 1888-09-02 | |
562 | 562 | Canon for 3 Voices in 1 in A major, K. 562: Canon. "Caro bell'idol mio" | 1888-09-02 | |
562a | deest | Canon for 4 in 1 in B-flat major, K. 562a / KV deest: Canon | ? | |
562c | Anh 191 | Canon for 4 Instruments in 1 in C major, K. 562c / KV Anh 191: Canon | ? | |
565 | 565 | Lost | Lost Work: 2 Contredances | 1788-10-30 |
565a | Note: | This contredanse is based on themes from an opera by Pasquale Anfossi, "La forza delle donne". | ||
565a | Caution: | This contredanse was scored for 2 Violins, Bass, Flute, Oboe, Bassoon and 2 Horns. All that has survived until recently is the second violin part. A 53 measure fully scored fragment surfaced in December 2005. If your release was recorded after December 2005, please make sure you select the correct K. 605a listing. | ||
565a | deest | Contredanse for Orchestra (on Violin) in D major, K. 565a / deest (violin II only fragment): Contredanse | ? | |
565a | deest | Contredanse for Orchestra in D major, K. 565a / deest (53 measure fragment): Contredanse | ? | |
565a | deest | Contredanse for Orchestra in D major, K. 565a / deest (Erik Smith completion): Contredanse | ? | |
12 German Dances for Orchestra | ||||
536 / 567 | Note: | This work is split in the Köchel catalog. The other half of this work is listed under K. 536. | ||
536 / 567 | Caution: | If you are entering a release which uses NMA work numbers instead of Köchel catalog numbers, note that these twelve works are not numbered the same in the NMA catalog. NMA Nos. 1-5 are Köchel Nos. 1-5, NMA Nos. 6-10 are Köchel Nos. 7-11, NMA No. 11 is Köchel No. 6, and NMA No. 12 is Köchel No. 12. | ||
567 | 567 | 12 German Dances for Orchestra in E-flat major, K. 567 No. 7: German Dance & Trio | 1788-12-06 | |
567 | 567 | 12 German Dances for Orchestra in G major, K. 567 No. 8: German Dance & Trio | ||
567 | 567 | 12 German Dances for Orchestra in D major, K. 567 No. 9: German Dance & Trio | ||
567 | 567 | 12 German Dances for Orchestra in A major, K. 567 No. 10: German Dance & Trio | ||
567 | 567 | 12 German Dances for Orchestra in F major, K. 567 No. 11: German Dance & Trio | ||
567 | 567 | 12 German Dances for Orchestra in C major, K. 567 No. 12: German Dance & Trio & Coda | ||
12 Minuets for Orchestra | ||||
568 | 568 | 12 Minuets for Orchestra in C major, K. 568 No. 1: Minuet & Trio | 1788-12-24 | |
568 | 568 | 12 Minuets for Orchestra in F major, K. 568 No. 2: Minuet & Trio | ||
568 | 568 | 12 Minuets for Orchestra in B-flat major, K. 568 No. 3: Minuet & Trio | ||
568 | 568 | 12 Minuets for Orchestra in E-flat major, K. 568 No. 4: Minuet & Trio | ||
568 | 568 | 12 Minuets for Orchestra in G major, K. 568 No. 5: Minuet & Trio | ||
568 | 568 | 12 Minuets for Orchestra in D major, K. 568 No. 6: Minuet & Trio | ||
568 | 568 | 12 Minuets for Orchestra in A major, K. 568 No. 7: Minuet & Trio | ||
568 | 568 | 12 Minuets for Orchestra in F major, K. 568 No. 8: Minuet & Trio | ||
568 | 568 | 12 Minuets for Orchestra in B-flat major, K. 568 No. 9: Minuet & Trio | ||
568 | 568 | 12 Minuets for Orchestra in D major, K. 568 No. 10: Minuet & Trio | ||
568 | 568 | 12 Minuets for Orchestra in G major, K. 568 No. 11: Minuet & Trio | ||
568 | 568 | 12 Minuets for Orchestra in C major, K. 568 No. 12: Minuet & Trio | ||
569 | 569 | Lost | Lost Work: Aria for Soprano “Ohne Zwang aus eignem Triebe” | 1789-01 |
6 German Dances for Orchestra | ||||
571 | 571 | 6 German Dances for Orchestra in D major, K. 571 No. 1: German Dance & Trio | 1789-02-21 | |
571 | 571 | 6 German Dances for Orchestra in A major, K. 571 No. 2: German Dance & Trio | ||
571 | 571 | 6 German Dances for Orchestra in C major, K. 571 No. 3: German Dance & Trio | ||
571 | 571 | 6 German Dances for Orchestra in G major, K. 571 No. 4: German Dance & Trio | ||
571 | 571 | 6 German Dances for Orchestra in B-flat major, K. 571 No. 5: German Dance & Trio | ||
571 | 571 | 6 German Dances for Orchestra in D major, K. 571 No. 6: German Dance & Trio & Coda | ||
571a | Anh 5 | Humorous Quartet for 4 voices in E-flat major, K. 571a / KV Anh 5 Fr *1789j (fragment): (no tempo indication). (Soprano, 2 Tenors, Bass) "Caro mio Druck und Schluck" | 1789 | |
571a | Anh 5 | Humorous Quartet for 4 voices in E-flat major, K. 571a / KV Anh 5 (Erik Smith completion): (no tempo indication). (Soprano, 2 Tenors, Bass) "Caro mio Druck und Schluck" | 1789 | |
571a | Anh 5 | Humorous Quartet for 4 voices in E-flat major, K. 571a / KV Anh 5 (Theodor Veidl completion): (no tempo indication). (Soprano, 2 Tenors, Bass) "Caro mio Druck und Schluck" | 1789 | |
572a | Anh 4 | Lost | Lost Work: 6-part Double Canon | 1789-04-22 |
574 | 574 | Gigue for Piano in G major, K. 574 "Eine kleine Gigue": Allegro | 1789-05-16 | |
576a | Anh 34/2 | Minuet for Piano in D major, K. 576a / KV Anh 34/2 Fr 1786a [II] (8 measure fragment): Minuetto | ? | |
576a | Anh 34/2 | Minuet for Piano in D major, K. 576a / KV Anh 34/2 (Maximilian Stadler completion): Minuetto | ? | |
576b | Note: | Most recordings will be the Maximilian Stadler completion - yours is, unless it specifically mentions that it is a recording of the fragment only. | ||
576b | 355 | Minuet for Piano in D major, K. 576b / (K3) 594a / KV 355 Fr *178X/c (fragment): Minuetto | 1789 or 1790 | |
576b | 355 | Minuet for Piano in D major, K. 576b / (K3) 594a / KV 355 (Maximilian Stadler completion): Minuetto & Trio | ? | |
Alma grande e nobil core Librettist: Giuseppe Palomba | ||||
578 | 578 | Aria for Soprano and Orchestra in B-flat major, K. 578: Allegro "Alma grande e nobil core" | 1789-08 | |
Schon lacht der holde Fruhling Librettist: Unknown | ||||
580 | 580 | Aria for Soprano and Orchestra in B-flat major, K. 580 Fr 1789h (fragment): "Schon lacht der holde Fruhling" | 1789-09-17 | |
580 | 580 | Aria for Soprano and Orchestra in B-flat major, K. 580 (Erik Smith completion): "Schon lacht der holde Fruhling" | ? | |
Chi sà, chi sà, qual sia Librettist: Lorenzo Da Ponte | ||||
582 | 582 | Aria for Soprano and Orchestra in C major, K. 582: Andante "Chi sà, chi sà, qual sia" | 1789-10 | |
Vado, ma dove? oh Dei! Librettist: Lorenzo Da Ponte | ||||
583 | 583 | Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto "Vado, ma dove? oh Dei!" | 1789-10 | |
584 | 584 | See the appendix to Così fan tutte ossia La scuola degli amanti. | ? | |
12 Minuets for Orchestra | ||||
585 | 585 | 12 Minuets for Orchestra in D major, K. 585 No. 1: Minuet & Trio | 1789-12 | |
585 | 585 | 12 Minuets for Orchestra in F major, K. 585 No. 2: Minuet & Trio | ||
585 | 585 | 12 Minuets for Orchestra in B-flat major, K. 585 No. 3: Minuet & Trio | ||
585 | 585 | 12 Minuets for Orchestra in E-flat major, K. 585 No. 4: Minuet & Trio | ||
585 | 585 | 12 Minuets for Orchestra in G major, K. 585 No. 5: Minuet & Trio | ||
585 | 585 | 12 Minuets for Orchestra in C major, K. 585 No. 6: Minuet & Trio | ||
585 | 585 | 12 Minuets for Orchestra in A major, K. 585 No. 7: Minuet & Trio | ||
585 | 585 | 12 Minuets for Orchestra in F major, K. 585 No. 8: Minuet & Trio | ||
585 | 585 | 12 Minuets for Orchestra in B-flat major, K. 585 No. 9: Minuet & Trio | ||
585 | 585 | 12 Minuets for Orchestra in E-flat major, K. 585 No. 10: Minuet & Trio | ||
585 | 585 | 12 Minuets for Orchestra in G major, K. 585 No. 11: Minuet & Trio | ||
585 | 585 | 12 Minuets for Orchestra in G major, K. 585 No. 12: Minuet & Trio | ||
12 German Dances for Orchestra | ||||
586 | 586 | 12 German Dances for Orchestra in C major, K. 586 No. 1: German Dance & Trio | 1789-12 | |
586 | 586 | 12 German Dances for Orchestra in G major, K. 586 No. 2: German Dance & Trio | ||
586 | 586 | 12 German Dances for Orchestra in B-flat major, K. 586 No. 3: German Dance & Trio | ||
586 | 586 | 12 German Dances for Orchestra in F major, K. 586 No. 4: German Dance & Trio | ||
586 | 586 | 12 German Dances for Orchestra in A major, K. 586 No. 5: German Dance & Trio | ||
586 | 586 | 12 German Dances for Orchestra in D major, K. 586 No. 6: German Dance & Trio | ||
586 | 586 | 12 German Dances for Orchestra in G major, K. 586 No. 7: German Dance & Trio | ||
586 | 586 | 12 German Dances for Orchestra in E-flat major, K. 586 No. 8: German Dance & Trio | ||
586 | 586 | 12 German Dances for Orchestra in B-flat major, K. 586 No. 9: German Dance & Trio | ||
586 | 586 | 12 German Dances for Orchestra in F major, K. 586 No. 10: German Dance & Trio | ||
586 | 586 | 12 German Dances for Orchestra in A major, K. 586 No. 11: German Dance & Trio | ||
586 | 586 | 12 German Dances for Orchestra in C major, K. 586 No. 12: German Dance & Trio & Coda | ||
587 | 587 | Contredanse for Orchestra in C major, K. 587 "Der Sieg vom Helden Koburg": Allegretto | 1789-12 | |
Così fan tutte Librettist: Lorenzo Da Ponte | ||||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Ouvertura. Andante | Fall 1789 to January 1990 | |
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene I No. 1 Terzetto. Allegro "La mia Dorabella capace non è" (Ferrando, Guglielmo, Don Alfonso) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene I Recitativo "Fuor la spada" (Ferrando, Guglielmo, Don Alfonso) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene I No. 2 Terzetto. Allegro "È la fede delle femmine" (Ferrando, Guglielmo, Don Alfonso) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene I Recitativo "Scioccherie di poeti!" (Ferrando, Guglielmo, Don Alfonso) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene I No. 3 Terzetto. Allegro "Una bella serenata" (Ferrando, Guglielmo, Don Alfonso) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene II No. 4 Duetto. Andante "Ah, guarda, sorella" (Fiordiligi, Dorabella) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene II Recitativo "Mi par che stamattina" (Fiordiligi, Dorabella) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene III No. 5 Aria. Allegro agitato "Vorrei dir, e cor non ho" (Don Alfonso) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene III Recitativo "Stelle! Per carità, signor Alfonso" (Fiordiligi, Dorabella, Don Alfonso) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene IV No. 6 Quintetto. Andante "Sento, oddio, che questo piede" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene IV Recitativo "Non piangere, idol mio" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene IV No. 7 Duettino. Andante "Al fato dàn legge" (Ferrando, Guglielmo) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene IV Recitativo "(La commedia è graziosa)" (Ferrando, Don Alfonso, Fiordiligi, Dorabella) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene V No. 8 Coro. Maestoso "Bella vita militar!" (Coro) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene V Recitativo "Non v'è più tempo, amici" (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene V No. 8a Quintetto. Andante "Di scrivermi ogni giorno" (Fiordiligi, Dorabella, Ferrando, Guglielmo, Don Alfonso) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene V No. 9 Coro. Maestoso "Bella vita militar!" (Coro) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene VI Recitativo "Dove son? Son partiti" (Don Alfonso, Fiordiligi, Dorabella) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene VI No. 10 Terzettino. Andante "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene VII Recitativo "Non son cattivo comico!" (Don Alfonso) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene VIII Recitativo "Nel mare solca" (Despina, Fiordiligi, Don Alfonso) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene VIII Recitativo "Che vita maledetta" (Despina, Fiordiligi, Dorabella) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene IX Recitativo. Allegro assai - maestoso "Ah, scostati!" (Dorabella) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene IX No. 11 Aria. Allegro agitato "Smanie implacabili che m'agitate" (Dorabella) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene IX Recitativo "Signora Dorabella, signora Fiordiligi" (Despina, Dorabella, Fiordiligi) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene IX No. 12 Aria. Allegretto "In uomini! In soldati" (Despina) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene X Recitativo "Che silenzio! Che aspetto di tristezza" (Don Alfonso, Despina) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XI No. 13 Sestetto. Allegro - allegro - allegro molto "Alla bella Despinetta" (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XI Recitativo "Che sussurro! Che strepito" (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XI Recitativo Allegretto - Allegro "Stelle! Sogno, o son desto?" (Fiordiligi, Don Alfonso, Guglielmo, Despina, Dorabella) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XI No. 14 Aria. Andante maestoso - più allegro "Come scoglio immoto resta" (Fiordiligi) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XI Recitativo "Ah non partite!" (Don Alfonso, Ferrando, Guglielmo, Fiordiligi, Dorabella) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XI No. 15 Aria. Andantino "Non siate ritrosi" (Guglielmo) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XII No. 16 Terzetto. Allegro molto "E voi ridete?" (Don Alfonso, Ferrando, Guglielmo) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XII Recitativo "Si può sapere un poco" (Don Alfonso, Ferrando, Guglielmo) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XII No. 17 Aria. Andante cantabile "Un'aura amorosa" (Ferrando) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XIII Recitativo "Oh la saria da ridere" (Don Alfonso, Despina) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XIV No. 18 Finale. Andante "Ah, che tutta in un momento" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XV No. 18 Finale. Allegro "Si mora sì, si mora" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XV No. 18 Finale "Giacché a morir vicini" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XIVI No. 18 Finale. Allegro "Despina in maschera, che trista pelle!" