History:CSG Standard/Beethoven
Quick Notes
- I feel pretty confident about the works with green headers.
- If the "AdvancedRelationships + Notes" section says someone else gets a "composed" AR then it will also outline which AR to give to LvB.
- The dates in the "CompositionDate" column are for LvB "composed" ARs only. Other artists' composition credits will be outlined in the "AdvancedRelationships + Notes" column.
- The releases part of the Deutsche Grammophon "Complete Beethoven Edition" have been tagged.
Opus
Op. | TrackTitle | CompositionDate | AdvancedRelationships + Notes |
Op. 1 No. 1 - Piano Trio No. 1 | |||
1/1 | Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: I. Allegro | 1792-92 | |
1/1 | Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: II. Adagio cantabile | 1792-93 | |
1/1 | Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: III. Scherzo | 1792-93 | |
1/1 | Trio for Piano, Violin, and Cello No. 1 in E-flat major, Op. 1 No. 1: IV. Finale. Presto | 1792-93 | |
Op. 1 No. 2 - Piano Trio No. 2 | |||
1/2 | Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: I. Adagio - Allegro vivace | 1794 | |
1/2 | Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: II. Largo con espressione | 1794 | |
1/2 | Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: III. Scherzo. Allegro | 1794 | |
1/2 | Trio for Piano, Violin, and Cello No. 2 in G major, Op. 1 No. 2: IV. Finale. Presto | 1794 | |
Op. 1 No. 3 - Piano Trio No. 3 | |||
1/3 | Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: I. Allegro con brio | 1794 | |
1/3 | Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: II. Adagio cantabile con variazioni | 1794 | |
1/3 | Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: III. Menuetto. Quasi allegro | 1794 | |
1/3 | Trio for Piano, Violin, and Cello No. 3 in C minor, Op. 1 No. 3: IV. Finale. Prestissimo | 1794 | |
Op. 2 No. 1 - Sonata for Piano No. 1 | |||
2/1 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: I. Allegro | 1795 | |
2/1 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: II. Adagio | 1795 | |
2/1 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: III. Menuetto. Allegretto | 1795 | |
2/1 | Sonata for Piano No. 1 in F minor, Op. 2 No. 1: IV. Prestissimo | 1795 | |
Op. 2 No. 2 - Sonata for Piano No. 2 | |||
2/2 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: I. Allegro vivace | 1795 | |
2/2 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: II. Largo appassionato | 1795 | |
2/2 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: III. Scherzo. Allegretto | 1795 | |
2/2 | Sonata for Piano No. 2 in A major, Op. 2 No. 2: IV. Rondo. Grazioso | 1795 | |
Op. 2 No. 3 - Sonata for Piano No. 3 | |||
2/3 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: I. Allegro con brio | 1795 | |
2/3 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: II. Adagio | 1795 | |
2/3 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: III. Scherzo. Allegro | 1795 | |
2/3 | Sonata for Piano No. 3 in C major, Op. 2 No. 3: IV. Allegro assai | 1795 | |
Op. 3 - String Trio | |||
3 | Trio for Violin, Viola, and Cello in E-flat major, Op. 3: I. Allegro con brio | ||
3 | Trio for Violin, Viola, and Cello in E-flat major, Op. 3: II. Andante | ||
3 | Trio for Violin, Viola, and Cello in E-flat major, Op. 3: III. Menuetto. Allegretto | ||
3 | Trio for Violin, Viola, and Cello in E-flat major, Op. 3: IV. Adagio | ||
3 | Trio for Violin, Viola, and Cello in E-flat major, Op. 3: V. Menuetto. Moderato | ||
3 | Trio for Violin, Viola, and Cello in E-flat major, Op. 3: VI. Finale. Allegro | ||
Op. 4 - String Quintet | |||
4 | Quintet for 2 Violins, 2 Violas, and Cello in E-flat major, Op. 4: I. Allegro con brio | ||
4 | Quintet for 2 Violins, 2 Violas, and Cello in E-flat major, Op. 4: II. Andante | ||
4 | Quintet for 2 Violins, 2 Violas, and Cello in E-flat major, Op. 4: III. Menuetto. Più allegretto | ||
4 | Quintet for 2 Violins, 2 Violas, and Cello in E-flat major, Op. 4: IV. Presto | ||
Op. 5 No. 1 - Sonata for Piano and Cello No. 1 | |||
5/1 | Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: I. Adagio sostenuto - Allegro - Adagio - Presto - Tempo primo | ||
5/1 | Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1: II. Allegro vivace | ||
Op. 5 No. 2 - Sonata for Piano and Cello No. 2 | |||
5/2 | Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: I. Adagio sostenuto e espressivo - Allegro molto più tosto presto | ||
5/2 | Sonata for Cello and Piano No. 2 in G minor, Op. 5 No. 2: II. Rondo. Allegro | ||
Op. 6 - Sonata for 2 Pianos | |||
6 | Sonata for 2 Pianos in D major, Op. 6: I. Allegro molto | 1796-97 | |
6 | Sonata for 2 Pianos in D major, Op. 6: II. Rondo. Moderato | 1796-97 | |
Op. 7 - Sonata for Piano No. 4 | |||
7 | Sonata for Piano No. 4 in E-flat major, Op. 7: I. Allegro molto e con brio | ||
7 | Sonata for Piano No. 4 in E-flat major, Op. 7: II. Largo, con gran espressione | ||
7 | Sonata for Piano No. 4 in E-flat major, Op. 7: III. Allegro | ||
7 | Sonata for Piano No. 4 in E-flat major, Op. 7: IV. Rondo. Poco allegretto e grazioso | ||
Op. 8 - Serenade for String Trio | |||
8 | Serenade for Violin, Viola, and Cello in D major, Op. 8: I. Marcia. Allegro - Adagio | 1796-97 | |
8 | Serenade for Violin, Viola, and Cello in D major, Op. 8: II. Menuetto. Allegretto | 1796-97 | |
8 | Serenade for Violin, Viola, and Cello in D major, Op. 8: III. Adagio - Scherzo. Allegro molto - Adagio - Allegro molto - Adagio | 1796-97 | |
8 | Serenade for Violin, Viola, and Cello in D major, Op. 8: IV. Allegretto alla polacca | 1796-97 | |
8 | Serenade for Violin, Viola, and Cello in D major, Op. 8: V. Tema con Variazioni. Andante quasi allegretto - Var. I-IV - Marcia. Allegro | 1796-97 | |
Op. 9 No. 1 - String Trio | |||
9/1 | Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: I. Adagio - Allegro con brio | 1797-98 | |
9/1 | Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: II. Adagio, ma non tanto, e cantabile | 1797-98 | |
9/1 | Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: III. Scherzo. Allegro | 1797-98 | |
9/1 | Trio for Violin, Viola, and Cello in G major, Op. 9 No. 1: IV. Presto | 1797-98 | |
Op. 9 No. 2 - String Trio | |||
9/2 | Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: I. Allegretto | 1797-98 | |
9/2 | Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: II. Andante quasi allegretto | 1797-98 | |
9/2 | Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: III. Menuetto. Allegro | 1797-98 | |
9/2 | Trio for Violin, Viola, and Cello in D major, Op. 9 No. 2: IV. Rondò. Allegro | 1797-98 | |
Op. 9 No. 3 - String Trio | |||
9/3 | Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: I. Allegro con spirito | 1797-98 | |
9/3 | Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: II. Adagio con espressione | 1797-98 | |
9/3 | Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: III. Scherzo. Allegro molto e vivace | 1797-98 | |
9/3 | Trio for Violin, Viola, and Cello in C minor, Op. 9 No. 3: IV. Finale. Presto | 1797-98 | |
Op. 10 No. 1 - Sonata for Piano No. 5 | |||
10/1 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: I. Allegro molto e con brio | ||
10/1 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: II. Adagio molto | ||
10/1 | Sonata for Piano No. 5 in C minor, Op. 10 No. 1: III. Prestissimo | ||
Op. 10 No. 2 - Sonata for Piano No. 6 | |||
10/2 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: I. Allegro | ||
10/2 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: II. Allegretto | ||
10/2 | Sonata for Piano No. 6 in F major, Op. 10 No. 2: III. Presto | ||
Op. 10 No. 3 - Sonata for Piano No. 7 | |||
10/3 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: I. Presto | ||
10/3 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: II. Largo e mesto | ||
10/3 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: III. Menuetto. Allegro | ||
10/3 | Sonata for Piano No. 7 in D major, Op. 10 No. 3: IV. Rondo. Allegro | ||
Op. 11 - Piano Trio No. 4 | |||
11 | Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11: I. Allegro con brio | ||
11 | Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11: II. Adagio | ||
11 | Trio for Piano, [Clarinet or Violin], and Cello No. 4 in B-flat major, Op. 11: III. Allegretto con variazioni | ||
Op. 12 No. 1 - Sonata for Piano and Violin No. 1 | |||
12/1 | Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: I. Allegro con brio | ||
12/1 | Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: II. Tema con Variazioni. Andante con moto | ||
12/1 | Sonata for Violin and Piano No. 1 in D major, Op. 12 No. 1: III. Rondo. Allegro | ||
Op. 12 No. 2 - Sonata for Piano and Violin No. 2 | |||
12/2 | Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: I. Allegro vivace | ||
12/2 | Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: II. Andante più tosto allegretto | ||
12/2 | Sonata for Violin and Piano No. 2 in A major, Op. 12 No. 2: III. Allegro piacevole | ||
Op. 12 No. 3 - Sonata for Piano and Violin No. 3 | |||
12/3 | Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: I. Allegro con spirito | ||
12/3 | Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: II. Adagio con molto espressione | ||
12/3 | Sonata for Violin and Piano No. 3 in E-flat major, Op. 12 No. 3: III. Rondo. Allegro molto | ||
Op. 13 - Sonata for Piano No. 8 | |||
13 | Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": I. Grave - Allegro di molto e con brio | ||
13 | Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": II. Adagio cantabile | ||
13 | Sonata for Piano No. 8 in C minor, Op. 13 "Pathétique": III. Rondo. Allegro | ||
Op. 14 No. 1 - Sonata for Piano No. 9 | |||
14/1 | Sonata for Piano No. 9 in E major, Op. 14 No. 1: I. Allegro | ||
14/1 | Sonata for Piano No. 9 in E major, Op. 14 No. 1: II. Allegretto | ||
14/1 | Sonata for Piano No. 9 in E major, Op. 14 No. 1: III. Rondo. Allegro comodo | ||
Op. 14 No. 2 - Sonata for Piano No. 10 | |||
14/2 | Sonata for Piano No. 10 in G major, Op. 14 No. 2: I. Allegro | ||
14/2 | Sonata for Piano No. 10 in G major, Op. 14 No. 2: II. Andante | ||
14/2 | Sonata for Piano No. 10 in G major, Op. 14 No. 2: III. Scherzo. Allegro assai | ||
Op. 14a - Quartet for 2 Violins, Viola, and Cello in F major (arrangement from Op. 14 No. 1) | |||
Op. 15 - Concerto for Piano and Orchestra No. 1 | |||
15 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: I. Allegro con brio (cadenza: Ludwig van Beethoven) | 1795 | LvB: add. composed (revised), 1800; LvB: add. composed (cadenza), 1809; |
15 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: II. Largo | 1795 | LvB: add. composed (revised), 1800; |
15 | Concerto for Piano and Orchestra No. 1 in C major, Op. 15: III. Rondo. Allegro | 1795 | LvB: add. composed (revised), 1800; |
Op. 16 - Quintet for Piano, Oboe, Clarinet, Horn, and Basson | |||
16 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: I. Grave - Allegro ma non troppo | ||
16 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: II. Andante cantabile | ||
16 | Quintet for Piano, Oboe, Clarinet, Horn, and Bassoon in E-flat major, Op. 16: III. Rondo. Allegro ma non troppo | ||
Op. 16a - Quartet for Piano, Violin, Viola, and Cello in E-flat major (arrangement from Op. 16) | |||
16a | Quartet for Piano, Violin, Viola, and Cello in E-flat major, Op. 16a: I. Grave - Allegro ma non troppo | ||
16a | Quartet for Piano, Violin, Viola, and Cello in E-flat major, Op. 16a: II. Andante cantabile | ||
16a | Quartet for Piano, Violin, Viola, and Cello in E-flat major, Op. 16a: III. Rondo. Allegro ma non troppo | ||
Op. 17 - Sonata for Piano and French Horn | |||
17 | Sonata for Horn and Piano in F major, Op. 17: I. Allegro moderato | ||
17 | Sonata for Horn and Piano in F major, Op. 17: II. Poco adagio, quasi andante | ||
17 | Sonata for Horn and Piano in F major, Op. 17: III. Rondo. Allegro moderato | ||
Op. 18 No. 1 - String Quartet No. 1 | |||
18/1 | Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: I. Allegro con brio | 1800 | |
18/1 | Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: II. Adagio affettuoso ed appasionato | 1800 | |
18/1 | Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: III. Scherzo. Allegro molto | 1800 | |
18/1 | Quartet for 2 Violins, Viola, and Cello No. 1 in F major, Op. 18 No. 1: IV. Allegro | 1800 | |
Op. 18 No. 2 - String Quartet No. 2 | |||
18/2 | Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: I. Allegro | 1799-1800 | |
18/2 | Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: II. Adagio cantabile - Allegro - Tempo I | 1799-1800 | |
18/2 | Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: III. Scherzo. Allegro | 1799-1800 | |
18/2 | Quartet for 2 Violins, Viola, and Cello No. 2 in G major, Op. 18 No. 2: IV. Allegro molto, quasi presto | 1799-1800 | |
Op. 18 No. 3 - String Quartet No. 3 | |||
18/3 | Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: I. Allegro | 1799-1800 | |
18/3 | Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: II. Andante con moto | 1799-1800 | |
18/3 | Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: III. Allegro | 1799-1800 | |
18/3 | Quartet for 2 Violins, Viola, and Cello No. 3 in D major, Op. 18 No. 3: IV. Presto | 1799-1800 | |
Op. 18 No. 4 - String Quartet No. 4 | |||
18/4 | Quartet for 2 Violins, Viola, and Cello No. 4 in C minor, Op. 18 No. 4: I. Allegro ma non tanto | 1799-1800 | |
18/4 | Quartet for 2 Violins, Viola, and Cello No. 4 in C minor, Op. 18 No. 4: II. Andante scherzoso quasi allegretto | 1799-1800 | |
18/4 | Quartet for 2 Violins, Viola, and Cello No. 4 in C minor, Op. 18 No. 4: III. Menuetto. Allegretto | 1799-1800 | |
18/4 | Quartet for 2 Violins, Viola, and Cello No. 4 in C minor, Op. 18 No. 4: IV. Allegro - Prestissimo | 1799-1800 | |
Op. 18 No. 5 - String Quartet No. 5 | |||
18/5 | Quartet for 2 Violins, Viola, and Cello No. 5 in A major, Op. 18 No. 5: I. Allegro | 1799-1800 | |
18/5 | Quartet for 2 Violins, Viola, and Cello No. 5 in A major, Op. 18 No. 5: II. Menuetto | 1799-1800 | |
18/5 | Quartet for 2 Violins, Viola, and Cello No. 5 in A major, Op. 18 No. 5: III. Andante cantabile | 1799-1800 | |
18/5 | Quartet for 2 Violins, Viola, and Cello No. 5 in A major, Op. 18 No. 5: IV. Allegro | 1799-1800 | |
Op. 18 No. 6 - String Quartet No. 6 | |||
18/6 | Quartet for 2 Violins, Viola, and Cello No. 6 in B-flat major, Op. 18 No. 6: I. Allegro con brio | 1800 | |
18/6 | Quartet for 2 Violins, Viola, and Cello No. 6 in B-flat major, Op. 18 No. 6: II. Adagio ma non troppo | 1800 | |
18/6 | Quartet for 2 Violins, Viola, and Cello No. 6 in B-flat major, Op. 18 No. 6: III. Scherzo. Allegro | 1800 | |
