User:BrianSchweitzer/sandbox/Works

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Revision as of 23:44, 20 December 2010 by BrianSchweitzer (talk | contribs) (New page: Note: I ''think'' "Movement" == Work in these. ==Movement as Opus== # Mozart - Song for Voice and Piano in A major, K. 46c/52 "Daphne, deine Rosenwangen" # Mozart - March for Orchestra in...)
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Note: I think "Movement" == Work in these.

Movement as Opus

  1. Mozart - Song for Voice and Piano in A major, K. 46c/52 "Daphne, deine Rosenwangen"
  2. Mozart - March for Orchestra in C major, K. 383F / KV 408/3: Maestoso

Opus as "Composition": Opus with Movement

  1. Mozart - Symphony No. 36 for Orchestra in C major, K. 425 "Linz": II. Andante
  2. Mozart - Concerto for French Horn No. 3 in E-flat major, K. 447: III. Allegro

Opus as "container": Opus without Movements

  1. Mozart - 4 Solfeggios for 1 Voice, K. 385b / KV 393 No. 1
  2. Beethoven - 6 Minuets for 2 Violins and Bass, WoO 9 No. 2 in G major

Opus with Movement that has multiple tempos/parts

  1. Mozart - Prelude for Piano in C major, K. 383a / 394: I. Fantasia. Adagio - andante - più adagio - primo tempo
  2. Mozart - Symphony No. 36 for Orchestra in C major, K. 425 "Linz": IIIa. Minuetto
  3. Mozart - Symphony No. 36 for Orchestra in C major, K. 425 "Linz": IIIb. Trio & IIIa. Minuetto
  4. Beethoven - Symphony No. 9 in D minor, Op. 125 "Choral": IV. Recitative. (Presto - Allegro ma non troppo - Vivace - Adagio cantabile - Allegro assai - Presto "O Freunde") - Allegro assai "Freude, schöner Götterfunken" - Alla marcia - Allegro assai vivace "Froh, wie seine Sonnen" - Andante maestoso "Seid umschlungen, Millionen!" - Adagio ma non troppo, ma divoto "Ihr, stürzt nieder" - Allegro energico, sempre ben marcato ("Freude, schöner Götterfunken" - "Seid umschlungen, Millionen!") - Allegro ma non tanto "Freude, Tochter aus Elysium!" - Prestissimo "Seid umschlungen, Millionen!"

The same work as two different works, depending on context

As part of the opera (Don Giovanni)
Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Anhang. No. 10a Aria "Dalla sua pace" (Don Ottavio) [K. 540a]
As a standalone work
Il dissoluto punito, ossia il Don Giovanni for Soprano in G major, K. 540a/deest: No. 10a. Appendix. Aria "Dalla sua pace" (Tenor)
This Opus (aka symphony) is Mozart's if all 4 are present...
Symphony No. 37 in G major, K. 425a/444: N. Andante maestoso
Symphony No. 25 in G major, K. 425a/444 MH 334: I. Allegro con spirito
Symphony No. 25 in G major, K. 425a/444 MH 334: II. Andante sostenuto
Symphony No. 25 in G major, K. 425a/444 MH 334: III. Allegro molto
But Haydn's if only 3 are present.
Symphony No. 25 in G major, MH 334: I. Allegro con spirito
Symphony No. 25 in G major, MH 334: II. Andante sostenuto
Symphony No. 25 in G major, MH 334: III. Allegro molto

One opus can be a variation on another opus

  1. Symphony No. 35 for Orchestra in D major, K. 385 "Haffner": IV. Presto
  2. Symphony on Serenade No. 7 for Orchestra in D major, K. *248b / KV *250 NMA IV/11/7 No. 2 "Haffner": V. Adagio - allegro assai

One opus can be a variation on another opus by a different composer

  1. Mozart - 9 Variations on Nicolas Dezède: Comedie melée d'Ariettes Julie: "Lison dormait" for Piano in C major, K. 315d/264
  2. Mozart - 8 Variations on André Ernest Modeste Grétry: Les mariages samnites: March "Dieu d'amour" for Piano in F major, K. 374c/352
  3. Mozart - 6 Variations on Antonio Salieri: La fiera di Venezia: "Mio caro Adone" for Piano in G major, K. 173c/180

Alternate versions of movements within an opus can exist

  1. Concerto for French Horn No. 4 in E-flat major, K. 495 / KV deest (218 measures): I. Allegro maestoso
  2. Concerto for French Horn No. 4 in E-flat major, K. Zu 495 / KV 495 NMA V/14/5 Anh III (175 measures): I. Allegro moderato
  3. Concerto for French Horn No. 4 in E-flat major, K. 496 + K. Zu 495 / KV deest (229 measures): I. Allegro maestoso

Movement, Opus, and "Superopus"

Henze - Royal Winter Music: Guitar Sonata No. 1 on Shakespearean Characters: I. Gloucester

Superopus
Royal Winter Music
Opus
Guitar Sonata No. 1 on Shakespearean Characters
Movement
I. Gloucester

http://www.classicsonline.com/catalogue/product.aspx?pid=257746

Opera

"(DG)" rather than "Il dissoluto punito, ossia il Don Giovanni", to cut down on the wall of text.