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XIVI No. 18 Finale. Andante "Dove son! Che loco è questo!" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XIVI No. 18 Finale. Allegro "Dammi un bacio, o mio tesoro" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene I Recitativo "Andate là, che siete" (Despina, Firodiligi, Dorabella) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene I No.19 Aria. Andante "Una donna a quindici anni" (Despina) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene II Recitativo "Sorella, cosa dici?" (Firodiligi, Dorabella) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene II No. 20 Duetto. Andante "Prenderò quel brunettino" (Fiordiligi, Dorabella) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene III Recitativo "Ah correte al giardino" (Don Alfonso, Dorabella) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene IV No. 21 Duetto con Coro. Andante "Secondate, aurette amiche" (Ferrando, Guglielmo, Chor) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene IV Recitativo "II tutto deponete" (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene IV No. 22 "La mano a me date" (Don Alfonso, Ferrando, Guglielmo, Despina) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene V Recitativo "Oh che bella giornata!" (Fiordiligi, Ferrando, Dorabella, Guglielmo) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene V No. 23 Duetto "Il core vi dono, bell'idolo mio" (Dorabella, Guglielmo) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene VI Recitativo. Allegro - adagio "Barbara! Perché fuggi?" (Ferrando, Fiordiligi) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene VI No. 24 Allegretto - allegro "Ah lo veggio, quell'anima bella" (Ferrando) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene VII Recitativo. Allegretto "Ei parte... senti...! Ah no... partir si lasci" (Fiordiligi) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene VII No. 25 Rondò "Per pietà, ben mio, perdona" (Fiordiligi) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene VIII Recitativo "Amico, abbiamo vinto!" (Ferrando, Guglielmo) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene VIII No. 26 Aria. Allegretto "Donne mie, la fate a tanti" (Guglielmo) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene IX Recitativo. Allegro - andante "In qual fiero contrasto, in qual disordine" (Ferrando) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene IX No. 27 Cavatina "Tradito, schernito" (Ferrando) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene IX Recitativo "Bravo: questa è costanza" (Don Alfonso, Ferrando, Guglielmo) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene X Recitativo "Ora vedo che siete" (Despina, Dorabella, Fiordiligi) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene X No. 28 Aria. Allegretto vivace "È amore un ladroncello" (Dorabella) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XI Recitativo "Come tutto congiura" (Fiordiligi, Guglielmo, Despina, Don Alfonso) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XII No. 29 Duetto "Fra gli amplessi in pochi istanti" (Fiordiligi, Ferrando) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XIII Recitativo "Ah poveretto me! Cosa ho veduto!" (Guglielmo, Don Alfonso, Ferrando) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XII No. 30 Aria. Andante "Tutti accusan le donne" (Don Alfonso, Ferrando, Guglielmo) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XIV Recitativo "Vittoria, padroncini!" (Despina, Ferrando, Don Alfonso, Guglielmo) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XV No. 31 Finale. Allegro assai "Fate presto, oh cari amici" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XV No. 31 Finale. Allegro assai "Fate presto, o cari amici" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XVI No. 31 Finale. Andante "Benedetti i doppi coniugi" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XVI No. 31 Finale. Larghetto "E nel tuo, nel mio bicchiero" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XVII No. 31 Finale. Allegro "Miei signori, tutto è fatto" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XVII No. 31 Finale. Maestoso "Bella vita militar!" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XVII No. 31 Finale. Allegro "Misericordia! Numi del cielo!" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene Ultima No. 31 Finale. Andante "Sani e salvi agli amplessi" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene Ultima No. 31 Finale. Con più moto "Non signor; non è un notario" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene Ultima No. 31 Finale. Allegro "Giusto ciel! Voi qui scriveste" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene Ultima No. 31 Finale. Andante "Ah, signor, son rea di morte" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene Ultima No. 31 Finale. Allegretto - andante - allegretto "A voi s'inchina, bella damina" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene Ultima No. 31 Finale. Andante con moto "V'ingannai, ma fu l'inganno" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | ||
588 | 588 | Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene Ultima No. 31 Finale. Allegro molto "Fortunato l'uom che prende" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor) | ||
Zu 588 | Appendix | Only use the alternate aria for No. 15 or the alternate version of "Come tutto congiura" below if your release specifically identifies that they are being used instead of the standard ones above. (The No. 15 below was the original aria, which W.A. Mozart replaced with the above one.) | ||
584 | 584 | Così fan tutte ossia La scuola degli amanti, K. *584: Appendix. Act. I, Scene XI No. 15 Aria. Allegro (Bass) "Rivolgete a lui lo sguardo" (Guglielmo) | 1788-12 | |
Zu 588 | Zu 588 | Così fan tutte ossia La scuola degli amanti, K. *588: Appendix. Act II, Scene XI Recitativo "Come tutto congiura" (Fiordiligi, Guglielmo, Despina, Don Alfonso) [alternate version] | ? | |
592b | Anh 83 | Movement for 2 Violins, 2 Violas, and Cello in D major, K. 592b / Anh 83 Fr 1787u (18.25 measure fragment): (no tempo indication) | 1790 | |
Quintet for 2 Violins, 2 Violas and Cello No. 4 in D major | ||||
593 | 593 | 1 | Quintet for 2 Violins, 2 Violas and Cello No. 4 in D major, K. 593: I. Larghetto - allegro - larghetto - primo tempo | 1790-12 |
593 | 593 | 2 | Quintet for 2 Violins, 2 Violas and Cello No. 4 in D major, K. 593: II. Adagio | |
593 | 593 | 3 | Quintet for 2 Violins, 2 Violas and Cello No. 4 in D major, K. 593: III. Minuetto. Allegretto & Trio | |
593 | 593 | 4 | Quintet for 2 Violins, 2 Violas and Cello No. 4 in D major, K. 593: IV. Allegro | |
Zu 593 | Appendix | |||
Zu 593 | 593 | 3 | Quintet for 2 Violins, 2 Violas and Cello No. 4 in D major, K. Zu 593 (first version) (13.5 measure fragment): III. Trio (measures 14b-28) | ? |
593a | Anh 35 | Adagio for a Mechanical Organ in D minor, K. 593a / Anh 35 Fr 1790f (9 measure fragment): Adagio | end of 1790 | |
594 | 594 | Fantasia for Mechanical Organ in F minor, K. 594: Adagio - allegro - adagio | end of 1790 | |
Sehnsucht nach dem Frühling: "Komm, lieber Mai, und mache" Librettist: Christian Adolf Overbeck | ||||
596 | 596 | Song for Solo Voice and Piano in F major, K. 596 "Sehnsucht nach dem Frühling": Fröhlich. "Komm, lieber Mai, und mache" | 1791-01-14 | |
Der Frühling: "Erwacht zum neuen Leben" Librettist: Christian Chrisoph Sturm | ||||
597 | 597 | Song for Solo Voice and Piano in E-flat major, K. 597 "Der Frühling": Etwas langsam. "Erwacht zum neuen Leben" | 1791-01-14 | |
Das Kinderspiel: "Wir Kinder, wir schmecken der Freuden recht viel!" Librettist: Christian Adolf Overbeck | ||||
598 | 598 | Song for Solo Voice and Piano in A major, K. 598 "Das Kinderspiel": Munter. "Wir Kinder, wir schmecken der Freuden recht viel!" | 1791-01-14 | |
6 Minuets for Orchestra | ||||
599 | Caution: | If you are entering a release which uses NMA work numbers instead of Köchel catalog numbers, note that the NMA combines K. 599, K. K. 601, and K. K. 604. NMA Nos. 1-6 are Köchel K. 599 Nos. 1-6, NMA Nos. 7-10 are Köchel K. 601 Nos. 1-4, and NMA Nos. 11-12 are Köchel K. 604 Nos. 1-2. | ||
599 | 599 | 6 Minuets for Orchestra in C major, K. 599 No. 1: Minuet & Trio | 1791-01-23 | |
599 | 599 | 6 Minuets for Orchestra in G major, K. 599 No. 2: Minuet & Trio | ||
599 | 599 | 6 Minuets for Orchestra in E-flat major, K. 599 No. 3: Minuet & Trio | ||
599 | 599 | 6 Minuets for Orchestra in B-flat major, K. 599 No. 4: Minuet & Trio | ||
599 | 599 | 6 Minuets for Orchestra in F major, K. 599 No. 5: Minuet & Trio | ||
599 | 599 | 6 Minuets for Orchestra in D major, K. 599 No. 6: Minuet & Trio | ||
6 German Dances for Orchestra | ||||
600 | Caution: | If you are entering a release which uses NMA work numbers instead of Köchel catalog numbers, note that the NMA combines K. 600, K. K. 602, and K. K. 605. NMA Nos. 1-6 are Köchel K. 600 Nos. 1-6, NMA Nos. 7-10 are Köchel K. 602 Nos. 1-4, and NMA Nos. 11-13 are Köchel K. 605 Nos. 1-3. | ||
600 | 600 | 6 German Dances for Orchestra in C major, K. 600 No. 1: German Dance & Trio | 1791-01-29 | |
600 | 600 | 6 German Dances for Orchestra in F major, K. 600 No. 2: German Dance & Trio | ||
600 | 600 | 6 German Dances for Orchestra in B-flat major, K. 600 No. 3: German Dance & Trio | ||
600 | 600 | 6 German Dances for Orchestra in E-flat major, K. 600 No. 4: German Dance & Trio | ||
600 | 600 | 6 German Dances for Orchestra in G major, K. 600 No. 5: German Dance & Trio | ||
600 | 600 | 6 German Dances for Orchestra in D major, K. 600 No. 6: German Dance & Trio | ||
4 Minuets for Orchestra | ||||
601 | Caution: | If you are entering a release which uses NMA work numbers instead of Köchel catalog numbers, note that the NMA combines K. 599, K. K. 601, and K. K. 604. NMA Nos. 1-6 are Köchel K. 599 Nos. 1-6, NMA Nos. 7-10 are Köchel K. 601 Nos. 1-4, and NMA Nos. 11-12 are Köchel K. 604 Nos. 1-2. | ||
601 | 601 | 4 Minuets for Orchestra in A major, K. 601 No. 1: Minuet & Trio | 1791-02-05 | |
601 | 601 | 4 Minuets for Orchestra in C major, K. 601 No. 2: Minuet & Trio | ||
601 | 601 | 4 Minuets for Orchestra in G major, K. 601 No. 3: Minuet & Trio | ||
601 | 601 | 4 Minuets for Orchestra in D major, K. 601 No. 4: Minuet & Trio | ||
4 German Dances for Orchestra | ||||
602 | Caution: | If you are entering a release which uses NMA work numbers instead of Köchel catalog numbers, note that the NMA combines K. 600, K. K. 602, and K. K. 605. NMA Nos. 1-6 are Köchel K. 600 Nos. 1-6, NMA Nos. 7-10 are Köchel K. 602 Nos. 1-4, and NMA Nos. 11-13 are Köchel K. 605 Nos. 1-3. | ||
602 | 602 | 4 German Dances for Orchestra in B-flat major, K. 602 No. 1: German Dance & Trio | 1791-02-05 | |
602 | 602 | 4 German Dances for Orchestra in F major, K. 602 No. 2: German Dance & Trio | ||
602 | 602 | 4 German Dances for Orchestra in C major, K. 602 No. 3: German Dance & Trio | ||
602 | 602 | 4 German Dances for Orchestra in A major, K. 602 No. 4: German Dance & Trio | ||
2 Contredanses for Orchestra | ||||
603 | 603 | 2 Contredanses for Orchestra in D major, K. 603 No. 1: Contredanse | 1791-02-05 | |
603 | 603 | 2 Contredanses for Orchestra in B-flat major, K. 603 No. 2: Contredanse - andante - allegro | ||
2 Minuets for Orchestra | ||||
604 | Caution: | If you are entering a release which uses NMA work numbers instead of Köchel catalog numbers, note that the NMA combines K. 599, K. K. 601, and K. K. 604. NMA Nos. 1-6 are Köchel K. 599 Nos. 1-6, NMA Nos. 7-10 are Köchel K. 601 Nos. 1-4, and NMA Nos. 11-12 are Köchel K. 604 Nos. 1-2. | ||
604 | 604 | 2 Minuets for Orchestra in B-flat major, K. 604 No. 1: Minuet & Trio | 1791-02-12 | |
604 | 604 | 2 Minuets for Orchestra in E-flat major, K. 604 No. 2: Minuet & Trio | ||
3 German Dances for Orchestra | ||||
605 | Caution: | If you are entering a release which uses NMA work numbers instead of Köchel catalog numbers, note that the NMA combines K. 600, K. K. 602, and K. K. 605. NMA Nos. 1-6 are Köchel K. 600 Nos. 1-6, NMA Nos. 7-10 are Köchel K. 602 Nos. 1-4, and NMA Nos. 11-13 are Köchel K. 605 Nos. 1-3. | ||
605 | 605 | 3 German Dances for Orchestra in D major, K. 605 No. 1: German Dance & Trio | 1791-02-12 | |
605 | 605 | 3 German Dances for Orchestra in G major, K. 605 No. 2: German Dance & Trio | ||
605 | Note: | "Die Schlittenfahrt" translates as "The Sleigh Ride" in English, and is listed as such on many releases. | ||
605 | 605 | 3 German Dances for Orchestra in C major, K. 605 No. 3: German Dance & Trio "Die Schlittenfahrt" & Coda | 1791-02-12 | |
605a | 607 | Contredanse for Orchestra in E-flat major, K. 605a / 607: "Il Trionfo delle Donne": Parte I. Contredanse & Parte II & Parte III & Parte IV | 1791-02-28 | |
6 German Dances for Orchestra | ||||
606 | 606 | 6 German Dances for Orchestra in B-flat major, K. 606 No. 1: German Dance | 1791-02-28 | |
606 | 606 | 6 German Dances for Orchestra in B-flat major, K. 606 No. 2: German Dance | ||
606 | 606 | 6 German Dances for Orchestra in B-flat major, K. 606 No. 3: German Dance | ||
606 | 606 | 6 German Dances for Orchestra in B-flat major, K. 606 No. 4: German Dance | ||
606 | 606 | 6 German Dances for Orchestra in B-flat major, K. 606 No. 5: German Dance | ||
606 | 606 | 6 German Dances for Orchestra in B-flat major, K. 606 No. 6: German Dance | ||
Zu 606 | Appendix | |||
Zu 606 | Anh 144 | Reduction for Piano of 6 German Dances for Orchestra in B-flat major, K. Zu 606 No. 1: German Dance | ? | |
608 | 608 | Fantasia for Mechanical Organ in F minor, K. 608: Allegro - andante - tempo primo | 1791-03-03 | |
5 Contredanses for Orchestra | ||||