18/6 | Quartet for 2 Violins, Viola, and Cello No. 6 in B-flat major, Op. 18 No. 6: IV. Adagio "La malinconia" - Allegretto quasi allegro | 1800 | |
Op. 19 - Concert for Piano and Orchestra No. 2 | |||
19 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: I. Allegro con brio (cadenza: Ludwig van Beethoven) | 1788-1801 | LvB: add. composed (cadenza), 1809; |
19 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: II. Adagio | 1788-1801 | |
19 | Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 19: III. Rondo. Molto allegro | 1788-1801 | |
Op. 20 - Septet for Clarinet, Bassoon, Horn, Violin, Viola, Cello, and Bass | |||
20 | Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: I. Adagio - Allegro con brio | ||
20 | Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: II. Adagio cantabile | ||
20 | Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: III. Tempo di menuetto | ||
20 | Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: IV. Tema con Variazioni | ||
20 | Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: V. Scherzo. Allegro molto e vivace | ||
20 | Septet for Violin, Viola, Clarinet, Horn, Bassoon, Cello, and Double Bass in E-flat major, Op. 20: VI. Andante con moto - Presto | ||
Op. 21 - Symphony No. 1 | |||
21 | Symphony No. 1 in C major, Op. 21: I. Adagio molto - Allegro con brio | 1799-1800 | |
21 | Symphony No. 1 in C major, Op. 21: II. Andante cantabile con moto | 1799-1800 | |
21 | Symphony No. 1 in C major, Op. 21: III. Menuetto. Allegro molto e vivace | 1799-1800 | |
21 | Symphony No. 1 in C major, Op. 21: IV. Adagio - Allegro molto e vivace | 1799-1800 | |
Op. 22 - Sonata for Piano No. 11 | |||
22 | Sonata for Piano No. 11 in B-flat major, Op. 22: I. Allegro con brio | ||
22 | Sonata for Piano No. 11 in B-flat major, Op. 22: II. Adagio con molto espressione | ||
22 | Sonata for Piano No. 11 in B-flat major, Op. 22: III. Menuetto | ||
22 | Sonata for Piano No. 11 in B-flat major, Op. 22: IV. Rondo. Allegretto | ||
Op. 23 - Sonata for Piano and Violin No. 4 | |||
23 | Sonata for Violin and Piano No. 4 in A minor, Op. 23: I. Presto | ||
23 | Sonata for Violin and Piano No. 4 in A minor, Op. 23: II. Andante scherzoso, più allegretto | ||
23 | Sonata for Violin and Piano No. 4 in A minor, Op. 23: III. Allegro molto | ||
Op. 24 - Sonata for Piano and Violin No. 5 | |||
24 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": I. Allegro | ||
24 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": II. Adagio molto espressivo | ||
24 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": III. Scherzo. Allegro molto | ||
24 | Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": IV. Rondo. Allegro ma non troppo | ||
Op. 25 - Serenade for Flute, Violin, and Viola | |||
25 | Serenade for Flute, Violin, and Viola in D major, Op. 25: I. Entrada. Allegro | ||
25 | Serenade for Flute, Violin, and Viola in D major, Op. 25: II. Tempo ordinario d'un minuetto | ||
25 | Serenade for Flute, Violin, and Viola in D major, Op. 25: III. Allegro molto | ||
25 | Serenade for Flute, Violin, and Viola in D major, Op. 25: IV. Andante con variazioni | ||
25 | Serenade for Flute, Violin, and Viola in D major, Op. 25: V. Allegro scherzando e vivace | ||
25 | Serenade for Flute, Violin, and Viola in D major, Op. 25: VI. Adagio - Allegro vivace e disinvolto | ||
Op. 26 - Sonata for Piano No. 12 | |||
26 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": I. Andante con Variazioni | ||
26 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": II. Scherzo. Allegro molto | ||
26 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": III. Marcia funebre sulla morte d'un Eroe | ||
26 | Sonata for Piano No. 12 in A-flat major, Op. 26 "Funeral March": IV. Allegro | ||
Op. 27 No. 1 - Sonata for Piano No. 13 | |||
27/1 | Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: I. Andante | ||
27/1 | Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: II. Allegro molto e vivace | ||
27/1 | Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: III. Adagio con espressione | ||
27/1 | Sonata for Piano No. 13 in E-flat major, Op. 27 No. 1: IV. Allegro vivace | ||
Op. 27 No. 2 - Sonata for Piano No. 14 | |||
27/2 | Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | ||
27/2 | Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": II. Allegretto | ||
27/2 | Sonata for Piano No. 14 in C-sharp minor, Op. 27 No. 2 "Moonlight": III. Presto agitato | ||
Op. 28 - Sonata for Piano No. 15 | |||
28 | Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": I. Allegro | ||
28 | Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": II. Andante | ||
28 | Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": III. Scherzo. Allegro vivace | ||
28 | Sonata for Piano No. 15 in D major, Op. 28 "Pastorale": IV. Rondo. Allegro ma non troppo | ||
Op. 29 - Quintet for Strings | |||
29 | Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: I. Allegro moderato | ||
29 | Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: II. Adagio molto espressivo | ||
29 | Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: III. Scherzo. Allegro | ||
29 | Quintet for 2 Violins, 2 Violas, and Cello in C major, Op. 29: IV. Presto | ||
Op. 30 No. 1 - Sonata for Piano and Violin No. 6 | |||
30/1 | Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: I. Allegro | 1801-02 | |
30/1 | Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: II. Adagio molto espressivo | 1801-02 | |
30/1 | Sonata for Violin and Piano No. 6 in A major, Op. 30 No. 1: III. Allegretto con variazioni | 1801-02 | |
Op. 30 No. 2 - Sonata for Piano and Violin No. 7 | |||
30/2 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: I. Allegro con brio | 1801-02 | |
30/2 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: II. Adagio cantabile | 1801-02 | |
30/2 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: III. Scherzo. Allegro | 1801-02 | |
30/2 | Sonata for Violin and Piano No. 7 in C minor, Op. 30 No. 2: IV. Finale. Allegro - Presto | ||
Op. 30 No. 3 - Sonata for Piano and Violin No. 8 | |||
30/3 | Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: I. Allegro assai | 1801-02 | |
30/3 | Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: II. Tempo di menuetto, ma molto moderato e grazioso | 1801-02 | |
30/3 | Sonata for Violin and Piano No. 8 in G major, Op. 30 No. 3: III. Allegro vivace | 1801-02 | |
Op. 31 No. 1 - Sonata for Piano No. 16 | |||
31/1 | Sonata for Piano No. 16 in G major, Op. 31 No. 1: I. Allegro vivace | ||
31/1 | Sonata for Piano No. 16 in G major, Op. 31 No. 1: II. Adagio grazioso | ||
31/1 | Sonata for Piano No. 16 in G major, Op. 31 No. 1: III. Rondo. Allegretto | ||
Op. 31 No. 2 - Sonata for Piano No. 17 | |||
31/2 | Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": I. Largo - Allegro | ||
31/2 | Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": II. Adagio | ||
31/2 | Sonata for Piano No. 17 in D minor, Op. 31 No. 2 "Storm": III. Allegretto | ||
Op. 31 No. 3 - Sonata for Piano No. 18 | |||
31/3 | Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: I. Allegro | ||
31/3 | Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: II. Scherzo. Allegretto vivace | ||
31/3 | Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: III. Minuetto. Moderato e grazioso | ||
31/3 | Sonata for Piano No. 18 in E-flat major, Op. 31 No. 3: IV. Presto con fuoco | ||
Op. 32 - Song "An die Hoffnung" | |||
32 | Song for Voice and Piano in E-flat major, Op. 32 "An die Hoffnung": Poco adagio | ||
Op. 33 - 7 Bagatelles for Piano | |||
33 | Bagatelle for Piano, Op. 33 No. 1 in E-flat major: Andante grazioso quasi allegretto | ||
33 | Bagatelle for Piano, Op. 33 No. 2 in C major: Scherzo. Allegro | ||
33 | Bagatelle for Piano, Op. 33 No. 3 in F major: Allegretto | ||
33 | Bagatelle for Piano, Op. 33 No. 4 in A major: Andante | ||
33 | Bagatelle for Piano, Op. 33 No. 5 in C major: Allegro ma non troppo | ||
33 | Bagatelle for Piano, Op. 33 No. 6 in D major: Allegretto quasi andante | ||
33 | Bagatelle for Piano, Op. 33 No. 7 in A-flat major: Presto | ||
Op. 34 - 6 Variations for Piano | |||
34 | 6 Variations for Piano in F major on an Original Theme, Op. 34: Thema. Adagio. Cantabile | ||
34 | 6 Variations for Piano in F major on an Original Theme, Op. 34: Var. I | ||
34 | 6 Variations for Piano in F major on an Original Theme, Op. 34: Var II. Allegro ma non troppo | ||
34 | 6 Variations for Piano in F major on an Original Theme, Op. 34: Var III. Allegretto | ||
34 | 6 Variations for Piano in F major on an Original Theme, Op. 34: Var. IV. Tempo di menuetto | ||
34 | 6 Variations for Piano in F major on an Original Theme, Op. 34: Var. V. Marcia. Allegretto | ||
34 | 6 Variations for Piano in F major on an Original Theme, Op. 34: Var. VI. Allegretto - Adagio molto | ||
Op. 35 - 15 Variations with Fugue for Piano | |||
35 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Introduzione col basso del tema. Allegretto vivace | ||
35 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Tema | ||
35 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. I | ||
35 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. II | ||
35 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. III | ||
35 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. IV | ||
35 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. V | ||
35 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. VI | ||
35 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. VII. Canone all'ottava | ||
35 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. VIII | ||
35 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. IX | ||
35 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. X | ||
35 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XI | ||
35 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XII | ||
35 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XIII | ||
35 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XIV | ||
35 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Var. XV. Largo | ||
35 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Coda | ||
35 | 15 Variations and a Fugue for Piano in E-flat major on an Original Theme, Op. 35 "Eroica Variations": Finale. Alla fuga. Allegro con brio - Andante con moto | ||
Op. 36 - Symphony No. 2 | |||
36 | Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio | 1801-02 | |
36 | Symphony No. 2 in D major, Op. 36: II. Larghetto | 1801-02 | |
36 | Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro | 1801-02 | |
36 | Symphony No. 2 in D major, Op. 36: IV. Allegro molto | 1801-02 | |
Op. 36 - Symphony No. 2 (arranged for Piano Trio) | |||
36 | Trio for Piano, Violin, and Cello in D major, Op. 36 (arrangement from "Symphony No. 2": Ludwig van Beethoven): I. Adagio - Allegro con brio | 1801-02] | LvB: arranged, 1805 |
36 | Trio for Piano, Violin, and Cello in D major, Op. 36 (arrangement from "Symphony No. 2": Ludwig van Beethoven): II. Larghetto quasi andante | 1801-02 | LvB: arranged, 1805 |
36 | Trio for Piano, Violin, and Cello in D major, Op. 36 (arrangement from "Symphony No. 2": Ludwig van Beethoven): III. Scherzo | 1801-02 | LvB: arranged, 1805 |
36 | Trio for Piano, Violin, and Cello in D major, Op. 36 (arrangement from "Symphony No. 2": Ludwig van Beethoven): IV. Allegro molto | 1801-02 | LvB: arranged, 1805 |
Op. 37 - Concerto for Piano and Orchestra No. 3 | |||
37 | Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: I. Allegro con brio (cadenza: Ludwig van Beethoven) | 1800-03 | LvB: add. composed (cadenza), 1809; |
37 | Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: II. Largo | 1800-03 | |
37 | Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: III. Rondo. Allegro | 1800-03 | |
Op. 38 - Trio for Piano, [Clarinet or Violin], and Cello | |||
38 | Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): I. Adagio - Allegro con brio | 1802-03 | |
38 | Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): II. Adagio cantabile | 1802-03 | |
38 | Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): III. Tempo di menuetto | 1802-03 | |
38 | Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): IV. Andante con variazioni | 1802-03 | |
38 | Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): V. Scherzo. Allegro molto e vivace | 1802-03 | |
38 | Trio for Piano, [Violin or Clarinet], and Cello in E-flat major, Op. 38 (arrangement from "Septet, Op. 20": Ludwig van Beethoven): VI. Andante con moto alla marcia - Presto | 1802-03 | |
Op. 39 - Preludes for Piano or Organ | |||
39/1 | 2 Preludes for [Piano or Organ], Op. 39 No. 1 in C major | 1789 | |
39/2 | 2 Preludes for [Piano or Organ], Op. 39 No. 2 in C minor | 1789 | |
Op. 40 - Romance for Violin and Orchestra No. 1 | |||
40 | Romance for Violin and Orchestra No. 1 in G major, Op. 40: Andante | 1800-02 | |
Op. 41 - Serenade for Piano and Flute | |||
41 | Serenade for [Flute or Violin] and Piano in D major, Op. 41 | ||
Op. 42 - Nocturne for Piano and Viola | |||
42 | Nocturne for Viola and Piano in D major, Op. 42 | ||
Op. 43 - Die Geschöpfe des Prometheus | |||
43 | The Creatures of Prometheus, Op. 43: Introduction. Allegro non troppo | ||
43 | The Creatures of Prometheus, Op. 43: I. Poco adagio | ||
43 | The Creatures of Prometheus, Op. 43: II. Adagio - Allegro con brio | ||
43 | The Creatures of Prometheus, Op. 43: III. Allegro vivace | ||
43 | The Creatures of Prometheus, Op. 43: IV. Maestoso - Andante | ||
43 | The Creatures of Prometheus, Op. 43: V. Adagio - Andante quasi allegro | ||
43 | The Creatures of Prometheus, Op. 43: VI. Un poco adagio - Allegro | ||
43 | The Creatures of Prometheus, Op. 43: VII. Grave | ||
43 | The Creatures of Prometheus, Op. 43: VIII. Marcia. Allegro con brio | ||
43 | The Creatures of Prometheus, Op. 43: IX. Adagio | ||
43 | The Creatures of Prometheus, Op. 43: X. Pastoral. Allegro | ||
43 | The Creatures of Prometheus, Op. 43: XI. Chorus. Andante (Gioja) | ||
43 | The Creatures of Prometheus, Op. 43: XII. Solo. Maestoso - Adagio (Gioja) | ||
43 | The Creatures of Prometheus, Op. 43: XIII. Allegro | ||
43 | The Creatures of Prometheus, Op. 43: XIV. Solo. Andante - Adagio (Signora Cassentini) | ||
43 | The Creatures of Prometheus, Op. 43: XV. Coro e Solo. Andantino - Adagio (Vigano) | ||
43 | The Creatures of Prometheus, Op. 43: XVI. Finale. Allegretto | ||
Op. 43a - Overture for Orchestra | |||
43a | Overture for Orchestra in C major, Op. 43a: I. Adagio | ||
43a | Overture for Orchestra in C major, Op. 43a: II. Allegro molto con brio | ||
Op. 44 - 14 Variations for 3 Pianos | |||
44 | 14 Variations for Piano, Violin, and Cello in E-flat major, Op. 44: Thema. Andante - Var. I-IV - Andante | ||
Op. 45 - 3 Marches for 2 Pianos | |||