The "main" opera

  • (DG), K. 527: Ouverture. Andante - Allegro molto 1787-10-28
  • (DG), K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" (Leporello)
  • (DG), K. 527: Act I, Scene II. Recitativo "Leporello, ove sei?" (Don Giovanni, Leporello)
  • (DG), K. 527: Act I, Scene II. Recitativo "Ah del padre in periglio" (Donna Anna, Don Ottavio)
  • (DG), K. 527: Act I, Scene III. No. 2 Recitativo accompagnato "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio)
  • (DG), K. 527: Act I, Scene III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio)
  • (DG), K. 527: Act I, Scene IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello)
  • (DG), K. 527: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira)
  • (DG), K. 527: Act I, Scene V. Recitativo "Chi è la? Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello)
  • (DG), K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello)
  • (DG), K. 527: Act I, Scene VI. Recitativo "In questa forma dunque" (Donna Elvira)
  • (DG), K. 527: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro)
  • (DG), K. 527: Act I, Scene VIII. Recitativo "Manco male e partita" (Don Giovanni, Leporello, Zerlina)
  • (DG), K. 527: Act I, Scene VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto)
  • (DG), K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina)
  • (DG), K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina)
  • (DG), K. 527: Act I, Scene X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni)
  • (DG), K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira)
  • (DG), K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna)
  • (DG), K. 527: Act I, Scene XI. Recitativo "Ah ti ritrovo ancor" (Donna Elvira)
  • (DG), K. 527: Act I, Scene XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni)
  • (DG), K. 527: Act I, Scene XI. Recitativo "Povera sventurata!" (Don Giovanni)
  • (DG), K. 527: Act I, Scene XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)
  • (DG), K. 527: Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna)
  • (DG), K. 527: Act I, Scene XIV. Recitativo "Come mai cerder deggio" (Don Giovanni)
  • (DG), K. 527: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni)
  • (DG), K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni)
  • (DG), K. 527: Act I, Scene XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto)
  • (DG), K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina)
  • (DG), K. 527: Act I, Scene XVI. No. 12 Aria "Pace, pace, o vita mia" (Zerlina)
  • (DG), K. 527: Act I, Scene XVI. Recitativo "Guarda un po' come seppe" (Masetto, Don Giovanni, Zerlina)
  • (DG), K. 527: Act I, Scenes XVI-XVII. No. 13 Finale "Presto presto" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
  • (DG), K. 527: Act I, Scene XVIII. No. 13 Finale "Tra quest' arbori celata" (Zerlina, Don Giovanni, Masetto, Coro)
  • (DG), K. 527: Act I, Scenes XVIII-XIV. No. 13 Finale "Sì core, fate core" (Donna Anna, Donna Elvira, Don Ottavio, Zerlina, Don Giovanni, Leporello, Masetto, Coro)
  • (DG), K. 527: Act I, Scenes XVI-XIX. No. 13 Finale "Signor guardate un poco" (Donna Anna, Donna Elvira, Don Ottavio, Don Giovanni, Leporello)
  • (DG), K. 527: Act I, Scene XIX. No. 13 Finale "Protegga il giusto cielo" (Donna Anna, Donna Elvira, Don Ottavio, Leporello)
  • (DG), K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
  • (DG), K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
  • (DG), K. 527: Act I, Scene XX. No. 13 Finale "Da bravi, via, ballate!" (Donna Anna, Donna Elvira, Don Ottavio, Leporello)
  • (DG), K. 527: Act I, Scene XX. No. 13 Finale "Soccorriamo l'innocente!" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
  • (DG), K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
  • (DG), K. 527: Act I, Scene XX. No. 13 Finale "Trema, trema, o scellerato!" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
  • (DG), K. 527: Act I, Scene XX. No. 13 Finale "Sul tuo capo in questo giorno" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro)
  • (DG), K. 527: Act II, Scene I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello)
  • (DG), K. 527: Act II, Scene I. Recitativo "Leporello! Signore?" (Don Giovanni, Leporello)
  • (DG), K. 527: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni)
  • (DG), K. 527: Act II, Scene II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello)
  • (DG), K. 527: Act II, Scene II. Recitativo "Eccomi a voi!" (Donna Elvira, Don Giovanni, Leporello)
  • (DG), K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni)
  • (DG), K. 527: Act II, Scene III. Recitativo "V'è gente alla finestra" (Don Giovanni, Masetto)
  • (DG), K. 527: Act II, Scene III. Recitativo "Non ci stanchiamo" (Don Giovanni, Masetto)
  • (DG), K. 527: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni)
  • (DG), K. 527: Act II, Scene V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni)
  • (DG), K. 527: Act II, Scene VI. Recitativo "Ahi ahi! la testa mia" (Masetto, Zerlina)
  • (DG), K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina)
  • (DG), K. 527: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira)
  • (DG), K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna)
  • (DG), K. 527: Act II, Scene IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto)
  • (DG), K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello)
  • (DG), K. 527: Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio)
  • (DG), K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio)
  • (DG), K. 527: Act II, Scene XI. Recitativo "Ah, ah, ah, ah, questa e buona" (Don Giovanni, Leporello)
  • (DG), K. 527: Act II, Scene XI. Recitativo "Di rider finirai pria dell'aurora." (Don Ottavio)
  • (DG), K. 527: Act II, Scene XI. Recitativo "Chi ha parlato?" (Don Giovanni)
  • (DG), K. 527: Act II, Scene XI. Recitativo "Ribaldo, audace" (Don Giovanni, Leporello, Il Commendatore)
  • (DG), K. 527: Act II, Scene XI. Recitativo "Sarà qualcun di fuori che si burla" (Don Giovanni, Leporello)
  • (DG), K. 527: Act II, Scene XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni)
  • (DG), K. 527: Act II, Scene XII. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna)
  • (DG), K. 527: Act II, Scene XII. No. 23 Recitativo accompagnato "Crudele! - Ah no, mio bene!" (Donna Anna)
  • (DG), K. 527: Act II, Scene XII. No. 23 Rondo "Non mi dir, bell'idol mio" (Donna Anna)
  • (DG), K. 527: Act II, Scene XII. Recitativo "Ah, si segua il suo passo" (Don Ottavio)
  • (DG), K. 527: Act II, Scene XIII. No. 24 Finale "Già la mensa e preparata" (Don Giovanni, Leporello, Donna Elvira)
  • (DG), K. 527: Act II, Scene XIV. No. 24 Finale "L'ultima prova dell'amor mio" (Don Giovanni, Leporello, Donna Elvira)
  • (DG), K. 527: Act II, Scene XIV. No. 24 Finale "Ah signor ... per carità!" (Don Giovanni, Leporello)
  • (DG), K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello)
  • (DG), K. 527: Act II, Scene XV. No. 24 Finale "Oimè! che gelo è questo mai?" (Il Commendatore, Don Giovanni)
  • (DG), K. 527: Act II, Scene XV. No. 24 Finale "Da qual tremore insolito..." (Don Giovanni, Leporello, Coro)
  • (DG), K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
  • (DG), K. 527: Act II, Scene XV. No. 24 Finale "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro)
  • (DG), K. 527: Act II, Scenes XV-Ultima. No. 24 Finale "Questo è il fin di chi fa mal" (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto)