609 | 609 | 5 Contredanses for Orchestra in C major, K. 609 No. 1: Contredanse | 1791 | |
609 | 609 | 5 Contredanses for Orchestra in E-flat major, K. 609 No. 2: Contredanse | 1791 | |
609 | 609 | 5 Contredanses for Orchestra in D major, K. 609 No. 3: Contredanse | 1791 | |
609 | 609 | 5 Contredanses for Orchestra in C major, K. 609 No. 4: Contredanse & Alternativo Imo & Alternativo IIdo & Alternativo IIIzo | 1791 | |
609 | 609 | 5 Contredanses for Orchestra in G major, K. 609 No. 5: Contredanse | 1791-03-06 | |
610 | 610 | Contredanse for Orchestra in G major, K. 610 "Les filles malicieuses": Contredanse | 1791-03-06 | |
Per questa bella mano Librettist: Unknown | ||||
612 | 612 | Aria for Two Voices and Orchestra in D major, K. 612: Andante - adagio - allegro (Bass, Contrabass) "Per questa bella mano" | 1791-03-08 | |
613a | Anh 81 | Movement for 2 Violins, 2 Violas, and Cello in E-flat major, K. 613a / Anh 81 Fr 1784l (71 measure fragment): Quintetto | 1791-04 | |
613b | Anh 82 | Movement for 2 Violins, 2 Violas, and Cello in E-flat major, K. 613b / Anh 82 Fr 1786i (19 measure fragment): Quintetto | 1791-04 | |
Quintet for 2 Violins, 2 Violas and Cello No. 6 in E-flat major | ||||
614 | 614 | 1 | Quintet for 2 Violins, 2 Violas and Cello No. 6 in E-flat major, K. 614: I. Allegro di molto | 1791-04-12 |
614 | 614 | 2 | Quintet for 2 Violins, 2 Violas and Cello No. 6 in E-flat major, K. 614: II. Andante | |
614 | 614 | 3 | Quintet for 2 Violins, 2 Violas and Cello No. 6 in E-flat major, K. 614: III. Minuetto. Allegretto & Trio | |
614 | 614 | 4 | Quintet for 2 Violins, 2 Violas and Cello No. 6 in E-flat major, K. 614: IV. Allegro | |
615 | deest | Lost | Lost Work: Final chorus, “Viviamo felici” for Sarti: "Le geloise villane" | 1791-04-20 |
616 | 616 | Andante for Mechanical Organ in F major, K. 616: Andante | 1791-03-04 | |
616a | Anh 92 | Fantasia for Glass-harmonica, Flute, Oboe, Viola & Cello in F major, K. 616a / KV Anh 92 (fragment): Adagio | 1791-03-23 | |
Adagio and Rondo for Glass Armonica, Flute, Oboe, Viola & Cello in C minor | ||||
617 | 617 | 1 | Adagio and Rondo for Glass Armonica, Flute, Oboe, Viola & Cello in C minor, K. 617: I. Adagio | 1791-03-23 |
617 | 617 | 2 | Adagio and Rondo for Glass Armonica, Flute, Oboe, Viola & Cello in C minor, K. 617: II. Rondeau. Allegretto | |
617a | 356 | Adagio for Glass Armonica in C major, K. 617a/356: Adagio | 1791 | |
Io ti lascio, oh cara, addio Librettist: Unknown | ||||
621a | Anh 245 | Aria for Bass and Orchestra in E-flat major, K. 621a / KV Anh 245: Adagio "Io ti lascio, oh cara, addio" | 1791 | |
Zu 621a | Zu Anh 245 | Cavatina for Soprano and Orchestra in E-flat major, K. Zu 621a / KV Zu Anh 245 NMA II/7/4 Anh III: Adagio "Io ti lascio, oh cara, addio" | ? | |
Requiem in D minor | ||||
626 | Note: | The Requiem in D minor is perhaps one of the most famous fragmentary works of all time. Many different completions for the work are performed, as well as the non-completed fragmentary version. However, don't let the number of different completions scare you. Almost all recordings of K. 626 are the Süßmayr completion version. If yours is a different completion, that fact will likely be well indicated on the liner, or you will be able to identify it because it will have additional movements not found in the Süßmayr completion. ("Amen", "Osanna I", "Osanna II", etc.) • Wolfgang Amadeus Mozart Fragment-only version • Franz Beyer version • Dover edition: same version as the Süßmayr completion • Duncan Druce completion • "edited by Johannes Brahms": same version as the Süßmayr completion • "edited by Leopold Nowak": same version as the Süßmayr completion • Marius Flothuis completion • H.C. Robbins Landon completion • Robert D. Levin completion • Richard F. Maunder completion • Geoffrey McNeely completion • New Mozart Edition: same version as the Süßmayr completion • Novello edition: same version as the Süßmayr completion • Oxford University Press version: same version as the Maunder completion • Franz Xaver Süßmayr completion • Knud Vad completion | ||
Requiem in D minor: Wolfgang Amadeus Mozart Fragment-only version | ||||
626 | ARs: | Wolfgang Amadeus Mozart for composition for all tracks. Check your liner for the names Freystädtler, Eybler, and Stadler - if any of those names is listed, AR them for the relevant track(s) as in the Franz Xaver Süßmayr completion's ARs listing. You may also have release-specific arrangement, instrumentation, and/or orchestration AR credits. | ||
626 | 626 | 1 | Requiem in D minor, K. 626 (fragment) Fr 1791h: I. Introitus: "Requiem aeternam" | 1791 |
626 | 626 | 2 | Requiem in D minor, K. 626 (fragment) Fr 1791h: II. Kyrie: "Kyrie eleison" | |
626 | 626 | 3a | Requiem in D minor, K. 626 (fragment) Fr 1791h: IIIa. Sequenz: "Dies irae" | |
626 | 626 | 3b | Requiem in D minor, K. 626 (fragment) Fr 1791h: IIIb. Sequenz: "Tuba mirum" | |
626 | 626 | 3c | Requiem in D minor, K. 626 (fragment) Fr 1791h: IIIc. Sequenz: "Rex tremendae" | |
626 | 626 | 3d | Requiem in D minor, K. 626 (fragment) Fr 1791h: IIId. Sequenz: "Recordare" | |
626 | 626 | 3e | Requiem in D minor, K. 626 (fragment) Fr 1791h: IIIe. Sequenz: "Confutatis" | |
626 | 626 | 3f | Requiem in D minor, K. 626 (fragment) Fr 1791h: IIIf. Sequenz: "Lacrimosa" | |
626 | 626 | 4a | Requiem in D minor, K. 626 (fragment) Fr 1791h: IVa. Offertorium: "Domine Jesu" | |
626 | 626 | 4b | Requiem in D minor, K. 626 (fragment) Fr 1791h: IVb. Offertorium: "Hostias" | |
Zu 626 | Appendix | |||
Zu 626 | 626 | 3c | Requiem in D minor, K. Zu 626 Skb 1791a (4) (sketch): IIIc. Sequenz: "Rex tremendae" (Takt 7ff) | 1791 |
Zu 626 | 626 | 3g | Requiem in D minor, K. Zu 626 Skb 1791a (3) (sketch): IIIg. Sequenz: Fuge. "Amen" | 1791 |
Requiem in D minor: Franz Beyer version | ||||
Zu 626 | Note: | The Franz Beyer version is an reorchestration of the Franz Xaver Süßmayr completion. Please use the Franz Xaver Süßmayr completion to enter this version. | ||
Zu 626 | ARs: | This version has the same ARs as the Franz Xaver Süßmayr completion; add arrangement and orchestration ARs for Franz Beyer on all movements. Please also add a release annotation "This is the Franz Beyer YYYY version of the Franz Xaver Süßmayr completion." - Note that Beyer has released two different versions, one in 1971 and one in 1990; if you can identify which yours is, please fill in the YYYY. | ||
Requiem in D minor: Duncan Druce completion | ||||
Zu 626 | ARs: | Identical ARs to the Franz Xaver Süßmayr completion in movements 1-3f, 4a-4b, and 7a-7b with the following changes: • Add an orchestration credit for Duncan Druce to all movements • Add an arrangement credit for Duncan Druce to all movements • Omit the orchestration credit for Franz Xaver Süßmayr in IIIe • Add a composition (additional) credit for Duncan Druce in IIIe • Omit the composition credit for Franz Xaver Süßmayr in IIIf For the other movements: • Composition credit for Wolfgang Amadeus Mozart: IIIf • Composition credit for Duncan Druce: IIIf, Va, Vb, Vd, VI • Composition (additional) credit for Wolfgang Amadeus Mozart: Va, VI • Composition (additional) credit for Franz Xaver Süßmayr: Vb, Vc • Orchestration credit for Duncan Druce: IIIf, Va, Vb, Vc, Vd, VI • Arrangement credit for Duncan Druce: IIIf, Va, Vb, Vc, Vd, VI | ||
626 | 626 | 1 | Requiem in D minor, K. 626 (Druce completion): I. Introitus: "Requiem aeternam" | 1987 |
626 | 626 | 2 | Requiem in D minor, K. 626 (Druce completion): II. Kyrie: "Kyrie" | |
626 | 626 | 3a | Requiem in D minor, K. 626 (Druce completion): IIIa. Sequenz: "Dies irae" | |
626 | 626 | 3b | Requiem in D minor, K. 626 (Druce completion): IIIb. Sequenz: "Tuba mirum" | |
626 | 626 | 3c | Requiem in D minor, K. 626 (Druce completion): IIIc. Sequenz: "Rex tremendae" | |
626 | 626 | 3d | Requiem in D minor, K. 626 (Druce completion): IIId. Sequenz: "Recordare" | |
626 | 626 | 3e | Requiem in D minor, K. 626 (Druce completion): IIIe. Sequenz: "Confutatis" | |
626 | 626 | 3f | Requiem in D minor, K. 626 (Druce completion): IIIf. Sequenz: "Lacrimosa" | |
626 | 626 | 3g | Requiem in D minor, K. 626 (Druce completion): IIIg. Sequenz: "Amen" (based on Requiem in D minor, K. Zu 626 Skb 1791a (3) (sketch): IIIg. Sequenz: Fuge. "Amen") | |
626 | 626 | 4a | Requiem in D minor, K. 626 (Druce completion): IVa. Offertorium: "Domine Jesu" | |
626 | 626 | 4b | Requiem in D minor, K. 626 (Druce completion): IVb. Offertorium: "Hostias" | |
626 | 626 | 5a | Requiem in D minor, K. 626 (Druce completion): Va. Sanctus et Benedictus: "Sanctus" | |
626 | 626 | 5b | Requiem in D minor, K. 626 (Druce completion): Vb. Sanctus et Benedictus: "Osanna I" | |
626 | 626 | 5c | Requiem in D minor, K. 626 (Druce completion): Vc. Sanctus et Benedictus: "Benedictus" | |
626 | 626 | 5d | Requiem in D minor, K. 626 (Druce completion): Vd. Sanctus et Benedictus: "Osanna II" | |
626 | 626 | 6 | Requiem in D minor, K. 626 (Druce completion): VI. "Agnus Dei" | |
626 | 626 | 7a | Requiem in D minor, K. 626 (Druce completion): VIIa. Communio: "Lux aeterna" | |
626 | 626 | 7b | Requiem in D minor, K. 626 (Druce completion): VIIb. Communio: "Cum sanctis tuis" | |
Requiem in D minor: Marius Flothuis completion | ||||
626 | ARs: | This version has the same ARs as the Franz Xaver Süßmayr completion with these modifications: add orchestration and arrangement ARs for Marius Flothuis on all movements, and composition (additional) ARs for Marius Flothuis on movements II - VIII. | ||
626 | 626 | 1 | Requiem in D minor, K. 626 (Flothuis completion): I. Introitus: "Requiem aeternam" | 1941 |
626 | 626 | 2 | Requiem in D minor, K. 626 (Flothuis completion): II. "Kyrie eleison" | |
626 | 626 | 3a | Requiem in D minor, K. 626 (Flothuis completion): IIIa. Sequenz: "Dies irae" | |
626 | 626 | 3b | Requiem in D minor, K. 626 (Flothuis completion): IIIb. Sequenz: "Tuba mirum" | |
626 | 626 | 3c | Requiem in D minor, K. 626 (Flothuis completion): IIIc. Sequenz: "Rex tremendae" | |
626 | 626 | 3d | Requiem in D minor, K. 626 (Flothuis completion): IIId. Sequenz: "Recordare" | |
626 | 626 | 3e | Requiem in D minor, K. 626 (Flothuis completion): IIIe. Sequenz: "Confutatis" | |
626 | 626 | 3f | Requiem in D minor, K. 626 (Flothuis completion): IIIf. Sequenz: "Lacrimosa" | |
626 | 626 | 4a | Requiem in D minor, K. 626 (Flothuis completion): IVa. Offertorium: "Domine Jesu" | |
626 | 626 | 4b | Requiem in D minor, K. 626 (Flothuis completion): IVb. Offertorium: "Hostias" | |
626 | 626 | 5 | Requiem in D minor, K. 626 (Flothuis completion): V. "Sanctus" | |
626 | 626 | 6 | Requiem in D minor, K. 626 (Flothuis completion): VI. "Benedictus" | |
626 | 626 | 7 | Requiem in D minor, K. 626 (Flothuis completion): VII. "Agnus Dei" | |
626 | 626 | 8 | Requiem in D minor, K. 626 (Flothuis completion): VIII. Communio: "Lux aeterna" | |
Requiem in D minor: H.C. Robbins Landon completion | ||||
626 | ARs: | This version has the same ARs as the Franz Xaver Süßmayr completion with these modifications: add orchestration (additional) ARs for H.C. Robbins Landon on all movements, omit all ARs for Abbé Maximilian Stadler and Franz Xaver Süßmayr in movements 1 - 3f, add orchestration ARs for Joseph Leopold von Eybler to 3a - 3f, and add composition (additional) ARs for H.C. Robbins Landon in 3a - 3f. | ||
626 | 626 | 1 | Requiem in D minor, K. 626 (Landon completion): I. Introitus: "Requiem aeternam" | 1990 |
626 | 626 | 2 | Requiem in D minor, K. 626 (Landon completion): II. "Kyrie eleison" | |
626 | 626 | 3a | Requiem in D minor, K. 626 (Landon completion): IIIa. Sequenz: "Dies irae" | |
626 | 626 | 3b | Requiem in D minor, K. 626 (Landon completion): IIIb. Sequenz: "Tuba mirum" | |
626 | 626 | 3c | Requiem in D minor, K. 626 (Landon completion): IIIc. Sequenz: "Rex tremendae" | |
626 | 626 | 3d | Requiem in D minor, K. 626 (Landon completion): IIId. Sequenz: "Recordare" | |
626 | 626 | 3e | Requiem in D minor, K. 626 (Landon completion): IIIe. Sequenz: "Confutatis" | |
626 | 626 | 3f | Requiem in D minor, K. 626 (Landon completion): IIIf. Sequenz: "Lacrimosa" | |
626 | 626 | 4a | Requiem in D minor, K. 626 (Landon completion): IVa. Offertorium: "Domine Jesu" | |
626 | 626 | 4b | Requiem in D minor, K. 626 (Landon completion): IVb. Offertorium: "Hostias" | |
626 | 626 | 5 | Requiem in D minor, K. 626 (Landon completion): V. "Sanctus" | |
626 | 626 | 6 | Requiem in D minor, K. 626 (Landon completion): VI. "Benedictus" | |
626 | 626 | 7 | Requiem in D minor, K. 626 (Landon completion): VII. "Agnus Dei" | |
626 | 626 | 8 | Requiem in D minor, K. 626 (Landon completion): VIII. Communio: "Lux aeterna" | |
Requiem in D minor: Robert D. Levin completion | ||||
626 | ARs: | Movements I - IVb, composition: Wolfgang Amadeus Mozart. Movements II-IIIf and IVa-IVb, orchestration, arrangement, and composition (additional): Robert D. Levin. Movement IIIg: composition: Wolfgang Amadeus Mozart and Robert D. Levin. Movement IIIg: orchestration and arrangement: Robert D. Levin. Movements V-VIII: identical ARs to the Franz Xaver Süßmayr completion, add orchestration (additional) and arrangement (additional): Robert D. Levin, omit composition (Additional) AR for Franz Xaver Süßmayr in movement VIII, add composition (additional): credit for Robert D. Levin in VIII. | ||
626 | 626 | 1 | Requiem in D minor, K. 626 (Levin completion): I. Introitus: "Requiem aeternam" | 1990 |
626 | 626 | 2 | Requiem in D minor, K. 626 (Levin completion): II. "Kyrie" | |
626 | 626 | 3a | Requiem in D minor, K. 626 (Levin completion): IIIa. Sequenz: "Dies irae" | |
626 | 626 | 3b | Requiem in D minor, K. 626 (Levin completion): IIIb. Sequenz: "Tuba mirum" | |
626 | 626 | 3c | Requiem in D minor, K. 626 (Levin completion): IIIc. Sequenz: "Rex tremendae" | |