45 | 3 Marches for 2 Pianos, Op. 45 No. 1 in C major: Allegro ma non troppo | 1803 | |
45 | 3 Marches for 2 Pianos, Op. 45 No. 2 in E-flat major: Vivace | 1803 | |
45 | 3 Marches for 2 Pianos, Op. 45 No. 3 in D major: Vivace | 1803 | |
Op. 46 - Song "Adelaide" | |||
46 | Cantata for Voice and Piano in B-flat major, Op. 46: Larghetto "Adelaide: Einsam wandelt dein Freund im Fruhlings Garten" | ||
Op. 47 - Sonata for Piano and Violin No. 9 | |||
47 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": I. Adagio sostenuto - Presto | 1802-03 | |
47 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": II. Andante con variazioni | 1802-03 | |
47 | Sonata for Violin and Piano No. 9 in A major, Op. 47 "Kreutzer": III. Finale. Presto | 1802-03 | |
Op. 48 - 6 Songs | |||
48/1 | Song for Voice and Piano, Op. 48 No. 1 in E major: Feierlich und mit Andacht "Bitten: Gott deine Gute reicht so" | ||
48/2 | Song for Voice and Piano, Op. 48 No. 2 in E-flat major: Lebhaft, doch nicht zu sehr "Die Liebe des Nachsten: So jemand spricht" | ||
48/3 | Song for Voice and Piano, Op. 48 No. 3 in F-sharp minor: Mussig und eher langsam als geschwind "Vom Tode: Meine Lebenszeit verstreicht" | ||
48/4 | Song for Voice and Piano, Op. 48 No. 4 in C major: Majestatisch und erhaben "Die Ehre Gottes in der Natur:Die Himmel ruhmen des Ewigen" | ||
48/5 | Song for Voice and Piano, Op. 48 No. 5 in C major: Mit Kraft and Feuer "Gottes Macht und Vorsehung: Gott ist mein Lied!" | ||
48/6 | Song for Voice and Piano, Op. 48 No. 6 in A minor: Poco adagio "Busslied: An dir allein, an dir hab' ich gesundigt" | ||
Op. 49 No. 1 - Piano Sonata No. 19 | |||
49/1 | Sonata for Piano No. 19 in G minor, Op. 49 No. 1: I. Andante | ||
49/1 | Sonata for Piano No. 19 in G minor, Op. 49 No. 1: II. Rondo. Allegro | ||
Op. 49 No. 2 - Piano Sonata No. 20 | |||
49/2 | Sonata for Piano No. 20 in G major, Op. 49 No. 2: I. Allegro ma non troppo | ||
49/2 | Sonata for Piano No. 20 in G major, Op. 49 No. 2: II. Tempo di menuetto | ||
Op. 50 - Romance for Violin and Orchestra No. 2 | |||
50 | Romance for Violin and Orchestra No. 2 in F major, Op. 50: Adagio cantabile | 1798 | |
Op. 51 - Rondos for Piano | |||
51 | Rondo for Piano in C major, Op. 51 No. 1: Moderato e grazioso | ||
51 | Rondo for Piano in G major, Op. 51 No. 2: Andante cantabile e grazioso | ||
Op. 52 - 8 Songs | |||
52/1 | Song for Voice and Piano, Op. 52 No. 1 in A minor: In einer massigen geschwinden Bewegung "Urians Reise um die Welt: Wenn jemand eine Reise thut" | ||
52/2 | Song for Voice and Piano, Op. 52 No. 2 in G major: Andante con moto "Feuerfarb': Ich weiss eine Farbe" | ||
52/3 | Song for Voice and Piano, Op. 52 No. 3 in F major: Adagio "Das Liedchen von der Ruhe: Im Arm der Liebe ruht sich's wohl" | ||
52/4 | Song for Voice and Piano, Op. 52 No. 4 in A-flat major: Allegro "Mailied: Wie herrlich leuchtet" | ||
52/5 | Song for Voice and Piano, Op. 52 No. 5 in G major: Adagio con espessione "Molly's Abschied: Lebe wohl, du Mann der Lust" | ||
52/6 | Song for Voice and Piano, Op. 52 No. 6 in F major: Allegretto "Die Liebe: Ohne Liebe lebe wer da kann" | ||
52/7 | Song for Voice and Piano, Op. 52 No. 7 in A minor: Allegretto "Marmotte: Ich komme schon durch manches Land" | ||
52/8 | Song for Voice and Piano, Op. 52 No. 8 in G major: Andante "Das Blumchen Wunderhold: Es steht ein Blumchen irgend wo in" | ||
Op. 53 - Sonata for Piano No. 21 | |||
53 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": I. Allegro con brio | 1803-04 | |
53 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": Introduzione. Adagio molto | 1803-04 | |
53 | Sonata for Piano No. 21 in C major, Op. 53 "Waldstein": II. Rondo. Allegretto moderato - Prestissimo | 1803-04 | |
Op. 54 - Sonata for Piano No. 22 | |||
54 | Sonata for Piano No. 22 in F major, Op. 54: I. Tempo di menuetto | ||
54 | Sonata for Piano No. 22 in F major, Op. 54: II. Allegretto | ||
Op. 55 - Symphony No. 3 | |||
55 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio | 1803-04 | |
55 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai | 1803-04 | |
55 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace | 1803-04 | |
55 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto | 1803-04 | |
Op. 56 - Concerto for Piano, Violin, Cello, and Orchestra | |||
56 | Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": I. Allegro | ||
56 | Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": II. Largo | ||
56 | Concerto for Piano, Violin, Cello, and Orchestra in C major, Op. 56 "Triple Concerto": III. Rondo alla Polacca | ||
Op. 57 - Sonata for Piano No. 23 | |||
57 | Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": I. Allegro assai | ||
57 | Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": II. Andante con moto | ||
57 | Sonata for Piano No. 23 in F minor, Op. 57 "Appassionata": III. Allegro ma non troppo | ||
Op. 58 - Concerto for Piano and Orchestra No. 4 | |||
58 | Concerto for Piano and Orchestra No. 4 in G major, Op. 58: I. Allegro moderato (cadenza: Ludwig van Beethoven) | 1804-07 | LvB: add. composed (cadenza), ; |
58 | Concerto for Piano and Orchestra No. 4 in G major, Op. 58: II. Andante con moto | 1804-07 | |
58 | Concerto for Piano and Orchestra No. 4 in G major, Op. 58: III. Rondo. Vivace (cadenza: Ludwig van Beethoven) | 1804-07 | LvB: add. composed (cadenza), ; |
Op. 59 No. 1 - String Quartet No. 7 | |||
59/1 | Quartet for 2 Violins, Viola, and Cello No. 7 in G major, Op. 59 No. 1: I. Allegro | ||
59/1 | Quartet for 2 Violins, Viola, and Cello No. 7 in G major, Op. 59 No. 1: II. Allegretto scherzando e sempre vivace | ||
59/1 | Quartet for 2 Violins, Viola, and Cello No. 7 in G major, Op. 59 No. 1: III. Adagio molto | ||
59/1 | Quartet for 2 Violins, Viola, and Cello No. 7 in G major, Op. 59 No. 1: IV. Allegro | ||
Op. 59 No. 2 - String Quartet No. 8 | |||
59/2 | Quartet for 2 Violins, Viola, and Cello No. 8 in E minor, Op. 59 No. 2: I. Allegro | ||
59/2 | Quartet for 2 Violins, Viola, and Cello No. 8 in E minor, Op. 59 No. 2: II. Molto adagio - Si tratta questo pezzo con molto di sentimento | ||
59/2 | Quartet for 2 Violins, Viola, and Cello No. 8 in E minor, Op. 59 No. 2: III. Allegretto - Maggiore | ||
59/2 | Quartet for 2 Violins, Viola, and Cello No. 8 in E minor, Op. 59 No. 2: IV. Presto | ||
Op. 59 No. 3 - String Quartet No. 9 | |||
59/3 | Quartet for 2 Violins, Viola, and Cello No. 9 in C major, Op. 59 No. 3: I. Andante con moto - Allegro vivace | ||
59/3 | Quartet for 2 Violins, Viola, and Cello No. 9 in C major, Op. 59 No. 3: II. Andante con moto quasi allegretto | ||
59/3 | Quartet for 2 Violins, Viola, and Cello No. 9 in C major, Op. 59 No. 3: III. Minuetto. Grazioso | ||
59/3 | Quartet for 2 Violins, Viola, and Cello No. 9 in C major, Op. 59 No. 3: IV. Allegro molto | ||
Op. 60 - Symphony No. 4 | |||
60 | Symphony No. 4 in B-flat major, Op. 60: I. Adagio - Allegro vivace | 1806 | |
60 | Symphony No. 4 in B-flat major, Op. 60: II. Adagio | 1806 | |
60 | Symphony No. 4 in B-flat major, Op. 60: III. Allegro vivace | 1806 | |
60 | Symphony No. 4 in B-flat major, Op. 60: IV. Allegro ma non troppo | 1806 | |
Op. 61 - Concerto for Violin and Orchestra | |||
61 | Concerto for Violin and Orchestra in D major, Op. 61: I. Allegro ma non troppo (cadenza: Fritz Kreisler) | 1806 | Kreisler: add. composed (cadenza), ; |
61 | Concerto for Violin and Orchestra in D major, Op. 61: II. Larghetto | 1806 | - |
61 | Concerto for Violin and Orchestra in D major, Op. 61: III. Rondo. Allegro (cadenza: Fritz Kreisler) | 1806 | Kreisler: add. composed (cadenza), ; |
Op. 61a - Concerto for Piano and Orchestra (arrangement from Op. 61) | |||
61a | Concerto for Piano and Orchestra in D major, Op. 61a: I. Allegro ma non troppo | 1806 | LvB: arranged piano, 1807; |
61a | Concerto for Piano and Orchestra in D major, Op. 61a: II. Larghetto | 1806 | LvB: arranged piano, 1807; |
61a | Concerto for Piano and Orchestra in D major, Op. 61a: III. Rondo. Allegro (cadenza: Ludwig van Beethoven) | 1806 | LvB: add. composed (cadenza), ; LvB: arranged piano, 1807; |
Op. 62 - Coriolan Overture | |||
62 | Coriolan, Op. 62: Overture. Allegro con brio | ||
Op. 63 - Piano Trio (arrangement from Op. 4) | |||
Op. 64 - Sonata for Piano and Cello (arrangement from Op. 3) | |||
Op. 65 - Scene and Aria "Ah! Perfido" | |||
Op. 66 - 12 Variations for Piano and Cello in F major on Mozart's "The Magic Flute: Ein Mädchen oder Weibchen" | |||
66 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66: Thema. Allegretto | ||
66 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 1: Variation I | ||
66 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 2: Variation II | ||
66 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 3: Variation III | ||
66 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 4: Variation IV | ||
66 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 5: Variation V | ||
66 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 6: Variation VI | ||
66 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 7: Variation VII | ||
66 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 8: Variation VIII | ||
66 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 9: Variation IX | ||
66 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 10: Variation X. Adagio | ||
66 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 11: Variation XI. Poco adagio quasi andante | ||
66 | 12 Variations for Piano and Cello in F major on Mozart's The Magic Flute: "Ein Mädchen oder Weibchen", Op. 66 No. 12: Variation XII. Allegro | ||
Op. 67 - Symphony No. 5 | |||
67 | Symphony No. 5 in C minor, Op. 67: I. Allegro con brio | 1804-08 | |
67 | Symphony No. 5 in C minor, Op. 67: II. Andante con moto | 1804-08 | |
67 | Symphony No. 5 in C minor, Op. 67: III. Scherzo. Allegro | 1804-08 | |
67 | Symphony No. 5 in C minor, Op. 67: IV. Allegro | 1804-08 | |
Op. 68 - Symphony No. 6 | |||
68 | Symphony No. 6 in F major, Op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country" | 1808 | |
68 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook" | 1808 | |
68 | Symphony No. 6 in F major, Op. 68 "Pastorale": III. Allegro "Happy gathering of country folk" | 1808 | |
68 | Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm" | 1808 | |
68 | Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm" | ||
Op. 69 - Sonata for Piano and Cello No. 3 | |||
69 | Sonata for Cello and Piano No. 3 in A major, Op. 69: I. Allegro ma no tanto | ||
69 | Sonata for Cello and Piano No. 3 in A major, Op. 69: II. Scherzo. Allegro molto | ||
69 | Sonata for Cello and Piano No. 3 in A major, Op. 69: III. Adagio cntabile | ||
69 | Sonata for Cello and Piano No. 3 in A major, Op. 69: IV. Allegro vivace | ||
Op. 70 No. 1 - Piano Trio No. 5 | |||
70/1 | Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghost": I. Allegro vivace e con brio | 1808 | |
70/1 | Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghost": II. Largo assai e espressivo | 1808 | |
70/1 | Trio for Piano, Violin, and Cello No. 5 in D major, Op. 70 No. 1 "Ghost": III. Presto | 1808 | |
Op. 70 No. 2 - Piano Trio No. 6 | |||
70/2 | Trio for Piano, Violin, and Cello No. 6 in E-flat major, Op. 70 No. 2: I. Poco sostenuto - Allegro ma non troppo | 1808 | |
70/2 | Trio for Piano, Violin, and Cello No. 6 in E-flat major, Op. 70 No. 2: II. Allegretto | 1808 | |
70/2 | Trio for Piano, Violin, and Cello No. 6 in E-flat major, Op. 70 No. 2: III. Allegretto ma non troppo | 1808 | |
70/2 | Trio for Piano, Violin, and Cello No. 6 in E-flat major, Op. 70 No. 2: IV. Finale. Allegro | 1808 | |
Op. 71 - Sextet for 2 Clarinets Horns, and Bassoons | |||
71 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: I. Adagio - Allegro | ||
71 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: II. Adagio | ||
71 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: III. Menuetto. Quasi allegretto | ||
71 | Sextet for 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 71: IV. Rondò. Allegro | ||
Op. 72 - Opera "Fidelio" in 2 Acts/308 bars (1814 version of "Leonore") | |||
72 | Fidelio, Op. 72: Overture | 1814 | |
72 | Fidelio, Op. 72: Act I, Scene I, No. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) | 1805 | LvB, revised, 1814 |
72 | Fidelio, Op. 72: Act I, Scene I, No. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline) | 1805 | LvB, revised, (possibly 1806, but has same bar count as 1805) 1814 |
72 | Fidelio, Op. 72: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | 1805 | LvB, revised, (possibly 1806, but has same bar count as 1805) 1814 |
72 | Fidelio, Op. 72: Act I, Scene I, No. 4. Aria "Hat man nicht auch Gold beineben" (Rocco) | 1805 | LvB, revised, 1814 |
72 | Fidelio, Op. 72: Act I, Scene I, No. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) | 1805 | LvB, revised, 1806 & 1814 |
72 | Fidelio, Op. 72: Act I, Scene II, No. 6. March | 1806 | LvB, revised, 1806 & 1814 |
72 | Fidelio, Op. 72: Act I, Scene II, No. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) | 1805 | LvB, revised, 1814 |
72 | Fidelio, Op. 72: Act I, Scene II, No. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) | 1805 | LvB, revised, (possibly 1806, but has same bar count as 1805) 1814 |
72 | Fidelio, Op. 72: Act I, Scene II, No. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore) | 1805 | LvB, revised, 1806 & 1814 |
72 | Fidelio, Op. 72: Act I, Scene II, No. 10a. Prisoner's Chorus "O welche Lust" | 1805 | LvB, revised, 1806 (& possibly 1814, but has same bar count) |
72 | Fidelio, Op. 72: Act I, Scene II, No. 10b. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco) | 1805 | (all three versions have 15 bars, so I assume they are the same) |
72 | Fidelio, Op. 72: Act I, Scene II, No. 10c. Duet "Noch heute! Noch heute!" (Leonore, Rocco) | 1805 | LvB, revised, 1806 & 1814 |
72 | Fidelio, Op. 72: Act I, Scene II, No. 10d. Duet "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore) | 1805 | LvB, revised, 1806 & 1814 |
72 | Fidelio, Op. 72: Act I, Scene II, No. 10e. Quintet "Ach, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) | 1805 | LvB, revised, (possibly 1806, but has same bar count as 1805) 1814 |
72 | Fidelio, Op. 72: Act I, Scene II, No. 10f. Recitative "Habt ihr wohl in Acht genommen" (Rocco, Pizarro) | 1814 | |
72 | Fidelio, Op. 72: Act I, Scene II, No. 10g. "Leb wohl, du warmes Sonnenlicht" (Soloists & Chorus) | 1814 | |
72 | Fidelio, Op. 72: Act II, Scene I, No. 11a. Introduction and Recitative "Gott! Welch Dunkel hier!" (Florestan) | 1805 | LvB, revised, 1806 & 1814 |
72 | Fidelio, Op. 72: Act II, Scene I, No. 11b. Aria "In des Lebens Frühlingstagen" (Florestan) | 1805 | LvB, revised, 1806 & 1814 |
