Style/Classical/Recording Artist: Difference between revisions
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{{Official style}} |
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The Recording Artist field should contain the most important performers who appear on that specific recording, but it is acceptable that newly-created recordings have their artist information derived from a tracklist. Use a comma between multiple artists. |
The Recording Artist field should contain the most important performers who appear on that specific recording, but it is acceptable that newly-created recordings have their artist information derived from a tracklist. Use a comma between multiple artists. |
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Revision as of 22:31, 15 May 2012
Status: This is an official style guideline. |
The Recording Artist field should contain the most important performers who appear on that specific recording, but it is acceptable that newly-created recordings have their artist information derived from a tracklist. Use a comma between multiple artists.
Note that this field is just a summary. To credit performers properly, you should always link the performers to the appropriate recordings using Advanced Relationships.
- If the release lists all performers who appear on the release, be careful to only add performers who actually contributed to the specific recording.
- If no performer info can be found, use special artist [unknown].
Examples
Cello Suite No. 4 in E-flat major, BWV 1010: I. Prelude Pau Casals
Sonata No. 1 in G major, Op. 78: II. Adagio פנחס צוקרמן, Daniel Barenboim
Symphony No. 2 in D major, Op. 43: IV. Finale. Allegro moderato Boston Symphony Orchestra, Sir Colin Davis
Concierto de Aranjuez: I. Allegro con spirito Julian Bream, Melos Chamber Orchestra, Colin Davis
Lohengrin: Act III, Scene I. "Treulich geführt ziehet dahin" Konzertvereinigung Wiener Staatsopernchor, Rudolf Kempe, Wiener Philharmoniker