626 | 626 | 3d | Requiem in D minor, K. 626 (Levin completion): IIId. Sequenz: "Recordare" | |
626 | 626 | 3e | Requiem in D minor, K. 626 (Levin completion): IIIe. Sequenz: "Confutatis" | |
626 | 626 | 3f | Requiem in D minor, K. 626 (Levin completion): IIIf. Sequenz: "Lacrimosa" | |
626 | 626 | 3g | Requiem in D minor, K. 626 (Levin completion): IIIg. Sequenz: "Amen" (based on Requiem in D minor, K. 626 Skb 1791a (3) (sketch): IIIg. Sequenz: Fuge. "Amen") | |
626 | 626 | 4a | Requiem in D minor, K. 626 (Levin completion): IVa. Offertorium: "Domine Jesu" | |
626 | 626 | 4b | Requiem in D minor, K. 626 (Levin completion): IVb. Offertorium: "Hostias" | |
626 | 626 | 5 | Requiem in D minor, K. 626 (Levin completion): V. "Sanctus" | |
626 | 626 | 5 | Requiem in D minor, K. 626 (Levin completion): VI. "Hosanna" | |
626 | 626 | 6 | Requiem in D minor, K. 626 (Levin completion): VII. "Benedictus" | |
626 | 626 | 5 | Requiem in D minor, K. 626 (Levin completion): VIIII. "Hosanna" | |
626 | 626 | 7 | Requiem in D minor, K. 626 (Levin completion): IX. "Agnus Dei" | |
626 | 626 | 8a | Requiem in D minor, K. 626 (Levin completion): X. Communio: "Lux aeterna" | |
626 | 626 | 8b | Requiem in D minor, K. 626 (Levin completion): XI. "Cum sanctis" | |
Requiem in D minor: Richard F. Maunder completion | ||||
626 | ARs: | Movements IIIf - IVb and VIa-VIb: composition: Wolfgang Amadeus Mozart and Richard F. Maunder, arrangement and orchestration: Richard F. Maunder. Movements V: composition: Wolfgang Amadeus Mozart, composition (additional): Richard F. Maunder, arrangement and orchestration: Richard F. Maunder. Movements I - IIIe identical ARs to the Franz Xaver Süßmayr completion, add arrangement and orchestration ARs for Richard F. Maunder. | ||
626 | 626 | 1 | Requiem in D minor, K. 626 (Maunder completion): I. Introitus: "Requiem aeternam" | 1988 |
626 | 626 | 2 | Requiem in D minor, K. 626 (Maunder completion): II. "Kyrie eleison" | |
626 | 626 | 3a | Requiem in D minor, K. 626 (Maunder completion): IIIa. Sequenz: "Dies irae" | |
626 | 626 | 3b | Requiem in D minor, K. 626 (Maunder completion): IIIb. Sequenz: "Tuba mirum" | |
626 | 626 | 3c | Requiem in D minor, K. 626 (Maunder completion): IIIc. Sequenz: "Rex tremendae" | |
626 | 626 | 3d | Requiem in D minor, K. 626 (Maunder completion): IIId. Sequenz: "Recordare" | |
626 | 626 | 3e | Requiem in D minor, K. 626 (Maunder completion): IIIe. Sequenz: "Confutatis" | |
626 | 626 | 3f | Requiem in D minor, K. 626 (Maunder completion): IIIf. Sequenz: "Lacrimosa" | |
626 | 626 | 3g | Requiem in D minor, K. 626 (Maunder completion): IIIg. Sequenz: "Amen" (based on Fantasia for Mechanical Organ in F minor, K. 608 and Requiem in D minor, K. Zu 626 Skb 1791a (3) (sketch): IIIg. Sequenz: Fuge. "Amen") | |
626 | 626 | 4a | Requiem in D minor, K. 626 (Maunder completion): IVa. Offertorium: "Domine Jesu Christe" | |
626 | 626 | 4b | Requiem in D minor, K. 626 (Maunder completion): IVb. Offertorium: "Versus: Hostias et preces" | |
626 | 626 | 5 | Requiem in D minor, K. 626 (Maunder completion): V. "Agnus Dei" | |
626 | 626 | 6a | Requiem in D minor, K. 626 (Maunder completion): VIa. Communio: "Lux aeterna" | |
626 | 626 | 6b | Requiem in D minor, K. 626 (Maunder completion): VIb. Communio: "Cum sanctis tuis" | |
626 | Note: | An alternate version of the Maunder completion also omits the Agnus Dei movement. If your release does not have an Agnus Dei, please use the below two movements instead of the above three. | ||
626 | 626 | 5a | Requiem in D minor, K. 626 (Maunder completion): Va. Communio: "Lux aeterna" | 1988 |
626 | 626 | 5b | Requiem in D minor, K. 626 (Maunder completion): Vb. Communio: "Cum sanctis tuis" | |
Requiem in D minor: Geoffrey McNeely completion | ||||
626 | Note: | More information is needed before this completion can be listed. Please contact BrianFreud if you find a recording of this version. | ||
Requiem in D minor: Franz Xaver Süßmayr completion | ||||
626 | ARs: I. Introitus: "Requiem aeternam"' | Composition: Wolfgang Amadeus Mozart Orchestration: Wolfgang Amadeus Mozart Arrangement: Wolfgang Amadeus Mozart Performance ARs: soloist in this movement is only the soprano. | ||
626 | ARs: II. "Kyrie eleison"' | Composition: Wolfgang Amadeus Mozart Composition (Additional): Franz Xaver Süßmayr Orchestration: Franz Jakob Freystädtler Orchestration: Franz Xaver Süßmayr Orchestration: Wolfgang Amadeus Mozart Arrangement: Franz Xaver Süßmayr Performance ARs: no soloists in this movement. | ||
626 | ARs: IIIa. Sequenz: "Dies irae"' | Composition: Wolfgang Amadeus Mozart Composition (Additional): Joseph Leopold von Eybler Orchestration: Franz Xaver Süßmayr Arrangement: Franz Xaver Süßmayr Performance ARs: no soloists in this movement. | ||
626 | ARs: IIIb. Sequenz: "Tuba mirum"' | Composition: Wolfgang Amadeus Mozart Composition (Additional): Joseph Leopold von Eybler Orchestration: Franz Xaver Süßmayr Arrangement: Franz Xaver Süßmayr Performance ARs: soloists in this movement are full SATB. | ||
626 | ARs: IIIc. Sequenz: "Rex tremendae"' | Composition: Wolfgang Amadeus Mozart Composition (Additional): Joseph Leopold von Eybler Orchestration: Franz Xaver Süßmayr Arrangement: Franz Xaver Süßmayr Performance ARs: no soloists in this movement. | ||
626 | ARs: IIId. Sequenz: "Recordare"' | Composition: Wolfgang Amadeus Mozart Composition (Additional): Joseph Leopold von Eybler Orchestration: Franz Xaver Süßmayr Arrangement: Franz Xaver Süßmayr Performance ARs: soloists in this movement are full SATB. | ||
626 | ARs: IIIe. Sequenz: "Confutatis"' | Composition: Wolfgang Amadeus Mozart Composition (Additional): Joseph Leopold von Eybler Composition (Additional): Franz Xaver Süßmayr Orchestration: Franz Xaver Süßmayr Arrangement: Franz Xaver Süßmayr Performance ARs: no soloists in this movement. | ||
626 | ARs: IIIf. Sequenz: "Lacrimosa"' | Composition: Wolfgang Amadeus Mozart Composition: Franz Xaver Süßmayr Composition (Additional): Joseph Leopold von Eybler Orchestration: Franz Xaver Süßmayr Arrangement: Franz Xaver Süßmayr Performance ARs: no soloists in this movement. | ||
626 | ARs: IVa. Offertorium: "Domine Jesu"' | Composition: Wolfgang Amadeus Mozart Orchestration: Abbé Maximilian Stadler Orchestration: Franz Xaver Süßmayr Arrangement: Franz Xaver Süßmayr Performance ARs: soloists in this movement are full SATB. | ||
626 | ARs: IVb. Offertorium: "Hostias"' | Composition: Wolfgang Amadeus Mozart Orchestration: Abbé Maximilian Stadler Orchestration: Franz Xaver Süßmayr Arrangement: Franz Xaver Süßmayr Performance ARs: no soloists in this movement. | ||
626 | ARs: V. "Sanctus"' | Composition: Franz Xaver Süßmayr Composition (Additional): Wolfgang Amadeus Mozart Orchestration: Franz Xaver Süßmayr Arrangement: Franz Xaver Süßmayr Performance ARs: no soloists in this movement. | ||
626 | ARs: VI. "Benedictus"' | Composition: Franz Xaver Süßmayr Orchestration: Franz Xaver Süßmayr Arrangement: Franz Xaver Süßmayr Performance ARs: soloists in this movement are full SATB. | ||
626 | ARs: VII. "Agnus Dei"' | Composition: Franz Xaver Süßmayr Composition (Additional): Wolfgang Amadeus Mozart Orchestration: Franz Xaver Süßmayr Arrangement: Franz Xaver Süßmayr Performance ARs: no soloists in this movement. | ||
626 | ARs: VIIIa. Communio: "Lux aeterna"' | Composition: Wolfgang Amadeus Mozart Composition (Additional): Franz Xaver Süßmayr Orchestration: Franz Xaver Süßmayr Orchestration (Additional): Franz Jakob Freystädtler Arrangement: Franz Xaver Süßmayr Performance ARs: soloist in this movement is only the soprano. | ||
626 | ARs: VIIIb. Communio: "Cum sanctis tuis"' | Composition: Wolfgang Amadeus Mozart Composition (Additional): Franz Xaver Süßmayr Orchestration: Franz Xaver Süßmayr Orchestration (Additional): Franz Jakob Freystädtler Arrangement: Franz Xaver Süßmayr Performance ARs: soloist in this movement is only the soprano. | ||
626 | 626 | 1 | Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam" | 1792-03 |
626 | 626 | 2 | Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison" | |
626 | 626 | 3a | Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae" | |
626 | 626 | 3b | Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum" | |
626 | 626 | 3c | Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae" | |
626 | 626 | 3d | Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare" | |
626 | 626 | 3e | Requiem in D minor, K. 626 (Süßmayr completion): IIIe. Sequenz: "Confutatis" | |
626 | 626 | 3f | Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa" | |
626 | 626 | 4a | Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu" | |
626 | 626 | 4b | Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias" | |
626 | 626 | 5 | Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus" | |
626 | 626 | 6 | Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus" | |
626 | 626 | 7 | Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei" | |
626 | 626 | 8 | Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna" | |
626 | Note: | Some publishers of the Requiem score split movement 8; if your release has a split movement 8, please use the listing below instead of the one above. | ||
626 | 626 | 8a | Requiem in D minor, K. 626 (Süßmayr completion): VIIIa. Communio: "Lux aeterna" | 1792-03 |
626 | 626 | 8b | Requiem in D minor, K. 626 (Süßmayr completion): VIIIb. Communio: "Cum sanctis tuis" | |
Requiem in D minor: Knud Vad completion | ||||
626 | ARs: | This version has the same ARs as the Franz Xaver Süßmayr completion with these modifications: add arrangement (additional) ARs for Knud Vad to all movements, add composition and arrangement ARs for Knud Vad to movements V - VII. | ||
626 | 626 | 1 | Requiem in D minor, K. 626 (Vad completion): I. Introitus: "Requiem aeternam" | 2000 |
626 | 626 | 2 | Requiem in D minor, K. 626 (Vad completion): II. "Kyrie eleison" | |
626 | 626 | 3a | Requiem in D minor, K. 626 (Vad completion): IIIa. Sequenz: "Dies irae" | |
626 | 626 | 3b | Requiem in D minor, K. 626 (Vad completion): IIIb. Sequenz: "Tuba mirum" | |
626 | 626 | 3c | Requiem in D minor, K. 626 (Vad completion): IIIc. Sequenz: "Rex tremendae" | |
626 | 626 | 3d | Requiem in D minor, K. 626 (Vad completion): IIId. Sequenz: "Recordare" | |
626 | 626 | 3e | Requiem in D minor, K. 626 (Vad completion): IIIe. Sequenz: "Confutatis" | |
626 | 626 | 3f | Requiem in D minor, K. 626 (Vad completion): IIIf. Sequenz: "Lacrimosa" | |
626 | 626 | 4a | Requiem in D minor, K. 626 (Vad completion): IVa. Offertorium: "Domine Jesu" | |
626 | 626 | 4b | Requiem in D minor, K. 626 (Vad completion): IVb. Offertorium: "Hostias" | |
626 | 626 | 5 | Requiem in D minor, K. 626 (Vad completion): V. "Sanctus" | |
626 | 626 | 6 | Requiem in D minor, K. 626 (Vad completion): VI. "Benedictus" | |
626 | 626 | 7 | Requiem in D minor, K. 626 (Vad completion): VII. "Agnus Dei" | |
626 | 626 | 8a | Requiem in D minor, K. 626 (Vad completion): VIIIa. Communio: "Lux aeterna" | |
626 | 626 | 8b | Requiem in D minor, K. 626 (Vad completion): VIIIb. Communio: "Cum sanctis tuis" | |
626b/14 | deest | Duplicate | Double Listed Works: 2 of the 10 sketches in K. 626b/14 are already listed in Köchel 6 elsewhere; K. 626b/14 No. 1 Skb 1783c (1) is the same work as K. 375h and K. 626b/14 No. 10 Skb 1783c (5) is the same work as K. 417B No. 6. | |
626b/25 No. 1 | Anh 20a | Missa brevis for Soloists, 2 Violins, Viola, Bass and Organ in G major, K. 626b/25 No. 1 (*47d) / KV Anh 20a (fragment): Credo: "Et unam sanctam catholicam" (deleted measures 182-195) | ? | |
626b/25 No. 2 | *Anh 20a | Piece for Piano in B-flat major, K. 626b/25 No. 2 / KV *Anh 20a NMA IX/27/1 Anh II No. 1: (no tempo indicated) | ? | |
626b/25 No. 2 | *Anh 20a | Piece for Piano in B-flat major, K. 626b/25 No. 2 / KV *Anh 20a NMA IX/27/1 Anh II No. 1 (Leonard Danek completion): (no tempo indicated) | ? | |
626b/25 No. 3 | *Anh 20a | Piece for Piano in E-flat major, K. 626b/25 No. 3 / KV *Anh 20a Fr 1765a NMA IX/27/1 Anh II No. 2 (fragment): (no tempo indicated) | ? | |
626b/25 No. 3 | *Anh 20a | Piece for Piano in E-flat major, K. 626b/25 No. 3 / KV *Anh 20a NMA IX/27/1 Anh II No. 2 (Leonard Danek completion): (no tempo indicated) | ? | |
626b/27 | Anh 39a | Fugue for Piano in C minor, K. 626b/27 / K3 Anh 39a / KV Anh 39a Fr 1782q (27 measure fragment): Fuga | ? | |
626b/31 | deest | Canonical Study for 4 in 2 in G major, K. 626b/31 / KV deest: Canon | Summer 1887 | |
Finger Exercises for Piano in C major | ||||
626b/48 | deest | Finger Exercises for Piano in C major, K. 626b/48 / KV deest No. 1: (no tempo indication) | mid to late 1780's | |
626b/48 | deest | Finger Exercises for Piano in C major, K. 626b/48 / KV deest No. 2: (no tempo indication) | ||
626b/48 | deest | Finger Exercises for Piano in C major, K. 626b/48 / KV deest No. 3: (no tempo indication) | ||
626b/48 | deest | Finger Exercises for Piano in C major, K. 626b/48 / KV deest No. 4: (no tempo indication) | ||
626b/48 | deest | Finger Exercises for Piano in C major, K. 626b/48 / KV deest No. 5: (no tempo indication) | ||
626b/48 | deest | Finger Exercises for Piano in C major, K. 626b/48 / KV deest No. 6: (no tempo indication) | ||
626b/48 | deest | Finger Exercises for Piano in C major, K. 626b/48 / KV deest No. 7: (no tempo indication) | ||
626b/48 | deest | Finger Exercises for Piano in C major, K. 626b/48 / KV deest No. 8: (no tempo indication) | ||
Anh A 15 | deest | Lost | Lost Work: Copy of Michael Haydn: "Lauda Sion" (K3 Zu Anh 109vi ) | between 1775 and 1783 |
Anh A 51 | 18 | Spurious Work | Composer: Carl Friedrich Abel (Op. 7 No. 6) Date is when Wolfgang Amadeus Mozart made his copy. Wolfgang Amadeus Mozart did change instrumentation slightly from the original, substituting 2 oboes where the original called for 2 clarinets. |
1764 |