72 | Fidelio, Op. 72: Act II, Scene I, No. 12a. Melodrama (Leonore, Rocco) | 1805 | LvB, revised, 1806 & 1814 |
72 | Fidelio, Op. 72: Act II, Scene I, No. 12b. Duet "Nur hurtig fort" (Rocco, Leonore) | 1805 | LvB, revised, 1806 & 1814 |
72 | Fidelio, Op. 72: Act II, Scene I, No. 13. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) | 1805 | LvB, revised, 1806 & 1814 |
72 | Fidelio, Op. 72: Act II, Scene I, No. 14. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) | 1805 | LvB, revised, 1806 & 1814 |
72 | Fidelio, Op. 72: Act II, Scene I, No. 15. Duet "O namenlose Freude!" (Leonore, Florestan) | 1805 | LvB, revised, 1806 & 1814 |
72 | Fidelio, Op. 72: Act II, Scene I, No. 16a. "Heil sei dem Tag" (Chorus & Soloists) | 1814 | |
72 | Fidelio, Op. 72: Act II, Scene I, No. 16a. "Des besten Konigs Wink und Wille Don Fernando, Chorus) | ||
72 | Fidelio, Op. 72: Act II, Scene I, No. 16a. "Wohlan! So helfet, helft den Armen! (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco) | ||
72 | Fidelio, Op. 72: Act II, Scene I, No. 16a. "Du schlossest auf des Edlen Grab (Don Fernando) | ||
72 | Fidelio, Op. 72: Act II, Scene I, No. 16b. "Bestrafet sei der Bösewicht" (Chorus & Fernando) | 1805 | LvB, revised, (possibly 1806, but has same bar count as 1805) 1814 |
72 | Fidelio, Op. 72: Act II, Scene I, No. 16c. "O Gott! O welch ein Augenblick!" (Soloists & Chorus) | 1805 | LvB, revised, 1806 & 1814 |
72 | Fidelio, Op. 72: Act II, Scene I, No. 16d. Recitative "Hinweg mit diesem Bösewicht" (Fernando) | 1814 | |
72 | Fidelio, Op. 72: Act II, Scene I, No. 16e. "Wer ein holdes Weib errungen" (Don Fernando, Don Pizarro, Leonore, Marzelline, Rocco) | 1805 | LvB, revised, 1806 & 1814 |
Op. 73 - Concerto for Piano and Orchestra No. 5 | |||
73 | Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro | 1809 | |
73 | Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso | 1809 | |
73 | Concerto for Piano and Orchestra No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo. Allegro | 1809 | |
Op. 74 - String Quartet No. 10 | |||
74 | Quartet for 2 Violins, Viola, and Cello No. 10 in E-flat major, Op. 74 "Harp": I. Poco adagio - Allegro | ||
74 | Quartet for 2 Violins, Viola, and Cello No. 10 in E-flat major, Op. 74 "Harp": II. Adagio ma non troppo | ||
74 | Quartet for 2 Violins, Viola, and Cello No. 10 in E-flat major, Op. 74 "Harp": III. Presto | ||
74 | Quartet for 2 Violins, Viola, and Cello No. 10 in E-flat major, Op. 74 "Harp": IV. Allegretto con variazioni | ||
Op. 75 - 6 Songs | |||
75/1 | Gesange for Voice and Piano, Op. 75 No. 1 in A major: Ziemlich langsam "Mignon: Kennst du das Land" | ||
75/2 | Gesange for Voice and Piano, Op. 75 No. 2 in C major: Lebhaft, doch nicht zu sehr "Neue Liebe, neues Leben: Herz, mein Herz, was soll das geben?" | ||
75/3 | Gesange for Voice and Piano, Op. 75 No. 3 in G minor: Poco Allegretto "Aus Goethe's Faust: Es war einmal ein Konig" | ||
75/4 | Gesange for Voice and Piano, Op. 75 No. 4 in A major: Etwas lebhaft "Gretels Warnung: Mit Liebes lick und Spiel und Sang" | ||
75/5 | Gesange for Voice and Piano, Op. 75 No. 5 in G major: Larghetto "An den fernen Geliebten: Einst wohnten susse Ruh" | ||
75/6 | Gesange for Voice and Piano, Op. 75 No. 6 in A major: Froh und heiter, etwas lebhaft "Der Zufriedene: Zwar schuf das Gluck hienieden" | ||
Op. 76 - 6 Variations for Piano | |||
76 | 6 Variations for Piano in D major on an Original Theme, Op. 76 | ||
Op. 77 - Fantasia for Piano | |||
77 | Fantasia for Piano in [G minor or B-flat major], Op. 77: Allegro - Poco adagio | ||
Op. 78 - Sonata for Piano No. 24 | |||
78 | Sonata for Piano No. 24 in F-sharp major, Op. 78 "A Thérèse": I. Adagio cantabile - Allegro ma non troppo | ||
78 | Sonata for Piano No. 24 in F-sharp major, Op. 78 "A Thérèse": II. Allegro assai | ||
Op. 79 - Sonata for Piano No. 25 | |||
79 | Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": I. Presto alla tedesca | ||
79 | Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": II. Andante espressivo | ||
79 | Sonata for Piano No. 25 in G major, Op. 79 "Cuckoo": III. Vivace | ||
Op. 80 - Fantasia for Piano, Chorus, and Orchestra | |||
80 | Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy": I. Adagio | ||
80 | Fantasy for Piano, Choir, and Orchestra in C minor, Op. 80 "Choral Fantasy": II. Finale. Allegro - Meno allegro - Allegro molto - Adagio ma non troppo - Marcia assai vivace - Allegro - Allegretto, ma non troppo quasi andante con moto "Schmeichelnd hold un liblich klingen" - Presto | ||
Op. 81a - Sonata for Piano No. 26 | |||
81a | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": I. Das Lebewohl. Adagio - Allegro "Les Adieux" | ||
81a | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": II. Die Abwesenheit. Andante espressivo "L'Absence" | ||
81a | Sonata for Piano No. 26 in E-flat major, Op. 81a "Les Adieux": III. Das Wiedersehn. Vivacissimamente "Le Retour" | ||
Op. 81b - Sextet for 2 Horns, 2 Violins, Viola, and Cello | |||
81b | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: I. Allegro con brio | ||
81b | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: II. Adagio | ||
81b | Sextet for 2 Horns, 2 Violins, Viola, and Cello in E-flat major, Op. 81b: III. Rondo. Allegro | ||
Op. 82 - 4 Arias and Duet for Voice and Piano | |||
82/1 | Aria for Soprano and Piano, Op. 82 No. 1 in A major: Allegro moderato "Hoffnung: Dimmi ben mio - Nimmer den lieben dem Herzen" | ||
82/2 | Aria for Soprano and Piano, Op. 82 No. 2 in D major: Adagio ma non troppo "Liebsklage: T'indendo, si, mio cor - Den stummen Felsen nur" | ||
82/3 | Aria for Soprano and Piano, Op. 82 No. 3 in E-flat major: Allegro "Stille Frage: Che fa il mio bene? - Darf nimmer ich dir nahen?" | ||
82/4 | Aria for Soprano and Piano, Op. 82 No. 4 in B-flat major: Andante con espressione "Liebes-Ungeduld: Che fa il mio bene? - So muss ich ihm entsagen" | ||
82/5 | Duet for Soprano and Tenor, Op. 82 No. 5 in E major: Andante vivace "Lebens-Genuss: Odi l'aura che dolce sospira - Schnell verbluhen" | ||
Op. 83 - 3 Songs | |||
83/1 | Gesange for Voice and Piano, Op. 83 No. 1 in E major: Andante espressivo "Wonne der Wehmuth: Trocknet nicht" | ||
83/2 | Gesange for Voice and Piano, Op. 83 No. 2 in B minor: Allegretto "Sehnsucht: Was zieht mir das Herz so?" | ||
83/3 | Gesange for Voice and Piano, Op. 83 No. 3 in F major: Leichtlich und mit Grazie vorzutragen "Mie einem gemalten Band: Kleine Blumen, kleine Blatter" | ||
Op. 84 - Egmont Overture | |||
84 | Egmont, Op. 84: Overture. Sostenuto, ma non troppo | ||
Op. 85 - Oratorio "Christ on the Mount of Olives (Christus am Ölberge)" | |||
85 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ia. Introduction. Grave - Adagio | 1803 | LvB: add. composed (revision), 1804 |
85 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ib. Recitative "Jehova, du mein Vater!" (Jesus) | 1803 | LvB: add. composed (revision), 1804 |
85 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Ic. Aria "Meine Seele ist erschüttert" (Jesus) | 1803 | LvB: add. composed (revision), 1804 |
85 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIa. Recitative "Erzittre, Erde, Jehova's Sohn liegt hier!" (Seraph) | 1803 | LvB: add. composed (revision), 1804 |
85 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIb. Aria "Preist des Erlösers Güte" (Seraph) | 1803 | LvB: add. composed (revision), 1804 |
85 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIc. Choir of Angels "O Heil euch, ihr Erlösten" (Seraph, Choir) | 1803 | LvB: add. composed (revision), 1804 |
85 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIa. Recitative "Verkündet, Seraph, mir dein Mund Erbarmen" (Jesus, Seraph) | 1803 | LvB: add. composed (revision), 1804 |
85 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IIIb. Duet "So ruhe denn mit ganzer Schwere" (Jesus, Seraph) | 1803 | LvB: add. composed (revision), 1804 |
85 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVa. Recitative "Willkommen, Tod" (Jesus) | 1803 | LvB: add. composed (revision), 1804 |
85 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: IVb. Choir of Warriors "Wir haben ihn gesehen" | 1803 | LvB: add. composed (revision), 1804 |
85 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Va. Recitative "Die mich zu fangen ausgezogen sind" (Jesus) | 1803 | LvB: add. composed (revision), 1804 |
85 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vb. Choir of Warriors "Hier ist er, der Verbannte" | 1803 | LvB: add. composed (revision), 1804 |
85 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: Vc. Choir of Disciples "Was soll der Lärm bedeuten?" | 1803 | LvB: add. composed (revision), 1804 |
85 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIa. Recitative "Nicht ungestraft soll der Verweg'nen Schar" (Petrus, Jesus) | 1803 | LvB: add. composed (revision), 1804 |
85 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIb. Trio "In meinen Adern wühlen gerechter Zorn und Wut" (Petrus, Jesus, Seraph) | 1803 | LvB: add. composed (revision), 1804 |
85 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIc. Choir of Warriors "Auf, auf! Ergreifet den Verräter" | 1803 | LvB: add. composed (revision), 1804 |
85 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VId. Choir of Disciples "Ach! wir werden seinetwegen auch gehasst, verfolget sein" | 1803 | LvB: add. composed (revision), 1804 |
85 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIe. "Meine Qual ist bald verschwunden" (Jesus) | 1803 | LvB: add. composed (revision), 1804 |
85 | Christus am Ölberge for 3 Solo Voices, Chorus, and Orchestra, Op. 85: VIf. Choir of Angels "Welten singen Dank und Ehre" | 1803 | LvB: add. composed (revision), 1804 |
Op. 86 - Mass in C major | |||
86 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: I. Kyrie. Andante con moto assai vivace quasi allegretto ma non troppo | 1807 | |
86 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: II. Gloria. Allegro con brio | 1807 | |
86 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: III. Credo. Allegro con brio | 1807 | |
86 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: IV. Sanctus. Adagio - Allegro - Allegretto ma non troppo - Allegro | 1807 | |
86 | Mass for 4 Solo Voices, Chorus, and Orchestra in C major, Op. 86: V. Agnus Dei. Poco andante - Allegro ma non troppo - Andante con moto, tempo del kyrie | 1807 | |
Op. 87 - Trio for 2 Oboes and English Horn | |||
87 | Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: I. Allegro | 1795 | |
87 | Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: II. Adagio cantabile | 1795 | |
87 | Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: III. Menuetto. Allegro molto. Scherzo | 1795 | |
87 | Trio for [2 Oboes and English Horn (or Violin, Viola, and Cello)] in C major, Op. 87: IV. Finale. Presto | 1795 | |
Op. 88 - Song | |||
88 | Song for Voice and Piano and A major, Op. 88: Andante quasi allegretto "Das Gluck der Freundschaft: Der lebt ein Leben wonniglich" | ||
Op. 89 - Polonaise for Piano | |||
89 | Polonaise for Piano in C major: Alla polacca, vivace | ||
Op. 90 - Sonata for Piano No. 27 | |||
90 | Sonata for Piano No. 27 in E minor, Op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | ||
90 | Sonata for Piano No. 27 in E minor, Op. 90: II. Nicht zu geschwind und sehr singbar vorzutragen | ||
Op. 91 - Battle Symphony "Wellingtons Sieg, oder die Schlacht bei Vittoria" | |||
Op. 92 - Symphony No. 7 | |||
92 | Symphony No. 7 in A major, Op. 92: I. Poco sostenuto - Vivace | 1811-12 | |
92 | Symphony No. 7 in A major, Op. 92: II. Allegretto | 1811-12 | |
92 | Symphony No. 7 in A major, Op. 92: III. Presto | 1811-12 | |
92 | Symphony No. 7 in A major, Op. 92: IV. Allegro con brio | 1811-12 | |
Op. 93 - Symphony No. 8 | |||
93 | Symphony No. 8 in F major, Op. 93: I. Allegro vivace e con brio | 1812 | |
93 | Symphony No. 8 in F major, Op. 93: II. Allegretto scherzando | 1812 | |
93 | Symphony No. 8 in F major, Op. 93: III. Tempo di menuetto | 1812 | |
93 | Symphony No. 8 in F major, Op. 93: IV. Allegro vivace | 1812 | |
Op. 94 - Song "An die Hoffnung" | |||
Op. 95 - String Quartet No. 11 | |||
95 | Quartet for 2 Violins, Viola, and Cello No. 11 in F minor, Op. 95: I. Allegro con brio | ||
95 | Quartet for 2 Violins, Viola, and Cello No. 11 in F minor, Op. 95: II. Allegretto ma non troppo | ||
95 | Quartet for 2 Violins, Viola, and Cello No. 11 in F minor, Op. 95: III. Allegro assai vivace ma serioso | ||
95 | Quartet for 2 Violins, Viola, and Cello No. 11 in F minor, Op. 95: IV. Larghetto espressivo - Allegretto agitato - Allegro | ||
Op. 96 - Sonata for Piano and Violin No. 10 | |||
96 | Sonata for Violin and Piano No. 10 in G major, Op. 96: I. Allegro con brio | ||
96 | Sonata for Violin and Piano No. 10 in G major, Op. 96: II. Adagio espessivo | ||
96 | Sonata for Violin and Piano No. 10 in G major, Op. 96: III. Scherzo. Allegro | ||
96 | Sonata for Violin and Piano No. 10 in G major, Op. 96: IV. Poco allegretto | ||
Op. 97 - Piano Trio | |||
97 | Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": I. Allegro moderato | 1810-11 | |
97 | Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": II. Scherzo. Allegro | 1810-11 | |
97 | Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": III. Andante cantabile ma però con moto | 1810-11 | |
97 | Trio for Piano, Violin, and Cello No. 7 in B-flat major, Op. 97 "Archduke": IV. Allegro moderato | 1810-11 | |
Op. 98 - 6 Song Cycles | |||
98 | An die ferne Geliebte, Op. 98 | ||
Op. 99 - Song "Der Mann von Wort" | |||
99 | Song for Voice and Piano in G major, Op. 99 "Der Mann von Wort: sagtest, Freund, an diesen Ort komm ich zurück" | ||
Op. 100 - Song "Merkenstein" | |||
100 | Song for Voice and Piano in F major, Op. 100 "Merkenstein: Merkenstein! Wo ich wandle denk ich dein": Massig, jdeoch nicht schleppend | ||
Op. 101 - Sonata for Piano No. 28 | |||
101 | Sonata for Piano No. 28 in A major, Op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | ||
101 | Sonata for Piano No. 28 in A major, Op. 101: II: Lebhaft, marschmäßig. Vivace alla marcia | ||
101 | Sonata for Piano No. 28 in A major, Op. 101: III: Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affeto | ||
101 | Sonata for Piano No. 28 in A major, Op. 101: IV: Geschwind, doch nicht zu sehr und mit Entschlossenheit. Allegro | ||
Op. 102 No. 1 - Sonata for Piano and Cello No. 4 | |||
102/1 | Sonata for Piano and Cello No. 4 in C major, Op. 102 No. 1: I. Andante - Allegro vivace | ||
102/1 | Sonata for Piano and Cello No. 4 in C major, Op. 102 No. 1: II. Adagio - Tempo d'Andante - Allegro vivace | ||
Op. 102 No. 2 - Sonata for Piano and Cello No. 5 | |||