Appendix / Drop in movements

  • (DG), K. 527: Act I, Scene XIV. Anhang. No. 10a Aria "Dalla sua pace" (Don Ottavio) [K. 540a] 1788-04-24
  • (DG), K. 527: Act II, Scene IX. Anhang. Recitativo "Ah pietà... compassion" (Leporello, Don Ottavio)  ?
  • (DG), K. 527: Act II, Scene Xa. Anhang. No. 21a Recitativo "Restati qua" (Zerlina, Leporello) 1788-04-24
  • (DG), K. 527: Act II, Scene Xa. Anhang. No. 21a Duetto "Per queste tue manine" (Zerlina, Leporello) [K. 540b] 1788-04-24
  • (DG), K. 527: Act II, Scene Xb. Anhang. Recitativo "Amico, per pietà" (Leporello)  ?
  • (DG), K. 527: Act II, Scene Xc. Anhang. Recitativo "Andiam, andiam, signora" (Zerlina, Donna Elvira, Masetto)  ?
  • (DG), K. 527: Act II, Scene Xd. Anhang. No. 21b Recitativo accompagnato "In quali eccessi, o Numi" (Donna Elvira) [540c/1] 1788-04-30
  • (DG), K. 527: Act II, Scene Xd. Anhang. No. 21b Aria "Mi tradi quell'alma ingrata" (Donna Elvira) [540c/2]
  • (DG), K. Zu 527: Act II, Scene XI. Anhang. Scene "birbo! Ah siete voi?" (Leporello, Don Giovanni)
  • (DG), K. Zu 527: Act II, Scene Ultima. Anhang. Scene. Übergang für die gestrichenen (Measures 689-749) (Donna Anna, Zerlina, Donna Elvira, Don Ottavio, Masetto)

Alternate versions

  • (DG), K. Zu 527 NMA IV/11/10 (concert version): Ouverture. Andante - allegro molto