Symphony No. 3 for Orchestrain E-flat major, K. Anh A 51 / K3 Anh 109i / KV 18 (spurious): I. Molto allegro | ||||
Symphony No. 3 for Orchestrain E-flat major, K. Anh A 51 / K3 Anh 109i / KV 18 (spurious): II. Andante | ||||
Symphony No. 3 for Orchestrain E-flat major, K. Anh A 51 / K3 Anh 109i / KV 18 (spurious): III. Presto | ||||
2 Small Fugues for Organ in G major | ||||
Anh A 61 | deest | 2 Small Fugues for Organ in G major, K. Anh A 61 / (K3) Anh. 109VIII / (K2) 154a / KV deest No. 1: Fuga | 1772 or 1773 | |
Anh A 62 | deest | 2 Small Fugues for Organ in G major, K. Anh A 62 / (K3) Anh. 109VIII / (K2) 154a / KV deest No. 2: Fuga | 1772 or 1773 | |
Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major The NMA classifies this work as authentic W.A. Mozart, but Matthias Kracher has also been suggested as composer. | ||||
Anh C 1.12 | 140 | 1 | Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: I. Kyrie: Andantino | ? |
Anh C 1.12 | 140 | 2a | Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: IIa. Gloria: Allegro "Et in terra pax" | |
Anh C 1.12 | 140 | 2b | Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: IIb. Gloria: Andantino "Laudamus te" | |
Anh C 1.12 | 140 | 3a | Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: IIIa. Credo: Allegro "Patrem omnipotentem" | |
Anh C 1.12 | 140 | 3b | Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: IIIb. Credo: Andantino "Et incarnatus est" | |
Anh C 1.12 | 140 | 3c | Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: IIIc. Credo: Allegro "Et resurrexit" | |
Anh C 1.12 | 140 | 4a | Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: IVa. Sanctus: Andante "Sanctus Dominus" | |
Anh C 1.12 | 140 | 4b | Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: IVb. Sanctus: Allegro vivace "Pleni sunt coeli" | |
Anh C 1.12 | 140 | 5a | Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: Va. Benedictus: Andante "Benedictus qui venit" | |
Anh C 1.12 | 140 | 5b | Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: Vb. Benedictus: Allegro vivace "Hosanna in excelsis" | |
Anh C 1.12 | 140 | 6a | Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: VIa. Agnus Dei: Andante "Agnus Dei qui tollis" | |
Anh C 1.12 | 140 | 6b | Missa brevis No. 5 for Soloists, Chorus & Orchestra in G major, K. Anh C 1.12 / K3 Anh 235d / KV 140: VIb. Agnus Dei: Allegro "Dona nobis pacem" | |
Anh C 1.27 | deest | Spurious Work | Composer: Karl Thomas Mozart (questionable attribution) This work is incredibly obscure - it may perhaps have never been recorded. However, it does have one most interesting feature: There is an entry for it, dated ~1830, in the Rajhrad Monastery library's catalog listing this work as "Aut. Carol. Mozart". Wolfgang Plath has suggested [5] that "Carol." more than likely is "Carl", which would make this work the only surviving work by Karl (Carl) Thomas Mozart, Wolfgang Amadeus Mozart's older son, who did study music, but never (unlike his father or brother) became known as a composer - he stopped studying and writing music in 1810 and became an official in the service of the Viceroy of Napoli in Milan. (Anything else he might have composed has been lost, includinging all records of what he might also have composed.) |
? |
Missa Solemnis for 4 Voices, 2 Violins, Viola, 2 Clarinets, 2 Horns, 2 Trumpets, Timpani and Organ in C major, K. Anh C 1.27 / KV deest (spurious) | ||||
Anh C 3.06 | 340 | Lost Work / Spurious Work | Composer: Unknown Kyrie (K3 Anh. 186f) | |
Zu Anh C 8.14 | deest | Lost | Lost Work: Song "Meine weise Mutter spricht: Küssen, Küssen, Kind, is Sünde" (K3 Anh 255a) | before 1784 |
Anh C 11.02 | 17 | Spurious Work | Composer: Leopold Mozart (Bb6) Likely composed between 1764 and 1765 by Leopold Mozart. |
1760's |
Symphony No. 2 for Orchestrain B-flat major, K. Anh C 11.02 / K3 Anh 223a / KV 17 (fragment) (spurious): I. Allegro | ||||
Symphony No. 2 for Orchestrain B-flat major, K. Anh C 11.02 / K3 Anh 223a / KV 17 (fragment) (spurious): II. Andante | ||||
Symphony No. 2 for Orchestrain B-flat major, K. Anh C 11.02 / K3 Anh 223a / KV 17 (fragment) (spurious): IIIa. Menuetto I & II | ||||
Symphony No. 2 for Orchestrain B-flat major, K. Anh C 11.02 / K3 Anh 223a / KV 17 (fragment) (spurious): IV. Presto | ||||
Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra | ||||
Anh C 14.01 | Anh 9 | 1 | Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01 / K3 297b / Anh 9 (doubtful): I. Allegro | ? |
Anh C 14.01 | Anh 9 | 2 | Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01 / K3 297b / Anh 9 (doubtful): II. Adagio | |
Anh C 14.01 | Anh 9 | 3 | Sinfonia Concertante in E-flat major for Oboe, Clarinet, Horn, Bassoon & Orchestra, K. Anh C 14.01 / K3 297b / Anh 9 (doubtful): III. Andantino & Variations I - IX & Variation X. Andantino - adagio - allegro - più mosso | |
Prelude Transitions for Piano for Concertos for Piano | ||||
Anh C 14.05 | deest | Spurious Work | Composer: Marius Casadesus | 1933 |
Concerto for Violin in D major, K. Anh C 14.05 / K3 Anh 294a / KV deest (spurrious) "Adelaide": I. Allegro | ||||
Concerto for Violin in D major, K. Anh C 14.05 / K3 Anh 294a / KV deest (spurrious) "Adelaide": II. Adagio | ||||
Concerto for Violin in D major, K. Anh C 14.05 / K3 Anh 294a / KV deest (spurrious) "Adelaide": III. Allegro | ||||
Anh C 15.11 | Caution: | In the rare cases when K. Anh C 15.11 has been recorded, it typically is all on a single track. (The fragments do make musical sense, playing them in order, and even combined, the entire Anh C 15.11 Nos. a-x is only 29 measures long.) For such cases, please use the first listing, rather than attempt to combine all of the 24 separate listings into a single track title. | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) Nos. a-x: (no tempo indication) - andantino | 1777 | |
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. a: (no tempo indication) | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. b: (no tempo indication) | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. c: (no tempo indication) | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. d: (no tempo indication) | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. e: (no tempo indication) | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. f: (no tempo indication) | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. g: (no tempo indication) | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. h: (no tempo indication) | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. i: (no tempo indication) | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. j: (no tempo indication) | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. k: (no tempo indication) | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. l: (no tempo indication) | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. m: (no tempo indication) | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. n: (no tempo indication) | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. o: (no tempo indication) | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. p: (no tempo indication) | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. q: Andantino | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. r: Andantino | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. s: Andantino | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. t: Andantino | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. u: Andantino | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. v: Andantino | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. w: Andantino | ||
Anh C 15.11 | deest | Prelude Transitions for Piano for Concertos for Piano in C major, K. Anh C 15.11 / K3 626aI / KV 624 (fragment) No. x: Andantino | ||
Anh C 27.03 | deest | Fantasia Improvisation for Organ in B-flat major, K. Anh C 27.03 / K2 528a / KV deest (doubtful) (fragment): (no tempo indication) - Organo! | 1787 | |
Anh C 16.01 | deest | Church Sonata for 2 Violins, Organ and Bass in C major, K. Anh C 16.01 / K3 124c / KV deest (fragment) | 1772 | |
deest | deest | Lost | Lost Work: Ballet Music for Ascanio in Alba, K. 111 (for Orchestra) | |
Ballet Music for Ascanio in Alba, K. 111 for Piano | ||||
Anh C 27.06 | Anh 207 | Ballet Music for Ascanio in Alba, K. 111 for Piano in D major, K. Anh C 27.06 / KV Anh 207 No. 1 "9 Pieces for Piano": (No tempo indication) | 1771-09 | |
Anh C 27.06 | Anh 207 | Ballet Music for Ascanio in Alba, K. 111 for Piano in E-flat major, K. Anh C 27.06 / KV Anh 207 No. 2 "9 Pieces for Piano": (No tempo indication) | ||
Anh C 27.06 | Anh 207 | Ballet Music for Ascanio in Alba, K. 111 for Piano in C major, K. Anh C 27.06 / KV Anh 207 No. 3 "9 Pieces for Piano": (No tempo indication) | ||
Anh C 27.06 | Anh 207 | Ballet Music for Ascanio in Alba, K. 111 for Piano in E-flat major, K. Anh C 27.06 / KV Anh 207 No. 4 "9 Pieces for Piano": (No tempo indication) | ||
Anh C 27.06 | Anh 207 | Ballet Music for Ascanio in Alba, K. 111 for Piano in B-flat major, K. Anh C 27.06 / KV Anh 207 No. 5 "9 Pieces for Piano": (No tempo indication) | ||
Anh C 27.06 | Anh 207 | Ballet Music for Ascanio in Alba, K. 111 for Piano in F major, K. Anh C 27.06 / KV Anh 207 No. 6 "9 Pieces for Piano": (No tempo indication) | ||
Anh C 27.06 | Anh 207 | Ballet Music for Ascanio in Alba, K. 111 for Piano in G major, K. Anh C 27.06 / KV Anh 207 No. 7 "9 Pieces for Piano": (No tempo indication) | ||
Anh C 27.06 | Anh 207 | Ballet Music for Ascanio in Alba, K. 111 for Piano in C major, K. Anh C 27.06 / KV Anh 207 No. 8 "9 Pieces for Piano": (No tempo indication) | ||
Anh C 27.06 | Anh 207 | Ballet Music for Ascanio in Alba, K. 111 for Piano in D major, K. Anh C 27.06 / KV Anh 207 No. 9 "9 Pieces for Piano": Maggiore & Minore | ||
Anh C 27.10 | deest | Fugue for Piano in E-flat major, K. Anh C 27.10 / K3 Zu Anh 109viii / KV deest (10 measure fragment): Fuga a due. Allegro | ? | |
Anh C 27.10 | deest | Fugue for Piano in E-flat major, K. Anh C 27.10 NMA IX/27/2 Anh No. 23 (August Alexander Klengel completion): Fuga a due. Allegro | ? | |
deest | deest | Lost | Lost Work: 3 Concertos for Bassoon in C major, B-flat major, and B-flat major | |
deest | deest | Lost | Lost Work: 6 Trios for 2 Violins and Cello | |
deest | Note: | For the curious, the 5 arias that have been identified are K. 19c, K. 23, K. 73b, K. 73d, and K. deest. | ||
deest | Lost | Lost Work: 10 Arias from the 15 unspecifically referred to in “Leopold Mozart’s list of 12-year old son” | ||
deest | deest | Lost | Lost Work: Aria "Quel destrier, che all’albergo e vicino" | |
deest | deest | Lost | Lost Work: Aria for Gretl Marchard | |
Note: | K. 382h is believed to be a piano reduction from this aria. | |||
deest | deest | Lost | Lost Work: Aria for daughter of Joseph Wolf | late 1767 |
deest | deest | Lost | Lost Work: Arrangement of a Contredance for Piano for ballet music by Cannabich | |
deest | Note: | Note: The autograph of Ascanio in Alba does contain the bass part for 8 numbers of the ballet (in a copyist's handwriting). Nos. 2 and 3 of this correspond with Nos. 4 and 5 from K. Anh 207. | ||
deest | Lost | Lost Work: Cassation in C major | ||
deest | deest | Lost | Lost Work: Concerto for Transverse Flute | 1777 |
deest | deest | Lost | Lost Work: Copy of Gregorio Allegri: Miserere | |
deest | deest | Lost | Lost Work: Masonic Song: Bey Eröffnung der Tafelloge (“Legt fur heut des Werkzeug nieder!”) | 1790-06 |
deest | deest | Lost | Lost Work: Masonic Song: Kettenlied (“Wir singen, und schlingern zur Wette”) | 1790-06 |
deest | deest | Lost | Lost Work: Masonic Song: Lied im Nahmen der Armen (“Brüder! Hort das Flehn der Armen”) | 1790-06 |
deest | deest | Lost | Lost Work: Masonic Song: Zum Schluss der Arbeit der Meister (“Vollbracht ist die Arbeit der Meister”) | either 1786 or 1790 |
deest | deest | Lost | Lost Work: Masonic Song: Zur Eröffnung der Meisterloge (“Des Todes Werk, der Faulniss Grauen”) | either 1786 or 1790 |
deest | deest | Lost | Lost Work: Setting of 5 Metastasio texts | |
deest | deest | Lost | Lost Work: Solo for Viola da gamba | |
deest | deest | Lost | Lost Work: Variations for Clarinet on "Les Marriages Samnites": March of the Samnites for Joseph Beer | 1791-03-04 |
Cara, se le mie pene Librettist: Unknown | ||||
NMA II/7/1 No. 7 | deest | Aria for Soprano, 2 Horns, Violin, Viola and Bass, K. deest NMA II/7/1 No. 7: Andante "Cara, se le mie pene" | 1769 | |
14 Interval Canons | ||||
NMA III/10 No. 26 | Note: | The remainder of the 14 Interval Canons can be found listed at K. 508a. | ||
NMA III/10 No. 26-1 | deest | 14 Interval Canons No. 1 for 2 in 1 in F major, K. deest NMA III/10 No. 26-1 "Canoni in unisono": Canon | 1786-06-03 | |
NMA III/10 No. 26-2 | deest | 14 Interval Canons No. 2 for 2 in 1 in F major, K. deest NMA III/10 No. 26-2 "Canoni in unisono": Canon | 1786-06-03 | |
NMA III/10 No. 26-3 | deest | 14 Interval Canons No. 3 for 2 in 1 in F major, K. deest NMA III/10 No. 26-3 "Canoni in seconda di sopra": Canon | 1786-06-03 | |
NMA III/10 No. 26-5 | deest | 14 Interval Canons No. 5 for 2 in 1 in F major, K. deest NMA III/10 No. 26-5 "Canoni in terza di sopra": Canon | 1786-06-03 | |
NMA III/10 No. 26-7 | deest | 14 Interval Canons No. 7 for 2 in 1 in F major, K. deest NMA III/10 No. 26-7 "Canoni in quarta di sopra": Canon | 1786-06-03 | |
NMA III/10 No. 26-9 | deest | 14 Interval Canons No. 9 for 2 in 1 in F major, K. deest NMA III/10 No. 26-9 "Canoni in quinta di sopra": Canon | 1786-06-03 | |
NMA III/10 No. 26-11 | deest | 14 Interval Canons No. 11 for 2 in 1 in F major, K. deest NMA III/10 No. 26-11 "Canoni in sesta di sopra": Canon | 1786-06-03 | |
NMA III/10 No. 26-13 | deest | 14 Interval Canons No. 13 for 2 in 1 in F major, K. 508a NMA III/10 No. 26-13 "Canoni in settima di sopra": Canon | 1786-06-03 | |