102/2 | Sonata for Piano and Cello No. 5 in D major, Op. 102 No. 2: I. Allegro con brio | ||
102/2 | Sonata for Piano and Cello No. 5 in D major, Op. 102 No. 2: II. Adagio con molto sentimento d'affetto - attacca: | ||
102/2 | Sonata for Piano and Cello No. 5 in D major, Op. 102 No. 2: III. Allegro - Allegro fugato | ||
Op. 103 - Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons (see Op. 4) | |||
103 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: I. Allegro | ||
103 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: II. Andante | ||
103 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: III. Menuetto | ||
103 | Octet for 2 Oboes, 2 Clarinets, 2 Horns, and 2 Bassoons in E-flat major, Op. 103: IV. Finale. Presto | ||
Op. 104 - String Quintet (see Op. 1 No. 3) | |||
104 | Quintet for 2 Violins, 2 Violas, and Cello in C minor, Op. 104: I. Allegro con brio | ||
104 | Quintet for 2 Violins, 2 Violas, and Cello in C minor, Op. 104: II. Andante cantabile con variazioni | ||
104 | Quintet for 2 Violins, 2 Violas, and Cello in C minor, Op. 104: III. Menuetto. Quasi allegro | ||
104 | Quintet for 2 Violins, 2 Violas, and Cello in C minor, Op. 104: IV. Prestissimo | ||
Op. 105 - 6 Variations for Piano and Flute or Violin | |||
105/1 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 1 in G major "The Cottage Maid": Tema. Andantino quasi allegretto - Var. I-II - Var. III. Allegro - Tempo I | ||
105/2 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 2 in C minor "Von edlem Geschlecht war Shinkin": Tema. Allegretto scherzoso - Var. I-II - Var. III. Allegretto - Allegro | ||
105/3 | Air autrichien for [Flute or Violin] and Piano, Op. 105 No. 3 in C major "A Schüsserl und a Reindl": Tema. Andantino - Var. I-IV - Var. V. Adagio sostenuto, ma non troppo - Var. VI. Andante con moto | ||
105/4 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 4 in E-flat major "The Last Rose of Summer": Tema. Andante espessivo assai - Var. I-III | ||
105/5 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 5 in E-flat major "Chiling O'Guiry": Tema. Allegretto spiritoso - Var. I-II - Var. III. Allegro assai | ||
105/6 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 6 in D major "Paddy Whack": Tema. Allegretto più tosto vivace - Var. I-IV | ||
Op. 106 - Sonata for Piano No. 29 | |||
106 | Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": I. Allegro | ||
106 | Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": II. Scherzo. Assai vivace | ||
106 | Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": III. Adagio sostenuto. Appasionato e molto con sentimento | ||
106 | Sonata for Piano No. 29 in B-flat major, Op. 106 "Hammer-Klavier": IV. Largo - Allegro risoluto | ||
Op. 107 - 10 Variations for Piano and Flute or Violin | |||
107/1 | Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 1 in E-flat major "l bin a Tiroler Bua": Tema. Moderato - Var. I-III - Var. IV. Allegro | ||
107/2 | Air écossais for [Flute or Violin] and Piano, Op. 107 No. 2 in F major "Bonnie Laddie, Highland Laddie": Tema. Allegretto, quasi vivace - Var. I-III - Var. IV. Andante mosso, alla Siciliano - Allegro | ||
107/3 | Volkslied aus Kleinrussland for [Flute or Violin] and Piano, Op. 107 No. 3 in G major: Tema. Vivace - Var. I-IV - Var. V. Adagio sostenuto - Tempo I | ||
107/4 | Air écossais for [Flute or Violin] and Piano, Op. 107 No. 4 in F major "St. Patrick's Day": Tema. Allegretto scherzoso - Var. I - Var. II. Poco adagio - Vivace - Moderato - Tempo I | ||
107/5 | Air tirolien for [Flute or Violin] and Piano, Op. 107 No. 5 in F major "A Madel, ja a Madel": Tema. Moderato - Var. I-II - Var. III. Maestoso - Allegro | ||
107/6 | Air écossais for [Flute or Violin] and Piano, Op. 107 No. 6 in E-flat major "Peggy's Daughter": Tema. Andante comodo - Var. I-III - Var. IV. Vivace | ||
107/7 | Air russe for [Flute or Violin] and Piano, Op. 107 No. 7 in A minor "Schöne Minka": Tema. Andante - Var. I-IV - Var. V. Andante moderato - Var. VI. Allegro - Adagio - Andante commodo - Poco vivace | ||
107/8 | Air écossais for [Flute or Violin] and Piano, Op. 107 No. 8 in D major "O Mary at they window be": Tema. Andantino quasi allegretto - Var. I-III - Var. IV. Un poco più mosso - Allegro assai | ||
107/9 | Air écossais for [Flute or Violin] and Piano, Op. 107 No. 9 in E-flat major "Oh, Thou art the Lad of my Heart": Tema. Allegretto più tosto vivace - Var. I - Var. II. Cantabile e legato - Var. III - Var. IV. Andante espressivo - Var. V. Vivace | ||
107/10 | Air écossais for [Flute or Violin] and Piano, Op. 107 No. 10 in G minor "The Highland Watch": Tema. Spirituoso e marziale - Var. I-II - Var. III. Più moto - Var. IV. Adagio espressivo - Var. V. Allegro | ||
Op. 108 - 25 Air écossaiss | |||
108/1 | Air écossais for Voice and Choir with Piano, Violin, and Cello in A minor, Op. 108 No. 1 "Musik, Liebe und Wein: Es schalle die Musik, Nacht and Tag!": Allegretto vivace più tosto | ||
108/2 | Air écossais for Voice with Piano, Violin, and Cello in A minor, Op. 108 No. 2 "Der Abend: Die Sonne sinkt ins Ettrick Thal": Andante | ||
108/3 | Air écossais for Voice with Piano, Violin, and Cello in F major, Op. 108 No. 3 "O kostliche Zeit: O kostliche Zeit": Andante con moto | ||
108/4 | Air écossais for Voice with Piano, Violin, and Cello in D major, Op. 108 No. 4 "Das Islamadchen: O Islamagdlein, die du kuhn": Allegro | ||
108/5 | Air écossais for Voice with Piano, Violin, and Cello in G minor, Op. 108 No. 5 "Der schonste Bub: Der schonste Bub war Henny": Andantino un poco Allegretto | ||
108/6 | Air écossais for Voice with Piano, Violin, and Cello in D major, Op. 108 No. 6 "Trub ist mein Auge: Trub, trub ist mein Auge wie": Andante amoroso | ||
108/7 | Air écossais for Voice with Piano, Violin, and Cello in F major, Op. 108 No. 7 "Frische Bursche, Hochlands Bursche: Wem den Silbermond ihr dankt": Allegretto quasi vivace | ||
108/8 | Air écossais for Voice with Piano, Violin, and Cello in D minor, Op. 108 No. 8 "Die holde Maid von Inverness: Die holde Maid von Inverness kennt": Affettuoso assai | ||
108/9 | Air écossais for 2 Voices with Piano, Violin and Cello in E-flat major, Op. 108 No. 9 "Schau her, mein Lieb: Schau her, mein Lieb, der Walder Grun": Grazioso | ||
108/10 | |||
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Op. 109 - Sonata for Piano No. 30 | |||
109 | Sonata for Piano No. 30 in E major, Op. 109: I. Vivace, ma non troppo | ||
109 | Sonata for Piano No. 30 in E major, Op. 109: II. Prestissimo | ||
109 | Sonata for Piano No. 30 in E major, Op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | ||
Op. 110 - Sonata for Piano No. 31 | |||
110 | Sonata for Piano No. 31 in A-flat major, Op. 110: I. Moderato cantabile molto espessivo | ||
110 | Sonata for Piano No. 31 in A-flat major, Op. 110: II. Allegro molto | ||
110 | Sonata for Piano No. 31 in A-flat major, Op. 110: III. Adagio, man non troppo - Fuga. Allegro ma non troppo | ||
Op. 111 - Sonata for Piano No. 32 | |||
111 | Sonata for Piano No. 32 in C minor, Op. 111: I. Maestoso - Allegro con brio ed appassionato | ||
111 | Sonata for Piano No. 32 in C minor, Op. 111: II. Arietta. Adagio molto semplice e cantabile | ||
Op. 112 - Cantata "Meeresstille Fahrt und glückliche" | |||
112 | Cantata for Mixed Chorus and Orchestra, Op. 112 "Meeresstille und glückliche Fahrt": I. Meeresstille. Sostenuto "Tiefe Stille herrscht im Wasser" Sostenuto | ||
112 | Cantata for Mixed Chorus and Orchestra, Op. 112 "Meeresstille und glückliche Fahrt": II. Glückliche Fahrt. Allegro vivace "Die Nebel zerreißen" | ||
Op. 113 - Overture "Die Ruinen von Athen" | |||
Op. 114 - March for Orchestra and Chorus | |||
Op. 115 - Overture "Zur Namensfeier" | |||
Op. 116 - Trio for Solo Voices and Orchestra | |||
Op. 117 - Overture "König Stephan" | |||
Op. 117 - Music for a Drama for Orchestra, Chorus, and Solo Voices "König Stephan oder Ungarns erster Wohhtäter" | |||
Op. 118 - Choral Part-song for Solo Voices and Instruments | |||
Op. 119 - 11 Bagatelles for Piano | |||
119 | Bagatelle for Piano, Op. 119 No. 1 in B-flat major: Allegretto | ||
119 | Bagatelle for Piano, Op. 119 No. 2 in C major: Andante con moto | ||
119 | Bagatelle for Piano, Op. 119 No. 3 in D major: À l'Allemande | ||
119 | Bagatelle for Piano, Op. 119 No. 4 in A major: Andante cantabile | ||
119 | Bagatelle for Piano, Op. 119 No. 5 in C minor: Risoluto | ||
119 | Bagatelle for Piano, Op. 119 No. 6 in G major: Andante - Allegretto | ||
119 | Bagatelle for Piano, Op. 119 No. 7 in C major: Allegro ma non troppo | ||
119 | Bagatelle for Piano, Op. 119 No. 8 in C major: Moderato | ||
119 | Bagatelle for Piano, Op. 119 No. 9 in A minor: Vivace moderato | ||
119 | Bagatelle for Piano, Op. 119 No. 10 in A major: Allegramente | ||
119 | Bagatelle for Piano, Op. 119 No. 11 in B-flat major: Andante, ma non troppo | ||
Op. 120 - 33 Variations for Piano | |||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Tema. Vivace | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. I. Alla marcia maestoso | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. II. Poco allegro | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. III. L'istesso tempo | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IV. Un poco più vivace | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. V. Allegro vivace | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VI. Allegro ma non troppo e serioso | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VII. Un poco più allegro | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. VIII. Poco vivace | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. IX. Allegro pesante e risoluto | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. X. Presto | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XI. Allegretto | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XII. Un poco più moto | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIII. Vivace | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIV. Grave e maestoso | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XV. Presto scherzando | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVI. Allegro | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVII | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XVIII. Poco moderato | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XIX. Presto | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XX. Andante | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXI. Allegro con brio | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXII. Allegro molto | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIII. Allegro assai | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIV. Fughetta. Andante | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXV. Allegro | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVI | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVII. Vivace | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXVIII. Allegro | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXIX. Adagio ma non troppo | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXX. Andante, sempre cantabile | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXI. Largo, molto espressivo | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXII. Fuga. Allegro - Poco adagio | ||
120 | 33 Variations for Piano in C major on a Waltz by Anton Diabelli, Op. 120: Var. XXXIII. Tempo di Menuetto moderato | ||
Op. 121a - 10 Variations for Piano Trio | |||
121a | 10 Variations for Piano, Violin, and Cello in G major on Wenzel Müller's Lied "Ich bin der Schneider Kakadu", Op. 121a: Introduzione. Adagio assai - Tema. Allegretto - Var. I-X - Allegretto | ||
Op. 121 - Choral Part-song for Orchestra, Chorus, and Solo Voices | |||
Op. 122 - Song "Bundelied" | |||
Op. 123 - Mass in D major "Missa Solemnis" | |||
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie. Kyrie eleison | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie. Christe eleison | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie. Kyrie eleison | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIa. Gloria. Gloria in excelsis Deo | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIb. Gloria. Gratias agimus | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIc. Gloria. Qui tollis peccata mundi | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IId. Gloria. Quoniam tu solus Sanctus | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIe. Gloria. In gloria Dei Patris | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIf. Gloria. Amen, in gloria dei Patris | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIa. Credo. Credo in unum Deum | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIb. Credo. Et incarnatus est | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIId. Credo. Et vitam venturi sauculi | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIe. Credo. Amen, et vitam venturi sauculi. Amen | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVb. Sanctus. Pleni sunt coeli et terra - Osanna in excelsis | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVc. Sanctus. Praeludium | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini | 1819-23 | Violinist: performed violin, ; |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi | 1819-23 | |
123 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem | 1819-23 | |
Op. 124 - Overture "Die Weihe des Hauses" | |||
Op. 125 - Symphony No. 9 | |||
125 | Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | 1823-24 | |
125 | Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto | 1823-24 | |
125 | Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante Moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo | 1823-24 | |
125 | Symphony No. 9 in D minor, Op. 125 "Choral": IV. Recitative. (Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro assai - Presto "O Freunde") - Allegro assai "Freude, schöner Götterfunken" - Alla marcia - Allegro assai vivace "Froh, wie seine Sonnen" - Andante maestoso "Seid umschlungen, Millionen!" - Adagio ma non troppo, ma divoto "Ihr, stürzt nieder" - Allegro energico, sempre ben marcato ("Freude, schöner Götterfunken" - "Seid umschlungen, Millionen!") - Allegro ma non tanto "Freude, Tochter aus Elysium!" - Prestissimo "Seid umschlungen, Millionen!" | 1823-24 | |
Op. 126 - 6 Bagatelles for Piano | |||
126 | Bagatelle for Piano, Op. 126 No. 1 in G major: Andante con moto cantabile e compiacevole | ||
126 | Bagatelle for Piano, Op. 126 No. 2 in G minor: Allegro | ||
126 | Bagatelle for Piano, Op. 126 No. 3 in E-flat major: Andante cantabile e grazioso | ||