NMA III/10 No. 28 | deest | Canon for 4 in 1 in F major, K. deest NMA III/10 No. 28: Canon | Summer 1786 | |
NMA III/10 Anh II No. 1a | deest | Canon for 5 in 5 in F major, K. deest NMA III/10 Anh II No. 1a (sketch): Canon | 1781 or 1782 | |
NMA III/10 Anh II No. 1b | deest | Canon for 3 in 3 in B-flat major, K. deest NMA III/10 Anh II No. 1b (sketch): Canon | 1781 or 1782 | |
NMA III/10 Anh II No 2 | deest | Canon for 4 in 4 in F major, K. deest NMA III/10 Anh II No 2 (sketch): Canon | 1781 or 1782 | |
NMA III/10 Anh II No. 3 | deest | Canon for 4 in 4 in B-flat major, K. deest NMA III/10 Anh II No. 3 (sketch): Canon | 1781 or 1782 | |
NMA III/10 Anh II No. 4 | deest | Canon for 4 in 4 in E-flat major, K. deest NMA III/10 Anh II No. 4 (sketch): Canone | end of 1785 or 1786 | |
NMA III/10 Anh II No. 6 | deest | Canon for 3 in 1 in F major, K. deest NMA III/10 Anh II No. 6 (sketch): Canon | 1786-06-03 | |
2 Canons for 2 in 1 in F major | ||||
NMA III/10 Anh II No. 7a | deest | 2 Canons for 2 in 1 in F major, K. deest NMA III/10 Anh II No. 7a (sketch): Canon | 1786-06-03 | |
NMA III/10 Anh II No. 7b | deest | 2 Canons for 2 in 1 in F major, K. deest NMA III/10 Anh II No. 7b (sketch): Canon | 1786-06-03 | |
NMA III/10 Anh II No. 9 | deest | Canon for 4 in 4 in B-flat major, K. deest NMA III/10 Anh II No. 9 (sketch): Canon | 1787 or 1888 | |
NMA III/10 Anh II No. 10 | deest | Canon for 4 in 4 in C major, K. deest NMA III/10 Anh II No. 10 (sketch): Canon | 1787 or 1888 | |
NMA III/10 Anh II No. 11 | deest | Canon for 4 in 3 in C major, K. deest NMA III/10 Anh II No. 11 (sketch): Canon | 1787 or 1888 | |
NMA IV/13/Abt. 1 Anh No. 3 | deest | Second Half of a Dance for Violin in F major, K. deest NMA IV/13/Abt. 1 Anh No. 3 | ? | |
NMA IX/24/Abt. 1/Nachtrag | deest | Larghetto and Allegro for 2 Pianos in E-flat major, K. deest NMA IX/24/Abt. 1/Nachtrag Fr 1781f (109 measure fragment): Larghetto - allegro | 1781 | |
NMA IX/24/Abt. 1/Nachtrag | deest | Larghetto and Allegro for 2 Pianos in E-flat major, K. deest NMA IX/24/Abt. 1/Nachtrag (Paul Badura-Skoda completion): Larghetto - allegro | ? | |
NMA IX/24/Abt. 1/Nachtrag | deest | Larghetto and Allegro for 2 Pianos in E-flat major, K. deest NMA IX/24/Abt. 1/Nachtrag Fr 1781f (Maximilian Stadler completion): Larghetto - allegro | ? | |
NMA IX/24/Abt. 1/Nachtrag | deest | Larghetto and Allegro for 2 Pianos in E-flat major, K. deest NMA IX/24/Abt. 1/Nachtrag Fr 1781f (Robert Levin completion): Larghetto - allegro | ? | |
5 Technical Exercises | ||||
NMA IX/27/1 I. No. 52-1 | deest | 5 Technical Exercises for Piano in F major, K. deest NMA IX/27/1 I. No. 52 No. 1 "Notenbuch für Nannerl Mozart": (no tempo indication) | ? | |
NMA IX/27/1 I. No. 52-2 | deest | 5 Technical Exercises for Piano in C major, K. deest NMA IX/27/1 I. No. 52 No. 2 "Notenbuch für Nannerl Mozart": (no tempo indication) | ||
NMA IX/27/1 I. No. 52-3 | deest | 5 Technical Exercises for Piano in E-flat major, K. deest NMA IX/27/1 I. No. 52 No. 3 "Notenbuch für Nannerl Mozart": (no tempo indication) | ||
NMA IX/27/1 I. No. 52-4 | deest | 5 Technical Exercises for Piano in C major, K. deest NMA IX/27/1 I. No. 52 No. 4 "Notenbuch für Nannerl Mozart": (no tempo indication) | ||
NMA IX/27/1 I. No. 52-5 | deest | 5 Technical Exercises for Piano in C major, K. deest NMA IX/27/1 I. No. 52 No. 5 "Notenbuch für Nannerl Mozart": (no tempo indication) | ||
NMA IX/27/1 I. No. 57 | deest | Interval Table, K. deest NMA IX/27/1 I. No. 57 | ? | |
NMA IX/27/1 I. No. 60-1 | deest | 3 Modulating Figured Basses, K. deest NMA IX/27/1 I. No. 60 No. 1 | ? | |
NMA IX/27/1 I. No. 60-2 | deest | 3 Modulating Figured Basses, K. deest NMA IX/27/1 I. No. 60 No. 2 | ||
NMA IX/27/1 I. No. 60-3 | deest | 3 Modulating Figured Basses, K. deest NMA IX/27/1 I. No. 60 No. 3 | ||
NMA IX/27/2 No. 2 | deest | Modulating Prelude for Piano in F major to E minor, K. deest NMA IX/27/2 No. 2: (no tempo indication) | 1776 or 1777 | |
NMA IX/27/2 Anh 3 | deest | Adagio for Piano in B-minor, K. deest NMA IX/27/2 Anh 3 Fr 1788b (5.5 measure fragment): Adagio | 1788 | |
2 Contrapuntal Sketches for Piano | ||||
NMA IX/27/2 Anh No. 16 | deest | 2 Contrapuntal Sketches for Piano in E-flat major, K. deest NMA IX/27/2 Anh No. 16 No. 1 Skb 1782α (1) (11 measure sketch): (no tempo indication) | ? | |
NMA IX/27/2 Anh No. 16 | deest | 2 Contrapuntal Sketches for Piano in C minor, K. deest NMA IX/27/2 Anh No. 16 No. 2 Skb 1782α (2) (11 measure sketch): (no tempo indication) | ? | |
6 Fugues for Piano in E minor | ||||
NMA IX/27/2 Anh No. 17-1 | deest | 6 Fugues for Piano in E minor, K. deest NMA IX/27/2 Anh No. 17-1 (15 measure sketch): Fuga | ? | |
NMA IX/27/2 Anh No. 17-2 | deest | 6 Fugues for Piano in E minor, K. deest NMA IX/27/2 Anh No. 17-2 (19 measure sketch): Fuga | ||
NMA IX/27/2 Anh No. 17-3 | deest | 6 Fugues for Piano in E minor, K. deest NMA IX/27/2 Anh No. 17-3 (4.5 measure sketch): Fuga | ||
NMA IX/27/2 Anh No. 17-4 | deest | 6 Fugues for Piano in E minor, K. deest NMA IX/27/2 Anh No. 17-4 (4 measure sketch): Fuga | ||
NMA IX/27/2 Anh No. 17-5 | deest | 6 Fugues for Piano in E minor, K. deest NMA IX/27/2 Anh No. 17-5 (4 measure sketch): Fuga | ||
NMA IX/27/2 Anh No. 17-6 | deest | 6 Fugues for Piano in E minor, K. deest NMA IX/27/2 Anh No. 17-6 (20 measure sketch): Fuga | ||
2 Fugues in E-flat major | ||||
NMA IX/27/2 Anh No. 18-1 | deest | 2 Fugues in E-flat major, K. deest NMA IX/27/2 Anh No. 18-1 (10 measure sketch): Fuga | ? | |
NMA IX/27/2 Anh No. 18-2 | deest | 2 Fugues in E-flat major, K. deest NMA IX/27/2 Anh No. 18-2 (5 measure sketch): Fuga | ||
NMA IX/27/2 Anh No. 22 | deest | Fugue in D minor, K. deest NMA IX/27/2 Anh No. 22 (31 measure fragment): Fuga | ? | |
NMA IX/27/2 Anh No. 22 | deest | Fugue in D minor, K. deest NMA IX/27/2 Anh No. 22 (Leonard Danek completion): Fuga | ? | |
NMA IX/27/2 Anh No. 23 | Note: | See also the listing for K. Anh C 27.10 for the Mozart-only fragment version of K. Anh C 27.10. | ||
NMA IX/27/2 Anh No. 23 | deest | Fugue for Piano in E-flat major, K. deest NMA IX/27/2 Anh No. 23 (August Alexander Klengel completion of K. Anh C 27.10): Fuga a due. Allegro | ? | |
"Notenbuch für Nannerl Mozart" | ||||
N/A | Note: | Much of the "Notenbuch für Nannerl Mozart" is not by W.A. Mozart; much of it is by unknown composers. However, as you may need to enter a release containing these works, it is included in this list. The dates are thought to be 1759 for all, save those actually by W.A. Mozart. The parts of the Notenbuch attributed to W.A. Mozart can be found at K. 1a, K. 1b, K. 1c, K. 1d, K. 1e, K. 1f, K. 2, K. 3, K. 4, K. 5, K. 5a, K. 5b, K. 6, K. 7, K. 8, K. Zu 32 No. 14, NMA IX/27/1 I. No. 52, NMA IX/27/1 I. No. 57, and NMA IX/27/1 I. No. 60 Nos. 1-3. | ||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in C major, NMA IX/27/1 I. No. 1 "Notenbuch für Nannerl Mozart" No. 1: Minuet | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in F major, NMA IX/27/1 I. No. 2 "Notenbuch für Nannerl Mozart" No. 2: Minuet | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in C major, NMA IX/27/1 I. No. 3 "Notenbuch für Nannerl Mozart" No. 3: Minuet | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in G major, NMA IX/27/1 I. No. 4 "Notenbuch für Nannerl Mozart" No. 4: Minuet | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in F major, NMA IX/27/1 I. No. 5 "Notenbuch für Nannerl Mozart" No. 5: Minuet | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in F major, NMA IX/27/1 I. No. 6 "Notenbuch für Nannerl Mozart" No. 6: Minuet | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in D major, NMA IX/27/1 I. No. 7 "Notenbuch für Nannerl Mozart" No. 7: Minuet | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in F major, NMA IX/27/1 I. No. 8 "Notenbuch für Nannerl Mozart" No. 8: Minuet | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in A major, NMA IX/27/1 I. No. 9 "Notenbuch für Nannerl Mozart" No. 9: Minuet | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in D major, NMA IX/27/1 I. No. 10 "Notenbuch für Nannerl Mozart" No. 10: Minuet | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in F major, NMA IX/27/1 I. No. 11 "Notenbuch für Nannerl Mozart" No. 11: Minuet & Trio | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in A major, NMA IX/27/1 I. No. 12 "Notenbuch für Nannerl Mozart" No. 12: Minuet | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in A major, NMA IX/27/1 I. No. 13 "Notenbuch für Nannerl Mozart" No. 13: Minuet | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in E major, NMA IX/27/1 I. No. 14 "Notenbuch für Nannerl Mozart" No. 14: Minuet | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in E major, NMA IX/27/1 I. No. 15 "Notenbuch für Nannerl Mozart" No. 15: Minuet | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in C major, NMA IX/27/1 I. No. 16 "Notenbuch für Nannerl Mozart" No. 16: Minuet | ||||
N/A | N/A | Composer: Leopold Mozart | ||
Minuet for Piano in F major, NMA IX/27/1 I. No. 17 "Notenbuch für Nannerl Mozart" No. 17: Minuet & Trio | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in B major, NMA IX/27/1 I. No. 18 "Notenbuch für Nannerl Mozart" No. 18: Minuet & Trio | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in C major, NMA IX/27/1 I. No. 21 "Notenbuch für Nannerl Mozart" No. 21: Minuet & Trio | ||||
N/A | N/A | Composer: Unknown | ||
March for Piano in F major, NMA IX/27/1 I. No. 22 "Notenbuch für Nannerl Mozart" No. 22: Marche | ||||
N/A | N/A | Composer: Unknown | ||
March for Piano in F major, NMA IX/27/1 I. No. 23 "Notenbuch für Nannerl Mozart" No. 23: Marche | ||||
N/A | N/A | Composer: Unknown | ||
Allegro for Piano in C major, NMA IX/27/1 I. No. 27 "Notenbuch für Nannerl Mozart" No. 27: Allegro | ||||
N/A | N/A | Composer: Unknown | ||
Allegro for Piano in F major, NMA IX/27/1 I. No. 28 "Notenbuch für Nannerl Mozart" No. 28: Allegro | ||||
N/A | N/A | Composer: Unknown | ||
Piece for Piano in F major, NMA IX/27/1 I. No. 29 "Notenbuch für Nannerl Mozart" No. 29: (no tempo indication) | ||||
N/A | N/A | Composer: Unknown | ||
Allegro for Piano in G major, NMA IX/27/1 I. No. 30 "Notenbuch für Nannerl Mozart" No. 30: Allegro | ||||
N/A | N/A | Composer: Georg Christoph Wagenseil | ||
Scherzo for Piano in C major, NMA IX/27/1 I. No. 31 "Notenbuch für Nannerl Mozart" No. 31: Scherzo | ||||
N/A | N/A | Composer: Unknown | ||
Scherzo for Piano in F major, NMA IX/27/1 I. No. 32 "Notenbuch für Nannerl Mozart" No. 32: Scherzo | ||||
N/A | N/A | Composer: Unknown | ||
Allegro for Piano in F major, NMA IX/27/1 I. No. 33 "Notenbuch für Nannerl Mozart" No. 33: Allegro | ||||
N/A | N/A | Composer: Unknown | ||
Allegro for Piano in C major, NMA IX/27/1 I. No. 34 "Notenbuch für Nannerl Mozart" No. 34: Allegro | ||||
N/A | N/A | Composer: Unknown | ||
Tempo di Menuetto for Piano in F major, NMA IX/27/1 I. No. 35 "Notenbuch für Nannerl Mozart" No. 35: Tempo di menuetto | ||||
N/A | N/A | Composer: Unknown | ||
Allegro moderato for Piano in F major, NMA IX/27/1 I. No. 36 "Notenbuch für Nannerl Mozart" No. 36: Allegro moderato | ||||
N/A | N/A | Composer: Unknown | ||
Andante for Piano in B major, NMA IX/27/1 I. No. 37 "Notenbuch für Nannerl Mozart" No. 37: Andante | ||||
N/A | N/A | Composer: Unknown | ||
Andante for Piano in C major, NMA IX/27/1 I. No. 38 "Notenbuch für Nannerl Mozart" No. 38: Andante | ||||
N/A | N/A | Composer: Carl Philipp Emanuel Bach | ||
Arietta con Variazioni for Piano in A major, NMA IX/27/1 I. No. 39 "Notenbuch für Nannerl Mozart" No. 39: Arietta variata & Variations I - VII Da capo & Variations VIII - XII Da capo dal segno & Arietta da capo | ||||
N/A | N/A | Composer: Unknown | ||
Allegro for Piano in C major, NMA IX/27/1 I. No. 40 "Notenbuch für Nannerl Mozart" No. 40: Allegro | ||||
N/A | N/A | Composer: Unknown | ||
Allegro for Piano in G major, NMA IX/27/1 I. No. 41 "Notenbuch für Nannerl Mozart" No. 41: Allegro | ||||
N/A | N/A | Composer: Unknown | ||
Allegro for Piano in g major, NMA IX/27/1 I. No. 42 "Notenbuch für Nannerl Mozart" No. 42: Allegro | ||||
N/A | N/A | Composer: J. N. Tischer | ||
Presto for Piano in A major, NMA IX/27/1 I. No. 43 "Notenbuch für Nannerl Mozart" No. 43: Presto | ||||
N/A | N/A | Composer: Unknown | ||
Polonoise for Piano in F major, NMA IX/27/1 I. No. 44 "Notenbuch für Nannerl Mozart" No. 44: Polonoise Da capo | ||||
N/A | N/A | Composer: J. J. Agrell | ||
Allegro for Piano in E minor, NMA IX/27/1 I. No. 45 "Notenbuch für Nannerl Mozart" No. 45: Allegro | ||||
N/A | N/A | Composer: Unknown | ||
Allegro for Piano in C major, NMA IX/27/1 I. No. 46 "Notenbuch für Nannerl Mozart" No. 46: Allegro | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in D major, NMA IX/27/1 I. No. 47 "Notenbuch für Nannerl Mozart" No. 47: Minuet I | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in F major, NMA IX/27/1 I. No. 48 "Notenbuch für Nannerl Mozart" No. 48: Minuet II | ||||
N/A | N/A | Composer: Unknown | ||
Minuet for Piano in F major, NMA IX/27/1 I. No. 49 "Notenbuch für Nannerl Mozart" No. 49: Minuet | ||||
N/A | N/A | Composer: Unknown | ||
Piece for Piano in G major, NMA IX/27/1 I. No. 50 (fragment)"Notenbuch für Nannerl Mozart" No. 50: (no tempo indication) | ||||
N/A | N/A | Composer: Unknown | ||
Concerto movement for Piano in G major, NMA IX/27/1 I. No. 51 "Notenbuch für Nannerl Mozart" No. 51: Molto allegro |
A note on numbered symphonies:
Symphonies 1-41 were officially numbered in their original publication by Breitkopf & Härtel between 1879 and 1882. Symphonies 42-47 were published together by Breitkopf & Härtel in 1881, as a supplement, and were unnumbered, though each symphony number from this supplement has come to be numbered in a consistent manner (K. 75 is always Symphony No. 42, etc).
The same is not true, however, for symphony numbers above 47. There are several unnumbered zu and Anhang symphonies, as well as various disconnected symphony movements and fragments from symphony movements. Many of these are often assigned a high symphony number in performance programs and on LP/CD liners, but there is no consistency as to which symphony numbers refer to which works - K. 213c/102 may be referred on one performance as Symphony No. 48, on another as Symphony No. 52, and in a third as an unnumbered symphony. In 1886, Breitkopf & Härtel published the final movements to three additional symphonies (K. 213c/102, K. 111a/120, and KV 163), again unnumbered. These three, like the other such mentioned movements and fragments, have been referred to as Nos. 48-50, Nos. 49-51, as well as higher symphony numbers. However, there is some good justification for these being numbered as 48-50. In this listing, they are numbered as is most common, K. 213c/102 = No. 48, K. 111a/120 = No. 49, and KV 163 (reunited by K6 with KV161 as K. 141a/161+163) = No. 50.
Thus please note that if you are adding a release in which tracks list any symphonies numbered higher than 47, special attention needs to be paid to see if you have the correct work identifications. Any symphony numbered between 48 and 50 might be incorrectly identified as to work number; any symphony numbered higher than 50 almost definitely is - there are no symphonies correctly numbered, officially or unofficially, higher than Symphony No. 50. (The most commonly misnumbered works are K. 213c/102, K. 111a/120, K. 141a/161+163, K. 208 (played as a libretto, not an opera), K. 141a/161+163, K. Anh C 11.03/K3 74g/Anh 216, and K. 45b/Anh 214).
That said, here are the real links to the correct Symphony numbers 48, 49, and 50.:)
A note on numbered violin sonatas:
Breitkopf & Härtel originally published the violin sonatas in two volumes in 1879. They numbered 45 sonatas, and these are the numbers used in this list. Several of the works included, however, are not by Mozart: KV 55-61, numbered as Nos. 17-23 by Breitkopf & Härtel. Others since then have attempted to renumber the violin sonatas. Many omit Nos. 1-16 from the Breitkopf & Härtel list as juvenilia. Some move Nos. 5-10 to the list of numbered piano trios. K. 570 is sometimes added, as it originally was published with a violin accompaniment. However, even the NMA renumbering has its own issues. Thus, for our purposes, the original Breitkopf & Härtel numbering is being used.
Side note: Wikipedia's numbering system on their list of Mozart's compositions should be ignored; in a discussion note on 2006-11-08, they simply decided to start their own rather random numbering system for violin sonatas, "for the benefit of the general users of Wikipedia, who do not really understand these compositional technicalities".
Alte Mozart-Ausgabe
Normally abbreviated AMA.
A complete set of scores to every work thought to be by Wolfgang Amadeus Mozart at the time.
Published by Breitkopf & Härtel between 1877 and 1883, then Supplements to the catalog published up until 1910.
Chronologisch-thematisches Verzeichnis sämtlicher Tonwerke Wolfgang Amadé Mozarts
The original and most familiar complete catalog of Wolfgang Amadeus Mozart's works. There have been 8 editions. The 4th, 5th, 7th, and 8th editions were reprints. The 2nd edition was a minor revision; the 3rd and 6th editions were complete overhauls of the catalog.
- 1st edition: written by Ludwig Ritter von Köchel published in 1862 (KV)
- 2nd edition: edited by Paul von Waldersee published in 1905 (K²)
- 3rd edition, edited by Alfred Einstein published in 1937 (K³)
- 3rd edition reprint with revisions to some commentary and Zu notes, edited by Alfred Einstein and published in 1947 (K³ª)
- 4th edition, a reprint of the 3rd edition published in 1958
- 5th edition, a reprint of the 3rd edition published in 1961
- 6th edition, edited by Franz Giegling, Alexander Weinmann and Gerd Sievers published in 1964 (K6, K⁶)
- 7th edition, a reprint of the 6th edition published in 1965
- 8th edition, a reprint of the 6th edition published in 1983
- Neal Zaslaw is currently working on "Der neue Köchel" at the request of Breitkopf & Härtel.
Note that in Köchel 6, work numbers higher than 626 have special meanings.
- All 626aI works are Cadenzas & Eingange[6] to Concerti for Keyboard by Wolfgang Amadeus Mozart (64 works)
- All 626aII works are Cadenzas & Eingange[7] to Concerti for Keyboard by other composers
- 626aII/A: Cadenza for Wolfgang Amadeus Mozart K. 107/1
- 626aII/B: Cadenza for Wolfgang Amadeus Mozart K. 107/2
- 626aII/C: Cadenza for Wolfgang Amadeus Mozart K. 40: I.
- 626aII/D: Cadenza for J.S. Schroeter: Op. 3 No. 4: I.
- 626aII/E: Cadenzas for unknown concerto by unknown composer (moved to Anhang C15.10 in Köchel 6)
- 626aII/F: Cadenza for J.S. Schroeter: Op. 3 No. 6: I.
- 626aII/G: Cadenza for J.S. Schroeter: Op. 3 No. 6: II.
- 626aII/H: Cadenza for J.S. Schroeter: Op. 3 No. 1: I.
- 626aII/I: Transitions (moved to Anhang C15.10 in Köchel 6)
- 626aII/K: Cadenza for Ignaz v. Beecke: unknown concerto: II.
- 626aII/L: 2 Cadenzas for unknown concerto by unknown composer
- 626aII/M: Ornamentation for K. 451: II.
- 626aII/N: Cadenza for J.S. Schroeter: Op. 3 No. 3: I.
- 626aII/O: Cadenza for J.S. Schroeter: Op. 3 No. 3: II.
- All 626b works are sketches and fragments (48 sketches and fragments)
The original Köchel catalog included 5 appendices:
- Anhang I: Lost authentic Compositions (Anh. 1 - 11)
- Anhang II: Fragmentary Compositions (Anh. 12 - 109)
- Anhang III: Transcribed Works by Others (Anh. 110 - 184)
- Anhang IV: Doubtful Compositions (Anh. 185 - 231)
- Anhang V: Spurious Compositions (Anh 232 - 294)
Note that Köchel kept lost works and fragments separate from the works listing - any lost or fragmentary work which was listed was placed in KV Anhang II. Many of these were then moved to the main catalog by Alfred Einstein in K3.
Köchel 6 included 3 appendices of music:
- Anhang A: Copies of Other Composers Works in Mozart's Handwriting (88 works)
- Anhang B: Transcriptions of works by Mozart done by others
- Anhang C: Doubtful and Misattributed Works
- 1.* Masses (39 works)
- 3.* Smaller Church Works (38 works)
- 4.* Cantatas (1 work)
- 5.* Operas (1 work)
- 7.* Arias, Scenes, Works for Choir with Orchestra (9 works)
- 8.* Songs with Piano Accompaniment (50 works)
- 9.* Songs for Multiple Voices (14 works)
- 10.* Canons (22 works)
- 11.* Symphonies (16 works)
- 13.* Church Sonatas (3 works)
- 14.* Marches, Dances for Orchestra (6 works)
- 15.* Concertos for One or More Solo Instruments (6 works)
- 16.* Concertos for One or More Pianos (1 work)
- 17.* Divertimenti for Wind (12 works)
- 20.* String Quartets (7 works)
- 22.* Trios for Piano, Violin and Cello (2 works)
- 23.* Sonatas for Piano and Violin (9 works)
- 24.* Works for Piano with Four Hands (2 works)
- 25.* Sonatas, Fantasies, Rondos for Piano (5 works)
- 26.* Variations for Piano (22 works)
- 27.* Individual Pieces for Piano, Organ, or Mechanical Organ (12 works)
- 29.* Dances and Marches for Piano or String Instruments (52 works)
- 30.* Micellaneous works (6 works)
- The rest of the appendices contain no music, but are lists of publishers, etc.
Wolfgang Amadeus Mozart. Neue Ausgabe sämtlicher Werke
Normally referred to as the Neue Mozart-Ausgabe and abbreviated NMA.
A new complete set of scores to every work thought to be by Wolfgang Amadeus Mozart, including a large number of autographs, sketches, fragments, and other works unknown at the time the Alte Mozart-Ausgabe was published. Also AMA transcription errors are corrected in this version, spurious works since discovered to not be by Wolfgang Amadeus Mozart are corrected, and critical commentary on the works and on authenticity and degrees of questionable attribution are discussed.
Published by Bärenreiter-Verlag between 1955 and 1991, with Supplements containing the remaining critical commentary and fragments/sketches continuing to be published. Almost all works have already been either published or assigned a position within the final Supplement (Volume X), but there do remain a very few number of works which do not have an Neue Mozart-Ausgabe work catalog assignment, and thus do not have an NMA number.
The entire contents of all NMA published volumes is also available online.
The Wolfgang Amadeus Mozart. Neue Ausgabe sämtlicher Werke is being created by the Neue Mozart-Ausgabe of the Internationale Stiftung Mozarteum.
Many non-Köchel listed works are often simply listed as "deest". However, as this indication can refer to any of many thousands of sketches and fragments, or even completed works not listed in Köchel, four different catalog indications have begun to be used, since the publication by the NMA of volumes encompassing those works. These numbers also may be searched for at the NMA's online archives. Any of these four types of catalog indications may appear in the above list; such a presence in the otherwise K6 column ought to be taken as an indication that the work is deest even in K6.
- NMA
- Fr
- Sk
- Skb
- F.
NMA numbers look like "NMA IV/13/Abt. 1/2 No. 1", "NMA IX/24/I Anh 10 No. 3", "NMA IV/12/6, Orchesterwerke III No. 2". This indicates the NMA series / working group / volume, the work number within the volume, then, if needed, which supplimentary volume to the main volume (Orchesterwerke, Studienpartitur, Critical Report, etc).
Fr numbers all come from NMA X/30/4 (or the IX Supplements). They identify fragmentary works. While they could be referred to as above, as they all come from the same series and working group, it has become common to refer to them in the much shorter and still specific manner "Fr 1771b". "Fr" for "fragment," a year, and an identifying alphabetical character. The year does not indicate the exact year in which the fragment originated, it simply is an indication of the earliest possible date in an approximate period spanning several years. The letters also do not indicate any particular chronological order; they serve only to specifically identify a given fragment.
Sk and Skb numbers all come from NMA X/30/3 (or the IX Supplements). They identify sketches and Sketch books / pages to an identifiable movement or work. They use the same form as Fr numbers.
F. numbers are also from NMA X/30/3 (or the IX Supplements). They identify sketches which cannot be identified to any particular movement or work. They use the same form as Fr numbers.
There are 10 different series of volumes in Wolfgang Amadeus Mozart. Neue Ausgabe sämtlicher Werke (133 total volumes, not counting volumes of critical commentary or reissues):
- Series I: Sacred Vocal Music (15 volumes)
- Series II: Theatre Music (32 volumes)
- Series III: Songs, Vocal Ensembles, and Canons (3 volumes)
- Series IV: Orchestral Works (19 volumes)
- Series V: Concertos (14 volumes)
- Series VI: Church Sonatas (1 volume)
- Series VII: Orchestral Serenades, Divertimentos, and Marches (3 volumes)
- Series VIII: Chamber Music (11 volumes)
- Series IX: Piano Music (8 volumes)
- Series X: Supplement (26 volumes, 5 of them yet unpublished (volumes 109, 110, 121, 126, 127))
Specific identifications for obscurities and fragment completions
In no way a complete list, but this ought to help ID just which listing you want for some of the more difficult identifications, with thanks to the folks at MozartForum.