126 | Bagatelle for Piano, Op. 126 No. 4 in B minor: Presto | ||
126 | Bagatelle for Piano, Op. 126 No. 5 in G major: Quasi allegretto | ||
126 | Bagatelle for Piano, Op. 126 No. 6 in E-flat major: Presto - Andante amabile e con moto - Tempo | ||
Op. 127 - String Quartet No. 12 | |||
127 | Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: I. Maestoso - Allegro | ||
127 | Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: II. Adagio, ma non toppo e molto cantabile - Andante con moto - Adagio molto espressivo - Tempo I | ||
127 | Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: III. Scherzando. Vivace | ||
127 | Quartet for 2 Violins, Viola, and Cello No. 12 in E-flat major, Op. 127: IV. Allegro - Allegro comodo | ||
Op. 128 - Arietta "Der Kuß" | |||
128 | "Der Kuß" | ||
Op. 129 - Rondo a Capriccio for Piano | |||
129 | Rondo a Capriccio for Piano in G major, Op. 129 "The Rage Over the Lost Penny": Allegro vivace | 1795 | |
Op. 130 - String Quartet No. 13 | |||
130 | Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: I. Adagio ma non troppo - Allegro | 1825 | |
130 | Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: II. Presto | 1825 | |
130 | Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: III. Andante con moto, ma non troppo | 1825 | |
130 | Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: IV. Alla danza tedesca. Allegro assai | 1825 | |
130 | Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: VI. Cavatina. Adagio molto espressivo | 1825 | |
130 | Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: VII. Finale. Allegro | 1825 | |
Op. 130 - String Quartet No. 13 (with alternate finale) | |||
130 | Quartet for 2 Violins, Viola, and Cello No. 13 in B-flat major, Op. 130: VII. Finale. Allegro (alternate) | 1826 | |
Op. 131 - String Quartet No. 14 | |||
131 | Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: I. Adagio, ma non troppo e molto espressivo | 1825-26 | |
131 | Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: II. Allegro molto vivace | 1825-26 | |
131 | Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: III. Allegro moderato | 1825-26 | |
131 | Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: IV. Andante ma non troppo e molto cantabile - Più mosso - Andante moderato e lusinghiero - Adagio - Allegretto - Adagio, ma non troppo e semplice - Allegretto | 1825-26 | |
131 | Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: V. Presto - Molto poco adagio | 1825-26 | |
131 | Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: VI. Adagio quasi un poco andante | 1825-26 | |
131 | Quartet for 2 Violins, Viola, and Cello No. 14 in C-sharp minor, Op. 131: VII. Allegro | 1825-26 | |
Op. 132 - String Quartet No. 15 | |||
132 | Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: I. Assai sostenuto - Allegro | 1824-25 | |
132 | Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: II. Allegro ma non tanto | 1824-25 | |
132 | Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: III. A Convalescent's Holy Song of Thanksgiving to the Deity, in the Lydian Mode. Molto adagio - Andante - Molto adagio - Andante - Molto adagio. Mit innigster Empfindung | 1824-25 | |
132 | Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: IV. Alla Marcia, vivace assai - Più allegro | 1824-25 | |
132 | Quartet for 2 Violins, Viola, and Cello No. 15 in A minor, Op. 132: V. Allegro appassionato - Presto | 1824-25 | |
Op. 133 - Fugue for String Quartet | |||
133 | Große Fugue for 2 Violins, Viola, and Cello in B-flat major, Op. 133: Overtura. Allegro - Fuga. Meno mosso e moderato - Allegro molto e con brio - Meno mosso e moderato - Allegro molto e con brio - Allegro | 1826 | |
Op. 134 - Fugue for 2 Pianos | |||
134 | Große Fugue for 2 Pianos in B-flat major, Op. 134 (transription from "Große Fugue, Op. 133": Ludwig van Beethoven): Overtura. Allegro - Meno mosso e moderato - Allegro - Fuga. Allegro - Meno mosso e moderato - Allegro molto e con brio | 1826 | LvB: add. composed (transription), 1826 |
Op. 135 - String Quartet No. 16 | |||
135 | Quartet for 2 Violins, Viola, and Cello No. 16 in F major, Op. 135: I. Allegretto | 1826 | |
135 | Quartet for 2 Violins, Viola, and Cello No. 16 in F major, Op. 135: II. Vivace | 1826 | |
135 | Quartet for 2 Violins, Viola, and Cello No. 16 in F major, Op. 135: III. Lento assai, e cantante tranquillo | 1826 | |
135 | Quartet for 2 Violins, Viola, and Cello No. 16 in F major, Op. 135: IV. The Difficult Decision. Grave, ma non troppo tanto "Must It Be?" - Allegro "It Must Be!" - Grave, ma non troppo tratto - Allegro | 1826 | |
Op. 136 - Cantata "The Glorious Moment (Der glorreiche Augenblick)" | |||
136 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa stet!" | ||
136 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!" | ||
136 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna) | ||
136 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin) | ||
136 | Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin) | ||
136 | Cantata for 4 Solo Voices, Chous, and Orchestra, Op. 136 "The Moment of Glory": VI. Choir "Es treten vor die Scharen der Frauen" | ||
Op. 137 - Fugue for String Quintet | |||
137 | Fugue for 2 Violins, 2 Violas, and Cello in D major, Op. 137: Allegretto | 28 November 1817 | |
Op. 138 - Overture "Leonore I" | |||
138 | Overture "Leonore", Op. 138 |
Without Opus
WoO | TrackTitle | CompositionDate | AdvancedRelationships + Notes |
WoO 1 - Ritterballett | |||
WoO 1 | Music for a Ballet on Horseback, WoO 1: I. March | 1790-1 | |
WoO 1 | Music for a Ballet on Horseback, WoO 1: II. German Song. Allegro moderato | 1790-1 | |
WoO 1 | Music for a Ballet on Horseback, WoO 1: IIIa. Hunting Song. Allegretto | 1790-1 | |
WoO 1 | Music for a Ballet on Horseback, WoO 1: IIIb. German Song (da capo) | 1790-1 | |
WoO 1 | Music for a Ballet on Horseback, WoO 1: IVa. Romance. Andantino | 1790-1 | |
WoO 1 | Music for a Ballet on Horseback, WoO 1: IVb. German Song (da capo) | 1790-1 | |
WoO 1 | Music for a Ballet on Horseback, WoO 1: Va. War Song. Allegro assai con brio | 1790-1 | |
WoO 1 | Music for a Ballet on Horseback, WoO 1: Vb. German Song (da capo) | 1790-1 | |
WoO 1 | Music for a Ballet on Horseback, WoO 1: VIa. Drinking Song. Allegro con brio "Mihi est propositum" | 1790-1 | |
WoO 1 | Music for a Ballet on Horseback, WoO 1: VIb. German Song (da capo) | 1790-1 | |
WoO 1 | Music for a Ballet on Horseback, WoO 1: VII. German Dance. Waltz | 1790-1 | |
WoO 1 | Music for a Ballet on Horseback, WoO 1: VIII. Coda. Allegro vivace | 1790-1 | |
WoO 2 - March and Entr'acte for Tarpeja | |||
WoO 3 - Gratulations-Menuett | |||
WoO 3 | Congratulatory Minuet for Orchestra in E-flat major, WoO 3. Tempo di menuetto quasi allegretto | 1822 | |
WoO 4 - Concerto for Piano and Orchestra in E-flat major | |||
WoO 4 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): I. Allegro moderato | 1784 | Hess: add. composed (reconstruction), ; |
WoO 4 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): II. Larghetto | 1784 | Hess: add. composed (reconstruction), ; |
WoO 4 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): III. Rondo. Allegretto (cadenza: Willy Hess) | 1784 | Hess: add. composed (reconstruction), ; Hess: add. composed (cadenza), ; |
WoO 5 - Violin Concerto in C major (fragment) | |||
WoO 5 | Concerto for Violin and Orchestra in C major: Allegro con brio (fragment completion: Wilfried Fischer) (candenza: Takaya Urakawa) | 1790-92 | Fischer: add. composed (completion), ; Urakawa: add. composed (cadenza), ; |
WoO 6 - Rondo in B flat major for piano and orchestra | |||
WoO 6 | Rondo for Piano and Orchestra in B-flat major, WoO 6. Allegro (cadenza: Carl Czerny) | 1793 | Czerny: add. composed (cadenza), ; |
WoO 7 - Twelve Minuets | |||
WoO 7 | 12 Minuets for Orchestra, WoO 7 No. 1 in D major | 1795 | |
WoO 7 | 12 Minuets for Orchestra, WoO 7 No. 2 in B-flat major | 1795 | |
WoO 7 | 12 Minuets for Orchestra, WoO 7 No. 3 in G major | 1795 | |
WoO 7 | 12 Minuets for Orchestra, WoO 7 No. 4 in E-flat major | 1795 | |
WoO 7 | 12 Minuets for Orchestra, WoO 7 No. 5 in C major | 1795 | |
WoO 7 | 12 Minuets for Orchestra, WoO 7 No. 6 in A major | 1795 | |
WoO 7 | 12 Minuets for Orchestra, WoO 7 No. 7 in D major | 1795 | |
WoO 7 | 12 Minuets for Orchestra, WoO 7 No. 8 in B-flat major | 1795 | |
WoO 7 | 12 Minuets for Orchestra, WoO 7 No. 9 in G major | 1795 | |
WoO 7 | 12 Minuets for Orchestra, WoO 7 No. 10 in E-flat major | 1795 | |
WoO 7 | 12 Minuets for Orchestra, WoO 7 No. 11 in C major | 1795 | |
WoO 7 | 12 Minuets for Orchestra, WoO 7 No. 12 in F major | 1795 | |
WoO 8 - Twelve German Dances | |||
WoO 8 | 12 German Dances for Orchestra, WoO 8 No. 1 in C major | 1795 | |
WoO 8 | 12 German Dances for Orchestra, WoO 8 No. 2 in A major | 1795 | |
WoO 8 | 12 German Dances for Orchestra, WoO 8 No. 3 in F major | 1795 | |
WoO 8 | 12 German Dances for Orchestra, WoO 8 No. 4 in B-flat major | 1795 | |
WoO 8 | 12 German Dances for Orchestra, WoO 8 No. 5 in E-flat major | 1795 | |
WoO 8 | 12 German Dances for Orchestra, WoO 8 No. 6 in G major | 1795 | |
WoO 8 | 12 German Dances for Orchestra, WoO 8 No. 7 in C major | 1795 | |
WoO 8 | 12 German Dances for Orchestra, WoO 8 No. 8 in A major | 1795 | |
WoO 8 | 12 German Dances for Orchestra, WoO 8 No. 9 in F major | 1795 | |
WoO 8 | 12 German Dances for Orchestra, WoO 8 No. 10 in D major | 1795 | |
WoO 8 | 12 German Dances for Orchestra, WoO 8 No. 11 in G major | 1795 | |
WoO 8 | 12 German Dances for Orchestra, WoO 8 No. 12 in C major - Coda | 1795 | |
WoO 9 - Six Minuets | |||
WoO 9 | 6 Minuets for 2 Violins and Bass, WoO 9 No. 1 in E-flat major | ||
WoO 9 | 6 Minuets for 2 Violins and Bass, WoO 9 No. 2 in G major | ||
WoO 9 | 6 Minuets for 2 Violins and Bass, WoO 9 No. 3 in C major | ||
WoO 9 | 6 Minuets for 2 Violins and Bass, WoO 9 No. 4 in F major | ||
WoO 9 | 6 Minuets for 2 Violins and Bass, WoO 9 No. 5 in D major | ||
WoO 9 | 6 Minuets for 2 Violins and Bass, WoO 9 No. 6 in G major | ||
WoO 10 - Six Minuets | |||
WoO 10 | 6 Minuets for Piano, WoO 10 No. 1 in C major | 1795 | |
WoO 10 | 6 Minuets for Piano, WoO 10 No. 2 in G major | 1795 | |
WoO 10 | 6 Minuets for Piano, WoO 10 No. 3 in E-flat major | 1795 | |
WoO 10 | 6 Minuets for Piano, WoO 10 No. 4 in B-flat major | 1795 | |
WoO 10 | 6 Minuets for Piano, WoO 10 No. 5 in D major | 1795 | |
WoO 10 | 6 Minuets for Piano, WoO 10 No. 6 in C major | 1795 | |
WoO 11 - Twelve Laendler | |||
WoO 11 | 7 Ländler for Piano in D major, WoO 11 | 1799 | |
WoO 12 - Twelve Minuets | |||
WoO 13 - Twelve German Dances | |||
WoO 13 | 12 German Dances for Piano, WoO 13 No. 1 in D major | 1792-1797 | |
WoO 13 | 12 German Dances for Piano, WoO 13 No. 2 in B-flat major | 1792-1797 | |
WoO 13 | 12 German Dances for Piano, WoO 13 No. 3 in G major | 1792-1797 | |
WoO 13 | 12 German Dances for Piano, WoO 13 No. 4 in D major | 1792-1797 | |
WoO 13 | 12 German Dances for Piano, WoO 13 No. 5 in F major | 1792-1797 | |
WoO 13 | 12 German Dances for Piano, WoO 13 No. 6 in B-flat major | 1792-1797 | |
WoO 13 | 12 German Dances for Piano, WoO 13 No. 7 in D major | 1792-1797 | |
WoO 13 | 12 German Dances for Piano, WoO 13 No. 8 in G major | 1792-1797 | |
WoO 13 | 12 German Dances for Piano, WoO 13 No. 9 in E-flat major | 1792-1797 | |
WoO 13 | 12 German Dances for Piano, WoO 13 No. 10 in C major | 1792-1797 | |
WoO 13 | 12 German Dances for Piano, WoO 13 No. 11 in A major | 1792-1797 | |
WoO 13 | 12 German Dances for Piano, WoO 13 No. 12 in D major | 1792-1797 | |
WoO 14 - Twelve Contredanses | |||
WoO 14 | 12 Contredances for Orchestra, WoO 14 No. 1 in C major | ||
WoO 14 | 12 Contredances for Orchestra, WoO 14 No. 2 in A major | 1801 | |
WoO 14 | 12 Contredances for Orchestra, WoO 14 No. 3 in D major | ||
WoO 14 | 12 Contredances for Orchestra, WoO 14 No. 4 in E-flat major | ||
WoO 14 | 12 Contredances for Orchestra, WoO 14 No. 5 in E-flat major | ||
WoO 14 | 12 Contredances for Orchestra, WoO 14 No. 6 in C major | ||
WoO 14 | 12 Contredances for Orchestra, WoO 14 No. 7 in E-flat major | ||
WoO 14 | 12 Contredances for Orchestra, WoO 14 No. 8 in C major | ||
WoO 14 | 12 Contredances for Orchestra, WoO 14 No. 9 in A major | 1801 | |
WoO 14 | 12 Contredances for Orchestra, WoO 14 No. 10 in C major | 1801 | |
WoO 14 | 12 Contredances for Orchestra, WoO 14 No. 11 in G major | ||
WoO 14 | 12 Contredances for Orchestra, WoO 14 No. 12 in E-flat major | ||
WoO 15 - Six Laendler | |||
WoO 15 | Six Ländler for 2 Violins and Bass, WoO 15 No. 1 in D major | ||
WoO 15 | Six Ländler for 2 Violins and Bass, WoO 15 No. 2 in D major | ||
WoO 15 | Six Ländler for 2 Violins and Bass, WoO 15 No. 3 in D major | ||
WoO 15 | Six Ländler for 2 Violins and Bass, WoO 15 No. 4 in D minor | ||
WoO 15 | Six Ländler for 2 Violins and Bass, WoO 15 No. 5 in D minor | ||
WoO 15 | Six Ländler for 2 Violins and Bass, WoO 15 No. 6 in D minor | ||
WoO 16 - Twelve Ecossaises | |||
WoO 17 - Eleven Moedling Dances | |||
WoO 18 - March for Military Band | |||
WoO 18 | March for Military Music in F major, WoO 18 "Yorck March" | 1809 | |
WoO 19 - March for Military Band | |||
WoO 19 | March for Military Music in F major, WoO 19 | June 1810 | |
WoO 20 - March for Military Band | |||
WoO 20 | March and Trio for Military Music in C major, WoO 20 "The Tattoo" | 1809-10 | LvB: add. composed (added Trio), 1822 |
WoO 21 - Polonaise for Military Band | |||
WoO 21 | Polonaise for Military Music in D major, WoO 21 | 1810 | |
WoO 22 - Ecossaise for Military Band | |||
WoO 22 | Ecossaise for Military Music in D major, WoO 22 | 1809-10 | |
WoO 23 - Ecossaise for Military Band | |||
WoO 24 - March for Military Band | |||
WoO 24 | March for Military Music in D major, WoO 24 | June 1816 | |
WoO 25 - Rondo for Wind in E-flat major | |||
WoO 25 | Rondo for 2 Oboes, 2 Clarinets, 2 Bassoons, and 2 Horns in E-flat major, WoO 25. Andante | 1793 | |
WoO 26 - Duo for two flutes | |||
WoO 26 | Duo for 2 Flutes in G major, WoO 26: I. Allegro con brio | ||
WoO 26 | Duo for 2 Flutes in G major, WoO 26: II. Minuetto quasi allegretto | ||
WoO 27 - Three Duos for clarinet and bassoon (no 1 in C major) | |||
WoO 28 - Variations for two oboes and cor anglais on 'La ci darem' | |||
WoO 28 | Variations for 2 Oboes and English Horn in C major on "Là ci darem la mano" from Mozart's opera "Don Giovanni", WoO 28 | 1795 | |
WoO 29 - March for Wind in B-flat major | |||
WoO 29 | March for 2 Clarinets, 2 Horns, and 2 Bassoons in B-flat major, WoO 29 | 1797-98 | |
WoO 30 - 3 Equali for 4 Trombones | |||
WoO 30 | 3 Equali for 4 Trombones, WoO 30: I. Andante | Nov. 1812 | |
WoO 30 | 3 Equali for 4 Trombones, WoO 30: II. Poco Adagio | Nov. 1812 | |
WoO 30 | 3 Equali for 4 Trombones, WoO 30: III. Poco sostenuto | Nov. 1812 | |
WoO 31 - Fugue for organ | |||
WoO 31 | Fugue for Organ in D major, WoO 31 | 1783 | |
WoO 32 - Duo for viola and cello | |||
WoO 32 | Duo for Viola and Cello in E-flat major, WoO 32 "Duet with two obbligato eyeglasses": I. Allegro | ||
WoO 32 | Duo for Viola and Cello in E-flat major, WoO 32 "Duet with two obbligato eyeglasses": II. Allegretto | ||
WoO 33 - 5 Pieces for Mechanical Clock | |||
WoO 33 | 5 Pieces for Mechanical Clock, WoO 33 No. 1 in F major. Adagio assai | 1799 | |
WoO 33 | 5 Pieces for Mechanical Clock, WoO 33 No. 2 in G major. Scherzo. Allegro | 1799-1800 | |
WoO 33 | 5 Pieces for Mechanical Clock, WoO 33 No. 3 in G major. Allegro | 1799 | |
WoO 33 | 5 Pieces for Mechanical Clock, WoO 33 No. 4 in C major. Allegro non più molto | 1794 | |
WoO 33 | 5 Pieces for Mechanical Clock, WoO 33 No. 5 in C major. Menuett. Allegretto | 1794 | |
WoO 34 - Duet for two violins | |||
WoO 34 | Duet for 2 Violins in A major, WoO 34 | ||
WoO 35 - Canon for two violins | |||
WoO 35 | Canon (probably for 2 Violins) in A major, WoO 35 | ||
WoO 36 - Three Quartets for Piano and Strings | |||
WoO 36/1 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: I. Adagio assai | 1785 | |
WoO 36/1 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: II. Allegro con spirito | 1785 | |
WoO 36/1 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 1 in E-flat major: III. Tema. Cantabile - Variazioni I-VI - Tema. Allegretto | 1785 | |
WoO 36/2 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: I. Allegro moderato | 1785 | |
WoO 36/2 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: II. Andante con moto | 1785 | |
WoO 36/2 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 2 in D major: III. Rondo. Allegro | 1785 | |
WoO 36/3 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: I. Allegro vivace | 1785 | |
WoO 36/3 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: II. Adagio con espressione | 1785 | |
WoO 36/3 | Quartet for Piano, Violin, Viola, and Cello, WoO 36 No. 3 in C major: III. Rondo. Allegro | 1785 | |
WoO 37 - Trio for piano, flute and bassoon | |||
WoO 37 | Trio for Piano, Flute, and Bassoon in G major, WoO 37: I. Allegro | ||
WoO 37 | Trio for Piano, Flute, and Bassoon in G major, WoO 37: II. Adagio | ||
WoO 37 | Trio for Piano, Flute, and Bassoon in G major, WoO 37: III. Tema andante con Variazioni | ||
WoO 38 - Piano Trio | |||
WoO 38 | Trio for Piano, Violin, and Cello in E-flat major, WoO 38: I. Allegro moderato | 1791 | |
WoO 38 | Trio for Piano, Violin, and Cello in E-flat major, WoO 38: II. Scherzo. Allegro ma non troppo | 1791 | |
WoO 38 | Trio for Piano, Violin, and Cello in E-flat major, WoO 38: III. Rondo. Allegretto | 1791 | |
WoO 39 - Allegretto for Piano Trio | |||
WoO 39 | Allegretto for Piano, Violin, and Cello in B-flat major, WoO 39 | 1812 | |
WoO 40 - Variations for piano and violin on 'Se vuol ballare' | |||
WoO 41 - Rondo in G major for piano and violin | |||
WoO 42 - Six German Dances | |||
WoO 43 - Two Pieces for Mandolin and Piano | |||
WoO 43a | Sonatina for Mandolin and Piano in C minor, WoO 43a. Adagio | ||
WoO 43b | Adagio for Mandolin and Piano in E-flat major, WoO 43b. Adagio (ma non troppo) | ||
WoO 44 - Two pieces for mandolin and piano | |||
WoO 44a | Sonatina for Mandolin and Klavier in C major, WoO 44a. Allegro | ||
WoO 44b | Variations in D major for Mandolin and Piano, WoO 44b. Andante | ||
WoO 45 - Variations for piano and cello on 'See the conqu'ring hero comes' | |||
WoO 46 - Variations for piano and cello on 'Bei Maennern' | |||
WoO 46 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46: Thema. Andante | 1801 | |
WoO 46 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 1: Variation I | 1801 | |
WoO 46 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 2: Variation II | 1801 | |
WoO 46 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 3: Variation III | 1801 | |
WoO 46 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 4: Variation IV | 1801 | |
WoO 46 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 5: Variation V. Si prenda il tempo un poco più vivace | 1801 | |
WoO 46 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 6: Variation VI. Adagio | 1801 | |
WoO 46 | 7 Variations in E-flat major on Mozart's The Magic Flute: Duet "Bei Männern, welche Liebe fühlen", WoO 46 No. 7: Variation VII. Allegro ma non troppo | 1801 | |
WoO 47 - Three Piano Sonatas | |||
WoO 47/1 | Sonata for Piano, WoO 47 No. 1 in E-flat major: I. Allegro cantabile | ||
WoO 47/1 | Sonata for Piano, WoO 47 No. 1 in E-flat major: II. Andante | ||
WoO 47/1 | Sonata for Piano, WoO 47 No. 1 in E-flat major: III. Rondo vivace | ||
WoO 47/2 | Sonata for Piano, WoO 47 No. 2 in F minor: I. Larghetto maestoso - Allegro assai | ||
WoO 47/2 | Sonata for Piano, WoO 47 No. 2 in F minor: II. Andante | ||
WoO 47/2 | Sonata for Piano, WoO 47 No. 2 in F minor: III. Presto | ||
WoO 47/3 | Sonata for Piano, WoO 47 No. 3 in D major: I. Allegro | ||
WoO 47/3 | Sonata for Piano, WoO 47 No. 3 in D major: II. Menuetto. Sostenuto - Var. I-VI | ||
WoO 47/3 | Sonata for Piano, WoO 47 No. 3 in D major: III. Scherzando. Allegro ma non troppo | ||
WoO 48 - Rondo for piano | |||
WoO 48 | Rondo in C major, WoO 48. Allegretto | ||
WoO 49 - Rondo for piano | |||
WoO 49 | Rondo in A major, WoO 49. Allegretto | ||
WoO 50 - Piano sonatina in F major | |||
WoO 50 | Sonata for Piano in F major, WoO 50: I. [] | ||
WoO 50 | Sonata for Piano in F major, WoO 50: II. Allegretto | ||
WoO 51 - Piano sonata in C major | |||
WoO 51 | Sonata for Piano in C major, WoO 51: I. Allegro | ||
WoO 51 | Sonata for Piano in C major, WoO 51: II. Adagio | ||
WoO 52 - Bagatelle for piano in C minor | |||
WoO 52 | Bagatelle for Piano in C minor, WoO 52: Presto | ||
WoO 53 - Allegretto for piano in C minor | |||
WoO 53 | Allegretto for Piano in C minor, WoO 53 | ||
WoO 54 - Lustig-Traurig for piano | |||
WoO 54 | "Lustig-Traurig" for Piano in C major, WoO 54 | ||
WoO 55 - Prelude in F minor for piano | |||
WoO 55 | Prelude for Piano in F minor, WoO 55 | ||
WoO 56 - Bagatelle for piano in C major | |||
WoO 56 | Bagatelle for Piano in C major, WoO 56. Allegretto | ||
WoO 57 - Andante favori for piano | |||
WoO 57 | Andante for Piano in F major, WoO 57 "Andante favori". Andante grazioso con moto | 1803 | |
WoO 58 - Two cadenzas for Mozart's piano concerto K 466 | |||
WoO 58 | Concerto for Piano No. 20 in D minor, K. 466: I. Allegro (cadence: Beethoven, WoO 58 No. 1) | ||
WoO 58 | Concerto for Piano No. 20 in D minor, K. 466: III. Rondo. Allegro assai (cadence: Beethoven, WoO 58 No. 2) | ||
WoO 59 - Fuer Elise for piano | |||
WoO 59 | Bagatelle for Piano in A minor, WoO 59 "Für Elise". Poco moto | ||
WoO 60 - Piano piece | |||
WoO 60 | Piece for Piano in B-flat major, WoO 60 | ||
WoO 61 - Piano piece | |||
WoO 61 | Allegretto for Piano in B minor, WoO 61 | ||
WoO 61a - Allegretto for Piano | |||
WoO 61a | Allegretto for Piano in G minor, WoO 61a | ||
WoO 62 - Unfinished string quintet in C major | |||
WoO 63 - Variations for piano | |||
WoO 63 | 9 Variations for Piano on a March by Ernst Christoph Dressler in C minor, WoO 63 | ||
WoO 64 - Variations for piano | |||
WoO 64 | 6 Variations for Piano on a Swiss Song in F major, WoO 64 | ||
WoO 65 - Variations for piano | |||
WoO 65 | 24 Variations for Piano on Vincenzo Righini's Arietta "Venni amore" in D major, WoO 65 | ||
WoO 66 - Variations for piano | |||
WoO 66 | 13 Variations for Piano in A major on the Arietta "Es war einmal ein alter Mann" from Dittersdorf's Singspiel "Das rote Käppchen", WoO 66 | ||
WoO 67 - Variations for piano duet | |||
WoO 67 | 8 Variations for Piano in C major on a theme by Count Waldstetin, WoO 67: Thema. Andante con moto - Var. I-VII - Var. VIII. Un poco Adagio - Capriccio - Allegro - Adagio - Allegro - Adagio - Allegretto - Allegro - Presto | 1792 | |
WoO 68 - Variations for piano | |||
WoO 68 | 12 Variations for Piano in C major on the "Menuett à la Viganò" from Jakob Hailbel, tirè du ballet "Le nozze disturbate", WoO 68 | ||
WoO 69 - Variations for piano | |||
WoO 69 | 9 Variations for Piano in A major on the Aria "Quant'è più bello" from Giovanni Paisello's opera "La molinara", WoO 69 | ||
WoO 70 - Variations for piano | |||
WoO 70 | 6 Variations for Piano in G major on the Duet "Nel cor più non mi sento" from Giovanni Paisiello's opera "La molinara", WoO 70 | ||
WoO 71 - Variations for piano | |||
WoO 71 | 12 Variations for Piano in A major on a Russian Dance from Paul Wranitzky's ballet "Das Waldmädchen", WoO 71 | ||
WoO 72 - Variations for piano | |||
WoO 72 | 8 Variations for Piano in C major on the Romance "Une fièvre brulante" from Grétry's opera "Richard Cœur de Lion", WoO 72 | ||
WoO 73 - Variations for piano | |||
WoO 73 | 10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff", WoO 73 | ||
WoO 74 - Song 'Ich denke dein' with variations for piano duet | |||
WoO 74 | 6 Variations for Piano in D major on the song "Ich denke dein", WoO 74: Leid. Andantino cantabile | 1799 | LvB: add. composed (revision), 1803 |
WoO 75 - Variations for piano | |||
WoO 75 | 7 Variations for Piano in F major on the Quartet "Kind, willst du ruhig schlafen?" from Peter Winter's opera "Das unterbrochene Opferfest", WoO 75 | ||
WoO 76 - Variations for piano | |||
WoO 76 | 8 Variations for Piano in F major on the Trio "Tändeln und Scherzen" from Franz X. Süssmayr's opera "Soliman II", WoO 76 | ||
WoO 77 - Variations for piano | |||
WoO 77 | 6 Easy Variations for Piano in G major on an Original Theme, WoO 77 | ||
WoO 78 - Variations for piano | |||
WoO 78 | 7 Variations for Piano in C major on "God Save the King", WoO 78 | ||
WoO 79 - Variations for piano | |||
WoO 79 | 5 Variations for Piano in D major on "Rule Britannia" from Thomas Arne's masque "Alfred", WoO 79 | ||
WoO 80 - 32 Variations for piano in C minor | |||
WoO 80 | 32 Variations for Piano in C minor on an Original Theme, WoO 80 | ||
WoO 81 - Allemande for piano in A major | |||
WoO 81 | Allemande for Piano in A major, WoO 81 | ||
WoO 82 - Minuet for piano in E flat major | |||
WoO 82 | Minuet for Piano in E-flat major, WoO 82. Moderato | ||
WoO 83 - Six Ecossaises for piano | |||
WoO 83 | 6 Ecossaises in E-flat major, WoO 83 | ||
WoO 84 - Waltz for piano | |||
WoO 84 | Waltz for Piano in E-flat major, WoO 84 | ||
WoO 85 - Waltz for piano | |||
WoO 85 | Waltz for Piano in D major, WoO 85 | ||
WoO 86 - Ecossaise for piano in E flat major | |||
WoO 86 | Ecossaise for Piano in E-flat major, WoO 86 | ||
WoO 87 - Cantata on the death of Joseph II | |||
WoO 87 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: I. Choir and Soli "Tot! Tot, stöhnt es durch die öde Nacht" | 1790 | |
WoO 87 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IIa. Recitative (bass) "Ein Ungeheuer, sein Name Fanatismus" | 1790 | |
WoO 87 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IIb. Aria (bass) "Da kam Joseph" | 1790 | |
WoO 87 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: III. Aria (Soprano) with Choir "Da stiegen die Menschen an's Licht" | 1790 | |
WoO 87 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IVa. Recitative (soprano) "Er Schläft, von den Sorgen seiner Welten entladen" | 1790 | |
WoO 87 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: IVb. Aria (soprano) "Hier schlummert seinen stillen Frieden der grosse Dulder" | 1790 | |
WoO 87 | Funeral Cantata on the Death of Emperor Joseph II for Solo Voices, Chorus, and Orchestra, WoO 87: V. Choir and Soli "Tot! Tot, stöhnt es durch die öde Nacht" | 1790 | |
WoO 88 - Cantata on the accession of Leopold II | |||
WoO 88 | Cantata on the Accesssion of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: Ia. Recitative (soprano, choir) "Er schlummert" - "Lasst sanft den grossen Fürsten ruhen!" | 1790 | |
WoO 88 | Cantata on the Accesssion of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: 1b. Arie (soprano) "Fliesse, Wonnezähre, fliesse!" | 1790 | |
WoO 88 | Cantata on the Accesssion of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: II. Recitative (bass) "Ihr staunt, Völker der Erde!" | 1790 | |
WoO 88 | Cantata on the Accesssion of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IIIa. Recitative (tenor) "Wie bebt mein Herz vor Wonne!" | 1790 | |
WoO 88 | Cantata on the Accesssion of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IIIb. Trio (tenor, bass, soprano) "Ihr, die Joseph ihren vater nannten" | 1790 | |
WoO 88 | Cantata on the Accesssion of Emperor Leopold II for Solo Voices, Chorus, and Orchestra, WoO 88: IV. Choir "Heil! Stürzet nieder, Millionen'" | 1790 | |
WoO 89 - Aria 'Pruefung des Kuessens' | |||
WoO 90 - Aria 'Mit Maedeln sich vertragen' | |||
WoO 91 - Two arias for 'Die schoene Schusterin' | |||
WoO 92 - Aria 'Primo Amore' | |||
WoO 92a - Aria 'No, non turbati' | |||
WoO 93 - Duet 'Nei giorni tuoi felice' | |||
WoO 94 - 'Germania', finale for 'Die gute Nachricht' | |||
WoO 95 - 'Chor auf die verbuendeten Fuersten' | |||
WoO 96 - Incidental music for 'Leonore Prohaska' | |||
WoO 97 - 'Es ist vollbracht' finale for 'Die Ehrenpforten' | |||
WoO 98 - 'Wo sich die Pulse', chorus for 'Die Weihe des Hauses' | |||
WoO 99 - Italian Partsongs | |||
WoO 100 - 'Lob auf den Dicken' | |||
WoO 101 - 'Graf, Graf, liebster Graf' | |||
WoO 102 - 'Abschiedsgesang' | |||
WoO 103 - Cantata 'Un lieto Brindisi' | |||
WoO 104 - 'Gesang der Moenche' | |||
WoO 105 - 'Hochzeitslied' | |||
WoO 106 - Birthday Cantata for Prince Lobkowitz | |||
WoO 107-130 - Twenty-four songs | |||
123 | "Ich liebe dich so wie du mich" (Zärtliche Liebe), WoO 123 | ||
129 | Der Wachtelschlag, WoO 129 "Ach, mir schallt's dorten" | ||
WoO 131 - Unfinshed song 'Erlkoenig' | |||
WoO 132 - Song | |||
WoO 133 - Song | |||
133 | "In questa tomba oscura", WoO 133 | ||
WoO 134 - Song 'Sehnsucht' in four settings | |||
WoO 135-151 - Seventeen Songs | |||
136 | Andenken, WoO 136 "Ich denke dein" | ||
WoO 152-158 - 143 Folksong Settings | |||
WoO 159-198 - Forty-three Canons | |||
WoO 199 - Ich bin der Herr von zu | |||
WoO 200 - 'O Hoffnung' | |||
WoO 201 - 'Ich bin bereit' | |||
WoO 202 - 'Das Schoene zu dem Guten' | |||
WoO 203 - 'Das Schoene zu dem Guten' | |||
WoO 204 - 'Holz, Holz' | |||
WoO 205 - Musical quips from Beethoven's letters |
Hess
Hess | TrackTitle | CompositionDate | AdvancedRelationships + Notes |
Hess 12 - Oboe Concerto in F (fragment only) | |||
Hess 13 - Romance in E minor for 3 soloists and orchestra | |||
Hess 13 | Romance cantabile for Piano, Flute, and Bassoon accompanied by 2 Oboes and String Orchestra, Hess 13 (fragment completion: Willy Hess) | 1786 | Hess: add. composed, ; |