Release Title | Label | Catalog # |
Vollendet im Unvollendeten? Mozart Fragmente | ORF | CD 433 |
Track 1: Fr 1764e | ||
Track 2: 626b/25 (the version with both I and II) | ||
Track 3: Fr 1765b | ||
Track 17: Anh. C 15.11 | ||
Track 22: Fr 1782r | ||
Track 23: Fr 1782s | ||
Track 35: Fr 1788b | ||
"Fragments and Unfinished Works for Piano" by Duo Crommelynck | Claves | 50-9109 |
"626b/25" = the separated, fragment versions of I and II | ||
"Prelude Fragment in C major for Piano" = Anh. C 15.11 | ||
"Adagio in b-minor K450" = K. 540 (typo on liner) | ||
"Fugue in E-flat major KV Anh 109" = ? | ||
The deest "Sonata Movement in C" is NMA IX:25/ii/Anh1. | ||
Contrapuntal Sketches is NMA IX:27/ii Anh 16. | ||
6 Fugues in E minor is NMA IX:27/ii Anh 17. | ||
2 Fugues in E-flat major is NMA:27/ii Anh 18. | ||
Fugue in D minor is NMA IX:27ii/ Anh 22. | ||
Piano Exercises is K. 626b/28. | ||
"Piece in E-flat major" is 626b/25 | ||
"Fugue in C minor" is 626b/27. | ||
Complete KeyboAR'd Works by Bart van Oort | Brilliant Classics | 93025 |
"Modulating Prelude KV. 624" = Anh. C 15.11 | ||
"Overture to Die Entfühtung aus dem Serail KV. 384" = K. Zu 384: Ouvertüre | ||
"Contredanse in D major KV. 534" is the solo piano version of K. 534 | ||
"Klavierstück in B-flat major KV deest" = the LeonAR'd Danek version of 626b/25 | ||
K. 372a is the fragment version. | ||
Tutti i frammenti by Marco Falossi | Iktius | IKT 025 |
K. 372a is the fragment version. | ||
The deest "Sonata Movement in C" is NMA IX:25/ii/Anh1. | ||
Contrapuntal Sketches is NMA IX:27/ii Anh 16. | ||
6 Fugues in E minor is NMA IX:27/ii Anh 17. | ||
2 Fugues in E-flat major is NMA:27/ii Anh 18. | ||
Fugue in D minor is NMA IX:27ii/ Anh 22. | ||
Piano Exercises is K. 626b/28. | ||
"Piece in E-flat major" is 626b/25 | ||
"Fugue in C minor" is 626b/27. | ||
205b/284 is included somewhere on this CD | ||
Complete Mozart Edition, Volume 20 | Philips | 422-520-2 |
K. 296a is the Maximilian Stadler completion. | ||
K. 323 is the Maximilian Stadler completion. | ||
Nikolaus Harnoncourt conducting Concentus Musicus Wien and Arnold Schoenberg Chor and solists | Teldec | 4509-98928-2 |
K. 296a is the Maximilian Stadler completion. | ||
K. 323 is the Maximilian Stadler completion. | ||
Martin Haselböck conducting the Wiener Akademie, Chorus Viennensis and soloists | Novalis | 150 081-2 |
K. 468 is the Rainer Bischof completion. | ||
Complete Mozart Edition, Volume 23 | Philips | 422-523-2 |
K. 383h is the E. Reichert completion. | ||
K. 384A is the Erik Smith completion. | ||
K. 382h needs an additional orchestration AR for Erik Smith | ||
K. 386d needs an additional orchestration AR for Erik Smith | ||
K. 417e needs an additional orchestration AR for Erik Smith | ||
K. 571a is the Erik Smith version. | ||
K. 416b is the Erik Smith version. | ||
K. 416c is the Erik Smith version. | ||
K. 580 is the Erik Smith version. | ||
Entführung aus dem Serail | Philips | 416 479-2 |
K. 384A is the Erik Smith completion. | ||
Christopher Hogwood conducting the Academy of Ancient Music | L’Oiseau Lyre | 411 720-2) |
K. 525: The added Minuet movement is an adaptation of K. 506a by Christopher Hogwood. | ||
Complete Mozart Edition, Volume 6 | Philips | 522 506-2 |
K. 61g/2 is the "2 Flutes & Strings" version. | ||
K. 73h is the "on Orchestra" version. | ||
K. 269b/4 is the "for Orchestra" version. | ||
K. 299d is the Erik Smith version. | ||
K. 315g/8 is the "on Orchestra" version. | ||
K. 534 is the Erik Smith version. | ||
K. 535a ought to also have an orchestration AR for Erik Smith. | ||
K. 535b is the Erik Smith completion. | ||
All modified version works on this release ought to credit Erik Smith as arranger. | ||
Dietrich Fischer-Dieskau Sings Arias by Haydn & Mozart | Decca | LP SXL 6490 |
K. 416c is the fragment version, Fürst ought to be AR'd as arranger. | ||
Dietrich Fischer-Dieskau Sings Arias by Haydn & Mozart | Decca LP SXL 6490 or Decca LP JB100 | LP JB100 |
K. 416c is the fragment version, Fürst ought to be AR'd as arranger. | ||
Le Lieder Quartett | Arion | ARN 68161 |
K. 571a is the Theodor Veidl version. | ||
Vocal Duets, Trios and Quartets | Musical Heritage Society | HMS 4318 |
K. 571a is the Theodor Veidl version. | ||
? | Valois | V4621 |
K. deest "Larghetto and Allegro for 2 Pianos in E-flat major" is the Robert Levin version. | ||
? | Nonesuch | 78023 |
K. deest "Larghetto and Allegro for 2 Pianos in E-flat major" is the Robert Levin version. | ||
? | Internationale Stiftung Mozarteum | ISM 90/1 |
K. deest "Larghetto and Allegro for 2 Pianos in E-flat major" is the Robert Levin version. | ||
? | Bärenreiter Musicaphon | LP BM 30 L 1535 |
K. deest "Larghetto and Allegro for 2 Pianos in E-flat major" is the Maximilian Stadler version. | ||
? | Nuova Era | 6822 |
K. deest "Larghetto and Allegro for 2 Pianos in E-flat major" is the Maximilian Stadler version. | ||
? | Glossa | GCD 921302 |
K. deest "Larghetto and Allegro for 2 Pianos in E-flat major" is the Maximilian Stadler version. | ||
? | Arion | ARN68028 |
K. deest "Larghetto and Allegro for 2 Pianos in E-flat major" is the Paul Badura-Skoda version. | ||
? | Erato | LP ERA 9062 |
K. deest "Larghetto and Allegro for 2 Pianos in E-flat major" is the Paul Badura-Skoda version. | ||
Complete Mozart Edition Volume 16 | Philips | 422 516-2 & 454 026-2 |
K. deest "Larghetto and Allegro for 2 Pianos in E-flat major" is the Paul Badura-Skoda version. | ||
K. 500a is the Julius André version. | ||
K. 497a is the Julius André version. | ||
Complete Mozart Edition Volume 15 | Philips | 422 515-2 |
K. 372 is the Maxillian Stadler version. | ||
K. 385c is the Maxillian Stadler version. | ||
K. 385d is the Julius André version. | ||
K. 385e is the Maxillian Stadler version. | ||
K. 385f is the Maxillian Stadler version. | ||
Sonaten für Violine und Klavier Volume 6 | Nuova Era | 6784 |
K. 372 is the Maxillian Stadler version. | ||
K. 385e is the Maxillian Stadler version. | ||
Complete Mozart Edition Volume 18 | Philips | 422 518-2 |
K. 372a is the Maxillian Stadler version. | ||
Les Sonates pour le Forte-Piano Volume 2 | Astrée | E8682 |
K. 372a is the Maxillian Stadler version. | ||
K. 590d is the Paul Badura-Skoda version. | ||
Klavierstücke | Ricercar | RIC 105081 |
K. 372a is the Maxillian Stadler version. | ||
K. 385f is the Maxillian Stadler version. | ||
Ingrid Haebler and Ludwig Hoffmann | LPVOX | SVBX 566 |
K. 497a is the Julius André version. | ||
Mozart's Fragments Only - The Unfinished Mozart | Emergo | EC 3992-2+F192 |
Every work on this CD is the fragment version. There are no completions on this CD. | ||
?Mozart! Volume 6 | MD+G | 301 0499-2 |
K. 384b is the Eberhard Buschmann version. | ||
K. 384B is the Eberhard Buschmann version. | ||
K. 384c is the Eberhard Buschmann version. | ||
Chicago Symphony Winds | CBS | M2K 42144 |
K. 384c is the Larry Combs version. | ||
Wolfgang Bauer | Organo phon | E10003 |
K. 385k is the Simon Sechter version. | ||
K. 580a is the Johannes Pröger version. | ||
Melvyn Tan | EMI | CDC 7 54021-2 |
K. 385f is the Maximilian Stadler version. | ||
Complete Piano Music Volume 2 | VOX | SVBX 5407 |
K. 385f is the Maximilian Stadler version. | ||
Complete Piano Music Volume 2 | Turnabout | TV 37009S |
K. 385f is the Maximilian Stadler version. | ||
? | Entr'acte | ESCD 6501 |
K. 372a is the Maximilian Stadler version. | ||
? | Concerto Bayreuth | CB 16 002 |
K. 515c is the Franz Beyer version. | ||
K. 514a is the Franz Beyer version. | ||
Complete Mozart Edition Volume 15 | Philips | 522 525-2 |
K299c is the Erik Smith version. | ||
? | Nonesuch | 79105-1 |
K. 516c is the Robert Levin version. | ||
? | M+DG | 3375 |
K. 516c is the Robert Levin version. | ||
K. 580b is the Franz Beyer version. | ||
K. 581a is the Buschmann version. | ||
? | Arta | F1 0079-2 |
K. 516c is the Robert Levin version. | ||
? | AmonRa | SAR 17 |
K. 516c is the Duncan Druce version. | ||
K. 580b is the Duncan Druce version. | ||
Complete Mozart Edition Volume 10 | Philips | 422 510-2 |
K. 580b is the Erik Smith version. | ||
K. 565a is the Erik Smith version. | ||
K. 514a is the Erik Smith version. | ||
K. 589a is the Erik Smith version. | ||
K. 464a is the Erik Smith version. | ||
? | Claves | CD 50-8007 |
K. 580b is the Gerhard Mass version. | ||
K. 581a is the Otto Bach version. | ||
Complete Mozart Edition Volume 45 | Philips | 422 545-2 |
K. 565a is the Erik Smith version. | ||
This K. 565a also ought to credit Erik Smith for orchestration. | ||
K. 371 is the Robert Levin version. | ||
Complete Wind Concerti | MusicMasters | 01612-67191-2 |
K. 370b is the Robert Levin version. | ||
K. 371 is the Robert Levin version. | ||
? | Naxos | 8.553592 |
K. 370b is the John Humphries version. | ||
K. 371 is the Robert Levin version. | ||
The final movement of K. 386b is the Süßmayr version of K. 514. | ||
? | LaserLight | 15 874 |
K. 370b is the Herman Jeurissen version. | ||
K. 371 is the Robert Levin version. | ||
The final movement of K. 386b is the Süßmayr version of K. 514. | ||
? | Olympia | OCD 470 |
K. 370b is the Herman Jeurissen version. | ||
K. 494a is the Herman Jeurissen version. | ||
? | MD+G | 1039-LP |
K. 370b is the Herman Jeurissen version. | ||
K. 371 is the Robert Levin version. | ||
The final movement of K. 386b is the Süßmayr version of K. 514. | ||
K. 494a is the Herman Jeurissen version. | ||
? | CBS | MK 42324 |
K. 371 is the Robert Levin version. | ||
The final movement of K. 386b is the Süßmayr version of K. 514. | ||
? | RBM | CD 6.3106 |
K. 464a is the Franz Beyer version. | ||
? | Warner Classics | 2564 61944-2 |
K. 315f is the Philip Wilby version. | ||
Complete Mozart Edition Volume 8 | Philips | 422 508-2 |
K. 315f is the Philip Wilby version. | ||
? | Sony | SK 89488 |
K. 315f is the Philip Wilby version. | ||
? | Deutsche Grammophon | 423 377-2 |
The final movement of K. 386b is the Süßmayr version of K. 514. | ||
? | Nimbus | NI 5104 |
K. 412 uses the John Humphries version. | ||
The final movement of K. 386b is the Süßmayr version of K. 514. | ||
K. 494a is the Humphries / Goodman version. | ||
? | L'Oiseau-Lyre | 455 814-2 |
Movement I of K. 450 uses the Robert Levin version. | ||
Fontee | FOCD3149 | |
K. 385c is the Maximillian Stadler version. | ||
K. 385e is the Maximillian Stadler version. | ||
Ralph Gomberg, oboe; Michel Sasson conducting the Newton Symphony Orchestra | ? | WCRB-7001 |
K. 416f is the Robert Levin version. | ||
Ingo Goritzki, oboe; Wojciech Rajski conducting the Polish Chamber Philharmonic | Claves | 50-9302 |
K. 416f is the Robert Levin version. | ||
Thomas Blees, cello; Ingrid Heiler, harpsichord | Aulos | PRE 68 510 AUL |
K. 374g is the Hermann Schroeder version. | ||
Maurice Gendron, cello and Hephzibah Menuhin, piano | ASD | 3329-LP |
K. 374g is the Ernst Lewicki version. | ||
Wolfgang Boettcher, cello; Ursula Trede-Boettcher, piano | ? | RBM 3058 |
K. 374g is the Ernst Lewicki version. | ||
? | Camerata | CMT 3012-3 |
K. 320e is the Philip Wilby version. | ||
? | ? | WCRB- 7001 |
K. 320e is the Robert Levin version. | ||
? | Philips | 411 134-2 |
K. 297B is the Robert Levin version. | ||
? | Nonesuch | H71068-LP |
K. 297B is the Joseph Bopp version. | ||
? | Camerata | CMCD 28022 |
K. 580a is the Levin / Beyer version. | ||
Complete Piano Concertos | Philips | 412 856-2 |
K. 386 is the Erik Smith version. | ||
? | Supraphon | 1 10 1044 |
K. 386 is the Badura-Skoda / Mackerras version. | ||
"Apocryphal Piano Works" - Annette Töpel, piano | Thorofon | CTH 2430 |
K. 386 is the Cipriani Potter version. | ||
- ↑ Technically speaking, K2 in this list ought to be K², K3 ought to be K³, K3a ought to be K³ª, and K. ought to be K⁶. However, as ², ³, ³ª, and ⁶ are not functional characters on most standalone units, and as K. is also a commonly used abbreviation for K⁶ numbers, K2, K3, K3a, and K. have been used, for the greatest system-interoperability of metadata possible. KV and K. are often used interchangeably, but as KV has been reserved here for indication of the 1st edition catalog, K. has been taken here strictly to indicate the 6th edition catalog. Where the number remained unchanged from K1, K2, K3, or K3a to K6, the redundant catalog numbers are not noted.
- ↑ The Zu prefix can be rather confusing. K. Zu ### is used for works within Anhang B of Kochel 6. These are works of W.A. Mozart, but arranged for other instruments, or to different forms, such as a symphony formed from a serenade.
- ↑ Like Zu, the * prefix can be rather confusing. K. *### is used for works within Kochel, but not assigned a unique catalog number, as they were derived by W.A. Mozart from earlier works. An example of this is K. 320, the "Post Horn" Serenade in D, movements of which W.A. Mozart later used to form K. *320 Symphony in D and K. *320 Sinfonia concertante in G. In the Kochel catalogs, these works can be found mentioned in notes attached to each entry. Where a work was revised before it was ever published or performed, rejected or earlier versions of some movements can also be found using the K. *### format.
- ↑ Roughly translated: "Moderately fast, but not too fast, and less fast than an Allegro, but not too slowly. Ever so gracefully and with great expression".
- ↑ W. Plath, Zur Echtheitsfrage bei Mozart, Mozart-Jahrbuch 1971/72, Salzburg, I973, pp. 26-27
- ↑ "Lead-Ins"
- ↑ "Lead-Ins"