Hess 15 - Piano Concerto No. 6 (unfinished) | |||
Hess 19 - Wind quintet in E flat major | |||
Hess 28 - Movement in A flat major for string trio | |||
Hess 29 - Prelude and Fugue for String Quartet | |||
Hess 29 | Prelude and Fugue for 2 Violins and Cello in E minor, Hess 29: I. Prelude | ||
Hess 29 | Prelude and Fugue for 2 Violins and Cello in E minor, Hess 29: I. Fugue | ||
Hess 30 - Prelude and Fugue for String Quartet | |||
Hess 30 | Prelude and Fugue for 2 Violins, Viola, and Cello in F major, Hess 30: Prelude | 1794-95 | |
Hess 30 | Prelude and Fugue for 2 Violins, Viola, and Cello in F major, Hess 30: Fugue | 1794-95 | |
Hess 31 - Prelude and Fugue for String Quartet | |||
Hess 31 | Prelude and Fugue for 2 Violins, Viola, and Cello in C major, Hess 31: Prelude | 1794-95 | |
Hess 31 | Prelude and Fugue for 2 Violins, Viola, and Cello in C major, Hess 31: Fugue | 1794-95 | |
Hess 32 - Quartet for string quartet | |||
Hess 32 | Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): I. Allegro con brio | 1799 | |
Hess 32 | Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): II. Adagio molto | 1799 | |
Hess 32 | Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): III. Scherzo. Allegro | 1799 | |
Hess 32 | Quartet for 2 Violins, Viola, and Cello in F major, Hess 32/Op. 18 No. 1 (first version): IV. Allegretto | 1799 | |
Hess 33 - Minuet for string quartet | |||
Hess 33 | Minuet for 2 Violins, Viola, and Cello in A-flat major, Hess 33 | 1790-92 | |
Hess 34 - Quartet for Strings (arrangement from "Sonata for Piano, Op. 14 No. 1") | |||
Hess 34 | Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (arrangement from "Sonata for Piano, Op. 14 No. 1"): I. Allegro moderato | 1801 | LvB: arranged {instruments}, 1801-02; |
Hess 34 | Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (arrangement from "Sonata for Piano, Op. 14 No. 1"): II. Allegretto | 1801 | LvB: arranged {instruments}, 1801-02; |
Hess 34 | Quartet for 2 Violins, Viola, and Cello in E major, Hess 34 (arrangement from "Sonata for Piano, Op. 14 No. 1"): III. Allegro | 1801 | LvB: arranged {instruments}, 1801-02; |
Hess 36 - Handel Fugue arranged for String Quartet | |||
Hess 36 | Fugue for 2 Violins, Viola, and Cello, Hess 36 (arrangement from Handel's "Solomon, HWV 67: Overture") | Handel: composed, 1748; LvB: arranged {instruments}, 1798; | |
Hess 38 - Bach Fugue arranged for String Quartet | |||
Hess 39 - String Quintet in F major (lost) | |||
Hess 40 - Movement in D minor for String Quintet | |||
Hess 46 - Violin Sonata in A major | |||
Hess 48 - Allegretto in E flat major for piano trio | |||
Hess 48 | Alegretto for Piano, Violin, and Cello in E-flat major | 1790-92 | |
Hess 64 - Fugue for keyboard | |||
Hess 64 | Fugue for Piano in C major, Hess 64 | ||
Hess 65 - Concerto excerpt (arrangement from Op. 37) | |||
Hess 69 - Bagatelle in C minor for piano | |||
Hess 69 | Allegretto for Piano in C minor, Hess 69 | ||
Hess 87 - March for piano (arrangement from WoO 29) | |||
Hess 88 - Minuet for piano (arrangement from Hess 33) | |||
Hess 89 - Ritterballett (piano arrangement from WoO 1) | |||
Hess 90 - The Creatures of Prometheus (piano arrangement from Opus 43) | |||
Hess 91 - Opferlied (piano arrangement from Opus 121b) | |||
Hess 92 - Bundeslied (piano arrangement from Opus 122) | |||
Hess 93 - `Freudvoll', piano accompaniment for Opus 84 | |||
Hess 97 - Wellington's Victory (piano arrangement from Opus 91) | |||
Hess 99 - March for piano (arrangement from WoO 18) | |||
Hess 107 - Grenadier's March | |||
Hess 107 | Grenadier March for Mechanical Clock in F major, Hess 107 | 1798 | |
Hess 108 - Wellington's Victory (panharmonicon arrangement from Opus 91) | |||
Hess 109 - Opera "Leonore" in 3 Acts (1805 version) | |||
Hess 109 | Leonore, Hess 109: Overture "Leonore II" | 1805 | |
Hess 109 | Leonore, Hess 109: Act I, No. 1. Aria "O wär' ich schon mit dir vereint" (Marzelline) | 1805 | |
Hess 109 | Leonore, Hess 109: Act I, No. 2. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) | 1805 | |
Hess 109 | Leonore, Hess 109: Act I, No. 3. Trio "Ein Mann ist bald genommen" (Rocco, Marzelline, Jaquino) | 1805 | |
Hess 109 | Leonore, Hess 109: Act I, No. 4. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jacquino) | 1805 | |
Hess 109 | Leonore, Hess 109: Act I, No. 5. Aria "Hat man nicht auch Gold beineben" (Rocco) | 1805 | |
Hess 109 | Leonore, Hess 109: Act I, No. 6. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) | 1805 | |
Hess 109 | Leonore, Hess 109: Act II, No. 7. Introduction in D major | 1805 | |
Hess 109 | Leonore, Hess 109: Act II, No. 8. Aria "Ha! Welch ein Augenblick!" (Pizarro, choir) | 1805 | |
Hess 109 | Leonore, Hess 109: Act II, No. 9. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) | 1805 | |
Hess 109 | Leonore, Hess 109: Act II, No. 10. Duet "Um in der Ehe froh zu leben" (Marzelline, Leonore) | 1805 | |
Hess 109 | Leonore, Hess 109: Act II, No. 11. Recitation "Ach, brich noch nicht, du mattes Herz!" (Leonore) - Aria "Komm, Hoffnung, lass den letzen Stern" (Leonore) | 1805 | |
Hess 109 | Leonore, Hess 109: Act II, No. 12. Finale. Prisoner's Chorus "O welche Lust, in frier Luft" - Recitation "Entfernt euch jetzt! Nun, könnt ihr eilen?" (Rocco) - Duet "Nun sprecht, wie ging's?" (Leonore, Rocco) - Duet "Noch heute, noch heute?" (Leonore, Rocco) - Duet "Wir müssen gleich zu werke schreiten" (Rocco, Leonore) - Quartet "Ach Vater, eilt!" (Marzelline, Rocco, Leonore, Pizarro) - Aria "Auf euch nur will ich bauen" (Pizarro, choir) | 1805 | |
Hess 109 | Leonore, Hess 109: Act III, No. 13. Introduction and Recitation "Gott! Welch Dunkel hier!" (Florestan) - Aria "On des Lebens Frühlingstagen" (Florestan) | 1805 | |
Hess 109 | Leonore, Hess 109: Act III, Melodrama "Wie kalt ist es in diesem unteirdischen Gewölbe!" (Leonore, Rocco) - Duet "Nur hurtig fort" (Rocco, Leonore) | 1805 | |
Hess 109 | Leonore, Hess 109: Act III, No. 15. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) | 1805 | |
Hess 109 | Leonore, Hess 109: Act III, No. 16. Quartet "Er sterbe! Doch er soll erst wissen" (Pizarro, Florestan, Leonore, Rocco) | 1805 | |
Hess 109 | Leonore, Hess 109: Act III, No. 17. Recitation "Ich kann mich noch nicht fassen" (Florestan, Leonore) - Duet "O namenlose Freude!" (Leonore, Florestan) | 1805 | |
Hess 109 | Leonore, Hess 109: Act III, No. 18. Finale. "Zur Rache! Zur Rache!" (choir, Leonore, Florestan, Rocco, Fernando, Jaquino, Marzelline) - "Bestrafet sei der Bösewicht" (choir, Fernando) - "O Gott! O welch ein Augenblick!" (Leonore, Marzelline, Florestan, Jaquino, Fernando, Rocco, choir) - Recitation "Wie lange habt ihr sie getragen" (Ferndando, Florestan, Rocco) - "Doch höre erst, du Bösewicht" (Fernando, choir, Leonore, Florestan) - Recitation "Der König wird dein Richter sein!" (Fernando, choir) - "Wer ein holdes Weib errungen" (Marzelline, Jaquino, Rocco, Fernando, choir, Florestan, Leonore) | 1805 | |
Hess 109 | Leonore, Hess 109: Appendix, No. 7a. March (alternative version) in B-flat major | ||
Hess 110 - Opera "Leonore" in 2 Acts (1806 version) | |||
Hess 110 | Leonore, Hess 110: Act I, Scene I, No. 1. Aria "O wär' ich schon mit dir vereint" (Marzelline) | ||
Hess 110 | Leonore, Hess 110: Act I, Scene I, No. 2. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) | ||
Hess 110 | Leonore, Hess 110: Act I, Scene I, No. 3. Quartet "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jacquino) | ||
Hess 110 | Leonore, Hess 110: Act I, Scene I, No. 4. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) | ||
Hess 110 | Leonore, Hess 110: Act I, Scene II, No. 5. March | ||
Hess 110 | Leonore, Hess 110: Act I, Scene II, No. 6. Aria with Choir "Ha! Welch ein Augenblick!" (Pizarro, choir) | ||
Hess 110 | Leonore, Hess 110: Act I, Scene II, No. 7. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) | ||
Hess 110 | Leonore, Hess 110: Act I, Scene II, No. 8. Recitation and Aria "Ach, brich noch nicht, du mattes Herz!" - "Komm, Hoffnung, lass den letzen Stern" (Leonore) | ||
Hess 110 | Leonore, Hess 110: Act I, Scene II, No. 9. Duet "Um in der Ehe froh zu leben" (Marzelline, Leonore) | ||
Hess 110 | Leonore, Hess 110: Act I, Scene II, No. 10. Trio "Ein Mann ist bald genommen" (Rocco, Marzelline, Jaquino) | ||
Hess 110 | Leonore, Hess 110: Act I, Scene II, No. 11. Finale. Prisoner's Chorus "O welche Lust" - Recitation "Nun sprecht, wie ging's?" (Leonore, Rocco) - Duet "Noch heute, noch huete?" (Leonore, Rocco) - Duet "Wir müssen gleich zu Werke schreiten" (Rocco, Leonore) - Quartet "Ach Vater, eilt!" (Marzelline, Rocco, Leonore, Pizarro) - Aria "Auf euch nur will ich bauen" (Pizarro with Choir) | ||
Hess 115 - Vestas Feuer (unfinished Opera) | |||
Hess 118 - Music for the Consecration of the House (from Opus 113) | |||
Hess 133 - Folksong | |||
Hess 134 - Folksong | |||
Hess 137 - Song `Ich wiege dich' (lost) | |||
Hess 139 - Song `Minnesold' (lost) | |||
Hess 143 - Song `An die Freude' (lost) | |||
Hess 152-207 - Folksong settings | |||
Hess 208-232 - Italian partsongs | |||
Hess 233-246 - Counterpoint exercises | |||
Hess 274-277 - 4 Canons for Piano | |||
Hess 274 | 4 Canons for Piano, Hess 274 No. 1 in G major | 1803 | |
Hess 275 | 4 Canons for Piano, Hess 275 No. 2 in A-flat major | 1803 | |
Hess 276 | |||
Hess 277 | |||
Hess 297 - Adagio for three horns | |||
Hess 300-301 - Two Canons |
AnH
AnH | TrackTitle | CompositionDate | AdvancedRelationships + Notes |
AnH 3 - Piano Trio in D major | |||
AnH 4 - Flute Sonata in B flat major | |||
AnH 5 - Two Piano Sonatinas | |||
AnH 6 - Rondo in B flat major for piano |
Please Help Verify This Information
- Op. 12 No. 3: II. has a peculiar tempo indication. I would like someone else to take a glance and see if it looks okay. -AaronCooper (nuke this once verified, thanks)
- I can't verify if it's correct, but the tempo itself is somewhat common to my eyes. (Adagio with much expression). -- BrianSchweitzer 17:01, 04 February 2008 (UTC)
- Surely a common typo, has 226 results on Google against the proper italian "Adagio con molta espressione" -- ClutchEr2
- Op. 15: III. Should this be Rondo. Allegro or Rondo. Allegro scherzando?
- Op. 30 No. 2: I. I'm not sure if this tempo indication is correct either. A source said "Allegro con bri" so I assumed that was a mistake and entered "Allegro con brio"
- Correct, "bri" makes no sense -- ClutchEr2
- Op. 43a: II. Should this be "Allegro molto con brio" or "Allegro molto e con brio"?
- Theoretically you could have the latter, but the former would be much more common to my experience. -- BrianSchweitzer 17:01, 04 February 2008 (UTC)
- Op. 50: is it for Piano and Orchestra or Piano and Violin?
- Op. 58: II. Should this be Andante con moto or Andante, con moto?
- Again based on nothing but experience (no reference to any particular details for the specific work), but the former would seem much more "normal". -- BrianSchweitzer 17:01, 04 February 2008 (UTC)
- Op. 61 (and Op. 61a): III. Should this be Rondo or Rondo. Allegro?
- Op. 85: Vc. My liner notes say "Chor der Jünger" - translate.google.com spits out "Chorus of younger" which doesn't make much sense. Should this be something like "Choir of Children"? That's what I've entered for now. -AaronCooper
- No, this "Jünger" means "Disciples". I've changed the 2 occurences accordingly. --LongRoadToFollow 20:49, 09 January 2009 (UTC)
- Op. 125 (Symphony No. 9) - I admit I've never known how to enter this properly
Comments
Question on 5/1 and 5/2 (might be others I didn't notice). Isn't having "No. 1" and "No. 2" repeated twice redundant? "Sonata for Cello and Piano No. 1 in F major, Op. 5 No. 1", etc. (Or it may just be coincidence that No. 1 and No. 2 here are also Nos. 1 and 2 of that opus, and there's Sonata Nos. 3+ elsewhere?) -- BrianSchweitzer 06:26, 05 February 2008 (UTC)
- Op. 69 - Sonata No. 3 for Piano and Cello -AaronCooper
I noticed you're using "Sonata for Piano" regardless of what Beethoven wrote in the score (checked w. Könemann, Urtext based on autograph/first edition). Is this deliberate? Or a language issue? Examples from the score: 12. Grande Sonate pour le clavecin ou pianoforte, Op. 26 14. Sonata quasi una fantasia per il clavicembalo o pianoforte, Op 27. No 2 17. Sonate pour le pianoforte, Op. 31 No. 2 -- symphonick 16:00, 25 February 2008 (UTC)
- I don't know where to access Beethoven's original scores to see what he wrote, but I think that the format "WORK for INSTRUMENTS in KEY" helps keep the titles consistent across Beethoven's 32 piano sonatas and makes them easy (easier?) to decipher. We've been consistently adding things as "Piano Sonata No. X" for as long as I can remember so I didn't think it would be much of a stretch to suggest that we re-order the parts of the title so they are consistent with multiple-instrument works (eg. Sonata for Cello and Piano No. 1). -AaronCooper
I noticed Op. 137 was yellow... My score (Eulenburg) has 5 versions of the title: "Quintet-Fugue" on cover, "Fugue" on first page, "Quintet Fugue" on the page with notes & "Quintett-Fuge" in the top of the score. The title on the first edition (Haslinger) was "Fuge (in D.) fur 2 Violinen, 2 Violen und Violoncell" BTW it's composed on 28th november 1817 -- symphonick 12:16, 27 February 2008 (UTC)
According to the Complete Masterpieces box, WoO 29 should also have 2 Oboes in the instrument list. -- BrianSchweitzer 16:08, 26 March 2008 (UTC)
- It's "2 clarinets, 2 horns, and 2 bassoons" according to the DG complete box set. -- AaronCooper
I find Instrumentator AR more appropriate for Op. 134. -- Xlotlu 12:59, 28 May 2008 (UTC)
In Fidelio, Op. 72, is the character's name really "Florenstan"? According to all my sources it is "Florestan". --LongRoadToFollow 20:49, 09 January 2009 (UTC)
- Probably a typo since both versions existed. I recognize "Florestan"... changed it. -- symphonick 11:21, 09 March 2009 (UTC)
Note about the piano sonatas: Beethoven didn't write movement numbers (probably true for most other works too). I'm not sure it's a good idea to add our own ("Waldstein" is looking a bit odd now?). IMHO.
I see you sometimes add tempo changes to titles, and sometimes not. Do you have a general idea about when to add a tempo/section? Do we want to know if an Adagio becomes Allegro? And if he changes back again ("Tempo I")? What about Scherzo - Trio, should we write out the Trio part or just assume that it's there anyway? How about variations, like in Op. 26: "Andante con Variazioni - Var. I-V" -- symphonick 11:21, 09 March 2009 (UTC)
Op. 58: II. This one also should be credited as cadenza. -- ym